Review: "TANLINES" - Taylor Felt
- Lauren Nolan
- 17 minutes ago
- 2 min read
Singer-songwriter Taylor Felt is back with her latest single, “TANLINES.” “TANLINES” is a dark pop, vampy anthem about living life to the fullest. The song is a smooth blend of synthwave and pop-disco. With its high-tempo electro-inspired instrumental and the absolute explosion that is the chorus, “TANLINES” is a track destined for the clubs and late-night party jams. It’s impossible not to want to dance listening to “TANLINES.” Taylor Felt just released an electric song perfect for the upcoming summer.
“TANLINES” is an enigmatic song. This is in part due to Taylor’s incredibly strong presence on the track. Taylor Felt is a dynamic and captivating performer, and she really makes “TANLINES” come to life. Not only is she a co-writer, but Taylor’s vocals have a special way of capturing the song’s essence. She is a singer chock-full of personality. “TANLINES” is a very vibey song. From the dark-pop aesthetic to Taylor's rebellious attitude, the track is effortlessly cool.
Taylor Felt is one to keep an eye out for. The singer-songwriter has rose to high prominence with her multi-million social media following and various viral moments, such as her performance of the National Anthem before a San Francisco 49ers game. She was even selected to represent TikTok as an official ambassador at the 2020 Grammys. Her debut EP, “Dead Flowers” reached over 250,000 streams on Spotify in its first month alone. While one of her first ever tracks, “Once in a Blue Moon,” released back in 2021, now has over a million downloads on the streaming platform as well. While other Taylor songs including “MIRROR MIRROR” and “wasting ur breath” haven reached similar heights. “TANLINES” is the latest single off Taylor’s upcoming EP, “ELECTRABLOOM” set to release July 9th of this year. And if the song is any indication, the EP is going to be a must-listen. You can stream “TANLINES,” along with the rest of Taylor’s discography on all major streaming platforms now.
Written By Lauren Nolan
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