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Love is warm, all encompassing, and supportive, and yet is also the scariest thing in the world. To let yourself truly be known is terrifying, to let someone in and see every side of you opens the door for rejection and heartbreak. Savanna Leigh and Bertie Newman’s latest single “what’s not mine” details this very dilemma. The two sing about going back and forth with yourself, not knowing how to handle the debacle. “It unpacks the ways we protect love by staying surface-level,” they say. “[And] it's about learning that love can't be unconditional if we're not willing to be unconditional with ourselves.” With both of their voices taking verses and blending together on the chorus, they appear to be in this seesaw of logic, falling in and out of confidence. The track opens with the simplistic strumming of guitar chords, and Newman’s soft and calming voice taking the first verse. He sings about how he only lets his lover see the sides of himself that he can approve of, and that maybe she would truly love him if he lets her all the way in. However, as Leigh joins him and they move into the chorus, it is clear that neither party lets the other truly see them, and it most likely will not happen any time soon. In the chorus, they sing, “I love you more than anyone since you, anyone before / But I stood and said nothing at all / Why'd I stand and say nothing at all?” They regret that they cannot truly open up, and yet have no idea how to stop this. Leigh takes the next verse, in which she voices the same insecurities. She sings “I likе to be there but not just in thе physical sense /We're all of the way in 'til we've both got a stake in it”. This collaboration came to be when London based artist Bertie Newman had written the bare bones of the track, but knew he needed another voice to blend with his throughout the lyrics. He had been a fan of Savanna Leigh’s, and once they connected they realized she already had a London trip planned. They finished writing and recording the song together, and created a beautiful work of art. Leigh, based in Nashville, is a 25 year old indie singer-songwriter known for putting the tough feelings into words. She grew up wanting to create something beneficial from her complex emotions, and since then has grown as an artist and creative, with new music on the horizon. Newman is born and raised in Hackney, London, and his small town upbringing is reflected in his tender and emotional music. He has over 200k monthly Spotify listeners and a slew of singles and EPs since 2021. Make sure to follow the social medias below to stay tuned for more raw and emotional music from Newman and Leigh. Written By Tessa Maddaloni FOLLOW SAVANNA LEIGH: Instagram | Spotify   FOLLOW BERTIE NEWMAN: Instagram   | Spotify

"Overnight" by Portair x Mokita is a message of living in the moment while love passes you by, with lyrics that take listeners into the speaker's frame of mind. A powerful analogy resonates in the chorus through the words, "You know stars were made to lose their light." The track paints a picture of a romance that began so strong, and then, all too quickly, it fell apart. In impossible situations of lost love, it's so hard to know what to do or how to feel, and this track explores that intense vulnerability through the question "Do I try when there's nothing left?" This song stands in solidarity with anyone going through a breakup that feels too fast. It lets listeners take time to sit in their emotion and reflect on the light they had in their love. "Overnight" hits the ear like the feeling of finality itself, taking listeners through deep reflection with a masterful combination of layered vocals and electronic instrumentals. Harmonizing vocalizing starts off the track and continues interspersed throughout the song. An immersive guitar picking pattern repeats through the verse along with a knocking percussion, adding a comfortable depth to the tune. The vocals in the verses have a soft expression, alternating between Portair's breathy, gentle sound and Mokita's deeper expressive tune in their respective verses. The chorus breaks from the softness with the singing escalating into a falsetto. The sound of this song is perfect for listeners who get lost in emotion. Portair is an Australian singer, songwriter, and producer based in Los Angeles with a rich musical background in working on scores widely featured on the screen across platforms like Netflix, NBC, MTV, and CBS. His music carries an indie-pop sound and takes listeners on a journey with storytelling lyrics. Mokita is a Nashville-based singer, songwriter, producer, and multi-instrumentalist with a substantial discography, incredible collaborations with artists like R3HAB and Sara Kays , and nearly one million monthly listeners on Spotify. Check out the links below to take in the talents of these artists. Written By Hanna Kowal FOLLOW PORTAIR: Instagram | Spotify  | Facebook  | YouTube FOLLOW MOKITA: Instagram   | Spotify  | TikTok  | Facebook

As Valentine's Day draws closer, old connections start to come to the forefront of our minds. Have you ever had a breakup so bad that it was better to pretend they were dead? Avery Cochrane's new single, "Griever," knows the feeling all too well. This upbeat pop anthem shows the shock of seeing someone from your past in the wild. The song takes you through the singer's emotions as she sees someone she used to know with someone new, and the pain that this displays. Cochrane performed at Bumbershoot alongside Weezer, Tennis, Janelle Monae, Sylvan Esso, and more, opened for AJR, and is set to perform at SXSW. She is set to release an upcoming EP in March. Among the best-kept secrets in emerging pop, Avery Cochrane is a dynamic Seattle-based singer-songwriter known for her emotive lyricism, cinematic sound, and magnetic live performances. Fresh off her viral hit “Shapeshifting on a Saturday Night," which has over 15 million TikTok views, Avery returns with the emotive and upbeat alt-pop banger "Griever". She shares, “The lyrics of 'Griever' capture the retroactive rage and sorrow you feel after an unexpected encounter with someone from your past who has wronged you. It’s everything you may have wanted to say in the moment but couldn’t find the words to until days later.” The chorus caught my attention with lyrics like, "I blistered all my fingers, been flattened by the wringer/I even got fired as the restaurant singer/You used to be my leader, and I was your believer." Since breaking onto the scene, she’s drawn widespread attention for her ability to capture raw human experience while maintaining a timeless pop sensibility. Her recent singles—“Existential Crisis at the Tennis Club,” a bombastic queer anthem, and the LadyGunn-praised “irresistibly catchy” “Shapeshifting on a Saturday Night”—have positioned Avery for a game-changing 2026. The song was just licensed by Amazon’s new Book-Tok inspired series “Off Campus” for their spring launch and it also made Spotify’s year end ‘Best of Fresh Finds 2025’ playlist. “Shapeshifting” propelled her to the forefront of indie pop in 2025, and with her new single and video “Griever,” plus a brand-new EP arriving in March, Avery is poised to emerge as a breakout LGBTQ+ pop star. Expect to see her on bigger stages this year, beginning with SXSW in March. Listen to "Griever" wherever you stream your music! Written By Deanna Moody FOLLOW AVERY COCHRANE: Instagram | Spotify | TikTok | Facebook | YouTube

How many times throughout the year have you actually felt homesick? With holiday breaks ending and schools starting back again, I know I've been missing home. So much so that I drove the two hours there. While I was driving, a song came on with lyrics that said: "Just a kid with a dream to make a name/Mom and dad always said it was meant for me / to the land with the stars laid on the street/Sometimes I want to escape/Yeah, I'd admit I'm afraid." As it continued, my excitement to get home to a more relaxing environment only grew. Of course, the song could have only been Jordan Anthony's newest single, "Lost in LA." On this single, Anthony strips the rough exterior of success to expose the vulnerability and loneliness that came with moving to LA. His lyrics tackle themes of homesickness, self-doubt, and emotional turbulence that seldom surface on social media. Anthony wrote the single alone in his bedroom during a moment of self-reflection. In just thirty minutes, a raw, honest, and unfiltered song was complete. The single is off his forthcoming EP. Lost in LA is meant to be felt as much as heard. Anthony envisions it as a “headphones-in-the-uber-looking-out-the-window-longingly main character moment” type of song, though he believes it can resonate anywhere. At its core, the track is a message to never give up on one’s pursuits: “Accept the lows and know it’s all part of the process. Use those days to make the small wins feel even sweeter. It’s something I struggle with every day, but writing songs like this makes it easier to cope.” At 20 years old, Perth-born artist Jordan Anthony is no stranger to the spotlight. He first gained attention as an American Idol Top 14 and has since found success with over 600,000 streams on his debut single “Broken Love.” He describes his ultimate goal as a singer as a connection. “I want listeners to feel inspired and seen through my music,” he says. “If someone stops a song to replay a line and thinks, ‘that part!’ and really relates to it, I’ve done everything I set out to do.” With Lost in LA kicking off 2026 and an EP that promises to be his most honest work yet, Anthony continues to cement his place at the forefront of a new generation of pop artists, unafraid to bare his soul and dedicated to transforming personal stories into universal anthems. Listen to "Lost in LA" wherever you stream your music. Written By Deanna Moody FOLLOW JORDAN ANTHONY: Instagram | Spotify | TikTok | Facebook | YouTube

Jordi kicks back with ‘70s rhythm and riffs in her latest single “Time Zones.” Her self-titled album speaks to the pop sound that Gen-Z and Gen Alpha fans love. “Time Zones” is a break in the album, where she twists the groovy disco-night layers with modern-day struggles of romance. FaceTime calls and text messages can’t compare to movie nights side by side on the sofa. But long distance does leave space for cute moments. Jordi sings, “Talking in my sleep then kissing through the screen whеn/ Where you are is whеre I wanna be.” The way people interact continues to evolve, but at the end of the day, nothing beats sitting in the same room as your partner. The pop disco revival overlays the song with a desire for fun and classic love. Lyrically, the song could be heartbreaking if set in a melancholic minor key. However, Jordi switches out yearning for wanting with side-step beats and electric guitars meant for swaying in bellbottoms. The rhythmic pulse and bump between the go-go boot riffs and boogie chords encourage movement like Sabrina Carpenter's Espresso . The upbeat vibe of “Time Zones” keeps the love strong even when Jordi and her partner are apart.  Jordi sings and writes her songs, drawing on a strong musical background. She grew up participating in dance studios, dance competitions, and plays. The storytelling in those arts created a passion for performing her own stories. In middle school, she began writing music and later released her debut single, “Hate You.” This month, January 2026, Jordi released her self-titled debut album, featuring “Time Zones.” Written By Taylor Sheridan Lempke FOLLOW JORDI: Instagram | Spotify  | TikTok  | YouTube

Madison Beer has released her third studio LP locket , once again displaying her virtuosity in a bundle of songs with her remarkable penmanship and out-of-this-world vocal abilities about the pain that comes with love and loss. T R A C K L I S T locket theme yes baby angel wings for the night bad enough healthy habit you’re still everything bittersweet complexity make you mine nothing at all One of the many ways you can describe Madison Beer and her breathtaking work is "stupefying", because it is stupefying how someone can be so incredibly gifted in so many ways. Beer has displayed this on all of her musical projects, beginning with her February 2018 debut project and EP As She Pleases , to her latest record locket . Throughout her discography and live performances, Beer has shown how hard she works on stage and in the studio, crafting creative and unprecedented songs and stories that have garnered herself a massive fanbase and an exceptional portfolio. locket theme Hearing the orchestral and distinct production for the opening track of locket , it temporarily brings you back to the enchanting musicality of Beer’s previous albums Silence Between Songs  and Life Support , and you realize you’re about to dive into another fantastic body of work from this extraordinary, one-of-a-kind artist. As the title, “locket theme”, implies, Beer symbolizes the love and feelings of longing she has for a former significant other as something physical she kept in the locket of the necklace she holds on the album cover; the necklace and its shape could be symbols as well; this time, for her heart. yes baby Although the second track of locket , “yes baby”, was a huge hit, supplemented by Beer singing it at the second comeback extravaganza for the Victoria’s Secret Fashion Show , hearing it again, now after the hauntingly beautiful opening track, tells you everything you need to know about locket  as an album. The twists and turns with Beer’s lyricism and flawless vocals, as well as production and instrumentation are what make a Madison Beer album a Madison Beer album. In “yes baby”, the pulsating beats and overall nightclub-esque vibe set the passionate scene Beer details amidst them. angel wings 90s RnB takes a majestic form in that of the third track of locket , “angel wings”. Lyrically, this song mirrors the message of “locket theme”, but Beer does not portray herself as nearly as wistful, proving this with lines such as “Dead to me” and “When I talk about you, I say, ‘Rest in peace’”. Beer cleverly compares the end of her relationship as a funeral, where once the casket closes, she finally gets to move on from what appears to be a toxic ex-partner. That’s exactly why this song is titled “angel wings”, because, as she said, this person is truly dead to her. for the night Coming off of what Beer sings about in the previous track “angel wings”, the fourth track of locket , “for the night”, is the artist slightly going back on what she originally said, assuming that these songs are chronological. Beer affirms that she does not want any strings attached while reconnecting with her former partner, stating that neither of them should predict the both of them to fully rekindle what they once had. The production style of this song is primarily acoustic, though it features sultry drums, bewitching organ chords, and gorgeous harmonies. Even when Beer sings the title, the note changes just add even more alluring charm to this divine masterpiece. bad enough Besides actually going to space, nothing else can describe the feeling of floating through the galaxy other than listening to the fifth track of locket , “bad enough”, not only with its magical production, but also with Beer’s harmonies and exemplary high notes. Beer elucidates how she is in a relationship with someone she knows isn’t good for her, but physically can’t leave, as she doesn’t want to face the feelings of losing someone again. Alluding to the past songs on the album, she can’t bear to face more of the emotional pain that comes with breaking up with someone and having to regret the decision and constantly wonder if it was even the right one to make. healthy habit Sonically and lyrically, “healthy habit” acts as a continuation of “bad enough”. While the theme of missing a past significant other has been present throughout locket , Beer now considers reigniting the ceased relationship, opposing the fourth track “for the night”. The melancholia she possesses is too overwhelming for her not to give into it, as she would rather bear the pain of getting back together not working out than to not try doing that at all. Of course, in typical fashion, Beer shares her myriad of singing abilities with even more rapid octave changes and high notes in the song, even over production that echoes the romantically doleful feelings of those represented by this sixth track’s lyrics. you’re still everything Whether or not Beer wants to see her ex-partner again, she can’t, according to the seventh track of locket , “you’re still everything”. The lyrics and production match one another on their crestfallen vibes, and even through the vocals, Beer expresses her emotions of feeling isolated by the person who once loved her that she still loves; but now, this is no longer reciprocated. Her storytelling is unmatched throughout this entire project, but is very outstanding on this song. The betrayal she is experiencing from this once requited, now unrequited love is the main factor in the heartbreaking yet beautiful and magnificent “you’re still everything”. bittersweet In the eighth track of locket , “bittersweet”, the musicians behind the song worked hand-in-hand in shapeshifting what would typically be a complementary production element of bass guitar chords into an alt-pop synth that is the primary element of the foreground of the overall sound. Naturally, this comes as no surprise in regards to Beer’s music, as her ability to create unique and captivating songs is the personification of a breath of fresh air in the pop industry. This is also respective in her impeccable and brilliant writing skills, such as with the main line of this track, “I know I should be bitter, but baby // Right now I’m bittersweet”. She combines the way she has felt about her past relationship in the album leading up until now and uses the most-fitting term to delineate feeling both sure and unsure about breaking up with her partner and whether or not she wants them back. complexity As the title of the ninth track of locket  suggests, the production style of the song is very complex, such as with the very artistic and visionary synths, and the vocal effects that make listening to “complexity” feel like you’re watching a sci-fi movie. Beer recognizes the many flaws her past significant other presented throughout their relationship, which is what led it to end, and for Beer to also realize why there is very little chance it could resume. With someone as toxic as that, she points out that this was a person who is not meant to be in relationships, on account of their immaturity and selfishness. make you mine Beer somehow managed to catapult herself even more into pop perfection with a leading single such as “make you mine”. More vocal effects, such as sampling and chopping, are used in the production that drew the attention of hundreds of millions of listeners to the tenth and penultimate track of locket , as well as the continuous nightlife-esque and dazzling synths and beats. With her top-notch vocal talent, she sings about wanting to be with someone she has been longing for, expanding the themes of said emotion throughout this album, and echoing the messages of other tracks like “yes baby” and “for the night”. nothing at all The final track of locket , “nothing at all”, is a piano ballad that duets with the recurring magical and intergalactic synths we’ve heard for the duration of the album, a principal element of Beer’s signature sound as an artist. Halfway through this song, a fast-tempo beat is added in, making this song the perfect conclusion to a record like this. It summarizes all the primary components of the project into a closer that represents how the album sounds and makes you feel while being distinct in the track list at the same time. Although its deeply unfortunate locket  has come to an end, the musical journey we just went on was nothing short of spectacular. Like her other albums, Madison Beer has outdone herself once again with locket . It is impossible to pick a favorite track because they are all so fantastic. Just like the lyrics of each song, the different production styles take you on a journey through the record, forming a story not just from the lyrics, but from the music overall, which further presents how talented Beer and the other immensely creative minds that had a hand in creating locket were. I am highly anticipating her accompanying tour for this album and I can't wait to see how she weaves the tracks from this project with those of her other's. Madison Beer is truly one of the greatest artists of the 2020s! Written By Ashley Adams FOLLOW MADISON BEER: Instagram | Apple Music | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Sidney’s “long haul” is for the long-distance lovers tracing their partner’s handwriting on postcards. She plays on the meaning of “long haul,” expressing the journey ahead and the desire for a long-term relationship. The singer draws on her experience of constantly traveling for work and of missing her partner. Delaying the topic of her trip captures the bittersweet yearning, like Japanese Breakfast’s "Kokomo, IN." She sings, “Only far away ‘cause I hope you’re coming/ Wanna make it through the long haul.” Sidney fights the homesickness with hope—you don’t always need an extra plane ticket when you know they’ll be waiting at home. Sidney's single is perfect for longing on a trip away from your partner. The glittery synth and smashing kick drum bounce back and forth, creating a Bruce Springsteen “Dancing In the Dark” rhythm. The timeless features and melancholic synth pads that flow like the windows-down-breeze fuel the yearning within the homesickness. Rock 'n' roll guitars strike through the chorus, like the heavy engine when you’re on those last twenty miles home from the airport. Melbourne artist Sidney creates soft indie-pop. Her debut single “Bullet” landed at number 1 on Triple J Unearthed. From there, Triple J , Coast FM, and Southern FM played her music. The vulnerability in her lyrics offers the warmth of the sun when you’re driving down the road with the radio. Her most recent EP long haul  will keep you company. Check out her links below to follow her to the next destination. Written By Taylor Sheridan Lempke FOLLOW SIDNEY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

From the song's title, I was expecting a loud, techno beat with similar vocals. I was immediately proved wrong as the song started and the smoothest dance beat began. I need to start hearing more songs like this out in public. It's the perfect mix of dance, club, pop, and techno. I can see it playing in an underground club, with strobe lights and a fog machine to make things more dramatic. The guy you've been staring at all night is dancing with another girl, but that only makes you want to dance harder. Mo Bentley's newest single, "Punk Baby Rockstar," makes me want to cut up my fishnets and see where the night takes me. The beat of the single is so catchy that I almost forgot to pay attention to the lyrics. The majority of the song has a party, upbeat vibe, with matching lyrics. Towards the end, we get this little breakdown where the lyrics are: "I fell in love, I think I’m entranced/He’s just my type/A bad boy in bed/you can say I'm obsessed/Can’t get him outta my head." This is the moment that establishes that who she's talking about isn't just a random at the bar, but someone she cares for. About the single, Bentley shared, “Punk Baby Rockstar is a fast pop song about wanting someone more every time they leave. Being so in love with this boy and wanting to do everything and anything with him. The song is fun and sexy; this is the type of song I would blast in the car with my besties." Mo Bentley is a rising pop artist who effortlessly blends infectious melodies, heartfelt lyrics, and powerful vocals to create a captivating sound. After moving to Los Angeles for school, she’s defined her talents for singing and songwriting, giving her the confidence to release her own music. She has been writing and performing since her teens, blending darker lyrical themes with sleek electronic production to create music that’s as vulnerable as it is addictive. Influenced by Ariana Grande, Madison Beer, and Doja Cat, she has crafted a unique pop sound that resonates with listeners worldwide. Make sure to follow Mo Bentley on social media to stay up to date on new releases. Listen to "Punk Baby Rockstar" wherever you get your music! Written By Deanna Moody FOLLOW MO BENTLEY: Instagram | Spotify | TikTok | Facebook | YouTube

We’ve all encountered people who will write the narrative anyway they want to seem innocent. Despite the common fact that everyone makes mistakes, some people want to seem like the picture of perfect. Hurting others, and instead of apologizing, all awareness of their wrong-doings goes out the window. Sarah Cowan released “VENDETTA,” her new single that confronts emotional deflection right in the face. Going straight into the destruction that occurs behind denial, she exposes how insecurity and ego fracture trust.  With edgy production and in your face lyricism, this song wasn’t made to soften the truth. If you know someone who is prone to always being the victim, this might be a track you should recommend. “VENDETTA” dissects the performance of victimhood and the narratives people construct to avoid accountability. Written from personal experience, Sarah said this was her closure on the situation. Sometimes things don’t need to be fixed and repaired, especially when someone you trusted so deeply tries to crumble your image for the sake of theirs. It’s in those moments you see they never cared about anyone but themselves. Narcissists can be found around every corner, and sometimes all you can do is keep walking. Sarah said “It’s probably not the version they want to hear, but sometimes it isn’t comforting it’s simply where the conversation ends.” She kept “VENDETTA” tense, controlled and unapologetic to showcase how exhausting this behavior is and how she doesn’t have time for people who don’t own up to their actions. Sarah Cowan is a Columbus based singer-songwriter. In the alt-pop genre, she is defined by her unique blends of modern beats with eighties synths and dark undertones. Originally from Granville, Ohio where she released her debut single “In the Dark” during the pandemic. On her debut album “Out of Order,” the leading track “JOKES ON ME” started gaining a lot of attention. She is an incredibly talented force who’s been paving her way in the music scene over the past few years. Her music is haunting yet poetic and downright honest, leaving you wanting more. If you’re a fan of this track, you’re sure to love her other releases. Follow the links down below to stay up to date on her future releases. Written By Emylee Herring FOLLOW SARAH COWAN: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Cheska Moore’s latest single, “Don’t Take It Personal,” works on slow, subtle tension. On-screen, shows represent the intensity of shaking hands and the struggle to breathe, but Moore’s imagination is equally severe. Echoes of “what ifs” evolve from locking the door five times to bolting it shut forever. A caution sign looms over every aspect of her life, isolating her from family, friends, and living. Trains lead to crashes, ovens lead to fires, and sidewalks lead to danger. She repeats, “It’s gonna happen to someone/ It’s got to happen to someone,” like ruminating thoughts. The vulnerability and poetic structure form a haunting piece of art that reflects OCD. Rather than vibrating bass and deep kicks, a grand piano suggests the quiet anxiety that tightens around her chest and gradually courses through her veins with every thought. Melodically, “Don’t Take It Personal” plays with the same dramatic melancholy as Lana Del Rey’s Honeymoon . A haunting choir of background vocals grows louder from the chorus to the post-chorus, recreating the overwhelming shadow that escalates as down-spiraling thoughts intensify. The song doesn’t act as a solution, but an immersive experience, a faucet to drain the stream of worries and obsession.  South London artist Cheska Moore builds her music on honesty and vulnerability. She gained a following through the dark, eerie soundscapes and confrontation of deeper issues. For Moore, her music and social media presence provide a platform to spread awareness of mental health and toxic relationships. Moore’s influences include Billie Eilish and Upsahl . Moore collides her experiences with the dark-pop atmosphere, reminding listeners that music can convey harder messages. Written By Taylor Sheridan Lempke FOLLOW CHESKA MOORE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Friendships are a beautiful aspect of life. However, it is easy to lose yourself in your relationships and act against your best judgement and alignment with your identity in order to fit in. That’s what “Til The Moment’s Gone” by Natalie Reigo illustrates. This track delves into the fear of missing out and falling behind, and acting out of character to prevent those from happening. Although fun and upbeat, this song is beautifully vulnerable and intimate, using lyrics such as “Give ‘em what they want” and “Fake it” to tell the emotional story behind the excitable beat. This track begins with shimmering synths in the instrumental and subtle vocals for the first verse. The percussion picks up for the pre-chorus before the instrumental reaches a climax in the chorus. Reigo’s vocals are powerful and intoxicating. The drums continue in the second verse before once again rising to a climax in the chorus. The bridge is addictive and enticing. “Til The Moment’s Gone” has a catchy beat that hooks listeners in while using emotive melodic lines that combine with the vulnerable lyrics to make the audience feel something. This track is the perfect combination of emotional and fun. Natalie Reigo is a 19 year old singer, songwriter, and artist from Stockholm, Sweden. Reigo has an impressive stage presence, with her beginning to perform at the age of 10. She has performed alongside significant Swedish artists such as Smash Into Pieces, Hanna Ferm, and Tusse. She has collaborated with producers and songwriters that have worked with international musicians such as Zara Larsson. Natalie Reigo’s music is polished and stunningly impactful, with her surpassing over 1.5 million Spotify streams. She will, without a doubt, create a beautiful legacy for herself from her work and performance capabilities.  Written By Victoria Fitzgerald FOLLOW NATALIE REIGO: Instagram | Spotify  | TikTok  | YouTube

Courtesy of Manpuku7 via Getty Images It’s finally Aquarius  season—get ready to wash away the past and move towards a new path with cool tracks by Aquarius musicians. If your birthday lands between January 20th and February 18th, you’ve probably heard that you’re eccentric. Aquarius fans, symbolized by the water bearer, break free from rules and flow to their own pace. This air sign experiments with their musical tastes and mixes genres in their playlists. Their favorite songs strike inspiration and speak up for the softer voices. If you’re searching for visionaries and free-spirited hearts like yours, these ten Aquarius singers are the voice of innovation. 10. Ava Max (Feb. 16) Ava Max embodies Aquarius’s individuality, marching to her own beat. After breaking up with her producer, she told Rolling Stone , “I lost myself trying to please everybody… now I’m back to focusing on my fans and me.” She bounced back with her album Don’t Click Play , revealing Aquarius's talent for independence. She found freedom in her discomfort and created tracks like “Lovin Myself” and “Sucks To Be My Ex.” Ava Max trusts the wind to take her to the next synth-wave confident anthem. 9. Rosé (Feb. 11) Rosé’s journey from Blackpink to her solo album frames the Aquarian struggle between visibility and liberation. K-pop idols perform and post with the expectation of maintaining their persona. Through the release of rosie , she offers her fans intimacy while protecting the moments of her personal life. Her single “APT.,” featuring Bruno Mars , opened a door to her edge with punchy drums and her catchy chorus of the drinking game. Slow-paced, grand piano songs “number one girl” and “stay a little longer” open the door to greater vulnerability and heartbreak, despite the past perfect-girl persona. Her music takes a new shape, but there’s always a song that effortlessly matches the mood. 8. Gigi Perez (Feb. 4) Gigi Perez reveals the inventive, introspective side of the Aquarius. At the Beach, In Every Life  confronts grief, sexuality, and existence. She transformed her passion for musical theater into writing her own songs. “I still love theater to this day, but I realized I wasn’t finding myself in these roles,” she told Atwood Magazine . “I didn’t feel or see my story or the things that I was going through in these classics. When I started writing, it became genuine.” Although it’s not the typical pop formula, the emotional intensity connects to listeners—honesty makes a true leader. 7. Khalid (Feb. 11) Khalid shows the force of the Aquarius’s optimism. “Sometimes we see darkness, and we see the night, and we think of fear,” he told NPR . “But to me, I just think of freedom.” Khalid views the world from a different perspective—sometimes we need that Aquarius perspective to give us hope. His debut, American Teen,  captured the youthful, wandering feeling of figuring out where you belong. The themes evolved from Free Spirit ’s search for peace beyond fame and after the sun goes down ’s liberation. When everything seems like a mess, Khalid offers a sense of peace and optimism to help you flow with the wind. 6. Girl In Red (Feb. 16) Marie Ulven, known as Girl In Red, channels the empathy in the Aquarius sign. Her album I’M DOING IT AGAIN BABY! navigates intrusive thoughts and fears. True to the water bearer symbol, these tracks are streams of renewal for fans. “I really hope people feel less crazy, and less alone,” she told NPR , “and that whatever's happening up in your head is probably happening in someone else's head, too.” Since 2018, she’s been a voice for the thoughts we may hide. Her single i wanna be your girlfriend  became an anthem for lesbians, so much so that “Do you listen to Girl In Red?” became a code for girls. Girl In Red’s transparency is a source of confidence for Aquarius listeners. 5. Harry Styles (Feb. 1) Harry Styles expresses Aquarius's mix of charm and independence. As he navigates the pressures of fame, he remains deeply authentic, from One Direction stadiums to taking on the stage solo. Harry’s House  is a symbol of his maturity, exploring self-expression and sexuality. His shows are a home to coming out, marriage proposals, and the celebration of identity. True to the Aquarius nature, his art creates a community. 4. Tinashe (Feb. 6) Tinashe reflects Aquarius's need for creative independence. She evolved from a child actor to an R&B icon, achieving success with Aquarius  and “2 On.” However, RCA caused tension with her interest in transforming the genre of her music. Tinashe gained a sense of freedom after leaving the major label. She crafted Songs for You , 333 , and BB/Ang3l  from her home studio, giving her the chance to blend R&B with electronic pop. She continued this experimentation in her album Quantum Baby . Tinashe is a valuable example to follow your own style. 3. The Weeknd (Feb. 16) Abel Tesfaye, known as The Weeknd, shows the duality of the Aquarius—a passionate yet detached visionary. However, this distance thrives by creating his alter ego, The Weeknd. The rebellious aspect of the air sign reveals itself in his themes of age, addiction, and self-awareness. From the R&B production in “The Party & After Party” to new-wave style in “Blinding Lights,” his music refines experiences into art. In 2025, Tesfaye released the film Hurry Up Tomorrow, crafting storytelling through cinema. The Weeknd showcases the never-ending inspiration from the Aquarius. 2. Shakira (Feb. 2) Shakira embodies Aquarius’s talent for reinvention. Las Mujeres Ya No Lloran , her first Spanish-language album since 2005, returns to the roots of her style. “I want this music to build bridges, to empower people, to help women discover their own strengths,” Shakira told Allure . Her fierce track “She Wolf” represents the untamed, unrestrained sensuality. While society may praise modesty, she shines a light on the beauty of passion. There’s a sense of that renewal that the Aquarius season brings. 1. Alicia Keys (Jan. 25) Alicia Keys channels Aquarius’s truth-seeking spirit. HERE  tackles equality and social awareness in tracks like “Illusion of Bliss” and “Gospel.” “We’re not okay with just sitting back and letting government bodies tell what’s happening anymore,” Keys told The Talks  after the release of the 2016 album. Her 2020 album ALICIA empathizes with the struggles people face, the strangers you see on the sidewalk. Her voice communicates the hidden stories and adds an unstoppable drive. If you’re an Aquarius looking for a revolution, turn up the volume on Alicia Keys’s tracks. What are your favorite songs by these artists? Who would you add to the list? Written By Taylor Sheridan Lempke Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.