Who doesn’t love a love-rock ballad? Hello Sister’s new song ‘All Over Again’ reaches into the depths of our young loving hearts with a unique take on songs about relationships. Instead of looking back on a past relationship and remembering all the fun, happy things that happened, All Over Again focuses on the bad things and say despite these events happening, they would still do it all over again. Viewers dive into the song through descriptive lyrics like “On a cold November evening” starting off at the top of the song as well as intimate stories about a fight happening at the movies while also giving the listener space to put in their own scenarios for relatability. These lyrics attached to their pop-rock sound will attract any listener from any background.  Hello Sister knew that all they needed were a few drumstick clicks to grab our attention and to kick things off with this song. Between the drums sounding like they’re out of an early 2000’s Kelly Clarkson music video and the guitar and piano bouncing off of each other make this song any music lover's dream. As someone who is a huge fan of rom-coms, this song gives off the feeling of when the two main characters get into an argument and are looking for ways to rekindle their relationship. Hello Sister brings the heart and emotion back into pop rock with a modern twist while tying in inspiration from their favorite bands.  All the way from Orlando, Florida, Hello Sister is a pop rock group consisting of three sisters who are here to rename the rock n’ roll game. The band's members are Grace, 18, on bass and vocals, Gabriella, 16, on the electric guitar and Scarlett, 15, on the drums. Their music inspirations are Green Day, Paramore and Avril Lavigne and their sound is exactly spot on with their mentors. At such young ages, these three sisters are already getting their name out there with over 150k followers on Instagram. These sisters are about to take the music industry by storm so be sure to keep your eye out!  Written By Breanna M. FOLLOW HELLO SISTER: Instagram | Spotify  | TikTok  | Facebook  | YouTube

You probably know what copyright is - a piece of intellectual property that the owner has the exclusive right to publish, perform, film, or record. This principle is enshrined in Article I Section 8 of the Constitution to “Promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries". Since then, copyright laws have only become more and more wide-ranging and specific. Although the basics of copyright are pretty easy to understand, music copyright laws are often vague and complex to the average person. So, let’s take a deep dive into US copyright laws and how they apply to music. There are two kinds of copyrights in the music industry - musical works and sound recordings. Musical works , sometimes referred to as the underlying musical composition, is the composition part, aka the lyrics. Songwriters commonly share ownership with the music publisher. Sound recordings , on the other hand, are the physical recording of the song.  Ⓒ is the symbol for the music composition and ⓟ is for the sound recording - the ⓟ is for phonogram. In order for a work to be protected under copyright law, it must be a) original to the author, b) of sufficient substance to be considered a work, c) fixed in a tangible form (CD, sheet music, etc) or on a machine or device (hard drive, computer, mp3). As I mentioned earlier, copyright law was enacted under the constitution to ” In 1790, the first copyright law was enacted by Congress, which established copyright protection for 14 years with a renewal period of 14 years. This act only protected maps, books, charts, and at this point, the Library of Congress and Copyright Office did not exist - they were created in 1800 and 1897, respectively. Copyright protections were expanded to include musical composers with the Copyright Act of 183 1. This also extended the period of protection from 14 to 28 years, but still kept the 14-year renewal period. In 1889, copyright protections applied to public performances. Places like gyms, restaurants, and live music venues need to obtain a public performance license to play music in a public setting. Performing Rights Organizations collect and distribute the royalties to the artists, which I’ll go into a bit later. This copyright act predates copyright protections for recorded music, which doesn’t come until 1909 . This major update introduced mechanical rights, aka the mechanical production of songs. This means that an artist will get paid when their composition gets mechanically produced. At this time, this applied to the phonograph, one of the earliest mechanisms to record music. This updated the protection period once again - this time, the renewal period was 28 instead of 14, summing to a total 56 potential years your copyright could be protected. The next major update to copyright law was the Copyright Act of 1976 , which generally speaking, is the basis of our current copyright laws. This act did multiple things to change copyright laws. First, this updated the protection period for the author’s life + 50 years. For example, if you released a song at 20 and died at 70, your work would be protected for 100 years, since you were alive for 50 years after your song’s release plus an extra 50 years. This details the basic rights of copyright holders and codified the doctrine of fair use. Fair use is a doctrine that states that someone can use copyrighted material without permission from the rights holder(s). An example of fair use is a journalist reporting on a song and including a lyric from the song. Synchronization rights were also established in 1976, which means that music synchronized in video games, movies, and TV shows, are protected and are synch fees upfront and granted royalties ongoing. To use music in your own works, you must contact the copyright holder(s) and negotiate a synch license.  Roughly 20 years later in 1995, the Digital Performance Right in Sound Recordings Act was created. This allowed for music creators and record companies (who usually had ownership of the sound recording) to get royalties from digital performances. This was in response to the increasing frequency of unlicensed mp3s and illegal downloads from websites like Napster. In 1998, there were two prominent acts that influenced music copyright - Sonny Bono Copyright Term Extension Ac t and US Digital Millennium Copyright Act (DMCA) . The Sonny Bono Act extended the period of protection once again; the renewal period of protection was extended. This updated the protection period for the author’s life + 70 years. For example, if you released a song at 20 and died at 70, your work would be protected for 120 years, since you were alive for 50 years after your song’s release plus an extra 70 years. The DMCA required webcasters to pay license fees to record companies. This act also protects Internet Service Providers (ISPs) from infringement if they remove the alleged infringed material on their website. In addition, this heightened punishment for copyright infringement on the Internet specifically.  The latest changes to copyright law in the US is the Music Modernization Act of 2018 . This addressed problems that digital music providers, (DSPs) like Spotify and Apple Music, were facing in the digital age. This act improved payments to songwriters and streamlined the music licensing process for audio-only, on-demand streaming. The act did 3 main things. Created a blanket license for DSPs to offer downloads and streams Created the Mechanical License Collective (MLC) to administer blanket licenses Created a public database of songs, their owners, and the percent ownership and matches writers to their compositions and sound recordings Now, let’s discuss the 6 exclusive rights that copyright owners have. Reproduction - the right to reproduce a work in copies Vinyls, cassettes, CDs, sheet music, digital files, streams Distribution - to sell the coped works, import/export, aka make money Uploading to Spotify, SoundCloud, Apple Music, etc Derivative works - a work based on a previous work, such as a musical arrangement, can be changed or adapted The copyright holder has the right to license modified works For derivative works, you must need a license from the publisher and the record company Public performances - the right to perform the copyrighted work publicly; Performing Rights Organizations (PROs) collect and distribute the revenue from this ASCAP , BMI , and SESAC are the three PROs Display work publicly - applies to any literary, musical, dramatic, choreographic works and pictorial, graphic, or sculptural works Different from public performances Ex: putting a lyric on a t-shirt Digital audio transmission - the right to perform copyrighted work through digital audio transmission Digital audio transmission can be from the Internet (ex: Pandora), satellite (ex: SiriusXM), or Cable TV So, what exactly can you and cannot copyright? Only the expression of the idea is copyrightable, which is a bit ambiguous. You cannot copyright a genre - you can’t copyright pop or rock. You can’t copyright a chord progression , like I-V-vi-IV. Your melody is protected under copyright , even if another artist changes the key. Essentially, you own the melody in all the keys. Your lyrics are protected under copyright  as well. Even your melodies written in your Notes app or Voice Memos app, it is protected by copyright. Singing it aloud to your friends without proof of it is not copyright protected. What are the rules with samples, covers, and interpolations? Sampling , the reuse of a portion of a previous recording in a new work, requires a license  from the r ights holders of the musical composition and the sound recording . Even using a second of a previous recording without crediting the rights holders is illegal, and can result in copyright infringement. Interpolations , on the other hand, is a re-working or re-recording of a musical composition. This could include different performers or different instruments, for example. For interpolation, you only need a license from the rights holder(s) of the musical works . With covers , it is covered under a compulsory license, meaning that the rights holders cannot stop you from recording a cover.  However, you must notify the owners of the musical composition and need to pay them royalties. Now I want to talk about some famous copyright infringement cases and their outcomes. Robin Thicke, Pharrell Williams vs. Marvin Gaye Estate for “Blurred Lines” Marvin Gaye’s estate argued that Thicke and Williams stole the “groove” and “vibe” of Gaye’s 1977 hit “Got to Give it Up”. The plaintiffs regularly mentioned a quote from a GQ article with Thicke, saying that one of his favorite songs was “Got to Give it Up” and wanted to recreate the vibe. The case stretched on for 5 years, and eventually Thicke and Williams had to pay $5 million to the estate. I may not be a lawyer, but in my opinion, I don’t believe that Thicke and Williams copied Marvin Gaye. Robin Thicke is a controversial figure, and I believe that could’ve potentially swayed the jury in favor of Marvin Gaye’s estate. Taylor Swift vs. Sean Hall and Nathan Butler for “Shake it Off” Hall and Butler were on a “3LW” titled “Playas Gon’ Play”,and they argued that Swift stole their lyrics “players gonna play” and “haters gonna hate”. Swift denied any knowledge of the song before writing her 2014 hit. The plaintiff’s filed the suit in 2017, and went on for 5 years. In 2022, the two parties made a private agreement and jointly filed to dismiss the case. Although this suit never made it to court, I believe that the plaintiff's argument would not have held up. “Players gonna play” and “haters gonna hate” are common phrases, and Swift argued at her young age, she wouldn’t have heard these phrases on the radio, rather, on the playground. Vanilla Ice vs. David Bowie and Queen for “Ice Ice Baby” David Bowie and Queen sued Vanilla Ice, whose real name is Robert Van Winkle, for sampling the bass line of “Under Pressure” in his song “Ice Ice Baby” without crediting them. Vanilla Ice argued that since he added an extra beat to the bass line, it wasn’t the same and therefore he didn’t need to credit them. Bowie and Queen were eventually given writing credits after being settled out of court. After the case was settled, Vanilla Ice admitted that he did in fact sample “Under Pressure”, but he bought the rights to the song. In my unprofessional opinion, there was no way this case would’ve held up in court - anyone who knows both songs can recognize that the bass line in “Ice Ice Baby” is clearly the same as “Under Pressure”, and the one extra beat does not make a difference.  I hope everyone enjoyed this deep dive into the US Copyright Law regarding music. Let us know what music industry topics you want us to cover in a future article! Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Memories are tied to relationships just like a thread is to a sweater. If the thread starts to pull and then starts to unravel, the sweater is damaged and it’s not the same as when you bought it. The same could be said about relationships, when the second the good memories turn into bad ones, the relationship will never be the same. “Turtleneck” by Maddie Regent uses the metaphor of a turtleneck sweater to describe a bittersweet reflection on a past relationship. One of the most creative metaphors in the song is about an Etch A Sketch. Maddie sings about drawing her ex’s face and how she wishes she could “copy and paste” the small intricate details she used to know so well. She’s holding on to their memories and drawing them is almost like reliving them or keeping them stored in her mind, but when she goes to “shake, shake, erase” she’s wiping them away and taking the first step to letting the relationship go. It’s a great way to compare the complex mixed feelings that occur when you’re heartbroken. We learn in the chorus that the actual turtleneck was a symbol for their connection. Through the imagery of the turtleneck, we learn that their relationship was comfortable and intimate. Maddie also sings about passing through the planets and says she’s “way out here in outer space” which could symbolize distance and isolation. Assuming he’s on earth, by traveling to outer space she’s going on a solo journey where the different planets she visits can represent overlooking a different stage in their relationship. When a relationship is truly over, it’s hard to fully let go for good. Maddie expresses the desire to let go while simultaneously wanting to relive certain moments again through these lyrics. “Turtleneck” by Maddie Regent is a perfect description of the cycle of love, heartbreak, and every emotion in between. Produced by Cade Hoppe and Harper James, this song combines beautiful acoustic elements with powerful and vulnerable lyrics. This track is powered by the guitar. The vibe that this song gives off is almost whimsical, and I think it’s partially because of Maddie’s soft voice and through the instrumentation. While listening, it’s just clear that this song was produced very well because all elements of the track flow together seamlessly and complement each other very well. I love Maddie’s voice, especially during the bridge because you can hear her emotion get more intense and the music matches it. This song is so good it’s so easy to keep it on repeat and not get tired of it. Maddie Regent is a singer-songwriter originally from Toronto, Canada, but is now based in New York City. Maddie grew up as a musician and started making music at just twelve years old. Music became her superpower, and truly gave her an outlet to express herself and explore her creativity. Maddie released her debut EP “MISS REGENT” in October of 2021. That EP was produced by the Grammy-nominated songwriting-production trio LIONCHILD, who has worked with Britney Spears, Bebe Rexha, and Calvin Harris. Her single “EGO” was a smashing success and even produced some viral Tik Tok moments. The song currently has over one million streams on Spotify. Maddie is definitely an artist to watch and her album “On the phone with my mom” is set to drop this spring. Check out “Turtleneck” and give it a listen! Written By Alexa LaMalfa FOLLOW MADDIE REGENT: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Life is a constant battle of expecting the worst and hoping for the best. As we get older, we start to realize how easy disappointment comes and how numb we start to feel towards it. We pick up the habits of predicting all the worst outcomes to try and guard our emotions from the initial hit. Makena released a new single titled “Natural Born Pessimist” about self-doubt in life and relationships.  It’s an alternative pop song with a pulsing beat, soft synths, angelic vocals and sharp lyricism. She writes about the fear that one day, love might slip away. It’s not because of any external sign, but the habit of anticipating heartbreak. Makena said “I wrote this in the middle of spiraling. Nothing was actually wrong, but I couldn’t shake the feeling that it was only a matter of time before things fell apart.” She went on to explain how it all comes down to the mental battle of being a pessimist and choosing to believe in impending doom despite others external actions. “I’ve always seen the world in gray.” She puts so much depth into her words showcasing how much internal pain this causes her. “Natural Born Pessimist” is a vulnerable track with raw energy that resonates deep into your bones. If you’re one to find any reason for disaster, this song is for you. Makena is an alt pop singer-songwriter based in Los Angeles. She is known for her edgy, self aware lyrics that resonate with her listeners. Her debut single “Time of My Life” was released in 2020 and she’s been growing her discography ever since. With 10.1K monthly listeners on Spotify, it’s safe to say she has a gift. Her bad bitch energy and vulnerability make her stand out with her music. With every release, she continues to grow her space in the alternative pop scene and it’s rightfully deserved. "Natural Born Pessimist" is a bop and I anticipate great things from Makena. Follow her socials down below to stay in the loop with her current and future music. Written By Emylee Herring FOLLOW MAKENA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

New single "Follow Me" by artist Lamia explores the overpowering nature of love and how all else is abandoned for the sake of it. It explores relationships that consume your entire being and how this love may be dangerous, and that even when the smart move is to leave, you find yourself frozen. The song itself is a fun dream pop track that thrives with its dynamic guitars and vivid imagery. "Follow Me" understands what it's like to be taken over by someone you love to the point where you no longer think straight, almost as if you're under a trance. The song repeatedly highlights the blind faith that love entices and it does it in such a magical manner. The beauty of "Follow Me" is how easy it is to connect to those emotions being sung, to recall all those moments where you found yourself being drowned by love, unable to swim away. "Follow Me" is slightly whimsical and this unique nature is what immediately draws you in when you press play. The lyrics do a great job of portraying the urgency of the speaker, painting the dependency of this relationship and how it's completely taken over. As the song progresses we hear how the speaker has completely let themselves go for the other person and they become so desperate to know if the situation is the same on the other side. When thinking of the guitars on this track the first thing that comes to mind is the term "pretty," because they sound so sweet and vivid throughout "Follow Me." Same goes for Lamia and her performance, filled with such emotion, her voice soothes and entrances. The chorus feels very cinematic and this specific section really helps listeners walk in the shoes of the speaker, almost as if we are experiencing these overbearing emotions as well. Lamia has such a way with words, her lyrics haunt listeners with their transparency, perfectly relaying this all-consuming relationship. With this track, Lamia comes across as a very unique and interesting artist you can see yourself falling in love with only one track. Lamia is an artist originally from Dresden, Germany who first released music in 2022. She takes inspiration from artists like Daughter and Halsey, which can definitely be heard in her own work. Lamia's style of music definitely makes audiences feel like they're living in a dream-like state, everything feels so fuzzy and abnormal, in a good way. For this single Lamia had the opportunity to work with her partner to create this story and this information only makes the listening experience much more enjoyable. She holds a lot of pride for "Follow Me" because she was also able to record and produce this song in her own home.  Overall, it's nice to see how much fun Lamia had making this track with those she holds dear, because it's always important to remember to enjoy the process of making art. Currently, Lamia is working on an EP that is expected in the summer so keep your eyes and ears wide open for that. Written By Chantal Charles FOLLOW LAMIA: Instagram   | Spotify  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Anie Delgado's "1111" blends introspective lyricism with a soft yet powerful sonic atmosphere, encapsulating the feeling of yearning and self-reflection. The song, built around the concept of numerology and the idea of "1111" being a sign of synchronicity, explores themes of emotional alignment and longing for clarity in a relationship. The lyrics, such as "Wished upon a star / And I woke up where you are" illustrate a disconnection between desire and reality. It speaks to the universal experience of waiting for things to fall into place -- whether it's love, purpose, or personal growth. The song invites listeners to reflect on whether if it's the right path or if the universe is signaling toward a more aligned future. "1111" is relatable for those who waiting for something to click or searching for meaning in small moments. It's a soundtrack to inner dialogue, reminding us of the power of patience and the quiet signs. "1111" is a captivating blend of atmospheric pop with subtle electronic undertones, creating a mood that feels both ethereal and grounded. The song's structure is minimalist, with a slow build allowing the emotions to simmer before unfolding into a poignant, almost cinematic climax. The gentle thrum of synthesizers and soft, reverberating bass create a textured backdrop that envelops the listener. Delgado's voice, smooth and haunting, weaves through the layers, both vulnerable and commanding. She delivers the lyrics with an emotional depth that feels personal and universally relatable at the same time. The tone is reflective, imbued with a quiet longing, yet it carries an undercurrent of hope and possibility. "1111" makes listeners reflect on their own moments and the quiet, serendipitous moments that guide us along the way. Anie Delgado is a musical artist based in Los Angeles, CA. From a young age Delgado participated in the arts, having vocal lessons and doing dance. She has said writing music is one of her favorite things to do, discovering the relationship with herself. Delgado's goal as a songwriter is to show that humans aren't as different as we all think. Her debut single was "Galaxy" and since then has put more singles out which aid in honing her craft and finding her fanbase. Be sure to follow her on Instagram and Spotify for any new updates. I can't wait to see what else Delgado has in store for the future. Written By Catherine Espejo FOLLOW ANIE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Baring his soul, Hazlett has delivered a captivating new single, "doing my best," sharing a poignant outlook on his life. The track is something we can all relate to, showing those moments when we're barely getting by but are still keeping our heads up. Life might not be going as planned, but at least we're doing the best we can at the time. Shedding light on his goals for the song, Hazlett shares, "With this song, I wanted to bring that same heart-on-my-sleeve sentiment, but with a little more gusto. That same old folkness, but with details that can open up this little world we’ve built even more." Soft and ethereal, Hazlett sews his signature folk-inspired pop sound into every fiber of "doing my best." The heartfelt ballad is tender and haunting, featuring a scaled-back instrumentation that supports Hazlett's melancholy melodies. Sonically, "doing my best" speaks to the soul, carrying a heaviness that can be felt through Hazlett's emotive vocal performance and vulnerable storytelling. The track comes at a time when folk-inspired music seems to be thriving, rivaling acts like Bon Iver , Noah Kahan , and David Kushner , making it the perfect playlist addition for fans of their music. Establishing himself as an artist, Sweden-based Hazlett has built a loyal fanbase with over a quarter billion streams and 2.6 million monthly listeners on Spotify. His path to success hasn't been an easy one, beginning with humble roots as he interned at an advertising agency after his move back to Australia and performed in local pubs. During this time, his old music publisher discovered Hazlett's singing abilities and introduced him to Freddy Alexander, a now longtime collaborator that helped Hazlett reignite his passion for music. A number of achievements under his belt, Hazlett has earned an abundance of Spotify editorial placements, including New Music Friday, Acoustic Chill , and Fresh Folk , as well as TV syncs on shows like Grey's Anatomy and The Good Doctor . If Hazlett hasn't been on your radar yet, he's certainly an artist to keep an eye on! Written By Cheyenne Johnson FOLLOW HAZLETT: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Confident, full of energy, and addictively unapologetic, "Love It A Lot" is a statement single that showcases the fiery spunk that Bentley delivers like no other. Released on Valentine's Day, Bentley gives us a sexy and empowering playlist headliner for a month full of love and desire. Bentley's vocals paired with her unwaveringly passionate lyrics create something that is beautifully bold and relatable, a trend that can be seen throughout her discography. In "Love It A Lot", Bentley sings about a strong urge and longing to be with a partner. Her lyrics speak to the addictive nature of being young and in love. Craving intimacy, Bentley sings, "I like the chemicals," both a reference to our bodies' release of dopamine and adrenaline and the infamous "chemical romance" we pine after. Taking charge of her youth, body, and love life, Mo Bentley's hit, new single captures all the feelings we know way too well, gradually garnering its flowers throughout this February! "Love It A Lot" epitomizes the uniquely dark, alt-pop sound that Bentley has built within her brand. Oozing a sultriness and appeal that listeners can't get enough of, Bentley sets the tone for the song before the first verse can conclude. The cutting electronic elements give the song an edge and add to the many layers of its impressive production. The bass, the guitar, and the entirety of the instrumental work to bring out the emotiveness that Bentley brings with her voice. Just past the halfway mark, we enter a section where the beat slows down and the mood transforms into something sensual and easy on the ear. The duality of her range and ability to transition this track from an electro-pop song to an R&B vibe. Bentley's musical origin dates back to her early middle school days in Portland, Oregon! The young artist had just started to pursue her musical interests in her extracurriculars, officially moving to LA in 2021 to kickstart her career. Drawing inspiration from other female artists such as Ariana Grande , Doja Cat , Nessa Barret , and Madison Beer , Bentley solidifies herself among a powerful wave of modern pop vocalists and works to leave her mark day by day. Her signature heartfelt lyrics and fun personality have propelled her into the industry, making up the music that her fans have grown to love. Stay tuned and check out some of her other albums and releases by following the links below! Written By Pejah Carr FOLLOW MO: Instagram | Spotify  | YouTube

"Lovers Do" is the newest single from Ciana Kaye. In the Valentine's Day release, she sings about how betraying love is, and how she wants to experience it in the good light its portrayed in, in regards to media and the love shared between people that she sees around her. She has not experienced what considers to be true love yet, and wants to, but does not want to be let down again. Like most people, Kaye wants the typical romance and to be in love with someone, but its hard to find. She finds it difficult to trust potential significant others when past partners have betrayed her trust. The production of "Lovers Do" gives off the vibe of a classic love song from the bubblegum pop/jazz fusion era of the 50s, but with a modern twist. Its like if the movie Enchanted was a song, when Giselle is wandering through her animated foresty kingdom and the pathways of Central Park. The instrumentation is very elegant, with its beautiful guitar chords and background orchestra. Kaye also has an amazing voice; its very distinct and she is able to switch octaves with ease. She provides amazing harmonies as well. "Lovers Do" was produced by Alyssa Wilkens , who did an amazing job on this song. Ciana Kaye is a music artist based in South Dakota. She has been writing songs for several years, and began her music career in January 2025 with her debut single "Fake Friends", another song about betrayal that was also produced by Alyssa Wilkens. She is popular on TikTok and has posted multiple musical videos on her account, including covers of "stranger" by Olivia Rodrigo and "Doublewide" by Gabriella Rose . "Lovers Do" has nearly 3,000 streams on Spotify. Ciana Kaye is an amazing and very talented musician, and I can't wait to hear more music from her! Written By Ashley Adams FOLLOW CIANA KAYE: Instagram | Spotify  | TikTok  | Apple Music  | YouTube

No matter how far we go, it is hard to escape the cycle that keeps pulling us back. We find that the only way to break free is by going the distance to feel but not see the love we want to leave behind. The memories still walk beside us, but our eyes pursue the new path away from the cycle. Even if that means never seeing them again is the only option, it is a choice we need to make when it is time to let go. The distance may not take away that love completely, but walking away is the journey to what is now the memory of it rather than to the cycles we are ready to escape. OMAS and Medyk guides us out of the cycle as they captivate our attention to their exhilarating, new song. Click here to listen to "Cycles"! Be prepared for this cinematic and electrifying masterpiece as it takes you the distance you did not know you were ready for. The song opens with an emotional, strong melody as Medyk's voice grabs our attention to the realization that walking away is the only option in a hopeless love. The love can still be felt no matter the distance, but the walls shield away the sight of pain that comes from the endless loop of hurt and longing. Her eyes look forward, and the cycle has been broken along with the love left behind. The melody builds up to the thrilling beat drop and powerful theme reflected from the choice to move forward. We are taken back to the gentle, yet passionate and electric melody as Medyk accepts that the cycle was always meant to come to an end. The person she leaves life still goes on whether she's there or not, but so does her own life, and she's ready to stop waiting for their love and let go. She's out of the cycle, and they will never see her again. We continue into a catchy, striking melody towards an epic and electrifying theme that grabs our attention and holds it tightly until the end. OMAS and Medyk's "Cycles" is the song that will cycle endlessly through our heads as we walk the distance away from what should be left behind. OMAS, Oliver Mausner, is a DJ and producer based in California who is known for his cinematic and powerful approach to music. As a key producer of Excision's label Subsidia, his talent has been recognized by various EDM labels like NCS and Lowly Palace among many more. With millions of listeners and incredible music that has been released, he has gained immense support from many in the industry like Steve Aoki and Alison Wonderland. He has performed in festivals and has made guest appearances showcasing his amazing musical abilities for people to enjoy and dance to. Medyk has also been a powerhouse in the music industry following her debut in 2022 with the song "Lonely Nights" that was made with ARMNHMR and Synymata. She may be an anonymous singer and songwriter, but her message and voice are clearly known for their striking and powerful strength. OMAS and Medyk's collaboration is truly the masterpiece that was written in the stars! Written By Nini Alano FOLLOW OMAS: Instagram | Spotify  | TikTok  | Facebook  | SoundCloud FOLLOW MEDYK: Instagram   | Spotify  | Apple Music

Téo Amo’s song “THE BADDEST” is a beautifully complex piece of artistry that delves into complicated themes surrounding relationships. The lyrics tell a vulnerable and widely relatable tale of feeling forsaken and overlooked by someone you love and coping through leveling up personally. However, this does not erase the feelings of desire and longing, as told through the gut-punch of a lyric “You got me acting crazy, but I guess that’s not new / As long as I can come back home to you.” The lyrics perform an impressive balancing act of empowering and vulnerable, which will touch listeners on a deeply emotional level as they confront their personal shadows through the light of Téo Amo’s genius storytelling. The production and instrumentals of this work do well in complementing the nuances presented in the lyrics. The electronic elements within the backtrack give a moody feel and create a unique modal sound that result in an enticing auditory experience. The powerful trumpet melodies and upbeat percussion track have an atmosphere of excitement. This creates a contrasting emotion that blends powerfully to match the lyrics, once again proving the meticulous thought and care that Téo Amo puts into every aspect of his art and creative storytelling. Téo Amo is a French-Malaysian artist from Los Angeles, California. He blends styles to create unique artistic experiences for his listeners, and continues to enjoy an ever-evolving sound and personal genre. Past accomplishments include his track “sweaterback” that was featured on numerous editorial playlists on Spotify and “Runaway”, which amassed an impressive 450,000 streams and reached #1 on Hype Machine. He is clearly a visionary of our time. Any seasoned music lover can tell that his artistic genius and deliberate creation is a force to be reckoned with. Written By Victoria Rose Fitzgerald FOLLOW TEO AMO: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photography: @isadanigreen “I Want It” is the newest single by Alexa Kate . It’s tells the story of an intense crush that quickly goes from one to a hundred within a few lyrical stanzas. Kate provides very accurate storytelling in regards to a cliche beginning of a romance, especially with the line “Maybe I could meet your parents / shout your name outside your house”. As the song continues, her crush becomes stronger, and she starts to develop an obsession for this person. It’s who she thinks about all the time, and constantly imagines about being with them. The sheer idea of them not wanting to be with her would be devastating. Kate sings about how she’s changing herself for this person to like her back, something most people do when they have a crush, making this song relatable for many. 80’s synths start off “I Want It”, before they disappear into a more modern beat, but then return in the chorus, while still layered with a 21st-century pop production style. The song is fun and upbeat, especially with the mix of instrumentation popularized during different decades and the unique sound effects. During some points of “I Want It”, Kate talks instead of sings during certain points in the song, and it really fits into the “love letter” vibe the song is going for. Kate is also a fantastic singer; her vocal abilities really help complete the song and make it what it is. The background vocals are also produced really well with the rest of the song. Kate and Rich Tuorto , the producer, did a great job on “I Want It”.  Alexa Kate is a music artist based mainly in New York, and Los Angeles and Nashville as well. After writing songs for several years, she began her music career in 2016 with her debut single “Why?”. In 2024, she released her debut EP wishing you well . She has released other amazing music in addition to “Why?”, “I Want It”, and wishing you well , including “i hate the space”, “Twenty-Something”, and “The One”. She has performed live before, including at a show for the release of her song “Delusion”. She is also set to perform at The Hotel Cafe in Hollywood on March 4, 2025. After one week of “I Want It” being released, it received over 10,000 streams. Alexa Kate is an incredible and very talented singer and songwriter! Written By Ashley Adams FOLLOW ALEXA KATE: Instagram | Spotify  | TikTok  | Facebook  | YouTube