Loralee's latest single, "Seasick," offers a haunting and evocative entry into the realm of bedroom pop, marking a significant return for the Michigan-based folk-pop artist. The track weaves an eerie tale of love and betrayal through its tranquil yet unsettling narrative, immersing the listener in a journey across the metaphorical waves of memory and time. With a sound characterized by its ethereal quality, "Seasick" captures the imaginations of listeners through its poetic storytelling and atmospheric arrangement, reminiscent of artists like Aurora and Billie Eilish. The song's protagonist, a ghost lost at sea, is a powerful symbol of unresolved emotions and the search for identity and understanding, which Loralee masterfully brings to life with her calming voice and evocative lyrics. Musically, "Seasick" is a delicate balance of folk and pop influences, showcasing Loralee's unique ability to create a soundscape that is both soothing and thought-provoking. The track features gentle acoustic melodies and a minimalist arrangement that enhances its lyrical depth, allowing the listener to fully engage with the narrative. Loralee's calming vocal delivery is akin to a lullaby, drawing you in with its subtle nuances while the lyrics unfold the ghostly tale of a soul attempting to piece together its past. The song’s tranquil yet poignant atmosphere creates an introspective listening experience, inviting listeners to reflect on themes of love, loss, and the passage of time. Hailing from Michigan, Loralee began her musical journey during her college years at Michigan State University. Initially inspired by a love for folk music, she picked up the acoustic guitar in 2011 and penned her first song, "Little Dynamite." Following her debut EP "If You Were a Song" in 2015, Loralee spent time cultivating her musical style through live performances and teaching music lessons, only to return with a fresh perspective on the bedroom-pop scene. Known for her imaginative storytelling and lyrical prowess, Loralee’s music is both a personal exploration and a universal narrative, resonating with listeners who appreciate authentic and emotive compositions. "Seasick," with its haunted melodies and compelling story, illustrates her growth as an artist, promising more depth and elegance in her forthcoming album. Written By Megan Cao FOLLOW LORALEE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Rising Nashville, Tennessee based indie-pop singer/songwriter, Eliza Harrison Smith has released her highly anticipated debut EP, "The Way I'm Wired". TRACKLIST Backslide Bring You Down Contradiction Hypocrite Supposed To Be Happy Originally from the outskirts of Washington, DC, Eliza Harrison Smith was a naturally creative child with a great imagination and a love for writing stories. She started to learn how to play guitar in her teenage years, and those story-telling skills turned into a passion for songwriting. In 2019, she moved to Nashville to pursue her dreams of becoming a singer/songwriter. In 2021, she released her debut single, "Just Friends" and she didn't stop there. She made a name for herself in the local indie music scene over the past few years, releasing several singles that have been played on the radio and featured on both Spotify and Apple editorial playlists. She has amassed a total of over one million streams across all platforms, and currently has 76k+ Spotify monthly listeners. She's also spent the past few years doing shows, becoming quite the live performer, playing in iconic venues like The Bluebird Cafe and NYC's The Bitter End . In support of her EP release, she just played her own headline show at The East Room . "The Way I'm Wired" is an EP that touches on the complexity of mental health and wanting to better yourself. Produced by Christian Harger , the style has been comparable to Maggie Rogers and Gracie Abrams . Lets dive into these tracks! Backslide We kick off the EP with "Backslide", a mid-tempo indie pop jam about how trying to take care of your well-being is as simple as it seems. Sometimes it feels like no matter what you do, there's always something that puts you back to square one. Although there can be set backs, this is still a song of optimism, reminding you not to give up on yourself. Eliza sings, " Healing doesn't happen in a straight line, but I hate that it's so easy to backslide ". This song has a rhythm that gets you moving, with a popping bassline. There's a gorgeous mixture of guitars and soft synths to add to the melancholic atmosphere. Eliza's voice is gentle and emotional; her tone is very reminiscent to Sasha Alex Sloan here, the queen of sad girl music. Bring You Down Track two is the leading single, "Bring You Down", which is about purposely keeping your struggles on the inside to spare the feelings of the ones that care about you, knowing it would hurt them too if they knew you were having a hard time. Although you know the right thing to do would probably be to reach out and get the help you need, part of you feels like suffering alone is better than being a burden. Co-written with Melissa Fuller and Christian Harger, Eliza describes "Bring You Down" to be one of her most honest songs she's ever released. With a unique and ear-catching soundscape, "Bring You Down" begins with a mini-intro of muted drums and piano before adding in acoustic guitar and vocals. The song builds dynamically and emotionally with some of the most gorgeous harmony arrangements and background vocals I've ever heard. Contradiction Next, we have "Contradiction", a highly relatable song about trying to understand yourself and the things that you think and do. It's hard looking in the mirror and feeling like you don't know who you're even looking at. You're constantly conflicted with yourself on the inside; and no matter how much you try to sort out your own feelings and figure out what you want, the next day you could just change you're mind and everything is a mess again. Eliza sings, "I'm consistently inconsistent, a walking contradiction". This track takes a raw, indie pop ballad instrumentation and mixes it with some electronic production elements, a style inspired by Coldplay . The down strums of acoustic guitar and piano take the forefront, along with soft synths and moments of vocoder vocals until we get these high-emotion dynamic shifts towards the end of the song which really just take the cake. Hypocrite "Hypocrite" is Eliza's message to herself, calling herself out in a light-hearted way with a super catchy bop of a song. It's definitely something many of us can relate to as well. Are you the person that everyone comes to for advice, but then you can't even stay true to that same advice for yourself? Well, then this song is for you. "Hypocrite" starts out with gorgeous, dissonant acoustic guitar chords before it continues to build and build into a full blown anthem. The groove is very nostalgic, with layers of stunning vocal harmonies that are reminiscent of 80's pop, a heavy bassline and an electric guitar riff that really just brings it all together. It makes you want to get up and dance, and helps you realize that it's okay to poke a little fun at yourself every once in a while. Supposed To Be Happy Last but certainly not least, we have the closing track "Supposed To Be Happy". There's a sense of guilt and confusion in this song about why in moments that are supposed to be positive - like birthdays, hanging out with friends, and Summer vacations - can you still not feel happy? You feel like there's something wrong with you, and you want to find a reason but you just can't. So, you fake a smile and continue to question and battle yourself on the inside in search for answers. Although this song has Eliza's signature indie pop drums and beat, the guitar and piano are more raw and use a stylistic choice that feels slightly Americana. You can feel it in the incredible melody here as well. You'll even notice just a teensy bit of country twang in Eliza's voice. I just have to say, what a fantastic decision for a final track. Everybody say "Thank you, Eliza Harrison Smith!". No, seriously though, we need more music like this that covers the mental health epidemic our world faces. People need these songs to relate to so they know that they are not alone. Not just that, but Eliza writes it so beautifully and intelligently; everything from the lyrics down to the melody, and not to mention her breathtaking voice too. To be able to craft song after song after song so brilliantly is actually remarkable, and she deserves way more attention than she is getting. If you are a fan of modern pop, indie pop, folk pop, anything of that sorts, you will absolutely love Eliza Harrison Smith. I guarantee it. If you enjoyed this EP, I suggest checking out Eliza's YouTube channel where she has live performances of the first three tracks. I also highly suggest diving into the rest of her incredible discography. Make sure to follow Eliza below to keep tabs on what's to come! Written By Kaitlyn Nicole FOLLOW ELIZA: Instagram | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Photo from the NFL Super Bowl LIX is finally here, and although I’m a huge football fan, my favorite part of the game is the halftime show. Taking the stage this year is Kendrick Lamar, who’s already had an amazing month so far with his 5-Grammy sweep. The halftime performances we know and love today look nothing like they did in the early days. Up until 1993, the NFL usually featured a college band with the occasional star. This all changed when Michael Jackson took the stage, drawing in millions of viewers to what once used to be just a filler between halves. Since then, the performances have only gotten bigger and more extravagant, so let’s take a look back and see the top 10 best pop Super Bowl halftime performances. 10. Janet Jackson and Justin Timberlake Unfortunately, a certain wardrobe malfunction is probably what comes to mind when you think of this Super Bowl XXXVIII in 2004. However, the costuming, staging, choreography, and set list made for an incredible performance. The Spirit of Houston and Ocean of Soul opened the performance, followed by some of Janet and Justin’s greatest hits, like “Rhythm Nation” and “Rock Your Body”. Nelly made a guest appearance to sing “Hot in Herre”, and to balance out the R&B and pop vibe, Kid Rock also performed. A bit weird, but certainly electric. “Rhythm Nation” featured dancers hanging off set pieces, costume changes for Janet and all of her dancers, and of course, Janet and Justin had real chemistry, and it’s hard not to have a good time while watching this. 9. Shakira and Jennifer Lopez We already know these two could dance, so it’s no surprise they brought their A game with the choreography for Super Bowl LIV in 2020. Shakira performs solo for the first half, singing some of her hits like “Whenever, Wherever” and “Hips Don’t Lie”, and Bad Bunny made an appearance to rap his part of “I Like It”. JLo then takes the stage, or rather, a huge pole that she’s hanging off of. She performs some of her greatest hits like “Jenny from the Block” and “On the Floor”, and brings out J Balvin for a mashup of her song, “Booty” , and his song, “Mi Gente”. JLo brings out her daughter to sing, and they all end the performance with “Let’s Get Loud” and “Waka Waka (This Time for Africa)”. The visuals for this performance are insane, and the show certainly did not disappoint. 8. Madonna with LMFAO, Nicki Minaj, CeeLo Green Although Madonna was the sole headliner for Super Bowl XLVI in 2012, there was no shortage of special guests. Madonna comes out looking like Cleopatra, being paraded out on a gold throne. With dancers adorned in gold and black armory and accessories, Madonna performed some of her hits like “Vogue” and “Music”. LMFAO came out in sparkling, zebra print armor and performed “Party Rock Anthem” with Madonna while the projections made the stage look like a DJ set up. She was then joined by Nicki Minaj and M.I.A to perform their song, “Give Me All Your Luvin’ ”, fit with majorettes, pom poms, and some cheerleading choreography. CeeLo Green makes his way to the stage dressed as a drum major alongside a marching band to continue the football game aesthetic, and the show ends with Madonna, CeeLo Green, and a choir singing “Like a Prayer”. Madonna could’ve killed this show on her own, but the special guests made the performance even better. 7. Rihanna Click the picture to watch the show! As much as we all wished that Rihanna was going to release music after this performance, we were still served excellence for Super Bowl LVII in 2023. She revealed her pregnancy at the show, and the Internet went crazy. She didn’t have fancy costume changes or insane choreography (but that didn’t stop her white-hooded dancers from going viral on TikTok), buttop she still showed up and showed out. She began her set on one of seven floating platforms performing “B*tch Better Have my Money”, and the hits never stopped coming. The most iconic moment of this performance was her mini Fenty Beauty ad, where she stopped mid-show to fix her makeup, going right back into singing “All of the Lights”. She finishes her killer set with “Diamond” on one of the rising platforms, with thousands of cell phone lights up and a beautiful fireworks show. I wouldn't be taking my role as a pop girlie seriously if I didn’t ask Rihanna to release more music, so if you’re reading this Rihanna, please do that! 6. Coldplay, Bruno Mars, and Beyonce Click the picture to watch the show! This was Coldplay’s year to headline, but it eventually became Bruno Mars and Beyonce’s halftime show - to no fault of their own. Chris Martin, the lead singer, starts on the field singing “Yellow”, and makes his way to the flower adorned stage to sing some of the band’s hits“Viva La Vida” and “Paradise”. All of a sudden, after a record scratch, the bass line from “Uptown Funk” starts to play, and Bruno Mars takes the side stage decked out in leather and gold. Beyonce emerges from a marching band on the field, paying homage to Michael Jackson’s Super Bowl performance with her outfit. She performs “Formation”, her and her dancers get into a little dance battle with Bruno and his dancers, and Coldplay takes the stage once again for their mashup of “Fix You” and “Up and Up”, showing clips of past Super Bowl half time performances.  5.  Lady Gaga Lady Gaga has been known to be someone who pushes boundaries and isn’t afraid to be eclectic or crazy, and this performance at Super Bowl LI in 2017 was no different. She starts on top of the stadium in a sparkly one piece performing a mashup of “God Bless America” and “This Land Is Your Land” with a drone show behind her. She then jumps off the roof and goes right into “Poker Face”, while continuing to do flips and tricks in a harness. Whether she’s in full choreography or being carried around like she was in “Telephone”, Lady Gaga doesn’t miss a single beat and makes everything look effortless. She seamlessly weaves her ballad, “A Million Reasons”, into the setlist filled with high energy pop songs, and the cameras often cut to the sun formation that the people on the field made with lights. Lady Gaga changes into a two piece with shoulder pads and finishes off the show with “Bad Romance”. This performance was amazing, and it really shows how well Lady Gaga can command a stadium with over 70,000 people. 4. Michael Jackson Who else would be the first Super Bowl halftime performer besides Michael Jackson? He shot up from underneath the stage and stood still for over a minute, but as soon as he grabbed glasses, the show began. He only played five songs - “Jam”, “Billie Jean”, “Black or White”, “We are the World”, and “Heal the World” - yet, the performance was still electrifying. He did his classic Michael thing with his first three songs, but the performance takes a more wholesome turn, when a choir sings “We are the World” while a card stunt in the stands shows a picture of many children holding hands. Michael delivers a heartfelt speech before ending the show with “Heal the World”, as hundreds of kids in their culture’s traditional attire come on stage. Although it wasn’t as extravagant as the others (and I certainly believe he would’ve done more if he wasn’t the first real halftime show performer), Michael is a performer unlike the world has ever seen, and he set the bar incredibly high with this performance.  3. Katy Perry Click the picture to watch the vi There are so many iconic moments from Katy Perry’s halftime show performance Super Bowl XLIX in 2015. For starters, she came out on a huge, gold tiger singing “Roar” that pranced down the field. She sings “Dark Horse” while her dancers are dressed as silver cheese pieces, dancing on a chess board. Lenny Kravtiz joins Katy on stage to do a duet of “I Kissed a Girl”, and in 20 seconds, Katy is in a brand new outfit on the other side of the field. Of course I have to bring up Left Shark, who stole the beach-inspired stage during “Teenage Dream” and “California Girls”. Missy Elliott comes on stage to perform “Get Ur Freak On”, “Work It”, and “Lose Control” with Katy after her second costume change of the night. Katy changes her costume one more time into a starry, silver gown to play “Firework”, and is pulled up into the air by a shoot star. And of course, there were fireworks. If all of this wasn’t impressive enough, her show is the only halftime show where every single song on the setlist went number 1.  Beyonce Of course Beyonce is the only person who could make this list twice. Her solo halftime performance was for Super Bowl XLVIII in 2013. She rises from the stage in a cloud of smoke, with a speech from Vince Lombardi about excellence playing in the background. She gives us a little taste of her amazing vocals with “Love on the Top”, but as soon as that brass line from “Crazy in Love” hits, she starts strutting down the stage. The song features an amazing guitar solo, and to add onto the difficulty of that, the guitar was shooting fireworks out of the head and body. After a brief dance break, she goes into “End of Time” and then “Baby Boy”, where she dances in front of the screen with multiple versions of herself doing the same choreography. All of a sudden, an alarm sounds, and the iconic intro riff of “Bootylicious” (and “Edge of Seventeen”) plays as Michelle Williams and Kelly Rowland are shot up from underneath the stage for a Destiny’s Child reunion. The three of them sing “Independent Women, Pt.1” and “Single Ladies” together, the latter with dozens of backup dancers. She finishes the killer show with a beautiful, rock-ified version of “Halo”. Everything about this performance was amazing, and the fact that she is the only Super Bowl performer who had only women on stage with her makes it even better.  Prince Click the picture to watch the show! Prince performing “Purple Rain” in the pouring rain could’ve landed him in this number 1 spot by itself. He performed at Super Bowl XLI in 2007 on top of a stage shaped like the “Artist Formerly Known as Prince” logo. Queen’s “We Will Rock You” played before Prince took the stage to play “Let’s Go Crazy”. After some crazy impressive guitar solos and some call and response with the crowd, Florida A&M’s Marching 100 took the field to play for the rest of the songs. He did three covers that night - “Proud Mary” by Creedence Clearwater Revival, “All Along the Watchtower” by Bob Dylan”, and “Best of You” by the Foo Fighters  - and each one was somehow better than the one before. And of course, he finished off his epic show with “Purple Rain”. There were no crazy theatrics, no costume changes, and only two back up dancers, and yet, this performance is widely considered to be the best Super Bowl halftime performance ever. Prince is one of the most legendary performances ever, and this show is no exception. What songs do you think Kendrick Lamar is going to play this year? You can watch the halftime show (and the Super Bowl of course) live on Fox Sports , the NFL app , Tubi , Hulu + Live TV , and YouTube TV at 6:30 pm EST on Sunday, February 9th.  Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Sometimes the biggest battle we fight is one we create with ourselves. No matter what you're going through, either publicly or silently, it's important to find something to hold on to. This something should be a sign of hope that things will soon get better. However, rebuilding yourself after a tough battle is often harder than fighting. You might be so worn down you lose who you are and picking up the pieces of what you have left can give you the strength to put them back together. Finding the resilience to stand back up on your feet is what makes you strong. Regaining the trust in yourself to overcome whatever weight is pulling you down makes you courageous. At the end of the day, you have to realize that you are your own friend, not an enemy. "Stronger" by Lucy Korts is the perfect anthem for reclaiming your personal strength and valuing your self-worth. Her lyrics convey that although you might be feeling hurt and angry, pushing forward and rising above the challenges you face are worth it in the end. Not only is the title of this song "Stronger", the instrumentation and message of the track are strong and hold a lot of value. While listening, I was immediately focused on the prominent punchy drums. The layering of the piano tracks also really stood out while I was listening. The musical choices helped the song build sonically and pushed it forward. When Lucy sings, you can hear the vulnerability in her breathy vocals. My favorite part about her vocals in this song is that you can also hear her resilience and strength. Lucy does a great job of conveying the message of "Stronger" through her emotional storytelling. Lucy Korts is an indie-pop singer from Brisbane, Australia. She made her musical debut in 2017 when she took the stage at the Toowoomba Carnival of Flowers festival. Since then, she's played more festivals and has opened up for many Australian artists like Cap Carter and Sarah McLeod. Lucy's talent has not gone unnoticed. Besides gaining recognition through commercial radio stations like B105, she was awarded the winner of the Brisbane City Council's 2023 QUBE Effect's 'Live Event Award'. It's clear Lucy is taking over the Australian music scene. She's definitely a rising star and one to keep your eyes on. Check out "Stronger" and give it a listen! Written By Alexa LaMalfa FOLLOW LUCY KORTS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Baby Said's "Dead With Me" is a deeply introspective exploration of emotional isolation and the lingering remnants of a relationship that has long since faded. It echoes the paradox of feeling emotionally lifeless while still physically tethered to the past. Baby Said grapples with the emptiness that comes from holding on to something that no longer exists. It comes from both in themselves and in their connection with another person. The track resonates with anyone who's ever experienced unrequited love or the pain of a relationship that couldn't stand the test of time. Listeners may find themselves reflecting on their own personal ghosts --- whether it's an ex they can't quite forget or a friendship that drifted away without closure. The song's mood is one of quiet desperation, capturing those late-night moments when you're alone with your thoughts, trying to piece together the remnants of what could have been. "Dead With Me" is a haunting, melancholic ballad that blends elements of alternative rock and indie with a touch of ethereal, atmospheric flair. Baby Said's voice is soft yet powerful, almost ghostly, with a delicate rasp that gives each lyric weight and emotion. The tone is dark, yet oddly intimate, underscoring a sense of vulnerability. Throughout the song, it's mournful and introspective, evoking feelings of heartbreak and loss, but also a strange sense of calm. The instrumentation is sparse, with clean electric guitar, subtle synths, and a bass line that pulsates like a heartbeat beneath the surface. There's a wistful quality to the track, as if time is moving slowly, making you reflect on the fragility of relationships. The song evokes a bittersweet longing, leaving listeners with a sense of quiet yearning and contemplation. Baby Said is a UK based rock band of two Italian-Punjabi sisters, Veronica and Jess Pal. The origin for their name is from their favorite song, 'Baby Said' by Måneskin. Their musical journey began at a very young age, learning electric guitar and being drawn to the bass guitar. Their beginning of Baby Said started in the summer of 2021 --- they were quickly recognized and invited to play local venues. They have performed at over 200 gigs all over the country which built their confidence and skills. Their message they want to send to listeners is to emphasize self-belief and determination who has ever faced adversity while pursuing their dreams. Stream their newest EP, 'Dead To Me'! Written By Catherine Espejo FOLLOW BABY SAID: Instagram | Spotify  | TikTok  | Website  | YouTube

Artist Julianna Joy brings us an ambitious and risk-taking anthem, "Goldstar" that breaks the boundaries of traditional pop music and creates a cool and whimsical scene. The song is incredibly unique and stays energetic even while it discusses difficult subjects. What makes "Goldstar" stand out so much is the way all the elements used are mixed together. The production on this track is eccentric and listeners can't help but feel addicted to the song. What adds to the enjoyment of this song is its slight humorous nature. "Goldstar" knows how to have fun, even if the subject matter is not so fun. Throughout "Goldstar," there's a clear attention to detail in the way this song has been recorded and mixed. The intro is so cool and it certainly excites listeners about what to expect for the rest of this journey. The bass line absolutely rocks as it drives itself into listeners' heads. There's a nice balance between the joyous comedic nature and the animosity of the lyrical content. This makes the song transparent while also keeping the energy alive. The chorus really emphasizes this, as the upbeat nature almost makes you want to dance, you still get a sense of the anger the speaker is presenting. Julianna Joy's sweet voice beautifully wraps "Goldstar" as she has such a smooth and angelic singing voice. Overall, "Goldstar" is such a phenomenal song because it pushes boundaries of pop music and infuses elements of hip-pop in a way that's not always heard.  Julianna Joy is an artist originally from Chicago but is now based in Los Angeles. She released her first single "Nevermind" in 2019 which gained a lot of traction. In 2020, she released her debut EP "Cherries" which has gained over 6 million streams over the years. After her second EP "Garden of Eden" was released, her music began to be featured on notable platforms such as the Zane Lowe show, Spotify's Fresh Finds, and more. In 2023 she opened for artist Xana on tour. Julianna Joy's debut album, "Somebody Call The Firemen" is expected to be released in Spring of this year so look out for that as she's an artist you don't want to miss. Written By Chantal Charles FOLLOW JULIANNA JOY: Instagram   | Spotify  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Hitting the ground running with an uplifting debut single, Joseph Linley has officially joined the music industry. Releasing “I’m with you” January 31st and already amassing over 7,000 streams, Linley has only just begun. Explaining that he has had this lyrical idea for some time now, Linley wanted to write a song that is heartfelt and hopeful. The idea behind “I’m with you” is an ode to the loved ones in Linley’s life that struggle to feel supported or happy- he declares that he will always be by their side and will always have their backs. Explaining that as he has grown, he has released the importance of a 'darkest hour friend', he vows to always be this friend to others. The lyrics behind this song are exactly as they appear. The first verse calls out to those who are hurting with a melancholic piano line following behind. Linley sings, “I can see it the things you’re trying to fight / And the hurt you hide behind that vacant smile”. He goes on to then promise that despite these negative feelings, he will not leave them alone with these troubles. In the chorus, he sings, “So won’t you / Step out from among the shadows / I know you have your demons that hold you / But I’m with you yeah I’m with you”. The soundscape opens up into a ‘coming of age’-esque sound, with an uplifting bass chord and light piano notes. Growing up in a musical home in Cape Town, South Africa, Joseph Linley knew from a very young age he was destined to be in the music industry. Now aged 26, it was time to turn his dreams into a reality and get to work. He wrote the lyrics of “I’m with you” with his brother, Will, who also is a musician. Will helped use his expertise and knowledge to turn Joseph’s words into a full fledged song, and the brothers bonded even closer throughout the creation of this track. Make sure to follow the social medias below to stay tuned for more work from Joseph Linley. Written By Tessa Maddaloni FOLLOW JOSEPH LINLEY: Instagram | Spotify  | Facebook  | YouTube

Heartbreak rarely makes sense to anyone. You don’t see the wreckage coming, or if you do, you convince yourself it’s all in your head because you’re still so in love that things have to be fine. You’re left to question where it went wrong and question your inner self and the world around you. With Valentines Day right around the corner, Laurel Mitchell released her new single “Two Weeks Before Valentine's” about a personal relationship from two years ago. She said this song was her stream of consciousness as she processed the heartbreak and tried to understand it was out of her control. It takes time to understand why we endure pain, but there’s always a reason for it all. This song is an indie-pop contemporary that brings so many tears within one single listen. “Two Weeks Before Valentine's,” captures how disorienting it is to think someone loves you in the same way you love them, but then they leave. “Every time you looked into my eyes, and I thought that you’d always want me.” Laurel put so much heart into every lyric and her vocals carry so much emotion that it’s impossible not to break alongside of her. As a huge fan of sad songs, I immediately fell in love with how soft the production was to allow the track to feel incredibly intimate and personal. It’s as if we are reading a page from Laurels diary, or our own if we’ve been in similar situations. “Truth be told you did lots of things right, right up until two weeks before Valentine's.” To all the broken hearts spending this Valentine's Day alone, this is the perfect song to listen to and understand every emotion you feel is normal. The hurt is temporary and one day you’ll look back and be thankful you weren’t with this person in the long run. Laurel Mitchell is a 25 year old indie singer-songwriter based in Virginia. She’s started songwriting around 12 and has been evolving her talents for years. She heavily draws inspiration from artists such as Maggie Rogers, Phoebe Bridgers and Lizzy McAlpine. To Laurel, music is a powerful way to make listeners feel seen and understood so she writes about her life and the lessons she’s learned along the way. Her debut single “no goodbyes” was released in 2022 and this year she will be releasing her debut album. She is incredibly gifted with her ability to understand the fragile moments in life and lay them bare for people to pick up and find comfort in. Laurel Mitchell is a must listen to artist so check out the links down below to get to know her and prepare for her new album. Written By Emylee Herring FOLLOW LAUREL MITCHELL: Instagram | Spotify  | TikTok  | Facebook  | YouTube

We've all had a point in our lives where it seems like anything and everything that could go wrong, does. The stress starts to become too much, and even the littlest things start to become bothersome. It feels like you're not the same person anymore and you don't know if you'll ever get out of this funk. You're just angry and bitter towards the world, and you don't know how to make it stop. "IDK These Days" by Caroline Romano perfectly represents this highly relatable state of frustration. When someone asks you how you are, what are you supposed to say? You could say that you're fine, but it would be obvious that you're lying. Sometimes it's just best to say, "I just don't know these days...". "IDK These Days" takes a minimalistic, but very gorgeous approach in it's instrumentation, that way we can focus on Caroline and the fantastic, relatable story-telling within her lyricism. The main instrument throughout the song is acoustic guitar, with a moment of gentle, weeping electric guitar for an interlude. Caroline sings with heavy, raw emotion as she flows through a run-on melody, like a stream of consciousness just exploding from her heart. You can hear the pain and desperation in her tone, and it really pulls at your soul. Caroline Romano is a singer/songwriter based in Nashville, Tennessee but is originally from Mississippi. She debuted in 2017 with her single "Masterpiece (feat. Jacob Whitesides )" at only age 15. In 2020, she caught her big break when she released a collaboration with R3HAB , "I Still Remember", which charted on Billboard 's Dance Charts. She went on to release her debut album, "Oddities and Prodigies" in 2022 and has gained a loyal fanbase, having over 74k Spotify monthly listeners. Over the past few years, she's opened for artists like Grayscale and Smallpools , as well as performed in well-known Nashville venues like The Basement East and The End . Caroline is currently set to release a brand new EP on February 21st, titled "How The Good Girls Die". "IDK These Days" is just one track to be featured on the EP, so if you enjoyed this song I suggest following Caroline below and pre-saving her EP! We know you'll love it. Written By Kaitlyn Nicole FOLLOW CAROLINE: Instagram | Spotify  | TikTok  | Facebook  | YouTube | X | Website

Sometimes crawling out of the one thing that we can't leave behind is a feeling we get when our minds have become a crowded room. Then other times there is an emptiness that leaves us to want to crawl to a place where we can truly have a life worth living. The anxiety we get from just our minds alone makes us ask the question, how can we escape the unescapable? When the mind takes over and our hearts start to race, we'll do anything to still try and escape the confinement our minds have on us, even if we have to crawl away. KARINA takes us through the battle of the overwhelming impact anxiety can have as we continue to try and leave our minds behind. A peaceful, strumming of a guitar pulls us into the soft and heavenly vocals of KARINA as "Crawl Out Of My Mind" begins. KARINA describes the feeling of wanting more, yet then at times she wants the complete opposite as the overwhelming anxiety starts to take control. The mind takes over, and everything feels like it's controlled by the endless thoughts that can't leave her head. The chorus grows into a more upbeat tone as she questions how she can escape the overbearing thoughts that won't go away. The mind continues to take over, and nothing will make the dread it has caused to leave as she tries to escape the tension it has built. As she reflects on her heart and mind racing, the bridge of the song is right by their side as it picks up the pace. Her voice emphasizes the pain and emotion she has in these times when she tries to win against the nerves. KARINA's "Crawl Out Of My Mind" is the song that will truly power us to outrun the thoughts that try to bring us down. KARINA is an artist from Williamsburg, Virginia, who was inspired by Hannah Montana when she was young. KARINA has made her mark in the music industry after just a couple years since her debut in August 2023 with multiple singles and her debut album. She does not shy away from topics like mental health and highlights the pain and emotions that many may feel they shouldn't show. She embraces the art of music through her lyrics and message that she is not afraid to share with the world. KARINA's other most recent single, Burning Daylight, continues to show her undeniable talent in the music industry and creates anticipation for all her new music to follow! Written By Nini Alano FOLLOW KARINA: Instagram | Spotify  | TikTok  | YouTube

There's always a fear of the unknown when falling for someone, not knowing whether it'll last. Annabel Gutherz expresses this fear in her latest single, "Dance Around It," showing us what it's like to surrender to love despite the subtle doubts lurking in the back of your mind. Sharing the inspiration behind the song, Gutherz states, "This song captures the bittersweet joy of being deeply in love while quietly fearing its fragility. It’s about cherishing the beauty of the present while grappling with the ‘what ifs’ that loom in the background. It’s a dance of vulnerability and courage, choosing to love fully even in the face of uncertainty." Diving into an essence of nostalgia, Annabel Gutherz's "Dance Around It" takes modern pop melodies and effortlessly blends them with elements of classic rock. The mid-tempo ballad leans into intimate expression, featuring a lush instrumentation that complements Gutherz's introspective lyricism and poignant storytelling. Gutherz holds nothing back as she shows off her vocal prowess, letting her soulful voice soar over a compelling mix of contemplative guitar riffs, ethereal synths, and rich harmonies. It's certainly an honest love song for the ages, released just in time for Valentine's Day. Having a gift for crafting timeless, relatable music, Annabel Gutherz has been on the rise since her 2018 debut single, "Legends." The Montreal native is a graduate of the esteemed Berklee College of Music, holding a baccalaureate and master's degree from the school. Since the release of her 2021 debut album, Loose Ends , Gutherz has continued to elevate and grow her career, collaborating with industry giants like Bleu McAuley (Selena Gomez, Demi Lovato) and Bonnie Hayes (Bonnie Raitt, Bette Midler). Her most recent testament to success, Gutherz orginal songs have been featured on CBS during the Big Ten College Football broadcasts, cementing her position as an emerging artist to watch. Written By Cheyenne Johnson FOLLOW ANNABEL GUTHERZ: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Channel yourself through the flow of emotion over time with “Ghost of the Past” from artist Alban Ramosaj. This song is emotionally captivating & heavy, immediately pulling in the listener. Ramosaj begins the track with light strumming of both a guitar & banjo as he dedicates the song, by the very first line, through a delicate voice to the song’s subject. Ramosaj seemingly dedicates the song to an ex-lover who he’s now lost, referencing how they see a different time of day compared to him, that his memories are fading & finite, and overall, he simply cannot stay with this person. While the nature of this track appears all-around melancholic, Ramosaj embeds bits of hope within the song and provides details that show how the decision he’s made is for the best. One line in particular, “I’ll love you till the end of time”, indicates how there are no feelings of resentment and/or negativity felt toward the other person and that the ending of this relationship was best for both people involved. This detail not only sets the track apart from breakup-type songs but adds layers to it, showing a mature perspective and ability to write from a complex point of view. Much similar to the essence of the lyrics, the tone of “Ghost of the Past” is one that displays maturity and range. Ramosaj’s use of banjo, guitar, etc., allows the song to breathe in areas that shake the song up, keeping you on your toes and hooked. Through the use of these instruments and twinges made to his voice in certain sections, Ramosaj creates a blend of country, pop, and indie in sound. Although, no matter which section of “Ghost of the Past” you’re exploring, you are consistently being fed feelings and sounds of comfort & familiarity. Through its honest lyrics, knowledge of and play on differing genres, and catchiness, “Ghost of the Past” feels like a song you’ve had in your music library throughout time. Ramosaj demonstrates emotional connectivity and respect, all while telling the tale of heartbreak – a topic that’s touching and well-known. His musical and lyrical style in “Ghost of the Past’ is one that fits familiar narratives and everyday human emotions, easily connecting to listeners and staying true to the music-making process. Alban Ramosaj is a Kosovan-Albanian award-winning singer-songwriter based in New York City, USA. Ramosaj rose to prominence in Europe, dominating both spheres of music and musical expression (music videos, modelling, etc.). With his Albanian hits, “Thikat E Mia” and “Theje”, Ramosaj quickly attracted attention in the music industry and a devoted following in Europe. He additionally directed award-winning music videos, showcasing his range of talent and evoking personal artistry. On top of his music career, Ramosaj has also modeled for Dolce & Gabanna in their Spring/Summer 2018 campaign. Now based in New York City, Ramosaj is now navigating a new chapter of his career through making an English debut EP – “Heartbreak Motel”. This EP is different from Ramosaj’s past material, following more of an Americana folk/indie sound and stories from the heart to reach wide stretched audiences. Written By Madison Spies FOLLOW ALBAN RAMOSAJ: Instagram | Spotify  | TikTok  | Facebook  | YouTube