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Caleb Hearn’s latest single “Get There When I Get There” offers retrospective insight into choosing to live for yourself in the moment rather than living for the future. When you are young, it’s easy for everybody around you to worry about your future. Each passing year and milestone is just another year closer to when you’re supposed to “have it all figured out”. Instead of letting you value each moment in the present, you’re expected to think about an unspecified future date. After years of prioritizing preparing for what’s to come, you have slowly begun to live for each day. Each second passes and never returns so it’s only natural to want to experience them rather than knowingly ignoring. You want to have lasting and simple conversations that don’t lead to extravagant future opportunities. You’ve learned that if you think about what hasn’t even happened yet, you may lose things that already matter to you. There is no need to worry about every detail of the future when there is intrinsic value in everyday present moments. Click here to listen to "Get There When I Get There"! “Get There When I Get There” is a folk pop experience that relies on simple beauty to express itself. We begin with relaxing guitar strums paired with Hearn’s sweet vocal performance. The guitar starts and remains as light and airy and is intertwined with each sung note. The first deviation from this instrumental and vocal pairing is the chorus where simple piano chords are introduced. Each chord feels like a welcome gift that is short yet effective at pulling us in even more. As the following verse begins, the piano remains but with small glimpses of ascending and descending arpeggios. Throughout this piece, echoing reverb makes an ethereal experience at the end of each refrain. Each element, though simple on its own, intertwines together to form a traditional folk pop musical tale. Caleb Hearn is an American singer-songwriter currently based in Nashville, Tennessee. He first began creating his own music at just 12 years old after getting his first guitar. His breakout into music began with his song “Always Be”, which paid homage to the passing of one of his friends. The single, as well as its upped remix, received relative success with just over 16 million streams on Spotify. He has since released a plethora of singles, EPs, and albums that have garnered impressive success. His social media platforms have earned him a wide following, with over 1 million followers on Tiktok alone. Make sure to follow him on social media and give “Get There When I Get There” a listen! Written By Willow Gray FOLLOW CALEB HEARN: Instagram | Spotify  | TikTok

Get lost in a tune that takes you away with KEYSIDE’s new song, “Runaway”. The track is liberating as it encapsulates the freedom in escaping from your troubles, and how that escape is that much more blissful with someone special. The speaker of the song only describes the troubles their partner faces as the reason for a need for escape, making it clear where their priorities lie; the speaker’s key objective is making sure their partner is free. The song starts by painting a picture of the discomfort this partner faces in their home, with the words “she’ll smoke you like a cigarette, throw you out like one of her butts”. It isn’t clear who the “she” in this statement is, but whether it’s a romantic, maternal, or other sort of relationship, the listeners know this person is trapped. The chorus repeats the narrator’s want, ending with the words, “I wanna run away with you”. These simple, ongoing statements are filled with passion and motivation. Fantastical ideas arise, bringing the desire to flee to a whole new level. The second verse carries a line that really made me think: “she caught us on the patio, I climb a fishing line to the man on the moon”. This obscure and magical representation of an escape from danger gives the idea of running away a whimsical allure. In the bridge, the narrator describes themself as flying and says “it’s like you’re running through my veins, you got me high”. This intensity of obsession with getting away is a frantic intoxication, blurring the lines of reality and fantasy. This is a track with a story, and its sound reflects that. “Runaway” is an indie rock song that features bass, electric guitar, and percussion. The vocals emulate Sting’s classic rock twang on the high notes, with a dark and casual style of their own throughout. This anthem of escape feels like the night. It has electric riffs interspersed that hold an after-dark quality to their sound. From the bold and stimulating pattern opening the song to the simple repetition of ascending staccato in the verses, the guitar brings a creative level of excitement to the tune. The way the instrumentals embolden the chorus makes you feel like you’re at a concert. Simple lyrics are filled with soul, and when you sing along, you feel just as free as the words want you to. KEYSIDE is a Liverpool-based band that aims to stick to its city’s musical roots, drawing on the city’s sound to inspire their music. The band has four members: lead vocalist and acoustic guitarist, Dan Parker; lead guitarist, Ben Cassidy; percussionist, Oisin McAvoy; and bass player/background vocalist, Max Gibson. Together, the band have performed and recorded their songs, having graced the stages at festivals and performed with artists including Shed Seven and Jamie Webster . In March, they released their debut EP, “Nikita”, and are keeping their music flowing! Check out the links below to give their songs a listen, and experience the incredible Liverpool rock this band has to offer. Written By Hanna Kowal FOLLOW KEYSIDE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

The song 'Sunlight!' gives us a glimpse into what it's like to search for clarity in the midst of the unknown. The unknown referring to a chapter of life, a relationship, or a friendship. He uses the sunlight as a metaphor for escaping the unknown. Having the sunlight is like breaking out of a shell and finding the clarity in the situation at hand. The first part of the chorus says, "Someone give me the sunlight / At a red light / And it's time to shed my skin, oh God, I know / Here I go." Elijah Woods recognizes the need to shed one stage of life in order to understand the new stage better. In the second half of the chorus, it says, "Someone give me the sunlight / It's been a long night / And it's time to sink or swim, oh God, I know / Here I go." There is an appreciation and a new level of understanding when the artist accepts that he has to sink or swim through the next chapter of life. If he doesn't he will never gain full clarity. The chorus itself resonates deeply because it's relatable for everyone, but the bridge brings us even deeper into this feeling of finding clarity when it says, "Either you can't or you won't / Or you're out of control / Or you die getting old, or you just don't know what you want / What you want, what you want." I think this verse speaks volumes without needing further explanation as the listeners. 'Sunlight!' starts with a bang. Right away, we're met with an upbeat tempo and catchy track pulses. Elijah Woods layers in his smooth, even, yet upbeat and energetic vocals to help elevate the song even further. I would describe the song as giving off a happy and wanderlust mood. Not wanderlust in a sense of wanting to travel the whole world but rather in the sense that he wants to travel through this uncertainty. He wants to explore the uncertainty and come out on the other side stronger than before. The tempo and vocals blend these feelings together to create the perfect mood. Elijah Woods is a Toronto-based artist and producer. He is known for his catchy melodies, vivid storytelling, and production skills. In 2023, he sold out his first headline Canadian tour. This helped boost him onto the international stage earlier in the year, where he surprised fans in major Asian markets including Hong Kong, Tokyo, and Singapore. While there he opened for Niall Horan. He also took the stage at the Seoul Jazz Festival where he performed alongside artists like Lauv, Jeremy Zucker, and JP Saxe. Elijah is about to release an EP entitled 'Hey There Elijah' set to come out September 27th. When asked about the EP he said, "It's a blend of the emotions tied to turning 30, introspective lyrics about love, and personal stories, capturing everything I've been through in the last few years. Ultimately, this EP is my quest for maturity." Check out 'Sunlight!' while you wait for the EP to drop, you won't be disappointed. Written By Destiny Rundquist FOLLOW Elijah Woods: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“Well, I've forced a couple smiles.” Oh, haven’t we all. Harrison comes for the heart strings early on with this ballad that explores the less-than-happy side of life and how we all face struggles from time to time to see the goodness in life and find reasons to be genuinely happy. “But I’ve seen a little sunlight lately.” This one line hit me like a ton of bricks when I initially heard it. One of my favorite quotes is “I always keep a little hope in my back pocket.”, meaning I’ll always hold onto hope, even when it seems there is no reason to or that there’s nothing to hope for. Hope is both a dangerous but also beautiful thing, it’s a choice to remain optimistic in pessimistic times. Harrison is demonstrating the light-at-the-end-of-the-tunnel analogy. Perhaps there is, after all, always a reason to hope. An official description of the song reads -“Long Gone is an energetic ballad that exposes a new sonic sound for Harrison Sands. It explores the world of rediscovering one's sense of self and creating a new, stronger version to progress forward with. It is full of orchestral swells, thunderous piano chords, and playful percussion to guide your journey from beginning to end.” The quiet resolve in this song that is introduced in the beginning is indeed ramped up to this emboldened declaration of “Yeah, I was down for the count, but I got back up and when I’m up, I’m up.” Harrison’s voice is soft yet commanding and I’ve always felt that there is something so powerful in the quiet resolve. Now, that’s not to say that Harrison doesn’t hit some pretty impressive notes because he most certainly does ( i heard ya, dude, ‘twas beautiful). But, the song is a personalized inner anthem that speaks volumes without raising the volume (Ya see what i did there? 😊) The orchestra, the piano, it’s such a beautiful gentle reminder to just. Hold. On. The music and lyrics just build on themselves . As the song progresses, we hear more voices, more instruments, it’s as if to signify that, when you’re making this climb to better, more awaits you. “We’ve been here for too long.” It’s okay to realize that what you’re currently doing is no longer (or was never) serving you and to shift gears, turn around, choose a different path. Life is full of choices, we make several each day. We can choose to change, to better ourselves, our lives. “I was forced to face the self that I hated.” Self-awareness is an important trait to have and to never take for granted. Knowing yourself, your limits, your capabilities, it’s all an integral part of life, of our growth. “I keep holding out for something better.” It may take time, but something better is always on the horizon, always able to be reached, patience is truly a virtue, but one worth having and maintaining. “But that me is long gone, now.”, is where the song leaves us, on a positive, hopeful note that the best is yet to come. Harrison Sands is an American singer, songwriter, and musician based out of Los Angeles, California. Sands’ online influence has garnered thousands of fans across his many social medias. Harrison credits Frank Ocean, Justin Timberlake, Childish Gambino, the Beach Boys, and Paul McCartney as his main musical inspirations. In addition to being an artist, Harrison is also the co-founder of record label, Universe Goods, Company – described as being “by friends, for friends.” as well as the co-host of the podcast, Nobody Asked with friend and frequent collaborator, Abhi the Nomad. “Long Gone” is said to be the second track of Sands that is heading towards a new direction for his music. Harrison is set to go on tour starting on 9/20 in Austin, Texas. To keep up with all things Sands as well as see him live, check out all of his socials below! Written By Keiunna Thompson FOLLOW HARRISON SANDS: Instagram | Spotify  | TikTok   | Facebook   | YouTube

Great Good Fine Ok’s new single, “Better Without You,” tells the story of a person who has a difficult choice to make about their relationship. They’re uncertain about whether or not they’re better without the other person. The song captures the painful back and forth of “what-if’s” that run through one’s mind when a relationship appears to be going sideways. The second verse talks about feeling confused and being drawn back in with one simple look into their partner’s eyes – once again delivering relatable lyrics that encapsulate the constant flood of emotions that come with an uncertain relationship. The lyrics, “Give me nine lives, I still wouldn’t know what to do,” perfectly summarize just how confusing love can sometimes be. “Better Without You,” is a funky, slightly seductive, synthpop bop that will make you want to dance and contemplate the strength and certainty of your relationship at the same time. Paired with a slick bassline that creates the song’s infectious groove and the infusion of infectious synth keyboards, it has something for everyone to enjoy. Plus, Jon Sanders’ unique, airy vocals add a level of sultriness and mystique to the song that draws you in from the very beginning. Over the course of the three-minute track, GGFO also experiments with some fun, muffled vocal effects that further showcase the duo’s creativity. Overall, “Better Without You” is a definite must-listen-to track. When vocalist Jon Sanders and producer Luke Moellman met, it was fate. The Brooklyn duo formed Great Good Fine Ok in 2013, writing their first song “You’re the One for Me,” the morning after they first met. Their first EP Blood Diamond was released in 2014. Shortly after, the duo began booking shows at the SXSW Festival and nabbed themselves record deals with Neon Gold and Epic Records. Great Good Fine Ok have also written and performed with some major names in the music industry. They’ve performed as supporting acts for artists including Tove Lo, Penguin Prisons, and X Ambassadors. Plus, the synthpop duo also co-wrote and performed on The Chainsmokers’ 2015 single “Let You Go". Since then, GGFO have embarked on several sold out headlining tours and amassed a loyal following of fans who always look forward to their eclectic live performances that tend to feature keytar solos, silk kimonos, and fun lighting elements. With an endless slate of single releases and five EPs under their belt, Great Good Fine Ok have had their foot on the gas from the very beginning. Stream their latest single, “Better Without You,” and jam out to the duo’s new dance hit! Written By Giselle Morales FOLLOW GREAT GOOD FINE OK: Instagram | Spotify  | TikTok  | Facebook  | YouTube

A fusion of electronic pop and R&B, gliding on funky 80’s rhythms, Dezabel’s “Can't Stand You” is a plethora of sounds colliding in perfect unison. A mosaic of sounds and beats, “Can't Stand You” aims to represent the complexities of inner feelings within a love-hate relationship. Bold and rhythmically catchy, the song's moody vibe and Dezabel’s voice over each beat provide a sensual sound. Dezabel begins with the opening line, “Feels like we're spending summer under the shade, imperfect like some Levi's that's frayed... I can't stand, I can't stand, I can't stand you, but I need you." The line perfectly epitomizes the song's meaning about a relationship that has its struggles but keeps you coming back for more and holding on. In another line, Dezabel describes promises being made with “fingers crossed,” hinting at the hope in the relationship. However, it is alluded that the promises always end up being broken, another problem within its turbulence. Contemporary, yet crafted with a nostalgic and groovy 80’s flare, Dezabel layers on synth-heavy sounds and techno lines. “Can’t Stand You” is complex and completely expressive in its free-moving sound. The track echoes scenes from Rhianna's “Work” with its R&B influences and pop sounds blending. The atmospheric production is immersive and colorful, with soulful voices and emotive lyrics fusing over an addicting rhythm. Danceable and seductive, the song is smooth in progression as well as intimate. Though vibrant in a montage of electronic beats and synthesizers, the track is still easygoing while being fun and chill. “Can’t Stand You” stands out as an inventive masterpiece, with different worlds of music colliding in perfect cohesion. Dezabel is a duo comprised of singer/songwriter JVZEL and producer/composer Bilgi, who are known, as seen in “Can't Stand You,” for their fusion of Pop genres, R&B, Jazz, and Electronica. The collaboration began in 2019, first starting as a solo project which soon led them on a musical journey that brought forth the ambition to break musical barriers and create rich and unique sounds. JVZEL has worked with notable hit artists such as David Guetta and Kendrick Lamar. Alongside Bilgi’s various influences pulled from Pop, Jazz, Film Music, and R&B, the dynamic duo is a force to be reckoned with. The former comes from L.A. studios while Bilgi has roots in Zurich, both blending as musical talent powerhouses. The contrast of sounds and unique flares of both artists, seamlessly fuse to create a distinctively standout sound. With Dezabel scheduled to make their live debut in Los Angeles at the beginning of October, the duo plans to perform on stages worldwide in 2025. Written By Mia Chavez FOLLOW DEZABEL: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Sometimes life’s simple pleasures remind us of specific people, bringing sweetness to the moment and the memories. Natalie Clark’s new song “Iced Tea” delights in sweet drinks and island relaxation, allowing the speaker to savor the experience, accompanying thoughts of one particular person. Throughout the song, there is little indication about the type of relationship the narrator has with the person the song is a message to. There also aren’t any words to describe the type of thoughts the speaker has, only that they are about one person. With a euphoric and upbeat tone to the track, we know that these are happy thoughts. This allows listeners to explore whatever possibility their minds can imagine. To some, the song may be about someone feeling nostalgia for a friend they had fun with. To others, it reminisces about a romantic relationship. The verses start with a list that paints a picture of a vacation. As the song begins, the lyrics say “pool side, dive in, room with a view, dream location, five-star review”. These words launch listeners into the happy and relaxed tone of the song. The chorus is cute and catchy, repeating sounds and words in a playful way that reminds me of fun in the sun. Click here to listen to "Iced Tea"! “Iced Tea” is the perfect song to listen to during a drive on a sunny day. It has a calming warmth to its tune, and a melody that will make you want to sing along. Slow guitar strumming in the song sounds distorted, like it’s being played through a radio. Natalie’s voice is soft and angelic. The vocals work through the lyrics with waving patterns of notes, giving a special, breezy flow to the melody. High and soothing vocalizing adds even more character to this charming track. Through the choruses and part of the second verse, there’s upbeat percussion and fun interludes of electronic sounds, energizing the song even more. There’s a really cool switch up during the bridge, as Natalie speaks the lyrics “it’s like deja vu”, and background electronic notes arpeggiate. The chorus repeats at the end of the song, and its charismatic tune is bound to stay with you. Natalie Clark is a Scottish school teacher-turned LA-based musician. Her music reached wider audiences after attending a BBC Radio 1 event where guest, Sir Richard Branson , spontaneously invited her to sing. She is the opening act for the Indigo Girls tour, which brings her music all over the US. Her songs have been featured in various forms of media including TV shows on Netflix, and a Mercedes Benz campaign. Natalie has received praise for her songs and voice from many artists like Christina Aguilera , and music industry magazines including Music Connection Magazine . With a growth discography of songs, and an album on its way, be sure to keep up with Natalie’s music by checking out the links below. Written By Hanna Kowal FOLLOW NATALIE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“Sixth Sense” by XOLA was released on September 6th, 2024. The moody pop track explores the moment of finally recognizing the bad signs in someone and knowing that you cannot continue with them. XOLA was prompted to write this track because of her frustrations in a toxic relationship. Sometimes, we get a feeling that this person we are trying to see the best in just isn't worth it and isn't going to change. Inspired by artists like Griff, Troye Styrke, and Amelia Moore, XOLA is committed to blending electro-pop sounds with her Scandinavian roots. If you are looking for new music to add to your streaming library, definitely check this track out. As the track begins, XOLA sings, "When you call my name / Now your eyes don't look the same and your voice has changed." Right away, she brings us into the sudden realization that this person is not who she wanted them to be. It is matched with a darker, synth-pop production that continues through the rest of the track. The refrain "when it's all good, it's not good enough / say you're gonna change, but I know you're not / got a sixth sense" shows her finally being fed up with this person and realizing that this relationship is not healthy. For anyone that has been in her position, it is the perfect anthemic track to sing along to as you move on to better things. Pop newcomer XOLA is a singer-songwriter based in Copenhagen, Denmark, making her mark on the Danish music scene. Her first concert performance was at Spot Festival in 2022. Now, "Sixth Sense" comes as her debut single after years of developing her songwriting craft, following up her feature on ANDROZONE's "Anymore" released earlier this year. If you enjoyed "Sixth Sense," make sure to keep up with all the latest information on XOLA and her music by following the social media links below. This is just her first release, and I cannot wait to see what she will put out next! Written By Sydney Gray FOLLOW XOLA: Instagram | Spotify

This song, “Brooklyn In My Mind” by rella, is a groovy upbeat song about reminiscing on a time and a place you had with a person who’s no longer in your life. A tale of heartbreak and nostalgia, rella takes you into her own memories with this person through the tales she has of her life in Brooklyn. With lyrics like “I remember that summer, playing cards, seeing stars and counting cars” and “I remember Friday nights, when getting home was a losing battle,” she paints pictures in your mind before wrecking it all with mournful lines such as “feels like you’ve still got a piece of me” and “can we hit rewind, go back in time to Brooklyn in my mind?” She utilizes a perfect combination of evocative imagery and emotional blows to highlight exactly how it feels to miss someone who’s no longer yours to miss. “Brooklyn In My Mind” is a melodic indie-pop song that uses catchy percussion and lush instrumentals to grab ahold of the listener and keep them hooked for the entire three and a half minute length. Starting out strong with a rhythmic drumbeat that’s quickly padded by strumming guitar, you’re brought right into it immediately, nodding your head and tapping your foot already when rella’s strong vocals come into the mix. The intensity is already elevated, but it rises appropriately for the chorus, before smoothing out with a jazzy chord every time it dips back to the next verse. After an instrumental break about 2 minutes in, the tension builds and then breaks at the bridge, before diving back into one more rendition of the chorus. Overall, this song is a perfect combination of musical fun and emotional depth - an instant favorite on my playlist. rella is an up-and-coming singer/songwriter who hails from Nashville, Tennessee. Born Sarah Parker, she took on the name of her grandfather’s grandmother, a Vaudeville performer, and embraced the start of her musical career. She’s the daughter of a bass player, and attended the same high school as Taylor Swift, showing that music is truly in her blood. She released her first single in 2019, “Intervention,” after experiencing her first major heartbreak, and has since found solace in exploring new perspectives and telling tales of loss and personal growth. Since then, she’s released several more songs, with “Brooklyn In My Mind” being her most recent. Use the links below to explore more of her music! Written By Morgan Fischer FOLLOW rella: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Ben Murphy’s new song “I Don’t Recognise You” is a heart-wrenching narrative, exploring stories of disconnection and separation. This track has a special way of bringing multiple character’s experiences back to one shared want. Through a combination of slice-of-life scenes and slightly altered choruses for different speakers, listeners are left to feel like they are peering into the worlds of people who are going through the same complex emotions. The song begins with lonely thoughts in a crowded place; the narrator feels unseen in the early morning rush of the London underground. This person then becomes an observer, and listeners become people-watchers alongside him, as he witnesses what seems like the turning point towards the end of a relationship between a man and woman. The first chorus is a plea, coming from the woman, begging to recognise her partner. With the words “there’s no one behind your eyes, abandon ship when I’m stressed”, the abandonment she feels in her relationship emits a genuine sense of pain. In the following verse is the tale of a father having abandoned his son, and the chorus begs for recognition in a whole new way. The speaker of this chorus is the father, wanting to recognise his son. A line from this piece that cuts like a knife is “I don’t expect your forgiveness. I was selfish, young, and scared”. It puts forward a massive sense of loss and regret, not excusing the father’s abandonment, but explaining his situation. The final story, through the bridge of the song, is far less literal. It focuses on self-recognition. The words ask listeners to look behind the strong exterior, to peer deeper into the place where “every window shimmers gold”. It gives clues that the speaker in this verse is the son from the former with lines like “what he left is not for sale”. The final chorus refers to recognising the character’s reflection, and a sense that all is lost comes in words of doubt and hesitance. The song ends with a strong will to try, the same as the other choruses, with the words “I’d do anything”. Click here to listen to "I Don't Recognise You"! Ben’s breathy, low, and brooding vocals are accompanied by an octave-higher layer of a background vocal track. This brings a depth to the sound. The way his vocals flow through notes, rising higher at the end of certain words, shows an emotive flexibility to Ben’s voice. Palm-muted acoustic guitar strumming brings an overarching and consistent warmth throughout the entire song. Percussion only joins in sparingly, but when it does, it brings force to the words. It emphasizes the strength in the metaphors throughout the bridge. A soft glowing electronic pulse repeats throughout the end of the verses and the chorus, sounding almost like a musical breath in the background. The guitar grows in volume, changes patterns, and even slows to a single strum per bar towards the end of the tune, truly emulating the emotional climbs and falls in the journey of the lyrics. Closing the song, twangy guitar plucking reminds listeners of the innate humanness in the song through its sound. Ben Murphy is a 24-year-old musician based in North-West London, who has reached 10, 605 monthly listeners on Spotify. BBC Radio 1 and BBC Introducing called him “one to watch”, and it's easy to see why. His voice is absolutely captivating, and paired with his lyrics that tackle important themes of identity and mental wellness, his songs deliver important messages in a way that sticks with listeners long after the song has ended. Ben released his first song, “All I Do”, in 2022, and continues to create music. He has collaborated with other artists, having featured on Anna Stevens ’ song “So Vain” . Check out the links below to find his other songs and learn more about this heartfelt artist! Written By Hanna Kowal FOLLOW BEN: Instagram | Spotify  | TikTok  | YouTube

Empowering women to be on top and succeed is such a beautiful part of womanhood. Recently the spotlight has been on female artists in the music industry, and it is so inspiring to see. Ridi released a new bop for women everywhere called “I Could Be Your Daddy.” She goes over the strengths women possess and creates a track mixing Arabic sounds with all the iconic pop elements. Ridi wanted this song to mix cultural richness and contemporary sound to set the tone for Indo-Western music. Her artistry in this track is jaw dropping with the mix of styles and incredible vocals. She ties every element together with a positive message that women can in fact be loud, confident, and of course, your daddy. Ridi stated she has delivered unapologetic verses that champion women's strength and motivate the women of the 21st century to be the best version of herself. One of the best lines in this single is “Don’t need no man for my shopping.” Ridi got creative when it came to using materialistic items as a metaphor for the internal worth she holds for herself. “I Could Be Your Daddy,” lays it bare that we don’t need anyone to determine our worth except ourselves. I will always stand by the importance of independence for females. We have just enough ability to take on the role of daddy. Ridi created an anthem that I’ll be scream singing for the next few weeks.  Ridi outdid herself with “I Could Be Your Daddy.” She is an incredibly talented singer-songwriter who uses her music to share messages we need to hear. Advocating for what society sees as weak links is Ridi’s passion. Not only does she use her music to speak up but she also confounded ‘Stop the B’ which is an antibullying page where stories are shared to raise awareness for the awful things people face on a day to day. Ridi has a heart of gold and insane talent. Her music speaks to the deepest part of your heart. If you liked this single, be sure to check out her discography. She leaves you feeling like you have the power to take on the world. Written By Emylee Herring FOLLOW RIDI: Instagram | Spotify  | Facebook  | YouTube

Breakups are hard, especially when you think that person is your forever. Processing the split and trying to move on is even harder, especially when no one compares to them. “somebody” by beno perfectly describes the saying “You don’t know what you have until it’s gone”. In reality, you don’t fully appreciate what you have because you believed you’d never lose it (in this case never break up). Already, he’s admitting he made a mistake when the song opens with “Ain’t it crazy how I thought I'd get it all right” which describes his thought process on how he truly believed everything would be okay in the end. “Never knew what I had I was so blind” is him not fully realizing how great his relationship truly was and how great his ex was. Love is blind, but for beno he was blind in the relationship for the wrong reasons. “I've been lost since I pushed you away” is his reality check that she’s gone and it’s his fault. People handle breakups differently and after it all went down, beno explains through the lyrics in the chorus that he was looking for another girl (with her eyes) but he can’t find one. He is comparing every girl he meets to her, but he knows he won’t find anyone like her. He’s saying that “I need somebody... who can love me like you/I miss your body...how you light up the room” and then contradicts it with “I said I got it...when you said we were through/don’t need nobody to love me if that somebody ain't you”. Although he says he wants a new girl, deep down he knows he doesn’t want anyone else. He will search for her qualities in everyone to feel like he still has a piece of her, but she's not replaceable. Right off the bat the song is very upbeat but as soon as you listen to the lyrics, you realize this is a breakup song. Produced by Jens Tykesson Skinbjerg and Anders Bager, “somebody” is a song about trying to move on from a previous relationship but not wanting anyone else. The song almost has an electronic feel to it, with the vocals and keys altered from their original pitch. The synth in this song makes it fit into the pop genre. There are a lot of fun elements to the song, especially how beno’s voice changes throughout it. The reverb on the vocals adds dimension and character to the song, which makes it sound more complete. Breakup songs are very popular in music today, but I normally hear songs from the other point of view. It was an interesting twist listening to “somebody” because in this song, although he is heartbroken, he knows it was his fault which is a hard thing to come to terms with. beno is a new artist to look out for. Jens Skinbjerg is the voice behind beno. He’s a singer-songwriter from Aarhus, Denmark. “Somebody” is beno's first release. He already has 821 monthly listeners on Spotify and 2,567 streams on the track. He is an independent artist who has been working on music for the past two years, but finally feels ready to put out his work. His goal is to release music about honesty, love, identity, and anxiety. We can expect a wide range of production styles for his upcoming releases from simple to cinematic. If you’re looking to support a new artist, check beno out, you can say you were a fan since the very beginning!   Written By Alexa LaMalfa FOLLOW BENO: Instagram | Spotify  | TikTok  | YouTube