Initial thoughts are that this has a very catchy beat and introduces a quite relatable situation, meeting someone and feeling like you have to remember their name so you can possibly find them later because they left such an impression. I would venture to say that that's why the name is repeated in the chorus, for memory and to hopefully see her again. When you meet someone who leaves a lasting impression on you after just one meeting, you don’t tend to forget them very easily. "Sent her to hijack my summer." Fitzgerald sings of a summer fling/love, as if certain that this isn't the last he'll be hearing of Teannah. “Then you caught my eye and made a man go blind. Cause all I could see is your smile.” Mr. Fitzgerald is totally smitten with this girl and wants the world to know. He is entranced by not only her looks, but her overall aura. Love at first sight is alive and well in “Teannah”. “Cause I ain’t catch my breath since you threw me off.” Lewis is singing about his brain chemistry being re-arranged due to seeing this girl. It’s quite the feeling when someone occupies your every thought. It's a certain torture, but a welcome one because the thought of them brings you warm feelings, butterflies even. “She make me believe in the father.” Fitzgerald has now entered the spiritual realm while floating in these foreign feelings about Teannah. His reasoning for coming to this conclusion? “Cause she the work of an angel’s kiss.” Fitzgerald has given Teannah a seat on a pedestal, relaying that she must be straight from the angels, not worldly in the least. This person is pure and represents everything good. Fitzgerald also mentioned possibly giving up his life for Teannah, so he would sacrifice his happiness (or entire existence) to ensure that Teannah is alive and well. Love, lust, infatuation, whatever word you wish to use for it can make us do and say some intense things. But, as the saying goes, love is a many splendoroed thing. Teannah represents the best of the best. Fitzgerald and his team have crafted a pop single that resonates on both a physical and emotional level. As the listener, it has you dancing and singing about a girl you’ve never met, yet, happily. Although, perhaps, we can all think of at least one person that was our “Teannah” at one time or another. Lewis Fitzgerald is an English producer, rapper, singer and songwriter. Fitzgerald, as a multi-faceted artist, appeals to many different types of music lovers. There are songs like “Teannah” for those who love a love song with a good dance beat, songs like “Closure” and “Darling” for the lovers of slower, R and B type songs, songs like “Tell Your Ex” for carefree listening and also solid beats. Fitzgerald’s songs aren’t a one size fits all, no one-trick pony here. Fitzgerald can and does do it all. Fitzgerald’s online presence is consistent and reaching a mass audience. Fitzgerald currently has over 300,000 monthly listeners on Spotify, 126,000 followers on Instagram, 705,000 followers on Tik Tok, and 57,000 subscribers on YouTube. If ‘Teannah” has made a new fan out of you, follow Fitzgerald on all of his socials below and catch him on tour starting in London in November! Written By Keiunna Thompson FOLLOW LEWIS FITZGERALD: Instagram | Spotify  | TikTok  | Facebook   | YouTube

Photo Credits via Instagram Hozier is one of the most respected artists of our time as the music he creates is so poetic and beautiful. Attending a Hozier show is a one-of-a-kind experience as you find yourself transported into his mind, and its unique place to be. This Unreal Unearth Tour follows the release of his 2023 album by the same name. Originally set for May 2nd of this year, the show was rescheduled for September 26th due to weather-related issues. The show took place at the Cynthia Woods Mitchell Pavilion, an outdoor venue that certainly matched the energy that Hozier was giving us that night. Throughout the night we found ourselves emotional and amazed by the show and it was certainly hard to leave the venue that day. Allison Russell was the opener for this tour, unfortunately, we arrived late and were unable to view her set, but luckily, she came on stage with Hozier to perform several times throughout the night. One aspect of this show that really enhanced the experience of that night was the set production, the use of detailed visualizers and light show during the night is what really transports the audience. Halfway through the show, there was a moment where we saw large roots arranging the top of the stage, matching the aesthetic of his latest album. Throughout the night we found ourselves stunned by the power of Hozier’s voice, performing in such a large outdoor venue can certainly be intimidating, but Hozier and the rest of the band made themselves at home on that stage. Opening the night with “De Selby” parts 1 and 2 certainly sets the mood for the night, two songs of the same name that bring two separate energies, it shows the wide range of emotions one will experience during this show. “Eat Your Young” moves you to your feet and you can’t help but dance along to the track. “Francesca” is filled with passion and makes the experience so surreal, really showing off how much talent Hozier radiates. “Like Real People Do” is so gorgeous and you can’t help but cry during this performance. “Would That I” is another song that certainly tickles the ears of listeners and just really portrays the essence of fall. “Take Me Church” is a classic song everyone remembers from their youth, and it certainly was a pleasure to hear live. After this, Hozier had two encores, one on a b-stage and another on the main stage, ending the night with the powerful “Work Song.” Before performing the second to last song of the night, “Nina Cried Power,” Hozier went on with a long speech covering how necessary it is for people to speak up against injustice, and it served as a reminder of why Hozier is such an important artist of the modern world. During a time of constant conflict, it’s empowering to see a performer use his art to speak up for certain issues, and during his speech, he discussed some of the most talked about issues in our current climate such as LGBTQ+ rights, women’s reproductive rights, and urged for a ceasefire for the ongoing genocide in Palestine. The joy of who Hozier is as an artist is not only the high level of talent he has as a writer and performer, but what he does with his art, and the change he pushes for. Written By Chantal Charles Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Lexi Berg’s new single, "Bermuda Triangle," is a mesmerizing piano ballad that poignantly captures the feeling of being an outsider. Co-written with hitmakers Jim Eliot and Grammy award-winning Jimmy Hogarth, the song is a heartfelt exploration of loneliness, loss, and disconnection. The lyrics are intricately woven with rich, metaphorical space imagery that describes a surreal, almost alien landscape—echoing the existential dread of being lost and unseen. The imagery of "Milky Way crumbs on the ground" and "purple skies, silver leaves" paint a vivid picture of desolation and yearning, making the listener feel the weight of existential disorientation and the search for belonging. Musically, "Bermuda Triangle" stands in stark contrast to Lexi’s recent folk-infused track "Lonely Satellite," showcasing her versatility as an artist. The haunting piano arrangement creates a somber, reflective atmosphere that is beautifully complemented by Lexi’s raw, emotive vocals. As the song progresses, the crescendo of haunting vocals and raw piano crescendos amplify the track’s emotional intensity. The production, managed by Eliot and Hogarth, is exquisite, allowing the nuanced layers of the song to shine through. The song’s blend of contemporary pop with retro 70s singer-songwriter influences lends it a timeless quality while maintaining its contemporary relevance. Lexi Berg, a captivating independent Swedish-American singer-songwriter, has quickly become a rising star in London's vibrant music scene. Born in Stockholm and raised on a houseboat, Lexi's journey into music began with classical piano at just five years old. She was discovered in London by Faris Badwan of The Horrors, which led to her debut single, “What If,” being featured on the soundtrack of the Oscar-nominated film Pieces of a Woman. Lexi has garnered significant attention since then, performing at iconic venues and major festivals, and receiving widespread critical acclaim. Her music, characterized by its emotional depth and storytelling prowess, continues to resonate with audiences worldwide, solidifying her place as a powerful voice in the indie pop landscape. "Bermuda Triangle" is yet another testament to her ability to connect, uplift, and inspire through her art. Written By Megan Cao FOLLOW LEXI: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

amilost’s song “Tiny War” expresses the pain of needing to end a relationship through incredible metaphors and a complex sound. Even the title of this song is symbolic, demonstrating the struggles in a love it discusses as an epic fight. It is a confession of the concrete, dually decaying way two people change parts of one another. This song embraces the aftermath of a fight, wondering how to cling to the relationship. The lyrics say “sanded down the grains so we could stick together”, demonstrating a physical removal of parts of themselves. You can only fight so many times in a relationship without doing irreparable damage, and the phrase in the chorus, “I don’t know how to love you anymore”, shows the result. The speaker of the song is left without the ability to continue feeling the way they had about their partner. This line of the chorus carries rage, heartache, and factuality, striking listeners with truth in its repetition throughout the song. A powerful, ethereal mood comes from “Tiny War”. With soft and resonant feminine vocals, emotional piano, dramatic strings, and down-to-Earth guitar, the song takes a journey through heartbreak. The track is full of surprises, with unexpected instrumental interludes and an ending that will leave you feeling like the lyrics are pulsing through your veins. With melancholy instrumentals and an intimately fragile tune with haunting vocals like AURORA, the song sets a crestfallen mood which comes to an elevated crux of passion and pain near the end. It’s as though the track jumps genres moving from slow, confessional pop to bold rock at this point. An interlude of brightening strings and keyboard patterns bridge to a revolution of emotion for the last minute of the song. Drums come in bold and loud as Sigrid Zeiner-Gundersen’s vocals belt out a passionate recitation of the chorus. The sound featured in this song encapsulates the range of emotion that the end of love can bring, from gentle sadness to raging confusion. amilost is a London-based Norwegian-Scottish alternative pop trio, composed of three talented artists with varying musical backgrounds. Vocalist Sigrid Zeiner-Gundersen’s experience includes classical training and childhood of Mozart-like influences and experience in a Scandinavian metal band. Percussionist Ross Craib’s musical journey began with hard rock, and has leveled out to the softer sound that amilost brings. Bassist Charlie Fowler comes from the surf and pop-rock scene. The three come together to create truly powerful music, having released their debut EP in 2023. Their music played across the world, featured on platforms like the UK’s BBC Introducing , the US’s Amazing Radio , and Germany’s Radio Fritz . Check out the links below to listen to amilost’s music. Written By Hanna Kowal FOLLOW AMILOST: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Kayla Stewart’s debut single “Second Guess” is an anthem of post-breakup clarity. The lyrics paint pictures for listeners of what the speaker felt before and what she feels now, with a back-and-forth pattern of revelation. The song shows that “looking at the sunny side” of a relationship does not make the weight of the heavy parts of it disappear. Taking us to a specific place and associated moment, the verses begin with a cinematic slice-of-life quality. “Queen St. 9 days, no cigarettes” is a narrative phrase that makes listeners think of withdrawal without saying the word itself. It brings about thoughts like sometimes relationships are like nicotine: an addictive vice. In a bold and overt message to the former partner, the chorus shows how the speaker is disillusioned. It lists the different and unfair roles that the speaker now refuses to take on for that person. Kayla’s expressive, feminine vocals open the song with a slow and somber delivery of the chorus, before gaining a higher and narrative sound in the verse. Vocal layering near the end of the verse gives the words a resonant sound. As the chorus repeats, the instrumentals gain more clear-cut electric guitar as some of the electronic instrumentals dissolve. Upbeat drums bring the song a progressive energy, keeping a rhythmic consistency throughout. There’s a heartbreaking resolution in the way the vocals soar, professing the speaker’s message with a feeling of raw freedom. This is such a comforting pop song to play after a breakup because the sound doesn’t cover up the pain it represents, but it uses the suffering to invigorate the power that comes from saying goodbye. Kayla Stewart is a Los Angeles-based singer and songwriter who grew up in the Midwest. Her early musical influence came from her guitarist grandfather, who played alongside artists like Dolly Parton and Bobby Day. Kayla aims to bring a personal and emotive lyricism to her songs. “Second Guess” is her debut song, and her second single, “Weather Well” is close behind. She starred in her debut song's music video, with French film influences in style and an emotional portrayal that encapsulates the lyrics. You can find more about her and look out for her upcoming release by following the links below. Written By Hanna Kowal FOLLOW KAYLA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Joe & The Anchor’s song “Change” reminisces about a romance. The message follows someone passionately telling their love that they are still available and devoted to them. The way the words are considerate of the person the message is directed to, expressing the speaker’s feelings while keeping that person’s wants in mind, shows such an intimate vulnerability. The chorus says “if you want me to, I’ll hold you again”, giving listeners that sensory image of touch. This is the first suggestion of interaction given throughout the lyrics, and it’s a big one. It gives listeners the ability to relate to missing someone’s arms around them. There isn’t any sort of resentment in the lyrics for the relationship having ended, rather it is chock-full of hope. It feels like every repetition of the chorus makes the possibility of reuniting feel more tangible. With a bright approach to rock-influenced love songs like Briston Maroney and a deep, glowing sound of Joe & The Anchor's very own, “Change” will make you feel as much as it will make you dance. An exciting and upbeat guitar introduction is punctuated by cool percussion, before the guitar fades into the background and the drums bring a bold energy to the verse. The vocals have a strong and smooth sound, with an alluring gravelly approach to the low notes. An excitingly expressive vocal pattern comes through in the verse, starting with slow and elongated notes for the first part of phrases, then speeding up for the end. It draws on the nostalgic feeling of the lyrics, before climbing higher and bringing a cerebral feeling to the introspective reach of the words. Guitar comes back in full force for the chorus as the vocals grow immersive and resounding. The pulsing vocal pace through the chorus brings a catchy and touching tone that captures the passion of love and longing. Joe & The Anchor are a Swedish indie pop group with a guitar-heavy rock influence to their sound. In 2019, they released “Antidote”, their debut EP, and have continued to work on their music since. Their songs are deeply personal, delving into emotional highs and lows with their new twelve-track album “Coming of Age”. As five childhood friends, the band has an interconnectedness that comes through in their music. Along with their enchanting sound, Joe & The Anchor truly put work into the power of their lyrics, presenting them like poetry across their platforms. Click on the links below to follow the band! Written By Hanna Kowal FOLLOW JOE & THE ANCHOR: Instagram | Spotify  | TikTok  | Facebook  | YouTube

A delightful reminder of consistent love and support comes from the musical duo Peridot’s new song “Listen”. This track is for all the lovebirds who have been together for a while, basking in the splendor of their relationship. The lyrics say, “I’m going nowhere, loving every moment”, and express that there isn’t any pressure to speak or be silent in a solid relationship. Like the song describes, when you are with your partner, you can just be. The song takes this a step further, understanding the way we communicate with one another without words, as the speaker repeats “I still listen”. In some ways, this song is a message from a speaker to their partner, telling them that even if they aren’t ready or able to talk about something they are going through, the support is still there. A deep connection comes through the chorus, saying “I don’t know where you end and I begin”. This lovely feeling of togetherness and reassurance makes the song as cozily romantic as it is. With a floaty feeling of synchronicity, “Listen” offers a comforting blend of soft percussive acoustic guitar and silkily dynamic vocals. The way the vocals of the duo speak to one another, smoothly sailing through love, promotes a genial conversational sound that reflects the way the song feels. The feminine vocals that open the song are rounded and easily expressive. A safe space of sound is created by the way this so clearly strong and talented voice modestly enters the verse. Male vocals complementarity join in during the pre-chorus, and there is a really cool audible guitar distortion at the words “turn the radio up” that hits the ear just right. Percussion and louder instrumentals pick up during the chorus, and a happy whistle pattern repeats at its end. Spreading warmth and understanding through this mellow, joyful tune, this song is perfect for your Fall love song playlists. Peridot is a musical duo with range! The group consists of songwriters Hillary Reynolds and Trevor Jarvis, two artists who write folk and pop music. The pair have written for musicians like Sam DeRosa and The HillBenders . Their songwriting on the song “Next to You” was part of Little Big Town ’s Grammy-nominated album, “Nightfall”. Peridot’s style truly embodies cozy coffee shop vibes, as reflected by the mood of the playlists where their songs are often discovered. The duo regularly showcase their talents, most recently performing at Desert 5 Spot in Los Angeles, and have taken part in events like Mile of Music in Appleton, Wisconsin. Check out the links below to learn more about Peridot and their music. Written By Hanna Kowal FOLLOW PERIDOT: Instagram | Spotify  | Facebook  | YouTube

Being led on is one of the worst situations you can get yourself in when falling for someone. The constant need to make someone happy while they keep you tied to a string they could cut at any second. ALíSI broke this down in her new single “Fire Alarm.” The alt pop song was produced by KALESHI and they brought all the heat on this track. This is a single that will be featured on ALíSI’s debut EP that is planned to release in early 2025. The synths and prominent bass give all the alt-pop energy with a White Elephants vibe. The vulnerable lyrics with her vocals and angelic harmonies portray all the frustration she holds in her heart. ALÍSI shares:  “This song is about trying to get over someone who doesn’t reciprocate your feelings. The other person isn’t ready to feel those stronger emotions just yet and is essentially wasting your time by leading you on and never taking the next step.” Wanting someone who doesn’t you back can be incredibly painful. You think you can change their mind but the only one who can change it is themselves. One of the lines in “Fire Alarm” says “do I make you feel anything?” Anyone who has ever found themselves in that position has asked that question. We are worth more than being a tool to satisfy someone’s selfish needs and if they don’t see you for who you are, well you better listen to the alarms. ALíSI is a Brazilian-Portuguese singer songwriter born and raised in London. Her first solo debut was her single “Silhouettes,”  which was released in March of 2021. She explores complications of relationships and the realities of being a young woman in her lyrics. Her upcoming EP is expected to have collaborations with artists from London, Mexico City and Tokyo. This EP is her chance to evolve her sound and storytelling for her listeners. ALíSI is on the uprise with her honest lyrics and indie alt-pop style. Check out “Fire Alarms” and check her links down below to get ready for her EP release. Written By Emylee Herring FOLLOW ALíSI: Instagram | Spotify  | TikTok  | YouTube

Photo: @jirkadoubek 17-year-old break out singer/songwriter from the Czech Republic, THERA, has recently released her debut album, “I Wish I Called”. TRACKLIST ringing... fate erase would you? DLTTI YOUTH little favour rain stain guardian angel dying tone Thera made her first appearance as an artist in October last year with the release of her "erase" music video which gained over 122k+ views on YouTube. Then as of this year with her first official single release in April, “stain”, and then her second single “DLTTI” in June, THERA had already made big impressions in the pop music scene and amassed millions of streams. She was discovered by a management team, Sounds Inc ., earlier this year who helped get her career kicked-started and get her the attention she clearly deserves. THERA may only be 17, but she is known to be wise beyond her years and for having a work ethic stronger than most. She knows who she is and what she wants, and there’s nothing that will stop her! She’s also an honest artist, who writes about personal experiences and vulnerabilities that her listeners and relate to. She’s inspired by artists like Madison Beer , SZA , Tate McRae and Rihanna . Her debut album, “I Wish I Called” is a bit step forward for THERA but it’s still only the beginning. Let’s dive in. ringing... "ringing...." is a short intro track, bringing us into the world we're about to immerse ourselves in. The soundscape is dark and eerie, setting the haunting tone with it's minor key color and electronic production. Deep, synthesized vocals ring out behind the heavy beat, words can be made out and the one in particular that stood out to me personally was "anxiety". This song is preparing us for what is to come for the rest of the "I Wish I Called" album, and as we approach the end of the 55 second experience, we hear THERA sing on one note, "3...2...1... Jump." Then, we go straight into the next song. fate "fate" has a hip-hop infused beat, with a dark, addicting electronic production with tiny hints of rock. The song is about that moment of clarity, when you can see right through someone and realize they're not the person you thought you loved. There was a time where you once thought you belonged together, but after seeing their true colors, they've changed what you thought was destined to be. Therefore, their fate is now sealed, and they no longer will have anymore chances with you. My personal favorite part of this song is the guitar, especially when it's prominent in the intro of the song. The way it pulses and creates this funky rhythm is an ear-worm that'll last. erase "erase" was the first song THERA had put out and it was accompanied by a music video. "erase" is about calling out a person who has wronged you, and who has hurt you in ways that are beyond repair. This song makes them take a big, hard look in the mirror and ask themselves why they choose to be such a terrible person, and why they did what they did to you. This is a very personal song for THERA, that she chose to share with the world for others to relate to. This song is to make others realize just how impactful the mistakes they make have on others. With a haunting, old-wild-west chord progression and heavily reverbed electric guitar, "erase" gives off a powerful, pop/rock vibe with a hook that is hard to shake from your mind. A direct melody, and lyrics that hit you in the gut, "erase" is a song you can't miss out on. would you? Next, we have "would you?", a song that mixes nostalgic 80's synth pop vibes with pop rock and punk. "would you?" starts off with asking someone if they would do the right things in order to be with you, or if they're really just the jerk you think they are. Spoiler alert - they're just the jerk you think they are. THERA goes on to sing about how this person should just leave her alone and get out of her life in a chromatic ascending melody within the aggressive, angry, punk inspired hook. I can tell you one thing; THERA writes from the heart and from her very own personal experiences; and from what I've heard so far, you don't wanna mess with her!! DLTTI "DLTTI" was THERA's second official single release behind "stain", and is the song that went viral on TikTok gaining over 3 million streams on just that platform alone. It's another savagely honest song about the horrible monster social media has created within our society. It's a reminder that who you are on the internet, isn't who you are in real life. People like to hide behind screens and try to tell you who to be, but in reality they're not in any shape or form better than you are. The majority of what you see on the internet is fake; people trying to portray their lives as perfect, with more money than they really have, with filters and photoshop all over their pictures. The moral of the story is, don't let what strangers on the internet say let you down. You know who you are, and you know your own worth. This dark pop anthem features soul-stirring orchestral strings and a beat that captivates you. YOUTH "YOUTH" starts out with the chilling voices of children, as it continues on in a haunting minor key. It has a very bluesy chord progression, and a catchy, jazzy, hip and shoulder popping type of groove. There's a lot of emphasis on guitar which gives it even more of a classic, timeless tone. My interpretation of "YOUTH" is how easy it is to be manipulated when you're young. You're naïve, and all you wish to do is make people proud of you - especially the ones who are supposed to love you the most. Unfortunately, it doesn't always work out that way - and we're left with trauma, convinced that it's our fault that we weren't able to make others happy. But when we get older, sometimes we're able to realize that we were never the problem - it was them all along; you just wish you could've seen that sooner, so that you didn't have to feel so closed off now. little favour "little favour" starts out with a raw, acoustic guitar which really sets the tone and mood. Then, once we get into the chorus we shift into the world of nostalgic RnB / Dance Pop straight from the 2000's / 2010's. The production and melody gave me Rihanna, Usher and Jason Derulo vibes in the best way possible. The lyrics are a little bit cryptic, so keep in mind that this is just my interpretation of the story given here! I think "little favour" is about having a best friend who manipulates you into being romantic with them for one day, just for them to ghost you and never talk to you again. Now you're left haunted by them, wishing you could somehow take it back, even though they had a big part in the whole situation. Not only did you lose your best friend, but now you have to live with the fact that they were never really a good friend in the first place. rain Next, we have "rain". If you're someone who suffers with depression, you will easily relate to this song. We have the tendency of wasting a lot of time alone with our thoughts, just staring off into space, watching the paint dry, or in this song's case, looking out the window and watching the rain. It's that crippling sadness where you physically can't do anything but let your brain run haywire. "rain" is a gorgeous track, starting off with a cathartic guitar picking pattern, and continuously building as time goes on, filling up with bass, pulsing synths, stunning vocal harmonies and adlibs, and a catchy drum groove. The song is also easy to sing along to with it's repetitive refrain, which helps you feel like you're not alone. "rain" ends with a guitar solo as it calms back down, bringing back the same picking pattern from the beginning and slowly fading out with an eerie, descending slide. stain Moving on to "stain", which was THERA's first official single release. "stain" is a somber piano ballad, that builds into a climax of synths, guitar and powerful drums until it comes back down, finishing out with just soft piano in the same manner that it started. THERA sings with a beautiful, emotional tone as she speaks directly to the person who has hurt her - a theme we've seen a lot in the tracks throughout this album. This person acts like they did nothing, they move on in life with no apology or care about the pain they've inflicted on others while THERA still hurts and struggles everyday in her mind over what they did. THERA says, you can act innocent all you want, but you've got a stain on your sleeve that proves who you really are, and someone is bound to see it. guardian angel "guardian angel" acts as the last full track of the album, and is considered the focus track and leading single. It has been supported by Spotify , landing editorial playlists such as New Music Friday and EQUAL . Taking another piano ballad approach, "guardian angel" is the come down, and is the resolution to the dark time that we had witnessed throughout the rest of the album. It's a calm, peaceful, positive track about finding someone that helps you move on from your past, and pulls you out of the funk you've been struggling to dig yourself out of. They make you feel safe, quite literally like they're your guardian angel. This song feels divine and fantasy like, as bells and orchestral sings fill the air and create this soundscape that brings a hopeful tear to your eye. dying tone "dying tone", is THERA calling the person that hurt her, the subject in many of the songs throughout this album. We're listening to it as if it's from his perspective. Though she never directly says what he had done to her, we're able to take little bits and pieces and assume some things. In this phone call, she's finally saying what she wish she had said to him all along; and let's just say, he doesn't like to hear it - because at the very end we hear a big crash, and then, the dying tone.... As mentioned earlier, this is still only the beginning for THERA! This girl is starting off strong, but she is only getting started. In fact, she’s already gone to Nashville to write with Grammy Award winning songwriters Steve Diamond and Jeff Cohen , and recorded at the legendary Ocean Way and Sound Emporium studios. Not only that, but she’s been rehearsing with her very own band in preparation to perform live shows across the UK and the USA. If THERA is already making her mark this early at the age of 17, I can't even imagine the impact she'll make as she grows and as her sound continues to mature and evolve. "I Wish I Called" shows just how ready THERA is to be a true artist, which is someone who is open, vulnerable, and personal with their art. Get ready because THERA is about to take over. Make sure to follow THERA below to keep up on her journey and find out what's next for her! Written By Kaitlyn Nicole FOLLOW THERA: Instagram | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

If you ever thought you met the one and they ghosted you a month later, or noticed the distinct differences between them and their online profile after meeting them in person, you'll know that dating in this generation is a modern tragedy. “Unattached, heart was racing on a one-way track” describes the initial feelings of falling for someone, but realizing it is only one-sided. “I got lost in the feeling and felt nothing at all” is the contradiction that these feelings have on each other, sometimes you give your all into pursuing a relationship that you end up becoming numb in the process. “Made my part/ Won’t get crazy over one-night stars” is acknowledging that you’re fully aware of the risks you took for the relationship to work and how quickly feelings start to creep in. The “one-night stars” can represent how modern relationships can be superficial, quick, and can be over any second with the possibility of only lasting for one night. “Just the time that we live in/ The writing’s on the wall” call out the generation we live in and its dating flaws. Dating now isn’t the same as it was back then, and it might not ever be the same again. The writings on the wall show that the fate of the relationship is obvious. There are clear and obvious signs that things aren’t going well, and there’s also a possibility that something bad will happen, almost like predicting a bad omen. You can’t fix the writings on the wall regardless of how often you try, they will always be stained. The only way is to paint over them, which in this metaphor would mean starting fresh and leaving the writings (past hurt and heartbreak) covered up so that it would never be noticeable to the naked eye.  The chorus starts with “So here we go again/ A night to feel alone”  which is going over the cycle of relationships now and how they don’t really work, and that it’s another night to feel alone because the relationship didn’t work out. Relationships are like going on a rollercoaster ride, there are ups and downs meaning something can be going smooth and then suddenly throw you for a loop. “Guess it’s gonna be a modern tragedy/ And I’m supposed to start again” is comparing dating to a tragedy, which in this generation isn’t exactly wrong. A tragedy could be a play on words because it is a type of play. Tragedies touch on the conditions of society and how they lead to a depressing outcome. “A face, a name, a ghost” is the person going back to being a stranger in your life, they hold no significance anymore because the relationship is over. “But the grass wasn’t greener” symbolizes that maybe things weren't always great on the other side and even if being in a relationship looked magical to some people, it is not always what it seems.  The song has an upbeat tempo and is a great dance-electronic pop song, which is what Cheat Codes is known for. “Modern Tragedy” is a perfect way to describe the dating scene nowadays. It’s genuinely a nightmare, where I often wonder how things ever got this bad. The dating landscape is very different today– social media and everything being public contributes to that as well as dating apps– it’s almost like selling yourself. The song has an interesting beat that is definitely a unique sound. It starts out more techy and as the song builds up, the more typical dance beats are added. The leading bass and driving percussion make the song what it is. Julia’s voice is breathy and it almost sounds like she’s losing hope as she sings.  Trevor Dahl, Matthew Russel, and KEVI (Kevin) Ford are the three members that make up the multi-platinum electronic trio Cheat Codes. The trio started to release their music in 2014 and are based in Los Angeles, California. Their 2016 single “Sex” (which samples “Let’s Talk About Sex” by Salt-N-Pepa) really made them well-known in the music scene. Their 2017 single “No Promises” featuring Demi Lovato peaked Top 40 on the U.S., U.K., and Australian charts. “Modern Tragedy” is their eighth collaboration and single release this year. Julia Church is a singer-songwriter from Durban, South Africa but is now based in London. The dance genre isn’t new to Church. She’s been featured on a number of dance records and worked with famous electronic acts like John Summit, Diplo, Sub Focus, Kaskade, CamelPhat, Gorgon City, and Robin Schulz to name a few. Her music has topped Billboard charts, club charts, and radio airplay charts with streams amassing over 300M. She’s also written for a lot of artists, and even writes for some of the most recognized names in music.  Not listening to this song would be a “Modern Tragedy”, check it out and give it a listen! Written By Alexa LaMalfa FOLLOW CHEAT CODES: Instagram | Spotify  | TikTok  | Facebook  | YouTube FOLLOW JULIA CHURCH: Instagram   | Spotify

Green Day - The Saviors Tour In 1982, two 10-year-old boys met in the cafeteria at Carquinez Middle School in the small, East Bay town of Crockett, California. In that fateful instant, Billie Joe Armstrong and Michael Ryan Pritchard, later known as Mike Dirnt, would bond over their love of music and the feeling that they were outsiders meant for something more. Together, they learned how to play guitar and bass and by 15, they had formed the band Blood Rage, later renamed Sweet Children.  From backyard parties to the train tracks at Christie Road in Armstrong’s hometown of Rodeo, they performed anywhere they could. Soon, they were ushered into the mecca of the underground punk rock and hardcore scene at 924 Gilman Street, better known as Gilman. Gilman is a still-operating DIY punk venue that has raised some of the best punk bands, including Green Day, Pansy Division and Operation Ivy. Touting the motto, “no sexism, no racism, no violence, no homophobia” on the front door, this was the place people could go to be themselves. As word spread about Gilman, it became a legendary place that kids across the country yearned for as bands like Sweet Children found themselves within its hallowed halls. Armstrong and Dirnt renamed their band Green Day in 1989, in time for the release of their debut EP, 1,000 Hours, followed shortly by the release of their first album, 39/Smooth. In 1991, drummer Frank Edwin Wright III, better known as Tre Cool, officially joined the band to complete the group.  Under Green Day, the trio has released 14 studio albums, four live albums and four compilation albums. As of 2024, they have sold over 75 million records worldwide and have been nominated for 20 Grammy Awards. In 2010, their magnum opus 2004 album American Idiot  was converted into a Broadway musical, which was nominated for three Tony awards. They have been cited as the inspiration behind a diverse array of bands like All Time Low, Bad Religion, 5 Seconds of Summer, and Against Me!, and have been inducted into the Rock and Roll Hall of Fame. Both their 1994 record Dookie  and American Idiot  appeared on Rolling Stone’s list of the 500 Greatest Albums of All Time. American Idiot is a hero’s epic concept album following a lower-middle-class anti-hero named the Jesus of Suburbia. It was inspired by the growing political unrest occurring across the world post-9/11. In the heart of the Bush administration and the invasion of Iraq, the country was divided. The album speaks to disillusionment with the American Dream and heavily criticizes the country’s consumerism, social dysfunction and the ongoing war during the 2004 election. Cool, previously stating he did not feel it was the band’s place to “preach” to their audience, now stated that he hoped this record would inspire kids to vote Bush out, or, in his words, “make the world a little more sane.”  However, the band was also divided while writing this record. After the release of their 2000 record Warning , the master tracks for their unreleased album Cigarettes and Valentines  were stolen and would not be recovered for another decade. With over 10 years under their belt, they were burnt out and had unresolved issues in their working relationship. They were unsure whether to continue playing together or break up and knew they had to completely shift directions. Ultimately, they decided to forego the idea of re-recording the album and embarked on the ambitious record. It would be the greatest thing they had ever done and American Idiot would launch them to new levels of stardom. In celebration of the 30th anniversary of Dookie  and the 20th anniversary of American Idiot, as well as the release of their latest studio album Saviors , Green Day has spent the summer on the Saviors World Tour. Each night, they play both Dookie and American Idiot  in their entirety in addition to some of their biggest hits from their other albums. I went to see them on September 18 at Chase Field in Phoenix, Arizona. The air was electric as the crowd waited for them to come on. The stadium was sold out for the night, filled with people who had been with Green Day since the beginning and others who had joined more recently. Still, everyone knew all the words. This was my third time seeing them, but my mind was again blown like I was seeing them for the first time.  I began listening to Green Day at 3 years old when  American Idiot  was released. My brother is six years older than me and somehow convinced my parents to buy the album for him at Hot Topic when it came out on September 21, 2004. From that moment on, he would make them play it on every car ride, no matter the distance, while those songs became the soundtrack to some of my earliest memories. I didn’t know it at the time, but they were my first-ever favorite band.  Before Green Day came on stage, Bohemian Rhapsody  came over the loudspeakers before transitioning into Blitzkrieg Bop  by the Ramones. Their pink bunny mascot came on stage wearing an Arizona Diamondbacks jersey to excite the crowd during this song. Before long, he exited and the stage lights came down again. The screens lit up to display a compilation of the band’s music videos to show the evolution of their career.  The stage lights came up again and Armstrong, Dirnt, and Cool launched into The American Dream is Killing Me  from Saviors  before transitioning into the first track from Dookie. The energy onstage was mirrored in the crowd's fervor as they made their way through the album and played some of their most iconic songs, including Longview, Welcome to Paradise, Basket Case  and more. Now in their 50s, the band knew how to work the crowd and bring intense energy to the entire 50,000-capacity stadium. While they had stunning visuals and pyrotechnics (as well as an inflated balloon shaped like the plane from the Dookie  cover art floating above the crowd mid-set), they could have commanded the stage entirely without them. During the album’s closing track, All By Myself , written and performed by the band’s drummer, Cool commanded the stage solo while Armstrong and Dirnt stepped offstage. Once the song was finished, Cool returned behind his drum kit to start the drumline of Know Your Enemy  from their 2009 album 21st Century Breakdown. The rest of the band returned and began to play. This is one of my favorite Green Day songs and I have always felt that 21st Century Breakdown  is criminally underrated. They paused in the middle of the song to scan the crowd for a fan to bring on stage for the song’s breakdown. This is something they frequently do on their tour to connect with their audience. Armstrong brought up a girl dressed in an outfit from the  American Idiot  era when the band frequently dressed in all-black outfits with red ties. After hugging the band, this fan was handed the microphone to sing her heart out along with Armstrong. She was met with applause from the audience before being escorted off once the song was over. The band saved space for a few more of their iconic songs, including Minority  and Brain Stew,  before launching into American Idiot.  The crowd cheered as all of the nostalgia of this record came flooding over us. The joy on the band’s faces was evident as they made their way through hits like Boulevard of Broken Dreams, She’s a Rebel and Wake Me Up When September Ends. Written to commemorate the passing of his father, Armstrong stated, “It’s that time of year,” before beginning the song. The crowd lit up with phone flashlights and old-school lighters, enjoying the song’s tender reflection on the passage of time. Soon, the album’s final track, Whatsername , was played and Armstrong simply said, “And just like that… 20 years.” For the final two songs, they played Bobby Sox  from the Saviors  album and Good Riddance (Time Of Your Life) from their album Nimrod. It was bittersweet to know the night was coming to an end, but it made me grateful for all of the memories I’ve associated with Green Day throughout my life. I hope that there are many more Green Day albums and tours to come. It has been an honor to watch them evolve for the past 20 years. In fact, it’s been the time of my life. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"Desire" is the newest single by Darla Jade , and is what she declares a song about self-sabotage. Her insecurities about herself get the best of her, and they break her down, and Jade gets upset with herself for letting this happen once more. She feels as though her insecurities have transformed her into a different person she doesn't want to be, referenced in the lines "Took everything that I have // And I want it back". She believes the control over her life and who she is has been placed in the hands of what interrupts the certain image she thinks she must uphold, but the failure to do so herself causes her great distress. Feeling this way is something many people can relate to, usually caused by societal rules and expectations, and Jade perfectly outlines this in "Desire". A song's lyrical content opposing its upbeat pop production is a striking, but unfortunately, far too underappreciated technique in making music. Akin to the likes of songs by Paramore , and more sonically MARINA , Jade executes this method flawlessly, remolding "Desire" into a nightclub playlist track, with its rapid beats programmed to match the timing of the flashing lights that wallop like lightning across the dancefloor. Paired with a distinctive and powerful bass and synths, as well Jade's incredible voice, "Desire" fits right into the categories of pop anthems, party songs, and what you play on the radio while you drive down the highway at night. Darla Jade is an electropop artist and singer-songwriter from Stroke-on-Trent, England. Her music has been featured on BBC radio multiple times and also on Love Island . She has been doing live performances since she was 15 years old, and recently performed at DevaFest . She has made other amazing songs in addition to "Desire", including "Broken Armour", "Backseat Driver", and "Buy More Time". She began releasing music in 2019, and released her debut EP Disconnect in 2021. A gifted songwriter herself, she also writes for other artists. Darla Jade is an incredible and immensely talented musician! Written By Ashley Adams FOLLOW DARLA JADE: Instagram | Spotify  | TikTok  | Facebook  | YouTube