Asking for help when you need it makes sense, but it doesn't always occur to us when we're in the thick of a situation. Thunderstorm Artis's song "Reach Out" is the reminder that we all need, letting listeners know that they should connect with others when they need support. The song starts with statements of "if", listing different thoughts you may be having that are scary to go through alone. There is so much comfort that comes from the statement "there is somebody who is on your side to say hello, hello, hello". It invites listeners who are struggling to take a look around them and appreciate that comfort doesn't always look like something complex. The repetition of the word hello emphasizes the importance of simply having someone there. Being lonely when you're low is not an easy way to cope or heal. The chorus uses the words "reach out" as a mantra. It is loud and bold, describing different scenarios of support, like "a stranger could be your savior", in between its repetition. The song embraces the truth that anyone has the potential to lift you up. It is a beacon of hope to those in need, and a reminder to everyone to meet people with kindness, because you never know what they are going through. An inspirational, loud, and warm sound resonates throughout "Reach Out". The song begins with a pattern of piano, which continues alongside Thunderstorm Artis's fast-paced and uplifting vocals through the verse. The chorus vocals alternate, with the name of the title recited in a melodic chant between soulful vocals with ascending notes. There is deep vocalizing in the background of the chorus, giving the strong statements a holy and rounded sound. There is percussion throughout the song, adding to the empowering mood of the tune. The bridge allows Thunderstorm Artis's vocal talents to shine through as instrumentals are hushed and his voice forces passion and meaning into every word. At the end of the bridge, his voice gains an impressive and emotional throatiness as it melismatically climbs to hit a high note. Thunderstorm Artis is a musician from Oahu who was raised in a musical household, and in an environment that shows its own elements in his music. He was a finalist on The Voice in Season 18, which allowed him to play well-beloved music, as well as his originals for a large audience. Now, Artis has almost 180, 000 monthly listeners on Spotify, and plenty of singles and EPs that showcase his touching and soulful style. He has played his music alongside musicians like Jack Johnson and Train . Artis is currently enjoying life in the abundant musical community in Nashville, continuing to cultivate his discography filled with songs of positivity and warmth. Written By Hanna Kowal FOLLOW THUNDERSTORM ARTIS: Instagram | Spotify  | Facebook  | YouTube

All the feels are laid on the line in lomipo’s new song “Lost in December”. This is a track of regret and confession that uses alternating styles of singing to embrace the raw journey the speaker takes. This song hits hard for anyone who has experienced moving forward with life when you haven’t really moved on from your ex. The verses show the narrator trapped in thought about that one person they can’t get out of their head. The song says “one suitcase that I used made my clothes smell of your shampoo”, and isn’t that just what holding on too long does? You take any possible reminder of a person and embrace it when all that’s going to do is push you deeper into that longing. As “Lost in December” says, “this shit won’t pass”. In the second verse, the narrator lets his inner thoughts take a destructive walk through the most desperate possibilities of winning their ex back. It’s revealing and personal, putting the darker side of the truth on display: sometimes we handle things wrong. This song sits in the hurt and loss, and is perfect for those times when you just want to embrace what you’re feeling, even if it’s holding you back. The chorus is full of devotion and ends in the words “maybe I forgot to forget her”, as though this longing is some sort of mistake. All this vulnerability is the epitome of post-breakup angst. Lomipo has got the emo sound down with “Lost in December”. They’ve created a tune with the style of a softer Dominic Fike , and a cool array of vocals and instrumentals that allow the hurt and experience of the song to be fully appreciated. The song begins with guitar instrumentals before diving into the chorus, adding percussion and vocals. The start of the melody reminded me of the beginning of the chorus from Imagine Dragons’ “It’s Time” in the pattern of the notes, but it carries a completely different tone and takes the tune in another direction with vocals sounding hurt, high, and hazy. I did not expect the switch to talk-singing in the verses, but when it came along, it hit my ear just right. The vocals here are grainy and confessional, accompanied by simple acoustic guitar that holds the sentiments of the words spoken. The bridge is sung with that stereotypical and iconic throaty emo angst that ties all the components of the song together. Listening to this song will put you in that breakup headspace, scratching that emotional itch in both meaning and sound. Lomipo is a duo with musicians of different backgrounds coming together to produce their combined powerful sound. Shai Pinto is a popular Israeli songwriter who grew up in Haifa. Orian Rose grew up being exposed to various musical styles across Europe and India. Both musicians established careers in music before banding together to create something new. They released their first song, “Should I Go On” in 2021, and continue to explore their sound. "Lost in December" is the second song they put out this year, preceded by a collaboration with Nory in their song "FRIENDLY FIRE". Click on the links below to learn more about the duo and listen to their songs! Written By Hanna Kowal FOLLOW LOMIPO: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Returning with her latest single, "Skip A Beat," Sarina tackles the difficulties of moving on from a breakup and recognizing that sometimes the other person just isn't right for you. "Skip A Beat" follows on the heels of her previous single, "Living In The Moment," expanding upon themes of self-discovery and new life experiences while navigating love, loss, and the pressures of life. Though the heartbreak of a breakup can bring feelings of insecurity and regret, Sarina finds a silver lining in the painful experience and uses "Skip A Beat" to highlight a journey of empowerment and self-love. Serving as a nostalgic throwback, Sarina's "Skip A Beat" showcases a sound reminiscent of the early 2010's pop-rock era, featuring anthemic melodies, powerful guitar riffs, and driving drums. The track is energetic and electrifying, setting a rapid pace that helps provide a sense of hope amid the sore subject of heartache. Sarina's addictive vocals steal the show, bouncing between playful and emotional as the singer drops the hard truths of what went wrong in her relationship. Perfect for enthusiasts of pop-punk and pop-rock, "Skip A Beat" will resonate well with fans of Avril Lavigne , Hey Monday , Paramore , and Olivia Rodrigo. Hailing from Tokyo, Japan, Sarina is a rising pop-punk sensation that aims to blend the energy of early 2010's pop-punk with her own unique style. The multi-instrumentalist began her music journey at a young age, beginning classical piano lessons at the age of 2, and later learning to play guitar and ukulele. Sarina holds a deep respect for both the dark and light aspects of life, reflecting this in her music as she explores themes of mental health and personal struggle. Previously signed to Sony RED, Sarina released her debut single under the label along with five more singles, an EP titled Foreword , and six music videos. Following her work with Sony RED, Sarina co-founded and launched the SyrenSong label in May 2024. Written By Cheyenne Johnson FOLLOW SARINA: Instagram | Spotify  | TikTok  | X (Twitter)  | YouTube

“APOLOGY TOUR” is the latest addition to instant crush’s upcoming debut album, “I’M SORRY I DIDN’T BITE MY TONGUE”. Have you ever been in a relationship and felt like it was just one big rom-com written a writer who also really liked coming-of-age films? “APOLOGY TOUR” seeks to capture that feeling by underscoring the back-and-forth one might have in their rom-com-ish relationship, where hearts will break, someone will apologize when they never actually started the fight, and then the process will repeat itself in a dizzying circle. Filled with a groovy bassline and a funky guitar, “APOLOGY TOUR” is reminiscent of the classic, lighthearted coming-of-age rom-com 10 Things I Hate About You  from lead singer Megan Cannon's childhood. Most of those films from the late 90s and early 2000s have huge relatability, and the ambience is distinct– not unlike “APOLOGY TOUR” itself. instant crush knows exactly how to hone in on that nostalgia that people have for old rom-coms. There’s a very specific feel that they have, what with the charm and character of those classic atmospheres, and “APOLOGY TOUR” is able to capture it in just two minutes and forty-three seconds. I always love a good bassline, and this track has it in spades; it is fun and upbeat, threading the song’s backbone together. Add the percussion and guitar, and you’ve got a soundscape that has nostalgia ripping at the seams. Megan Cannon’s vocals are especially amazing, too, smoothly slotting itself along the soundscape to tie it all together. And once you listen to the lyrics, you’ll realize just how push-and-pull rom-coms are meant to be. I love how the very first lines of the song are “One time / Two times / Three times / We’re done”, really just emphasizing how often the narrator and their partner fight and break it off, only to apologize and presumably remain together. The song describes how often the narrator’s partner imagines the narrator to be hurtful, only for the narrator to tell the listeners that they were the one who were hurt first; nevertheless, they always apologize, going back on their “apology tour”. There are so many great lines in this track that describe that struggle, such as in verse two when the narrator sings, “It’s better if you go / It’s better if we don’t”. Everything about “APOLOGY TOUR” just makes me want to watch 10 Things I Hate About You  again, and binge all the other amazing rom-coms from that era. High-energy, relatable, and funky, “APOLOGY TOUR” twines 2000s sentimentality with a fantastic soundscape to create a story that many of us have seen ourselves in (or at least seen it on the big screen). Seattle-based band instant crush consists of members Megan Cannon, Matthew Tran, Keegan Mangahas, and Zoee Mangahas, whose goal it is to infuse and reignite genres from the 2000s into today. Always shifting, always growing, instant crush isn’t defined by one single style, but instead a fusion of shining synth, electric guitar, and vibrant vocals, bringing together the best of many genres into their very own soundscapes. They’ve shared the stage with artists such as Del Water Gap, Home Team, The Wrecks, Plain White T’s, Daisy Grenade, and The Academic, firmly establishing themselves within the alt scene. Their debut single “Will I Always Feel This Way?” dropped in 2021 to immense success, now having nearly three million streams just on Spotify. “I’M SORRY I DIDN’T BITE MY TONGUE” is their debut album, of which “APOLOGY TOUR” is part of. A portion of the album's proceeds will also be going to a charity as they have partnered with Seattle nonprofit record label Share It Music. Their chosen charity, Joyful Heart Foundation, has sought since 2004 to transform society’s approach to violence of all types, as well as supporting the survivors of such crimes. The album will be released on October 25th– in the meantime, the band will be touring in Canada and the United States with locations in Vancouver, Seattle, Portland, Los Angeles, Denver, and more, so take a look at their tour dates to see if you can grab a ticket!  Written By Alexa Leung FOLLOW INSTANT CRUSH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Transcend meaning and baseline storytelling with Holly Blair’s “Line Again”. This new song is a pop whirlwind masterpiece. Blending a mix of semi-alternative/folk instruments alongside a patient, kind voice, has brought Holly Blair to the forefront of a new perspective to being an artist. Familiar with Blair’s other work, I was pleasantly surprised upon my first time listening to “Line Again”. Although the concept of and comparison between drugs & alcohol alongside a strenuous relationship is all-too-familiar, Blair’s clever play on words and their meanings give new insight into these subjects. “Line Again” refers both to physical and metaphorical lines being taken and drawn, showing an imbalance between Blair and the other person within this relationship. Ultimately, while Blair is drawing lines to create boundaries and safety in this relationship, the other person is taking this time to instead become more distant from her and immerse themselves into drugs and alcohol. Blair calls back to the line, “my love is patient, and you’re fucking wasted,” then transcends to, “and my love is kind, and you will waste it”. These lines do not limit or define the song, yet they are incredibly telling of the grave nature of the situation and how familiar Blair has become with these antics. She goes on to link these lines to the phrase, “I gotta be patient, I gotta be kind, but I said what I said”. Blair, although she is the person trying to set boundaries and navigate the situation in a healthy way, reflects on her own actions and takes accountability for things that may have hurt the other person. As the song unfolds, there is no reciprocation from the other person in this regard. Blair’s ability to be reflective, yet still care for this other person and try to work through her own flaws / mistakes, amplifies her abilities as an artist. Her melodic, kind vocals mimic the overall tone of the song and allow the lyrics to shine through. Her artistry is one that is both layered and understandable, and “Line Again” is just a small propel forward to the recognition and kind of platform that Blair’s music deserves. Holly Blair is a songwriter, multi-instrumentalist, and filmmaker based out of Los Angeles, California. As a queer, gender-fluid artist, Blair searches for how to pass beyond definitions and barriers that limit exploration and creativity. Her work is lyrical, cinematic, and involves human emotion webbed together with reality. Within her sound, she loves to bridge the gap between genres and let the messiness of being human shine in her work. Blair has worked with talented individuals like artist Tim Carr, a.k.a Perfume Genius, as well as David Burris who has worked with artists Willow Smith and Tommy English. On top of working on her music, Blair works on music videos and uses her music to obtain a kind of “360 view” of the emotions she’s experiencing and the situation before her. She co-directed the music video for a recently released single titled “Make It On My Own”, where she stated she had to connect with her emotions to understand what she’s going through. Written By Madison Spies FOLLOW HOLLY BLAIR: Instagram | Spotify  | Facebook  | YouTube

Caleb Hearn’s latest single “Get There When I Get There” offers retrospective insight into choosing to live for yourself in the moment rather than living for the future. When you are young, it’s easy for everybody around you to worry about your future. Each passing year and milestone is just another year closer to when you’re supposed to “have it all figured out”. Instead of letting you value each moment in the present, you’re expected to think about an unspecified future date. After years of prioritizing preparing for what’s to come, you have slowly begun to live for each day. Each second passes and never returns so it’s only natural to want to experience them rather than knowingly ignoring. You want to have lasting and simple conversations that don’t lead to extravagant future opportunities. You’ve learned that if you think about what hasn’t even happened yet, you may lose things that already matter to you. There is no need to worry about every detail of the future when there is intrinsic value in everyday present moments. Click here to listen to "Get There When I Get There"! “Get There When I Get There” is a folk pop experience that relies on simple beauty to express itself. We begin with relaxing guitar strums paired with Hearn’s sweet vocal performance. The guitar starts and remains as light and airy and is intertwined with each sung note. The first deviation from this instrumental and vocal pairing is the chorus where simple piano chords are introduced. Each chord feels like a welcome gift that is short yet effective at pulling us in even more. As the following verse begins, the piano remains but with small glimpses of ascending and descending arpeggios. Throughout this piece, echoing reverb makes an ethereal experience at the end of each refrain. Each element, though simple on its own, intertwines together to form a traditional folk pop musical tale. Caleb Hearn is an American singer-songwriter currently based in Nashville, Tennessee. He first began creating his own music at just 12 years old after getting his first guitar. His breakout into music began with his song “Always Be”, which paid homage to the passing of one of his friends. The single, as well as its upped remix, received relative success with just over 16 million streams on Spotify. He has since released a plethora of singles, EPs, and albums that have garnered impressive success. His social media platforms have earned him a wide following, with over 1 million followers on Tiktok alone. Make sure to follow him on social media and give “Get There When I Get There” a listen! Written By Willow Gray FOLLOW CALEB HEARN: Instagram | Spotify  | TikTok

Get lost in a tune that takes you away with KEYSIDE’s new song, “Runaway”. The track is liberating as it encapsulates the freedom in escaping from your troubles, and how that escape is that much more blissful with someone special. The speaker of the song only describes the troubles their partner faces as the reason for a need for escape, making it clear where their priorities lie; the speaker’s key objective is making sure their partner is free. The song starts by painting a picture of the discomfort this partner faces in their home, with the words “she’ll smoke you like a cigarette, throw you out like one of her butts”. It isn’t clear who the “she” in this statement is, but whether it’s a romantic, maternal, or other sort of relationship, the listeners know this person is trapped. The chorus repeats the narrator’s want, ending with the words, “I wanna run away with you”. These simple, ongoing statements are filled with passion and motivation. Fantastical ideas arise, bringing the desire to flee to a whole new level. The second verse carries a line that really made me think: “she caught us on the patio, I climb a fishing line to the man on the moon”. This obscure and magical representation of an escape from danger gives the idea of running away a whimsical allure. In the bridge, the narrator describes themself as flying and says “it’s like you’re running through my veins, you got me high”. This intensity of obsession with getting away is a frantic intoxication, blurring the lines of reality and fantasy. This is a track with a story, and its sound reflects that. “Runaway” is an indie rock song that features bass, electric guitar, and percussion. The vocals emulate Sting’s classic rock twang on the high notes, with a dark and casual style of their own throughout. This anthem of escape feels like the night. It has electric riffs interspersed that hold an after-dark quality to their sound. From the bold and stimulating pattern opening the song to the simple repetition of ascending staccato in the verses, the guitar brings a creative level of excitement to the tune. The way the instrumentals embolden the chorus makes you feel like you’re at a concert. Simple lyrics are filled with soul, and when you sing along, you feel just as free as the words want you to. KEYSIDE is a Liverpool-based band that aims to stick to its city’s musical roots, drawing on the city’s sound to inspire their music. The band has four members: lead vocalist and acoustic guitarist, Dan Parker; lead guitarist, Ben Cassidy; percussionist, Oisin McAvoy; and bass player/background vocalist, Max Gibson. Together, the band have performed and recorded their songs, having graced the stages at festivals and performed with artists including Shed Seven and Jamie Webster . In March, they released their debut EP, “Nikita”, and are keeping their music flowing! Check out the links below to give their songs a listen, and experience the incredible Liverpool rock this band has to offer. Written By Hanna Kowal FOLLOW KEYSIDE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

The song 'Sunlight!' gives us a glimpse into what it's like to search for clarity in the midst of the unknown. The unknown referring to a chapter of life, a relationship, or a friendship. He uses the sunlight as a metaphor for escaping the unknown. Having the sunlight is like breaking out of a shell and finding the clarity in the situation at hand. The first part of the chorus says, "Someone give me the sunlight / At a red light / And it's time to shed my skin, oh God, I know / Here I go." Elijah Woods recognizes the need to shed one stage of life in order to understand the new stage better. In the second half of the chorus, it says, "Someone give me the sunlight / It's been a long night / And it's time to sink or swim, oh God, I know / Here I go." There is an appreciation and a new level of understanding when the artist accepts that he has to sink or swim through the next chapter of life. If he doesn't he will never gain full clarity. The chorus itself resonates deeply because it's relatable for everyone, but the bridge brings us even deeper into this feeling of finding clarity when it says, "Either you can't or you won't / Or you're out of control / Or you die getting old, or you just don't know what you want / What you want, what you want." I think this verse speaks volumes without needing further explanation as the listeners. 'Sunlight!' starts with a bang. Right away, we're met with an upbeat tempo and catchy track pulses. Elijah Woods layers in his smooth, even, yet upbeat and energetic vocals to help elevate the song even further. I would describe the song as giving off a happy and wanderlust mood. Not wanderlust in a sense of wanting to travel the whole world but rather in the sense that he wants to travel through this uncertainty. He wants to explore the uncertainty and come out on the other side stronger than before. The tempo and vocals blend these feelings together to create the perfect mood. Elijah Woods is a Toronto-based artist and producer. He is known for his catchy melodies, vivid storytelling, and production skills. In 2023, he sold out his first headline Canadian tour. This helped boost him onto the international stage earlier in the year, where he surprised fans in major Asian markets including Hong Kong, Tokyo, and Singapore. While there he opened for Niall Horan. He also took the stage at the Seoul Jazz Festival where he performed alongside artists like Lauv, Jeremy Zucker, and JP Saxe. Elijah is about to release an EP entitled 'Hey There Elijah' set to come out September 27th. When asked about the EP he said, "It's a blend of the emotions tied to turning 30, introspective lyrics about love, and personal stories, capturing everything I've been through in the last few years. Ultimately, this EP is my quest for maturity." Check out 'Sunlight!' while you wait for the EP to drop, you won't be disappointed. Written By Destiny Rundquist FOLLOW Elijah Woods: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“Well, I've forced a couple smiles.” Oh, haven’t we all. Harrison comes for the heart strings early on with this ballad that explores the less-than-happy side of life and how we all face struggles from time to time to see the goodness in life and find reasons to be genuinely happy. “But I’ve seen a little sunlight lately.” This one line hit me like a ton of bricks when I initially heard it. One of my favorite quotes is “I always keep a little hope in my back pocket.”, meaning I’ll always hold onto hope, even when it seems there is no reason to or that there’s nothing to hope for. Hope is both a dangerous but also beautiful thing, it’s a choice to remain optimistic in pessimistic times. Harrison is demonstrating the light-at-the-end-of-the-tunnel analogy. Perhaps there is, after all, always a reason to hope. An official description of the song reads -“Long Gone is an energetic ballad that exposes a new sonic sound for Harrison Sands. It explores the world of rediscovering one's sense of self and creating a new, stronger version to progress forward with. It is full of orchestral swells, thunderous piano chords, and playful percussion to guide your journey from beginning to end.” The quiet resolve in this song that is introduced in the beginning is indeed ramped up to this emboldened declaration of “Yeah, I was down for the count, but I got back up and when I’m up, I’m up.” Harrison’s voice is soft yet commanding and I’ve always felt that there is something so powerful in the quiet resolve. Now, that’s not to say that Harrison doesn’t hit some pretty impressive notes because he most certainly does ( i heard ya, dude, ‘twas beautiful). But, the song is a personalized inner anthem that speaks volumes without raising the volume (Ya see what i did there? 😊) The orchestra, the piano, it’s such a beautiful gentle reminder to just. Hold. On. The music and lyrics just build on themselves . As the song progresses, we hear more voices, more instruments, it’s as if to signify that, when you’re making this climb to better, more awaits you. “We’ve been here for too long.” It’s okay to realize that what you’re currently doing is no longer (or was never) serving you and to shift gears, turn around, choose a different path. Life is full of choices, we make several each day. We can choose to change, to better ourselves, our lives. “I was forced to face the self that I hated.” Self-awareness is an important trait to have and to never take for granted. Knowing yourself, your limits, your capabilities, it’s all an integral part of life, of our growth. “I keep holding out for something better.” It may take time, but something better is always on the horizon, always able to be reached, patience is truly a virtue, but one worth having and maintaining. “But that me is long gone, now.”, is where the song leaves us, on a positive, hopeful note that the best is yet to come. Harrison Sands is an American singer, songwriter, and musician based out of Los Angeles, California. Sands’ online influence has garnered thousands of fans across his many social medias. Harrison credits Frank Ocean, Justin Timberlake, Childish Gambino, the Beach Boys, and Paul McCartney as his main musical inspirations. In addition to being an artist, Harrison is also the co-founder of record label, Universe Goods, Company – described as being “by friends, for friends.” as well as the co-host of the podcast, Nobody Asked with friend and frequent collaborator, Abhi the Nomad. “Long Gone” is said to be the second track of Sands that is heading towards a new direction for his music. Harrison is set to go on tour starting on 9/20 in Austin, Texas. To keep up with all things Sands as well as see him live, check out all of his socials below! Written By Keiunna Thompson FOLLOW HARRISON SANDS: Instagram | Spotify  | TikTok   | Facebook   | YouTube

Great Good Fine Ok’s new single, “Better Without You,” tells the story of a person who has a difficult choice to make about their relationship. They’re uncertain about whether or not they’re better without the other person. The song captures the painful back and forth of “what-if’s” that run through one’s mind when a relationship appears to be going sideways. The second verse talks about feeling confused and being drawn back in with one simple look into their partner’s eyes – once again delivering relatable lyrics that encapsulate the constant flood of emotions that come with an uncertain relationship. The lyrics, “Give me nine lives, I still wouldn’t know what to do,” perfectly summarize just how confusing love can sometimes be. “Better Without You,” is a funky, slightly seductive, synthpop bop that will make you want to dance and contemplate the strength and certainty of your relationship at the same time. Paired with a slick bassline that creates the song’s infectious groove and the infusion of infectious synth keyboards, it has something for everyone to enjoy. Plus, Jon Sanders’ unique, airy vocals add a level of sultriness and mystique to the song that draws you in from the very beginning. Over the course of the three-minute track, GGFO also experiments with some fun, muffled vocal effects that further showcase the duo’s creativity. Overall, “Better Without You” is a definite must-listen-to track. When vocalist Jon Sanders and producer Luke Moellman met, it was fate. The Brooklyn duo formed Great Good Fine Ok in 2013, writing their first song “You’re the One for Me,” the morning after they first met. Their first EP Blood Diamond was released in 2014. Shortly after, the duo began booking shows at the SXSW Festival and nabbed themselves record deals with Neon Gold and Epic Records. Great Good Fine Ok have also written and performed with some major names in the music industry. They’ve performed as supporting acts for artists including Tove Lo, Penguin Prisons, and X Ambassadors. Plus, the synthpop duo also co-wrote and performed on The Chainsmokers’ 2015 single “Let You Go". Since then, GGFO have embarked on several sold out headlining tours and amassed a loyal following of fans who always look forward to their eclectic live performances that tend to feature keytar solos, silk kimonos, and fun lighting elements. With an endless slate of single releases and five EPs under their belt, Great Good Fine Ok have had their foot on the gas from the very beginning. Stream their latest single, “Better Without You,” and jam out to the duo’s new dance hit! Written By Giselle Morales FOLLOW GREAT GOOD FINE OK: Instagram | Spotify  | TikTok  | Facebook  | YouTube

A fusion of electronic pop and R&B, gliding on funky 80’s rhythms, Dezabel’s “Can't Stand You” is a plethora of sounds colliding in perfect unison. A mosaic of sounds and beats, “Can't Stand You” aims to represent the complexities of inner feelings within a love-hate relationship. Bold and rhythmically catchy, the song's moody vibe and Dezabel’s voice over each beat provide a sensual sound. Dezabel begins with the opening line, “Feels like we're spending summer under the shade, imperfect like some Levi's that's frayed... I can't stand, I can't stand, I can't stand you, but I need you." The line perfectly epitomizes the song's meaning about a relationship that has its struggles but keeps you coming back for more and holding on. In another line, Dezabel describes promises being made with “fingers crossed,” hinting at the hope in the relationship. However, it is alluded that the promises always end up being broken, another problem within its turbulence. Contemporary, yet crafted with a nostalgic and groovy 80’s flare, Dezabel layers on synth-heavy sounds and techno lines. “Can’t Stand You” is complex and completely expressive in its free-moving sound. The track echoes scenes from Rhianna's “Work” with its R&B influences and pop sounds blending. The atmospheric production is immersive and colorful, with soulful voices and emotive lyrics fusing over an addicting rhythm. Danceable and seductive, the song is smooth in progression as well as intimate. Though vibrant in a montage of electronic beats and synthesizers, the track is still easygoing while being fun and chill. “Can’t Stand You” stands out as an inventive masterpiece, with different worlds of music colliding in perfect cohesion. Dezabel is a duo comprised of singer/songwriter JVZEL and producer/composer Bilgi, who are known, as seen in “Can't Stand You,” for their fusion of Pop genres, R&B, Jazz, and Electronica. The collaboration began in 2019, first starting as a solo project which soon led them on a musical journey that brought forth the ambition to break musical barriers and create rich and unique sounds. JVZEL has worked with notable hit artists such as David Guetta and Kendrick Lamar. Alongside Bilgi’s various influences pulled from Pop, Jazz, Film Music, and R&B, the dynamic duo is a force to be reckoned with. The former comes from L.A. studios while Bilgi has roots in Zurich, both blending as musical talent powerhouses. The contrast of sounds and unique flares of both artists, seamlessly fuse to create a distinctively standout sound. With Dezabel scheduled to make their live debut in Los Angeles at the beginning of October, the duo plans to perform on stages worldwide in 2025. Written By Mia Chavez FOLLOW DEZABEL: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Sometimes life’s simple pleasures remind us of specific people, bringing sweetness to the moment and the memories. Natalie Clark’s new song “Iced Tea” delights in sweet drinks and island relaxation, allowing the speaker to savor the experience, accompanying thoughts of one particular person. Throughout the song, there is little indication about the type of relationship the narrator has with the person the song is a message to. There also aren’t any words to describe the type of thoughts the speaker has, only that they are about one person. With a euphoric and upbeat tone to the track, we know that these are happy thoughts. This allows listeners to explore whatever possibility their minds can imagine. To some, the song may be about someone feeling nostalgia for a friend they had fun with. To others, it reminisces about a romantic relationship. The verses start with a list that paints a picture of a vacation. As the song begins, the lyrics say “pool side, dive in, room with a view, dream location, five-star review”. These words launch listeners into the happy and relaxed tone of the song. The chorus is cute and catchy, repeating sounds and words in a playful way that reminds me of fun in the sun. Click here to listen to "Iced Tea"! “Iced Tea” is the perfect song to listen to during a drive on a sunny day. It has a calming warmth to its tune, and a melody that will make you want to sing along. Slow guitar strumming in the song sounds distorted, like it’s being played through a radio. Natalie’s voice is soft and angelic. The vocals work through the lyrics with waving patterns of notes, giving a special, breezy flow to the melody. High and soothing vocalizing adds even more character to this charming track. Through the choruses and part of the second verse, there’s upbeat percussion and fun interludes of electronic sounds, energizing the song even more. There’s a really cool switch up during the bridge, as Natalie speaks the lyrics “it’s like deja vu”, and background electronic notes arpeggiate. The chorus repeats at the end of the song, and its charismatic tune is bound to stay with you. Natalie Clark is a Scottish school teacher-turned LA-based musician. Her music reached wider audiences after attending a BBC Radio 1 event where guest, Sir Richard Branson , spontaneously invited her to sing. She is the opening act for the Indigo Girls tour, which brings her music all over the US. Her songs have been featured in various forms of media including TV shows on Netflix, and a Mercedes Benz campaign. Natalie has received praise for her songs and voice from many artists like Christina Aguilera , and music industry magazines including Music Connection Magazine . With a growth discography of songs, and an album on its way, be sure to keep up with Natalie’s music by checking out the links below. Written By Hanna Kowal FOLLOW NATALIE: Instagram | Spotify  | TikTok  | Facebook  | YouTube