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Graze Arts and AR on Pinterest Since World War II, there has been a widening gap between the pop and classical music worlds. The audiences and genres feel so far removed from each other. However, the gap seems to be narrowing in recent years. One way this has happened has been through covers of pop songs done by orchestral groups. These songs combine the instrumentation and expression of classical music with the well-known melodies and harmonies of contemporary pop songs. This is an innovative and fun trend that honors centuries-old traditions with modern creative expression. 10. I Wanna Be Yours - Dramatic Violin “I Wanna Be Yours” was made popular by the Arctic Monkeys. The violin cover starts with a repetitive introduction and a long countermelody. The melody is incredibly emotive and has a lower harmony. The performer leans beautifully on points of tension and release, which captures the devotion and longing of the original track perfectly. 9. Set Fire to the Rain - Vitamin String Quartet “Set Fire to the Rain” was made popular by Adele. This track begins with a repetitive arpeggio underneath the melody. The melody is played by solo violin, which allows you to really hear the timbres and overtones of the instrument. Harmonies are played on low drone harmonies. The prechorus brings more motion that builds into the chorus. The chorus is taken in the higher register of the violin. There are more motion and harmonies in the second verse and prechorus with a layered second chorus. The growing harmonic and melodic motion capture the drama and emotion of the original song.  8. Love the Way You Lie - St. Martin’s Orchestral Academy of Los Angeles “Love the Way You Lie” was made popular by Eminem and Rhianna. This track has thick layering in the introduction, which gives it an emotive quality. The melody is played solo until the second half of the introductory chorus, where the solo is joined by lower harmonies. The melody is tossed around between different instruments, which allows listeners to enjoy a variety of timbres and textures. The group has impeccable timing, which, along with the electric guitar cameo, really tie the entire track together. 7. Do I Wanna Know - Vitamin String Quartet “Do I Wanna Know” is another song made popular by the Arctic Monkeys. The bassline introduction sounds absolutely beautiful on orchestral strings. The high string melody layers stunningly with the countermelody and harmony in the bass. In the prechorus is a hint of desperate longing and the chorus carries intensity with the strength in the bass part. The melody sounds almost improvisatory over the backing, which adds to the emotive quality of the track. The ensemble takes the melody an octave up for the last chorus, which really adds a special touch.  6. Young and Beautiful - Invadable Harmony “Young and Beautiful” was made popular by Lana Del Rey. Most of the tracks on this list are composed primarily of string instruments, but this track is really unique. It is a combination of music box and piano. Piano carries the chords, and the music box carries the melodies. The reverb has an almost synthesized and dreamy quality. The instrumentation creates an innocent and childlike quality, reminiscent of a first-love feeling.  5. Hey Soul Sister - Dallas String Quartet “Hey Soul Sister” was originally performed by the American band Train. This track is in an upbeat major key. The verse is very exposed, with just the melody and supporting background being present. The harmonies develop throughout the prechorus and blossom fully in the chorus. This cover does a magnificent job of capturing the carefree whimsy and beauty of the original track.  4. Mad World (Piano Version) - Myuu   “Mad World” was originally by British band Tears for Fears. The introduction is melancholy. The melody is in the mid-register of the piano with the left hand carrying lower harmonies. There are gradual swells in dynamics throughout the entire piece. There is more harmonic motion at the chorus. The second verse features a melody in a higher register, which provides an interesting change of pace from the rest of the song. 3. Summertime Sadness - Antonin Charvat “Summertime Sadness” was originally by Lana Del Rey. The introduction is primarily on strings, with brass supporting the harmonies. The first verse melody is done by flutes with a countermelody on oboe. Melody is then traded off to the strings and throughout different instrument groups through the entire song. Brass typically carries harmonic motion, except for the chorus where they have a strong presence in the melody. The chorus instrumentation is epic and thick. The wide range of instrumentation in the track allows for flexibility in timbre and thus flexibility in the emotional expression of the piece.  2. Fake Love (Orchestral Version) - No Choir - MDP “Fake Love” was originally made popular by BTS. This track has a piano introduction before strings and brass join in for the second half of the introduction. Woodwinds feature primarily on the verse, and piano carries the prechorus before the strings take over. Strings are the primary feature on the chorus as well. Harmonies carry most of the creative and emotion expression in this song, adding the punch that the original track has.  1. Bad Romance - Simply Three “Bad Romance” was made popular by Lady Gaga. The introduction has a solo melody over long harmonies. More motion is added in the verse with a fun pizzicato moment in the lower bass. This track sounds almost sassy, and balances spunk with emotional depth in the expressive melodies of the chorus. Genre-blending is, in my opinion, one of the most fun things that modern artists can do. Not only beautiful, but orchestral covers are also innovative and exciting. Instrumental music has a variety of uses, and these songs can be listened to while cleaning, studying, or lounging about.  Written By Victoria Fitzgerald Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Coming to terms with feeling as the only route to healing, "Sleep off the Sadness" is written about allowing oneself to deeply experience unpleasant emotions that are often avoided as a means of self-protection. Riese writes from the heart, finding inspiration to face fears head-on through her experience undergoing cancer treatment at just twenty-two. On the vulnerable track, her voice asks listeners, Have you ever felt that feeling in your chest? Like you don't ever really wanna feel again? The chorus reminds gently that, Baby you can't sleep off the sadness... Gotta feel it to fix it, smoke it to quit it. About the inspiration for her project, Riese share s it's about, " not wanting to be defined by the hard things we go through, but I’ve learned how powerful it is to share those experiences and find connection through them." A lyrically and melodically positive track, the upbeat guitar and accompanying keys provide a soft-pop base for Riese's sweet vocals. "Sleep off the Sadness" keeps it simple in the best way, allowing listeners to absorb every important lyric. Switching from head to chest voice throughout the song, Riese displays a gentle power over her airy vocal tracks. Featuring catchy pop hooks and stacked vocals, the artist doesn't sacrifice intention for quality of sound. This track off Riese's debut EP sounds like an encouraging letter from a friend and operates that way for listeners. It is a warm embrace after a tough reminder that you can't sleep off the sadness. Raising $7,000 in just 24 hours, Riese debuted her five-track EP 9th Life through the support of her community, who helped her fund the self-made project. The singer/songwriter performed an album release show on November 21st at Nublu in New York, just after her headlining performance at the iconic Baby's All Right venue in Brookly n. The self-written songs on 9th Life explore themes of grief, feeling like you’re falling behind, and wanting to make the most of every moment. She cites artists like Taylor Swift, Griff, and Julia Michaels as inspiration for her songs. Writing songs since she was seventeen as a therapeutic practice, Riese is currently making music based out of New York City. Written By Azalea Withrow FOLLOW RIESE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Sometimes, it is easier to see a person’s true colors and negativity from the outside, instead of those close to them. However, this then leaves those close to them confused as to how they ever missed these signs. Sloan Treacy’s latest single “Common Knowledge” details this dilemma, and the damaging effect it has on self confidence. “You end up feeling kind of blindsided because no one really warned you,” she says. “And then after the fact acted as if they had known the whole time.” This track is off of Treacy’s upcoming album “Aftermath”, due in 2026. Written about a period of time full of self discovery and growth, this album was written mostly in LA, but recorded in studios in Nashville, blending various vibes and inspiration. This track highlights Treacy’s emotive voice, while also displaying a full and rich soundscape. It starts calm, with just Treacy and a growing underlying synth, which is slowly joined by drums and guitar chords as she also grows in confidence and annoyance. The lyrics follow the story of Treacy realizing that the one who used to be her ‘person’ was really tricking her the entire time, and everyone else could see the upcoming betrayal except her. In the chorus, she sings, “Is this what you wanted? / Is it common knowledge / To anyone else who isn’t me?”. She is hurt and confused on how she did not see this coming, and realizes that all along she was being played. Since she was 16 years old, Sloan Treacy knew that music was her future. She recalls her father playing the guitar since she was a little girl, and her writing lyrics and stories to go over his chords. She is based in Franklin, TN, and is wrapping up working on “Aftermath”. This is her debut album, adding to her discography of various singles and two EPs, “Stuck” and “was any of it real?”, released in 2024 and 2025 respectively. Her music and style has been compared to Gracie Abrams and Taylor Swift because of her heartfelt lyrics and storylines, and she also has drawn inspiration from artists like Billie Eilish and Stevie Nicks when first developing her sound. Make sure to follow the social medias below to hear more from Sloan Treacy, and keep an eye out for “Aftermath”. Written By Tessa Maddaloni FOLLOW SLOAN TREACY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“March Madness” is a track from the sophomore EP from Jesse Adams Love You Like I Do , a song about finally getting together with your crush that many other people also have a crush on, only to realize this person is not as desirable as you originally perceived. In this calendar-themed EP, we reach the spring section of Love You Like I Do  in “March Madness”, especially when Adams mentions that her new significant other is leaving her for spring break. This is one of the various reasons mentioned throughout the song that leads Adams to long for her partner; she feels very distant from them, which is causing her to question the relationship. When you click play on “March Madness” by Jesse Adams, you hear something like you have never heard before. It begins with harmonies of Adams singing the introduction in acapella, then transitions into an acoustic pop song. The melodies are sweet and divine before the chorus transforms into a power pop song, with expressive drums that amplify the guitar chords. Once the second verse hits, more drums are added that gives “March Madness” even more character than it already had. Adams also has incredible vocals that accurately portray the emotion of the lyrics, and they go so well with the production style of the song. Jesse Adams is a Canadian and multitalented musician and YouTuber, who grew up wanting to become a performing artist. She perfected her songwriting skills before releasing her debut single The Darkest Hour  in July of 2022. The song was featured on her debut EP Shades of Gold  released in November of the same year. A year later, she released her debut album Gravity . She has managed to form a very impressive discography in just three years, showing she is a great and hardworking artist. It is more than apparent she puts lots of effort into her aesthetics when it comes to her album covers. Jesse Adams is a fantastic music artist! Written By Ashley Adams FOLLOW JESSE ADAMS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

I love when artists take inspiration from other art forms. Some of my favorite songs stem from the artist either seeing a show, reading a book or watching a movie. What KAKI has done proves that you're allowed to find inspiration from other art forms and they do it so tastefully with their new single "Harry Met Sally." KAKI does a perfect job at putting their own story mixed into the movie plot of When Harry Met Sally. The lyrics play into what we love about the movie, capturing the aesthetics of Central Park while somehow capturing the autumn-aesthetic musically that we love so much about the movie. This song lyrically is one of my favorites to come out of this year. So much of this song screams not only fall, but the holiday season, because the reflection they make to the movie. The song musically really captures the warmth of the movie while adding personal tidbits of moments from KAKI's life that tie everything together. Some of my favorite lyrics are in the beginning where they say, "Let's take a walk in Central Park" which is one of the most iconic moments in the movie. Another line that I really love, which sums up the entire movie is "If we're both single at 40" which is one of the best parts of the movie. The correlation between the song and the movie show the brains KAKI brings to the table. KAKI is an indie-pop artist based in Los Angeles and from Columbus, OH who is breaking barriers left and right breaking in to the industry. Being known for their catchy melodies with heart felt lyrics, KAKI brings their organic stories to catchy melodies that you can't get out of your head. Lyricaly, they bring in the ideas of vulneribility in dating, how confusing things can be learning how to date or going through something so human which allows relatablity to audience members. KAKI's newest single shows exactly those strengths making it incredibly exciting to already be here. Written By Breanna M. FOLLOW KAKI: Instagram | Spotify  | TikTok  | Facebook  | YouTube

There is no pain quite like watching someone move on from you so easily while you’re completely heartbroken. You can barley get through day to day life without constant thoughts of missing them, while they don’t seem to spare you a thought. Ocean Tisdall’s new single “Jealous” paints the picture of envy that comes with seeing an ex be so happy. It’s gut-wrenchingly beautiful with piercing lyrics and vulnerable delivery. He showcases the pain of loving someone enough to let them go despite how much you wish they stayed. He strips all emotions bare and lays them in a way that floods you with emotion. If you’ve been heartbroken and need a song to cry to, this is it. Ocean’s “Jealous” is the third, emotion packed song in his heartbreak series. He perfectly captured love and loss in a raw form that is so easily to relate to if you’ve been hurt. Ocean stated, “Jealous explores that uncomfortable emotion that most of us don’t like to admit feeling.” Jealousy is a fickle feeling because it’s easy to write off as us being unfair, but really we are yearning for things we want that others have. Ocean said after writing “Jealous” he realized the feeling fades and you begin to learn your value isn’t determined by anyone else’s attention or affection. “I was a dog on a leash, you know I would’ve stayed, stayed and sat on your grave.” I admire the passion he put into this song and how real it feels. Ocean Tisdall is an Irish alt-pop singer-songwriter. His mom, pop-culture and overall love for storytelling inspired him to start making music at a very young age. He’s become known for his introspective and evocative lyrics. Over the last year, he reconnected with his passion for music and stepped back to write from deeply personal emotions. He created an acoustic project that is full of emotions and unfiltered vulnerability. Ocean wants to explore the highs and lows of life, love and self-discovery and express all the real emotions in between. If you loved this track, you’re sure to love the rest of his heartbreak series. Follow the links down below to stay up-to-date on his future releases. Written By Emylee Herring FOLLOW OCEAN TISDALL: Instagram | Spotify  | TikTok  | YouTube

There's power in embracing the messiest parts of your life. When it seems as if there's no fixing you, might as well enjoy the ride. New anthem by Ava Valianti "Hot Mess" loudly proclaims the beauty in not being perfect. "Hot Mess" is a fun alternative pop banger that combines opposing stylistic elements to shape a unique listening experience. The song creates a safe space in its expression in the complexities of living; how often we don't fit in our skin, but no point in constantly trying to save the situation. Instead, acceptance and pride is the answer, and that's how "Hot Mess" becomes the anthem for our "ugliest" aspects. The introduction for "Hot Mess" instantly catches your attention. The electronic elements are vivid and paint the image so well. What works well is the instrumentals are not overcomplicated, both older and new stylistic elements are well balanced. A great choice that Valianti makes with "Hot Mess" is she knows how to present confidence well. Just by listening to the track audiences instantly feel empowered. While "Hot Mess" is primarily an alternative pop track, there are still rock influences that are mixed in so well. This rock influence adds to the edginess of the track that is needed to make this track a fight song for empowerment. Not only is "Hot Mess" an anthem for confidence, it's also a fun song to dance to. Overall, Ava Valianti's "Hot Mess" is an honest expression of self-acceptance which is so needed in society today.  Ava Valianti is a young artist from Newbury, Massachusetts who began releasing music in 2023. Her style is a combination of pop and indie. Since then she has been played on a multitude of radio stations and has been nominated for several awards. She's also been fortunate to have multiple performances on her belt as both an opening act and a headliner. Her song "Hot Mess" is a part of her debut EP, petunias , which is a collection of seven tracks that paints her style well. For someone so young, Ava Valianti has already accomplished so much and this only proves that she will continue to grow as an excellent artist. Written By Chantal Charles FOLLOW AVA VALIANTI: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Grenon has released her new single, "paperbox." Going through the memories of a past relationship, Grenon revisits a memory box hidden underneath her bed. With the realization that she can’t escape or erase the past, Grenon revisits the past relationship throughout the song and realizes why she “keeps the damn [box] shut,” due to memories floating back in and the nostalgia that comes with the old box. There’s a want to erase it and ignore that it ever happened; however, with the past comes new lessons and new wants that shape our new future, and while we can’t replace or erase it, Grenon writes on how to ignore it so that we can move past it. Grenon’s “paperbox” goes through a story, a quality of the songwriting that runs throughout her discography. “[P]aperbox” is a sweet escape into the trips home that have listeners reminiscing on what once was, laying in childhood bedrooms and wondering how we got to the moment of time and the version of ourselves currently. Grenon captures the yearning of memories throughout the lyrics, saying that memories of her ex “[fills] up [the] entire room” when looking at the memory box she had made; while storytelling is a hard balance act in lyrics, Grenon walks the tightrope perfectly by creating catchy melodies with vulnerable lyrics that capture the sting of the past. Grenon is a singer-songwriter based out of Nashville. Hailing from New Hampshire, Grenon dropped out of high school to chase her dreams while making her own mark with a metallic sharpie. The Nashville newcomer doesn’t let her discography be defined by one singular genre; Grenon wears her inspiration on her sleeve, leading to a diverse yet cohesive collection of songs that go through Grenon’s most vulnerable moments. Her newest EP, aptly titled “HEALED HEART broken mind,” is out now. When she isn’t writing, listeners can catch Grenon on some of the most notable stages, from Bluebird Cafe to the Rock and Roll Hall of Fame. If you’d like to keep up with Grenon’s newest releases and concert dates, you can follow her on social media, linked down below.  Written By Abby Mornhinweg FOLLOW GRENON: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Singer-songwriter Ava August is back with her latest single, “Cinematic.”“Cinematic” is a big, bubbly, poppy ode to love. It’s about those beginning stages of a relationship where everything is so perfect it feels right out of the silver screen. This electro-pop jam is utterly vibrant. With colorful synths and a dynamic vocal performance from Ava, “Cinematic” is instantly irresistible. More than anything, on “Cinematic,” Ava shows what makes her such a special artist; Her playful lyrics and joyful demeanor create a song that is pure pop fun. “Cinematic” is an instant mood booster. “Cinematic” captures the whimsy of falling in love with someone for the first time. The song's energy is carefree and light. Ava takes advantage of the song’s title by adding as many cinematic elements to the track as possible. The opening lines are accompanied by a film reel, and there are tons of cheeky references to films. Lines like “I can be your Rose, honey, I can be your muse,” for instance, instantly invoke the iconic movie romance of Titanic. There is just a real sense of liveliness and magic to “Cinematic,” that perfectly mirrors that feeling of falling headfirst. “Cinematic” encapsulates the grandness of the movies through song in a perfectly pop-sized package. Ava August is a twenty-year old singer-songwriter. Her love of music stemmed from when she was just nine years old and she has since worked hard at making her dream a reality. She picked up the ukulele, guitar, and piano, and since 2020 has been putting out official releases. With inspirations like Taylor Swift and Chappell Roan, Ava has crafted a singular synth pop sound. On Spotify, Ava has over 8900 monthly listeners. Her songs, including hits like “Move On,” “Beauty Queen,” and “GOODBYE” have accumulated over hundreds of thousands of streams on various streaming services. You can listen to “Cinematic,” along with the rest of Ava’s discography on all major streaming services now. Written By Lauren Nolan FOLLOW AVA: Instagram | Spotify  | Facebook  | YouTube

Where has the year gone? That’s the driving thought behind Tally Spear’s latest single “August 31st”, a deeply introspective track all about lingering on the speed that the days have passed by with. Reflecting on what she calls “birthday anxiety”, it’s that feeling of wondering how the year has slipped past you and all of a sudden you’re back at your birthday. Highlighting both beginnings and endings, happiness and sadness, this track exemplifies the strange emotions that come with what is supposed to be a happy day– and yet, it’s so hard not to reflect on the time that is now gone. The song is decorated in all your classic pop rock and alternative influences, bringing the energy and thoughtful lyricism at the same time. Obsessed doesn’t even describe a fraction of how I feel about “August 31st”. The soundscape is undeniably packed with pop rock stylings, with its gritty guitar and passionate percussion forming its soundscape’s backbone. If you love alternative or pop rock, you’re going to absolutely love this song– just like me. Everything about it feels like a cathartic confession, like you’re shouting your feelings to the sky with no one to judge you for it. And to add to that is the track’s lyrics, which speak of how time passes without us even realizing it. I especially love how the song’s title reflects its message in a subtle way, describing the end of summer and the beginning of fall. “August 31st” is filled with dichotomies and juxtapositions– can you be happy while sad? Can things end while others begin? The answer is yes and yes, but that doesn’t make moving on any easier. If you also suffer from birthday anxiety– or just linger on the past more than you probably should– then “August 31st” is for you. Tally Spear is a singer-songwriter who is making energized alt-pop songs. With themes of social commentary and personal conflict in her music, her relatability and honesty makes her tracks feel like they’re speaking directly to you. Her debut single “What Do I Want” dropped in 2020, and was followed that same year by her debut EP Tally . She has enjoyed support from BBC Introducing London, Radio 1, and Kerrang!. Her powerful vocals and distinctly precise songwriting make her a fresh face in the world of pop and alternative music. If you loved “August 31st”, be sure to drop Tally a follow on her socials! Written By Alexa Leung FOLLOW TALLY SPEAR: Instagram | Spotify  | Facebook  | SoundCloud

"At Least It's Something" by Coria is an evocative indie pop dive into self-reflection after a breakup. The speaker of this song uses tantalizing lyrics to express the lasting impact they know they made on their ex. Words like "get it out, let it linger" urge the speaker's ex to give them the validation they both crave and know they deserve. Through this confidence bleeds a sense of doubt with lyrics like "say I'm fine, cross my fingers" as echoes of intimacy and longing pulse through repetition throughout the tune. In a breakup, there is no clear-cut correct way to feel, and this track beautifully tackles the sleepless nights and confusion that comes with romantic loss. Acoustic guitar starts the track, giving an intimate warmth to the song that lasts throughout its entirety. A testament to the vulnerability of post-breakup emotion, Coria's throaty vocals feel personal and expressive. The first verse hits the ear conversationally, with singing that borders a whisper in its fluctuations. Through the pre-chorus, the song builds in energy and Coria's articulation grows melodic as strings and a high whistling melody pepper their way into the song. From that point, drums emerge, emphasizing the strong wave of emotion felt in the lyrics. Layered vocals bring an all-consuming feeling to the song. Coria is a musician from Sweden whose talents as a singer, songwriter, and producer with a newly released EP. Her expressive, soulful vocal style and emotionally resonant lyricism meets listeners where they are in there feelings as her songs tackle themes of love, loss, and growth. Fans of First Aid Kit and Clairo will love her indie pop style and the way her voice carries the emotional weight of her words. She is a multi-instrumentalist with skills on the banjo, the keyboard, and more. Coria has performed at venues including LYKKE NYTORGET and will perform at the upcoming Debaser Selects 2025 music festival on December 12th alongside fourteen other Swedish artists. Check out the links below to explore her music. Written By Hanna Kowal FOLLOW CORIA: Instagram | Spotify

On Wednesday, November 19th, 2025, I had the honor of witnessing the most nostalgic pop-punk show of the year, if not the decade. Hosted at the UPMC Events Center in Moon Township, Pennsylvania (Pittsburgh), three bands who have been active for over 20 years came together to give us a show of a lifetime; starting with heavy rockers Four Year Strong , emo icons Mayday Parade , then of course, headliner and stars of the show, All Time Low. Named after their latest album release, the "Everyone's Talking!" Tour was clearly crafted for the fans. From the choice of openers to the setlist , we were really in for a trip down memory lane. The stage was designed to look like a retro talk-show set with every color you can think of taking space somewhere. It radiated positive energy. The show began with a video introducing everyone in the band, in a silly TV-show intro fashion. The front-man, Alex Gaskarth, then came out alone with an acoustic guitar with the stage lights down, singing the first track off of "Everyone's Talking!", "[cold open]", which in my opinion was the perfect way to start the concert as the song features the lyrics, "just sit back and enjoy the show". As Alex finishes up, he leaves the stage, lights start flashing, and the whole band (Alex Gaskarth, Jack Barakat, Zack Merrick, and Rian Dawson) come out together for "Oh No!" and "SUCKERPUNCH", hit songs off their new album. It was at this point that the rest of the night took me by surprise when they played the widest range of songs off of their discography possible. No matter what era you became an All Time Low fan in, they catered to you during this show. They played classic hits like "Monsters", "Weightless" and obviously, "Dear Maria, Count Me In". But they also played fan favorites like "Damned If I Do Ya (Damned If I Don't)", "Lost In Stereo", "Dirty Laundry", "Sleepwalking" and so much more. The most important thing that I noticed during this show is the chemistry that All Time Low still has with each other after all these years. You can tell that they genuinely like each other not just as bandmates, but as true friends in life. They love being up on that stage together, and really enjoy performing for their fans. Their stage presence is out of this world, as well. The way they interact with the crowd to get them excited and to make every individual feel special and like a part of the moment is so incredible. For example, they brought up football and how since we were in Pittsburgh, they'd forgive us for being Steelers fans since they were Ravens fans (They're from Baltimore). The whole entire arena started chanting "Here we go Steelers, here we go!". It was such a personalized, special moment for our concert. There were also a few impromptu moments where they started playing covers of songs during moments of banter. Like when they said how last year when they were in Pittsburgh, the band Motion City Soundtrack was also having a concert the same day. They asked how many people skipped their concert last year to go to the other concert, and then started playing a Motion City Soundtrack song together by ear. In my head at the time I just thought, wow, this just goes to show how incredibly talented they are that they can play a random song together out of nowhere like that. And they didn't just do it once - they did it THREE TIMES! - Later they night, they randomly started playing "Mr. Highway's Thinking About The End" by A Day To Remember song and then "Don't Stop Believin'" by Journey , just messing around having fun. The energy and connection between the crowd and the band was wholesome and spirited. Everyone knew the words to every single song, even the deep cuts. Everything the band asked them to do, they did. From jumping, to waving, to clapping, to screaming. The crowd even took it upon themselves to crowd-surf and mosh during some of the more hardcore songs. However, in Alex's own words, they did it in a respectful way so that no one got hurt and they took care of each other, which was really so great to see. During "Glitter & Crimson" everyone held their lights up on their phones, solidifying the beautiful moment we were all getting to share together. Seeing All Time Low was a humbling experience. They're a group that clearly not only love what they're doing even after over 22+ years together, but they take the time to learn where they're going and truly love their fans. They don't just rush through their setlist; they take their time to stop, become aware of their crowd, talk to people and take in the moment. They put effort and energy into their performance, and their talent is so through the roof. Even if you're not an a avid listener of All Time Low, I can promise you've heard one of their songs before and that if you saw them live, you'd absolutely enjoy it. For the last encore song, Alex said "you already know what we're going to play" as a girl jumped up and down in the crowd holding a photo for him to grab. He said, "oh, you have my picture?!" and took the picture from her. Four, giant, colorful wacky inflatable tube guys came up and started waving at the back of the stage as they played their final song, "Dear Maria, Count Me In". Even after the show was over, Alex lingered on the stage to throw guitar pics and their leftover setlist papers into the crowd for people. READ OUR "EVERYONE'S TALKING!" ALBUM REVIEW HERE! Written By Kaitlyn Nicole FOLLOW ALL TIME LOW: Instagram | Facebook | Spotify | YouTube | Website *copyright not intended. Fair use act, section 107.