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In the music industry today, we're shorted on some incredible folk musicians that don't get the light of day like pop artists. Pop songs tend to be always on the pedestal and ahead of every other genre when it's also the most removed from an authentic human sound. When a folk artist can do that genre well, it's noticeable and everyone talks about it. "Cornerstone" by Luna Keller and Allison Leah is a perfect folk song and I really hope everyone ends up talking about it. There's such a perfect blend of so many elements in this song, like harmonies, guitar and the melodies that truly all come together to make one masterpiece of a song. There are so many elements to this song that really stand out and I hope that while pointing out those moments, I do the song justice. The first moment that the vocals begin in the beginning immediately sets the tone for the rest of the song. There's something about these two voices that helps you relax while listening to this song. I love so much that it feels so human with very simple music alongside the two artists. The acoustic guitar comes through just fine but the real stars are the harmonies - especially in the chorus. You can feel the vocals really stretching between each other and compliment everything. There's nothing better than two incredible vocalists that have come together to share their talents. Luna Keller is a singer-songwriter who split time growing up between Germany and Spain. With these two cultures, they were surrounded by music that was there to influence them in such a unique way. Luna's music is a blend of folk and pop but does such a great job at blending the two, weaving in and out of them making Luna and Allison Leah a perfect match. Allison is a singer-songwriter from Nashville, TN who labels their music genre as "heartfelt folk-pop." These two together are going to be unstoppable. Their new single "Cornerstone" is available to stream everywhere. Written By Bre Macomber FOLLOW LUNA KELLER: Instagram | Spotify  | Website  | Facebook  | YouTube FOLLOW ALLISON LEAH: Instagram   | Spotify  | Website  | TikTok  | Twitter

Harry Styles has been a major influence on my life since childhood. Like most girls who grew up in the early 2010s, I was a devoted Directioner, and I dedicated a large part of my Tumblr blog to them. I was devastated when Zayn left the band, even more so when the band announced a hiatus, and never came back. As part of my capstone project in my senior year of high school, I wrote a 25-page paper about One Direction and “fangirl” culture, then got matching 1D tattoos with my best friend soon after. I’ve followed each member’s individual career closely throughout the years. Styles' fourth studio album, “Kiss All The Time. Disco, Occasionally” (now aptly nicknamed by fans as “Kissco”), was released on March 6. Kissco charts new territory in his catalogue. Inspired by 80’s new wave and 90s house music, as well as various elements of funk, psychedelic, and Britpop, it is unlike most of the work we've heard from him before. In the nearly four years since his last album cycle with “Harry’s House,” Styles has spent much of his time out of the public eye. Residing in Italy for much of this time, he has stated that he needed this time to figure out who he was outside of the public persona to fully feel present in his life again. While he loves what he does professionally, having it consume his entire personality since his adolescence was taking its toll.  I wasn’t sure what to expect after four years without his music, and once lyrics, singles and album concept art started to be teased, I wasn’t sure how I'd feel about this progression. It was immediately so different from anything he’s ever done, yet I knew I had to hear more. Tracklist Aperature American Girls Ready, Steady, Go! Are You Listening Yet? Taste Back The Waiting Game Season 2 Weight Loss Coming Up Roses Pop Dance No More Paint By Numbers Carla’s Song Aperature The album opens with “Aperature,” the record’s first single. Released on Jan. 22, this track swaps his typical upbeat pop sound for the throbbing drive of house music and is a stark deviation from anything Styles has released up to this point. The title comes from the aperture control on a camera lens, allowing more or less light into the photo. This track follows that concept, as Styles wants to let in as much light into his life as possible. He dreams of connecting with others to make life brighter. The repeating lyrics, “We belong together, it finally appears, it’s only love,” say it perfectly. We as humans need to come together and love each other, and the only way to feel truly free is to release the fear of connection.  American Girls “American Girls” was an instant favorite of mine upon first listen. There is a clear maturity and personal reflection in Styles’ lyrics. At 32, he has grown immensely over the span of his 16-year career. As he watches his friends settle down and get married, he must come to terms with being in a different life stage than the people he grew up with. Even if he himself is not ready to settle down quite yet, there is still a sense of melancholy at feeling the priorities of those around you shift so drastically. The lines, “I’ve known you for ages, that’s all that I’ve heard… I’ve seen it in stages, all over the world // my friends are in love with American girls,” reference seeing the stages of his friends’ relationships, and being on actual international stages and encountering new people and seeing their relationship dynamics, even in passing. The bass is upbeat and rhythmic, while the ambient guitar and piano chords feel intentionally hollow. This feeling is amplified in the parts without instrumentals. With only Styles’ voice present, listeners can feel him grappling with his loneliness throughout the song. It is strong and intriguing, a clear indicator of the inward reflection he’s been doing during his hiatus.  Ready, Steady, Go! “Ready, Steady, Go!” is another favorite of mine. This funk-inspired number follows a jumpy, grooving bassline. Yet, there is a clear house music element in the underlying synths. The instrumentals build to almost create the feeling as though you’re flying through the air on a moving train, rushing towards something at full speed.  The lyrics are sexy and fun, as Styles explores a one-night stand that turns into a multiple-night fling. “One, two, three times you’re on me, and suddenly // Ready, steady, go!” This song feels like the rush you get as the night begins; you don’t know where it’s going to end up, but by the end, you’re left breathless and craving more against your better judgment.  The track repeats the title through the latter half of the track until transitioning into a plunking piano riff that brings back the house music inspiration. Closing off at only 2 minutes and 39 seconds, I wish this song could last longer, but perhaps that’s the point. The brevity makes it somewhat unsatisfying, like a certain itch you just can’t scratch enough, and have to return to again and again. Are You Listening Yet? “Are You Listening Yet?” is chaotic in the best ways as Styles tries to navigate the delicate balance between listening to your head, listening to your heart, and listening to outside influences.  The first lines create a clear visual of a person trying to escape their problems through casual sex and quick fixes while simultaneously trying to be engaged in therapy, “God knows your life is on the brink // and your therapist’s well-fed // the fix of all fixes // unintimate sex.”  This stark duality is jarring, yet one that many of us can relate to. While having self-awareness behind why  we may be doing something is the first step, you must still find a way to overcome self-destructive tendencies. Still, if we shouldn’t be doing them, why are they so fun? The concept of this song is reminiscent of the line from his 2019 track, “Lights Up,” where he asked his listeners, “Do you know who you are?” In this case, he demands to know, “Are you listening [to yourself] yet?”  Taste Back “Taste Back” navigates the experience of reconnecting with an ex as a form of familiarity during a lonely time. There’s a hopeful undertone to the lyrics as Styles recounts the feeling of settling back into a routine with this person, without even trying. He writes, “Talk in tongues, no common sense // Like two old friends // Where’d you get the confidence to call me baby?”  This song is vulnerable, with an air of heartfelt cautiousness that comes when the possibility of being hurt again by the same person arises. He needs to know if this person truly wants him back, or if they just need a little temporary comfort, as he sings, “Did you get your taste back? Or do you just need a little love?”  The Waiting Game “The Waiting Game” is a callout to those of us who remain self-aware in negative situations while simultaneously letting them play out. We may pretend that our shortcomings aren’t truly our fault, romanticizing destructive cycles and avoiding the responsibility we have to stop them. Yet, we have the gall to pity ourselves in the end. In this case, Styles analyzes a relationship he knows isn’t right, yet he stays anyway. Whether out of fear of being alone or needing to fill the void while biding time for something (in this case, someone) better, he is playing “the waiting game.” The instrumentals are slow and dreamy, highlighting the escape Styles describes seeking by letting this relationship play out.  Being with someone as a form of comfort to avoid being truly alone with your own thoughts may seem worth it in the moment, but it slowly drains both parties as they can’t find the strength to leave. Styles describes going “emotionally dry” as a result of staying, and the relationship is eventually a loveless husk of itself. The song is brutal to listen to and reflect upon, but perhaps it’s the honesty we need to hear. Season 2 Weight Loss “Season 2 Weight Loss” is a dynamic melange of sounds that truly highlights the experimental nature of this album. Dubbed “the mission statement of the album,” this song is simply Styles coming back as a stronger version of himself.  Throughout the lyrics, Styles reflects upon the feeling of letting others down by being his true self. He must get serious and decide which thoughts and opinions are his own, and which ones are manifesting as a result of craving validation from others. And is it okay to want that validation, and how much is too much? Styles has been put upon a pedestal in the public eye since he was 16 years old, and it’s only been within the past four years that he’s truly taken time away and explored himself outside of his role as a pop star. Now reemerging into the spotlight, he feels reinvigorated and more self-assured. In a few interviews given during this album cycle, Styles has explained that he’s been enjoying music as a listener, rather than a creator, and it has invigorated his motivation and creative process. This evolution is evident throughout this entire record, but this song is the most obvious example of this growth.  Coming Up Roses Perhaps a continuation of the story told in “Taste Back,” “Coming Up Roses” is about tentatively getting back with a former partner. However, this time, you’re hoping, “if we stay the course, we could get it right.”  The imagery puts listeners in the moment of sitting across from someone you still love over drinks. “Hangover chasing,” and stumbling over your words, you’re talking about the potential for starting over through rose-colored sentences. You’re apologizing for things you haven’t owned up to yet, and while you might not even believe the words yourself, you want the other person to.  The instrumentals are delicate, with gentle strings that feel like spring. They carry out much more of the latter portion of the song, contributing to the pensive, heartbreaking atmosphere of the song overall.  Pop “Pop” was an instant hit for me upon first listen. It’s a true dance number with funky disco beats and a prominent bassline that makes me want to have a night out. It is a callback to Styles’ 2022 track, “Cinema,” in which he wrote, “You pop, when we get intimate.”  Though a bit less overt in its sexual nature than “Cinema,” “Pop” is still sensual and thrilling. It explores the rush of a new connection you want to enjoy in the moment. You don’t know where it will end up, but a fling is sometimes best when it consumes you wholly, taking you to places beyond your control. “Am I in over my head? // This could go anywhere // I do it again and again.” You know you should behave and put on the brakes, but you just have to see where it will go. Like the feeling of a new crush, the instrumentals are electrifying and blended, reflecting the lyrics as Styles writes, “First time tasting it // It’s a nice mix of two flavors.” The lyrics aren’t subtle, but they’re covert enough not to feel like overkill. This heady mix is one that I’m going to have on repeat for weeks to come.  Dance No More “Dance No More” continues to explore the feeling of being disconnected from others/yourself, despite trying to live in the present moment. The funkiest track on this album, Styles coyly masks some of its deeper meaning behind its bouncy drum-and-bass line.   The repeating line, “DJs don’t dance no more,” reflects upon the role artists must play as people who both produce and consume music. As producers, they are at the mercy of entertaining their audience, and may miss out on the fun themselves. Following the common thread of this album, the lyrics also imply that the DJ persona is a mask that Styles feels he must put on for the sake of others.  It begs the question, “Are you acting out of love and authenticity, or are you trying to put on a show so others will like you/approve of you?” Paint By Numbers “Paint By Numbers” grapples with feeling both grateful for and suffocated by fame. Reminiscent of the idea that someone is “stuck at the age they got famous,” Styles describes being stuck with an image that someone else has placed upon him. While he can admit that it can be lovely to be noticed, it “has nothing to do with [him]” and should instead be about the music. He must “paint by numbers” and articulate himself in perfect alignment with these expectations, but the colors he is painting run before he can stop them. His true personality must shine through, and perhaps the true beauty comes from the colors and facets of himself running together. The instrumentals are slow and simple, beginning with little more than a strumming acoustic guitar, a snare drum, and the vulnerability in Styles’ voice. This song is ruminative and heartfelt.  Carla’s Song Inspired by his real-life friend, the concept for “Carla’s Song” came from the moment Styles introduced Carla to Simon and Garfunkel’s album, “Bridge Over Troubled Water.” He described the moment of watching her discover this music as akin to seeing in Technicolor for the first time. As she discovered a new world to fall in love with, it reinforced the reason behind why he makes music – to make other people feel that way through his own work. One day, he will be gone, but his songs will outlive him, and people decades from now will be able to fall in love with his work. There is something special about seeing things you love through the eyes of someone newly experiencing them. We often go through life blind to the beauty that is constantly surrounding us, because we take it for granted. Even if we truly love the things we say we do, it may get to a point where we take them for granted. However, new life can be breathed into them when we share them.  Styles repeats the lines, “It’s all waiting there for you // I know what you like, I don’t have to read your mind // I know what you like, you can hear it any time.” These feel like a sort of mantra that reminds us that the world is  waiting out there for us, and the new things that will bring us joy are right around the corner. It ties the album together with a hopeful bow; get up and see the world. I enjoyed KATTDO overall, and I truly think it signifies growth in Styles’ personal and professional lives. The time he spent away from the spotlight gave him a chance to reevaluate who he is making his art for. While Fine Line and Harry’s House will always hold a special place in my heart, knowing that he is finally making it fully for himself breathes new life into his work.  He explores the nuances of finding himself throughout this record, with many songs having commonly threaded lyrics about the trials and tribulations of staying true to yourself, versus listening to the opinions of others, and being unsure what conclusions can even be drawn by the end of that journey. And, does  that journey ever truly end? Styles still seems unsure, but perhaps finding out isn’t the answer, and dancing through life is.   Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

When someone truly loves someone, they become perfect in their eyes. Someone’s smile, personality, or beauty can be so enthralling. All of it would be perceived as perfection. But once you meet someone you love, you naturally end up going through internal changes. Often, those changes are so that you can meet the level of perfection you see in your partner. Kerr Mercer’s latest single “Terrified” tells a story just like that. It speaks of the anxiety and stress of wondering if you are good enough for your partner. The lyric “I just find it so hard to believe / That you would ever be with / The man standing with you now / Just trying to give you what you give to me” is beautiful and relatable. The conscious effort of trying to return and match the love and care you receive can feel both rewarding and anxiety-inducing, which can ultimately leave you “terrified.” Mercer’s soulful tone and golden vocals makes “Terrified” a song that is memorable. His smooth voice immediately reels you into the song. It has a sound that meshes together romance, sadness, and warmth that moves you through so many emotions throughout the song. The instrumentals of the song blend well with Mercer’s voice, which adds to the naturally soulful and raw vibe. The ballad feels like something to be listened to late at night, drenched in warm light from a fireplace, while deep in thought and reflecting on the balanced feelings of love and pain. Fans of Alex Warren or Sam Smith would find the sound of Mercer’s music appealing, as he shares a distinct voice that strikes you deep in the heart and mind. Even with his young age, his voice is mature and powerful, like one that belongs in movies and old records to be preserved forever. 19 year old Kerr Mercer is a Glasgow singer-songwriter who is quickly becoming a force in the music industry. His second single “Terrified” was released on February 27th. Mercer has had a passion for singing since he was a child. He often busked since he was 10 years old. His first song “Alcohol” reached 1 million streams only a month after its release. In 2025, he wrapped up a tour, and performed at a sold out his second headline show in London. He also sold out 3 shows in less than a minute each for performances in Glasgow, further showing his large demand and growing, loyal fanbase around the world. Be sure to pre-save his next song “love me twice,” which will be released on March 13th! Written By Kyler Griggs FOLLOW KERR MERCER: Instagram | Spotify  | TikTok  | Facebook  | YouTube

When hearing a song for the first time, it can feel like an overwhelming task. I know for me, I like to give each new song a fair shot at becoming possibly my new favorite song but that takes time out of my day as well making space emotionally. Some songs though, let you know right off the bat that you don't need to do any preperation at all as it will almost instantly become one of your favorites. "The Hunter" by Jaime French is exactly one of those songs. Something that is super catchy, fun, and beautifully executed really became an instant hit. The song reaches all new levels like nothing that I've seen before. This song manages to shapeshift three different times throughout the duration of the whole production. The song starts off with a simple guitar plucking sound with Jaime's angelic voice chiming in. Underneath are the drums that remain calm in the beginning of the song but quickly become one of the main events of the song. The lyrics are absolutely stunning. There's no other thing I can really say or put into words in order to relate how much I love the vocals in this song. The rhythmic singing is so innovative. The chorus sounds so much like a lullaby of sorts and is so catchy that I listened to it once and started whistling. You just need to listen to the song in order to understand. The drums carry us throughout the rest of the song. The song ends with the chorus as a chant so beautifully tied all together. Jaime French is an American born actress, singer, Youtuber and former make-up artist. As someone who clearly can do it all, it's important to note that Jaime also does everything extremely well. Jaime was born in St. Louis Missouri and is a practicing Jehovah's Witness. They started gaining traction for make up tutorials online but found a passion for storytelling at the young age of 12 when gifted a video camera. Even though Jaime is new to the music side of things, breaking into the industry doesn't seem like it'll be an issue after hearing this first song. Written By Bre Macomber FOLLOW JAIME FRENCH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Have you ever had a person that you just can't let go of? All your friends know it's not healthy for you, but you can't help it. Greenwald's new single, "Scandal," captures that feeling to a tee. Greenwald has been a songwriter for as long as she can remember. After being taught how to play the piano at a young age, she found a way to express the melodies that had formed in her head. Although she was rejected from a music college, she wasn’t ready to give up on her love for music just yet, so she went on to pursue a career as a radio host instead. Inspired by the music she was surrounded with all day, she would come home and write songs on the piano until late at night. With every new song, greenwald is developing as a songwriter, and this is being recognized by a growing fanbase. Alt-pop rising star greenwald new single blends her love for catchy hooks, guitar-heavy indie, and emotional coming-of-age lyrics. A modern pop anthem with 00s pop-rock aesthetics that captures fans of Avril Lavigne, Pale Waves, or Olivia Rodrigo. In 2026 greenwald is releasing a summer EP and playing live with her band. Since her debut, she’s been endorsed by big German radio stations and continues to grow her audience as an independent artist. Perfect fit for playlists with a main character movie, pop-rock, or sad banger vibe. With lyrics such as, "I don’t know what to say/to make it a little less strange/your street looks still the same/yet everything has changed." The song succeeds in evoking emotion through its message. In a small studio space in Munich, greenwald is crafting songs that speak from the heart - bold and unafraid to blend her love for catchy hooks, guitar-heavy indie, and emotional coming-of-age lyrics with synth-infused production. greenwald's sound fluctuates somewhere between modern pop anthems and 90s/00s pop-rock aesthetics that capture fans of Avril Lavigne, Pale Waves, Olivia Rodrigo, or Holly Humberstone alike. In 2026, Greenwald is looking for further opportunities to take her alt-pop universe to the stage. "Scandal" is out now on all streaming platforms. Make sure to follow greenwald down below to stay up to date on all new releases. Written By Deanna Moody FOLLOW ARTIST: Instagram | Spotify | TikTok | YouTube

Heartbreak is never easy and the healing process is never linear. You can convince everyone you’re fine, but it’s the quiet moments alone when the tears fall and the loss aches all over again. No matter what anyone says, it isn’t easy finding yourself again after intertwining your life with someone else. Audrey Huynh released her new song “breathing” about the internal struggle of rediscovering yourself after a breakup. The track captures the quiet emptiness that flows in the spots they used to fill. Audrey collaborated with producer Jeremy Lawrence and together they made a sound that is immediate and emotionally raw. With a synth-pop soundscape and Audreys passionate vocals, this song is for the girls going through it. “Breathing” is a dark, emotionally charged track that captures the disorienting aftermath of loss and the struggle to move forward. Audrey wrote from personal experience after heartbreak. Her relatable story-telling makes this song so easy to connect with. Most of us have dealt with losing someone and it can feel so isolating shifting through every high and low feeling that follows in the days, weeks and months to come. “I say I’m fine, but we both know I’m far from it.” The fears that you’ll never love anyone else to that extent and any future relationship will feel like a comparison game. “Imagining you instead of him, I slip up and say your name.” Audrey reminds us that we aren’t alone with the heaviness and we are all navigating similar experiences of heartbreak, reflection and growth. Audrey Huynh is a Los Angeles based singer-songwriter and actress, known for her role in "XO, Kitty." She is known for her sharp vocals and diary-like lyricism. Drawing inspiration from real life, she crafts her songs about the emotional complexities of young adulthood. Falling into the synth-pop style, her production keeps an energetic flow that blends with her dark, introspective themes. Audrey released her debut single “jinx” is 2023 and her debut EP “lovesick” in 2025. While being a current student at Chapman University, she continues to evolve her sound while keeping the lyrics as vulnerable as possible. She has performed at venues throughout Southern California and has steadily built a connection with audiences with her art. Check out the links down below to look out for future releases, or even catch Audrey live. Written By Emylee Herring FOLLOW AUDREY HUYNH: Instagram | Spotify  | TikTok  | YouTube

Photography: Julia Firak Music artist Sidney has released her new EP what if it ends? , which features the song “anything”. In the bittersweet penultimate track, Sidney reminisces about the beginning of a relationship that once made her happy, but now makes her feel lonely. She notices how much those around her are in love and secure with their own relationships, and wishes she could still experience this as well. She yearns for the love she used to experience from her significant other, who she notices is losing sight of them still being together. Sidney doesn’t want them to break up - she just wants things to go back to the way they used to be. The beginning of the track introduces the dreamy synths implemented throughout the production before we hear Sidney’s amazing vocals. As the chorus approaches, the song’s tempo maintains its slow, chill vibes that create the overall atmosphere for “anything”, in addition to the harmonious backing vocals. The creative and distinctive drums are symbolic of the lyrics, where Sidney is struggling with how she feels in regards to her relationship. The tranquil aura the synths provide are also helped by reverberated piano notes that are located in the production of the song and are emphasized in certain instrumental sections. Sidney is from Australia and is specifically based in Melbourne. She began her career in March 2020 with the release of her debut single “Bullet”. She released her debut EP Imposter  two years later in October. Three days later, she posted a video on her YouTube channel titled “ Table Talk: Musicians x Mental Health ”, which featured discussions between several artists about how to cope with your mental health and how to support one another. Sidney published her second studio project Sore Loser  in August 2023. She has performed her incredible music live in the past, including when she was a guest for music artist Hazlett ’s COMING HOME tour. Sidney is a fantastic and rare talent in the world of music! Written By Ashley Adams FOLLOW SIDNEY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Gorillaz co-creators, Damon Albarn and Jamie Hewlett, traveled to India to rekindle their creativity, but they found themselves searching for meaning through grief. Within ten days, both men lost their fathers. The Mountain  reflects the climb through loss, chaos, and struggle, up to enlightenment. Released February 27, 2026, The Mountain  is the ninth studio album by British virtual band Gorillaz, arriving through their own label Kong with distribution by The Orchard, a subsidiary of Sony Music Entertainment. T R A C K L I S T The Mountain (feat. Ajay Prasanna, Amaan Ali Bangash, Anoushka Shankar, Ayaan Ali Bangash & Dennis Hopper) The Moon Cave (feat. Asha Puthli, Black Thought, Bobby Womack, Jalen Ngonda & Trugoy the Dove) The Happy Dictator (feat. Sparks) The Hardest Thing (feat. Tony Allen) Orange County (feat. Anoushka Shankar, Bizarrap & Kara Jackson) The God of Lying (feat. IDLES) The Empty Dream Machine (feat. Anoushka Shankar, Black Thought & Johnny Marr) The Manifesto (feat. Proof & Trueno) The Plastic Guru (feat. Anoushka Shankar & Johnny Marr) Delirium (feat. Mark E. Smith) Damascus (feat. Omar Souleyman & Yasiin Bey) The Shadowy Light (feat. Ajay Prasanna, Amaan Ali Bangash, Asha Bhosle, Ayaan Ali Bangash & Gruff Rhys) Casablanca (feat. Johnny Marr & Paul Simonon) The Sweet Prince (feat. Ajay Prasanna, Anoushka Shankar & Johnny Marr) The Sad God (feat. Ajay Prasanna, Anoushka Shankar & Black Thought) Created in 1998 by musician Damon Albarn and illustrator Jamie Hewlett, Gorillaz are a British virtual band that blends music, animation, and storytelling into a single multimedia project. The group’s fictional lineup consists of vocalist and keyboardist Stuart “2-D” Pot, bassist Murdoc Niccals, guitarist Noodle, and drummer Russel Hobbs. Their genre-blending sound includes hip-hop, rock, electronic, and global influences, earning critical acclaim and mainstream success with albums like Gorillaz , Demon Days , and Plastic Beach . They’re known for hits such as Clint Eastwood and Feel Good Inc.. The Mountain  The album opens with a meditative soundscape of ragas and talas that sets the spiritual tone for the journey ahead. Drones, flutes, and layered percussion create the feeling of standing at the base of a sacred peak. Rather than functioning as a typical pop opener, the track acts as a prologue to the album’s central metaphor: life as a climb toward understanding. The Moon Cave  “The Moon Cave” introduces the album’s first burst of familiar Gorillaz energy. Bright synths and upbeat percussion bring back the band’s playful groove, but the production gradually strips itself down before rebuilding around a hip-hop beat. Damon Albarn’s layered vocals glide through the track, giving it that signature Gorillaz texture. The song feels like carving into the mountain’s interior. It’s mysterious, rhythmic, and alive with echoing sound. The Happy Dictator  Opening with a playful, almost psychedelic organ reminiscent of 1960s pop, “The Happy Dictator” masks darker ideas beneath its bouncy sound. Albarn’s filtered vocals float over the groove as the lyrics explore authoritarian power and the illusions that sustain it. References to a “devil’s pharmakon” hint at systems that both sustain and corrupt society. The song’s theatrical feel reflects Gorillaz’s long tradition of blending satire with catchy melodies. The Hardest Thing  Dark synthesizers and distant bell tones make “The Hardest Thing” one of the album’s most emotionally direct moments. The spacious production feels almost cosmic, as if drifting through space. Albarn delivers a simple but devastating line about the difficulty of saying goodbye to someone you love. The song captures grief in its quietest form — not explosive or dramatic, but lingering and heavy. Its restrained arrangement allows the emotion to resonate without distraction. Orange County  “Orange County” shifts the mood toward warmth and nostalgia. Gentle whistling opens the track like a carefree bike ride through old memories, while a soft trumpet adds a triumphant glow. Acoustic guitars and layered samples gradually build into a collage of sounds that resemble fragments of life stitched together. The song feels like looking back on a life with appreciation rather than regret. It’s one of the album’s most uplifting moments, suggesting that memory itself can be a form of celebration. The God of Lying  Driven by a loose reggae groove, “The God of Lying” blends skepticism with hypnotic rhythm. The squeaky synths and minor-key melodies create a subtle atmosphere of unease. Albarn’s lyrics question institutions, belief systems, and the truths people are taught to accept. The track echoes the moody groove of early Gorillaz classics like "Clint Eastwood" while adding a more reflective tone. It’s less about rebellion than about doubt, the quiet suspicion that the world might not be what it seems. The Empty Dream  Indian strings and airy synth textures create one of the album’s most peaceful soundscapes. Albarn sings softly, his voice drifting through the arrangement like the last warmth of sunlight before evening arrives. Occasional electronic effects give the song a slightly futuristic shimmer. Beneath its calm surface lies a bittersweet reflection on love and absence. The message is simple but profound: accomplishments and ambitions mean little without the person you wish could share them. The Manifesto  “The Manifesto” explodes with energy, blending Indian rhythms with hip-hop swagger. Flutes swirl around the beat like wind rushing across the mountain’s slopes. The song carries a theme of perseverance — climbing forward even when the path seems endless. Midway through, the track breaks into a fiery rap section that confronts power and violence directly. The combination of global instrumentation and hard-hitting bars captures Gorillaz at their most ambitious, turning political commentary into an electrifying anthem. The Plastic Guru  Light, shimmering synths give “The Plastic Guru” a bright, springlike atmosphere. The song feels like sunlight breaking through clouds, with melodies that ripple gently across the mix. Albarn’s lyrics explore belief and perception, suggesting that people often choose the truths they want to see. The track balances philosophical ideas with playful production, recalling the dreamy optimism of Gorillaz songs like On Melancholy Hill. It’s a reminder that beauty and illusion often coexist. Delirium  A celestial choir opens “Delirium,” creating the feeling of rising into the clouds. Soon, a steady synth beat pulls the song back into rhythmic motion. The track then fractures into manic laughter and chaotic percussion before returning to calm. This constant shift between serenity and frenzy mirrors the emotional instability suggested by the title. Gorillaz capture the sensation of losing control while still keeping the groove intact. Damascus  Twinkling synthesizers and swirling flutes give “Damascus” one of the album’s most mesmerizing soundscapes. The melody sparkles like distant stars while the beat pulses steadily underneath. The song pays tribute to people forced to travel across borders and survive in uncertain conditions. Its imagery of navigating by starlight evokes resilience in the face of hardship. Musically, it blends global influences into one of the album’s most cinematic moments. The Shadowy Light  With its laid-back rhythm and buoyant synth line, “The Shadowy Light” floats effortlessly. The music drifts forward at an easy pace, almost like a dandelion carried on the wind. Albarn reflects on existential questions about belief, chaos, and meaning in a universe full of conflict. The line “living is the ending” suggests that life itself may be the ultimate destination. It’s a quietly philosophical track that feels both peaceful and profound. Casablanca  “Casablanca” mixes electronic beats with the smoky elegance of a late-night jazz bar. Soft strings give the track a romantic glow while the rhythm maintains a steady pulse. The song references Gorillaz’s fictional animated world while hinting at distant cities and burning landscapes. The mood feels like calm within chaos, a moment of reflection during turbulent times. Its cinematic atmosphere adds a nostalgic dimension to the album’s journey. The Sweet Prince  One of the album’s most personal songs, “The Sweet Prince,” reflects on the death of Damon Albarn’s father. The title echoes the famous farewell line from Hamlet, transforming grief into a poetic goodbye. Flutes blend with sweeping strings and piano to create a gentle, almost ceremonial atmosphere. Rather than dwelling solely in sadness, the track imagines death as a transition into another life. The result is a farewell that feels both mournful and dignified. The Sad God  Closing the album, “The Sad God” adopts a delicate, almost childlike synthesizer melody. The sound resembles an old video game theme, giving the track a strangely nostalgic quality. Albarn sings from a reflective perspective, contemplating how humanity uses the gifts it has been given. The tone isn’t judgmental; it’s quietly sorrowful, like a creator watching their creation struggle. As the album fades out, the song leaves listeners with a lingering sense of wonder and melancholy. The Mountain  is a remarkably balanced album, merging bittersweet reflection with moments of optimism and sharp observations about the political climate. At a time when many artists hesitate to address these issues directly, Gorillaz prove that music itself is a powerful platform for critique. An artist’s voice isn’t limited to social media statements. It lives most powerfully within the music itself. In a moment when so much collective grief fills daily life, from the news to social media, The Mountain  feels especially timely. The album encourages humility, reminding listeners that everyone is capable of mistakes and that the way we use our time and resources matters. Ultimately, its message is deeply human: trophies, titles, and achievements mean little without connection. Sometimes we need an album like this, a reminder to keep moving, keep climbing, and keep going up the mountain together. Written By Taylor Sheridan Lempke Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Artwork from Dead Oceans record label Nothing's About to Happen to Me is the eighth full-length studio LP from musician Mitski , an album that includes song with combined genres and varying important topics. T R A C K L I S T In a Lake Where's My Phone? Cats If I Leave Dead Women Instead of Here I'll Change for You Rules That White Cat Charon's Obol Lightning Mitski is a visionary in her own right, becoming a spellbinding artist in the music industry with her incredible work, spanning years and genres, all emphasized by her endless creativity and talent. She released her debut album Lush at the start of 2012. A year and a summer later, she created her second record Retired from Sad, New Career in Business . After this, she would come out with Bury Me At Makeout Creek and Puberty 2 , where her signature rock sound would develop in accordance to her iconic alt pop-produced music. Following this were three more albums, also all extraordinary: Be the Cowboy, Laurel Hell, and The Land Is Inhospitable and So Are We . In February 2026, she released Nothing's About to Happen to Me . In a Lake At the beginning of the album, Mitski signifies new beginnings by leaving the place she’s from for somewhere better. She feels claustrophobic from the spotlight that’s on her and wants to move away from people she can recognize every time she goes out. She needs a fresh start, which she can’t get from staying in the same town for the rest of her life, preferring the anonymity that comes with living in the city. The majority of "In a Lake" is folk and driven by an accordion and its accompanying country-esque instruments, until it reaches its grand, all-encompassing finale, as a beautiful introduction for the album. Where’s My Phone? When you use your phone, endlessly scrolling for hours and tuning out the rest of the world, it’s easy to dissociate from reality and not think of anything else. Mitski expresses her desire for this constant ability to turn off her thoughts and emotions in “Where’s My Phone?”. In order to disconnect and feel no anguish or sorrow, she describes her inclination towards this by singing lines such as “I just want my mind to be a clear glass […] with nothing in my head”. The song derives inspiration from 2000s alt rock, and grows stronger and distorted towards the end - Mitski's signature production style. Cats The cats Mitski confides in could be actual cats or metaphors in track 3 of Nothing’s About to Happen to Me . In the uncertainty of the stability of her relationship, Mitski gives her partner an ultimatum, saying that they can leave or stay, and either way, it will be okay because of the support system she has. "Cats" is the culmination of soft rock and country music combined, as a pedal steel guitar carefully wafts throughout the song with supplementary slow tempo drums. The whispered wavering organ in the background only adds to the dreaminess of the production. If I Leave What may be the opposite perspective from “Cats”, Mitski’s partner tells her that they can’t end the relationship because of the strong connection they share between each other, whether it is as stable as they say or not. They admit they are not the best partner, but it would be very difficult for them to leave her because this is the best relationship they have ever had. The instrumentation arranged in the larger half of "If I Leave" is the sinister-sounding build up to the thrash of electric guitar cords waiting on the other side, before they return to the unique drum beat and softer guitar notes they were before. Dead Women The fifth track of Nothing’s About to Happen to Me  references femicide and the exploitation and abuse of women, and how they are still abused even after they die. They are disregarded and disrespected, similar to how they were treated when they were alive, symbolizing that the pain women suffer never ends due to misogyny and living in a male-dominated society. "Dead Women" mixes acoustic guitar, muffled drums, and orchestral production all at once and unravels into a distinctive and novel symphony that leads out the song. Instead of Here The state of death becomes personified in the lyrics of “Instead of Here”, which Mitski says she has met several times before, who has told her that the two of them aren’t yet ready to meet again. Also sung about in “Where’s My Phone?”, Mitski emphasizes her dissociation with reality in order to block out pain that tries to come her way, as it has previously. This track is another soft rock masterpiece, complimented by more amazing organ work, perfectly fitting for the atmosphere of the song; the wind instrument represents death, and the guitar chords represent hope. I’ll Change for You Intoxicated and yearning for a former significant other, Mitski calls the person in question and says that she’ll do whatever it takes for them to reunite and be together again. As she is not in the best state of mind, she proposes promises that aren’t good for her to do to herself, hence the track’s title “I’ll Change for You”. The song takes genre-bending to another level, aligning itself with lo-fi, bossa nova, and a complimenting piano ballad that ties everything together, making the production a masterpiece in itself on top of the already ethereal remainder of the song. Rules The eighth track of Nothing's About to Happen to Me , “Rules”, experiments with trumpet solos and organs in yet another amazing country-pop crossover. Lyrically, the song appears to be a continuation from track 7, as Mitski sets boundaries regarding the reconciliation of her and her ex-partner. Based on them, it appears as though she is going to go through with changing herself, which will lead to an unhealthy dynamic in the relationship. In addition to the upbeat production style, Mitski also utilizes counting and music scales as a creative way to number most of the rules she lays out. That White Cat Cats, insects, and other types of animals are symbolic for the people mentioned in the ninth track of the album. “That White Cat” is actually a man that takes advantage of the position society has given him as a white man, thinking he is better than women, and as Mitski sings, takes over their house as though it’s only his. He tries to take away her power, as well as the other characters, who symbolize other types of misogynists. The production of the track defines it as a one-of-a-kind rock song, implementing rock elements but incorporating them at different times. Charon’s Obol More animalistic metaphors lie in the penultimate track of Nothing’s About to Happen to Me . Vicious, cruel, and evil men are often compared to dogs, which is how they are portrayed in this song’s lyrics, as a woman suffers from the abuse brought upon her by them. They are described in the song as the murderer of a girl. The lyrics also say that another girl must continuously take care of them, implying that these men are likely members of her family. In the midst of this slowed down, alt-country song is an outstanding string section, common with most country music but makes a distinctive appearance in "Charon's Obol". Lightning In a full circle moment, the conclusion of the album and track 11, “Lightning”, bridges back to “In a Lake”, both lyrically and sonically. The former song, a poem about the beauty of rain, creates a lake after enough is produced in the provided description of a thunderstorm. As Mitski finds freedom in being in the lake, she finds freedom in becoming rain after she passes away. "Lightning" strays away from the country elements of the first track, but still features the classic Mitski style of adding the element of surprise, and implementing an impactful shift in the tempo and instrumentation. I have been a massive Mitski fan for years, so I was more than excited when she announced this record, and while listening to the singles leading up to its release. The most accurate way to describe Nothing's About to Happen to Me is that it is another wonderful project from the immensely skilled musician and lyricist, diving deep into her poetic talents while dignifying the country and rock aspects of her discography that she has integrated into her songs. Mitski stands out from all other artists, because she always knows what she's doing when it comes to crafting her intricate and detailed artwork. Full painting of the album artwork: Artwork from Dead Oceans record label Written By Ashley Adams FOLLOW MITSKI: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"The Romantic" is the fifth album from talented musician Bruno Mars , his studio record consisting of love songs that bend time in regards to their meticulously crafted production and the strong sense of yearning and adoration exhibited through the lyrics. T R A C K L I S T Risk It All Cha Cha Cha I Just Might God Was Showing Off Why You Wanna Fight? On My Soul Something Serious Nothing Left Dance With Me Bruno Mars is one of the most famous popstars of the 21st century, and is considered by many to be one of the greatest vocalists since the release of his breakout debut album Doo-Wops and Hooligans in October 2010. Following the massive success of the project, he released his sophomore record Unorthodox Jukebox two years and two months later, which also contained outstanding singles. Four years later, he made a comeback album everyone anticipated and loved, the enchanting 24K Magic . In 2021, he teamed up with multi-versed musician Anderson .Paak to create the duo Silk Sonic , and together they devised the award-winning An Evening with Silk Sonic . In February 2026, Mars has released another solo project, The Romantic . Risk It All Mars starts off The Romantic  with a symphony of trumpets and by proving he is the exact definition of the album's title with a declaration of his true love. He tells his significant other that no matter what they ask of him, no matter how big or how small, he will do it. He'll take any chance if it means it will prove his undying love to the one person he wants more than anyone else. These beautiful, personal lyrics are paired with the glorious sounds of a mariachi band playing while we get to hear Bruno's amazing vocals. This elegant track with its tempo is the perfect way to start off an album all about love. Cha Cha Cha Mars brings us to the dance floor with his music once again on the second track of the album, something he is best known for doing with the nightlife vibes commonly found in the lyrics and production of many of his hit songs - but this time, we are in a jazz bar underneath the moonlight. Mars has a fun time with his significant other throughout the night, swaying with her as their relationship progresses and they share their love for dancing together. As Bruno sings, we hear jazzy, lo-fi instruments and arrangements that evoke the vibes illustrated in the lyrics. I Just Might In the popular leading single listeners heard prior to the release of The Romantic , Mars mixes dancing and love, his iconic signature style when it comes to making music. He defines the excitement that comes with dancing as his love language, singing that this determines whether or not he plans on pursuing a relationship. Groovy guitar riffs and upbeat trumpets make up the instrumentation and soundscape of this fun and exuberant track. The melodies and adlibs Mars sing are so addicting and you will be singing "I Just Might" in your head even after just one listen. God Was Showing Off Mars describes his other half as angelic and ethereal in this fourth track “God Was Showing Off”. The title indicates his admiration for her immense beauty, which emphasizes throughout the song through biblical means. He sings about how his partner is one of a kind, as there is no one who can compare to their radiating beauty. As for the production, musical greatness is bestowed upon our ears yet again as we hear more arrangements of amazing trumpet playing and crisp drums that create the atmosphere of a cool and exciting summer night at an outdoor bar. Why You Wanna Fight? In the fifth track of The Romantic , Mars is still yearning for his one true love, and “Why You Wanna Fight?” portrays this after an argument that almost ends the relationship. Mars expresses how much he regrets getting into an argument in the first place and desperately wants his partner to take him back. The song being of a slow tempo enables the listeners to take every emotion Bruno expresses, vocally and lyrically, into account individually, emphasizing how he feels about the situation at hand. He puts a great deal of passion into his vocals, as they're accented by distinct sound effects and additions of instrumentation. On My Soul "On My Soul" is dignified by its electric guitar chords that pair perfectly with more stupendous notes of varying jazz instruments. The drum beat sounds like it was expertly crafted and planned out to evoke a "night out on the town in Las Vegas"-esque atmosphere that the track radiates throughout each verse and chorus. The lyrics reflect that of "Risk It All" when Mars sings about how he will do anything for love, showing his deep admiration for his significant other in the strongest way. If you thought "On My Soul" couldn't get any better, the bridge consists of Mars belting with his outstanding vocal talent. Something Serious In another ardor love song, "Something Serious" stresses Bruno's devotion for his relationship even further in more groovy and danceable production, supplemented by distinct drumlines and the gradual appearance of brass instruments, which have become the signature sound of The Romantic . This is what makes each track feel like the love anthem Bruno and the other virtuoso contributors of this record wanted them to be, which they achieved flawlessly, in addition to maintaining a unique zing and flare throughout the project, even when they slow the tempo down. Nothing Left The lyrically solemn eighth track of the album signifies the end of a long-term relationship. The dimming love once shared between Mars and his significant other is painful, but it’s more than obvious that the chemistry and passion has left the coupling, and there’s no point in continuing the partnership. However, he wants to give their love one last chance to see if the relationship can be reignited in some kind of way. A bluesy guitar, soft percussion, and jaw-dropping harmonies highlight the rest of the very lively and strong production, accentuating what Bruno sings about going through. Dance With Me An album about romance isn't complete without a 50's-inspired slow pop song that pulls on the heartstrings. Continuing from “Nothing Left”, the final track of The Romantic  is the culmination of the main themes that were sung about throughout the record. By reintroducing dance to his dwindling relationship, which is what lead them together in the first place, he attempts to revive the immense fervor and love they had shared for one another for a long time. Although the majority of The Romantic featured buoyant songs about the start of an energetic love, the album ending with a gentle conclusion about still wanting to love and dance again shows how amazing of a storyteller Mars is. With a music career spanning 16+ years, and a countless amount of hits under his belt, Bruno Mars has once again shown how much of a different plane his is on than everyone else regarding music. His discography is unparallel, easily shifting genres while still maintaining some of the most incredible vocals the world has heard and loved since his entrance into the music industry. When Bruno takes breaks between releasing albums, its because it takes time to perfect the art he makes, which are songs about love and dance that bring everyone together. Mars begins The Romantic Tour in April 2026, where he will sing his new wonderful album! Written By Ashley Adams FOLLOW BRUNO MARS: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. 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While breakups with a romantic partner are always difficult, the pain of breaking up with a friend is immeasurable. It's okay to be in a place of anger and frustration after leaving a friendship, and new single by artist Jaexlynne, "Friends Like You," explores these emotions to the style of alternative rock. The song doesn't hold back as it punches deep into this past friendship, expressing the hardships of being around someone who doesn't actually care about you. Jaexlynne has such strong energy on this track that you just know a live performance of "Friends Like You" would be such a fun experience. "Friends Like You" paints how liberating it can be to finally be out of an exhausting friendship and to be free to express everything you've been holding back. From the first listen, you can really hear the talent Jaexlynne has. Her vocal performance on "Friends Like You" is really well done and mixes with the alt-rock genre really well. The instrumentals are angsty, but still very fun. It's the kind of instrumentals you see yourself dancing to at a concert. While the lyrics do come across as a hate letter at first glance, that's not what they truly are. Looking at the story more closely, it is more of an expression of everything the speaker has been holding inside. The speaker is finally opening up about everything they experienced during this friendship, and while it is very angry, it's also very refreshing. It's nice to see someone finally feel comfortable enough after exiting an exhausting situation. "Friends Like You" perfectly represents anyone who's ever experienced the damage of a bad friend, how painful and freeing the breakup can be. Jaexlynne is an artist from South Africa who has been releasing music since 2024. Her style falls under the alternative rock genre, and she really shines in this space. She has been gaining quite a bit of popularity in this scene, reaching over 17K monthly listeners on Spotify. Her online presence is very honest, and it's nice to see an up and coming artist be so true to themselves both in their music, and the person they choose to be the face of their brand.  Other popular releases by Jaexlynne include "Last in Line" and "I'm Afraid of Americans" which is her most recent release. Based on these releases, it's very clear that Jaexlynne does bring a new and cool energy to the modern rock scene, and hopefully she finds this space to be the perfect place to nurture her art. So if you find yourself needing to cry, scream, or dance, go ahead and blast "Friends Like You." Written By Chantal Charles FOLLOW JAEXLYNNE: Instagram | Spotify  | TikTok  | Facebook

Modern Oli, Oli Higginson, plays a role in extravagant love stories from Bridgerton to his latest release “Transatlantic.” He turns his real-life long-distance romance with Meghan Martin, known for playing Camp Rock ’s Tess Tyler, into an ‘80s-revival pop beat. In the age of online dating, Modern Oli’s yearning rescues the hopeless-romantics. He sings, “Kiss me under the lights on fifth street/ Get lost in New York City/ When I leave, will you come with me?” This is the type of love that urges Will Hunting in Good Will Hunting to say “I gotta go see about a girl” and drive his car out of Boston. Modern Oli fantasizes about late-nights through neon-lit streets and flower-petal covered aisles. “Transatlantic” conquers the time difference and plane tickets with big plans. Modern Oli’s love story works with the electric sound heard in The Bleachers and longing in The 1975. The pouncing piano creates a Broadway feeling of the New York City girl mixed with the racing tempo like taking a ride on The Tube. From chasing the next train to the next taxi, the beat pounds in the chorus like a racing heart. It’s the type of song to pack your bags and get lost with the person you love. The hint of acoustic guitar adds that charm of handwritten love songs, ink smudges, and the perfect lyrics. Modern Oli’s vocals layered over the analog synth creates this ever-elevating melody that rises like heart-shaped balloons on a spring day. Modern Oli is a London-raised singer, songwriter, and actor. In Bridgerton, he plays Footman John in Bridgerton. He’s also known for his roles in The Pursuit of Love  and The Last Five Years . Recently, he received praise from BBC Radio London. His debut single “One Of Those Faces” garnered 50,000 streams in three weeks. “Transatlantic” marks his second single in the start of his music career. Modern Oli’s debut EP is on the way. Check out the links below to keep up with updates from Modern Oli. Written By Taylor Sheridan Lempke FOLLOW MODERN OLI: Instagram | Spotify  | TikTok  | YouTube