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Back with the latest addition to their catalog, little image has released their newest single and haunting music video, "THE REAPER." The track is part of a bigger project, released on their sophomore album, KILL THE GHOST. Both the song and album represent a bold transition for the band, showing the result of a year of growth and reinvention, and exploring the fear of abandonment. Sharing more about the narrative behind "THE REAPER," drummer Troy Bruner states, "'THE REAPER' quickly became our favorite song on the album because it carries so much of what it means to be human, grief, pain, loss, and the quiet weight of forgiveness." Matching the poignant heaviness of the song's lyrics, the music behind little image's "THE REAPER" perfectly captures the feeling of emotions hitting like waves as the soundscape ebbs and flows between pensive verses and impactful choruses. The track starts soft and reserved with minimal instrumentals and light vocals, building tension and momentum that drive home the immersive, emotional release expressed as we reach an explosion of sound in the chorus. Though the song tackles difficult feelings and fears, it's a beautiful ballad that serves as a cathartic outlet for anyone experiencing overwhelming emotions about love and loss. Hailing from Dallas, Texas, little image is a trio comprised of members Jackson Simmons (vocals/guitar), Brandon Walters (bass/synth), and Troy Bruner (drums). The group has been together for over a decade, starting as three suburban kids in love with underground indie rock who later came into their own during the 2020 lockdown. They experimented with pop-rock music during this time, solidifying their sound and working with the likes of Chad Copelin before releasing their debut album, SELF TITLED, in 2023. Also impressive live performers, little image has supported the likes of Panic! At The Disco, Joywave, Colony House, and Bad Suns. Written By Cheyenne Johnson FOLLOW LITTLE IMAGE: Instagram | Spotify | TikTok | Facebook | YouTube

Singer-songwriter Emma Teufel is back with her latest single, “Enemies.” On “Enemies,” Emma takes a feeling we all know too well—being attracted to someone not good for us—and makes it a perfect dance-pop jam. Emma calls herself a “professional oversharer,” and on “Enemies,” she does not hold back. The track details a toxic relationship held together by an undeniable physical chemistry. The synth-wave electro-pop instrumental bursts with a bubbly, flirty energy that perfectly pairs with the lyrics. With summer approaching, “Enemies” couldn’t have come at a better time. Listening to Emma Teufel’s latest track is pure pop fun. Emma Teufel has a captivating presence that makes “Enemies” an incredible pop track. She infuses the song with so much life, from her sharp lyrics to her attitude-filled vocals. “Enemies” is brimming with a playful, tongue-in-cheek attitude that is inviting and lively. It’s an all-around light-hearted, silly track that is bound to put a smile on your face—and or remind you of some past regretful experiences. Either way, the song is still ridiculously fun. With its pumping bassline and wavy synths, “Enemies” is an undeniable groove. Songwriters Emma, Matt Browning, and Kurt Thum have crafted a pop song that is catchy, witty, and bound to make you want to get up and dance. Emma Teufel is an upcoming singer-songwriter to watch out for. She only started officially releasing music two years ago, but has already made a huge splash on the scene. Many of her tracks, such as “Heartbreak Season” and “Delete,” are popping off on social media. Collectively, Emma has accumulated hundreds of thousands of Spotify downloads and over 18,000 monthly listeners. As an artist, Emma strives for authenticity, writing about experiences of love, heartbreak, and girlhood. After its first few days of release, “Enemies” has already garnered thousands of streams, and it’s easy to see why. You can stream Emma Teufel’s discography, including “Enemies,” on all major music platforms now. Written By Lauren Nolan FOLLOW EMMA: Instagram | Spotify | TikTok | YouTube

Ella Red via Instagram Ella Red is an ethereal pop princess who effortlessly mesmerizes her audience. A month after concluding her first headlining tour, she came out for a special night at the Echo in Los Angeles. The alt-pop singer-songwriter sang each track from her debut album, IT’S NOT REAL, in order, with previous singles sprinkled in. Similar to the latest project, Red told a meaningful story of love, heartbreak, and existentialism. She led the audience through her emotional tracks, creating a night of reflection and community.  Red began the night with the opening track of IT'S NOT REAL, “Parasite.” The eerie, haunting production sets the stage, creating a compelling atmosphere for the audience to get lost in. Red’s stunning vocals were instantly on display, with the bridge utilizing impressive vocalizations. For anyone who may not have known her before the show, the very first song made them an instant fan.  Red continued to enchant the audience through her magnetic stage presence, lovely personality, and unique choreography. Fans had no choice but to keep their eyes locked on the stage as the singer acted out many of the lyrics with abstract motions. She didn’t simply stand behind the microphone and sing, but became the music she created. Red is a natural-born performer who brings an extra sparkle to the stage. On her album, Red has the beautiful, yet tragic song, “Aphrodite.” I had the pleasure of hearing her perform it live for the first time when she opened for Ellise in August 2025. I had the chance then to tell Red that her performance caused me goosebumps. Going into this show, I was prepared for this powerful moment. What I didn’t expect was to have full-body chills again, as this rarely occurs for me. However, Red’s authenticity and raw emotion left not one dry eye in the venue. Her ability to write and perform music that tugs at the heartstrings and stays with listeners is why she has a loyal fanbase. If you have the opportunity to see Ella Red live, do not miss the opportunity. Her stunning voice and whimsical personality turn her into a phenomenal performer. From the sad ballads of “Cupid” and “Always the Artist” to the energetic fan-favorites like “I Like You Best” and “He Asked For It,” she puts on a well-rounded, flawless show that will keep you wanting more. Ella Red is an alt-pop singer/songwriter who has been seeking justice through music since her elementary school days. She started her musical journey on the cello, crafting melodies in her bedroom as a child and writing down lyrics in class. She officially released her first-ever single in 2022, titled "Damsel in Distress", but it was in 2023 when she released "Put Your Money Where Your Mouth Is" that she became a breakout artist in the pop music scene, gaining over 8 million streams on Spotify alone. Just a year later, she broke her own record with another hit single, "I Like You Best", which currently has over 26 million streams on Spotify. Ella Red likes to use her talents to shine light on the issues of society, all while giving us something to jam our hearts out to at the same time. Red released her debut album, IT’S NOT REAL, in January 2026 and recently concluded her first headlining tour. She will be joining fellow art-pop icon, LØLØ, as a supporting act on her EU tour. Click here to purchase tickets and make sure to follow Red on all social media to stay up to date with new releases and announcements. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Dani Stocksdale has released her new single, “Cigarette Rush.” An indie-pop song with a knack for metaphors for jealousy and an addiction for attention, Stocksdale wants to be someone that her partner longs for and to be a person they cannot live without. This jealousy, something that is both quiet but overwhelming at the same time, is captured in “Cigarette Rush.” With a toxic push-and-pull as both this jealousy and Stocksdale’s own self-awareness take over, “Cigarette Rush” is filled with atmospheric production and lush vocal stacks, recreating the haze cigarette smoke creates. With “Cigarette Rush,” it’s clear to see that Stocksdale not only accounts for the lyrics in her songs being great, but the surrounding world she creates for each new addition to her discography. “Cigarette Rush” not only captures the toxic mentality of jealousy that takes over our lives when feeling it, but the atmosphere surrounding the song encapsulates listeners into the inner world of Stocksdale as she tries to fend off this jealousy through self-awareness. Through the atmosphere of the production and lyrics combined, listeners are connected to Stocksdale’s inner world throughout this emotional process. When combing through the song, it’s clear to see that this vulnerable addition to Stockdale’s discography is a key new single, allowing listeners to connect to Stocksdale through both relation and Stocksdale’s ability to build her inner world through a well-balanced mesh of both lyrics and production Dani Stocksdale is a Mexican-American singer-songwriter hailing from Los Angeles. Originally from South Florida, Stocksdale grew up writing songs, even attending NYU’s Olive Davis Institute of Recorded Music to develop her voice as a songwriter. Now 25, Stocksdale’s discography covers the “gray” of her twenties, whether it’d be unique experiences or the tension of what she thought her life would be versus her own reality; with this in mind, it’s clear to see that there’s a song for every listener in Stocksdale’s catalog. If readers would like to keep up with Dani Stocksdale, they can follow her on social media, linked down below. Written By Abby Mornhinweg FOLLOW DANI STOCKSDALE: Instagram | Spotify

Maryn Charlie's "Hit by Lightning" is an electric, vulnerable single that is sure to resonate with audiences. Expressing a yearning to escape a feeling of invisibility, the single portrays a youthful catapult forward into the uncertainty of life. For her, the line "I want to get hit by lightning" describes a longing to stand out and finally come into the light. Especially relatable to young adult listeners finding their space in the world, the relatable lyrics hold, "I wanna get so much out of life, but I'm frantically trying. I wanna get hit by lightning." A song whose message urgently flows through the music, Charlie hones her ability to expel catharsis through her honest lyrics and intentional evolution of sound. Fluctuating synth-driven instrumentals create waves of sound that Charlie's vocals ride ahead on. In creating a song that predicts the breaking out of previous circumstances, the singer parallels her lyrics with the song's production. Upbeat but hefty, the heavy-laden percussion steers the sound forward, despite Charlie's sense of uncertainty expressed both lyrically and musically. The instrumentals fade out on the line "I wanna get hit by lightning," leaving her words alone to be intensified. In her own words, she shares that, "with this song I’m portraying the feeling of wanting to be seen." That message certainly comes through clearly in the energetic climb of the song's chorus and its confident sound. Amsterdam-based artist Maryn Charlie has just released her third EP, "Threads." The project spans five versatile tracks that explore the journey of coming into one's personhood. Named a 3FM Trending Talent and one of their “10 most promising artists,” she has toured internationally and performed at the renowned Eurosonic Noorderslag music showcase festival in Groningen, Netherlands. Currently amassing over 27,000 monthly listeners on Spotify, her music can be found on some of the app's curated playlists, "All New Pop," "night pop," and "young & free." The artist is signed to Warner Chappell Music and [PIAS], where she has collaborated with prominent artists and producers who have helped her sharpen her voice while remaining true to her authenticity. Written By Azalea Withrow FOLLOW MARYN CHARLIE: Instagram | Spotify | TikTok | Facebook | YouTube

"Wrong Impression" by Jordan Anthony is a soulful heartbreak anthem that expresses the frustrating pain of a relationship built on bricks of misunderstanding. The speaker paints a picture of two people who try and fail to reconcile their differences of opinion, so much so that they are torn apart by constant conflict. The song propels listeners into a truly exhausting existence of non-stop fighting as the chorus explains, "every word's a misconception." The speaker is pained by the knowledge that the relationship must end, wishing for a better resolution. Plagued by the feeling of betrayal, the lyrics express, "all along you had a side of you you didn't show me." This soulful pop track builds upon itself with its sound growing more immersive as the emotional resonance of the lyrics grow deeper. It starts out simply: piano chords ring out, slurring across the bars as Jordan's smooth, deep vocals melodically work through the verse. At the start of the song, a feeling of intimate vulnerability emerges from the expression of Jordan's singing: breaths are peppered throughout the first verse as his powerful vocals are delivered in a relative hushed tone. Through the chorus, the singing becomes unbridled, passionate, and powerful. Guitar, vocalizing, percussion, and electronic instrumentals ramp up halfway through the song as the singing grow bolder, projecting from the chest. The sound of "Wrong Impression" exposes the emotional intensity of heartache in its pop sound. Jordan Anthony is an Australian artist based in Los Angeles, whose music career was launched into the spotlight on the reality television show American Idol. He has since carved out a niche with his emotional pop style taking on themes of love and love lost. He has brought his musical talents to the stage across the U.S. at venues like Seattle's Nectar Lounge, Los Angeles's Hotel Ziggy, and Chicago's Color Club, supporting Nour Khodr. Jordan has also performed at venues like the Rosemount in his hometown, Perth, Australia. Check out the links below to keep up to date with his music. Written By Hanna Kowal FOLLOW JORDAN: Instagram | Spotify | TikTok | YouTube

“Bad at Being Human” is the newest song from Camille Granbert, a song about just how exhausting life can be. Things that are supposed to seem easy, such as making conversation or opening up, feel immensely difficult. Granbert provides her hardships with approaching her own feelings in the latest single from her discography. She expresses that she wants to be able to interact with other people without it affecting her so much, and wonders how it comes naturally to others but not her. Granbert wrote these lyrics a few years ago, and transformed them into “Bad at Being Human” as a way to maintain self-confidence and mental health. The emotions of these lyrics are reflected in the production and instrumentation of this enchanting song. “Bad at Being Human” begins as a piano ballad, but as the single progresses, more musical layers are added, defining the entirety of the encapsulating atmosphere that Granbert effortlessly conveys. Both through the sounds created to make this single, as well as the vocalist's powerful and extraordinary singing voice, “Bad at Being Human” becomes a defining moment early on in Granbert's music career. Her skillful musical and songwriting abilities are part of what make her an incredible artist. Camille Granbert is a music artist based in Los Angeles, California. After perfecting her craft of being an excellent singer-songwriter and instrumentalist, she performed an original song of her's, "How to Live Without You", live, as well as "Bad at Being Human" before it was released. In November of 2025, she released another single, "microscopic". Granbert is an amazing musician, whether she's in a songwriting session, the studio, or performing live on stage. Also, through her music, she is able to connect to others who are going the relatable and realistic topics she writes and sings about. Written By Ashley Adams FOLLOW CAMILLE GRANBERT: Instagram | Spotify | TikTok | Facebook | YouTube

Alt. Pop Rock Princess LØLØ is back again with her sophomore album, "god forbid a girl spits out her feelings!", leaving nobody safe with her cut-through lyrics and intoxicating melodies. TRACKLIST god forbid a girl spits out her feelings! me with no shirt on dumbest girl in the world hung up on u delusional darling the punisher 007 the devil wears converse stuff like that whiskey & coke american zombie boy who doesn't want to lobotomy & u Don't be fooled by this only being her second album release. LØLØ has been around for several years now, and is quite the underrated artist if I do say so myself. Her biggest song to date, "you turn me on (but you give me depression)" has over 34 million streams on Spotify alone, which led her to releasing her debut album in 2024, "falling for robots & wishing i was one". She has an edginess paired with vulnerability, two conflicting characteristics you don't often see in artists nowadays. One minute you'll be screaming to a pop-punk banger and then the next you're sobbing to an acoustic ballad. She sings the words that many of us are afraid to say for ourselves when it comes to toxic relationships and self-worth. god forbid a girl spits out her feelings! We open up with the title track of the album, "god forbid a girl spits out her feelings!". Lined with downstrums of an acoustic guitar and an ear-catching riff, this song is all about LØLØ owning her songwriting skills and emotions. Did you do her dirty and now you've got a song about you? Well, you kind of had to see that coming, right? The best music comes from the heart, and LØLØ unapologetically spills hers out all over the floor. me with no shirt on Track two is probably my personal favorite pre-release single, "me with no shirt on", a heartbreakingly desperate cry once you've had the realization that the one you love isn't giving you attention anymore. One of the stand out things about this song is the focus on acoustic guitar. It makes it feel even more personal, like sitting all alone in your room, singing your emotions to yourself, just like LØLØ does in the music video. There's an addicting nostalgic dreaminess to this song that I haven't been able to let go of ever since it came out, which is ironic considering its topic. Don't worry LØLØ, you will never lose my attention, gf. dumbest girl in the world "dumbest girl in the world" is heavy pop-punk banger that is not only LØLØ calling herself out on her own bullsh*t, but all of us girlies out there who put up with less than what we deserve from men. With lyrics that might hit a little too close to home, you can either take a moment to laugh at yourself, have some major realizations, or both! The music video features some other favorite underrated queens such as Chandler Leighton , Leah Kate , Hunter Daily , Mylie Taylor and Bailey Spinn . hung up on u LØLØ is having her early 2000's teenage rom-com movie moment in the song "hung up on you" with a super dream-pop inspired soundscape and old-style Taylor Swift coded melodies. Her voice is absolutely gorgeous in this song, standing out the most in the hook when she sings the title in layered harmonies. My personal favorite moment is the acapella key-change at the end for the final chorus. This song is a double entendre, taking place as a phone call with a crush that abruptly ends due to not knowing what to say next. delusional darling "delusional darling" sounds as it is titled. It's catchy, rock'n'roll, but reckless and crazy at the same time. LØLØ's ability to change her tone to match the mood and tone of each song is so impressive, she quite literally memorizes me in each track as we go along. The heavy distortion and seductive background vocals make you feel like you yourself are falling into delusion as LØLØ tells us all the warning signs she ignores for someone who is clearly not treating her right. However, she's so afraid of being alone, that she pretends that everything is fine. the punisher "the punisher" is about that shameful thing we all do after a breakup - stalk our ex on the internet. And even worse, when you find out they're with somebody new. Now we're stuck with the awful question, "why the heck did I just do that to myself?". Now you've just broken your own heart, and you're gonna be stuck in your feelings even more for god knows how long. "the punisher" has a hook that will catch onto your brain for days and a sense of nostalgic pop rock that gets that catharsis going. 007 With "007", it's probably not hard to guess the theme. This song does quite literally sound straight out of a spy movie, using major/minor 7th chords to give it mysterious vibes but it also has heavy distorted electric guitars and rushing drums to add energy and 90's rock'n'roll flare. Licensed to kill, "007" is about a man that is nothing but trouble. However, you seem to always go after the bad boys, and end up wanting him anyway, even though you're onto him and his shenanigans. the devil wears converse instead of the devil wears prada , we have the cheeky and risky love song, "the devil wears converse". Have you ever seen someone so toxically beautiful, that no matter how bad you know they are for you, you just let yourself fall anyway? You just can't resist the devilish charm that radiates off of them. In the verses, LØLØ sings with a slight slide in the melody, as if she's admiring this person from afar and is quite literally falling in love. In the chorus, it's a burst of distorted energy that makes you want to dance around your room like nobody is watching. stuff like that "stuff like that" is about when you finally find someone that could stay, but also all of the anxiety that comes along with any possibility that they won't. So, you find something to believe in to help you hold onto the hope that one day they won't leave you; like praying, wishing on shooting stars, etc... "stuff like that" is a ballad with a gorgeous soft-picked guitar riff, along with a heavier instrumentation that comes in during the chorus. The overall groove and tone reminds me a little of "Teenage Dirtbag" by Wheatus . whiskey & coke "whiskey & coke" is a dark, but beautiful, country and Southern inspired song full of acoustic guitar and gorgeous vocals. This song is about someone who loves their alcohol, and unfortunately loves it more than anyone else, choosing it over their significant other on the nightly. LØLØ sings about all the things she could do to make this man happy, if only he could trade his drinks for her. american zombie Heavily relating to common topics on this album such as toxic men and acting oblivious to all the red flags, we have "american zombie". It's a super fun and energetic song highlighting all of the dark ways a man acts to get attention as if they are good things, and LØLØ sings in a happy tone as if she's ignorant and detached from what's really going on. We can't blame her though, because I think we've all had these rose-colored glasses on before. boy who doesn't want to "boy who doesn't want to" is a wake up message for many of us out there who have the "I can fix him" trait. This song is super raw, direct and straightforward because the focus here is the lyrics. The words are painfully true, because the fact of the matter is, "a boy who doesn't want to is never gonna change". This isn't the final track of the album, but I love that it's at least near the end, because after all that we've listened to up until this point, this feels like something that needs to be heard. lobotomy & u We end the project with the most painful, sad and heartbreaking song on the entire album, "lobotomy & u", an acoustic ballad with dreamy 50's tones, raw vocals, and lyrics that are quite literally a punch to the gut. "lobotomy & u" is about being so in love with somebody, that all you wish is that you could forget all the hurt they've put you through and just go back to feeling them love you again. One of the greatest pains in life is still loving someone that doesn't reciprocate that same type of love, and this song embodies that pain. You might want to grab the tissues. LØLØ is one of the most underrated artists on my radar, that I personally believe NEEDS to be in mainstream music. She is a natural-born superstar, a phenomenal songwriter and has the voice of an angel. She continues to outdo herself time and time again, and with "god forbid a girl spits out her feelings!", I believe she deserves to be getting more attention. These songs are HITS; and if you haven't given it a listen yet, you should. Written By Kaitlyn Nicole Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Running yourself tired? Wishing there was another version of you to help you during those times of need? Boy, do I have the song for you! “Body Double” is Emily O’Neal’s newest single, bringing on the truthful hardness of life. It’s about wanting to be seen and heard, in times of need. Growing pains affect us all, so why not relate and blast this song down the highway. Not only is the message beautifully composed, but the composition of the single is out of this world. We immediately jump into the song with keys, fun and hoppy. The drums in the back set the pacing just right, allowing Emily’s vocals to ebb and flow between them. The chorus is soft, heartfelt, yet in a poppy sense that keeps your head moving. It gives Lola Yung’s Messy vibes. Her adlibs in the back add a dream-like essence towards the latter half of the song. She then in the bridge shows off her gorgeous vocal range, calmly yet passionately ending the song. Overall, this is a storybook song that is beautifully made to be heartfelt yet upbeat. Emily O'Neal is a singer/songwriter hailing from North Florida. She has been writing since 13 years-old. Emily began releasing music in 202 0, with producers Lucio Rubino and Dexter Redding. Some early releases include REVOLVE AROUND YOU, Catch Feelings, and Leo Energy. She has also opened for Olivia O’Brien, played a sold-out show at the Blue Bird Cafe, and had her single Paint Me win the 2021 John Lennon Scholarship. Emily graduated from Middle Tennessee State University in May 2023, and plans on staying in the Nashville area, where she will continue to bloom in her music. Be sure to follow her journey using the links down below! Written By Nevaeh Scott FOLLOW EMILY O’NEAL: Instagram | Spotify  | TikTok  | Facebook  | YouTube

"Painting: A View of Yosemite Valley after Mary Park Seavey Bolton, circa 1855" Alt-rock and pop band They Might Be Giants have released their newest album The World Is to Dig . T R A C K L I S T Back in Los Angeles Wu-Tang Sleep’s Older Sister Je N’en Ai Pas Outside Brain Let’s Fall in Lava Telescope Garbage In Get Down New Wave Will Never Die Overnight Sensation (Hit Record) Character Flaw Hit the Ground What You Get Slow In the Dead Mall What the Cat Dragged In They Might Be Feral John Linnell and John Flansburgh are no strangers to experimenting with the pop genre. Since 1986, the two immensely talented musicians and friends have collectively released 23 albums (not even including their live albums) and 25 EPs as They Might Be Giants. While you may know them for their cover of “Istanbul (Not Constantinople)” by The Four Lads , their work on the Coraline movie soundtrack, or their song “Boss of Me” being the title theme for the sitcom Malcolm in the Middle , they have such an extensive musical catalogue that everyone should break into. They have provided styles unheard of throughout the 80s and 90s, and developed the perfect soundtrack for the 2000s. Since then, they have combined all of their many signature sounds together in their more recent albums. Linnell and Flansburgh are nothing less than virtuosos at heart, and their newest record is just more proof of that.  Back in Los Angeles Upon listening to the jazzy and drum-prominent first track of the album, it appears as though clever references are being made to the whereabouts of the City of Angels, but a slightly closer look will make listeners realize that this is not the case. In fact, its as if we are in an alternative universe, with mentions of drinking a "Mrs. Angry", driving past "Vandersnipe Boulevard", and watching the "movie Chrome Raccoon ". TMBG are no stranger to their distinct and tantalizing songwriting styles, and "Back in Los Angeles" sets the stage for their musical return. Wu-Tang The second track of The World Is to Dig is a lyrical homage to the Wu-Tang Clan , but sonically tells a parallel story. TMBG fostered the idea to write a song praising the impact of a musician(s) effect on how music is made and to handle the production with an opposing sound. "Wu-Tang" is not only an homage to the aforementioned hip hop collective, but to the history of music itself and how it has changed the world throughout time. While TMBG themselves have altered their music during their career, they still are able to maintain a prominent, signature sound. Sleep’s Older Sister A common side effect of depression is excessive sleeping. Some people do this to avoid what they are dealing with in their day-to-day lives, seeing it as an escape. The lyrics of "Sleep's Older Sister" suggest that part of this relief from depression is dreaming of better things, but the narrator finds that he is no longer able to dream, which worsens his metal state. The production is a mix of lofi and indie, with dreamy sound effects to resemble the lyrics, as well as more jazz atmospheres. Je N’en Ai Pas A fully French rock song, track four is an extension of "Sleep's Older Sister" as far as the extensive exhaustion and wanting to sleep as a result of depression. The drums along with the strums of the electric guitars frequently switch tempos to form a distinct alternative track. Outside Brain "Outside Brain" opens with the lines "This is an open letter / To explain myself to the finer folk", which suggests that this song is about separating yourself from those who can't understand the kind of person you are. Those who are straight-edge all the time and never give themselves any room to have fun will never understand the creative minds of TMBG, and there's no point trying to reason with people like that. As for the production of this song, its instrumentation makes it an upbeat alt-pop song, supplemented by the dignifying guitar chords. Let’s Fall in Lava Opposite from the lyrics in the previous track, "Let's Fall in Lava" is a metaphor regarding facing the realities of life. It is important to step back and take things seriously after having many fun and exciting moments in your life, even if it seems like a hard thing to do. The song arrives to the album with a slow tempo throughout, and provides instrumentation heavily inspired by folk and country music, but pop and alternative are still the forefront of "Let's Fall in Lava", as they are represented by the singing styles of TMBG. Telescope "Telescope" is the embodiment of seeing things differently than what they actually are. Although short in length, the unique, whimsical, and industrial beat makes it an outstanding track on the record. Garbage In "Garbage In" picks up where "Je N’en Ai Pas" left off, as the narrator carries his unbreakable and unhealthy sleep cycle while living in the tortured world we have learned of for the past three tracks of the album. Things have gotten worse, as he now has no desire to even leave his house. The majority of the production is dominated by a stern but classy piano, invoking different feelings as you continue to listen to the song. This is assisted by the sinister drums and bass guitar, making you feel as though you are watching a movie or TV show about an undercover spy. Get Down The end of the world is depicted, as an alien race is set to take over Earth. However, maybe its not aliens ruining the world as we know it, but the billionaires that own companies creating obscene of amounts of pollution everyday, leading to global warming? With no one in sight to stop them, we all just have to "get down, stay down". Despite the content of the lyrics, the production is very joyful and incorporates many different instruments, creating an all-encompassing and cheerful symphony; you feel as though you are in a lively parade and marching down a busy street. New Wave Will Never Die TMBG are considered a new wave band by fans and critics, but they contradict themselves in the tenth track of their new record, questioning the title of the song. Perhaps the lyrics are written in the perspective of the people from "Outside Brain", who can't comprehend musical creativity. Notwithstanding the title and lyrics of the song, the production style of "New Wave Will Never Die" is catagrozied as soft rock, with many yacht rock elements that intertwine themselves with the guitar chords, adding a tropical atmosphere to the overall soundscape. Overnight Sensation (Hit Record) The eleventh track of The World Is to Dig is a cover of the song "Overnight Sensation" by the band Raspberries. The lyrics poke fun at people who only make music for the monetary benefits, and not because they actually have a passion for it. While there are noticeable differences between the original song and this cover, TMBG still pay hefty homage once again to the Raspberries version, utilizing electric guitar solos and supplementary organ notes. Both lyrically and sonically, they carry the original message of the song flawlessly. Character Flaw "Character Flaw" is all about self-depreciation and obsessing over oneself's biggest insecurities. Even though these insecurities aren't noticeable to others, the narrator wants them to be noticeable as one of the forms of his self-depreciation. From the joyous guitar chords and harmonious background vocals, "Character Flaw" is very reminiscent of TMBG's 2000s work, especially their album Mink Car (my personal favorite record of their's). Their ability to refocus on certain musical sounds throughout their career just shows how talented of musicians they are. Hit The Ground After a friendship or relationship ends on bad terms, the narrator expresses how much he misses his friend or significant other and wants them back. Heartbroken, he tries to begin to accept they are never going to rekindle the bond they once shared. The production takes an ethereal approach to different elements of the instrumentation from both "New Wave Will Never Die" and "Garbage In". The soundscape is that of alternative soft rock, delicately incorporating jazz while harboring the addition of fun percussion. What You Get Life and death are contemplated in "What You Get", and how you should appreciate the latter because you cannot escape the former. Musical symbolism suggests that you shouldn't play with your life, as its short and you only get one. This includes not disrespecting the dead, because one day you will be dead, too. One of TMBG's classic production styles they have been using since their eponymous debut album is the primary combination of piano notes and a distinct drum beat, pulling inspiration from early instrumental duets, except with the addition of electric guitar chords in the background, all implemented on this track. Slow "Slow" emphasizes the intensity of having to evaluate the political landscape of the world. With billionaires getting away with everything, America trying to start wars, and the violence that grazes the Earth daily, TMBG describe what it would be like if you could view all of this at once. In short, it would be a terrifying experience, because that is what this world has become. Wavering organs and guitar chords come together on "Slow", making a beachy, time-bending atmosphere, alongside the unique melodies of the vocals. In the Dead Mall Over time, shopping malls have quickly lost almost all popularity, primarily due to the lingering effects of COVID-19 and online clothing stores. In this sixteenth track, going to a "dead mall" is symbolic for combating nostalgia and wishing things were the way they used to be. In regards to a different type of nostalgia that extends past that of having fun at the mall, TMBG utilize pop music that was most significant in the 50s and 60s. The instrumentation of "In the Dead Mall" is in a very upbeat style that you were meant to dance all night to. What the Cat Dragged In With a line such as "You just paid to watch the sequel", its obvious that the penultimate track of this record is about corrupt political figures. TMBG point out their criminal actions that they always manage to get away with. In the chorus, they wish the cat just "brought mice", as they are still pests, but definitely better than having these kinds of politicians be elected or reelected. The drums are ignited with a storm of intense anger, just how many people are when they repeatedly see "What the "Cat" Dragged In". They Might Be Feral "They Might Be Feral" starts out solo and acoustic as TMBG criticize the strengthening of the United States borders, preventing immigrants from entering the United States - a country literally built by immigrants. They point this contradiction out, as well as the racist and evil characteristics that pro-ICE Americans have given immigrants, falsely claiming that they are all "criminals" or going to "steal all of their jobs". TMBG insult those who use this violent rhetoric in the alt-rock conclusion of The World Is to Dig . The World Is to Dig is yet another fantastically written and produced project from They Might Be Giants. Each song told either connecting or separate stories with excellent songwriting and well-thought out themes, focusing on either world issues or what stems from how these issues affect those on the other side of them. TMBG are also incredible musicians, utilizing a range of different instruments to get their points across, whether these are found in the lyrics or in the production of the tracks. I have been a fan of the band for a long time, and I am so grateful that myself and all of their many other fans were able to listen to yet another amazing record from amazing artists! "Full Painting: A View of Yosemite Valley after Mary Park Seavey Bolton, circa 1855" Written By Ashley Adams FOLLOW THEY MIGHT BE GIANTS: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Lulu Simon has returned to release her new single, “Happy Again.” When looking at the quiet journey of healing, the journey of healing is not linear. When looking at the different journeys, our realizations that we’ve made it through to the other side is an experience filled with warmth and gratitude, something that “Happy Again” projects onto it’s listeners using both its production and song lyrics. A pop-folk emotional turning-point in Simon’s career, listeners are captured into the world where shimmering production, warm acoustic textures, and Simon’s intimate vocal delivery shine on this masterpiece. When looking at the new beginnings of Simon’s healing journey, it’s clear to see that she’s ready for what this new chapter brings. When listening to “Happy Again,” there’s only one way I could use to describe my emotions when examining the ways in which Simon curates the song: it tugged at my heart strings. “Happy Again” is for listeners who may be on the final journey between learning to love again and the moment Simon experiences—the moment where everything makes sense again. Simon captures the moment perfectly, with upbeat choruses and reflective choruses that echo the non-linear aspect of the journey of healing. Through this deeply personal moment, listeners know that they’re not only connecting with Lulu Simon, the rising singer-songwriter, but Lulu, the person who’s experiencing this journey with them. Lulu Simon is a singer-songwriter, who’s newest single “Happy Again” only adds to her discography full of deeply personal moments between the listeners and Simon. Recently wrapping a West Coast tour supporting Wallace, Simon is prepping for her biggest adventure and career moment yet: her upcoming tour dates supporting Madison Beer, with worldwide dates exposing Simon to new audiences. With this tour marking a new start in Simon’s career, Simon is also preparing a new era in her discography: a new EP is on the way inspired by the world of “Happy Again.” If you’d like to keep up with the release of this new EP or Simon’s tour dates with Madison Beer, listeners can follow her on social media, linked down below. Written By Abby Mornhinweg FOLLOW LULU SIMON: Instagram | Spotify  | TikTok  | Facebook

"Great White" by Kel Adore tells a tale of toxic romance from the perspective of the person causing the fair share of the pain. The treacherous ocean acts as a metaphor for the relationship the speaker brought their partner into, using sharks as a symbol for chaos to represent the danger in their love. The lyrics "I been on a man hunt/Or maybe it’s survival" show painful awareness of the root of the speaker's problem: self-preservation. This immersive track strings together feelings of longing and regret into a resonant message: a relationship is not healthy unless both people feel safe, supported, and strong. The sound of this track comes in waves of emotion, taking listeners into the depth of its meaning with a dark pop blend of acoustic and electronic sound. Luminous layers of string instrumentals open the tune before Kel's soft singing joins the mix. Her fast-paced conversational voicing of the lyrics the verse is peppered with pauses in a way that hits the ear like a hesitant confession. Higher layers of vocals through the pre-chorus and chorus create a calmer attitude of certainty, emulating the goodness in the lyrics' meaning: a resolution to keep their partner safe, even if that means creating distance. Percussion and rock influences ramp up into the second verse like a storm, as the song progresses into a soulful, passionate reflection. Kel Adore is a singer and songwriter who embraces authenticity in her craft. Through honest, storytelling lyricism, her music helps people feel seen and understood. Kel's discography is comprises singles and EPs that take listeners on an emotional journey, touching on themes of relationships and personal growth. She has collaborated with artists like TLUXX , and emulates the Jon Bellion and Julia Michaels in her raw, emotional sound. She has performed at venues like Hotel Ziggy in West Hollywood, and continues to dazzle on stage with her vocal and acoustic guitar talents. Check out the links below to keep up to date with her music. Written By Hanna Kowal FOLLOW KEL: Instagram | Spotify  | TikTok  | Facebook