Search Results

Ki To is back with his brand new single "Don't Come Around." Ki To has talked often about being inspired by films for his music output, and nothing proves this more than "Don't Come Around." "Don't Come Around" is a synth-pop post-break-up anthem about not seeing your partner for good. The single is big, unabashedly heartfelt, and cinematic in every way possible. It feels like the type of track that plays at the end of a coming-of-age movie. The music video, which features Ki To in a high school setting, is wonderfully tongue-in-cheek, capturing that youthful energy the song encapsulates so well. Ki To gave us a perfect summer anthem with "Don't Come Around." Ki To is from San Francisco, which translates entirely in his music. "Don't Come Around" is a vibey song that is as bright and vibrant as the West Coast. It's the type of song that seems low-key on the surface, but is more intricate the more you pay attention. Ki To describes his music as "complex emotions encapsulated." The songwriting of "Don't Come Around" explores the ups and downs of heartbreak and is scored by a perfectly wistful instrumental. The track is the definition of bittersweet. Ki To captures the sadness, yet endless possibilities after a breakup that is a quintessential life experience we all face eventually. "Don't Come Around" is simultaneously fun, emotional, and nostalgic, and showcases Ki To's talents as an artist brilliantly. Ki To began his music career on September 1st, 2022, with his debut single, "Layin." From there, he put out a few singles and played in and out of jazz bars throughout San Fran. In 2023, Ki To released "West," which currently has over 25,000 streams on Spotify alone. Ki To is an artist who values sentimentalness and earnestness in his music. Even the second half of their stage name, "To," is an ode to his mother. Though Ki To only has four singles officially, he is currently working on many more, and if "Don't Come Around" is any sign, it will surely not be missed. You can listen to Ki To's discography, including "Don't Come Around," on streaming services now. Written By Lauren Nolan FOLLOW KI TO: Instagram   | Spotify  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

When you build a strong connection with someone, its hard to imagine that its ever possible for that connection to fade. Sometimes, though, that connection does fade, and that person you knew becomes a stranger. In Lexi Faye's latest single, "Passerby," this sad experience is shown through deeply relatable lyrics. After spending so much time with someone, you eventually learn everything about them. Little details like their favorite movies, foods, or music all can remind you of that person. Cherished moments shared with a person you love, be it platonically or romantically, can become memories. Even once they are no longer physically around, they can still be seen everywhere in different places through the things they liked. In "Passerby" Lexi Faye sings, "Now I'll avoid / Every place and every person that we shared inside this little town / Now and then / I see you on the street / Wish I could forget / All that we couldn't be." The lyrics are memorable because of their vulnerability and relatability, showing how someone can become a stranger that you pass by on the streets despite the history once shared. "Passerby" is a song built around beautiful sounds of an acoustic guitar and a piano. The melodies of the song are delicate, yet vibrant. Each musical note of the background instruments is perfectly placed throughout the song. The music has an emotional sound that supports Lexi Faye's reflective, somber tone. Lexi Faye shows her vocal strength during the entirety of the song. At some moments, she sings softly, while powerfully conveying all the emotions she feels to listeners. At other moments, she hits high notes that further shows the flexibility of her vocals. "Passerby" has slow building moments where the song reaches a peak, showing Lexi Faye's vocals and the sounds of the background instruments meshing together. This pop-ballad song reminds me of Olivia Rodrigo's slower songs like "Driver's License", with honest lyrics, an emotion-filled voice, and a catchy melody with a deeper meaning. "Passerby" feels like a song you'd listen to at night when everything is quiet, but your thoughts are loud. When reflecting on someone who is no longer in your life, "Passerby" would make you feel seen. Lexi Faye is a singer-songwriter from a small town in Colorado. At just 17 years old, she has already made waves in the music industry as a talented singer-songwriter. Lexi discovered her love for songwriting at a young age. Since then, she has poured her heart and soul into creating songs that resonate with her growing audience. In addition to her natural prowess for songwriting, Lexi has showcased her vocal talents at numerous live performances, including a standout moment singing the national anthem at a professional rodeo and during the JUCO World Series. These experiences have honed her skills and ignited her passion for connecting with fans through music. Lexi Faye has several singles released on streaming platforms, and is poised for a breakout year. She recently recorded at Sound Emporium in Nashville, collaborating with the renowned Dean Miller . As she continues to evolve as an artist, Lexi Faye is a name to watch in the music industry. Written By Kyler Griggs FOLLOW LEXI FAYE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Taking on what it truly means to end a relationship, "No More" by Carol Z is a musical exploration of memories and separation. Painting an entrancing picture of what the speaker's relationship looked like, lyrics like "beers in the trunk, lights are on" offer listeners a brief window into the setting of their love story. This track offers a racy and exciting sense of nostalgia with words like "your lips, your gaze, my head between your legs." After setting the scene of romance, the speaker dissects the problems in their relationship with questions like "were the promises never real?" and dismissal of their ex, saying "go enjoy your new life." Inspiring post-breakup confidence and letting people know it's okay to look back fondly at times with someone who has changes, this emotional track encompasses the journey of love and love lost. Ambient layered guitar strumming sets a gently exciting tone for the track before Carol Z's sweet, conversational vocals work softly through the verse. Percussion joins the mix as the singing gains a lower, speak-singing quality that takes on a cool swagger. It embodies the lyrics' intimacy and titillating imagery in its sound. The pre-chorus uses building melismatic vocalizing to invigorate the sound of the song before heavier drums, exciting electric guitar, and boldly projected singing takes over in the chorus. Passion and resolution bleed through the pop-punk sound of this song. Fans of 2000's Avril Lavigne will love this emotional blend of powerful vocals and increasingly rock-centric instrumentals. Coral Z is an indie pop-rock artist based in Cambridge, Boston, and LA. Her talents as a singer and songwriter infuse her music with spirited personal messages and expressive vocal experiences. Her storytelling lyricism takes you into themes of reflection, love, and self-assurance, accompanied by a powerful range of acoustic and electric guitar as well as bold percussion. She puts out music in multiple languages including Mandarin and English, and has a range of vocal styles from blissfully high and airy vocals to speak-singing and powerful vocal projection. Coral Z has performed at events and venues like Strawberry Fair on the Calm Stage , and Queens' College in Cambridge. Check out the links below to keep up to date with her music. Written By Hanna Kowal FOLLOW CORAL: Instagram   | Spotify  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

In the age of social media, it is now easier than ever to become a musical artist and make waves in the music scene. While many artists are drawn to putting out their own music, many decide to sign with an indie record label. Indie record labels are enticing for many artists because it gives you support for your projects but also creative freedoms, such as your release schedule, your branding, your royalty splits, and more. Indie labels provide the balance between self-publishing music, which is often time-heavy, with the rigid structure of being signed to a bigger record label. They’re also great stepping stones into recording contracts with bigger labels in the future. One of the best parts of being signed with an indie label is the close relationships you form with the members on the team. If you’re an artist looking to sign to an indie label, here are some fast facts about the hottest indie record labels right now! Glassnote Records Glassnote Records was founded by CEO David Glass in 2007, hosting predominantly indie rock and alternative rock artists. Currently, Glassnote Records has artists like Mumford and Sons, Phoenix, AURORA, and more. Glassnote has won many awards, such as “Label of the Year’ from A21M Music Awards, “Best Indie Label” from Rolling Stone, and “#1 Independent Label” from Billboard. They established a distribution deal with The Orchard in 2022, replacing their previous deal with Universal Music Group.  Carpark Records Carpark Records is a Washington, D.C based indie record label founded in 1999 by Todd Hyman. Carpark originally focused on more electronic and experimental music, but in recent years have expanded into more pop sounds. Currently, Carpark Records has artists like Madeline Kenney, Phoebe Rings, Ducks Ltd., and more. Carpark also has their own publishing company named Carpark Publishing. More recently, they have expanded with multiple imprint labels and offshoots, such as Wax Nine and Acute Records. Alternative Distribution Alliance is in charge of their distribution. XL Recordings XL Recordings is a British indie record label co-founded by Tim Palmer and Nick Halkes in 1989, but has been run and co-owned by Richard Russel since 1996. XL Recordings is housed under Beggars Group, who also handle the distribution. XL has many artists of all different genres, like Radiohead and M.I.A. Some of their alumni include Adele, Azealia Banks, and Tyler, the Creator. XL has investments and subsidiaries of their own - they hold stakes in Young Recordings, Mowax Labels, and Rough Trade, a music retailer. They are also involved in music publishing, having hands in Beggars Music and 4AD Songs Limited. Ghostly International Ghostly International was founded in 1999 by Samuel Valenti IV in Detroit, Michigan, and its artists find themselves all across the electronic spectrum, including avant-pop and indie rock as well. Since the founding, there have been two sub-labels that have been created - Ghostly and Spectral Sound, the latter more focused on dance music. Ghostly International hosts a lengthy roster, featuring artists such as Matthew Dear, Tycho, and TOBACCO. They joined Secretly Group in 2020 as an affiliate label after many years of partnering with Secretly Distribution.  Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Leaving the comfortable behind is never easy, especially when you don’t know what to expect in the future. That journey is laid out here in Leonie Persch’s new single, “Code Blue”. While the original inspiration of the song is about a burnt out love, over time it became more about outgrowing something you’re still fighting to be in, even though it’s not worth your time. Persch shares that the song “captures the raw, aching moment when something beautiful stops breathing. Whether it’s love, a dream, or a version of yourself”. She also describes it as trading “the familiar and stable for the unknown, burning old maps to draw new ones”. It is both a goodbye and a beginning, an anthem for the ones finding themselves at crossroads yet accepting the pain to move forward. Persch holds listeners hands on the emotional journey through the emotional conclusions of the past, and the path forward. There is a quick entrance to the song, jumping listeners right in. Distant synths are introduced for base, along with a pluck guitar with heavy effect adding to the vibe. The white noise gives an excellent punch as well. The drums keep everything consistent and flowing with her vocals. Her lyrical storytelling is beautiful, painting visuals for listeners. The background vox has a long release time as well, aiding to her vocals. Overall, along with the catchy influence, the song comes together as one beautiful story. Leonie Persch is a German-born singer, songwriter, and entrepreneur based in Los Angeles, California. She had a successful career in Berlin under many stage names, collaborating with labels, publishing deals, and a sync deal with Disney US. She amassed over 70 million streams worldwide. However, Persch wanted to pursue music under her own name, so she moved to Los Angeles to kickstart her own artistic career. Since then, she founded Indie Table LA , a networking organization for independent music artists. She has been nominated for three Hollywood Independent Music Awards: “Best Original Recording” for “Code Blue”, “Best Original Song” for her debut single “Blindfolded”, and “Best Female Vocal”. If you enjoyed this song and want to stay up to date with Leonie Persch, be sure to follow her with the links down below! Written By Nevaeh Scott FOLLOW LEONIE PERSCH: Instagram | Spotify  | TikTok  | YouTube

Raw, emblematic, and illuminating, Lauren Spring offers a steadfast light through her single "Dark On Me." Spring confronts life's hardships, heavy moments, and burdens, reminding audiences that they don't have to bear that weight alone. In lines like "No one would blame you for all that you've been through" and "When it gets too real, don't go dark on me," she uplifts the listener to persist despite life's cruelty. She perfectly captures the value of refusing to abandon one another through the dark times, to be a friend, to be the shoulder someone can rest on. This track is a soul-soothing pick-me-up whose title can read as a soft, yet firm nudge: don't give up. "Dark On Me" is an indie testament to the quiet strength of companionship, imbued with hope and grounded in the reminder that we can overcome anything. An indie gem with a stunningly creative musical arc, "Dark On Me" is a track where instrumental experimentation meets lyrical brilliance. The song's soundscape is rooted in dreaminess and eclecticism, tinged with faint traces of rock and electronic pop. It's powered by Spring's ethereal, airy vocals, which carry a mix of grace, resolve, and passion that mirrors her message. The verses float gently, then, entering the chorus, the background morphs into a groovy, hip-hop-inspired beat more subtle than full trap or techno, but with enough rhythm to make a statement. These influences give the song a nice dynamic lift, adding layers of dimension and texture to its fever-dream atmosphere. Fusing together so many styles and executing them with finesse, Spring's "Dark On Me" is an unforgettable anthem. Lauren Spring is an indie singer-songwriter with rare versatility. The Florida native signed to Saint In The City Records in 2021, earning herself a spot on Apple Music's New Americana playlist. Having surpassed seven million streams on Spotify with her solo projects, Spring has created a name for herself and amassed a dedicated following. With standout tracks like "I Remember You," "Make It Look Easy," and "Where You Belong," Spring's growing discography showcases her incredible artistry and emotional depth. She is also a proud member of a two-time IMA Song of the Year-winning group called The Krickets , whose music has earned national acclaim. Delivering songs that are both one-of-a-kind and universal, Spring's talents resonate across a multitude of audiences. For more updates on her releases, stay tuned and follow her socials down below! Written By Pejah Carr FOLLOW LAUREN: Instagram | Spotify   | Facebook  | YouTube

Peer through a musical telescope into a world of resonation and edge with “Cool Around You” from artist Idarose. A song that builds upon itself, Idarose has channeled her all into “Cool Around You”. This is a song that takes personal experience seemingly straight from a diary and right into listeners’ arms, giving the telling of an authentic experience & feelings that aren’t masked by sound or lyrics. “Cool Around You” takes the bottled up, difficult-to-discuss emotions that people often feel around their crush but are too worried over to show, and instead releases them through song. This track emphasizes the fluttery, nerve-wracking feelings brought on by having a crush and emphasizes details on how the world both expands & shrinks as these feelings continue to grow. Idarose cleverly gives listeners insight to her personal life, yet additionally appears to provide a mirror back for reflection purposes, providing a well-rounded listening experience. Although in essence, it is apparent that the goal of “Cool Around You” is to dive into every aspect of the “crush experience” while having fun with it. Idarose implements details of settings like a late night in the pouring rain, taking her fresh & energetic feelings and providing visual connections & descriptions that draw listeners to her work both physically and emotionally. As you listen further to “Cool Around You”, you feel as though you’ve been transported to a world that’s all too familiar. The electronic, ever-changing beat seems to replicate the fluctuating and confusing feelings that come with having a new crush. While Idarose experiences feelings like her heart “beating out of her chest”, she additionally discusses scenes such as her spilling a drink across the chest of her crush. It’s refreshing to hear all perspectives, both the confusing and thrilling, and that she is ultimately just human – like everyone else. Although not present for every romantic connection, there is a consistent socially structured pressure for most people with a crush to remain composed and not do “too much” around their crush. “Cool Around You” is an upbeat, fun reminder that any feelings about a crush are understandable, that it’s good to not bottle these feelings up, and ultimately to let loose. Idarose is a singer, songwriter, and producer based in New York City, New York and Los Angeles, California. Born and raised in South Florida, Idarose attended the Frost School of Music at the University of Miami and studied songwriting, film scoring, and production. Upon being selected to attend the Johnny Mercer Songwriters Project at Northwestern University in 2016, she went on to receive her master’s degree in writing and design for musical theater from Berklee College of Music in New York City. Since leaving college and kickstarting her career, Idarose quickly caught attention with her single “When I Don’t Have You”, which generated over 1 million views on TikTok. Acting as a songwriter and producer, she has co-written songs for artists like Joji, Kelly Clarkson, Suki Waterhouse, etc., as well as written and produced 5/6 of the songs on Smile 2: The Skye Riley EP from 2024’s Smile 2.  In addition to her work in film, Idarose is currently in the writing and development stages of working on multiple stage musicals. On top of writing and producing for others, Idarose’s integrity and talent to write, produce, record, and mix for her own music shows that she is a musical power to keep an eye out for. Written By Madison Spies FOLLOW IDAROSE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Photography: Emily Oreste Creative Input: Sabra Binder Shoes: Jeffrey Campbell “Spellbound” is the newest single from Ha Vay , a song about being confident in the security of your relationship. Ha Vay knows that she doesn’t have to worry about losing her significant other because she feels like she has made them “spellbound” - unable to want to leave her. Ha Vay is self-assured and says that she has “him wrapped around [her] finger”. She implements different similes and metaphors to put emphasis on the overall theme of “Spellbound”, such as “Need me like the air you breathe” and “I’ll be your endless summer day”. As the sole songwriter of the single, “Spellbound” is another showcase of her incredible songwriting skills, like all of her other songs. Ha Vay’s deep, low octave vocals pair perfectly with the upbeat, summery strumming of a guitar and drum beat. The song radiates pure nostalgia, as the production is very 90s-esque, as well as with Ha Vay’s singing voice being distinct in this period of time that many 90s artists could relate to. The overall sound of “Spellbound” is very ethereal, and Ha Vay’s harmonies sound as though she is casting a spell on you, which the song’s title implies. The genre is a combination of easy listening, pop, and alternative, making the song very original and unique. Another cool feature is that during the bridge, the drums momentarily disappear, then come back in full force for the remainder of the song. Ha Vay is a multi-talented music artist based in California and is from San Francisco. She began her music career in May 2023 with the release of her debut EP Avalanches and Unfamiliar Ways to Die . In June 2024, she released her debut album Baby I’m the Wolf . She has also released other amazing music as well, including her May 2025 single “Blush”. Ha Vay is impeccable at worldbuilding and maintaining different aesthetics for all of her musical projects. Whether it’s based on characters from Greek mythology or Shakespearean poetry, she can do so effortlessly, with an established signature sound all throughout. Ha Vay is an incredible and amazing artist! Written By Ashley Adams FOLLOW HA VAY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Dalzell's dazzling, velvet voice wields the weight of heavy emotion s in her new single "Go The Distance." The song details the intimate and painful unraveling of a long-distance relationship. Dalzell sings directly to her ex-lover, "I don't want to think about what could have been. Late at night, you're the only one that I'm missing...I really thought that you and me would go the distance." Reflecting on memories in the relationship, Dalzell's lyrics reveal she feels naive to have believed the two would continue to have one another. The soulful song moves through anger, denial, sadness, and nostalgia, accurately portraying the abstractness of post-break-up emotion. Only the first single to be publicly released from Dalzell, "Go The Distance" is sure to connect with listeners who feel the song's authenticity to its core. Dreamy, ambient percussion and keys set the stage for Dalzell's truly decadent vocals. The singer's range is displayed evidently through the vocal stacking of the song's chorus. Exhibiting control over her pitches, Dalzell effortlessly changes registers to and from a rich, lower sound to warm, higher notes. Dalzell herself describes the sound to be, " intimate and cinematic, like the kind of song you’d hear driving home at night after saying something you can’t take back." The slow, stretched tempo, in addition to the song's airy synth instrumentals, mirrors Dalzel's description that "Go The Distance" is about "trying to hold on when everything’s pulling you apart..." Chloe Dalzell is a 20-year-old s inger-songwriter from California, now based in New York City, where she attends New York University. She started writing songs at just eight years old and hasn't stopped since. Writing from personal emotion, her low, sultry voice captivates listeners. Drawing inspiration from a variety of artists across more than just the pop scene, Dalzell names Dua Lipa, Thundercat, and Lana Del Rey as a few of her influences. Her recently released debut single, “Go the Distance,” marks the start of her journey as an artist. With more songs on the way, this is just the beginning of what Chloe Dalzell is going to offer the world through her blend of intimate yet universal emotion and a delicate, haunting soundscape. Written By Azalea Withrow FOLLOW CHLOE DALZELL: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Have you ever known a person who did you wrong time and time again, but they’ll constantly paint you as the villain in their story? If you have, then Amy Pinkus has the perfect song for you to find the carefree state of mind and consider them forgotten. Her new single “Everything We Never Had” is all about someone running their mouth and her not giving them the time of day. It’s a pop anthem with bright guitar, fun synths and snappy beats. Amy’s harmonies are angelic and the melody finds its way in your head after just one listen. This single is exactly what you need to leave toxicity behind and keep walking towards the sun up ahead. After all, ignoring the lies they keep spitting is the best revenge. “Everything We Never Had” paints a picture of messy endings and conflicting sides. Amy stated that she originally wrote this song as a joke and never intended to release it, but it was too fun not to share. I’m sure anyone who has listened is insanely grateful it came to light because it’s the relatable bop we all need. We’ve all dealt with fallouts in relationships whether it was romantic or platonic. It can get messy when someone trashes your character just so they can sleep at night, convinced they were a saint by anyone who listened. “Attention, you’d do anything for it.” One thing I’ve learned from people like this is that it will always catch up to them. There’s no need to sulk and get caught up trying to prove them wrong. The truth will always come out in time, so don’t waste yours. “I can’t be bothered no more, with you and all the nonsense.” Amy Pinkus is an indie-pop singer songwriter from Toronto, Ontario. She was immersed in music her entire life and began writing her own music by the age of six. Her music has become known for her heartfelt lyrics and smooth layered harmonies. While Amy has been writing since she was a kid, she officially made her debut with her single “How’s Your New Wife?” earlier this year. After many covers shared on instagram, she is finally bringing all her talent to the table. Since her debut she has added four other tracks to her discography and I have no doubt it will continue to grow before this year ends. Amy may only be fresh out the gate with her original work, but she’s already a force. Check out the links below to witness her incredible artistry. Written By Emylee Herring FOLLOW AMY PINKUS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

In my opinion, we don't have enough songs that makes us feel nostalgic. One little glimpse of how powerful these songs can be for us as people is "Back To The Beginning" by Djo and Dani Stacy has brought us the next one. "When The Sun Hit Different" isn't written to encourage all of us to reach back into our roots but instead is written so personally, so specifically, that it seems so close to Dani. A good writer has a way of writing something that is something that they need to hear but at the same time speaks to the general public which is exactly what we have here with this new song. The song immediately jumps into a nostalgic vibe at the beginning with the sounds of the music warping. This gave me the same feeling of when I see someone in a show or movie thinking back to a memory. It's almost as if the present day is fading away and we're being transported into the past to relive what we went through at our best times. The lyrics in this song are truly what make it really special. In the first verse of the song, listeners are able to grasp the point of the song with the simplicity of when Dani mentions how they stop "For a Arizona tea." The second I heard this, I was immediately thrown back to my early high school days escaping with a couple of friends to a gas station or grocery store to grab something before the long day ahead. Another great line that I really loved was in the bridge, "I kind of miss it, when songs were longer than a minute." This line hit hard since it feels that we're cheapening music by shortening our songs. It feels almost like every musician is making singles versus thought out albums. The idea of "when the sun hit different" really hits on the nose. There's something so specific about that feeling in particular that Dani does an amazing job capturing. Dani Stacy is a singer-songwriter based in Nashville. They bring a unique blend of pop, R&B with a sprinkle of country to create a sound that is unique to their own voice. Dani made their national debut on The Voice performing a stripped down version of "I Will Survive" to which promted a four-chair turn round launching their music career. With now over 1.4 million streams across multiple platforms as well as building a following of 53K+ followers on social media, Dani is getting the recognition they deserve. Dani's writing centers around storytelling that move audiences emotionally. When they're not making music, they're searching for their next great story to tell. Written By Breanna M. FOLLOW DANI STACY: Instagram | Spotify  | Website  | YouTube

*BITE ME by Reneé Rapp via reneerapp.com Reneé Rapp is a force to be reckoned with. Her brutally honest lyrics and authentic personality make her stand out in the pop music scene. Her latest album, BITE ME , encapsulates the singer’s raw and vulnerable self while showcasing her unmistakable talent. From the cheeky lead single, “Leave Me Alone,” to the powerful ballad, “Sometimes”, the singer is undoubtedly one of the best modern performers. The twelve new songs give listeners a glimpse into her journey since the release of her debut album, Snow Angel . TRACKLIST Leave Me Alone Mad Why Is She Still Here? Sometimes Kiss It Kiss It Good Girl I Can't Have You Around Me Anymore Shy At Least I'm Hot I Think I Like You Better When You're Gone That's So Funny You'd Like That Wouldn't You Leave Me Alone “Leave Me Alone” is a powerful statement about Rapp’s carefree attitude and desire to live life on her own terms. She doesn’t want to listen to anyone and only wants to do what makes her happy. This is something that makes fans, as well as people who don’t even know who she is but happen to come across her interviews, absolutely adore her. She isn’t afraid to speak her mind and be her honest self. While the song has several tongue-in-cheek lyrics, such as "Manager called me said ‘where’s the single?" and "Party in the hills people tryna talk business // Leave me alone, bitch, I wanna have fun," my favorite line is at the end of the second verse. Rapp proudly says, “Took my sex life with me now the show ain’t fucking!” This directly references the show, The Sex Life of College Girls , which many people say went downhill after she exited the show to pursue her music career. While it is unclear if Rapp agrees with this statement, her including it in the song is a callout to everyone angry at her for following her dreams, leaving the show in the past. She is tired of everyone’s loud opinions and expectations. She just wants to be left alone. Mad The sophomore single, “Mad,” is an electrifying pop anthem about wanting to make up after a fight, but her partner refuses to accept her apology. She has done everything — “not a sorry in a world [she] ain’t already said.” However, her partner won’t let her back in. Rapp reduces it to the fact that they enjoy  being mad at her, and it’s their own problem because they could’ve been “having sex” and could’ve been “cute and stupid.” She switches it up in the last chorus, where she accuses her partner of “fucking with [her] head.” She’s exhausted with this and has decided to give up. Her lyrics resonate with listeners who have experienced having someone refuse to accept a sincere apology for the sake of feeling superior and in control. Alongside the infectious production and clever hook, “Mad” is a perfect pop song. Why Is She Still Here? The third and final single before BITE ME ’s release is the emotional ballad, “Why Is She Still Here?” The song contains a bluesy, R&B-influenced soundscape that complements Rapp’s powerful vocals. Throughout the track, she pleads to her partner to either let her go or let the other woman go. They are stringing her along, putting the singer through this toxic push-and-pull. The frustration and desperation are evident through Rapp’s passionate vocals and anger-filled lyrics. She hates being treated as a second choice, but can’t seem to let go of them herself. “Why Is She Still Here?” being BITE ME’s lead ballad ingeniously prepped the audience for the remainder of the album.  Sometimes Rapp immediately kicks off the new songs with “Sometimes,” which instantly rips the listener to shreds. It is the direct follow-up to the last song, “Why Is She Still Here?” The piano ballad is about this push-and-pull described previously. However, while the third song shows more of the singer’s frustration, “Sometimes” shows more of her devastation. In the chorus, she delivers the heart-wrenching lyrics: “If I can’t have you, then let me find someone else // I’m tired of being a good time // It’s killing me having you sometimes// If you still want her, then leave me here by myself // I know what I said, but it’s not fine.” Her stunning vocals plead with her subject to stop stringing her along and cut her loose, so she can move on with someone else – someone who will treat her as more than a body. With Rapp’s flawless falsettos and vulnerable songwriting, “Sometimes” instantly became a top favorite of mine. Kiss It Kiss It Rapp brings back the energy with the sensual pop anthem, “Kiss It Kiss It.” The song explores moments of sexual intimacy with her partner. The couple is so in sync, spending all their time tangled up with each other. In the classic Reneé Rapp fashion, the track is filled with comedic, out-of-pocket lines such as “She asked me how I liked my breakfast // I told her, ‘Hot on the bedroom floor’” and “I think we almost made a baby // I mean, we can’t, but we came so close.” These lines are not only naturally cheeky but also highlight the couple’s fiery passion and chemistry. Alongside the steamy lyrics, the track contains an undeniably infectious soundscape complete with a bouncy bassline and catchy drums. Just like “Sometimes,” “Kiss It Kiss It” was an immediate Rapp favorite. Good Girl In “Good Girl,” Rapp shares the story of her life being turned completely upside down when her muse came into her life. The moody, electrifying track describes how the singer was once a good girl – “Sunsets and yoga // Safe sex and no drugs.” That is, until they showed up. Now, she is a wild child, staying up late and "disappointing her father." The entire song feels like an extension of the very first line in “Leave Me Alone.” In the lead single, she sings, “I’m a real bad girl but a real good kisser.” This direct reference provides even more context to both songs, telling people to leave her alone because she wants to have fun with this new woman. With the synth-heavy, 80s pop-inspired soundscape, "Good Girl" is an unforgettable anthem that will be a standout on tour. I Can't Have You Around Me Anymore The album’s tone strips back down to the guitar-led ballad, “I Can’t Have You Around Me Anymore.” The song shares Rapp’s internal conflict of falling in love with a friend and not knowing how they feel about her. The singer has a girlfriend at home, and it is causing fights because it is obvious that Rapp has feelings for this new person. Her soft, subtle voice, which is usually powerful and confident, displays her guilt and sorrow. She pines for this person but does not know what to do. In the end, she tells her muse that she can no longer have them around because the pain has become unbearable. She would rather be unhappy in her current relationship than risk it all for the unknown – or break her current partner’s heart. The soft, acoustic soundscape complements the vulnerability and complexity of the lyrics. Shy “Shy” contains a 2000s pop-rock vibe that would perfectly fit on the soundtrack of a cult classic romcom. When speaking in an interview, Rapp confessed that the song is about how she felt “smitten and nervous” around her current girlfriend, Towa Bird, who was the muse for most of BITE ME. The infectious song begins with her admitting how this is not usually how she reacts: “It’s hard to make me nervous // Much easier to piss me off,” immediately following up with “But whenever you’re around, babe // I kiss the ground you’re walkin’ on.” Throughout the track, she tries to explain to her girlfriend not to be gentle with her because her timidness is not from being sexually reserved but from being so head over heels that she doesn’t know how to act. However, in the bridge, she completely switches the tune to bold lyrics, symbolizing the singer coming out of her shell and embracing her nerves. At Least I'm Hot Once again, Rapp has blessed her listeners with a flawless, tongue-in-cheek anthem that pokes fun at herself while remaining relatable to her audience. “At Least I’m Hot” is about how Rapp’s life is falling apart; she is depressed, and everything is overwhelming her. But it’s okay, because at least she is hot. The bridge contains my favorite lyrics, as it continues the 2000s pop-rock vibe while also featuring comedic lyrics: “I don’t know if you’re new ‘round here // But let me make this crystal clear // I might be down but I’m still bad.” Rapp cleverly utilizes this common pop culture slang, but twists it to fit the “depressed but hot” narrative. “At Least I’m Hot” instantly became one of my favorite songs on BITE ME  due to its ingenuity and humorous nature. I Think I Like You Better When You're Gone “I Think I Like You Better When You’re Gone” was the one song on the album where the title was completely misleading. I was expecting an anger-fueled anthem, but instead, I was met with an absolutely devastating break-up ballad. The acoustic R&B-style song is about her ex-girlfriend from the perspective of when they were still together. She kicks off the track with the chorus: “I know that I’m supposed to miss you and wish that you were here // But the more I drink, the more I think you might just disappear // I got a funny feeling, funny feeling something’s wrong // I think I like you better // I think I like you better when you’re–.” Before she can finish the hook, she immediately switches to the first verse, but it might as well be the same, as she tells her subject, “Out of sight, out of mind.” She explains that she is happier when she is not around, dreads her return, and knows that this relationship is doomed. Leading into the second verse, she does the same hook cut-off, with the lyrics “I think I like you better when you’re – Across the fucking country.” The lyrics are heart-wrenching, emphasized by the guilt and sorrow dripping in Rapp’s voice. The vulnerability and honesty she displays, as well as her incredible vocal range, make the song one of my favorites in her entire discography. That's So Funny “That’s So Funny” is another sarcastic track that I couldn’t help but think is the moody follow-up to “Poison Poison” off Snow Angel . The song calls out the unnamed subject for doing Rapp dirty and painting her in a negative light. Similarly to “Leave Me Alone,” she also references The Sex Lives of College Girls.  In the second verse, she sings: “But here comes the spoiler// The show’s really over // If you’re looking for closure // You got a better shot with God than you do with me.” After Rapp left the series, the show was generally not well-received and subsequently canceled. Her clever references that tie to other songs are what make the singer one of my favorite songwriters. She is a genius wordsmith who is a true triple threat: singer, songwriter, and actress – A well-rounded talent that deserves to have a bigger name in the industry. You'd Like That Wouldn't You Rapp ends the album with a bang. “You’d Like That Wouldn’t You” is my favorite song on BITE ME . It contains all my favorite elements: Rapp’s witty sarcasm, an infectious soundscape, and her insane vocal range that made me fall in love with her when I first heard Snow Angel. The song is a feisty anthem toward her ex-girlfriend, predicting all the things that she wants from Rapp, such as begging for her to take her back, never finding love again, and crashing her wedding when the officiant says, “speak now.” Dripping in sass, she asks her ex: “You’d like that, wouldn’t you?” Rapp’s quick tongue and ability to leave audiences in shock with her bluntness are why so many people are lured to the artist (media training, who?). She is authentically her, and with the final track, she is staring her ex directly in the eye, saying, “BITE ME.” BITE ME  by Reneé Rapp is a flawless twelve-track album consisting of powerful ballads, sassy lyrics, and stunning vocals. Her previous album, Snow Angel , is one of my favorite records of all time, so I had high expectations for the new project. Rapp did not disappoint, giving fans a skipless album that shows her versatile talent. After the release of this project, I am only more excited to attend the BITE ME   Tour in Los Angeles. Click here to see if she is coming to a city near you and follow her on all social media for any upcoming announcements. Also, make sure to listen to the live versions of five BITE ME  tracks, which were released shortly after the album. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.