Search Results

Photo credits: BBC An infamous segment on the British radio station BBC Radio 1, the Live Lounge has become known as a space where artists deliver incredible performances of other artists' songs. There have been hundreds of these performances to date, giving BBC Radio 1 a lengthy playlist of over 900 covers on YouTube. Given that there are so many wonderful covers featuring artists from Hozier to Dua Lipa to Khalid, it was difficult to narrow down our favorites to just 10. Despite the tough decision process, we're giving you a snapshot into some of the best performances you can listen to from some of your favorite artists. These picks aren't in any particular order as they're all spectacular, but without further ado, enjoy our favorites in this Top 10 Best BBC Radio 1 Live Lounge Covers. 10. Bring Me The Horizon - "when the party's over" Dipping their toes into recent pop hits, Bring Me The Horizon delivered a tender, heartfelt rendition of Billie Eilish's "when the party's over." The track was released in October of 2018 as the second single from Eilish's debut studio album, later being covered by Bring Me The Horizon in January 2019. The British rock band shows their soft side, keeping things simple and haunting with lush vocal melodies and harmonies accompanied by delicate acoustic guitar lines. 9. Teddy Swims - "Cruel Summer" Putting a new spin on a hit single, Teddy Swims reinvented Taylor Swift's "Cruel Summer" last year. The track is originally from Swift's seventh studio album, Lover (2019), and is a catchy blend of synth-pop, electropop, and industrial pop. Teddy Swims masterfully took the song in a new direction, turning the track into a soulful, mid-tempo ballad. The indie-pop artist gives his all during this Live Lounge performance, belting out the track's infamous melodies with his powerhouse R&B vocals. 8. Khalid - "Fast Car" While there have been many covers of this popular '80s hit, Khalid's version of Tracy Chapman's "Fast Car" stands out. Khalid's vocals are enchanting on this cover, sometimes even sounding like Tracy Chapman herself. The track is a fully acoustic version of the folk-pop/soft rock song, creating an intimate, heartfelt sonic atmosphere that's easy to lose yourself in. 7. Miley Cyrus - "Summertime Sadness" One of the most perfect covers, Miley Cyrus' take on Lana Del Rey's "Summertime Sadness" is one for the ages. The iconic pop ballad was originally released by Lana Del Rey in 2012, serving as the fourth single of her second studio album, Born To Die . Cyrus covered it a year later in 2013, performing a beautiful, captivating acoustic version of the song with her smokey, powerhouse vocals. 6. Bruno Mars - "All I Ask" Showing off his vocal prowess, Bruno Mars' version of Adele's "All I Ask" is one of the most stunning covers on BBC Radio 1's Live Lounge. The track was originally released by Adele in 2015 on her third studio album, 25 , later being covered by Mars in 2016. The choice for the pop artist to cover this song is no surprise as he helped write it, but his version is certainly iconic. Mars brings his signature soulful vocals to the track, letting the melodies soar over his talented band's tender accompaniment. 5. Olivia Rodrigo - "Stick Season" Helping launch the song into international success, Olivia Rodrigo's version of Noah Kahan's "Stick Season" quickly became a fan-favorite and internet sensation. The track was originally released by Kahan in 2022 as the lead single for his third studio album of the same name, later being covered by Rodrigo in 2023. After her cover aired, "Stick Season" went viral on TikTok and charted internationally in countries like Australia, Belgium, the UK, Canada, and the US. 4. Nothing But Thieves - "Wings" Adding a heavier flair to Birdy's tender pop ballad, Nothing But Thieves reimagined "Wings" in their BBC Radio 1 Live Lounge cover. The track was originally released by Birdy in 2013, serving as the lead single from her second studio album, Fire Within . Nothing But Thieves covered the song two years later in 2015 and is one of many appearances the band has had on the British radio station. Staying true to their signature sound, Nothing But Thieves brings the heat on this cover with powerful guitar riffs, pulse pounding drums, and Conor Mason's fierce, passionate vocals. 3. Dua Lipa - "Do I Wanna Know?" Sultry and sexy, Dua Lipa does not disappoint with her cover of Arctic Monkeys' "Do I Wanna Know?." The English-Albanian pop artist reimagines the heavy-hitting indie-rock hit, turning the track into a haunting piano-laden ballad. Dua Lipa's seductive vocal performance is a captivating one listeners aren't soon to forget, showcasing the versatility of her voice and ability to seamlessly cross genres. 2. Hozier - "Problem" Dipping his toes into mainstream pop, Hozier makes a bold yet satisfying choice to cover Ariana Grande's "Problem." The track featuring Iggy Azalea was originally released in 2014 and was later covered by Hozier in 2015. Deviating from the song's dance-pop composition, the Irish singer-songwriter reimagined the hit song into a mix of folk-rock and pop-rock, staying true to that signature Hozier sound. 1. Demi Lovato - "Take Me To Church" Be prepared to have goosebumps listening to Demi Lovato's cover of "Take Me To Church" by Hozier. The American singer-songwriter bravely takes on Hozier's mighty gospel-pop ballad, delivering her own astonishing acoustic cover. Lovato's powerhouse voice shines on this track, proving again and again that she's an absolute force to be reckoned with in the pop industry. Do you have any favorite BBC Radio 1 Lounge Live covers? Did you hear any in this list you love? Let us know on our socials! Written By Cheyenne Johnson Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"Selfish - Remix" by Daniel Arison and Leah Kate is nothing short of a masterpiece. We live in an era of music that takes lyrics that seem aesthetically pleasing and are vague enough to reach the masses, but we're missing the element of true human connection. We're missing lyrics that are written for human hearts and human emotions. This song is bringing us back to that feeling of an artist reaching out their experiences to listeners as a way of saying, "I see you and I've been there too." A perfect pop song with an upbeat tempo with lyrics as openly vulnerable as they can get, "Selfish" is going to be my song of the summer. The song takes a slow, gradual start - and for good reason. The second the song starts, the vocals seem like a stream of consciousness about a break-up and sort of the aftermath of what happens to us. What's important to note about this song is the idea of someone actually taking notes from their partner about what their partner may have said in a heated moment. The acknowledgment of "maybe you're right," which is a lyric in the chorus, sums up this theme for us while giving us other ideas that support the other person in this conversation. Daniel Arison is a singer-songwriter who blends the alt-rock and pop genres with introspective lyrics to create his iconic soundscape. Music has played a pivotal part in his life since a young age. His environment growing up nurtured and encouraged creativity and self-expression, turning him into the artist he is today. Leah Kate is an alt-rock and pop singer-songwriter who blew into stardom with her viral hit, "10 Things I Hate About You." She has over 1 million monthly listeners on Spotify with nearly 300 million streams on her iconic single. Similar to Daniel, music has been integrated into who she is as a person and an artist since her childhood. Follow both artists to stay up to date with new releases and announcements! Written By Breanna M. & Karlee Skipper FOLLOW DANIEL: Instagram | Spotify  | TikTok  | YouTube FOLLOW LEAH: Instagram   | Spotify  | TikTok  | Facebook  | YouTube

Songbird hits us with her new, shark-infested single "Dry Land," a summertime bop about finding a semblance of peace in a sea of chaos. The central theme of this track revolves around the shark as a metaphor for the literal and figurative "demons" in our lives, our hardships, failed relationships, and the overwhelming weight of negativity. The lyrics, "I'm treading water full of sharks and I can't stand / Always looking for a little bit of dry land," show that in spite of everything trying to weigh her down, Songbird refuses to drown. She fights to stay afloat and reach a sense of inner peace. "Dry Land" is about finding your footing when you're right on the edge of breaking down. This song is for anyone who feels lost in their search for relief; it is a truly powerful piece whose meaning and lyrics shift depending on the listener. Songbird creates something compelling, raw and rich by building intense yearning to be free from her struggles. "Dry Land" throws us a life vest and offers a way out of our own troubled waters.  From the catchy melody to the emotional message to the beautiful delivery, "Dry Land" has so much to offer. The sentimental piano paired with Songbird's velvety, low-range vocals creates a captivating introduction to this emotional piece. Songbird puts her range on display here, delivering a really nice balance between her chest and head voices and giving the track texture and variety. When the production builds with more bass and percussion, the chorus feels full and resolved, willing us to get up and dance. As Songbird pours her heart into this section, effortlessly flipping into her ethereal falsetto, she guides us into an evocative bridge section. The song reaches its emotional peak here. She builds intensity slowly, layers harmonies, and strips the instrumentation down to just the piano, isolating her voice and drawing the listener inward. Overall, "Dry Land" is a deeply moving piece that holds a tight grip on its listeners from beginning to end. 25-year-old Songbird is a rising pop artist based in Brick, New Jersey. Initially establishing herself as a powerful live vocalist across venues, the eager singer-songwriter has since expanded her sound, putting a unique spin on the indie and dance-pop genres. In addition to her most recent showstopper, "Dry Land," her other standout tracks include "Act Your Age," "Stubborn," and "Ice Cream Cake," all great demonstrations of her vocal depth and artistry. With influences like Adele , Lana Del Rey , and Sara Bareillles in her corner, Songbird has curated her own distinct sound with a blend of soul, R&B, and indie. Be sure to follow her socials and stay up to date on future releases. Stay tuned! Written By Pejah Carr FOLLOW DRY LAND: Instagram | Spotify | Facebook  | YouTube

With a fiery drive, Glass Rumours new release "Still Dancing Tonight" ignites you with passion as you scream along to the pop-rock anthem. "Still Dancing Tonight" infects you with an uplifting feeling of pleasure and joy to the power of music and how it can light you up. The song immediately holds you captive and transports listeners away from moments of misery straight to deploy you on the dance floor. Glass Rumors has the talent to take the sounds of classic rock and shape it to be something new and refreshing. With thrilling guitars and dynamic vocals, Glass Rumours makes an impact with "Still Dancing Tonight" as it serves as an influential chant that creates a sense of empowerment for its listeners. "Still Dancing Tonight" focuses on the pain of mundane life, and how all of the difficulties of staying alive may strain us thin, but the remedy can always be found just in time to save us. The power of song and dance is so well praised on this track and the classic rock influence we hear on "Still Dancing Tonight" highlights with its nostalgia how music has nursed us for so long. The vocals on this track really bring so much fire to this performance as lead singer Gemma has such a timeless voice. Equally it should be noted that guitarist Paul gives an exciting performance on "Still Dancing Tonight" as the guitars on this track are so stellar.  While Glass Rumours really expands on what makes them a talented band with "Still Dancing Tonight," it's important to note how necessary the commentary on this track is. During our darkest times we have to find ways to stay uplifted and make every moment of pure bliss a moment that is unforgettable, and this is the exact message Glass Rumours plants into their audience. Glass Rumours comes to us from London, and consists of vocalist Gemma and guitarist Paul. "Still Dancing Tonight" is the first release of the bands "Tsunami Release" which consists of songs and videos they've been working on for the past two years that will finally be released over a ten week period. On this track we also have the talents of Timothy William who produced and co-wrote the song. Additionally, it is important to note that vocals were recorded on a cruise ship by Gemma herself. Knowing that the upcoming releases for Glass Rumours has been a longtime project really grows curiosity as so much has been devoted to these songs and it certainly keeps audiences on their toes. "Still Dancing Tonight" is a great way to introduce this new era for the band as it's an instant classic that reminds us how to find joy in our simple lives. Written By Chantal Charles FOLLOW GLASS RUMOURS: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

With a catchy chorus and pop-rock vibes, CHAI’s “Changes” delivers a relatable message with a sense of artful defiance. Sentimental lyrics reflect on CHAI’s experience with those who can’t handle change, or her growth as a person. All she does is “ watch you drown ” and she’s always “ let down ”, prompting the topic of the song: change as a solution. She builds herself up with “ nobody’s help ” and tragically sings “ I’m all good by myself ”. The chorus is triumphant and one-sided, with “ changes, I make them/ but you can’t seem to face it, ” calling out those who negate positive, necessary change. CHAI’s voice is smooth and acute, gracing each measure with a surreal sound. Altogether, this track offers a lesson dipped into a steady soundscape. CHAI’s intro is a layered masterpiece of electric strings that compliment her suede vocals. The beat resembles rock genres in a way that interacts with pop techniques. The tone setting of the guitar might contribute to this sound, alongside rhythmic precision and production. The pattern and structure of the track is thoughtful and effective with dramatic pauses, uplifting acceleration, and slowed emphasis. The ending reiteration of the delayed chorus works to leave an impression, and succeeds. Punk belts nearing the end of the track re-energize the listener before closing with another assertion of “ I’m all good by myself ,” which serves as the conclusion to her emotional song.  At 24 years old, CHAI sings and writes songs in Toronto. She’s inspired by Dolly Parton ’s storytelling and Michael Jackson’s style, all while acknowledging 2000’s pop-rock through her nostalgic sound. She bridges genres with facility given her vocal and instrumental range. Having written songs for artists under Grammy-nominated producer Roy Hamilton, more listeners are learning about CHAI. In addition to this, she has published a book of lyrical poetry called “Songs Scrapped”, which communicates her journey as an artist. She’s toured with DREAMMORE STUDIO in Canada, and has a developing reach around the world. I can’t wait to see what CHAI does next! Visit her socials linked below for more information. Written By Hanna Hathaway FOLLOW CHAI: Instagram | Spotify  | TikTok

In a collaboration between Maryon King and Emily Vaughn, “Maniac” goes through the motions of falling too hard for a partner. Whether it’d be relentlessly texting or thinking about getting their name tattooed on your inner thigh, spiraling in the name of love is what this song is all about. A fun take on the recent rise of unhinged anthems about being obsessed with lovers, King and Vaughn take this synth-infused anthem and work it into a song made for car rides with the windows rolled down. Self-aware and witty, Vaughn and King play into the stereotype with light-heartedness and cheeky lyrics. A song made for the summer, King and Vaughn have definitely cracked the code. “ "Maniac” is an overall funny song, with lyrics that will make listeners crack up and want to sing along, but be relatable all at the same time. Whether it’d be three days or two weeks, everyone has gotten obsessed with someone too quickly, and King and Vaughn hit this song with not only stellar lyrics, but stellar vocals as well. Both King and Vaughn bring their A-game when it comes to their respective verses, and on the chorus their voices blend together harmoniously. The instrumentation creates a seamless mixture for “Maniac,” with the synths and bass line having a catchy beat without overpowering the vocals. Overall, “Maniac” is a fun-loving, addicting song listeners will have on repeat this summer. Maryon King and Emily Vaughn are both singer-songwriters based out of Los Angeles. Both are powerhouse songwriters, with King writing for Tiesto, Afrojack, and Martin Jensen while Vaughn has worked with GOT7’s Bambam, Netta, and Party Favor. With songwriting being a strong background for each, it’s no wonder why “Maniac” is so catchy to begin with. With both King and Vaughn having a combined monthly listener count of over 500,000, listeners are eagerly awaiting more from each artist, whether it’d be another collaboration or a solo project. You can keep up with both Maryon King and Emily Vaughn’s new releases on their various social media pages, each linked down below.  Written By Abby Mornhinweg FOLLOW MARYON KING: Instagram | Spotify FOLLOW EMILY VAUGHN: Instagram   | Spotify

While going out and having fun is a blast sometimes it’s not always what everyone wants to do. There will be many friends in life who love to do things that you may not want to do. You and your friends can be so different from the way you express yourself in style to hobbies right down to how you spend your free time. There will be hundreds of parties being attended and while you may not go to all of them getting an invite and being recognized goes a long way. Having friends that see your differences but still include you is a great relationship. But going to these parties seems unfamiliar and unsettling as you are alone. Kathy Katouzi’s latest release “BOTP” is a track that delivers us these same messages of unfamiliarity in a world full of fun.   “BOTP” begins with an old radio flipping through channels that deliver messages of simply going out and doing something. I absolutely loved the intro to this song as it was unique and not something many songs showcase. Following the intro were her vocals that were so powerful at every possible second. While she is singing about something so vulnerable she does so in a positive way, through her upbeat sounds and relatable lyrics. The steady beat of the drums and the touch of a guitar were also the perfect instrumentals for this track. I enjoyed everything about this song as it was so fresh and made me think about a number of related things.   Kathy Katouzi is a singer/songwriter from Canada. She started releasing music in 2021 with her first single “In My Head.” In all her music there is so much emotion that comes from her life experiences making her an all-around talented artist. Her latest release is an album titled “I AM” which gives us seven remarkable songs. Each song explores aspects of emotions and feelings she has gone through while making sure to showcase how she overcame them all. I highly recommend listening to her song “BOTP” as well as the other six great tracks. Also be sure to follow her social medias down below and stay tuned for what else this artist has for us next. Written By Julissa Garcia FOLLOW Kathy Katouzi: Instagram | Spotify

"Lasting Effects" is a beautifully crafted ballad that captures the feeling of becoming secure in oneself after getting out of a relationship that was anchored in criticism and insecurity. Reflecting through her lyrics she sings, "you know I think my hair looks good short, and I dance now without feeling wrong" showcasing the implications of self-consciousness that a past partner projected onto her. The inspiration for Lynch's new single came from a break-up when the singer was told by her ex that nobody else would love her the way he did. To this she sa id, "I realized he was right- but not in the way he thought. I realized I don’t ever want someone like him, and I don’t want to be loved like that." She uses exactly this scenario in her lyricism to shine a light on the self-discovery that the break-up led to. Its "Lasting Effects" allowed the singer to find out how she truly wants to be loved and who she really is. It's difficult to master the balance between making a song that feels relatable to a wide-scale audience and simultaneously genuinely personal, but Avery Lynch's "Lasting Effects" has achieved just that. Gentle guiding guitar strumming and knocking begin to build the sonically textured world that Avery leads listeners into. Singing with tonal clarity that reflects the transparency of her emotions, Lynch's voice resonates like soothing honey on a sore throat. Soft keys and hushed percussion allow the focus of the song to revolve around the emotional labor and melodic cohesiveness of the song. The most recent of Avery Lynch's tracks, the song marks the importance of returning to the self, heard through the understated yet tailored production. From Pennsylvania to Los Angeles, Avery Lynch has been composing since she was seven years old. Lynch starts her writing process at the piano drawing inspiration from her own life and observations. Her commitment to composition took her to Berklee College of Music where she honed her craft and style. Having surpassed over 370,000 monthly listeners on Spotify, her audience continues to grow and connect with her music . Still based in Los Angeles, the singer/songwriter has continued to challenge her sound, marrying lush piano arrangements with her soft, romantic vocals. She signed with Sony Music RECORDS and has received recognition from an assortment of music journalists. "Lasting Effects" is the titular song off Lynch's new EP composed of four other tracks, all worth listening to. Written By Azalea Withrow FOLLOW AVERY LYNCH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

A beautiful component for every young girl growing up is the connection she makes with other girls and women. This is reflected in the “girls’ night out” that is commonly played upon in modern media, for good reason! Who doesn’t love a girls’ night out? Anna Dahl presents her own interpretation of this concept in her song “Top Shelf”. This song tells the story of a night out with an empowering twist, emphasizing standards and teaching a lesson to men on how to approach ladies and teaching a lesson to women on knowing their value. Immediately the song begins with upbeat guitars and drums. This combined with the clear and beautiful vocals create a sense of small-town living that gives a distinctive experience for those familiar with it. There is intentionality behind each musical direction Dahl decides to take, creating a beauty in the familiarity. The groove makes audiences want to dance and supports the storytelling within the song. Chord changes combined with the guitar melody contribute to the attitude of a playful and homey love-song while still managing to be empowering. On top of this, the major key is bound to lift spirits and excite listeners everywhere.  Anna Dahl is an artist from southern Wisconsin who began her musical journey at the age of three by playing piano. By the time she was a teen, she was already writing her own songs and playing guitar. She earned her Music Business degree in Ausburg University while working for LoMax Records. Even though she loved music, she found it hard to balance her art with her many life demands. The global pandemic proved to be a blessing in disguise, and she is now releasing music again. Her art carries a lot of love and passion, and it is clear she will be a major name in the modern music industry.  Written By Victoria Fitzgerald FOLLOW ANNA DAHL: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

LA-based trio, LED, reflect on the ending of a turned sour relationship in their fun and chaotic, yet charming debut, “Lies All Lies.” The diverse and memorable tune is molded by a journal-like, facetime session narrative, where audiences are drawn to experience a playful intimacy with its speaker. LED’s vibrant storytelling and glowing sound, thrives off of its electrifying and engaging atmosphere. As a listener, you can sense the buzzing authenticity that’s expressed in the speaker’s climactic emotional journey, and embrace its comforting coming-of-age voice. The original piece “Lies All Lies,” is rooted by a divided experience that verges on the edge of emotionally-driven chaos and mellow acceptance. Because of this, the speaker’s vexing and almost obsessive reflection is not designed by the typical, youthful image of revenge and raging fury, but instead unfolds as a universal and crucial rite of passage. LED’s relatable voice is one that stems from direct, classical, and iconic pieces of advice, and is cleverly paired with a dynamic and layered soundscape. The band’s visually aesthetic song cover is appealing in terms of design, which is framed by deep reddish, orange hues, and is personalized via a unique bolded font and stylized sketches. However, its eye-catching effect is found in the presence of simple, yet powerful phrases: “She’ll rip your heart out…Don’t take my kindness for weakness…Stay away from girls like her.” In the end, LED’s clever and detailed nature is exposed through the usage of these quotes. As “Lies All Lies” progresses, the cliche expressions stated above shift from possibly being perceived as cheesy one-liners, and are remodeled to be firmly viewed as evocative and striking lyrical content.  The song’s introduction is grounded by soft, airy, feather-like vocals. However, there is an underlying strength, almost fierce and tense tone simmering beneath the speaker’s voice. This dual yet harmonious union is mesmerizing. As an effect, the song’s foundation is embedded by a dreamy, floating-like sound that simultaneously carries unfiltered, reality-driven lyrics: “She said meet me ‘round 1am / Didn’t know what’d go down then / City light, late night- she said / ‘If I can’t have you no one can.” The speaker’s tone is perfectly fused with controlled, steady drum beats, and spunky, smooth guitar vibratos. I personally believe the lyrics’ mysterious, time-ticking plot and mastered sound, parallels the speaker’s situation. As of now, the speaker has yet to encounter any conflict and is simply narrating. Everything seems to be still. There is a tame tension lingering behind the speaker’s words, but there is a very composed mood established. There is stability in an anchored instrumental. It is in the main chorus where the song’s overall vibe takes a turn. The track’s pace suddenly picks up and a brewing sense of unified, but fleeting chaos is aligned in both the vocals and tune. The speaker states, “My brother said stay away from girls like her / She doesn't care if you'll get hurt / She’ll rip out your heart / Then tear it apart / So run before it gets worse.” The increase of energy mirrors the speaker’s state of mind, as a never-ending running cycle of thoughts, specifically reflection. Because of this, there is a dramatized sense of angst and liberation in this reflection. You can feel the speaker’s lived experience (the facing of reality) as an experience that is happening in real time. The build-up and momentum of emotion isn't executed in an overwhelmingly loud and messy manner, but is instead guided to be at a moderate, middle ground tempo. From start to finish, LED’s identity and sound is solid. Their voice as a band highlights glimpses of indie, pop-rock, and explores a diverse, versatile range of sound in its tune. This is successfully expressed in the song’s final bridge where music production heightens the effect of reverbs, and creates an immersive sense of depth and spirit.  The LA-based trio, LED, have stamped themselves as the next hit sound through their charming vocals, gripping soundscape, and relatable verses. Their coming-of-age lyrics and voice innately drives audiences to connect with LED, and embrace their emotionally-charged music. The united members range from the ages of 14-16, Layne Olivia, Lockett Pentz, and Edie Yvonne, met at summer camp in 2024 in Malibu and wrote their debut single “Lie All Lies,” for a short film produced by Pac Theater. As of now, the trio has continued to shape their youthful and energetic voice, through dedicated rehearsals, performances, and writing sessions. The young teens dedication and passion towards their craft is admirable. And as a result, their art sparkles. Their first single, “Lies All Lies,” has gained the new and rising band a total of 143 monthly listeners. I have no doubt that this number will continue to rise. Their energy is truly special, and it's a factor that does not go unnoticed. As a first time listener, I cannot wait to hear what LED has in store for the future. Written By Galileah Sanchez FOLLOW LED: Instagram   | Website  | Youtube  | Spotify  | *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Have you ever had a day where you simply don’t want to do anything and be with anyone besides yourself? Sometimes we have to take a day to ourselves where we sit alone and just be. Often when we are alone, we don’t have much to do or think about. So, we are left to think about a million things and be in our own head. Most of the time being in our head causes a lot of anxiety or unwanted thoughts. But I find that being alone with all your thoughts is a great thing because it gives us time to figure out who we are and what we want. Send Me Flowers released their brand new single “In My Head Today” on June 6, 2025. A song that reminds us that it’s okay to not know everything about yourself and others.   “In My Head Today” starts with such an eerie but spectacular sound. It almost sounds like swings at a park are being blown by the wind. I got the most familiar sense when hearing the intro and I was immediately hooked. The singer's voice quickly follows the intro with delicate and passionate vocals. The lyrics were also so relatable with not knowing what to really do or how to feel. The mood of the entire track was so dreamy and familiar I loved every second of it. I also liked how the track was simple in terms of instrumentals, the soft piano being played throughout was the perfect sound.   Send Me Flowers is a band of seven members hailing from Amsterdam. Iris van Dijk is the talented singer behind each of their songs and their latest release “In My Head Today.” A song that conveys so many emotions about life in the most beautiful way. The band released their first single in 2024 titled “2020” and has been releasing ever since. While they have just a couple of singles and an EP out in each of their songs, they make sure to convey emotions intensely. I highly recommend giving this amazing band a listen, especially “In My Head Today.” Be sure to follow their social medias down below as well and never miss out on another release.   Written By Julissa Garcia FOLLOW ARTIST: Instagram   | Spotify  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

The twenties twist and turn us as we search for a place to fit—EMI WIDE expresses her experience in “Good Life.” Life can feel like a new version of Pac-Man—chasing minimum wage while dodging the ghosts of bills and rising expenses, all in hopes of reaching the prize or finally catching a break. But another level always awaits on the other side of a long day’s work. More than ever, there’s a pressure to adapt, level up, and match the rhythm of the people around us. When our life doesn’t look the same as our friends, coworkers, or how our parents described their twenties, it’s easy to doubt ourselves. But do we settle or chase something more? EMI WIDE dares you to take your own route. Don’t take advice for granted, but if the picket white fence isn’t the prize you’re searching for, remember that it’s okay to take a different path. Past the pounding heart and the sweaty palms, you might earn the champagne celebration with your name on the screen. “Good Life” replaces the buzzing cell phone and click-clacking keyboard with a playful melody. The tune travels up and down, almost like a theme song from a classic arcade game, such as Tetris. Plucked synths play in a pattern that increases excitement. You feel the tension of reality with the urge to pursue your passion. EMI WIDE’s layered vocals and harmonies in the chorus raise her message—she was made for the good life. We all deserve a good life, a path to happiness. The bass hums in the background. It never overpowers the melody. In a way, it feels like a mirror to the family members and friends who believe our desires might be too wild, yet it’s our responsibility to try. When you have a sense of ambition, don’t let the world tear that away. Try again. It’s your path. EMI WIDE is building her path, writing electro-pop. Her music follows edgy topics and hard-hitting moments as she navigates her career and relationships as a twenty-five-year-old. She isn’t afraid to discuss the challenges in modern relationships and how heartbreaking they can be. But she forms these stories into powerful, catchy songs. In 2020, she released her debut single, “Walk Out.” Two years later, she released her EP, “Girl is Gone,” and received positive reactions on the radio. Her song “ain’t a nice girl,” from her 2024 EP, climbed Danish radio’s P3 Upcoming list. Now, with “Good Life,” she travels from the topic of relationships to the pursuit of her career. Written By Taylor Sheridan Lempke FOLLOW EMI WIDE: Instagram | Spotify  | TikTok  | Facebook  | YouTube