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  • Review: "Better Than This" - Casey McQuillen

    Casey McQuillen’s “Better Than This” is reminiscent of 2010’s pop mixed with contemporary, robust vocals, and a punk tease. She initially creates a somber familiarity by illustrating a canon event of those trapped in stagnancy. Crying, “I gotta tell my mama/ I’m getting on a plane,” after years of dreaming of a “better place,” McQuillen twists the fluctuation of humanity and maneuvers her impressive vocals to deliver the eruption of emotions that follow this dynamic. She emphasizes discontent with potentially wasting her life and being forgotten as she’s “standing on the edge of a cliff,” symbolizing the conflict of “stay/ go,” or stepping off the cliff versus turning around. Stepping off the cliff might allude to rebirth or escape, while turning away may indicate resilience or weakness. This ambiguity is a stress point in McQuillen’s story, sound, and overall delivery, which translates to a relatable chapter in the human experience. Swift acoustics provide a platform for storytelling through a breezy strum to soften the heartbreak of leaving comfort. This is followed by a sequential, deep drumming bridge that leads to McQuillen’s influential chorus, decorated with electric strings. Bold, profound, repetitive drumming suggests a change in sound pattern, where the chorus conversely boasts thoughtful rests that emphasize the agony of indecision. This indecision is evident through word choice and abstract changes in tone. McQuillen crafts each wail with an intent that builds a sound capable of tugging tears and charging chills. Finally, she draws attention with a dynamic whisper that delivers the exhaustion of a breathless conflict, and ends with a signature punch of unwavering vocals and an almost forte instrumental finish.  Casey McQuillen is nearing the end of her tour in Europe, working with Swedish singer/songwriter, Loreen , and American singer/songwriter, Anastacia to perform at their sold-out shows. McQuillen progressed on American Idol and is involved in the “You Matter” anti-bullying tour, reaching at least 200 schools in the US, UK, and Ireland. Casey began to explore music in 7th grade when she learned to play guitar and write her own songs. Her most popular song on Spotify, “In and Out”, has 236,381 streams. She is an anti-bullying advocate that uses music to cope with and inform about her experiences, all while being renowned as a positive, energetic artist. Her music captures her growth as a musician, and an individual.  Written By Hanna Hathaway FOLLOW CASEY MCQUILLEN: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Blurry Lines" - Annick Blaize

    Having a crush can be the sweetest yet most sour experience. One second it’s lovey dovey thoughts while getting ready to casually run into them and the next it’s finding out they might not be as interested in you, as you are them. Kicking off the summer of temporary romance, Annick Blaize released her new single “Blurry Lines.” It’s a synth indie-pop track with a constant beat, groovy textures and Annick’s smooth vocals. Even though crushes don’t always last past a season, this song will be on your playlist all year round. If you’re into someone and can’t tell where you fit into their life, you’ll relate all too well. The vibes are as intoxicating as the sun so roll down the car windows and turn the speaker up to blast! Annick wrote “Blurry Lines” to encapsulate the haze of a new crush. All the dizzy yet electric feelings when someone you like sees you for you and not just some passerby. Annick said “It’s about the blurred lines, the unspoken tension, the boundaries that feel like they’re shifting beneath your feet. It’s messy, a little reckless, and completely honest.” She also opened up to say the person she was falling for had a girlfriend and that right there is the cut that stings. How can someone seem so interested in you yet have their heart tied to someone already? A question I’m sure a lot of us are asking yet still haven’t figured it out. Boys are fickle in the ways they get into every crevice of our brains and play games that leave us confused and lusting. “You’ve drawn blurry lines, like one too many times.” Annick really pinpointed her emotions in this track and where the lines between infatuation and love blur, “Blurry Lines” will pull you in before you realize how addicting the song is. Annick Blaize is a singer-songwriter currently based in New York City. She was originally born in Grenada which is southernmost of the Wind-ward Islands. Growing up, she always had a deep rooted passion for music and all the different genres. She lived in Miami for a time and started teaching herself guitar as well as writing her own music. Once she gained confidence, she began playing at open mics. In 2019, Annick got accepted into a two week songwriting program at NYU where she joined other artists and they created their own band called ‘Dream Kid.’ With this program, she also attended LIMPI Music located in Norway to study an intensive program for writers and producers. Annick is not only incredibly talented, but well studied within her craft. If you love dance vibes with open and honest lyrics, she’s the artist for you. Be sure to check out the links down below because Annick has new music in store. Written By Emylee Herring FOLLOW ANNICK BLAIZE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • Review: "Just Anyone" - Etham

    Intentional repetition of rhyme in the first five lines of “Just Anyone” entrances the listener with a foggy, warm, raw account exploring the intimacy of absence. A synth exclamation of “my love” balances a cold conversation between Etham and the one who abandoned him “in the dark,” holding “all the cards,” leaving him perplexed. Etham struggles to find meaning in “goodbye” as he mourns in a murky loneliness, contrasted by the stubborn nature of those who push people away. The connection between Etham’s question “how’s your heart going to belong to anyone,” and his assertion “to me you’re not just anyone,” creates a liaison between two different versions of “anyone” . This play on words is intuitive and precise as it secures curiosity from the listener in terms of the connection between the two. Carefully crafted, the lyricism in “Just Anyone” discloses heartbreak in a way that facilitates feeling, and invites immersion into emotion.  The consistency of the sound in Etham’s piece communicates a river of persistent emotion that festers in solitude and advertises a severe lack of an effective cure. Structuring echoes of longing around questions of logic in an emotional song challenges the norms of heartbroken lyricism. Including a slightly hopeful piano cadence compliments the melancholy, personal lyrics that catalyze authentic interaction with listeners. Refreshingly, instrumental isolation of the chorus paired with frustrated vocals nails an ever-passionate delivery that begs for closure. Finally, light variations in chord progression, assisting instrumentals, and vocalization align with the inconsistencies of grief, softened by the smoldering remains of a one sided love. Etham is a British singer/songwriter that has worked with Sabrina Claudio , touring London and Korea. He started sharing his music during talent shows, open mics, and most notably, YouTube. Etham’s first album, “Better Now”, was released in October of 2018, and he now has over 700K million monthly listeners on Spotify. “Just Anyone” is his latest release, and may be the most vulnerable of his pieces, citing conversations and heartbreak in the lyrics. His most popular release, and single, “12:45 - Stripped”, has an astounding 87 million streams. He credits his tasteful music preferences to his mother, and is grateful for those who have supported him throughout his life. When asked what inspires him, he concludes that experiences and great chords are the most valuable components when writing a song. Written By Hanna Hathaway FOLLOW ETHAM: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Dancing In The Dark" - KATMORE

    Serving as her debut single, KATMORE's "Dancing In The Dark" has been a long-awaited release since it started gaining traction on Reddit and social media. The track can thank its feature in the Netflix series Baby Fever for becoming an internet sensation, leading to 5,000+ Shazams of the demo alone. Shedding light on the inspiration behind the song, KATMORE shares, "Dancing In The Dark is my anthem for getting through dark times. It was the first song that truly defined the KATMORE project for me. I wrote the lyrics during a deeply personal moment, when I felt lost and exhausted, desperately searching for something to hold on to. Now with everything that’s going on the world - where war and chaos feel ever-present, the song has taken on a new meaning for me - it’s a reminder not to give in to despair, but to hold on to what’s good and keep moving forward. One beat at a time." Sounding like an artist reborn, KATMORE breaks free from her work with indie sensation Off Bloom and steps into the limelight as a solo artist with an epic vision in "Dancing In The Dark." Listeners can easily get lost in the track's immersive soundscape as rich instrumentals and powerful melodies wash over our ears. KATMORE proves herself again and again to be a powerhouse vocalist, giving a highly noteworthy and moving performance that can be compared to the likes of Mitski , Lorde , and Sia . Between the song's lush composition and KATMORE's sonorous vocals, "Dancing In The Dark" is certainly a track listeners can happily lose themselves in, escaping the horrors of the world for a little while. Formerly the lead singer of Off Bloom, Mette Kathrine Mortensen is moving in new directions with her solo project, KATMORE. As a part of her former band and as a songwriter, KATMORE has amassed over 60 million streams, headlined sold-out shows across Europe, the US, and Scandinavia, and supported acts like Dua Lipa and The 1975 . She has worked with some industry heavy hitters, like Max Martin and Hudson Mohawke, and is a European Border Breakers Award winner. KATMORE is now directing that high-achieving energy at her new solo endeavor, prepping for her upcoming 2025 album. Written By Cheyenne Johnson FOLLOW KATMORE: Instagram | Spotify  | TikTok  | X  | YouTube

  • Review: "Game Over" - Sjana Rut

    Photo Credi t : Jóhann Línberg Relationships are so hard to navigate especially when you aren’t sure if the person you are with is for you. There are so many factors that come into play when a relationship becomes unclear. You are constantly asking yourself if they are the one for you still and if you are even okay with continuing on. While it may be hard to get out of a relationship that has so many issues at the end of the day it's bound to happen. When we stay in relationships that are extremely toxic where the other or both parties are constantly manipulating or hurting each other. It can seriously hurt not only how you see them but how you see yourself. You slowly begin to lose yourself out of fear that they are right. Sjana Rut’s latest single “Game Over” delivers us an amazing track about never going back to a relationship that hurts.   Sjana’s rich and powerful vocals opened this song beautifully. I immediately fell in love with how she just jumped right into the song leaving no room for second thoughts. With the track's message about moving on and getting out of a terrible relationship, the beginning really showed how important this was to her but also to those who listen. It was such a bold move, and I couldn’t get enough of the song. The bouncy but vibrant drum beats and the electric sounds throughout the song also made for such a takeback moment as well. This song is perfect for anyone who is unsure about leaving a hard but well over relationship. You not only realize your worth through this song but also just how important it is to make sure you never do it again.   Sjana Rut is a singer/songwriter from Iceland. While she composes heartfelt music she also produces and creates the most stunning art. Her musical career started in 2016 when she released her first single titled “Cry Me A River.” Since then, she has released regularly making her mark in the industry with songs that are raw and showcase her life experiences. I highly recommend giving her latest single “Game Over” a listen, you will not be disappointed! Be sure to follow her social medias below and see what this talented artist has in store for us next. Written By Julissa Garcia FOLLOW Sjana Rut: Instagram   | Spotify  | TikTok  | Facebook  | YouTube  | Website *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Feelings" - Bardot

    Bardot’s brand new single entitled, “All These Feelings” is out now! This infectious track is not only catchy, but also well-written. Bardot’s brilliantly executed vocals portray someone who is emotionally distraught about the end of an intense relationship. The lyrics begin with a few instances of oxymorons; they describe this love as a “perfect disaster.” The first verse truly portrays how all-consuming this partnership must’ve been; it’s even compared to a drug. “All These Feelings” goes on to make confessions about falling for someone who might ruin you, and not caring about the consequences. Overall, these lyrics are quite sincere and vulnerable. For that reason, “All These Feelings” will prove to be relatable to many of us who have found ourselves in a similarly toxic love affair. From the very beginning of this track, it felt unique. The introduction was able to hook me in with only a few seconds of playtime. You’ll have to listen for yourself to see how Bardot accomplishes this. Genre-wise, “All These Feelings” possesses a classic dance-pop sound with a hint of EDM influence. Then the bridge hits, and the song’s cadence and  vibes change completely. Throughout its entirety, production on the song is top-notch quality. The vocals are exceptional, unique, and slightly raspy. The rasp of Bardot’s singing voice is what makes the lyrics feel more personal to me, it’s a great touch. Singer, songwriter, producer, and dancer are only a few of the words we can utilize to describe the talented Bardot, aka the creator of “All These Feelings.” The foundation of her love of music can be traced to her early background in competitive dancing. It was there she discovered an admiration for pop princesses like Kylie Minogue , Britney Spears , and Madonna . Now, she takes that passion and applies it to her own music. Bardot expresses this single is only the start of her ideas, and she can't wait to show you what else she has to offer. If you loved Bardot's "All These Feelings" and want to keep up with all of her new releases, follow her on all of the social media we have listed below! Written By Casey Hascup FOLLOW BARDOT: Instagram | Spotify  | TikTok  | YouTube

  • Review: "and is it really over" - Joonas

    “And is it really over” by Joonas is an introspective song that highlights the feeling of uncertainty, doubt, and the desire to be enough. Right away, the opening lyrics “When I pass away/ Can you show them all the battles that I lost?” sets the tone for the rest of the song. The battles that he lost could be either physical or mental, but either way he’s embracing his hardships and showing that he did not always come out triumphant. He spent his time worrying if he would ever be enough and questioning if the people he loved believed it too, shown by the lyric “I just needed to know dad was proud of me”. Although time has passed and seasons have changed, he’ll forever be trapped in his mind repeating the same cycle of self-sabotage. The repetition of the lyrics show that these thoughts aren’t just surface level, they can be obsessive and all consuming. The lyrics are posed more like a question rather than a statement with no clear answers. It’s giving the illusion that Joonas is trying to process the grief in his life by talking to himself and asking these questions over and over again. Produced by Jonas Robstad, “and is it really over” is an emotional song about the looming feeling of regret and anxiety in a time of uncertainty. I think every artistic choice was made to be a reflection of the raw vulnerability and emotion from Joonas. Although the lyrics are deeply personal, they are also relatable, showing that this is a universal experience. The song is more open-ended, but it’s filled with a bunch of questions. I think the structure of the song fits very well to the overall tone and message of the track. Joonas’ voice is both light and breathy. The instrumentation is the central focus of the track, driven by an acoustic guitar. There were production elements that really added to the song which made it sound fuller and dreamier. While listening, his voice and songwriting really reminded me of Ed Sheeran, which is truly a compliment. Joonas is a Norwegian artist now based in London. Joonas is driven by his personal mantra “let love lead” and makes that a common theme both in his music and in his life. He started releasing music in 2022 with his first single “Psycho Ex-Boyfriend” and has been on the rise ever since. He is a verified artist on Spotify and has over 12,000 monthly listeners on the platform. His music takes an exploratory approach that goes through parts of his life that we might not be able to see. It’s clear that Joonas is one to look out for. Check out “and is it really over” and give it a listen! Written By Alexa LaMalfa FOLLOW JOONAS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • EP Review: "I feel it too" - Yema

    Canadian indie singer/songwriter, Yema has dropped her debut EP, "I feel it too", which has been in the works for over the past 5 years. TRACKLIST Treading Synchronicity 4 Hearts Sheets You are an Angel Katrina Sosa, going under the artistic moniker Yema, is a multi-talented musician, singer, songwriter, producer and music educator from Edmonton, Alberta. With a background in classical and jazz music, as well as a deep love and passion for indie artists, Katrina uses her roots to create a unique blend of modern indie and alternative soundscapes that can only be called her own. Katrina created her artist project Yema and began writing and recording her debut EP back in 2020, using it as a outlet for her own personal experiences. "I feel it too" reflects on themes and emotions of heartbreak and helplessness within toxic relationships, but also has some fun surprises in the middle. The artwork for the EP is also originally created by Katrina, with all songs being written solely by her with production help from Patrick Froese . Let's dive into these tracks! Treading We kick off the EP with Yema's debut single, "Treading", which is inspired by artists like Toro Y Moi , Tennis and New Order . This song is about staying in a relationship that you know isn't good for you, but you just can't get yourself to leave. You wake up everyday hoping somehow it'll just magically get better and things will feel the way they used to, but they never do. Everything just keeps going in circles, and you're stuck in the same lonely, dreadful feeling without any relief. Despite the melancholy lyrics, the soundscape of this song is super groovy and dreamy. The funky bassline will undeniably get you moving, and paired with the ethereal synths as well as Yuma's sweet-toned vocals, this song is actual indie-pop perfection. Synchronicity Just in case you don't know, "Synchronicity" is a psychiatric phenomenon introduced by Swiss psychologist, Carl Jung, basically defining as a "meaningful coincidence". As for Yema's song, it's a desperate plea to understood, wishing that all of a sudden her partner would sync up with her thoughts and feelings so they could be perfectly aligned. But, if fate is truly real, maybe that's why things just aren't matching up the way that they need to. "Synchronicity" is inspired by the likes of Lola Kirke and Big Thief , with a hazy, indie rock soundscape that is heavy on the guitar and drums but also has just a little bit of an Americana twang. 4 Hearts Switching up the mood, we have "4 Hearts", a beautiful and joyful dedication to friendship; more specifically, to Yema's three best friends of all time. Being in a romantic relationship is one thing, but having best friends who unconditionally love you and will have your back for the rest of your life is another. Having something like that is so special, and you're lucky to have one - let alone three! Inspired by CASTLEBEAT , Cults and The Radio Dept , "4 Hearts" has a super dreamy pop soundscape with nostalgic indie pop tones. It's heavy on the synths and reverb, and has a gorgeous guitar riff that I personally just can't get over. Sheets Next we have "Sheets", which is both a sweet and sensual song about queer confusion and sexual exploration. With lyrics filled with what Yema describes as a humorous amount of sexual innuendoes, "Sheets" is a gentle ballad with a very classic, almost 50's soft pop/rock feel and groove with inspiration taken from artists like Sufjan Stevens , Cocteau Twins and Her's . The reverb adds to the passionate atmosphere, as the song builds and gets heavier with it's dynamics as it nears the end. You are an Angel Last but certainly not least, we have "You are an Angel" which is a message from Yema to her younger self as well to any other victims of abusive relationships out there. It's a bittersweet reminder that even though what you went through was not okay, you're still here and you're not alone. Perhaps one of the most important reminders is that none of it was your fault, either. This is the track where we hear the title of the EP as Yema sings, "Oh pretty baby, if you're hurt, me too. I feel it too" . "You are an Angel" has a soundscape that reminds me of 90's era soft rock, starting out with gorgeous acoustic guitar and building into a blooming cathartic mixture of instrumentation, including a brass band in the emotional, tear-jerking outro. My first thoughts were - "This is insanely good for a debut EP". Everything is just so well thought out and put together; from the storytelling, the grooves and melodic structures, the sound quality and production, you'd never know that this project was an independent debut release. Yema's passion for what she is doing is so clear in both her songwriting and behind the emotion in her voice, which is so important when it comes to being able to connect to music like this. Her sound is already so established and I love how every song on this EP just flows so well together. Believe it or not, this is still the very beginning for Yema and I absolutely cannot wait to hear what she does next. Make sure to follow Yema below to keep tabs on her journey! Written By Kaitlyn Nicole FOLLOW YEMA: Instagram | Twitter | Facebook | Spotify | TikTok *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

  • Independent Music Distributors - Comparing DistroKid, TuneCore, and CD Baby

    If you’re not signed with a record label, it might seem like a daunting task to get your music released. However, there are tons of independent music distributors out there that can assist you with the process. They are in charge of getting your music onto platforms like Spotify, Apple Music, Tidal, and more. One of the biggest upsides to signing up with an independent music distributor is that you maintain ownership of your masters, aka the master recording, of your music. There are many music distributors out there to help you get your music out there, but they all have some differences, so let’s take a look at some of the most popular independent music distributors: DistroKid, TuneCore, and CD Baby. DistroKid is a music distributing service for solo musicians, artists, bands, DJs, performers, producers, and creators who create music independently, but they also provide services for labels as well. As of May 2025, a DistroKid membership costs $24.99 a year for unlimited album and song uploads. Their most enticing features are Hyperfollow, playlist spotlight, promo cards, and Vizy Video Generator. Hyperfollow puts all of your content - music, videos, and social media links - in one place. It can improve your media reach and provide you with more stats about your listeners and fans. Vizy Video Generator is, like the name, a music video generator. You can choose a template that matches the vibe of your song and it will create a music video that you can post on your social media. Additionally, they also have a mastering service that is included in your plan.  Pros: Release process is super fast - it takes a day from the time you upload your music until it hits social media Easy uploading process - it utilizes a form with simple checkboxes and prompts to guide you through the process Split revenue options - if you your royalties need to be split between band members and/or producers, you can do that right on the website Cons: Support can be difficult -  The “100% of your revenue goes to the artist” claim is debatable - some artists with DistroKid are hesitant to completely stand by that statements Many useful features are an extra fee - being able to specify your ISRC code (the International Standard Recording Code that identifies a specific sound recording), the ability to edit your record label name, the ability to specify your release date, and more are all features with an added fee Similar to DistroKid, TuneCore provides unlimited releases for $22.99 a year as of May 2025. They have many services to prepare your music, sell your music, and to promote your music. TuneCore has an all-in-one platform for production, recording, mixing, and mastering called Studio One. They also provide cover song licensing which handles the licensing process for covers. They also work with Groover, which can help you promote your music to blogs, radio, and Spotify playlisters. If you don’t want to invest the money in TuneCore, they do have a free tier with limited features.  Pros: TuneCore Publishing  - a connected service for a one-time fee of $75 that manages your song composition (aka the song lyrics) royalties and usage (as opposed to just the sound recording that regular TuneCore manages) Great customer service - they promise to get back to you in 3 days 100% royalty payout - it’s been proven that TuneCore consistently pays 100% of your royalties to you Cons: Free tier only gets your music onto social media platforms - it doesn’t get your music onto music streaming platforms like Spotify like the paid tier Pay-per-release model can add up - you need to pay an additional $9.99 for a single track and $39.99 for an album for the first year of distribution, and album costs $49.99 beyond the first year With the music publishing administration leg, they do take a commission - they take 15% commission and 50% on sync commission (for when your music is used in movies, TV, video games, etc) CD Baby was one of the first independent music distributors on the scene. Their pricing model is not a yearly fee, but rather a $9.99 charge for each release, whether it’s a single or an album. One of the features that sets them apart from their competition is that they provide CD and vinyl distribution services. With the rise of vinyl sales in the past few years (and the potential of CDs making a comeback), this is enticing for artists. They also have free access to pre-save campaigns included in the price. CD Baby can also affiliate you with a PRO (Performing Rights Organization) in the US and Canada with their pro service. Pros: Publishing administration, sync licensing, and mastering is offered in the plan They provide tons of marketing tools to promote your music - they have many free resources, such as their blog, their podcast, their DIY Musician Conference, and more Once you pay the fee, your music stays up forever - unlike the other distributors that require you to pay an annual fee as long as you want your music up, the upfront fee for CD Baby is all you need.  Cons: Various commission fees - on average, CD Baby takes about 9% commission on all revenue you earn, but it depends on the plan you choose Difficult customer service - some artists with CD Baby have commented about their unresponsiveness with customer service Price adds up if you’re not releasing music often No matter what music distributor you choose, there are some general themes you can track with all of them. All independent music distributors give you access to higher revenue shares and better creative control than what you’d get with labels. However, there are some general cons. Labels will always have a greater pull than independent music distributors in terms of marketing tools, data analytics, and connections in the music industry. As much as you can collaborate with other artists with an independent distributor (and not constricted by record label contracts), it’s still difficult to stand out in such a saturated market. A potentially not so fun fact - over 100k songs are released each day on Spotify, and Spotify has over 45 million songs with 0 streams. There are some things to keep in mind when paying for a music distributor. Make sure to look over the fine print in your agreement with the distributor to avoid any sketchy clauses. Research the terminology in the contracts to make an informed decision about what distributor is best for you. Make sure you also know the royalty model that the distributor provides, and keep track of the royalties you receive. Don’t solely rely on the marketing tools your distributor provides - market yourself on social media in ways the service can’t. Most importantly, be authentic to yourself and focus on quality over quantity. I wish you the best of luck in finding the best distributor for you! Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

  • Review: "Your Melody" - Seiren x UNDY x New City Lights

    Electronic artist Seiren, expresses the bittersweet, yet dividing emotional experience one encounters when dealing with the loss of human connection, and by default grief. Seiren’s original single, cleverly titled as “Your Melody,” reflects on the innate state of inner turmoil that's followed by an unexpected loss. The dynamic piece successfully conveys the overwhelming desire to nurture a lost voice through its heartfelt, yet brutally honest lyrics, and vivid soundscape. Its title, striking chorus, and ambiguous purpose drives the beauty of vulnerability and never-ending love to be appreciated: “This song is your melody / You’re gone / But not lost in my memory.” The repeated phrase “Your Melody,” is perceived as a love letter directed to the speaker’s gone addressee. In a way, a promise is being made. Despite this person being gone, their voice is kept alive. Seiren’s playful and intentional use of the word melody brings a warm light to the song’s serious and sensitive subject matter. The memorable effect a melody has on a tune, parallels the memorable effect this person had, and still has on the speaker. At the same time, the keyword melody is pivotal to the song’s overall tone. The conflicting emotions of grief and regret are gently pushed aside to highlight the beauty of memory and bring focus to the person who is loved, and profoundly missed. Seiren’s “Your Melody,” is characterized by a strong sense of authenticity. Without a doubt, as a listener, that feeling is valued and lingers throughout the touching tribute.  As a listener, you can feel the intense care and detail in this song. There is a meticulous nature that is deeply-rooted in Seiren’s sound and lyrics. The song’s powerful and energetic mood is credited to rising artists, UNDY, New City Lights, and Seiren herself. The collaboration in composition and lyrics transforms a simple message on grief, to reveal an engaging vision of emotionally-driven chaos. “Your Melody,” is constructed by a paralleled voice and instrumental track, both elements reflecting the lyrics' emotional state. The intertwined themes of heartbreak, disbelief, and loyalty shine through the balanced duo of the speaker’s voice and the song’s intentional, dynamic soundtrack. “Your Melody,” accentuates Seiren’s masterful producer and DJ skills via the tune’s unique and controlled sound. The song’s atmosphere has a very intimate feel, nuanced by a wistful and soul-stirring spirit. In short, this is due to Seiren’s specific artistic style, designed by melodic and cinematic trap sounds. Because of this, the song’s emotional narrative is heightened by a versatile range of electronic beats. The song’s introduction is grounded by a soft piano, steady background beats, and ballad-like sound. It is stated, “Why was I not there / With you to hold your hand / Live and die together / This wasn’t part of the plan.” While feelings of regret, guilt, and sorrow are present, there is a subtle strength and resilience present. The controlled emotion behind the singer’s vocals carries the pacing build up of “Your Melody.” An explosion of sound erupts during the song’s main hook, and as previously mentioned, the repeated “This song is your melody / You’re not lost in my memory” lingers. However, the sound is still considered tame and in balance with the singer’s vocals. There is an enriching harmony at play, creating a magic-like, dreamy atmosphere with reverbing adlibs. But, as the song’s storytelling progresses, we see a change in sound (both vocal and instrumental). There is a stronger sense of depth and power, with low-end textures dominating the track and vocals growing in energy: “Can’t believe you’re gone / After all these years / Just a broken heart / After all these tears / But you’d tell me it's all okay / Promise I’ll see you again some day.” As the speaker’s feelings intensify, the sound does as well. The subtle resilience suddenly shifts into a louder, bolder, all consuming strength. You cannot help but to be drawn by Seiren’s immersing music. Seiren’s ability to effortlessly depict aching pain, confusion, and genuine love, is truly inspiring. The Australian-born and NY based artist, Annette Lentini, popularly known as Seiren, is beloved for her unique sound and thrilling electronic visions. Her roles as producer and DJ have allowed for Seiren’s desire to create dynamic, potent, and animated music to flourish. Seiren’s consistency and respect for the craft has gradually built her sound to leave an emotional impact on listeners. Her open-minded nature and curious spirit with creating sound, has marked an influence on audiences. Seiren’s foundation with cinematic trap and flexible melodic bass rhythms has echoed her originals and iconic remixes to be embraced by listeners. Among many, I personally love Seiren’s fresh takes on Tate McRae’s “Greedy,” Chappell Roan’s “Good Luck, Babe!” and Mariah Carey’s “We Belong Together.” As of 2022, Seiren has dedicated her pursuit of music to be a full time undertaking. Her live shows, growing online presence, and unfiltered love for her art, has driven her music to reach greater heights and her following to evolve in popularity. In the year of 2023, Seiren gained an increase of over 130% streams and a total of 25.3K listeners. As of 2025, her EDM based sound continues to grow and Seiren’s reputation as an artist has pushed the boundaries of constricting artists to a specific genre.  Written By Galileah Sanchez FOLLOW SEIREN: Instagram   | Spotify  | TikTok  | Facebook  | Beacons   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "I Won't" - Zev

    Debuting his first single off his second EP, Zev releases "I Won't" which showcases in his own words as living in the "bittersweet space between gratitude and struggling to let go." Lyrically, this single floats through themes of regret and lingering attachment, enhancing the bittersweet retrospection of moving on. Looping around of chorus sections mimics the repetition of emotionally circling back to unresolved feelings. Z ev’s vocal delivery feels raw and vulnerable, pulling listeners into his emotional headspace. Subtle instrumental shifts mirror the ups and downs of processing heartbreak. "I Won’t"  is not just a song—it’s a confession, wrapped in memory. The calming and acoustic nature of this single portrays the story it tells, providing a strong balance between melody and the narrative it carries. Choosing less emphasis on the instrumental aspect of this song is not a lack of consideration, but allows the lyrics and memory to shine through instead of being drowned out. This stripped-down approach gives the song a sense of intimacy, as if Zev is speaking directly to the listener. The simplicity creates space for emotion to breathe, making each word feel more personal and real. Every pause and soft strum adds weight to the message. It’s a reminder that sometimes, less is more when it comes to telling a powerful story. Graduating from the Clive Davis Institute of NYU, Zev has lived many lives in the artist industry. Previously a Cirque Du Soleil acrobat, jump rope world champion, and AGT semi-finalist, Zev currently shines brightest as a singer/songwriter with his various and impressive talents. Zev is a Platinum-selling songwriter - Monsta X, FLETCHER, Natalie Jane, VOILA, Amelia Moore, Grace Kinstler, and more. He has also been featured in Billboard, Metal Magazine, Wonderland, Atwood Magazine, and more. With multiple songs amassing millions of views, Zev is a trending artist in the indie-pop scene. Written By Adalyn Reichenberger FOLLOW ZEV: Instagram | Spotify  | TikTok  | YouTube

  • Review: "Gloria" - OSKA

    OSKA's new release "Gloria" is the first single to drop off her upcoming second album "Refined Believer." It tells the tale of a woman who is experiencing the freedom of leaving a toxic relationship through a musical narrative experience. The first image comes "in the deep forest" wh ere "she was singing 'Gloria.'” Abandoning the constraints of what could have been a melancholy sound based around such an emotional story, the singer instead bursts through the piece joyfully exemplifying coming out on the other side. OSKA's chorus for this song repeats, "everybody's on her case," relaying the interwoven nature of a small-town community where the w lives. Softening out both lyrically and sonically, the song ends on "everybody's singing her name now." Gentle guitar playing prepares an instrumental open field for OSKA's vocals to frolic forth on. Folksy and warm, OSKA's vocals maneuver from higher to lower register with ease. Adding in smooth rhythmic percussion, the song picks up into the chorus. Musical storytelling works here through the dynamic auditory changes representing different seasons of life. Listeners can hear as Gloria inches closer to her freedom from her abusive relationship as the sound becomes more open. By the end, Gloria's song changes, "Now she's singing hallelujah, hallelujah" followed by an airily sung line of "oh, oh, oh'" interjections that close out the piece. OSKA, born Maria Burger, is from a small village in lower Austria. She moved from her hometown to Vienna at 18 years old to follow her love of music . Born into a family of singers and musicians, she discovered her voice early on. While in Vienna, she began busking in the streets while she studied pop and jazz as a vocalist. She has performed internationally and supported various artists on tour including Tom Odell, Maggie Rogers, and Coldplay. OSKA released her debut album, “Distant Universe” in 2020, and soon after, signed to Nettwerk. Her anticipated second album, "Refined Believer," will arrive June 20th debuting ten tracks centered around finding hope again in places she didn't expect. Written By Azalea Withrow FOLLOW OSKA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

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