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  • Review: "Nora" - Rachel Cousins

    Rachel Cousins has gifted us a beautfiul ballad expressing the gratitude and the appreciation that we feel for our close friends. When we have that special bond with someone all we want is for them to understand exactly how we view them. Rachel does an incredible job of showcasing that feeling and the love that comes along with it. We can feel the depth of the song in the chorus when it says, "Nora, I hate the way you talk about yourself / Nora you'd never speak that way to someone else / Nora, I wish that you could feel the way I do about you wish that was true." We've been given the perfect example of how to love someone through words. My favorite verse is drenched in sincerity and it says, "It's the way you laugh / And the way you want to believe everyone / It's the way you care and the way you see all the good in every love / And your eyes when you cry how they hold light." It's evident the artist is expressing their love and gratitude for a close friend and it moves us to think deeper than surface level about our friendships and who we hold dear. "Nora" by Rachel Cousins gives off an introspective and reflective tone. We are left to marinate in what she is saying in the lyrics. We're forced into this postiton of diving deeper, connecting and wrestling with our emotions. This helps us dechiper the mood of the song which seems to be a melancholic reflection laced with droplets of happiness. Rachel isn't sad, she just wants her friend to understand and see the best parts of herself. This brings a new level of depth and meaning to the song. When it comes to instrumentation we're given light percussion and somewhat dense bass which helps move the song along. The instrumentation also allows us to take the lyrics and bring them down a notch to set the pace for the rest of the song. When everything is slowed down, and brought together it makes the song even more impactful. Fresh off performing at Honey Jam in Toronto, her EP focuses on her performances and unique approach to song writing. Rachel Cousins has been collaborating with Paris based writer/producer Clement Simunet. Some of her music is better known for its pop/folk roots. This style can be seen in her songs "Hope To Bring" and "Steal Mine." Rachel's debut pop single "Let Go" put her on the map and helped turn her into a smashing sensation. With some of her songs finding their way into tv shows and one song even making an appearance in the made for tv movie "The Art Of Falling In Love." She's not done quite yet though, so stay tuned for more new music and give "Nora" a listen today! Written By Destiny Rundquist FOLLOW Rachel Cousins: Instagram | Spotify  | Facebook

  • Review: "2009" - Loren Heat

    If you want to time travel back sixteen years, “2009” by Loren Heat is the perfect track for you! This song has everything I could imagine hearing at a club back in that time. The song perfectly encapsulates the Y2K era of music and has fun production elements tied to the track. While listening, I just wanted to get up and dance. The song has major upbeat vibes and is truly one to put on your playlists to prepare for summer. The lyrics explore a new, exciting, and intimate relationship for Loren. The lyrics are catchy and so is the beat of the track. If you don’t want to get up and dance while listening, you’ve heard the song wrong. Let’s set the scene. Picture you and a group of friends on the dancefloor, it could be at a club, a party, or wherever your dreams take you, but when you look around, you’ll see neon lights, a disco ball, and everyone around you having the time of their life. This is what I picture when I listen to “2009”. The synth and electronic elements add to the upbeat part of the song. Production wise, the song only gets more interesting as you continue to listen. It builds upon each element which really complements the song well. I actually thought some of the beats could’ve represented or sampled Abba’s “Gimmie! Gimmie! Gimmie! (A Man After Midnight)”, which is a very popular clubbing song. Loren Heat is a rising pop sensation from the United Kingdom. This single follows their debut 2024 EP “Scarlet Haze”. I didn’t think I was old enough to hear a song reminiscing about 2009 of all years, but Loren perfectly encapsulates the essence of the golden-age of dance-pop, and honestly, it’s exactly what the music industry needs right now. Loren takes musical inspiration from Lady Gaga, Dua Lipa, Tate McRae, JADE, and Slayyyter, and makes music heavily inspired by their queerness. Now, Loren is a verified artist on Spotify with over 1,000 monthly listeners on the platform. They are now working with producer Chad Rogers and will release their first few singles in a partnership with Interval Records (EMI North/Generator). Loren is definitely one to watch out for. Check out “2009” and give it a listen! Written By Alexa LaMalfa FOLLOW LOREN HEAT: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • Review: "Skintight Crazy" - August Royals

    When a relationship ends, what are you left with? Well, it depends on what side of the relationship you were on– the one breaking it off, or the one receiving the news that it’s over. Or maybe you and your ex-partner occupy both titles. Either way, when all’s said and done, you’ve got nothing but yourself and your memories left. In August Royals’ latest single “Skintight Crazy”, you’re taken on a walk through a relationship’s end. August muses on the lingering aftereffects of a relationship, all the distant memories of what you did and who you were together. But more than that, it’s realizing that you’re no longer in love with the person your partner currently is, but rather the person they used to be during that relationship. Moving on is tough, and all you’ll really have is the what-ifs. If “Skintight Crazy” is one thing, it’s groovy. This track is seriously addictive to listen to– if you listen to it once, you’ll be vibing every time it loops back to the beginning. Its soundscape has some fantastic percussion, as well as some funky synth to keep it dynamic and fun. I really love how the song’s energy fades in and out, almost mimicking its lyrics. Some points are slower, dragged out, like when August Royals sings, “I kinda wanna let go / kinda wanna let go”, but things always eventually speed back up to their original tempo. It adds a fantastic dimension to a song that is already a great listen. The songwriting, too, is evocative; lines like “there’s a fight and your mother called me a narcissist” and “but you got me on a tightrope, baby” are both specific yet relatable; a sense of universality to the emotions are attached to these lines. “Skintight Crazy” is catharsis with a groovy soundscape, and what better way to reminisce on a relationship than with a song that is just that? August Royals is an artist who has garnered praise from V Magazine, Rollacoaster, Lyrical Lemonade, and more. Additionally, he was selected to be part of Pigeons & Planes’ coveted “Best New Artists”, where he was noted to be “the rare kind of talent who’s positioned to strike the difficult balance between artistry and accessibility.” After signing with RCA Records, he released his debut single “Blue Football” to great success. Following “Blue Football” was his debut EP Inhaler  in 2022, which consisted of nine tracks and a multi-genre reflection on his personal experiences and struggles. After some time spent offline and in the studio, August is now back in 2025 with a bundle of songs that are his “best to date and most authentic.” “Skintight Crazy” is August’s second independent release, and with it we’ll all be looking forward to his continued projects. Drop August a follow if you enjoyed “Skintight Crazy”, and definitely be on the lookout for his next works! Written By Alexa Leung FOLLOW AUGUST ROYALS: Instagram | Spotify  | YouTube | Apple Music

  • Review: "Did the Mountain Change You?" - Laura Lucas

    Laura Lucas' newest romantic ballad "Did the Mountain Change You?" is built on dreamy vocals and thoughtful lyrics. The singer ponders a relationship with someone she was once close with. She opens the song wondering, "What time is it where you are right now? We don't speak so I ask myself." A longing to be reunited is nestled into the lyrical narrative. Painting a scene of crisp air and views from the top of a mountain, she asks "I need to know the answer. I think I know the answer, did the mountain change you?" Evoking lush feelings of connecting with the freedom found in nature, she wants to know if this openness can translate to their relationship. Soft rhythmic percussion and acoustic guitar set the stage for Laura's warm voice to carry the emotion in this modern indie-folk tune. The instrumentation quiets before it picks up again in the chorus to highlight the singer's sweet vocal swell. Laura's vocals are layered to create a richer aural texture. The light, whispering quality of Laura's sound is reminiscent of a spring wind passing through on a sunny day. Her vocal layers blend smoothly exemplifying the nature of the "dancing colors in the sky." This song feels delicately balanced between solemn and hopeful, striking the listener with powerful lyrics delivered through a soft, tranquil sound. Canadian-born singer-songwriter Laura Lucas currently lives and creates in Melbourne, Australia. Beginning to learn guitar at age 10, Laura found music and songwriting as an outlet to channel her storytelling. Releasing her debut EP "Light The Candle, Hold The Mirror" in 2022 and her second EP "The Dreamer" in 2023, collaborations with artists including Lawson Hull and Rod Coote, and shows supporting Harrison Storm, LANKS, and more. Laura's new single, "Did the Mountain Change You?" is a culmination of her curated indie-folk sound. Two of the artist's biggest influences include Lana Del Rey and Phoebe Bridgers, staples of the indie genre. Laura Lucas is asserting herself as an artist to watch as she marries her poetic lyricism with a rich undeniable sound. Written By Azalea Withrow FOLLOW LAURA LUCAS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • "Art" - Melanie Wehbe

    Step into the moody, electronic-charged world of “Art” – the latest single from artist Melanie Wehbe. “Art” tells the story of a powerful love that tests your limits yet is persistently & overwhelmingly plentiful in beauty. With a piano-laced introduction transitioning into an all-out power-pop anthem, Wehbe masters balancing the highs & lows of being completely in love with someone. While “Art” is overall a positive, upbeat pop track, it doesn’t shy away from showing realistic, sometimes difficult aspects of being in love. Wehbe uses both qualities to her advantage, allowing “Art” to blossom from one thing to the next while entirely staying truthful to the story. The song doesn’t allow itself to be defined but shines brilliantly in the pop realm, leaning into aspects that make it almost sound like a fight song. Wehbe is a force that steers this ship beautifully, yet she leaves room in this track for some things to just simply & beautifully speak for themselves – like the title “Art”. “Art” reflects on a love story that displays honesty, hardship, and pure enjoyment. The line “Bring back your broken heart and then put it together like a piece of art”, in itself details the nature of the relationship / subject in this track. While the world may pose a threat to them as a couple at times, or the couple as individuals, this relationship is truly “Art” and cannot be broken down. The sentiment behind the lyrics within this song create a freeing, expressive, and truly fun environment – it’s a safe place both for listeners and the subjects within “Art”. Not only is this displayed through Wehbe’s upbeat and layered voice, but additionally in the song’s build-up. “Art” builds upon itself, keeps it real, yet remains positive despite pressure at times – much like the relationship in the track, as well as how Wehbe views individual journeys of exploration. Melanie Wehbe is a gold & platinum-certified artist, storyteller, and LGBTQ+ singer-songwriter from Sweden with Armenian & Lebanese roots. By age fourteen, Wehbe began writing songs as a way to navigate her identity and learn to embrace it. She made her debut in 2022 with the EP ‘Bloom’ – a reflection of her own journey to accept and find strength within herself. Following her work for artists featured on platforms like Eurovision, Swedish Idol, etc., Wehbe stepped out of the role of writing hits for other people and began showcasing her music. Since stepping into this transition, Wehbe has performed shows across the UK, Spain, Germany, etc., as well as closed events like Stockholm Pride. Her music continues to explore self-expression, healing, and balancing creation within differing environments – furthering the self-discovery journey Wehbe is on and the emotional impact her music makes. Written By Madison Spies FOLLOW MELANIE WEHBE: Instagram | Spotify  | Facebook  | YouTube

  • Review: "Hello" - Pusa

    “Hello” is a relatable track about the war between one’s heart and head after falling in love. Norwegian artist Pusa brings these issues to the surface in this energetic dance track which reflects on a past relationship. The main chorus is simple, yet effective. It reads as follows, “Still love you, it’s painful.” It speaks volumes about the current condition of their relationship, and just how many feelings are still left behind. There is also a sense of nostalgia laced between many of Pusa’s words; it seems their separation came as a result of timing and circumstances rather than a lack of love. This sense of loss will surely be relatable to any pairing who have had to let go of each other for circumstantial reasons, or even for personal growth. Looking back and remembering fondly of the good times is something “Hello” also allows us to do. Now that we know its meaning, let’s break down how Pusa’s brand new single “Hello” sounds.  This track does a fantastic job of incorporating electronic dance elements into a more chill and smooth overall tone. As a producer and solo artist, Pusa creates a breezy beat intertwined with playful instrumental breaks. Combined with fantastic vocals and a catchy chorus, “Hello” possesses the full package of a dance pop hit. The mood of “Hello” almost makes you forget how introspective its lyrics are. When I picture where I would want to hear this song most, it’s driving in the car during an extra orange summer sunset. If you aren’t convinced already, take a listen for yourself. Pusa is the talented dance-pop and EDM producer who made “Hello” happen. His breakout track entitled “No Sweat” provided him a viral moment on the internet; one which he took advantage of to now earn international radio play and an extremely loyal fanbase. Born in Norway, Pusa is an artist who finds inspiration in fellow electronic dance music producers such as Clean Bandit, Martin Garrix, and Sam Feldt. EDM has a unique way of lifting the spirit, and Pusa’s musical goals are to create something he wants to blast through his own speakers for a jolt of energy. He is not only a solo artist, he often collaborates as one half of the duo Pusa & Bikkja. Since 2021, they have been creating for the electrifying EDM genre together. If you have “Hello” on repeat, be sure to follow Pusa on all of his social media accounts we’ve listed below! Written By Casey Hascup FOLLOW PUSA: Instagram | Spotify  | YouTube

  • Review: "Fake It" - Julia DeTomaso

    In this powerful and heartfelt ballad, Julia's new single "Fake it" brings an exciting twist to such a somber lyrical anthem. Her narrative follows the perspective of an ex-relationship and how sometimes the facade cracks in the layered emotions of the past. Her lyrics are relatable and real, creating a familiar story that her audience could relate to. This moody indie-pop harnesses the reality of a situationship for those who dared step into that realm. "Fake It" is lyrically straight out of the pages of a young woman's journal, earning a spot on a song to add to your feels playlist. Julia's haunting vocals harmonize with the overall vibes of the song. Mixed with slower, somber beginnings and a catchy beat to amass full force emotion, Julia's voice blends flawlessly between the two. Without misplacing or skipping a beat, the music actively engages with the narrative, immersing the listener to embrace the underlying truth of the fake act fully. Each line in the song feels like it was written with real feelings behind it, showing both sadness and frustration. The music matches these emotions really well, going back and forth between calm and intense. It’s the kind of song that sticks with you after it’s over, making you think about the message and how it feels to pretend everything’s okay when it’s not. Writing her first songs at 10 years old, Julia DeTomaso has a long love and passion for music and songwriting. With many performances under her belt, this rising indie star is an artist to keep on your radar. Julia has collaborated on songs that have gained traction and millions of streams. After taking a hiatus from releasing music of her own, Julia could not have debuted her return with a better song. With a clear and promising future in the indie-pop scene, Julia's writing and artistic abilities have the potential to take her far. Written By Adalyn Reichenberger FOLLOW JULIA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • Review: "Gravity" - Flame

    With so many unpredictable life events taking place each day in our lives it’s hard to find the strength to keep pushing through. We often doubt ourselves because we think we know our limits, or we simply just don’t want to keep going. But when you come across something that you enjoy or know in your heart that you can accomplish, the game changes. You shift all those negative thoughts of self-doubt into positive thoughts of empowerment. The amazing Flame has delivered to us her brand-new single titled “Gravity.” A song that explores all those self-doubts and negative thoughts into something that becomes some of the best moments in life. All you have to do is believe in yourself no matter what life throws at you.   I quite literally could not get enough of this beautiful and soul grabbing song. It has the most ethereal instrumentals I have ever heard. There are two guitar melodies being play throughout the track and they both bring this song so much emotion. Paired with the captivating instrumentals are her vocals that are impeccable. As she sings, she does so in a very expressive manner that makes you drawn to this song. My favorite part however was towards the end where the song fades out almost as if it’s about to end. But then she grabs you once more with a soft nature filled melody and her raw vocals. It’s as if she is just having a regular conversation before the powerful instrumentals come back, closing the song perfectly.   The remarkable and gifted artist that is Flame is a singer/songwriter from Edinburgh, Scotland. With her first single released in 2021 titled “Like a Fish” she has been composing the most amazing songs since. Her genre falls under the folk-rock alternative music as each of her tracks are as intense as the previous. Through all her songs you can deeply resonate with each as she puts her soul into everything she creates. I can’t wait to see what the talented Flame has in store for us next, but I am certain it will be just as moving as the rest. I highly recommend following her social medias below to never miss out on another release. Written By Julissa Garcia FOLLOW Flame: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Poison" - Maya Salafia

    Photography: jillian / @thejeeg "Poison" is the newest single from Maya Salafia , a song about always falling for the wrong person. Someone could be so enchanting that you can't help but be in love with them, but sooner or later you realize that having a crush on or being in a relationship with them would not be healthy. Salafia details her experience of this in "Poison" and realizes this keeps happening to her after beginning to fall in love with a girl. She defines her with vampiric qualities and is already anticipating that a relationship would not last, or she will be turned down if she were to confess her feelings to her. Indie and acoustic pop are the main influences of "Poison". It sounds like a song you would hear from a live band at a bar, and after hearing it you know that band is gonna make it big. The instrumentation is raw and it sounds like songs that were recorded back in the day when all the instruments had to be played at once in the studio. Its very authentic-sounding and gives off the vibes of a warm summer's day, where the wind is blowing through the leaves of the trees outside, the color of them akin to the leaves in the cover art. This is a very lovely song and Salafia has an amazing singing voice. Maya Salafia is a singer-songwriter and musician from and based in Boston, Massachusetts. She began her music career in February 2021 with the release of her debut single "First Grade". Since then, she has added other amazing songs to her discography, including "Everlasting", "Swim", and "In the Fall". She is set to release her debut album Girl Like Her in 2025. She competed in the International Songwriting Competition and was a semi-finalist in both 2021 and 2022. Her music been featured many times in different music review blogs and websites and she has performed her music live before. Maya Salafia is an amazing and incredibly talented artist! Written By Ashley Adams FOLLOW MAYA SALAFIA: Instagram | Spotify  | TikTok  | Apple Music  | YouTube

  • Concert Review: Sam Fender - The People Watching Tour

    I began listening to Sam Fender after watching a Louis Tomlinson interview in 2022, where he mentioned how much he loved Fender's music. I spent that summer listening to Fender’s 2021 album, “Seventeen Going Under,” and fell in love with his voice and masterful lyricism.  With the release of his third album, “People Watching,” this past February (read my review of the album here ), Fender announced “The People Watching Tour.” My friends and I have been fans forever and immediately knew we had to see him. We attended the show at the Marquee Theater in Tempe, Arizona, on April 21, and our dreams of seeing him finally came true. This was Fender’s first-ever show in Arizona. Whenever I’ve been to a show where the artist is not accustomed to our desert air, they preface their set with a warning that their voice may not be as strong due to the dry heat. Fender offered this warning, yet his voice was strong and clear through the entire 90-minute set.  He began his set with “Dead Boys,” a song from his debut album, “Hypersonic Missiles.” Written about the stigma around men’s mental health and the high suicide rates in the UK, this song is haunting and powerful. Fender has never been one to shy away from difficult subjects, and he is always able to do justice to any topic he writes about. This song has always been one of my favorites from him, but hearing it live gave it a whole new feeling for me.  Despite being a tour to promote the “People Watching” album, the setlist was primarily comprised of songs from Fender’s first two albums and early EPs. This was a special treat for me, as so many of my favorite songs from Fender’s discography are from early in his career. However, I was extra excited when I heard the opening notes to “Arms Length” from the “People Watching” record. This album has been on repeat since its release, and getting to hear some of the songs from it live was a joy I’d been waiting months for. He played a few songs from this album before transitioning back to some of my favorite older songs.  “Will We Talk?” is one of my favorite songs of all time, and I’ve been dreaming of hearing it live since I first listened to it three years ago. This song is an upbeat earworm that makes listeners just want to spin around and find a friend or a stranger to dance with. While I loved it before, hearing this song in a concert setting breathed new life into it and gave me a priceless memory to associate it with.  Soon after, he played “Howdon Aldi Death Queue.” Written in response to the chaos that the COVID-19 Pandemic unleashed upon the world, this song is a fast, punk-inspired track that was released as a B-side to “Seventeen Going Under” in 2021. Rainbow-colored lights flashed during the breakdown as the band gave it their all. Throughout the entire show, Fender’s band poured out their passion onstage and never let up for a second. Their energy was awe-inspiring and made the show even better. There was a brief detour from the normal setlist as a fan got Fender’s attention during the show. While he normally plays “A Little Bit Closer,” a track chronicling his internal battle with religion, this fan requested that he play “All Is On My Side,” a single left off his debut album that longtime fans have rallied around. I had never heard this song before, and Fender admitted that he hadn’t played it live since its release. At first, he was hesitant to try, worried he would forget the words, but he and his band executed it beautifully. Soon, the band briefly exited the stage before returning for the encore. They played an unreleased song from Fender’s upcoming “Me and the Dog” EP, “I’m Always On Stage,” before finishing with one of his most popular songs, “Hypersonic Missiles.” The only lowlights of the night were the lack of energy from the audience and the fact that another crowd-pleaser, “Saturday,” was missing from the set. I have seen many shows at the Marquee Theater, and while it is a smaller venue, it’s easy to move around in and there is plenty of room to dance. While my friend and I (along with a group of two other guys near us) were taking the opportunity to move around, much of the other crowd was stoically looking ahead.  Even for Fender’s more upbeat songs, where you would expect to see people dancing, the audience was mostly still. It was a bit disappointing to see, and I had expected more from his fans. Before the set even started, some of the people we were standing behind let us go in front of them because they were “probably weren’t going to be dancing, anyway.” While it was nice of them to give us a better spot, it would have been more fun to see people let loose and embrace the full concert experience.  Overall, this was a great concert, and I plan to see Fender live again. His vocals are even better than they are in the studio, and the energy on stage more than made up for the lack of energy in the room. I hope to see Sam Fender in a festival setting one day so I can see him shine even brighter. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

  • Review: "Healed Wounds" - Final Child

    As humans we’re emotional and we can hurt layers so deep you can’t even navigate where it started. Society often disapproves showcasing your pain and expects everyone to keep it tied so close no one would ever guess it was there. Truth be told, sharing your emotions is the only way to let them go and find release. Final Child’s new single “Healed Wounds” is about how important it is to feel everything to the full extent. She shares her introspective journey about how she learned to let it out so she would start to be okay. It’s a soft pop-rock track with a solid beat and catchy guitar melodies. Final Child’s vocals sit perfectly in the mix and have an angelic tone that satisfies your brain. This is the season of healing and for all the girls working through things, you need to add this to your playlist. "I can feel in my body, the wounds keep on healing more than I ever once wished for." “Healed Wounds” is a remake of Final Childs song “The Wounds.” Seven years later she touched back on a time where she was hurting to sing about the growth she experienced to find happiness. There is so much beauty in music and the vulnerability it took for her to go back to a dark place and share how it got better is inspiring. Final Child released a music video for “The Wounds” back when it was released and throughout the video she walks alone in a dessert landscape. She created a new music video for “Healed Wounds” where she goes to that same spot flipping back and forth between her past and current self. Her husband and two kids made an appearance in the video showcasing that things get better and happiness can be found in who you’re surrounded by. “Got caught up in it, but only for a minute.” I recommend you watch both music videos to feel and see the radiance that Jennifer found. It's a hope to all that no matter what everything will work out. Jennifer is the face of Final Child. She was raised in the 90’s where she spent a lot of time singing along to everything from Spice Girls to Nirvana. She is Swedish and moved to America in 2008 to begin her career as a musician. Jennifer perfected her craft for writing and producing and her debut single “The Wounds” was released in 2018. Since then, her discography has grown immensely with various single releases and three albums. Her music brings elements of pop rock together with her natural talent for story telling. If you love “Healed Wounds” be sure to check out the links down below to follow her career. Written By Emylee Herring FOLLOW FINAL CHILD: Instagram | Spotify  | TikTok  | YouTube

  • Review: "Wild Things" - Serena Foster

    Serena’s Foster latest single, Wild Things, is an electro pop song inspired by the children’s book, Where The Wild Things Are. The book is about a mischievous young boy who goes on a wild adventure after getting in trouble at home. It explores themes of imagination and rebellion which are reflected in the lyrics of this song. The music video fits the vibe of the song because of the forest and day time setting. Upon first listen, it gave me immediate late 2000’s, early 2010’s vibes, but I couldn’t put my finger on which popstar from that era she reminded me of. She did say this song was inspired by Lady Gaga. As a Little Monster myself, I completely agree. Wild Things starts off slow, the clapping and lyrics begin, then the chorus kicks in and you feel the instant urge to bop your head along. As I mentioned earlier, the themes are reflected with lyrics like “Enticing is an understatement, Freedom from my heartbeat blazing”, “I’d rather be wild, banned, exiled, than a repeat bandit”, and “Where are the wild things, Am I the only one”. The song ends with a slow wind down of Serena’s oh-ohs. Pure silence for several seconds while you grasp the song’s hold on you. Her smooth and consistent tone and singing style complement the song and the message she is going for. It is a certified bop from start to finish and I highly recommend it. Serena Foster is an independent artist born in Simi Valley, California and based in Los Angeles. Her love of music started at the age of four. As the years went by, she became multi-talented: singer, songwriter, instrumentalist, performer, producer, filmmaker, and director. She cites Britney Spears, Lady Gaga, and Natalie Cole as her biggest musical influences and the reason for getting into music in the first place. Not music related, but Lady Gaga literally took her flowers at Coachella which I can only imagine was a dream come true. She’s been releasing music for almost 10 years now, so if you are looking for more pop artists to support, she needs to be high on that list. Written By Jazz FOLLOW Serena Foster: Instagram | Spotify  | TikTok  | Facebook  | YouTube | Twitter

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