“PRINCESS OF POWER” is the newest and sixth album from immensely talented singer, songwriter, and producer MARINA . It features songs of freedom, passion, and love with a video game concept represented in the lyrics and production. T R A C K L I S T She went by Marina and the Diamonds from 2005 to 2018, and released the albums The Family Jewels , Electra Heart , and FROOT , iconic works of art which formed a large majority of today’s pop stars and their music. When she changed her stage name to MARINA, she released LOVE + FEAR and Ancient Dreams In A Modern Land , spellbinding masterpieces that were about love and growth while living and loving life and also spoke about important issues around the world. It’s without a doubt that MARINA is one of the most important artists of the 21st century. She set the precedent for how pop music needs to be crafted, and serves as the inspiration for the music that either plays on radios everywhere or is streamed over and over again by millions of fans. In June 2025, she released PRINCESS OF POWER , yet another incredible record that proves its impossible for MARINA to make anything other than spectacular music. PRINCESS OF POWER An album about newfound freedom and embarking on fresh beginnings needs to come with a first track explaining just that; this is the embodiment of the album’s title track “PRINCESS OF POWER”. It starts off with strings as MARINA sings the introduction verse before the production jumps off a diving board and plunges into a pool of an up-beat and energetic bass and clap combination. As more of her hauntingly beautiful vocals pour in, so do drawn out and sci-fi-esque synths, akin to meditation music but is given a completely new meaning in the production of this song. In the chorus, more sound effects like this, as well as the strings returning, can be heard, and this continues for the rest of the track. The first step in rebirth is accepting that you need to move on from a past that held you back so you can move forward; this is the moral of the lyrics. BUTTERFLY The second track but first single for the album, "Butterfly", comes not only with infectious vocals and ethereal production, but with a leadup of genius marketing. To promote the song, preceding its release, MARINA sent select fans a caterpillar, with instructions on how to raise them until they enter metamorphosis, and finally become a butterfly. Soon after, the title of track and release date were revealed. Listening to the song feels like you're floating through the clouds, but another creative element of the song's whole presence is how MARINA's vocals are pitched-up in the chorus. Like a butterfly, MARINA sings about turning a new leaf, describing her past as being a caterpillar, and being in the present as a butterfly, or living a new and better life than before. She was able to achieve this by letting the toxic people in her life go, which enabled her to be free from the past and look forward to the present and future. CUNTISSIMO "issimo" is a suffix in Italian that means "very" in English, and is connected to words to add emphasis. So, of course, in the third track "CUTISSIMO", MARINA describes how her life is cuntissimo . She reassess her popstar power and wealth, the beauty of being single, the enjoys of going on holiday and traveling the world, and not without good friends alongside her. She feels free to do whatever she wants, an amazing feeling many people experience after leaving any toxic environment. While also romanticizing nature and self-indulgence, she says that this is "a way of life", and the song’s title is half-English and half-Italian because she "live[s] the American life" and "live[s] the Italian dream". While the term is actually "American dream", her writing "life" instead reverses that, where she subscribes to how most Americans live, but then not "settling down", which she refers to in the pre-choruses. ROLLERCOASTER One perhaps would not expect to hear a beat similar to the one that was used in “Hollaback Girl” by Gwen Stefani on a MARINA song, but then again, anything is possible. The term “roller coaster” used in the track is not an actual roller coaster, or maybe not just a roller coaster, but a metaphor for wanting to experience the beauty of life and all the happiness that comes with it. MARINA has jaw dropping vocals all throughout the album, but the way she can sing at such an incredibly high pitch during the chorus left me speechless the first time I listened to it, and most likely many other people as well. “ROLLERCOASTER” is like if walking in the sky on a sunny day was a song. CUPID'S GIRL Like “CUNTIMISSO”, the fifth track of the album also has a rapid, racing heartbeat-like beat that adds great intensity to the overall feeling of the song, and based on the title and lyrics, its the perfect choice of style for the production. MARINA equates herself to Cupid, a god who is able to make people fall in love no matter what with a shot of an arrow. Her singing about her love interest being unable to not have feelings for her can be seen as her shooting a “love arrow” at that person, where the feelings are so immense it feels as though their brain has told them they have no other choice but to fall for MARINA back. After each chorus, a synth that sounds like a siren plays, just one of the very distinct and creative elements of the song’s production. METALLIC STALLION Although MARINA has been living a new life in the previous tracks of “PRINCESS OF POWER”, she now sings about an ex that keeps emerging from her past, no matter how hard she tries to push them away. She details how they were toxic, and were not fit to be in a relationship, which is why it doesn’t make sense that they want her back so desperately, since it's been proven impossible to be with them. The production of the song is a gradual build up, like it's telling a story through sound. The beat doesn’t come in until the latter half of the song, which can be viewed as the rising action. Then, the drums that intensify towards the end, which sound like a horse galloping, or a “STALLION”, is the climax, and then the rest of the song is the falling action and resolution. JE NE SAIS QOUI The line “I’m so into you, you’re hotter than God” is all the proof needed to show you that this song is iconic. “JE NE SAIS QUOI” contains a lovely, elegant, and picturesque production amongst the lyrics of a love song of matching traits. MARINA experiences love at first sight, and before she can introduce herself or even interact with this person at all, she wonders what this person is like, and because they are so attractive, she hopes that they are her type in regards to their personality as well. The exciting moment and feeling of butterflies you get when you first get a crush and are anxious to talk to them are perfectly captured in this song. DIGITAL FANTASY Track eight of the album is about the disappointment that has come with being with someone who’s obsessed with the internet and not being present in the real world, and now has unrealistic expectations for their partner. They have learned how love works through fiction, whether it be movies or TV shows, and they think they know how to connect with others romantically, but they don’t. MARINA recognizes this and decides to leave this person because they are immature for this. Like the title, the song has 8-bit and video games sound effects and production, including MARINA’s voice having autotune to create a retro atmosphere. EVERYBODY KNOWS I'M SAD One of MARINA’s specialties is making fun and upbeat-sounding songs with sad lyrics, “EVERYBODY KNOWS I’M SAD” being one of them. She explains how she spends most days alone, and that it upsets her that she can’t spend time with others. She wants to, but finds it very hard to get out of the house and be able to do things. She has thoughts in which she believes she’s destined to be alone for the rest of her life, and she can’t find the will to go out. She feels very isolated because of this, causing her great sadness. She is aware that people know all of these things about her and that her not wanting to go out is making her feel bad. HELLO KITTY MARINA shares what she’s like and what her boundaries are on “HELLO KITTY”. She explains how she expresses her romantic feelings. What seems like a sequel to “EVERYBODY KNOWS I’M SAD”, MARINA is starting to open up to spending time with others again, something she was drifting away from because she’s been wronged in the past. In the tenth track, she sings about all of her attributes that any potential partner needs to know about her and accept and not judge before being able to be in a relationship with her. This track has a slow tempo and features the strums of a guitar and a very elegant and cute beat. I <3 YOU This song might as well be a time travel machine set for the era of disco, which is the overall theme of the song, the line “We’re going to the ‘70s””, adding to this. It’s like it was produced with the overall concept of the song sounding like a time capsule from the time period, with several different elements supporting this, including the production and the spoken second verse, as well as the lyrics, in which people are falling in love on the dance floor and the fun never seems to stop. Once again, MARINA showcases her amazing vocals, them being in a very high pitch again throughout almost the entire song, as she’s extremely talented. ADULT GIRL The penultimate track is a somber ballad, shedding light on how innocence can be taken away from a young age, and you mourn it as you grow older. It’s very easy to be thrown into a world that you aren’t prepared for yet, because the world you’ve been living in is hurting you and you have no other choice but to escape. There are important moments in adolescence that you have to miss out on that you didn’t know were going to happen, all because you didn’t want to be in pain anymore. Now that you’re older, you desperately wish you can go back and relive the time when you were younger and do things over, but you can’t, so all you can do is feel bad and reminisce on what you weren’t able to have. FINAL BOSS The final track, aptly titled “FINAL BOSS”, fights back against those who think and act as though they’re more powerful than you, when in reality they’re not. Whether the lyrics are directed towards a person or multiple people, it retains the overall message of not letting people use you and treat you as less than, and to call those people out if they try to. This is another song on the album that features video game and sci-fi inspired production, which is supplemented by the lines “Finish him!”, “Thank you, Mario // But our princess is in another castle”, and “Game over”. The songs that were like this track greatly represented the video game concept for this album. I’ve listened to every MARINA album, and this is by far her greatest record yet. To outdo yourself every time you release an album is a feat not many have accomplished, but MARINA seems to do effortlessly whenever she makes music. Having a hand in all aspects of her songs, including writing and producing, shows how dedicated she is to her craft. She was born to be a popstar, with her endless musical abilities, inspirational storytelling, and insane vocal talent, as well her overall aesthetics that she has been able to pull off for every album era she’s done. I’ve been a huge MARINA fan for many years, and I didn’t think I could be even more of a fan than I already was, but PRINCESS OF POWER was able to do just that. Written By Ashley Adams FOLLOW MARINA: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

KARINA captivates with infectious verses that communicate her story through a high-gain string expedition paired with lovely vocals delivering longing licks of lyricism. KARINA’s cutthroat intro describes the murder scene they  left for her to clean up, singing “ there’s dirt on my skin and blood outside my veins/ I built up a wall to carve out your whole name, ” attributing her dedication and isolation to the effects of someone so hurtful. This is the pain of absence, asking “ was it the way that she laughed or the hope in her smile? ” begging for a rundown of why she’s been traded so effortlessly. KARINA pulls it together to assert “ yeah, you were my everything but/ I was just your for a while, ” returning a familiar, bitter nonchalance. KARINA’s “your girl for a while” is a sickening account of the wrath of loss, and even worse, betrayal.  In “your girl for a while”, KARINA casts a shadow past a guitar in overdrive as she rhythmically coos into the mic for a fire and ice intro that begs for recognition. The deep strings provide a baseline for the entire track. Coarse chord progressions lead to a standalone flutter of vocals that result in KARINA’s contained wail, encompassed by a light beat and the same hefty strings. The beat moves from electronic grunge to a passionate, pop exclamation. The shift between grime and glass auras deliver a sense of oscillation that drives an emotional connection to the track. KARINA’s voice is altogether distinct, gentle, and radiant, giving listeners whiplash with her range and genre-bending.  From Williamsburg, VA, KARINA addresses mental health, trauma, lost innocence, and more in her timely music. Her voice is reminiscent of Isabella DeFir' s " Debt ", but KARINA remains unique in her sound. She is now based in Richmond, VA and has released 8 singles, plus a debut full-length album thus far. She notes that Richmond’s scenery and artistic culture is responsible for some of her inspiration. Her first single “Out of Air” was released in 2023, and her first album “what happened to the little girl?” was released in 2024. This debut album was co-written and produced by Lawrence Grivich (Don of Pop Studios). Her style is unmistakably authentic, and her lyrics lacerate listeners. Recognition for KARINA, and her art, is a necessity in 2025.  Written By Hanna Hathaway FOLLOW KARINA: Instagram | Spotify  | TikTok  | YouTube

Breaking up with someone that you really care about and still love is a pain no one can warn you about. Whether the relationship went bad on both ends or just one you still feel like something is missing from your life. A million thoughts race through your mind like what are they doing right now and do they miss me. It’s the most normal thing one can think about when losing someone they never thought would go. But it’s also something that seriously hurt your well-being. Hallie Marie released her brand new single “Pure (Don’t You Still Remember?)” on May 21, 2025. This song reminds us that thinking about all the what if’s before and after a relationship is normal. Feel everything you possibly can the pain, anger, sadness and hatred because it’s the one thing that will heal you in the end.   The track opens up with the most beautiful acoustic guitar being played. I was immediately hooked as slow but vibey instrumentals are my absolute favorite. Her vocals were also terrific, she sang so passionately at every single lyric. There wasn’t a moment where you couldn’t feel how deeply this song meant to her. Everything about this song was great but I really loved how vulnerable and honest it was. There was so many moments where I could relate to it, and I did not hesitate to add this song to my moody vibe’s playlist. While it’s a track about losing someone you love the mood was so inspiring.   Hallie Marie is a singer/songwriter from Denver, Colorado. She is a brand-new artist to the music industry with her first release back in January titled “Indebted.” While she has only a few songs out right now they are all authentically her. In everything she creates she makes sure to add elements that not only her listeners can relate to but to also showcase her life experiences. Her music falls under that of the alternative indie/folk genre as she draws inspiration from artists like Billy Joel and Sufjan Stevens. I highly recommend listening to her brand-new song “Pure (Don’t You Still Remember?).” Be sure to also follow her social medias below and follow along to see what else this talented artist has for us next.   Written By Julissa Garcia FOLLOW Hallie Marie: Instagram   | Spotify  | Website  | Facebook   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Life is all about experiencing new things. New experiences with relationships, cities, and careers shape all of us and push us towards growth. Even if these changes can be scary, they can also be exciting - offering you a chance to shed the old and welcome the new. Child's most recent song, "Something New", is extremely inspiring with both its melody and lyrics. The idea of the unknown that comes along with new changes can be worrisome to most people. Child accepts change and desires something new, but still accepts the past and "what has been", too. The lyrics "I don't wanna forget 'cause what has been is nothing to regret. I've simply grown so tired of all I know" sums up the song's meaning perfectly. Even with the experiences of the past, it's good not to focus on "what-ifs" and accept something new. "Something New" feels like a song that belongs on someone's playlist to their life. It also sounds like the kind of song you would hear during an aesthetic movie montage for a main character driving around with the sun out. You are immediately greeted by a groovy guitar sound at the start of the song and a steady, rhythmic beat. It picks up in tempo when Child's beautiful vocals come in, and creates a more livelier, vibey sound. At the pre-chorus, the beat seems to simmer down a bit, leaving room for Child's angelic vocals to take center stage. The dreamy tone of the pre-chorus becomes more upbeat again during the chorus. The chorus is extremely catchy, with lyrics and a sound that feels inspiring and hopeful. In its entirety, "Something New" is an undeniably addicting song that you find yourself vibing along to. Child is a young Bernese singer-songwriter who creates beautiful music that is a perfect blend of indie, folk, and pop. All of her songs have relatable lyrics that divulge the ups and downs of life. Child's debut EP was released in November 2021. It featured the song "Draw the Line", which was chosen by SRF3 Radio as the "Song of the Day". Since then, the song has continued to be on the radio program. In August 2023, Child received a big achievement with the Music Loft Award! Child has also been working on multiple collaborations with other talented artists like Luca Aprile and Elija Tamou . Additionally, she has been working with various producers and recording new songs that she plans to release in 2025 or 2026. Child has done a support show for Asgéir (at Mühle Hunziken) and Shem Thomas, and will be having more projects and performances to come in 2025! Written By Kyler Griggs FOLLOW CHILD: Instagram | Spotify  | Facebook  | YouTube

AVARA released her latest single “don’t you wait” on May 31, 2025. While this song has the most amazing beats, I have ever heard it also tells a beautiful story about love. Waiting for someone to be the person you know they can be may feel like such a long time. There are so many things that go into the process. While we can’t force someone to be a completely different person, we can show them the potential they have. We can show them that although it may be scary to venture outside of their comfort zone it may just be well worth the wait. Waiting around for someone is never the answer because almost always they never change their ways. But letting them know they have help may just be the solution they are looking for.     “don’t you wait” starts off with a chest thumping beat that quickly grabs your attention. Her vibrant yet dreamy vocals follow instantly as the track opens. I seriously could not have added this song to my everyday listening playlist faster. The sounds throughout this entire track were full of so much energy and life. Pairing with the sounds were the instrumentals, while I loved everything about this song from her lyrics to her vocals right down the sounds. The instrumentals were so ear catching and soothing with a soulful saxophone solo and steady but soft drums going off. You can’t listen to this song and not want to just immediately get up and dance.   The talented AVARA is a 20-year-old singer/songwriter. She released her first single in August of 2024 titled “lose my mind.” With just three singles out since last year she has already accumulated over 12,000 monthly listeners. Her songs have a great amount of energy making her an all-around praised artist. Her latest release “don’t you wait” is a dance pop track with elements of afrobeats and the most beautiful saxophone being played. I highly recommend listening to this song as well as her other singles as they are outstanding! Don’t forget to follow her social medias down below and never miss out on another wonderful track. Written By Julissa Garcia FOLLOW AVARA: Instagram   | Spotify  | TikTok  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Love, love, love. It captures all of us by surprise, yet when we feel it… BOY! It’s like walking on a cloud, following the sunlight. That’s how it feels to listen to Melizza’s newest track “Only One You Need”. This is for all of the people out there who have their massive crushes, and dream about them feeling the same way they do. Listeners’ inner thoughts with this exact situation play out into the song, with the lyrics speaking for themselves: “Please fall for me/ Cause you’re all I ever need/ Please make me feel/ Like I’m the only one you need”. This song, crafted with the lover-pop energy, is all you will need to listen to in order to feel those feels! This song is very fresh and poppy, that has a ton of elements that create such a beautiful track. The guitar starts off great, giving a rock-edge to the instrumental. The drums give a clapping feel, easily giving listeners something to dance to. There is a ticking during the bridge that counts down to the chorus, giving a great release. The vocals are whiny, adding to the desperation of the message, creating such a cute vibe. The breaths add suspension, giving satisfying drops. Ending with a thumping, like a beating heart, this song is overall adorable and a magnificent bop. Melizza is a singer/songwriter based out of Switzerland. She wrote songs in her early years, then went on to perform at local stages. She easily captured audiences with her powerful voice. After some time, Melizza paired up with Nino Izzi, a talented designer and musician. Their goal is to create a “language of emotions and captivating soundscapes”, combining their love of fashion and music. Melizza put out her first single in 2023 “Give Me a Reason”, reaching 25 thousand listeners on Spotify. Since then, she has released four tracks, including the recent “Fly with Me”. If you want to hear more of Melizza or follow her on her journey, be sure to follow her with the links below! Written By Nevaeh Scott FOLLOW MELIZZA: Instagram | Spotify  | TikTok  | YouTube

Searching for the perfect way to usher the summer in? Feast your ears on ‘Velvet’ from Souvenir. ‘Velvet’ is torn straight from a synth-pop cloth, exploding with pure, positive energy and a throwback vibe. Whether you’re under the hot sun or spotlight above the dance floor, Souvenir has created an ideal song to throw on. Details of vintage red wine, black suede, and losing yourself in good vibes paint an image that pulls you in and makes you not want to leave. Not only does ‘Velvet’ sound part of an expansive, creative, and safe atmosphere, but it additionally reinforces those qualities both through Souvenir’s lyricism and energy. ‘Velvet’ is all-inclusive, otherworldly, yet familiar all at the same time. With a smooth, eclectic voice that is genre-bending, Souvenir includes shifts within ‘Velvet’ that will remind you both of classic funk and pop. On top of this unique blend, Velvet combines this sound with clever lyrics that tie quality writing and pure fun together. Souvenir’s blending of these genres, combined with open-mindedness, allows for a balanced and universal listening experience that could draw anyone in. No matter the audience, Velvet undeniably drips with romance, sparks, and heart – all led by Souvenir’s ability to cater to generations across the board. The influence of ‘Velvet’ may pull from the 70’s with its funk qualities, but it doesn’t stop there. Souvenir pulls influence from several periods of time, not limiting the song’s sound and allowing for his experience to speak for itself. It’s clear, even through this single track, that Souvenir knows how to blend nostalgia with the current desired attributes of the Millennial/Gen-Z space. Souvenir is a Brooklyn-based artist making music within the world of synth-pop excellence. Souvenir uses the knowledge and comfort of classics he was raised on and combines it with current pop music trends to create a free, energetic, and electric space. His music is dedicated and tuned in to youth, the modern queer experience, adventure, falling in love, etc. Living in a small town in Cape Cod, then going to Miami for musical school, and finally New York City, you can hear a widespread influence throughout Souvenir’s music. Since the release of his 2022 EP ‘Human Nature’, he has worked with producer & collaborator FLORIO. This pairing has brought us ‘Soft Place to Land’, a summer-dripped single, which prepared the two for ‘Velvet’. Continually releasing music that falls under the umbrella of euphoric pop, Souvenir continues to carve out his own path in the industry and focus on releasing songs true to his nature. Written By Madison Spies FOLLOW SOUVENIR: Instagram | Spotify  | Facebook  | YouTube

Claire Larose has given us a beautifully accurate depiction of how it feels to wrestle ourselves. "At What Cost" allows us to feel seen, we know we aren't alone. The wrestling we face within ourselves is often related to feeling like we're disappointing ourselves and those around us because we aren't living up to our full potential. Society tells us we have to meet certain requirements and expectations in order to be successful, but like the song says, "But at what cost?" One of my favorite lines from the song further paints this image when it says, "I've been working five jobs / No sleep / People think I'm crazy lately / They say I'm in too deep / But I wouldn't change a thing / I've been driving everywhere / to get where I want to be." We can see the struggle of the artist, who's being told that it's not worth it. While also seeing the dedication and determination of the artist and that's what makes it so beautiful. The tone of the song is rather introspective and bittersweet. There's an urgency behind all of it, she's working through all the emotional sacrifice that she's had to make in order to be where she is now. When you take a deeper look at the song you find that the mood is rather melancholic with a small hint of wistfulness. While the overall point of the song is sad, the determination and courage of the artist makes it easy to dream. The instrumentation throughout the song adds a level of depth, especially when the lyrics are factored in. We hear a mix of subtle piano, drums, and occasional swells of the base guitar. All of these elements blend together, taking the lyrics from simple, basic wording to deep emotional connection for all listeners. Claire Larose is a singer-songwriter from London, Ontario, Canada. She moved to Nashville permanently in 2022. She wrote "At What Cost" while working five jobs, wondering if she'd ever get to release music. Her music style blends indie pop and folk, tying the two genres together with her emotional, yet heartfelt lyrics. Her music is perfect for those who like artists such as Lizzy McAlpine, Noah Kahan, and Lennon Stella. If you're looking for sneak peaks of her songs she promotes them on social media platforms including TikTok, Instagram, and YouTube Shorts. Show Claire Larose some love and give "At What Cost," a listen. Written By Destiny Rundquist FOLLOW Claire Larose: Instagram | Spotify  | TikTok

“FYI” is a flirty dance-pop track infused with funky vocals and a runway-pop beat. Crowe is hungry for interaction as she sings “ savor you ‘til I’m better ”, which could also allude to the dynamic of addiction. She sings about physical affection and impulsive highs, creating an ambiguity that adds character to the song. This potential double-meaning invites a duplicity that deepens the connection made to listeners. She mentions that there’s no questioning “ this kind of love, ” enforcing the idea of an electric intimacy and/or addictive high mistaken as love. Using the verse “ FYI ” is a trendy way to lower the stakes when hitting on someone, but also represents the rushed nature of addiction as it’s a texting shortcut. Delivered as a hot song about love or  a comment on sobriety, this track has a duality that should be appreciated. The intro bass invites listeners to stay a while as Crowe’s voice dances through the first verse. A heartbeat drum keeps the track moving until Crowe takes over with high-pitched, dreamy vocals that pair well with flashing, colored lights. With layers of strong sound, Crowe belts “ do you feel me? ” followed by a gentle, “ FYI ”. This is all cushioned by sounds reminiscent of runway fashion mixed with sultry pop. Crowe is confident in her voice as she runs through sections of fluctuation with ease. This track is ultra-catchy, light, and versatile. With a few electric guitar riffs, a clap-along beat, and overlapping vocals, the end of this track ties together just over 3 minutes of cold-cut confidence. Play Jasmine Crowe’s “FYI” while riding in your car this summer, you won’t regret it! “FYI” sounds like Ariana Grande’s “ Break Free ” filtrated by Madonna’s “ Material Girl ”, and executes a musical bliss that's difficult to describe. Jasmine Crowe was born in Hawaii, and plays multiple instruments like guitar, piano, and violin. She is an all-in-one singer, songwriter, and producer, creating music that addresses themes like mental health and addiction. Her 2018 single “Breaking Things” won the Grand Prize “Song of the Year” in the John Lennon Songwriting Competition , showcasing her well-rounded talent. She was featured in American Songwriter Magazine as well as Hollywood Life and can be located on various “Discovered” Spotify playlists. Check out the social media links below for more Jasmine Crowe! Written By Hanna Hathaway FOLLOW JASMINE CROWE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Violet Whimsey is held hostage by hope in her new release “Still Here (Slow Dances)”, a bedroom pop track that’s dense with gut punching lyricism. She starts with her misconception of time, “ has it been three years?/ or 365 days, ” illustrating the sheer grief she is experiencing. She follows with a wasted wish, repeatedly revitalized by her blinded belief in this one person. Whimsey remains lost and confused, wondering “how many slow dances/ barefoot on the carpet ” it takes to earn reciprocation, or to persevere after not receiving it. She sings “ it must be lonely sometimes ” way out where “ you seem to belong/ to no one and nowhere ” acknowledging this person’s isolation, and wondering when they’ll come home. Whimsey cries “ when were you gonna say something?/ ‘cause I’m still here, ” which truly encompasses the soggy defeat of a hopeless romance. Between the lyrics, instrumentals, and yearning vocals, Whimsey cut her heart out and fully infused it into this track. Beginning with a classic piano ballad sound, Whimsey attacks each corner of the track’s soundscape with a voice so contused by false hope it delivers a jab laced with familiarity. She pauses between questions for emphasis along with a casual, tired tone, while exhausted by agony. The chorus is so gorgeous given her genuine voice and the intoxicating rhythm of the main verse. Drawing out lyrics like “ carpet floor ” and “ shooting stars ” adds to the imagery and grace of the track. The way Whimsey keeps composure throughout the song contributes to a sense of fatigue that only emotional damage can commit. Instead of higher volume vocals, she remains entranced by emotion to convey lethargy from a painful romance. The overall sound of the track is cohesive, inviting, and moaning with lament- all complete with floating vocals that transport listeners to a safe, sulking space.  Violet Whimsey makes music in hopes to connect with those who have struggled, or still struggle, with loss, anxiety, and/or depression. She’s from New Jersey, but is based in Los Angeles. Her striking lyricism and contagious sound invites listeners to relate to her experiences which fosters authentic connections with her audience. Her style covers genres from alt-indie-pop, rock, indie pop, and pop-alt. The versatility in her tracks is extremely impressive; she goes from  “How Bout We” to “Still Here (Slow Dances)” seamlessly. Whimsey released her first single “Loving You (Was Killing Me)” in 2020, and her first album, “Love, Love” in 2024. Keep up with Violet Whimsey by visiting her social media pages linked below. I’m thrilled to see what she does next! Written By Hanna Hathaway FOLLOW VIOLET WHIMSEY: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Setlist Death of an Executioner Bulls in the Bronx Pass the Nirvana I’m Low on Gas and You Need a Jacket I’d Rather Die Than Be Famous Where Is My Mind? (Pixies Cover) Floral & Fading Yeah Boy and Doll Face She Makes Dirty Words Sound Pretty Today I Saw The Whole World Wonderless May These Noises Startle You In Your Sleep Hell Above Caraphernelia Emergency Contact Circles Encore Disasterology Hold On Till May King For A Day (feat. Kellin Quinn) Pierce the Veil is a rock band founded in San Diego, California, in 2007, and consists of lead singer Vic Fuentes, guitarist Tony Perry, bassist Jaime Preciado, and touring drummer Loniel Robinson. From their humble beginnings in the SoCal post-hardcore scene, the band rose to stardom as they joined the Warped Tour lineup in 2007 and toured with more established bands like Breathe Carolina, Blessthefall, and Bring Me the Horizon.  However, nothing shot them to success like their 2012 album, “Collide With The Sky.” This album entered the U.S. Billboard 100 Chart at number 12 and sold over 27,000 in its debut week. This album also featured fellow musicians like Kellin Quinn, the lead singer of fellow post-hardcore band Sleeping with Sirens, and Jason Butler of the metalcore band Letlive. It soon became their defining album, launching them to new levels of fame and attracting more fans than ever.  Pierce the Veil has been my favorite band for over 12 years. I remember being up late one night and stumbling across this lyrics video to “ A Match Into Water, ” off of CWTS. I was instantly hooked. I’ve lost track of how many times I’ve seen them perform live, and I used to own countless pieces of merchandise. My room was once plastered with posters and printed-out photos of the band. I would spend hours in my room reblogging gifs of them on Tumblr and watching interviews and music videos. At 20, I got a tattoo of their lyrics, and though I’ve grown up and learned to love different artists and genres of music, PTV will always be my true love. I was fortunate to see them again at their sold-out show in Nashville, Tennessee, on June 3 at the Nashville Municipal Auditorium. They were supported by the pop-rock band Beach Weather (who I was honestly surprised to see on this tour lineup, since they normally tour with less heavy bands like The Maine), and their frequent tour partners, Sleeping with Sirens. Because the line to get into the venue was wrapped around the building (and I had  to stop at the merch stand when I finally got inside), I missed Beach Weather’s set. However, I was able to make it just in time for Sleeping with Sirens to start. This is the fourth time I’ve seen them on tour with PTV, so I knew most of their songs. It was fun to tap into some nostalgia as they played hits like “A Trophy Father’s Trophy Son” and “If You Can’t Hang.” By the end of their set, the audience was amped up to see PTV come on. Photo: Stage visuals After some time, the house lights dimmed, and banners depicting icons from all five PTV albums were illuminated in red. The crowd waited with bated breath as “El Rey” by the prolific Mexican songwriter José Alfredo Jiménez, played. This ranchera song is about a man who doesn’t let life’s hassles prevent him from becoming a king. Pierce the Veil has always been deeply proud of their Mexican heritage and frequently integrates it into their shows and musical compositions. Soon, “El Rey” faded into the opening notes of “Death of an Executioner” from their 2023 album, “The Jaws of Life.” The adrenaline was high as the band entered the stage.  While I had checked the setlist before my show, every song felt like a delightful surprise.  There was a beautiful mix of old and new songs across all five albums. While I loved hearing some of my favorites from CWTS and their 2016 album “Misadventures”, I was excited that their first album, “A Flair for the Dramatic,” finally  had its chance to shine on this setlist. In all the years I’ve been attending PTV shows, this album has been sadly skipped over. Some of the songs from this album that were a highlight for me on the setlist were “I’d Rather Die Than Be Famous,” “Yeah Boy and Doll Face,” and “Wonderless.”  They also played a snippet of the song, “She Makes Dirty Words Sound Pretty.” This song was released as a bonus track on their 2010 album “Selfish Machines,” but it is not available on Spotify, so newer fans may not know it. However, the long-time fans sang every word loud and clear. It’s a song many of us thought we would never hear live, but the experience fully exceeded my expectations. Photo: Stage visuals during "Disasterology" Soon, the first act was over, and the band returned to the stage for their encore. The first encore song, “Disasterology,” is one of my favorite songs and one I’ve never heard live before. Even though I knew it was on the setlist, I still couldn’t believe what I was hearing as the opening guitar riff played.  Next, they played their quintessential track, “Hold On Till May.” Since its release, this song has been a source of strength for fans due to its hopeful message. It’s always emotional to hear live, and with Fuentes’ beautiful vocals behind it, it will never fail to give me chills.  Finally, the band closed out with their tried and true closing track, “King For A Day,” bringing Kellin Quinn back out to sing along. This is a song I tend to skip when listening to the album in my car, but it’s perfect for their live shows.  Photo: Pierce The Veil Guitarist Tony Perry Through the night, Perry’s guitar playing skills continued to outshine any other guitarist I’ve ever witnessed. Preciado’s ever-present energy had him bouncing across the stage and hyping the fans up in the crowd. As the newest member of the band, Robinson also stood out with his impeccable drumming abilities, and the speed at which he moved was incredible to watch.  This concert felt simultaneously like I was 11 years old seeing them for the first time, and like I was seeing them for the millionth time. The crowd was on its feet all night and didn’t let up for even a second. Pierce the Veil has an electric quality about them that makes every live show feel like the highlight of the audience’s lives. I am so proud to have listened to them for so long, and I can’t wait to hear the incredible music I know they will create in the future. They will always be a place of solace for me and hold a special place in my heart. For them, I will always Hold On Till May.  Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Fervent singer-songwriter Erynn McLeod has just released her decade-spanning anthem "Quiet," an evocative track that follows McLeod's journey through life and complex personhood. Sending out a resounding message filled with maturity, acceptance, and the simultaneity of identity and experience, McLeod reflects on her triumphs and tribulations. The powerful lyric " I am simultaneously 9 and 19, 29 / The ending of a decade and I finally have a healthy mind" captures the very essence of accumulation and the passage of time. Her song is a product of life, of having lived through every phase, of fully experiencing the growing pains of knowing and not knowing, and of making peace with the amalgam of mistakes and choices that make up our very beings. Her proud admittance of imperfection and her proclamation of what she is and what she is not have given listeners an authentic taste of McLeod's honesty and character. "Quiet" is a deeply personal and relatable track for many who have taken their walks through life and come out of it with a subtle fondness. "Quiet" is sentimental yet powerful, fueling a spirited uproar in the listener in spite of its title. McLeod truly showcases her lyrical depth and impressive range throughout this song, resonating deeply within each listener. In addition, the strings serve as a pivotal point in the piece: light, grounding, and ever-present. These stringy instrumentals provide a point of return, creating a nice back-and-forth relationship between the song's impassioned surges and its natural ebb. As a soft contrast, McLeod's vocals are clean, yet angsty; her emotions shine shine through powerfully and complement the instrumentation well. The spoken bridge is echoey and intimate, giving us goosebumps of awe. The inspirational words that McLeod lends us here are candid and birthed from her own story, which make the song feel more personalized altogether. Overall, "Quiet" is a track that swells and grows alongside McLeod to create something truly beautiful, memorable, and real. With it, we are left with the perfectly bittersweet taste of growing as we go. Erynn McLeod is a rising singer-songwriter with an extensive background in music. Based in Charlottesville but connected to her roots in New York, the decorated singer-songwriter has curated her musical theater and folk-inspired sound into something more distinct and contemporarily her own. Studying and graduating in music and musical theater across NY and Europe, McLeod exhibits a true passion for her craft, honing her skills in various genres and backgrounds. Her most recent release, "Quiet," is a work shared off of her debut EP titled "Man of the House" and prepares audiences for the new wave of sound and creativity on the horizon. Set to release on June 27th, fans eagerly await to see what heart-stirring hits McLeod has in store! Stay tuned and follow her socials below for more updates on releases. Written By Pejah Carr FOLLOW ERYNN: Instagram | Spotify  | TikTok  | Facebook  | YouTube