Brooklyn-based producer Bildjan is back with a brand new single, "Stranger." Featuring singer Fe Maletiz on vocals, "Stranger" captures the intrigue and cautiousness of meeting someone for the first time and instantly feeling a strong connection. And fittingly, the track is just as alluring. "Stranger" is a mesmerizing piece of synth-pop. The production blends 80s influences with modern musical techniques to create a sound wholly of its own. The track's sound is timeless and clean, made even more impressive by the fact that Bildjan and Fe Maletiz worked on it remotely. Bildjan's experimental nature as a producer shines through "Stranger," as its grand and dynamic sound is utterly hypnotizing. One of Bildjan's greatest strengths as a producer-songwriter is his ability to create an atmospheric sound. From the bassline to Fe Maletiz's ethereal vocals, "Stranger" instantly transports you into the world the track describes. It is dark and ambient, yet still an instant earworm. Bildjan juxtaposes a darker aesthetic with glistening synths and catchy electro-pop beats. It is the type of track destined to be played in a nightclub with its moody but undeniably danceable vibe. Fans of artists like The Weeknd or Robyn would find much to appreciate in Bildjan's sound. With its undeniable catchiness and strong musical aesthetic, "Stranger" is a synth pop banger that really stays with you. Bildjan is not new to the music scene. The producer and songwriter has been releasing music since 2010. His sound hones in on genres like house, EDM, pop, and ambient, and he takes most inspiration from the 80s and 90s. But most of all, Bildjan concentrates on evoking emotion through his music. This is why he has also worked with Sony Music Film and other parts of the industry to compose musical scores for movies and advertisements. Bildjan currently has over 10,000 monthly listeners on Spotify, with some of his biggest hits including "Time to Find Someone" and "Incompatible." You can listen to Bildjan's discography, including "Stranger" on all major streaming platforms now. Written By Lauren Nolan FOLLOW BILDJAN : Instagram   | Spotify  | SoundCloud  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

ILUKA’s new release is a nonchalant ode to the dry dating scene that devalues the lush experience of going out with a “ california boy ”- a canon event for most. She starts with an account of a common first date with this type of man: he “ drank black coffee and drove around/ the stereo playing some indie band I don’t know, ” which could be charming at first. However, things become uncomfortable when he says “ it’s just casual ” then flies her “ out to Mexico ”, where he ruined the perfect view with his love for cigarette smoke. ILUKA makes a snarky comment, “ you’re so punk rock heavy metal/ soft like a flower petal ” she knows he thinks he’s “ such a dream ”. This sarcastic remark applauds this guy’s fulfillment of enticing attributes, paired with a reality check. At first glance, he seems enchanting, until ILUKA reminds everyone that he’s suffering from a lack of originality and emotional availability. This track is a warning for lovers interested in those sly, captivating, destructive, “ california boys ”, and an anthem for those who’ve experienced them! “California Boys” begins with a comprehensive intro that provides a sneak peak of the chorus and attracts attention. After starting with a high energy sound, ILUKA proves her vocal ability by gently slicing through a foot-tapping indie-pop beat, while telling the details of her story. With resounding precision, ILUKA controls each note progression allowing an essential isolation that creates a sing-along bridge before the chorus. This track plays with electric instruments in a way that bends strings for an ethereal sound. ILUKA’s voice is unmistakably malleable, caught in notes that warp beautifully, engaging millions of listeners. With this, there’s also a layer of energy that animates the track for an electrifying, indie-pop sound. This song ends with a fade out that invites listeners to hit “repeat”. Inspired by Janis Joplin and Stevie Nicks , ILUKA is an artist from the Blue Mountains of Australia that has accumulated a dedicated follower base. ILUKA learned about music from her father, who crafted handmade guitars that contributed to her career as an artist. She’s been featured in Rolling Stone and FLAUNT Magazine , and has over 250K monthly listeners on Spotify. ILUKA has showed up on NME , and has over 5 million streams from her 2024 single “Wings” on Spotify alone. She released her first single “Sympathy” in 2014, and has undoubtedly grown as an artist in the past 10 years. As a self-proclaimed “witchy cowgirl”, ILUKA is gaining recognition. Check out her socials linked below- I’m excited to see what she does next! Written By Hanna Hathaway FOLLOW ILUKA: Instagram | Spotify  | YouTube

In her new release, “In My Bones,” Mia Humphrey returns to herself after a period of losing herself and questioning who she is. Based upon a journal entry from the summer of 2024, this song is a celebration of Humphrey rediscovering and reconnecting with who she is at her core. Throughout the song, Humphrey details the joy of finally coming back into her own, saying that “[she] can feel it in [her] chest / that this is coming to an end,” finding joy in the known. With inspiration drawing from Noah Kahan’s “Northern Attitude,” Humphrey’s take on a folk-pop celebration shows clearly that she doesn’t only know who she is, but also knows where she shines. “In My Bones” covers the troubling journey of losing yourself, but the relief of knowing that you’ll know yourself again soon enough. Through reminders of who she is and “sifting through the memories” of what has happened, Humphrey returns triumphant to herself instead of “[loving] until [she loses herself],” getting herself out of a cycle that’s trumped not only her life, but a lot of listener’s lives as well. Tackling a topic that can be hard to approach emotionally, Humphrey does so by acknowledging the past and reminding herself that relearning herself are “the pains of growing.” Humphrey is not only successful at reminding herself that there’s a light of the end of the tunnel when relearning herself, but also is successful by reminding listeners on their own journey as well. Mia Humphrey is a singer-songwriter who was raised in Alexandria, Virginia. A recent graduate from Brown University, Humphrey was not only a student but pursuing her own music career as well. First releasing music during the summer of 2020, Humphrey has released three EP’s as of late: “Project Red Notebook,” “The Garden,” and “White Flags.” Releasing “In My Bones” on her graduation weekend, Humphrey looks back on all of the versions of herself, throughout her music and her own journal entries, in celebration. With “In My Bones” becoming the lead single off of Humphrey’s newest project, Humphrey’s voice is one that listeners can’t get enough of. You can keep up with Mia Humphrey on her social media, linked down below. Written By Abby Mornhinweg FOLLOW MIA HUMPHREY: Instagram | Spotify  | TikTok  | YouTube

Natalie Claro released her latest single “Spiders” on May 30, 2025. This song is about the rude and unnecessary actions and thoughts people take. Every single day there are thousands of people who don’t think twice before squashing a bug or spray painting the side of a building. While they may see these actions as a normal thing in reality, they are hurting the precious world we live in. Doing something just because you feel like it is a common practice, there is no need for permission by anyone. But doing something that intentionally hurts another should be a thought that is considered for a while.   “Spiders” begins with the most hypnotic vocals I have ever heard. I enjoyed the beginning of this track because it gave such a chilling sense with the high-pitched vocals. Immediately after the intro was over there was a powerful scream that started off the rest. The scream was my favorite part as it was different but unexpected making me intrigued to listen to the rest of the track. The meaning behind this song holds such a deep emotion and the pop rock elements bring the whole thing together. Especially with lyrics like “Find a heart on a sleeve / Cut it and watch it bleed.” I really enjoyed everything about this song. It was so unique in the message and the musical elements were fantastic.   Natalie Claro is a singer/songwriter from Los Angeles, California. While she creates all her music, she also produces her music as well making everything authentically her. In 2016 she released her first EP titled “Atychiphobia” and has released ever since. The music that she releases falls under that of the alternative pop rock and indie pop genre. The music industry is no stranger to Natalie as she has been on many tours that have allowed her to master her craft. I highly recommend you listen to her brand new single “Spiders.” Be sure to also follow her social medias below and never miss out on another release. Written By Julissa Garcia FOLLOW Natalie Claro: Instagram   | Spotify  | Website  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Carmon’s “Unravel Me” explores the dynamic of grief after the bitter-sweet ending of an unsure relationship. She copes with “ I drink whiskey like I wear perfume, ” which is an artistic hint at self destruction in the presence of mourning. Carmon’s style is reminiscent of romantic literature blended with contemporary habits, singing “ bed of roses, late lover’s doom ” mentioning the “ morning dew ", “ stars ”, and “ moonlight ” through an appreciation of nature and emotion. “Unravel Me” presents a literary sophistication different from contemporary lyricism, which invites a deeper resonance and acknowledgement of the piece. Carmon craves a shared vulnerability with “ my biggest insecurities, unravel me, ” but is greeted with “ desperation and deceit ” instead. This leads to a wavering loss, confusion, and memories she “ can’t replace ”. Carmon finally weighs the result of the love she “ could’ve made ” realizing that she must let all of this past “ good ” go, tainted with an all-or-nothing exaggeration. This track begins like a ballad, transitioning into triumphant truth and heated vocals. The repetitive rhythm and meter of the first few lines ingrain the listener with sympathy as they get a glimpse of Carmon’s vivid, tragic story. A soft drum carries her chorus, leading up to light vocals, complete with a final, bold twist to close the chorus. This twist is characterized by slowed instrumentals, repeating the main lyric, and an almost sassy last “ unravel me ”. Carmon’s voice is distinct, sturdy, and breezy, all at the same time. She conveys emotion, and leads the guitar’s commentary. She isolates her voice for emphasis, complimented by the flair of the instrumentals that flutter around her vocal variability. Carmon’s “Unravel Me” is the space between love and resentment, delivered by a sound that follows suit.  Carmon works to create music exploring themes of mental wellness, anxiety, and self-exploration. She’s an Australian, neurodivergent, singer/songwriter who’s influenced by artists like Phoebe Bridgers and Olivia Rodrigo . She graduated from JMC Academy with a Bachelor of Music and a Songwriting Specialization. Music has helped her address the hardships of Autism, ADHD, and Anxiety, and she’s released more than 14 songs on Spotify so far. She also joined emo-grunge band, Vampire Vampire to challenge her versatility. Her debut album, “All My Life”, is set to release in 2026, and she recently performed at St Albans Folk Festival . She frequently performs at bars/venues in Sydney, and her song “Burnout” was played on several FM stations. Carmon is a well-rounded artist, and I’m excited to see what she does next- visit her socials linked below for more information! Written By Hanna Hathaway FOLLOW CARMON: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Natalie Reigo’s new song, It Was You, is a catchy R&B infused pop song touching on the theme of teenage heartbreak. Dig deep in your brain to find that memory from your personal life. Are you there yet? When you’re young, it really does feel like the person you’re currently dating is the love of your life. You believe you’ll get married, buy a house, have children, and live happily ever after. It’s all very superficial and cheesy, but love in real life is almost never like the movies. Most of us are not going to end up with our high school sweethearts. Most of us are not even going to get married young. Love and heartbreak is a constant cycle that we have to navigate deep into adulthood until we reach the person we’re meant to be with forever. It Was You starts with a muffled audio recording where you can feel the pain and disappointment in her tone. In the first verse, she sings “Fell pretty hard, but knew from the start. We would turn out sour”. In the chorus, she sings “Sweet as sugar, cold as ice. Hurt me once, but feels like twice”. The bridge is interesting because it turns into a hip hop/EDM breakdown and, then bursts back into the chorus. It’s quite a juxtaposition given the rest of the song is her singing over a pulsating drum. The outro is a nice fade-out with her singing become softer and softer. Her vocals are smooth and controlled and the production fits her singing style. Natalie Reigo is an 18 year old singer-songwriter hailing from Stockholm, Sweden. Her music blends pop, R&B, and soul. She has covered a plethora of popular songs on her Youtube channel like Ariana Grande ’s “ Dangerous Woman ” and Zara Larsson ’s “ Carry You Home ”. She has collaborated with many experienced producers and writers. She has even performing alongside prominent Swedish artists including Smash Into Pieces , Tusse , Hanna Ferm , and more. She has a lot of experience under her belt so far in her young career. As she continues to make waves on the international music scene, I won’t need to tell you stream her songs because you’ll already be a fan. Written By Jazz FOLLOW Natalie Reigo: Instagram | Spotify  | TikTok  | YouTube

Delivering their second single of 2025, Wildflower Mind have released their latest alt-pop banger, "Call You Baby." The track follows on the heels of "Taste," a catchy rendition of Sabrina Carpenter's hit song. Adding to their original compositions, "Call You Baby" sees the band diving into introspective themes, reflecting on the vulnerability of longing and connection. Speaking about the song, Wildflower Mind stated, "We knew instantly that Call You Baby was the song we'd be hearing over and over for about the next year, whether it was through content, shows, or just us singing it randomly, it had that infectious kind of energy you just can't escape from, or rather, prefer to lean into." Proving themselves to be a force-to-be-reckoned-with in Phoenix's indie scene, Wildflower Mind's "Call Me Baby" showcases the band's ability to ensnare listeners in rich stories accompanied by lush alt-pop arrangements. The fresh track is as addictive as it is bittersweet, immersing us into an enchanting soundscape featuring shimmering guitar riffs, groovy bass lines, captivating vocals, and unforgettable melodies. Perfect for any alt-pop enthusiast, "Call Me Baby" would fare well in a playlist alongside iconic acts like Inhaler , Spacey Jane , The 1975 , DNCE , and Deaf Havana . Hailing from Phoenix, Arizona, Wildflower Mind are an alternative pop band that pride themselves on blending atmospheric rock textures with emotive, hook-driven pop. They began their journey by building a loyal following through local charity concerts and are continuing to make waves across the Valley. Adding to their catalog and giving fans much to look forward to, Wildflower Mind are set to release new music this summer, giving us a taste with "Call Me Baby." To hold us over until then, some of their previous popular releases include "Moving Away (From Moving Forward)," "Breathe," "Toxins," and "New December." Written By Cheyenne Johnson FOLLOW WILDFLOWER MIND: Instagram | Spotify  | TikTok  | Website  | YouTube

It's never easy to realize your mistakes in a relationship, especially once the romance is over. "Hindsight" by Sage Elton explores the way taking your partner for granted can haunt you when you look back at the past. The speaker dives into vulnerable spirals of self-reflection with lyrics exploring regrets like, "how I wish I saw all the good things." Memories, dreams, and aspirations as a couple are presented alongside explanations of moving on "you've been good after we drowned." This bittersweet song takes on love and regrets, standing in solidarity with those who have loved and lost. It reminds listeners to embrace the good in their relationships while they can. Pulsing low chords and high, enticing vocals draw listeners into the cinematic start of the song before percussion folds in. A brightness shines through the uplifting, ambient atmosphere of the instrumentals of the chorus as Sage's voice takes on a catchy vocal pattern that will have you humming the tune long after the track ends. Electronic instrumentals and the way the verses carry a reflective tone of recitation give a nostalgic sound to the song, mirroring the feeling of looking back held in the lyrics. The singing truly glows with layers of vocals blending harmoniously with the groovy instrumentals. Sage Elton is a singer and songwriter from Norway. Her emotional lyricism and genre-blending style offer listeners an exciting dive into pop, R&B, and pop-punk. She has studied music since the age of sixteen in high school, and continued on to learn from music industry professionals at the the Lillehammer Institute of Music Production and Industries. She has performed at venues and events like Oslo Street Food and Reshjem Festivalen . Her music has been featured by playlists from platforms including Pop Place and The Rhythm and Melody Room. Check out the links below to keep up to date with her music. Written By Hanna Kowal FOLLOW SAGE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“Ruins” is a new collaboration between Oliver Heldens and Julia Church, a song about sticking by someone’s side no matter what. With Heldens as the producer of the single and Church as a singer, Church displays her impeccable vocal talent as she describes her true feelings for someone in an emotional telling. She implies that the relationship her and this person are in is not completely steady, in which they experience hardships in and/or out of their control. However, this doesn’t stop Church from loving them, stating that if their relationship continues to be rocky, she will stay with them, as they both know their love is strong and that they can handle anything. Picture this: you and your friends are off to the biggest festival of the year, super excited and overflowing with energy as you all run together in a group and weave through the massive crowds of people, finding your way to the front row. Its night, so when you hear "Ruins" begin to play, the visuals displayed on the massive screen are bright and electrify the whole festival. This is what you feel like and can imagine while listening to "Ruins", an incredible EDM and house song that incorporates pop elements. Everything about this song, from the synths to the beat drop, is so addicting and makes you want to listen to it over and over again. Oliver Heldens is a producer and DJ from the Netherlands. Over the years, he has made waves in the dubstep scene and is an important part of the genre, and he has held performances at many popular festivals and has remixed lots of popular songs. Julia Church is a music artist from South Africa and is based in the UK. She has collaborated on many different songs; in May 2019 she released her debut single "Square 1". In October 2019, she released her debut EP Take What You Want, Do As You Please . Oliver Heldens and Julia Church are both amazing and very talented artists! Written By Ashley Adams FOLLOW OLIVER HELDENS: Instagram | Spotify FOLLOW JULIA CHURCH: Instagram   | Spotify

If you missed the news, Taylor Swift recently bought back the masters to her first six albums. Now, she maintains full ownership of her entire catalog spanning her 20 years in the music industry. In a letter posted to her website, Swift revealed that she was gratefully given the opportunity to buy her music “outright with no strings attached, no partnerships, with full autonomy” from Shamrock Capital, among other things (I’m looking at you “I haven’t even rerecorded a quarter of Reputation (Taylor’s Version)” ). In case you forgot, let’s run through the dispute from the very beginning, and I’ll talk about some of my opinions regarding the whole situation at the end. When Swift signed her record deal with Nashville based record label in 2005, she signed over her masters rights for her first six albums. She eventually wanted out of the deal, and Swift signed a new deal with Republic Records in 2018. In this new contract with Republic Records, she would retain the masters rights to all of her work. In 2019, Big Machine Records founder Scott Borchetta sold the masters rights to Swift’s first six albums to Scooter Braun, a known nemesis of Swift, for roughly $300 million. Swift, in an interview with CBS This Morning , stated “I couldn’t believe who [Borchetta] sold it to. Because we’ve had endless conversations about Scooter Braun, and he has 300 million reasons to conveniently forget those conversations.”This outrage inspired her 2020 song, “my tears ricochet”, off of her “folklore” album. The ensuing feud between Swift and Braun will soon become well documented in the following years  With the release of her 2019 album, Lover , Swift announced that she had plans to rerecord her first six albums. A year later in 2020, it was announced that Braun sold her masters rights to Shamrock Holdings for an alleged $360 million. In a post on X, Swift revealed that Braun’s team required her to sign an NDA before being able to bid on her work, which Swift’s attorneys noted was highly unusual. Braun’s team was unwilling to even give her an estimated price, which made it clear to Swift that her masters would not be for sale to her.  In April 2021, Swift released Fearless (Taylor’s Version) . In addition to the rerecorded versions of the 2008 songs, she also included unreleased “vault tracks”, featuring artists such as Keith Urban and Maren Morris. She followed this same model with Red (Taylor’s Version) , a 30-track record featuring the long-awaited “All Too Well (10 Minute Version)”. The “10 Minute Version” was the longest song to hit No. 1 on the Billboard Hot 100 chart, previously held by Don McLean’s 1971 hit, “American Pie”. After releasing  Midnights in 2022 and embarking on “The Eras Tour” in 2023, Swift released Speak Now (Taylor’s Version)  and 1989 (Taylor’s Version) in July and October 2023, respectively. Now, Swift owns the rights to every song she’s ever recorded.  How was Swift allowed to rerecord her old music, even though she does not “own” them? Despite not having the rights to the sound recordings of her first six albums, she did retain the composition rights. This allowed her to remake the originals because she wasn’t reissuing the original recordings. Does this mean any artist seeking ownership of their masters, and their contract allowing them to do so, should rerecord their songs? Probably not. In my opinion, there are very few artists who could pull this move off. Swift’s star power and sheer pull allowed her to do this, and most artists would not be able to pull listeners from the originals to the new versions like she could. Another leverage point Swift used were the “vault tracks”, aka songs that didn't make the final cut of the original album. Some of these were leaked in the past, while some were complete surprises for fans. This, evidently, drew listeners to these new versions. By drawing listeners away from the old versions to the rerecorded ones, it devalued her original albums.  This proves what we’ve observed many times in the industry - if you have money, you’ll go far. Without Swift’s rather massive bank account and her business prowess (she is the first billionaire artist that made their fortune from music alone), this deal most likely would not have gone through. The amount of leverage she has, and the pushback from millions of fans, played a role in the business negotiations. Even if the deal went through, I don’t believe the buying price would have been as low as it was. Rumors are that Swift bought back her masters from Shamrock Holdings for $360 million, the same price that Shamrock bought them for in 2020. This purchase was prior to the “Taylor’s Version” project coming to fruition, so Shamrock a) probably wasn’t sure that Swift would go through with the project and b) wasn’t sure that the project would even be successful, so it seemed like a worthwhile investment. Shamrock certainly made money off of the catalog, but most likely not to the degree they were expecting and hoping for.  The dispute has also raised questions about the ethics of the music industry, specifically regarding record labels. In response to the massive success of the “Taylor’s Version” project, many labels have been incorporating restrictions on rerecording in the clauses of their contracts. These restrictions can last anywhere from ten to thirty years. This may seem grim, but there are some positives. The success of the “Taylor’s Version” project has allowed musicians to make strides in contract negotiations, artist ownership, and to be more engaged with the fans. All in all, Swift’s masters dispute will certainly be written in the history books, and it will be exciting to see the long last effects it has on the music industry. Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"Immortal" by Aloe Blacc and 2ŁØT is an electrifying pop anthem about approaching life with a strong stance. The song is rooted in the philosophical concept, memento mori. This phrase, meaning “remember you must die,” serves as a reminder not to take life for granted, because nobody lives forever. The lyrics influence listeners to reflect on how they are living their lives and reevaluate their actions. Are they being their true self? Are they holding back due to fear? Is there anything they would like to change? Blacc and 2ŁØT encourage their listeners to live like they are immortal. Live life without fear and break through the anxieties that may be holding you back. Paired with the powerful production, “Immortal” is an inspiring track that instantly lifts the listener’s spirits. Blacc’s compelling voice and 2ŁØT’s infectious soundscapes blend to craft a perfect pop song. The bright production is reminiscent of EDM legends such as Avicii and Calvin Harris, while upholding both Blacc and 2ŁØT’s unique talents. The song begins with a soothing guitar riff and muffled synth sounds that set the effervescent atmosphere. After a few measures, the soft bass beats and Blacc’s incredible voice kick in, instantly impressing the listener. As the song builds, the production showcases a very rich and full dynamic, emphasizing the song’s powerful message. “Immortal” is a flawless track with impeccable instrumentation and clever lyrics, making listeners crave another collaboration from the talented duo. ABOUT ALOE BLACC Aloe Blacc is a Grammy-nominated singer, songwriter, rapper, and changemaker, known for being the iconic vocalist behind Avicii’s hit track, “Wake Me Up” and his lead singles “The Man” and “I Need A Dollar.” His latest full-length album, Stand Together , is not only a celebration of art and music but also a call to action for everything he believes in. He wants to remind the world that “one good song really can change everything.” ABOUT 2ŁØT 2ŁØT is a five-piece band known for the genre-blending sound, Electronic Jam Music (EJM). This unique sound blends elements of hip-hop, soul, funk, jazz, rock, and electronica. The group is comprised of Rude Love Jr. (vocals/keys), Omar Jawar (drums), Sage Judd (keys), Chase Koch (guitar), and Robert Trusko (bass). The band is dedicated to advocating for social change, with an emphasis on overcoming addiction, supporting youth, and criminal justice. Similar to Blacc, their goal is to inspire audiences through their music and their mission.  Blacc and 2ŁØT plan to reunite at Somehere Festival & Conference in Wichita, Kansas, on June 13- 14th, 2025, to perform “Immortal.” This event is one of the most socially conscious festivals in the country, and features performances by big names including Deadmau5, Flying Lotus, and Suki Waterhouse. For more information and to purchase tickets, visit  somewhere-fest.com . Written By Karlee Skipper FOLLOW ALOE: Instagram | Spotify  | TikTok  | Facebook  | YouTube FOLLOW 2ŁØT : Instagram   | Spotify  | TikTok  | Facebook  | YouTube

When the things we had avoided turns into something we can't help but love, it's hard to admit that this new reality is everything we had needed with that special someone. Late night drinks extend to two coffees shared in the morning, and the walls we've put up have started to crumble as we have found someone we can trust. We start treading in deep waters, but the trust we have in that special someone keeps us at the surface. Yetep and Trella opens the door to what we thought we had hated turned into a reality we have started to love. When the night turns into morning, and the rules have been broken for the person we can't help but fall for, we know we'll soon have to admit the truth that we kinda don't hate this love when it's with them. An upbeat, energetic melody and Trella's smooth and rich tone immediately greets us as "Hate It When It's You" begins. A lively and catchy beat plays as Trella sings about trying to close the door on being in a serious relationship, that has ended up transforming from one night to two coffees in the morning. The chorus soars into a captivating and emotional ambience that is also reflected in Trella's tone as the kind of love she has been avoiding has started to take over. An electric and addicting melody carries us forward as the cliche that she hated has turned into something she might be ok with. The emotional chorus returns followed by an escalating and exciting build up that keeps us on the edge as we are guided towards an epic beat drop reflecting the powerful feeling love can have even if we have a hard time admiting it. Yetep and Trella's "Hate It When It's You" has us dancing at night knowing in the morning we will finally be happy to admit that we don't hate the love we had been avoiding for far too long. Based in Los Angeles, California, yetep is an EDM DJ and producer who is known for his powerful and unique music. He began producing his own songs after attending EDM festivals with his friends, and from there he continued to grow more passionate about producing and performing his music as his fanbase started to grow. Along with performing at major stages and events, he has also worked with the non-profit organization, Common Unity, to raise awareness to the nation's homeless youth and mental health with the Common Unitÿ Tour. Lindsey Sweat is a singer and songwriter known as Trella who began her music journey at 19 years old. She has shown her power and influence in the music industry since then with an Emmy nomination and over 18 million streams on Spotify. Her music can be heard across a range of networks like FOX, ABC, and Netflix, and she has performed at festivals like Lollapalooza and Wonderstruck. Together, yetep and Trella are a powerful duo in this exciting collaboration that will have everyone dancing. Written By Nini Alano FOLLOW YETEP: Instagram | Spotify  | TikTok  | Facebook  | YouTube FOLLOW TRELLA: Instagram   | Spotify  | TikTok  | Facebook  | YouTube