If there’s one thing I’ll always love, it’s a song about falling in love. The feeling of butterflies you get when you start to fall deeper and deeper in love… I… can’t relate. But, we’re not here to unpack that today. No, we’re going to talk about a song that I think is a strong contender for the perfect love song. “Falling” is the latest single by singer and songwriter, Ashley Elle. I was immediately drawn into the beauty of this song, and the pure, romantic lyrics. I especially love this part in the chorus, “When you touch me like you know me / And I feel you on my body / I’m falling right into” . It’s sensual, yet innocent and beautiful. Upon first listening to this song, I noticed that Elle had a sound very reminiscent of Gracie Abrams and Lizzie McAlpine . Mainly because it’s a mid-tempo, indie love song, and because Elle has a certain gentle breathiness to her voice that I was able to connect with Abrams and McAlpine. However, Elle’s voice is one that I don’t really hear very often. It’s soft, quiet, and yet powerful all at the same time. It’s incredibly unique, and I think it pairs perfectly with the strong, lovestruck lyrics she has written. Not to mention the raw acoustic, nostalgic feel the music itself has. The groove makes you feel like you're floating on the ocean somewhere nice and sunny with the one you love by your side. Between the the meaning of the song and the overall style, it reminded me of "Fallin' For You" by Colbie Caillat in the best, nostalgic way possible. Ashley Elle is a Los Angeles-based singer and songwriter. She has been professionally releasing music since 2021, but was signed back in 2019 to Given Entertainment . You may recognize her from some of her popular hits like “how do you stop loving someone?” and “Heavy, Heavy, Heavy”. On Spotify, her fanbase keeps growing and growing, as she is currently sitting at around 10,000 streams a month. She is currently attending Loyola Marymount University, where she plans to hone in on her craft and expand upon her already impressive talent. I hope everyone goes and gives “Falling” a listen! You can stream is everywhere today! Written By Isabel Mays FOLLOW ASHLEY: Instagram | Spotify  | TikTok  | Website  | YouTube

myah’s new single “flames” is a sad heartbreak pop song that is about a relationship that is spiraling out of control. Imagine desperately trying and doing all you can to try to save a relationship, but it is not working at all despite you putting in all of the effort. “flames” focuses on realizing that the end of the relationship is coming to a near. myah is willing to let everything come crashing down with her despite her toxic relationship. She does not care about the repercussions. myah knows she tried her best to do her part with attempting to make the relationship work. myah feels the pressure and responsibility with having to save her partner from himself as she expresses this concern in the chorus of her song. “flames” is a solid listen for anyone who is on the verge of a breakup. I always appreciate it when a sad pop song has the rawness and realness that myah put into “flames”. You can hear it in her voice and lyrics throughout the song. myah does an excellent job with her lyricism when she compare the relationship to a volcano waiting to erupt at any moment. The lyrics in the song gravitate you towards liking the song more. I found myself more invested in the song as I continued to relate to myah’s lyrics. Singing wise, I enjoyed myah’s lead and background vocals. They perfectly capture her pleading to her partner to come back to their senses. The song does a fantastic job of using crescendos. The verses are quiet and mellow. The choruses are loud and dramatic. The sudden changes in volume throughout the song are a good way to keep the listener emotionally in tune with the music. myah is a rising pop star that has been uploading songs to Spotify since 2019. “flames” is a testament to the bright future she has in the pop genre with her clever lyrics and great vocals. Although “flames” is myah’s recent song, there are other amazing songs she has in her catalog that deserves attention as well. Those songs include “everything”, “notice me”, and “hurricane”. Her discography is an example of the range and versatility of myah has to offer to the scene. If you are interested in seeing her perform live, myah will be on stage at the Troubadour in West Hollywood, California on September 5 at 7:30. Make sure to follow myah on all socials to keep up with her musical journey. Written By Major Taylor FOLLOW myah: Instagram   | Spotify   | TikTok | Facebook  | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Only The Poets gives us a song that scratches deeper than the surface. The song "Mindset" allows us to discover how it feels to fall for someone who alters your mindset. We get the chance to explore what it might be like to love someone who helps open us up to new things. The song says, "Lost in my vices / But you changed my mindset / Now my mind is set on you." From my own personal experiences I can relate and connect deeper to these lyrics because I've had a relationship where I've experienced similar things. I think it's a common feeling most people have the privilege of experiencing. Towards the end of the song it says, "Thought love was dying / But you changed my mindset / Now my mind is set on you." There's an overflow of emotion and passion regarding the way the artists feel about the person they have this connection with. The song "Mindset" is very upbeat, which makes the message of the song hold even more power. The mood is something that can only be described as hopeful and awestruck; the artists are completely encapsulated by this relationship they get to be a part of. The music itself incorporates a large amount of synth sounds and a fair amount of guitar. This works well within the song because it helps keep the upbeat tone of the piece. When we add the vocals, it adds a softer feel to the song which helps melt all of the pieces into a well constructed and cohesive piece of music. Altogether, the listener gets to soak all of these elements in while also letting the music work through them. Only The Poets are breaking down walls within the alt pop genre of music following their international chart success, 'One More Night'. The song 'Mindset' comes shortly after their hectic tour, which included support spots for Tom Grennan and YUNGBLUD, they will be performing at the Reading & Leeds Festival in August as well. When asked about their influences within the musical realm they said, "We've taken a lot of our influences from stuff we're listening to now intertwined with Brit-pop and experimented with vocal layers and harmonies. At the back our minds we're constantly thinking about how these songs will sound live. We really wanted to go for that big, expansive stadium filler sound." Only The Poets have built themselves from the ground up from playing house parties, to pubs, to selling out 1,600 capacity venues in Europe. If they keep building their fanbase, they'll be sold out in no time. Make sure to jump on the fan wagon now! Written By Destiny Rundquist FOLLOW Only The Poets: Instagram | Spotify

Kaiwyn’s latest single “Cupidtised,” featuring Celyn Chow, is a vibrant blend of pop-punk energy and heartfelt lyricism that brilliantly encapsulates the thrilling yet precarious nature of falling in love at first sight. A clever portmanteau of “Cupid” and “traumatized,” the song aptly captures the dichotomy of enchanting attraction and underlying apprehension that accompanies new romantic ventures. Written back in 2010 during a train ride from Sydney to Newcastle, the song's origins trace back to an impulsive yet enduring creative spark. Initially envisioned as a solo piece, the songwriting journey evolved, revealing that the track’s emotive depth could best be articulated through a duet. The track’s optimistic vibes and catchy, melodic hooks are bound to resonate with anyone who has ever dared to take a leap of faith into the unknown territory of love. Instrumentally, the track features a rich tapestry of acoustic and electric guitars, bass guitars, drums, and even the unique sounds of a Moog synthesizer. This multi-faceted composition not only underscores the thematic elements of the track but also provides a great backdrop for the heartfelt lyrics. The xylophone and bird chirps are particularly effective, grounding the song in a sense of innocence and natural wonder while juxtaposing the more complex emotional undertones of pursuing new love after past traumas. Key Change Kev, as Kaiwyn is affectionately nicknamed, successfully navigates a vocal landscape filled with both soaring melodies and grounding harmonies, creating a listening experience that is as adventurous as the lyrical motif suggests. Simon Dobson’s production, layered with the nostalgic elements of early 2000s pop rock, anchors the track with a robust sonic foundation while still allowing room for whimsical touches like xylophone accents and chirping birds to shine through, enhancing the overall ambiance. Vocally, Kaiwyn and Celyn throw themselves into the narrative with wholehearted devotion. The interplay between their voices paints a vivid picture of affection and trepidation, underlined by the trio of key changes that mirror the ascending emotions one feels when “Cupitised.” As the driving force behind "Cupidtised," Kaiwyn is an artist whose story is as compelling as his music. Pronounced “Kai” “wern,” he is an Australian-based singer-songwriter who intriguingly balances a career in medicine with his fervent passion for music. Growing up in the outskirts of Kuala Lumpur, Malaysia, Kaiwyn was always creatively inclined, weaving melodies from an early age while simultaneously nurturing his academic pursuits. His dual career path is a testament to his dedication and versatility, embodying the same resilience and hopeful spirit that courses through his music. With "Cupidtised," Kaiwyn not only showcases his ability to create catchy and emotionally rich anthems but also affirms his place as a poignant storyteller capable of touching hearts across the globe. His journey from medical school to the recording studio exemplifies a harmonious blend of science and art, making his musical endeavors all the more inspiring. Written By Megan Cao FOLLOW KAIWYN: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Nashville, Tennessee based indie rock singer/songwriter, Matt Sahadi recently dropped his sophomore EP, "Dreams That Kept Your Faith At Night" which dives into themes of "broken dreams, fading youth, disparity, and escapism." TRACKLIST Am I Living What I Always Dreamed Of? Wastelands Light Of Hope Still Were Us Drive All Night Originally from Canton, Ohio, Matt Sahadi found a passion for songwriting and so he moved to the one place where it made sense to follow his dreams - Nashville, Tennessee. Although he is an incredible musician, artist and performer who can sing and play guitar like it's no one's business, Matt considers himself to be songwriter first and foremost. His lyricism and storytelling are compelling, honest, relatable and true. His words aren't meant to be just his, they're for the people who listen to take as their own. He released his debut single in 2021, titled "Light of Hope". From then on, he released 8 more singles which led up to his release of his debut EP earlier this year, "Propagated Sins". You heard me right! This EP we are about to go over is not only his second ever EP, but it's his second of this year alone. "Dream That Kept Your Faith At Night" is a collection of singles including his first and second singles from a few years back, "Light of Hope" and "Still Were Us", plus two songs released earlier this year in anticipation for the EP, "Am I Living What I Always Dreamed Of?" and "Drive All Night", plus a brand new song with the release of the EP to bring the concept all together, titled "Wastelands". Am I Living What I Always Dreamed Of? "Am I Living What I Always Dreamed Of?" starts this EP off strong with emotions running high as Matt Sahadi sings a story of a man who feels like he's trapped in a life he never wanted. This song has an intense soundscape, but the mood itself is very heartbreaking. The music consists of Matt's signature indie rock style, with layers of Americana and Country and just a slight hint of synth-wave. A sorrowful harmonica takes the stand a handful of times throughout the song, really setting the tone and teleporting you into the scene of the story. The lyricism uses imagery that pulls as your heartstrings, and the longer the song goes on, the more painful it gets. Matt uses this emotional, growling tone to sing of a place where it never stops raining, he's working his life away paycheck to paycheck, and he doesn't feel like himself anymore. I think we've all had those moments where we've felt like our lives aren't going the way we wanted them to - where the dreams we used have got lost somewhere along the way. Because of this, "Am I Living What I Always Dreamed Of?" will hit home to a lot of people. Wastelands "Wastelands" is the song that summarizes what this EP is all about. We get to hear the title within the lyrics during the bridge when Matt sings, "Used to have those dreams that kept your faith at night, where your daddy stuck around and your mother's still alive / You did your best each day and you made it out alright, you found yourself a girl and promised her a better life / But it's all a waste, unless you escape and break out from these lands". It's a super addicting, catchy tune about feeling lost in life and not seeming to be able to catch a break. Unfortunately though, you're the only one who can pull yourself out of the rut. You just have to believe that you're strong enough to do so. Using nostalgic pop/rock moves, this particular song gave me Harry Styles vibes with just a little bit more rusticism. "Wastelands" isn't just perfect for radio, but it written to keep the listener on their toes with it's groove switch ups and heavy emotion. Light Of Hope "Light Of Hope" was Matt Sahadi's debut single in 2021, and he's brought it back for it's moment to shine. It fits right in with the theme's of this EP, as it's about asking someone special to be there for you during your darkest times. Sometimes all we need is that one good thing to keep us from completely losing ourselves to all of the bad. "Light Of Hope" holds onto those nostalgic rock tones that we heard in "Wastelands", but has the soul and harmonica moments that we heard in "Am I Living What I Always Dreamed Of?". It's beautiful when you come to realize that Matt is taking elements from his roots, where his music all started, and intertwining them within his newest works of art. It's a full circle moment that connects everything together in this universe that Matt Sahadi has created for his listeners. Still Were Us Just like "Light Of Hope", "Still Were Us" was Matt Sahadi's second single which was released back in 2021; however, it still ties into this story that we're experiencing here within the "Dreams That Kept Your Faith At Night" EP. And when I say it ties in, I mean it really ties in. There's a lyric that stood out to me immediately - "Tracking through the wastelands of life, I'm turning every stone that I see / I'm chained to the broken and the promised, trying to find a reason to believe" - sound familiar? This song is about looking back on how a relationship used to be; when things were easy, the love was strong and it was just you two against the world - and wishing it was still like that. The raw pain behind Matt's voice is in this song makes for an extra emotional experience. What really makes this a stand out track is the guitar and saxophone solo. Not only that, but the lyrics are just, haunting - especially if you also have ever experienced such a heartbreaking loss of love like this. Drive All Night I want to start by saying, "Drive All Night" had my jaw on the floor. By the end of the track, alone in my room I audibly exclaimed "holy crap" with a wide-eyed expression on my face. Wow, what a perfect song to end this project on. "Drive All Night" is a whole experience within itself, using an 80's glam-rock inspired soundscape filled with synths, guitars, reverbed percussion and soaring vocals. It's cinematic, it's ethereal, it almost feels like being beamed up into a space ship while you're listening to it. The song is about being with someone who makes you forget everything when you're with them, to the point that you wish you could just drive around all night with them and not worry about what's coming the next day. From the vocals, to the production, to the lyrics, this song is a masterpiece and was hands down the right choice for the closing track! Matt Sahadi - where do I even start? He is a master at his craft; the storytelling, the soundscapes, the emotion, the imagery... all the details he uses are exactly what we need more of in mainstream music today. He creates art that people can connect to; music that you can't just hear, but that you can feel , that you can see when you close your eyes. When it comes to his style, there isn't just one that can define him. He blends such a wide variety of genres that makes his music appeal to just about anyone. We're talking indie pop, indie rock, post-punk, new wave, synth-wave, dream-pop, shoegaze, modern pop/rock and more. I highly suggest that if you loved this EP, that you also listen to Matt's debut EP from earlier this year, "Propagated Sins". The best part is Matt is still just getting started, and I can't wait to see where he goes from here. Written By Kaitlyn Nicole FOLLOW MATT: Instagram | Website | Facebook | Spotify | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Gamekeeper’s debut single “Run” is an upbeat, indie-folk song all about the apprehension that can bubble up in relationships, romantic or not, when we aren’t aware of our own fears beforehand. It’s that lingering feeling in your chest that this track describes, an uneasiness that permeates through the connections we have with other people. No matter the form that this anxiety takes– pushing, pulling, fighting, or closing up– it can end up being a major problem in any kind of relationship. Decorated in echoing, rich vocals, a bright guitar, and honest lyricism, “Run” hones in on the relationship problems that sometimes get swept under the rug, but always return until we finally deal with them. A brilliantly written and composed debut track for Gamekeeper, "Run" is a must-listen for any fans of indie-folk. If, like me, you love folksy music with a melancholic twang, you are going to adore “Run”. On that first listen, you are immediately surrounded by Gamekeeper’s soft vocals as the instrumentals remain fairly understated in this beautiful intro. Everything is mellow, like the calm before a storm, until you get to the 0:18 mark when the energy begins to grow and increase. The soundscape fills every corner of “Run”, a full-bodied track with both vocals and instrumentals that have a delightful interplay throughout the runtime. While the instrumentals are fairly cheery, Gamekeeper’s vocals are slightly slower and dulcet-toned– so, although the two are similar, they are different enough from one another to balance the soundscape with both fast and slow elements that create a dynamic track with many moving parts. And when you consider all of this with the songwriting, you get this amazing song that discusses the tension between fear and distress in relationships. A line I especially loved was, “Since we got too good at sayin’ nothing / Kickin’ worry just beyond our reach”. Much of the song deals with these types of emotions, of ignoring problems to the point where you become very skilled at doing so, and the want to run away. I enjoyed the depth of complexity that "Run" handled, an honest representation of what it means to have to face these feelings. The soundscape enhanced the songwriting tenfold, leaving listeners with a track that speaks volumes in every single one of its facets. Gamekeeper, AKA Warren Frank, is a singer-songwriter from Kawartha Lakes, Ontario. He was the lead singer in the indie-rock outfits The Kents and Heaps, which have both been heard all across Canada on national radio. In this new solo project, Frank seeks to allow his voice and lyricism to take the spotlight. With sounds similar to Noah Kahan, Field Guide, and Tim Baker, Frank’s music is rich in indie-folk tones. He is currently on a tour in Ontario with the Good Buds Tour with Nick Faye and Cassie Noble, and you can find tickets available here . “Run” is Frank’s debut single, and those that enjoyed it should absolutely drop him a follow as this project is just beginning! And, if you’re in the area, consider picking up a ticket to the Good Buds Tour to see and hear him live! Written By Alexa Leung FOLLOW GAMEKEEPER: Instagram | Spotify  | Apple Music

Hereditary by Cassadee Pope via cassadee.com Hereditary  by Cassadee Pope is the artist’s first full reintroduction back into the pop-rock genre. The album is comprised of twelve unforgettable tracks that display the singer’s iconic vocals and clever lyricism. Having been a fan since Pope’s Hey Monday days, I was ecstatic to learn about the return to her roots. Hereditary has both heavy anthems and soft ballads, providing songs for all different music tastes. From the first single, People That I Love Leave, it was apparent that this new era was going to be one of the best projects by the talented artist.   Track List People That I Love Leave Eye Contact Secret More To Me Three of Us Rom Coms Almost There Capacity I Died (Feat. Daisha McBride) Hereditary Ever Since The World Ended (feat. Aaron Gillespie) Wrong One Cassadee Pope is a singer-songwriter from West Palm Beach, Florida, now based in Nashville. In 2008, she made her musical debut as the lead vocalist and co-founder of the pop-punk band, Hey Monday . After one full-length album and three EPs, the band went on an indefinite hiatus in 2011. The following year, she released her solo self-titled EP before auditioning for the 3rd season of   The Voice . She joined Blake Shelton ’s team and became the first female winner of the show. The following year, she released her first full-length album  Frame by Frame,  which charted on the top 10 of the Billboard 200  and debuted at number one on Top Country Albums. In 2015, Pope collaborated with Chris Young on his single “Think Of You” from his album, I’m Coming Over . This song became Pope’s first number-one track on the U.S. Country Airplay chart and earned her a Grammy nomination, making her the first The Voice contestant to receive this prestigious status. After parting from her record label, Pope returned to independently releasing music. Hereditary marks her third album as an independent artist. Her discography is extensive, from her pre- and post- The Voice days, ensuring there is truly something for everyone. She is currently on her The Hereditary Tour,  with supporting acts The Foxies and Natalia Taylar on select dates!   She will also be joining Marianas Trench on tour this fall and will be performing with Hey Monday at When We Were Young 2024  in Las Vegas this October and the Emo’s Not Dead Cruise 2025 departing in Miami. Check out her website to find dates near you and purchase tickets or VIP upgrades before they sell out. And make sure you follow her on all social media platforms to stay up to date with all new announcements! People That I Love Leave Hereditary kicks off with the fiery lead single, “People That I Love Leave.” Released over a year ago, the song was the first taste of Pope’s new era of music. The high-energy track shares the singer’s fears and anxieties regarding relationships due to past trauma. Pope confesses her inability to let herself fall. From familial relationships to romantic partnerships, she has seen loved ones leave without a second thought. Through her insightful lyrics, she tells her subject to not expect her to say “those three words.” However, she reassures them as she sings: “I know you're confused, but it's not about you// It's not something you did, it's just not something I do.” After years of being burned, she refuses to let anyone else in. It is a heart-wrenching notion that showcases a darker, more jaded side of Pope. With the up-tempo, pop-rock production, “People That I Love Leave” was the perfect song to introduce the flawless album. Eye Contact The high-energy soundscape continues with the second track. While the previous song reflects Pope’s fear of being left by those she loves, “Eye Contact” shares the story of when this fear becomes reality. She kicks off the song with the chorus containing the clever hook: “You said you’d never tell me goodbye// You left in the dark, I guess you were right// Straight to my face, an all-out attack// Now I hate eye contact.” Immediately, Pope wraps up the entire message of the song: trusting a “professional liar” that she couldn’t read. They lied to her face while holding her gaze, showing no indication of dishonesty. Now, Pope is living with the leftover trauma, unable to trust anyone— even when they are able to maintain eye contact. Alongside the feisty lyrics, the instrumentation contains the iconic pop-rock sound that Pope is effortlessly comfortable in, emphasizing that she is back home to where she belongs. Secret Pope has written every single one of her songs based on personal experiences. However, “Secret” is the first song to stray from this pattern. The track is inspired by the Hulu Original Series, Normal People . The show is about the secret love affair between a popular jock, Connell Waldron, and a socially inadept scholar, Marianne Sheridan. He refused to let anyone know they were dating, even turning a blind eye when his peers would bully her. This inevitably led to an unsurmountable distrust and resentment. Pope took this intricate plot line and turned it into an infectious track from Marianne’s point of view. The vulnerable lyrics explore her complex feelings of love, betrayal, and disappointment. Pope ingeniously brings to life the inner workings of the character’s feelings, showcasing the artist's unmatched songwriting ability. More To Me “More To Me” was the first track written for Hereditary . At the time, Pope was unaware that she was even writing a new album. The song was a cathartic release when struggling with a musical identity crisis -- should she stay country or return to her roots of pop-punk? After releasing her previous album, Thrive , Pope was unsure where her career was heading and felt that "none of it mattered." “More To Me” was the catalyst for following her intuition and going back to rock music. The song details moving on from the bitterness and resentment held against someone who did her wrong. She realized that even without them around, she still let them have a hold over her. But now she has determined that there “is more to me than hating you now.” The song instantly caught my attention with the dark pop-rock soundscape and heavier lyrics, making it my favorite track from the project. Three of Us “Three Of Us” was the only ballad released prior to the album, giving the audience a taste of Hereditary ’s softer side. While the production leans on a more subtle soundscape, the lyrics pack a massive punch. Pope details the struggle of watching a loved one crippled by addiction. She paints a picture of wanting to help this person, but nothing she does will help. In the chorus, she sings: “It’s you and me and the drugs make three// If they’re so damn good how can I compete.” While she loves them dearly, she can no longer sit back and watch it happen. She continues in the chorus with the lyrics: “You love to say that I’m fucked up// It’s either you and me or the drugs// ‘Cause I’m done with the three of us.” This first line holds a double meaning. One interpretation is that her loved one is telling Pope that it is not fair to give them an ultimatum. However, the second can be interpreted as the subject saying they are “fucked up” from the drugs. The double entendre cuts deeper, making the audience think more about Pope’s poetic lyrics. “Three Of Us” discusses a subject that the singer has not covered, providing a song for fans to resonate with while also being a cathartic release for her. While I enjoy Pope’s high-energy anthems, I was pleased to hear another classic emotional ballad from the talented artist. Rom Coms “Rom Coms” is the more mature version of “Cinematic” from Pope’s debut album, Frame by Frame. While the latter track is about the whimsical, picturesque romance portrayed in movies, “Rom Coms” details a more realistic story. When she was younger, she dreamt of a love found in a romantic comedy—where they would show up with a boombox on your front lawn. But now, as she has gotten older, she is glad this is not the case. In the chorus, she tells her partner, “’Cause I love the mess we’re in, my fucked up prince// It’s time to let go of all the unrealistic fantasies// You make it seem like we don’t need the silver screen.” Pope breaks down the walls, defying the expectations of love. They do not need to be picture-perfect, as long as the chemistry, love, and respect are all still there. Almost There Pope shares another side of herself that she has not before in her highly infectious song, “Almost There.” The track showcases a more sensual and intimate storyline, as she divulges the private moments between her and her partner. Regarding the song’s background, Pope wanted to embrace her sexuality and indulge in her desires. She acknowledges that from a young age, especially young women, people are taught to suppress their natural urges. Instead, she rejects this idea and sheds the shame held over her head. Now, she proudly boasts about the beautiful relationship she has been in for years and uses her voice to encourage others to stay true to who they are. With her astonishing vocal range and fiery production, “Almost There” is an instant fan-favorite. Capacity The lyrics of “Capacity” immediately caught my attention with its cutthroat, straight-to-the-point lyrics. In the same vein as her song, “Say It First,” the new track is about the ending of a relationship—where both people know it is about to end. Instead, Pope is pleading to her partner to rip the Band-Aid off and tell her it is over. She knows they are stalling, and she just wants them to end it now, rather than stringing her along. In the bridge, she tells them: “It might suck to hear but things would be clearer// Hey, yeah, I might regret you but I’d respect you// Hey, I don’t need a favor, don’t need a savior.” These cheeky lines instantly became my favorite as Pope holds nothing back and tells them they are not doing her, or themselves, any good by bottling their feelings. She does not have “the capacity” to wait for them to finally spit it out. From the moment I heard this song, it has been living rent-free in my mind, proving to be one of Pope’s best tracks. I Died (Feat. Daisha McBride) As a fan of the macabre, my morbid curiosity attached to “I Died” the moment Pope announced it. The song shares the despairing moment of realization that the person you once loved treats you like you no longer exist— like you died. Each lyric left my jaw on the floor as Pope exposed her muse for the traitor that they are. While the song may be about a romantic relationship, there is also the possibility that it may be about her former label, making the song even more tragic in my personal opinion. As the final single prior to the album’s release, the song gave listeners the first taste of the album’s collaborations. Daisha McBride makes her first appearance in the second verse with a fiery solo. While rap is not my preferred genre, McBridge’s talent astounded me, and her voice paired wonderfully with Pope and the song’s heavier soundscape. With the grim lyrics and dark production, “I Died (feat. Daisha McBride) instantly became my favorite pre-album release single. Hereditary “Hereditary” is a “self-deprecating” track that details Pope’s generational trauma in a humorous tone. The catchy production paired with the singer’s cheeky manner when speaking the hook immediately made the song become one of my favorite tracks. The song displays Pope’s funny side – something that longtime fans are well acquainted with through interactions via live shows and social media posts. Her hilarious quips are a way to cope with her trauma, providing a cathartic release for herself while simultaneously giving listeners something to resonate with. The song is an electrifying pop-rock anthem that quickly became one of my top favorites on the album and from the artist overall. Ever Since The World Ended (feat. Aaron Gillespie) “Ever Since The World Ended” starts as a soothing rock ballad with an acoustic guitar and soft drum production that slowly builds into a passionate anthem. The increase in the soundscape emphasizes the heavy emotions behind the vulnerable lyrics about heartbreak and longing. The song features a collaboration with seasoned pop-rock artist, Aaron Gillespie , known for being the drummer and clean vocalist for Underoath , the lead singer and rhythm guitarist for The Almost , and a previous touring drummer for Paramore . Pope and Gillespie’s voices effortlessly blend to create the epitome of a pop-rock duet. Both vocalists have unique voices that fit perfectly with the genre, so it comes as no surprise that their collaboration would be a hit. Throughout the song, the lyrics compare the ending to a relationship as the apocalypse. They miss their muse and have been going crazy “ever since the world ended.” With the emotional lyrics and powerful production, Pope and Gillespie leave listeners craving more collaborations from the talented pair. Wrong One Similar to the previous track, “Wrong One” starts with a soft, acoustic verse that subtly introduces the song’s unique storyline. This lulls the listener into a sense of comfort, believing it will be another soothing ballad. However, after the final line of the first verse, the song explodes into a passionate anthem. Pope has a powerful voice with incredible vocal control, displayed by every single song she has released and her well-deserved win on The Voice . And yet, I still find myself in awe when hearing her remarkable vocals. Her voice hits impressive high notes with such ease that she makes it look easy. “Wrong One” was one of the songs that left me with my jaw on the floor, overwhelmed by the singer’s impeccable range. Ending the album with this intense track leaves listeners with a permanent mark, compelling them to hit repeat on the flawless project. In the fifteen years of being a fan, I have been a witness to Pope’s different career phases. From the early years with Hey Monday, her solo pop EP, and her The Voice audition (I remember it being the only season I cared enough to vote in) to her transition into country music, becoming an independent artist, and returning to rock music, I have stuck through it all. And enjoyed every moment. Pope has such an intimate and personal approach to her music, making every single fan feel seen and heard through her lyrics. She is authentic to who she is, which only makes her listeners fall for her even more. Hereditary and the ongoing success of the tour, is only proof that Pope is in her element. To witness this in real-time, buy tickets to the Hereditary tour now and check back to our website soon to see my review of opening night! Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"You might as well be dead". What a way to begin a song, it brings a serious tone to the song that the music began to show. The way SINEM's voice goes even higher on the most painful parts of the song really drives the heart break right into your soul as you listen. SINEM writes “This song is about loving somebody who's losing themselves. It resembles the feeling of a bright summer day fading into a burning sunset. The production of this track sounds organic thanks to acoustic guitars and live drums.” SINEM captivates the listener as the story goes deeper into just what has occurred here to lead to such a somber mood. That imagery that SINEM mentions in what the song is meant to capture is quite the picture. “The feeling of a bright summer day fading into a burning sunset.” With this imagery in mind, SINEM beautifully illustrates all that comes with loving someone and how that love can be unwavering even long after the person becomes a shell of who they used to be. The sun still has all of its bright shiny power, but it’s now taken new form into a sunset, the sun is going down, and so is all of its brightness. SINEM’s usage of her head voice when singing the most delicate parts “they gave you tinted glasses to make the sunshine when it rains”. It seems as if SINEM is saying that they tried to hide the darkness from her loved one but they saw through the facade being presented to them. SINEM mainly focuses on the here and now- “I still love you even if you’re faded”. And again, with present tense -“I look through your eyes and see there’s not much left.” I think it’s important to note that SINEM speaks about looking through someone’s eyes and not in them. At this point in time, there’s no longer anything in them, but SINEM can see straight through them, see emptiness. One can only imagine how absolutely heartbreaking it must be to look at someone and have so many memories of the person they used to be, but be met with their current state which is a hollowed-out version of them. So, in the end, we’re left with the question of Do we stay? Do we try and help them rebuild themselves? Or do we let go?. With this song, 19-year-old German/Turkish singer/songwriter, SINEM, gives voice to an emotion that many know all too well, the pains of true unconditional love. She narrates the heartbreaking tale of losing someone without physically losing them. SINEM’s voice is a force to be reckoned with as she lends it to storytelling for all to hear. Her voice has been described as “unparalleled” and “ a force that transcends genres, reflects the maturity and depth of a seasoned artist despite her young age.” SINEM’s social media presence is sprinkled with clips of her singing classics as well as her original songs. SINEM’s original songs seem to focus heavily on human experience and breaking stigmas. SINEM’s online presence is one that dots all of the I's that are expected of us all today – Facebook, Instagram, Spotify, Tik Tok, YouTube, she is both seen and heard at her own discretion, much to her fans’ delight. Be sure to keep up with all things SINEM by following her at her socials below, I know I will be! Written By Keiunna Thompson FOLLOW SINEM: Instagram | Spotify  | TikTok   | Facebook   | YouTube

This song, “ruin july” by Anderson Hao, is a rhythmic indie-pop song all about how the memories of a bad relationship can taint something you once loved. Made in a garage studio in Los Angeles, California, Hao wrote and recorded this to process what’d happened to her the year before, and ended up creating a song that touches at the heart of what so many people experience. With lyrics like “stuck in time with the months running away,” “I don’t think I’ll ever get to explain,” and the titular “you ruined july for me,” this song so poignantly describes how one person can mar something that was once such a big part of you. But with time, you find yourself and your peace again. “ruin july” relies on rhythmic beats mixed with soft vocals to create a moody atmosphere that perfectly carries the message of the song. Starting right off the bat with catchy percussion, you’re pulled into it immediately, bopping your head and tapping your foot. The almost lighthearted instrumentals are a perfect contrast to the darker lyrics, keeping you engaged and always listening for something new every time you hit play. The two and a half minute length leaves you wanting more, a perfect length to keep you coming back. Overall, the slightly experimental, but familiar sound is soothing for all fans of sad music, and it’s already become a favorite of mine. Anderson Hao is an up-and-coming singer songwriter located in California. With a distinctive sound that varies between soft and more electronic, she’s gathered over 26,000 monthly listeners on Spotify who love her unique mix. She mostly performs on her own but works with various producers, and her partner Ari Rivera, to create the songs that her fans know and love. “Ruin july” marks her most recent release but she started releasing music on Spotify back in 2023 with her first song, “AFTER U.” You can use the links below to listen to more of her music and follow along as she continues on her musical journey! Written By Morgan Fischer FOLLOW Anderson Hao: Instagram | Spotify  | TikTok  | YouTube

The decline of something that we once believed was ineffably special. The slow wane of a love that once burned with a smoldering passion, slipping out of our grasp faster than we can think to save it. It’s a breakdown of love, a bond that used to burgeon akin to that of a delicate flower, the sullen tragedies that come with loving someone, how fast love can burn away into nothing. The song “EASIER” by RuBe tells a similar desolate situation in the harmonious tune of a song about the breakdown of a love that was once burning with affection, only to decline slowly at the dispense of unfaithfulness and being unable to forgive the person who had inflicted and caused so much pain and confusion. This song has the ability to tell the story of many listeners who have experienced similar circumstances of distress and unforeseen heartache. As the song expresses in heartfelt lyrics “it’s hard for me to forgive you in my heart”, which describes the difficulty and intense level of maturity it takes in a person to find it in their aching hearts to forgive someone who has betrayed their trust– something a plethora of listeners can, woefully, find themselves relating to. Click here to listen to "EASIER"! The song starts off with an intense opening that grabs the listeners in an embrace, setting the tone and message of the song just within the first few seconds. Gradually, it carries out, giving our artist, RuBe, the opportunity to share her mellifluous voice and convey her emotions using sincere lyrics that pull at the sore strings of her listeners' hearts’. As we are introduced to the main hook of the song, the sound lingers, hanging on in a sort of echo as the beat of the song carries the rest of the tempo, matching the simple yet intensely vehement words that RuBe expresses. All flowing together, creating a sound that is so intricate yet also so austere. This song is something I find myself resonating with especially, experiencing similar emotions that this song so skillfully conveys through its lyrics and the emotion in RuBe’s voice. Although the meaning behind the lyrics holds some weight, I feel this song can be relished in many ways. Through its expressive lyrics as one, and through its resonating sound. RuBe, the talented artist behind the song “EASIER” is an exceptionally young talent being only 19 years old and already so involved in her career as a musician! She is a singer and songwriter who resonates with sounds like dance and pop– especially known for her meaningful lyrics. RuBe sings about deep topics like mental health, love, and grief. While listening to her work, it’s hard to ignore her innate talents of storytelling through each one of her songs, bringing out a new set of emotions and sentiments for any listener who may find themselves contemplating the lyrics. It’s evident just how passionate RuBe is about singing and writing, she even performed at a BBC introducing gig and was made “BBC ONE TO WATCH” in the year 2022 for her songs “Broken” and “Trying”! As RuBe continues to grow as an artist and talented musician, I can’t help but wonder what kind of bright future is in store for her! I look forward to hearing more of her music! To keep up with a talented artist like RuBe, follow her socials, where she regularly updates all her followers and supporters throughout her musical journey. Written By Rosalyn Sanchez FOLLOW RuBe: Instagram | Spotify  | TikTok  | SoundCloud | YouTube

Rising artist Lullabee has introduced “The End” - an electronically electrifying pop song that makes you want to immediately run to a dance floor. While a relatable sense is brought to the ears of listeners with the track’s breakup narrative, Lullabee’s songwriting goes beyond common storytelling. “The End” dives into a personal, liberating journey that is bittersweet. The track explores, essentially, both sides of a coin - loss on one side, love on the other. As Lullabee delves into the complexities of this relationship, you begin to discover little pieces that stick with you unlike some other pop songs. Although it is undeniably a danceable track, the layers to the relationship in combination with well-crafted lyrics create a listening experience to pay attention to. While listening to “The End”, I found both my head bopping along and my focus directed on how the lyrics made me feel - resulting in a comforting connection between my body & brain, tagging alongside Lullabee’s art.  Upon my first listen of “The End”, I made connections to other artists such as Charli XCX, Robyn, Fred Again.., etc. Lullabee creates the perfect blend of dance, pop, and electronic qualities in her music, drawing similarities to these artists but additionally making her stand out. While Lullabee is a modern artist and has a modern music sound, the song altogether also brings you back to another point in time. I found myself relating “The End” to beloved 80’s hits like Obsession by Animotion and West End Girls by Pet Shop Boys. As my relationship with this song grew over time, so did my keenness toward the specific backing elements that I picked out as I dissected the song. Although they are electronic elements, I discovered specific notes that remind me of classical instruments - just elevated. These bits brought out tones of a light, airy instrument like the flute, while being supported by brilliantly utilized aspects such as a synthesizer. With drums that fade in & out and a voice that melts perfectly into the electronic world laid out before you, you’ll find yourself picturing things like neon lights and a fun, freeing night with your closest friends. Katie Brown, also known as Lullabee, is a rising musician from London, England. Starting out in 2022, Lullabee originally began making nostalgic indie music. Now, she has transitioned her sound to fall under the umbrella of Alternative Pop. She has been featured on radio stations such as BBC Radio, Amazing Radio UK, and Amazing Radio in the United States. In addition, her content has been recognized & featured by Spotify in their category of “British Indie, Fresh Vibes.” Lullabee says she draws her inspiration from artists such as Mitski, Tove Lo, and BANKS. With soft, comforting vocals and pure craftsmanship of personal experiences, I cannot wait to see more to come from her!  Written By Madison Spies FOLLOW LULLABEE: Instagram | Spotify  | Facebook  | YouTube

Sophia Rae’s latest single, “Version of You,” is a song that delves into just how blinding love can sometimes be. It discusses how hard it can be to let go of a relationship – so much so that you create a perfect version of them in your head to avoid confronting the reality of the situation. Rae’s lyrics also explore the lightbulb moment that I’m sure many can relate to. She addresses that moment when you finally see the person for who they really are. Her lyrics, “What if I could see you like everyone sees you // What if I could survive without us, without you // You’re a mirror, I’m a mess, you reflect it right back, right back // Falling deeper, even tho I know better than that,” express a deep level of vulnerability and self-reflection that really encapsulate the heartache of letting go. “Version of You” is an indie-pop ballad with an ethereal, symphonic melody that matches the emotional tone of the song. It starts off with a simple piano and guitar that is met with Rae’s soothing vocals that effortlessly glide listeners through the story. Just before the song enters the first chorus, listeners are met with a beautiful violin melody that is paired with Rae’s soft, hushed harmonies. Together, they flawlessly reflect the somewhat somber, yet empowering story of someone who finds the courage to let go of the idealized person and relationship they envisioned in their head. Sophia Rae is an 18-year-old Canadian singer-songwriter who wears many hats. Rae has many passions that keep her driven. She is an entrepreneur who alongside her mother, co-launched Girl on Fire Empowerment for teens. Together, they also co-host and produce a mother-daughter podcast called SPARK. In addition, Rae is an accomplished public speaker and mental health advocate who has spoken at various conferences. At just 14-years-old, Rae spoke in front of 200,000 people as a TedX performer. She is also about to embark on a new journey as a student at Arcadia University. While some may just be discovering Rae’s innate talent, she’s been a creator from the very beginning. A lover of writing poetry and short novellas, Rae’s passions are endless, and it’s clear that they’re leading her on the right path. Written By Giselle Morales FOLLOW SOPHIA RAE Instagram | Spotify  | TikTok  | YouTube