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Mistakes are a part of any relationship. Forgiveness and understanding are important in order to move on and thrive. However, some people continuously cross boundaries without taking accountability. This is the story told in “99” by Grace Luv. Grace Luv describes the experience of giving someone multiple chances only for them to let you down with powerful lyrics such as “Go ahead and tell me all your empty promises” and “I can’t believe it’s you again and all your bullshit.” Eventually you have to draw the line somewhere and find the power to leave, and that’s how Grace Luv ends her story. This track begins with subtle vocals and harmonies over a bass melody. The pre-chorus introduces guitar and percussion. After the chorus is a groovy instrumental break before the introduction of the second verse. The vocals are mellow and cool while still delivering the emotional value of the song and showing off technical prowess. The final chorus layers the guitar and percussion tracks with impressive vocal harmonies. By doing this, the final verse has a certain emotional punch while keeping in line with the subtle and subdued mood of the rest of the song. The backing track cuts out for the final line, leaving the audiences to consider the powerful messaging of the song. Grace Luv is a 16 year old singer, songwriter, and actress. She has been singing since the age of 5, when she took her first piano lesson. Since then, her career has been blossoming beautifully with the release of emotional and artistic works such as “exile” and “Bridges”. She has had numerous successful performances at places such as Monument Square Park in New Brunswick, and performing the National Anthem for a University of Notre Dame basketball game. Her next performance will be at the Jupiter Seafood Festival where she will be opening for Maddie and Tae on February 21st.   Written By Victoria Fitzgerald FOLLOW GRACE LUV: Instagram | Spotify  | Facebook  | YouTube

*The Haunt via Ticketmaster.com The Haunt is a magnetic force to be reckoned with. The alt-rock band effortlessly commanded the stage at their first headlining show on the New Addiction Tour in San Diego. While guitarist and vocalist Maxamillion hyped up the crowd with his impressive crowd work, lead vocalist Anastasia mesmerized the audience with her powerful vocals and haunting demeanor. She truly embodied the sound and aesthetic of the band with her ethereal presence. Together, the siblings created the perfect space for the audience to release their emotions and forget their troubles for a couple of hours. The band kicked off the night with their hit song, “Bad Omen," one of my favorite tracks from their new album, New Addiction . The song is the perfect way to start the night, containing brutal lyrics that match the heavy production. With the line, “I’m a fucking psychopath, and it’s all working out,” the audience experienced a cathartic release while they screamed along with the artists. The Haunt did an excellent job at engaging the audience and making the show an unforgettable night. One thing to know about me is that I am a fan of all things macabre. My favorite genres are dark-pop and women-led rock, so when I discovered The Haunt, I immediately became obsessed. I adore the haunting aesthetics found on all their cover art, merch, and music videos (I am also insanely jealous of the fact that the duo’s last name is literally “Haunt”). An important aspect of what makes a concert amazing is not only the performance, which Anastasia’s vocals and Maxamillion’s guitar skills blew it out of the park, but also the visuals. Anastasia looked like an otherworldly spirit gracing the living plane for one night of chaos. Her delicate white outfit, stark red hair, and bold black lipstick turned her into a haunted doll. Her mannerisms and expressions matched this deadly visual, making it one of my favorite live performances to date. For my friend and me, and probably everyone else in the crowd, I couldn’t take my eyes off her for one moment. Her presence possessed the audience, leaving them at the mercy of her enchanting aura. The Haunt at the House of Blues Voodoo Room in San Diego on their New Addiction tour. In 2025, I had the honor of listening to several amazing artists and attending many tours. However, The Haunt is by far one of the best artists this year, as evidenced by my Apple Replay. The way the audience couldn’t take their eyes off the band and everyone was rocking along, even if they didn’t know the song, proved their immense star power. If you have the opportunity to see them live, buy tickets immediately. The Haunt may be ending their headlining U.S. tour at the end of the month, but do not worry! They will be heading to the U.K. and Europe, as well as being a supporting act on the first annual Hollow Crown tour. Purchase tickets here and follow them on all social media to stay updated with new announcements and music! The Haunt at the House of Blues Voodoo Room in San Diego on their New Addiction tour. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Photo Credits: Live Nation Track List: Bummerland Sober Up Way Less Sad Karma The Big Goodbye Cover - "All-Star" by Smash Mouth Bang! Inertia World's Smallest Violin Wow, I'm Not Crazy Burn The House Down 100 Bad Days Weak There’s so much to say about artistry and technology. For a while, it seemed like the two were in a dance together where neither one was leading or following - it just flowed. Over the past decade or so, we’ve seen technology forget about its dance partner, leaving it behind to what feels like an astonishing takeover diminishing any sense of originality. It’s very rare, as well, that we see artists who fight to save that same originality at all. Yet somehow three brothers from New York City seem to be doing just that and boy - what a fight it’s been. Growing up in a generation where the world is increasingly getting harder to keep up with, AJR shows us that technology - when used as a partner to music - can further advance us in the songs we create as well as by putting up an entire show that gives everyone an opportunity to feel included no matter where you sit.  AJR is a pop band from New York City, although after seeing them in concert, I feel like they could range anywhere between indie - folk. The band is created by three brothers, Adam, Jack and Ryan Met (Metzger) who contribute to the band in so many different ways. The extended band members are Arnetta Johnson (trumpet), Chris Berry (drums) The brothers are multi-instrumentalists and are known as a DIY band as they created a lot of their music from their living room. AJR started 20 years ago, back when the brothers would busk in the parks of New York tap dancing, performing cover songs before eventually taking their turn into producing their own music. Their father, Gary, who was a major part of the band as a manager and roadie, was also an important role in the brothers getting their start. The brothers have told stories of him selling their living room furniture in order to buy them instruments which launched their momentum into the music industry. AJR performed at the Aragon Ballroom in Chicago, Illinois on December 9th. It was the first night out of four of “Twisted” - a holiday festival hosted by Live Nation. AJR shared the stage with Wet Leg and Out In Front who matched the band’s energy perfectly. Once AJR took the stage, it felt like the ballroom exploded with energy as they opened with their single “Bummerland” from their album OK Orchestra. This song came out in 2021, during the pandemic and felt so topical to what was going on around us as it's somehow one of the most optimistic "I've hit rock bottom" kind of songs. This song was an incredible opener as it let the audience know exactly what they were to expect - a high energy, fun, friendly show. The band then switched to their song “Sober Up” which even though it was an older one, you can tell it's held up as the brother's seemed to have so much fun with it. The brothers seemed shocked to hear the entire ballroom yelling this song back at them as they kept looking at each other and smiling. This song leads straight into “Karma” - two songs back-to-back that are heart-breakingly vulnerable about the human experience and what it means when we start to question things a little too much. “Karma” went viral on their tour last year by being performed with Jack hoisted up in the air making it seem like he was free falling during a part of the song where it feels like he's overthinking. This is one of many immersive examples they use to show us how technology can take music a lot further than what we think. Jack and Ryan from AJR during their song "Bang!" One thing that I think sets AJR apart from other artists is how different their songs sound live than recorded. The band doesn’t shy away from showing off their talents like when they break out the drum pad in their new song from the new EP, What No One's Thinking, “The Big Goodbye” which swayed more in the rock genre played in person. One of the most memorable moments from the concert was a cover song that I didn't know I needed so badly. The band covered Smash Mouth’s “All-Star” which they played on a ukulele and an acoustic guitar. It’s always so great to see a band really know their sound because if I hadn’t known this song, I would’ve thought it was a song they wrote as it sounded so “AJR.” With them stripping the song down to an acoustic level, it also showed the weight of the lyrics of a song a lot of us grew up with that we seemed to have never taken so seriously but it was incredible to hear it in a different lens. The band’s song “Bang!” was easily one of their more distinguishable songs and even got the little kids around me to dance and sing. This song proved one thing - that Ryan is the keyboardist with the utmost swagger. These brothers are so good at their jobs by making a pop song sound better in person than recorded. The band transitioned into the next “phase” of the concert with a jazz version of “Bang!” which, again, showed off their musical talents before completely shifting gears to Ryan playing a piano version of their song “Inertia.” This song speaks the most to a lot of creative people - or maybe just to the general public - of the idea of settling. It begs the question of "Why do we stay with people that aren’t right for us?" or "Why do we not go and chase our dreams?" “Inertia” is used to describe this energy of resisting change in motion - also known as the feeling of being stuck. Hearing Ryan play this by himself made that hard truth a bit more gentle to hear but it’s one of the biggest takeaways I hope people got from the concert.  It wouldn’t be an AJR show if Jack didn’t run up into the crowd to play a few songs from the balcony section. While playing “World’s Smallest Violin,” I finally realized what this band really captures when seeing them live. Just hearing the music, it sounds like a one man band as if when you turn around, you might see Jack wearing one of those huge bass drums with tambourine’s on his feet somehow making everything coexist. Maybe it was just the song - but I for sure thought that was happening up on the balcony. This song then went into “Wow, I’m Not Crazy” which is a song off of their Neotheater Album. This song was an important addition to the set list since they were able to show off one of their most important members - Arnetta Johnson. Without the trumpet, AJR is not complete as a lot of their songs are trumpet heavy. The last handful of songs really allowed Arnetta to shine, especially with “Burn The House Down.”  Jack and Ryan from AJR during their song "Sober Up" What’s incredible that AJR does in the middle of a concert is they give the audience a lesson on how music production works. By doing this, they get to really flex not only their knowledge on how any ordinary sound can be used to create music but to also show the audience that if you’re willing to learn, the technology is right there and you can do it too. Ryan gave a demonstration on how impactful it can be to be curious about how things might sound if you play them backwards, higher pitched, sped up, etc. Only AJR can get 5,000 people to be engaged in a lesson of music production. What really sold the show for me was their last song, “Weak.” Hearing this song recorded, in no way shape or form, does it justice. One of the feelings I had while hearing this song live was how huge it sounded. It felt like it touched every single soul in the room along with every corner. Kind of like when you turn your lights on first thing in the morning when everything is black. Just when you thought that song couldn’t get any better, the band stepped off the stage, grabbed more instruments and switched the genre completely into what felt like a song that you would hear after you won a prize on the radio. It was such a party which is exactly what this band seemed to have wanted.  Seeing AJR is truly a once in a lifetime experience. They are constantly reinventing what is “allowed” to happen in a concert. One of the perks of having knowledgeable musicians is being able to flip a song on it's head sending it into a different genre as well as showing us truly how important it is to use technology as a partner to music while always ensuring the music isn’t jeopardized. You can feel the 20 years of dedication as it shows in everything that they do. The patience, the persistence, the care, the passion and the intensity that AJR throws into their music is exactly why they have shown us how incredibly important it is to not only really know your craft, but really stand up for it until it looks exactly how you want it to. For a band that is anything but ordinary, they are original and organic. What you can expect from an AJR concert is to leave with more questions than when you came in about how you can push yourself more as a person as well as feeling like you can do absolutely anything.  Written By Breanna M. Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Calling all my sad hotties! I have a song for you! “How Can You, How Can I” by Halon is an anthem that can easily be related to. If you’re like me and turn your sadness into your fuel, give this excellent song a listen! This is Halon’s second single released as a teaser for her upcoming album, set to launch in spring of 2026. Her vibe of Lana Del Rey mixed with FKA Twigs creates a beautiful medley between alt-pop and R&B. And boy, is this one just gorgeous! The song starts off with very distant echos and ad-lib breaths, adding to the allure found throughout the song. There is a pulsing synth that carries us through her angelic voice, illuminating the song. There is a ton of reversed white noise that builds suspense for the chorus as well! The drums alter the song to make this sensual melody a head-bopping pop! I cannot get enough of her voice, as she is effortless and smooth throughout. Her vocal effects throughout this song make it even more steamy! It really gives Tate McRae vibes! All of these elements together make this song perfect! Halon is singer/songwriter hailing from Stockholm, Sweden. Before she was an artist, she was a ballet dancer. She caught the attention of Lana Del Rey’s producer, Rick Nowels, with her stunning lyrics. After coming out with single after single in 2022, she became a hit, with millions of plays. After that, she worked towards dropping her debut album, Music To Get Rich To , in February of 2025 with none other than Wu-Tang Clan member Ghostface Killah. From going to a dancer, model, founder of a duo group, to finding herself going solo, she has accomplished so much in such a short time span. If you’re looking for more of Halon and want to be on the lookout for her new album, be sure to follow using the links down below! Written By Nevaeh Scott FOLLOW HALON: Instagram | Spotify

Drew Schueler's new song, "I Thought By Now," a part of his recent album, "Vulnerable For Once," is one that everyone can relate to when adulthood hits. With social media, television, and books all painting an idea of what adulthood should be like, its easy to start comparing yourself. But life is not linear, so things move at different paces for different people. Still, once you feel pressured, you can get overwhelmed and frustrated while wondering why you haven't reached a certain point in life you want yet. Schueler expresses some of this in "I Thought By Now." He perfectly shows just how easy it is to hold yourself to higher expectations because of external pressures. Comparisons can challenge your expectations, and make you doubt where you're at in life. Lyrics like "Work so fucking hard to stay in the same place / Sick of waking up every day. I thought by now I'd have more figured out" are vulnerable, showing frustration and other emotions that consume you. "I Thought By Now" has a sound that matches the vulnerability of the lyrics. There is a steady sound of a guitar the moment the song starts. The beginning of the song feels like Schueler is trying to reach out to his listeners. The guitar reels you into the song. Schueler's distinct vocals leave you hooked to the song. The intro immediately welcomes you into his inner-world, with his emotions drawing out the emotions of everyone listening. Near the end of the song, the sound completely switches for a second. The piano and guitar are replaced by intense, high-energy beats that feels like a final burst of frustrations and emotions coming out. His sound is reminiscent of Alex Warren , and fans of that singer, would enjoy this song. While the song is vulnerable, it also feels comforting and reassuring. "I Thought By Now" is the kind of song you could cry to, and be motivated by, knowing there are others who share the same experience and emotions as you. Drew Schueler is a vibrant up and coming pop artist, writer, and producer out of Nashville, TN. His vocals and songwriting abilities are well crafted and polished, helping him stand out in the Music City and beyond. His steadfastness in releasing stellar music and pushing it consistently has been growing his fan base. This has been leading him to soldify the groundwork needed for an emerging artist. In addition, Schueler recently won the grand prize for the NSAI Song Contest. With all his recent projects and achievements, he is ramping up for a breakout year. Follow Drew Schueler below to stay updated with all his future releases and projects! Written By Kyler Griggs FOLLOW DREW SCHUELER: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Jess Ball and Jelani Blackman’s new song, Lately, is an alternative/pop rap song about wanting your ex to see you for who you are now, not for the person you used to be. None of us want to be judged for our past mistakes because we already have to live with the guilt of those mistakes. Our regrets weigh heavy on the heart. It’s especially difficult when the people you love are the judge and jury. A part of maturing is changing, growing, and becoming a better person/partner. All of us deserve a chance to show others we've changed and all of us should have the humility to hold space for that growth because no one is perfect. Lately starts with Jess singing over an acoustic strum and immediately switching to Jelani’s melodic rap before the final chorus comes back in louder with more pronounced instrumentation. I appreciate this line, “I’ve been a bitch. I’ve been a dick baby. I don’t blame you if you feel you hate me. But can I ask that you don’t mistake me for who I was as who I am lately?”, because of how straightforward it is in a song full of self-reflective moments. I love the unique element the melodic rap adds and how much passion is being expressed throughout. It is one of the more unique songs I’ve reviewed this year and would highly recommend it. Jess Ball is an Australian singer and songwriter based in Melbourne. She is inspired by Cigarettes After Sex , Massive Attack , and Olivia Dean which shows in her music as she blends pop, indie rock, and hip hop. Before her solo career, she was a featured vocalist for numerous EDM artists. Jelani Blackman is a rapper and singer from London, England. He is heavily influenced by soul, R&B, and grime and has worked with other artists including Burna Boy and Wolf Alice . His music is fun with deep lyrical content particularly that of the reality of being a young black man in inner city London. Written By Jazz FOLLOW JESS BALL: Instagram | Spotify  | Website  | Facebook  | YouTube FOLLOW JELANI BLACKMAN: Instagram   | Spotify

Zev and NAIM’s new song, I’m Good, is an upbeat indie/pop rock song about embracing being yourself at all times even when you should be changing. Even though I do believe in change, I also believe in staying true to yourself in that moment. Sometimes, your truth is making numerous mistakes and hitting rock bottom. We all change and grow, but we also go through stretches of life where we simply don’t care about improving. But, that is part of the growth process and we should embrace the chaos we create until we learn our lesson. I’m Good showcases great vocals from both artists, guitar-driven euphoria, and incredible production. My favorite lyrics are “off the toxin, never did caution, living in what people call a phase” because I relate to those the most. I can picture a music video where he’s jump roping on a mountain with a group of friends and partying into the night. The camera will frequently pan out and show the beautiful landscape and starry night sky. If you’re like me and want to enjoy a song of the summer in December, then this is the perfect track for you. Zev is a singer songwriter who attended the Clive Davis Institute of Recorded music at New York University. Before that, he was a professional jumproper with over 20 championship wins to his name. With this profession, he toured the world, performed in international Cirque du Soleil tours, and appeared on America’s Got Talent. NAIIM is a Canadian-Somali artist who combines rap, pop, hip hop, and R&B in his music. Growing up, he originally wanting to purse a career in medicine. His unique upbringing in a bi-cultural household surrounded by art and education from his parents allowed him to develop a passion for and purse a career in music. Written By Jazz FOLLOW ZEV: Instagram | Spotify  | TikTok FOLLOW NAIIM: Instagram   | Spotify

"Rock Paper Scissors" by Ella Beyer reflects on the immaturity of an ex-partner as the speaker navigates through the murky waters of post-breakup betrayal. The lyrics boldly call out an ignorant perspective in a self-assured message: "just 'cause you're sober don't mean that you know more than me." Taking on complexities of power dynamics in relationships, with the chorus boldly painting a powerful image with the words: "in rock, paper, scissors, you pulled the gun." This haunting statement demonstrates the painful juxtaposition between one partner's loving playfulness and the other's threatening control. Intensifying the impact of this metaphor, the speaker reveals infidelity on the ex's side as ammunition. The storytelling in this track is striking and meaningful, promoting an inspiring message to listeners who feel stuck in their relationships: recognize when your partner is against you and hold them accountable. The sound of this track seems to mature with its progression, matching the character of its lyrics. Electric guitar opens the tune in a repeating riff before Ella's soft vocals join in. Her singing uses breathy highs that brush the lyrics with a sense of intimacy. Softening up the instrumentals, acoustic guitar brings warmth into the sound of the song. Vocal layers that feel like a whispering echo build towards the beat drop which brings in transcendent electric strings that hit the ear with a dynamic texture that evokes the feeling of revelation. Gentle percussion adds a progressive feeling to the track that blends folk, soft rock, and pop genres with its instrumental elements. Ella Beyer is an indie folk pop singer and songwriter from California. She evokes deep themes of love and growth in her lyrics and has an intimate vocal style that fans of Phoebe Bridgers and Lizzy McAlpine will resonate with. With a myriad of emotional, expressive singles in her discography, Ella's talents on the piano and guitar guide listeners on a sonic journey through storytelling lyricism. Her work has been supported by platforms like We Found New Music , and she has brought her soulful folk tunes to the stage at venues like West Hollywood's The Viper Room and Hotel Ziggy . Check out the links below to stay up to date with her music and performances. Written By Hanna Kowal FOLLOW ELLA: Instagram | Spotify  | Facebook  | YouTube

A delicious new single from a bigger project, Silent Child has released his latest must-listen track, "Get Well Soon." The song is part of his recent EP, Voices In The Dark , a project exploring the emotional journey of pushing past both external expectations and internal silence and finding truth between chaos and clarity. The conclusion of that sonic journey, "Get Well Soon" serves as a moment of reflection that reveals how far we've come. The track acknowledges the roller-coaster that is life, embracing the highs and lows along with the unexpected support that made growth and survival possible. Reflecting the narrative driving the song's lyrics, "Get Well Soon" provides a soundscape that conveys a sense of hope, gratitude, and purpose. The track is a blissful mix of peppy electropop beats, infectious bass lines, and rich, enthralling synths. Silent Child shows off his ability to push genre boundaries with a hint of nostalgia, combining the addictive elements of electronica, dubstep, rock, and alternative to craft his unique approach to pop productions. An immersive buffet for the ears, Silent Child's "Get Well Soon" features a genre fluidity and introspective lyricism on par with the likes of Twenty One Pilots . An Atlanta-raised and LA-based multi-instrumentalist and producer, Silent Child has entered an exciting new chapter of his music career with the release of his latest EP, Voices In The Dark . The seasoned, genre-bending musician began his music journey in the early 2010s, focusing on electronic and dubstep before evolving toward alternative and rock sounds. He draws inspiration from iconic artists like My Chemical Romance , Pierce the Veil , and Sleeping With Sirens , as well as elements of R&B, country, and hip-hop. Silent Child released some of his most successful tracks to date during the pandemic, including the captivating "Super Villain" and "Me & My Demons." Truly an artist no one wants to miss, Silent Child proves himself to be unbound by genre and ready to ignite a new era with his fans. Written By Cheyenne Johnson FOLLOW SILENT CHILD: Instagram | Spotify  | Twitch  | Facebook  | YouTube

Wrap yourself in a dreamy cascade of synths and comfort with “Close” from artist MERLYN. The first single off his upcoming album, Insomniac, MERLYN’s new single “Close” reflects on a tale of love and trust in the face of hardship and uncertainty. Merlyn describes his love life in complex, detailed terms that showcase a dynamic, nearly indescribable ability behind this track. While this work exemplifies the best qualities of pop, “Close” cannot be simply defined under these terms. As this track describes romantic experiences gone sour, as well as finding oneself and the “right” connection after these experiences, MERLYN allows “Close” to morph from one genre to another. At times, you’ll find yourself drawn to synths that remind you of 80's music success. During others, you’ll be transfixed by MERLYN’s smooth and polished vocals that remind you of 90’s pop excellence.  With lush and dream-like production, “Close” is a track that transports you to a place beyond the storybook laid out before listeners. While the introduction entails feeling unsatisfied following a failed romantic connection, the overarching message behind “Close” is to entrust that when the right connection comes along, it’ll be worth all previous trials and tribulations. As MERLYN describes falling headfirst into a connection thriving off of honesty, close physical touch, emotional intimacy, and pure energy, you’re whisked along on this journey with him. While this song is ultimate fun and plays off a multitude of energy-inducing, spellbinding genres, it does not shy away from the nitty-gritty of relationships. Part of the reason why the feeling of affection and close connection builds throughout the song is that MERLYN allowed himself to be vulnerable. This vulnerability unlocks an ability for him to become open to other possible connections, as well as explore what romance truly means for him. As this song unravels, you feel yourself in the same headspace as MERLYN and following a journey that feels entirely both personal and applicable to others.  MERLYN is the self-produced singer-songwriter project of David Senécal. Growing up in the suburbs of Montréal, Canada, David was part of a non-musical family but developed an obsession with it at age six, leading him to play many instruments (piano, guitar, french horn, and flute) and produce music of his own. Finding relief in writing his own fantasies and plunging heartbreaks & infatuations into his work, David finds comfort in creating his own world and forming MERLYN. A queer and strength-laced ode to vulnerability and femininity, MERLYN was formed to create understanding and help others feel uplifted and moved. With his first single, Morning Sex, from 2019, MERLYN garnered over 5k streams on Spotify and was able to display his sultry, powerful vocals that additionally showcase inspiration taken from techno-house music. With the 2024 release of his biggest hit, Plan B, MERLYN was able to put his grooviness on full display for future projects. Now, with an array of unreleased songs under his belt, MERLYN has many surprises to come. Written By Madison Spies FOLLOW MERLYN: Instagram | Spotify  | Facebook  | YouTube

In a fun and upbeat new single, singer songwriters Femi and Dave Todd tell the story of “that electric moment when you meet someone who completely grabs your attention.” Describing a meet-cute in a bar, the track has a pop sound, with a slight country twang, almost like Morgan Wallen or Post Malone’s country-esque album F-1 Trillion. Femi and Todd blend together in this storyline, each taking a verse describing the night. Its tone is conversational and fun, giving the feeling that you are watching this interaction between the two yourself, feeling the instant connection and ripples of hope between them as they dance the night away. This track opens with the narrator speaking the first words to his intended catch of the night, whether to her directly or to himself to hype up. In the first verse, the conversational tone of the track is established as he sings, “Hey honey / How’s it going? / Have we met? / I’m feeling lucky / If we haven’t yet / Are you a model?”. As he gets to the chorus, he compares his luck of the night to anything and everything positive- not having to pay rent, drinks on the house, gas in your tank, and every light green just for you. It is lighthearted and fun, like the rest of the song. He ends the chorus with the titular lyric “Who U goin’ home to” hoping that the answer is him. Femi is a singer, songwriter, and producer from Congers, NY. ‘Femi' comes from his birth name Oluwafemi, which he has switched to after a few years of working under the stage name Frank Pierce. The switch came from wanting to represent his true identity and authentic self, instead of a stage name that didn’t feel like him. Femi has been working with Dave Todd on the side for a while now, crafting this single. Todd is also a singer songwriter from Upstate, NY. He has one other single, also a collaboration, and his internet presence is one of few words, but a set of guitar videos with various covers of classic artists. Make sure to follow the social medias below to stay tuned for more work from both Femi and Dave Todd, potentially even together. Written By Tessa Maddaloni FOLLOW FEMI: Instagram | Spotify   FOLLOW DAVE TODD: Instagram   | Spotify

Self-destruction comes in many forms, and unfortunately staying in toxic relationships is one of them. You know it’s not right, and staying is prolonging inevitable pain that may never heal, but you can’t strip yourself away. Sometimes choosing pain over numbness feels like the right way to go. “The Countdown” is a new single from Taylor Davidson that explores cycles of self-destructive habits and the unhealthy routines that are so easy to run back to. With stark lyricism, dynamic production and authentic vocal delivery, this song has you reflecting on your own personal bad habits. It feels like a diary page you can’t stop reading. If you’re someone that’s stuck in an attachment to someone who hurt you the most, “The Countdown” is for you. Taylor wrote “The Countdown” as an honest confession that feels like you’re watching her private spiral in real time. It’s full of self-awareness on how easy it is to choose pain over feeling nothing at all. “Then at least I will feel something, it’s better than nothing.” We love the things that hurt us the most when we are drowning in emotions. Why stab the knife ourselves when we can hand it off to someone that can cut deeper? Truth be told, habits are hard to break. I admire Taylor’s vulnerability to feeling stuck and questioning if there’s an out. “The Countdown” is something we may all relate to on some level whether we are ready to acknowledge it or not. Taylor Davidson is a 22 year old singer-songwriter from Dallas, Texas and is currently based in Nashville Tennessee. She fell in love with music at a young age which led her to start writing and performing her own music. Her debut single “Lonely” was released in 2020 and she’s been adding to her discography ever since. Taylor has a natural gift for blurring the lines between pop country and indie alternative. Her voice has a sweet grit that she combines with emotional lyricism about life, love and heartbreak. Her music takes listeners on nostalgic journeys to the center of Taylor’s heart. If you’re a fan of “The Countdown” check out the links below to hear more of Taylor’s music and stay up to date on future releases. Written By Emylee Herring FOLLOW TAYLOR DAVIDSON: Instagram | Spotify  | TikTok  | Facebook  | YouTube