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Moving on is difficult when we know it means we'll have to leave behind the love that can't be brought with us on our journey forward. We hold onto the comfort of familiarity, but we are left with the heartbreak we know all to well. We keep hoping things will change and reflect the story we've written for ourselves in our head, but the story remains in our imagination as the reality stays the same. Nothing has changed, though we can't help but leave the door open to the story we hope will come alive. Alexa Kate has us wondering what can come from letting go of what we've been holding onto for far too long. When we slowly shut the door to the love we have been afraid to lose, we might start to see the window drawing us to a whole new light. An enchanting, sweet theme begins as we are introduced to Alexa Kate's smooth and bright vocals. An addicting beat and peaceful melody plays as Alexa begins by wishing that things would go the way she had written it in her head. She has a hard time facing the reality of a broken love, but she still can't help but hold onto it. She's played these games before, and she's afraid to lose what she knows should be lost. We are brought to the powerful chorus as the emotions in Alexa Kate's voice is clear. Her hope grows along with the fear of losing the love she can't close the door on. She knows she could avoid heartbreak by letting go, but she continues to stay in the place she's afraid to leave behind. The emotional and enchanting melody reflects the story she has written in her head, but the reality is hard to avoid as she tries to keep the door open to the hopes that things will get better. Alexa Kate's "Isn't Over" is a song that will bring us peace in the decision to move forward when we realize it's not worth it to stay in a place where we can only dream. Born and raised in New York, Alexa Kate is a singer and songwriter who is now based back in New York after spending time with her music in Nashville and Los Angeles. She has been writing for as long as she can remember after being inspired by artists like Taylor Swift, and she enjoys sharing her authentic self through her music, even when it seems intimidating. She has been inspired by the emotional and powerful energy of artists like Gracie Abrams and Tate McRae, and she strives to share that kind of energy in her own songs. Though she hosts TikTok Lives almost daily, she knows that nothing compares to the incredible feeling of being on stage with an audience who sings her songs along with her. Alexa Kate is an artist who knows that creating music is what she was destined for and leaves us waiting for more of her heartfelt and captivating songs! Written By Nini Alano FOLLOW ALEXA KATE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Spunky, electrifying, and undeniably catchy, Night Talks' newest single "Gasoline" ignites our senses in unimagined ways. Made up of artists Soraya Sebghati, Joshua Arteaga, and Jacob Butler, Night Talks is an authentic band of creative souls whose love and passion for the craft shine through with this release. Delivering a track that traces the complex lines of human nature, self-destruction, and high stakes emotion, the trio captures the intensity of feeling . The emotive lyrics explore the delicate line between danger and desire, and Sebghati's vocals convey a sense of urgency and vulnerability, painting a vivid picture of love's ability to both marvel and enthrall. The song's narrative captures the exhilarating yet hazardous dance of surrendering to emotions that have the potential to destroy us. Through its compelling storytelling, "Gasoline" serves as a fervent exploration of our innate desires and their combustible consequences. "Gasoline" is riddled with sonic aesthetics, intentional stylistics, and genre-bending elements that make it a standout summer track. Both explosive and addictive, lead vocalist Soraya Sebghati entrances us with her burning passion and theatricality, serving as the match to every flame the lyrics strike. Backed by the upbeat, driving drums that ignite each phrase, the song never loses its charming momentum. Arteaga’s steady, resonant basslines vibrate through our bodies, enveloping us in the track's ferocious, yet grounding nature. At the same time, Butler’s guitar brings a signature rock edge, adding funky depth and texture to the track’s instrumentation and production. Each figure of this multitalented trio offers something unique and essential to the sound of this fiery track. “Gasoline” is a radiant exploration of the complexity and exhilaration of humanity, intimacy, and emotional vulnerability. Even so, its beautifully chaotic beat never loses its grip on the listener, propelling us forward in the midst of the track's angst. Based in Los Angeles, Night Talks continues to make their mark on the indie alt-rock scene. "Gasoline" follows a string of stunning singles and their acclaimed album "Same Time Tomorrow," reinforcing the iconic trio's creative evolution that shows no signs of slowing down. Blending unique sounds, inventive instrumentation, and vocal experimentation into every track, Night Talks fuels each project with heart and dedication. With each new release, they fuse genre, emotion, and craft into unforgettable musical snapshots. Their music is rich with unfading color, offering a safe haven to those who live for the romance, drama, and unapologetic honesty of being human. For more updates and releases, follow the links down below. Stay tuned! Written By Pejah Carr FOLLOW NIGHT TALKS: Instagram | Spotify  | YouTube

In this fun, anthemic track, Maggie Andrew’s “How to Sing for Money” tells us how to do exactly that: make money while singing. While fame may seem fantastic, Maggie’s tongue-in-cheek lyricism reveals another side of stardom though still remaining energetic. For a lot of artists, they have to sell their misfortunes in a relatable yet personable way. You croon your heart out, write your tears on a page, and then market it to the masses. The commodification of the music industry is something that has been sung about often, but Maggie does it in a way that is just so fun that it makes you also want to sing for money. And that’s all in spite of her song telling us the dangers of the 15-minutes-of-fame cycle. “How to Sing for Money” is one of the most fun songs I’ve heard in a long time, and that is no exaggeration. There is something spectacularly cheeky and sly about its lyrics, and when you combine that with its superb soundscape, you get this clever track that sounds like an ironic how-to guide. I really liked how the soundscape was a combination of both alt and pop rock– you can hear influences of both in the instrumentals, but together they form this measured yet energetic sonic experience. It’s a tough job to be so multifaceted, but “How to Sing for Money” does it so effortlessly. And the lyrics are amazing– Maggie has a wit with her writing that is just so clean, and you can definitely hear that in this track. There’s a lot of great moments in “How to Sing for Money”, but I’ll just talk about the bridge. This is the part of the song that sounds most like that aforementioned ironic how-to guide– the vocals here are a lot more conversational though still musical, and here the listeners can learn, jokingly, how to sing for money. The funny part of this song is that it's technically being told to the narrator's ex, as in they, too, want to learn how to sing and make money. I think it’s a great touch to have the list’s last pointer to be “Congratulations, I just ruined your life!”. Everything about this song is tongue-in-cheek, and if you like a good dose of wisdom in your music, then “How to Sing for Money” is going to be for you. Nova Scotia’s Maggie Andrew has a touch of both creativity and rebellion in whatever she does. It was her artist and Olympian snowboarder brother Trevor Andrew that encouraged her to head to L.A. to begin her music dreams, and the rest is history. She’s since collaborated with industry giants like Blackbear, Ash Riser, Doc McKinney, and Yeti Beats. With praise from Rolling Stone, Billboard, and Alternative Press, Maggie’s talent is in the spotlight in alt-pop spaces. Her debut single “Sleep 4Ever” released in 2019, and her debut EP Day Job  dropped in 2024. “How to Sing for Money” is Maggie’s second release of 2025, so drop her a follow to keep track of her next projects! Written By Alexa Leung FOLLOW MAGGIE ANDREW: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“The Song I Scream In The Shower” is an upbeat, casual deflection that flirts with vengeance and plays with punk vocals. Ettie’s new release is a lax call-out that celebrates organic lyricism, cushioned by rosy instrumentals that energize her grievances. The initial banter, “you played me like Nintendo ,” offers a mellow perspective on classic breakup symptoms like confusion, blame, and revenge by softening a sensitive subject with lively word play. She copes with, “time to wash you off,” deducing the subject of the song to a simple song in the shower, likely as an insult. Ettie invites listeners to unleash their romantic gripes and offers an outlet to express them with, all while allocating blame to one overwhelming source: those who must  be the problem. The puns, similes, and clever rhyme schemes are essential to ettie’s promising sound. Complete with a retro game shout-out, this 2000s-style piece commits to a nostalgic sound that compliments punk anthems like “Stacy’s Mom” and “1985”, blended with Avril Lavigne and the occasional 2010s pop hit. Ettie starts with a sentimental strum that matures into a classic drumming sequence, appealing to a familiar section of electric guitar that achieves her full alt-pop sound pattern. She performs varied countdowns that slow down her fast paced song and add a final touch of control that demonstrates how intentional, yet carefree, alt-pop artists can be while making music. In terms of sound, ettie’s “The Song I Scream In The Shower” presents refreshing instrumentals, fun lyrics, and a comfortable grasp on the signature alt clamor. Ettie is a singer/songwriter that likes to use her degree in English Literature to create a storytelling strategy that is unmatched in originality. She considers herself a connoisseur of millennial angst as she creates her “super gay” music. Ettie considers music a way to change and inform, and she’s equipped with a creative process that involves inspiration from everyday life and public transportation. She is self-taught and emphasizes the importance of imagination when recalling her storytelling and childhood. She wrote her first song when she was just 9 years old, and started performing at small events at age 16 in London. Her exposure to Shakespeare in college inspired some of her wordplay and unique lyricism. After an injury and a long stay at the hospital, ettie is even more immersed into her music as she reminds herself that anything could change at any moment.  Written By Hanna Hathaway FOLLOW ETTIE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Annika Rose’s new release, “FREAK” is a high energy, movie-like piece with full vocals and meticulous shifts to deliver a sound surrounded by an aura of achy indecision. Chaotic and cool, “FREAK” is an accurate take on hope and disappointment where Rose sings, “you’re such a freak, so into me,” followed by “it’s never going where I hope it could when you smile,” illustrating the dichotomy of an unfixable relationship. Rose explains the fluctuation of impulsivity in a spontaneous relationship, illuminated with stinging lyrics that encapsulate the experience of being the victim of a night time, intermittent lover. She notes how this lover is a “thief” , a “drug” , and a “cautionary tale” that she can’t wash off, so she offers, “let's do it again,” further trapping herself in the addictive cycle. With a tangy guitar riff and energized beat, Rose jumps into her introduction chanting her confidence in a lover’s interest for her. She revisits this idea with the same sound to nail effective repetition, setting up for sweeping vocals that glide into the chorus. Bridging with outright taunts and insults, Rose reveals a knack for longing with stretchy, singable vocals. After this, she pushes and draws her rich voice, citing the most notable frustration of the song that demonstrates the contradiction of a flimsy romance. Inflection and volume drive emotion in this piece as Rose wavers her vocals to match her mood and shouts critical lyrics to embody irritation. “FREAK” is the type of song you sing in the car as you split into two pieces trying to recall why you can’t resist someone that’s so  bad for you.  Annika Rose is a 23 year-old singer/songwriter from Los Angeles, CA. She says her songs are “journal entries put to melody” and likes to write them in solitude. Her most popular songs on Spotify, like “Hypocrite” and “just like you- demo”, have millions of plays and she has over 95K monthly listeners on the platform. Rose is on her first US tour with Ava Maybee from late May to the middle of June this year. In the past, she has indicated how Hailey Williams from Paramore is a major inspiration for her art, and how she appreciates the togetherness that music can bring to communities. Her family was frequently involved in music, which may have influenced her to be the same. Annika Rose’s “FREAK” is #2 on Spotify’s Fresh Finds Rock , and she releases her third EP, Broadway & Bond, on May 28, 2025. Written By Hanna Hathaway FOLLOW ANNIKA ROSE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Have you ever been on a date and sat there thinking “oh god, when will this be over?”. No spark, no connection, just a mental note to never go eat at that Italian restaurant ever again. Savanna Leigh’s “cut to the chase” expresses frustration with dating and romantic letdowns through the narrative of a dinner date. Immediately Savanna tells us the date takes place at an Italian restaurant, where her date is acting like a know it all quoting lines of poetry. He thinks he sounds smart and that he’s impressing her, but he’s actually doing the opposite because she can’t even get a word in. As the date progresses, it only gets worse. She’s being ignored and overlooked, and it seems like the guy is more interested in talking to the waiter than getting to know her. The date feels like it’s moving in slow motion, and it feels like it’s going to take an eternity to end. She reflects on her history of relationships and comes to the realization that she often picks the wrong guys, but she’s still going after them. Produced by Matt Martin, “cut to the chase” explores themes of emotional disconnection, and vulnerability in modern dating. The production only added to the song, and all together it was really cohesive. I like that the first verse and the last are the same, which makes me wonder if that choice was intentional to highlight Savanna’s dating patterns and cycle of behavior. Savanna is extremely talented. You can hear the emotion and passion in her voice as she sings. The lyrics are extremely well-written and act as commentary on how fake and performative a person can be in a romantic setting. Whether this date actually happened or was just symbolic, it took a personal experience and turned it into something relatable for her audience. Savanna Leigh is an indie singer-songwriter based in Nashville, Tennessee. She released her debut single “no words” in 2021 and has released several singles, EPs, and her debut album “the way i see it” since. As a verified artist on Spotify, she has over 44.7k monthly listeners on the platform. She started her career performing in a country-pop duo with her sister, but later went solo to explore her own style. She’s shared the stage with artists like Jonah Marais, Ashley Kutcher, and Edwin Raphael. She creates an intimate atmosphere when she performs, proven by her most recent tour of her EP “reminders of you”. I’m mad at myself that I haven't heard Savanna’s music sooner. It’s clear that Savanna is a rising star. Check out “cut to the chase” and give it a listen! Written By Alexa LaMalfa FOLLOW SAVANNA LEIGH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Being in love is a wonderful life experience that almost everyone gets the chance to be a part of. There is so much that comes from love like amazing memories and maybe even a lifelong partner that’s also your best friend. When you love someone so much it can often feel like the other doesn’t feel the same way. All of these new feelings come into action and it’s hard to understand why you are still there. Being in love doesn’t mean you can’t fight or have disagreements. It doesn’t mean you can’t unapologetically be yourself even when your true self is hard to understand. Alas de Liona’s single “19.3” reminds us that love is unmeasured and although there may be hard times, the happily ever after is always worth it.   “19.3” starts off with a familiar and lovely tone which immediately flows right into her emotive lyrics. The words were so catchy and gave off this feeling of hope and promise to never give up. I loved the lyrics as they were really honest and relatable with lines like “you’d be right to say I can’t qualify my feelings.” While the song started off slow and gentle like a love story it quickly shifted to an upbeat mood fast. The change in rhythm caught my attention quickly as it made for the perfect dance around song. But it’s also a track that makes you feel every emotion possible. I almost immediately added this song to my feel-good vibe playlist.   Alas de Liona is a singer/songwriter from the Mojave Desert in California. She released her first album in 2017 titled “Lightning and Fire” which included 11 tracks. During her last year of attending higher education in Edinburgh, Scotland is when she found her musical career starting. Since the year following the pandemic, she created and released several singles and EP’s that conveyed raw moments in life. Her latest release “19.3” is such a poetic and feel-good track which comes from her recent album release. On September 13, 2024, she released “Gravity of Gold” an album consisting of 11 soul stirring songs. I highly recommend giving her a listen as you may just find your new favorite indie pop artist! Written By Julissa Garcia FOLLOW Alas de Liona: Instagram | Spotify | Facebook  | YouTube | Website

Creative Direction: Damiano David , Fabrizio Ferraguzzo , & Alessandro Fabrizio Photography: Damon Baker Design: Davide Rossi Doria Styling: Michele Potenza Hairstyling: Marco Steri FUNNY little FEARS  is the debut solo pop album from Italian musician and rock band Måneskin  member Damiano David . T R A C K L I S T Voices Next Summer Zombie Lady The Bruise (feat. Suki Waterhouse ) Sick of Myself Angel Tango Born With a Broken Heart Tangerine (feat. d4vd ) Mars The First Time Perfect Life Silverlines - prod. Labrinth Solitude (No One Understands Me) Known for songs such as a hit cover of “Beggin’” by Frankie Valli & The Four Seasons and the popular single “I WANNA BE YOUR SLAVE”, Damiano David has been one of the contributing members to exemplary mainstream music for the past eight years, his distinct vocals immediately recognizable to anyone who hears a song from his aforementioned band. In 2024, he embarked on a solo music career with the release of his debut single “Silverlines (prod. Labrinth)”, produced more in a pop direction than his usual music, which has usually fallen into rock and alternative categories. Although this is his first project separate from his band, FUNNY little FEARS  does feature other amazing musicians, such as Labrinth, Suki Waterhouse, and d4vd. It’s also a concept and visual album, having a storyline and short film that was released simultaneously with the record, which you can watch at the end of the article. Voices David wastes no time jumping right into the album with the first track “Voices”. The tempo and power of the song gradually builds up to the electrifying chorus, something that occurs frequently throughout the album. David is in a new relationship, but as he tries to move on from his old one, he can’t help but constantly think about his ex. He thinks about her so much that he feels as though he’s practically telling himself to go back to her. No matter how hard he tries to move past the relationship, he keeps realizing that he should be with his ex and not his current partner. Unfortunately, his ex has a new boyfriend, so they can’t be together. Next Summer Narratively following “Voices”, the second track “Next Summer” is about how David will wait for his ex to leave her relationship with her new boyfriend so she and David can get back together. He continues to reminisce on what they once had, and is still trying to process the heartbreak that came with his ex breaking up with him. However, David is still willing to get back together in order to mend his broken heart. He has also given up on trying to move on and has most likely broken up with his current girlfriend, because it wouldn’t be fair to stay in a relationship knowing that he is truly in love with someone else, even if it means waiting a long time for them. Zombie Lady The third track of FUNNY little FEARS  is a fun and upbeat song with production consisting of pop synths and creative instrumental arrangements involving an acoustic guitar, which go very well together to make an amazing love and summery anthem. The mood of the album shifts from heartbreak to being in love, especially since David’s girlfriend and fellow musician Dove Cameron  makes a surprise appearance on the track. They both harmonize perfectly together as they sing about finding love and being true and devoted to that special someone in your life. Two people realizing they are perfect for each other in a world that considers them outcasts. The Bruise (feat. Suki Waterhouse) More beautiful harmonization is presented on “The Bruise”, this time with Suki Waterhouse. The vibes of being in love and experiencing true romance are expanded as they describe how you can love someone so much that you never want to be apart. It’s hard having to say goodbye to your partner, even if it’s only temporary. You love being close to them, but you feel as though you’ll never be close enough to them, no matter how hard you try. That is the feeling David and Waterhouse convey in the song. The production is slow throughout, but takes a turn in the latter half of the song, the tempo suddenly increasing as more instruments are introduced in addition to the slow synths and acoustic guitar chords. Sick of Myself The relationship David is in appears to be heading down the wrong path, according to what he sings in “Sick of Myself”. Using metaphors of being ill and needing treatment, what he and Waterhouse discussed in “The Bruise” turns into him being reliant on his partner. It’s hard for him to be without her for too long because he’s been affected by what’s happened to him in the past, such as being left and waiting for his ex to want to start their relationship again in the first two tracks. His insecurities are beginning to take over their love, and are starting to turn a good relationship into another toxic one. All of this is sung over another mostly slow-paced and guitar-heavy production. Angel The next track of the album, “Angel”, appears to serve as an interlude. The song strays away from the faltering love story and circles back to the romantic vibes of the previous tracks. David finds himself enamored over a girl he meets, calling her an “Angel”. He thinks she’s the most beautiful woman he’s ever met, and utilizes the song title from Lady Gaga 's “So Happy I Could Die”, which describes his emotions whenever he sees or thinks about her. This song is also most likely about Cameron, as he emphasizes references of her eyes, which are green. The musical components of “Angel” are made up of piano chords and matching drum beats. Tango Another upbeat track, this time featuring bubblegum pop piano notes, drums, and melodies inspired by 50s and 60s mainstream music, David explains how he feels he’s being used and not treated right, along with not understanding what to define his relationship as. He is in love with his partner, but he feels as though she doesn’t fully love him back, and only wants to be with him temporarily. He has expressed that his love language is the opposite of that, as he always wants to be around her, but she doesn’t share the same feelings. He then wonders if she ever thought the relationship was serious, and thinks he was sent the wrong messages. Born With a Broken Heart The lyrics of the eighth track of the album determine that the relationship has ended, as David describes himself as someone that has lost all hope with love. Every time he thinks he has found the right one, something occurs that causes his relationships to fail. He believes that love was never in the cards for him, hence the title “Born With a Broken Heart”. He believes he has never been meant to find someone to spend the rest of his life with, as he thinks he is the reason all of his relationships fail. While the lyrics are very melancholy, they are paired with whimsical production and instrumentation. The chorus features an addicting melody, but not before it’s followed by a pre-chorus showcasing David’s broad vocal range. Tangerine (feat. d4vd) More classic pop production returns with “Tangerine (feat. d4vd)”. Now that David has been broken up with, he finds someone new that he feels as though treats him right and better than his ex did. He doesn’t feel used or that he’s getting mixed signals anymore. He explains that this is who he should’ve been with all along, as he now feels much more loved and seen than he did before. d4vd also tells the story with his impeccable vocals. Their voices go very well together, which shows that David has the ability to easily harmonize with anyone, as shown twice before in the album, another way that he’s incredibly musically talented. Mars Rustic and alternative rock are the main ingredients of “Mars”, a song that criticizes the ultrafast advancements of technology that are hurting the planet. It also insults Elon Musk, calling him “The Devil” and references how he insisted that everyone will be able to live on Mars one day. David is resistant to conservative and Republican propaganda and has not and never will care for it, and he has no desire to fulfill the wishes of an annoying narcissist, saying that he plans to stay on Earth and be realistic about his life and be with his true love, his love for her exceeding any concept of immortality or technology contributing to the harm of the planet and people. The First Time In “The First Time”, David goes over several of his experiences that he went through that can be considered life-changing by many, such as becoming famous and traveling the world while going on tour. However, the experience he’s been through that he’s considered the most life-changing is meeting his girlfriend. He sees it as the greatest and most impactful thing that has ever happened to him and will ever happen to him. He considers it as when “the stars aligned”, continuing the romantic themes of true love a lot of the songs in this album have carried. David compares this moment to love at first sight due to falling so fast for her the second that they were introduced. Perfect Life David reviews his last relationship and how damaging it was to him, and wonders how his ex felt okay with doing so many terrible things to him when they were together. He feels as though he wasn’t good enough for her, and that they were never a match to begin with, which she knew, but still decided to be with him anyway. He doesn’t understand why he was played, but knows he doesn’t deserve to be in a toxic relationship. Now that he’s in a healthy relationship with the love of his life, he can fully see that he was used and was wronged by his ex and couldn’t comprehend it for far too long, and knows for sure he wants absolutely nothing to do with her. Silverlines - prod. Labrinth As the title indicates, the penultimate track of FUNNY little FEARS  was produced by Labrinth, and his signature sound is very present on this song as there are sudden and spellbinding moments of cacophonous vocals and instrumentation in between softer-sounding elements. After the heartbreak that David has endured throughout the story of the album, he sings about how he still manages to find “Silverlin[ing]s” in his life that help him forget about the bad things that have hurt him in the past so he can create a better future for himself. He’s been betrayed before by his former partners, but now he's with someone who he shares true feelings of love with and knows he can always trust. Solitude (No One Understands Me) Throughout the final track of the album, not only is the record’s title dropped, but it transitions between different tempos and styles of music, making it a wondrous ending to a beautiful and perfectly crafted album. Sometimes, we all need time to be alone and collect ourselves and our thoughts. It can be hard to go through the trials and hardships of life and love, and we often need a chance to take a break and catch our breath. David perfectly explains this in the song, and the musical transitions can portray a sudden shift in feelings and could resemble having a panic attack or being overwhelmed or indecisive on how to feel in the moment. The Short Film: For Damiano David’s first project of his solo career, this an incredible and pivotal start to his discography. After listening to FUNNY little FEARS , it’s easy to say just how amazing this album is. It’s pop throughout while each song sounds so distinctive to one another, and the storytelling in the lyrics was perfectly executed. David’s talents have been known for a while, but this album takes it to a whole other level. In my personal opinion, I love how romantic and down to earth it was. I’ve also been a Dove Cameron fan for years and I was so excited when I discovered she was a surprise guest on the record, and I also love how David wrote about her and their relationship in the album. Written By Ashley Adams FOLLOW DAMIANO DAVID: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

A modern romantic indie pop ballad, "Weather App" analyzes adding someone's city to your hub of online weather tracking. Fig explores, as she puts it, the "strange intimacy of checking in on someone through a weather app, the song blurs the lines between self-validation and unhealthy attachment." The weather app serves as a vessel to feel connected to a long-distance lover by stepping into their shoes, knowing what weather they're experiencing and what time they'll see the sunset. Fig exemplifies this in her lyrics: "so I know to call when it rains ...I added your city to my weather app, so I know when it's safe for you to drive." Sticking to identifying the complications that the internet can have on forming new romantic connections Fig repeats, "somewhere on the internet you said you adored me." She explores how the access our generation has to all the details of each other's lives is a double-edged sword that can cut down or sharpen our relationships. "Weath er App" is just the most recent single that channels Fig's classical instrumental training into a new blend of pop sound. During her first co-writing session with Emma Whale at the Catherine North Studios in Ontario, “Weather App" emerged. Fig's vocals are accompanied by guitar and bass tracks that shape the soundscape without taking attention away from her illustrative lyricism. The instrumentation on the bridge includes Fig's own violin playing. The use of reverb and moments of echo in the piece reflect the murky space between real connection and the illusion of true relationships especially those that take place online. Ariana Fig is a receiver of the SOCAN’s Honorary Young Canadian Songwriter Award for her song “Running Man,” as well as funding from FACTOR and The National Arts Centre of Canada. Trained classically in violin, Fig applied her musical knowledge to singing and songwriting. Currently at work on her debut album, "Weather App" is the second single release of 2025 for Fig. Her upcoming album will be released under her own label, FigTree Records. Fig is just getting started melding genres to create her signature sound. You can catch her playing at the Sound of Music Festival in Burlington, Canada this June or, wherever you stream music. Written By Azalea Withrow FOLLOW ARIANA FIG: Instagram | Spotify  | TikTok  | YouTube

Mike Williams and Eirik Næss lasso the classic metaphor of flying and bring it to the DJ stand. We can’t grow wings, but we can keep creating and using the tools around us so that we might find a way to touch the sky. Like a modern-day folk tale, the lyrics and rhythm gallop with the spirit of a wild horse. “Open skies, and closed up doors/ No one seems to listen, but they all know how to talk” reflects the desire to tear off the reins and follow your own direction. Escape the boundaries, explore, and evolve. The desire for more connects us—birds, horses, and humans travel with a longing for freedom, a life unrestricted. Grab your cowboy hat and your glowstick bracelets for this track. The rodeo meets the rave as the stomp-and-holler kick drum races to the clubbing tempo. Næss’s rough-edged vocals add the folk grit to the chorus classic “hey!” Williams combines a strumming guitar that you hear along dusty backroads and in cozy pubs with vocal chops ready for the flashing lights at a festival. The beat accelerates like a rocket, blasting off to the tropical dance vibe. It’s perfect for those summer nights when you pass the aux from friend to friend. The drop hits with the euphoria of a g-force ride. And all the burdens that you once carried feel weightless. Mike Williams and Eirik Næss connect with musicians worldwide to make great dance hits. Mike Williams is a Dutch DJ and producer known for melodic EDM. He produced hits like “Feel Good” with Felix Jaehn , “The Beat,” and “Wait Another Day” with Mesto. He has performed at well-known festivals such as Ultra , Tomorrowland , and World Club Dome . Mike Williams continues to produce from his studio in Hilversum. Collaborator Eirik Næss is a Norweigan singer and songwriter with a history as an Idol finalist. He has worked with artists like Alan Walker , Julie Bergan , and writers in the K-pop market. His track “Wave” earned a 10-week A-list run on NRK P1. Williams and Næss brought their styles of music together for a great song of the summer. Written By Taylor Sheridan Lempke FOLLOW MIKE WILLIAMS: Instagram | Spotify  | TikTok  | Facebook  | YouTube FOLLOW EIRIK NÆSS: Instagram   | Spotify  | TikTok  | Facebook  | YouTube

The era of using the song "Walking on Sunshine" by Katrina and the Waves as your main character song is over with this new release by Raynes. "Your Mouth Is A Garden" has so many components to make up a perfect single. A title that captures your attention, the feeling of nostalgia which can be hard to capture in a brand new song, all tied together beautifully with lyrics that feel incredibly intimate. At first listen, it feels almost like this song has been around forever where you want to immediately sing along. The song resembles a love letter written with a folk-feel is something that we will never get sick of hearing. The style of this song defintely takes us back to 2012/2013 when we were seeing a blend of pop and folk music with bands like Lumineers, Of Monsters and Men and Mumford and Sons. What was so great about that time period was the use of percussion instruments which Raynes uses to capture that feeling of nostalgia. A very easy "walking" tempo adds an element that makes it perfect to throw headphones on and stroll down the street. One of the most incredible things about this song are the lyrics and they should not be overlooked. Using the analogy of comparing someone to the delicacy of flowers or gardens really hits emotionally. It feels like a reminder to treat ourselves with that same gentleness but also treating others that way too. It's a story that highlights what it's like to have enough love for someone that you're willing to stay patient while someone is still blooming and growing into themselves. Ending with a bang, the song wraps up with harmonies that feel angelic. Raynes' foundation is a perfect combination of how modern day musicians are born from social media and how bands used to form pre-social media. Band members Mat Charley and Joe Berger met in college in 2015, hit it off and knew that this was meant to be. The band, though, still needed a strong vocalist when by the stroke of luck, an Instagram video came up of Mark Race singing. The duo knew this was their guy. The only problem? He lived in England while the other two lived in America. After a 10 day visit, Mark made the leap over to America and the band has been thriving since. They dropped their first two singles in 2019 and have seen growth every single year keeping the sound of what they call "expensive folk" alive. Their newest single, "Your Mouth Is A Garden" only heightens on this concept and was such a joy to listen to. Written By Breanna M. FOLLOW RAYNES: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Devin Lewis and Nick Sanza gives us a heartfelt love song focused on remembering what it was like to fall in love with another person. The song captures a personal reflection of falling fast and hard for someone else. By refering to this process as the 'deep end' it gives the song a unique edge. One of my favorite lines of the song says, "Now all I can think about is / Swimming in the deep end with you / Never knew this deep of a shade of blue / Somehow it controls me / Remember days when you would hold me / In the deep end with you." The vivid imagery we, as the listener are given in this set of lyrics is truly beautiful. We're able to grasp the meaning in our hands, as if it was tangible and real in front of us. The last set of lyrics presents us with a whole new set of emotions to grapple with when it says, "We're both so afraid of the fall / Too afraid of risking it all / We both know that the second you call / I'd still let you hold me through the end of it all / I'm sorry but not for falling in love / I let you hold me but it wasn't enough." In the end we get the full picture, realizing that the love shared and the feelings between the two, ultimately couldn't keep them together. "Deep End" brings a whole different vibe. The song is both upbeat and cheery, while also being solemn and melancholy, almost like the best of both worlds. The piano and vocals blend so seamlessly together. When the bass and drums collaborate with the piano and vocals it's like butter melting, smooth and savory. As the listener you're trying to soak every aspect of the song in. The overall mood of the song is upbeat melancholy. There's a healthy balance between all the emotions that are present within the song which helps build the tone which is introspective and reflective. When all the elements work together cohesively we're given a lovely ballad that's simultaneously heart-wrenching and heartwarming. There's no doubt this song is a perfectly crafted gift from Devin and Nick to us as the listener. Devin Lewis is an actor, singer/songwriter and music producer; Nick Sanza is a Brooklyn based singer/songwriter. Both part of the queer community and fans of each other's work, Devin and Nick came together to write "Deep End", which is part of the soundtrack for the brand new gay rom/com movie, "Things Like This" and uses different musical styles like Ben Platt and Justin Bieber to create its own unique style. The movie is expected to hit millions of theater's across the United States. The first showings started May 16th. Check out Devin Lewis & Nick Sanza, and support "Deep End" both in theaters and during your daily jam sesh. Written By Destiny Rundquist Follow Devin Lewis: Instagram | Spotify Follow Nick Sanza: Instagram | Spotify