In this powerful and heartfelt ballad, Julia's new single "Fake it" brings an exciting twist to such a somber lyrical anthem. Her narrative follows the perspective of an ex-relationship and how sometimes the facade cracks in the layered emotions of the past. Her lyrics are relatable and real, creating a familiar story that her audience could relate to. This moody indie-pop harnesses the reality of a situationship for those who dared step into that realm. "Fake It" is lyrically straight out of the pages of a young woman's journal, earning a spot on a song to add to your feels playlist. Julia's haunting vocals harmonize with the overall vibes of the song. Mixed with slower, somber beginnings and a catchy beat to amass full force emotion, Julia's voice blends flawlessly between the two. Without misplacing or skipping a beat, the music actively engages with the narrative, immersing the listener to embrace the underlying truth of the fake act fully. Each line in the song feels like it was written with real feelings behind it, showing both sadness and frustration. The music matches these emotions really well, going back and forth between calm and intense. It’s the kind of song that sticks with you after it’s over, making you think about the message and how it feels to pretend everything’s okay when it’s not. Writing her first songs at 10 years old, Julia DeTomaso has a long love and passion for music and songwriting. With many performances under her belt, this rising indie star is an artist to keep on your radar. Julia has collaborated on songs that have gained traction and millions of streams. After taking a hiatus from releasing music of her own, Julia could not have debuted her return with a better song. With a clear and promising future in the indie-pop scene, Julia's writing and artistic abilities have the potential to take her far. Written By Adalyn Reichenberger FOLLOW JULIA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

With so many unpredictable life events taking place each day in our lives it’s hard to find the strength to keep pushing through. We often doubt ourselves because we think we know our limits, or we simply just don’t want to keep going. But when you come across something that you enjoy or know in your heart that you can accomplish, the game changes. You shift all those negative thoughts of self-doubt into positive thoughts of empowerment. The amazing Flame has delivered to us her brand-new single titled “Gravity.” A song that explores all those self-doubts and negative thoughts into something that becomes some of the best moments in life. All you have to do is believe in yourself no matter what life throws at you.   I quite literally could not get enough of this beautiful and soul grabbing song. It has the most ethereal instrumentals I have ever heard. There are two guitar melodies being play throughout the track and they both bring this song so much emotion. Paired with the captivating instrumentals are her vocals that are impeccable. As she sings, she does so in a very expressive manner that makes you drawn to this song. My favorite part however was towards the end where the song fades out almost as if it’s about to end. But then she grabs you once more with a soft nature filled melody and her raw vocals. It’s as if she is just having a regular conversation before the powerful instrumentals come back, closing the song perfectly.   The remarkable and gifted artist that is Flame is a singer/songwriter from Edinburgh, Scotland. With her first single released in 2021 titled “Like a Fish” she has been composing the most amazing songs since. Her genre falls under the folk-rock alternative music as each of her tracks are as intense as the previous. Through all her songs you can deeply resonate with each as she puts her soul into everything she creates. I can’t wait to see what the talented Flame has in store for us next, but I am certain it will be just as moving as the rest. I highly recommend following her social medias below to never miss out on another release. Written By Julissa Garcia FOLLOW Flame: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photography: jillian / @thejeeg "Poison" is the newest single from Maya Salafia , a song about always falling for the wrong person. Someone could be so enchanting that you can't help but be in love with them, but sooner or later you realize that having a crush on or being in a relationship with them would not be healthy. Salafia details her experience of this in "Poison" and realizes this keeps happening to her after beginning to fall in love with a girl. She defines her with vampiric qualities and is already anticipating that a relationship would not last, or she will be turned down if she were to confess her feelings to her. Indie and acoustic pop are the main influences of "Poison". It sounds like a song you would hear from a live band at a bar, and after hearing it you know that band is gonna make it big. The instrumentation is raw and it sounds like songs that were recorded back in the day when all the instruments had to be played at once in the studio. Its very authentic-sounding and gives off the vibes of a warm summer's day, where the wind is blowing through the leaves of the trees outside, the color of them akin to the leaves in the cover art. This is a very lovely song and Salafia has an amazing singing voice. Maya Salafia is a singer-songwriter and musician from and based in Boston, Massachusetts. She began her music career in February 2021 with the release of her debut single "First Grade". Since then, she has added other amazing songs to her discography, including "Everlasting", "Swim", and "In the Fall". She is set to release her debut album Girl Like Her in 2025. She competed in the International Songwriting Competition and was a semi-finalist in both 2021 and 2022. Her music been featured many times in different music review blogs and websites and she has performed her music live before. Maya Salafia is an amazing and incredibly talented artist! Written By Ashley Adams FOLLOW MAYA SALAFIA: Instagram | Spotify  | TikTok  | Apple Music  | YouTube

I began listening to Sam Fender after watching a Louis Tomlinson interview in 2022, where he mentioned how much he loved Fender's music. I spent that summer listening to Fender’s 2021 album, “Seventeen Going Under,” and fell in love with his voice and masterful lyricism.  With the release of his third album, “People Watching,” this past February (read my review of the album here ), Fender announced “The People Watching Tour.” My friends and I have been fans forever and immediately knew we had to see him. We attended the show at the Marquee Theater in Tempe, Arizona, on April 21, and our dreams of seeing him finally came true. This was Fender’s first-ever show in Arizona. Whenever I’ve been to a show where the artist is not accustomed to our desert air, they preface their set with a warning that their voice may not be as strong due to the dry heat. Fender offered this warning, yet his voice was strong and clear through the entire 90-minute set.  He began his set with “Dead Boys,” a song from his debut album, “Hypersonic Missiles.” Written about the stigma around men’s mental health and the high suicide rates in the UK, this song is haunting and powerful. Fender has never been one to shy away from difficult subjects, and he is always able to do justice to any topic he writes about. This song has always been one of my favorites from him, but hearing it live gave it a whole new feeling for me.  Despite being a tour to promote the “People Watching” album, the setlist was primarily comprised of songs from Fender’s first two albums and early EPs. This was a special treat for me, as so many of my favorite songs from Fender’s discography are from early in his career. However, I was extra excited when I heard the opening notes to “Arms Length” from the “People Watching” record. This album has been on repeat since its release, and getting to hear some of the songs from it live was a joy I’d been waiting months for. He played a few songs from this album before transitioning back to some of my favorite older songs.  “Will We Talk?” is one of my favorite songs of all time, and I’ve been dreaming of hearing it live since I first listened to it three years ago. This song is an upbeat earworm that makes listeners just want to spin around and find a friend or a stranger to dance with. While I loved it before, hearing this song in a concert setting breathed new life into it and gave me a priceless memory to associate it with.  Soon after, he played “Howdon Aldi Death Queue.” Written in response to the chaos that the COVID-19 Pandemic unleashed upon the world, this song is a fast, punk-inspired track that was released as a B-side to “Seventeen Going Under” in 2021. Rainbow-colored lights flashed during the breakdown as the band gave it their all. Throughout the entire show, Fender’s band poured out their passion onstage and never let up for a second. Their energy was awe-inspiring and made the show even better. There was a brief detour from the normal setlist as a fan got Fender’s attention during the show. While he normally plays “A Little Bit Closer,” a track chronicling his internal battle with religion, this fan requested that he play “All Is On My Side,” a single left off his debut album that longtime fans have rallied around. I had never heard this song before, and Fender admitted that he hadn’t played it live since its release. At first, he was hesitant to try, worried he would forget the words, but he and his band executed it beautifully. Soon, the band briefly exited the stage before returning for the encore. They played an unreleased song from Fender’s upcoming “Me and the Dog” EP, “I’m Always On Stage,” before finishing with one of his most popular songs, “Hypersonic Missiles.” The only lowlights of the night were the lack of energy from the audience and the fact that another crowd-pleaser, “Saturday,” was missing from the set. I have seen many shows at the Marquee Theater, and while it is a smaller venue, it’s easy to move around in and there is plenty of room to dance. While my friend and I (along with a group of two other guys near us) were taking the opportunity to move around, much of the other crowd was stoically looking ahead.  Even for Fender’s more upbeat songs, where you would expect to see people dancing, the audience was mostly still. It was a bit disappointing to see, and I had expected more from his fans. Before the set even started, some of the people we were standing behind let us go in front of them because they were “probably weren’t going to be dancing, anyway.” While it was nice of them to give us a better spot, it would have been more fun to see people let loose and embrace the full concert experience.  Overall, this was a great concert, and I plan to see Fender live again. His vocals are even better than they are in the studio, and the energy on stage more than made up for the lack of energy in the room. I hope to see Sam Fender in a festival setting one day so I can see him shine even brighter. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

As humans we’re emotional and we can hurt layers so deep you can’t even navigate where it started. Society often disapproves showcasing your pain and expects everyone to keep it tied so close no one would ever guess it was there. Truth be told, sharing your emotions is the only way to let them go and find release. Final Child’s new single “Healed Wounds” is about how important it is to feel everything to the full extent. She shares her introspective journey about how she learned to let it out so she would start to be okay. It’s a soft pop-rock track with a solid beat and catchy guitar melodies. Final Child’s vocals sit perfectly in the mix and have an angelic tone that satisfies your brain. This is the season of healing and for all the girls working through things, you need to add this to your playlist. "I can feel in my body, the wounds keep on healing more than I ever once wished for." “Healed Wounds” is a remake of Final Childs song “The Wounds.” Seven years later she touched back on a time where she was hurting to sing about the growth she experienced to find happiness. There is so much beauty in music and the vulnerability it took for her to go back to a dark place and share how it got better is inspiring. Final Child released a music video for “The Wounds” back when it was released and throughout the video she walks alone in a dessert landscape. She created a new music video for “Healed Wounds” where she goes to that same spot flipping back and forth between her past and current self. Her husband and two kids made an appearance in the video showcasing that things get better and happiness can be found in who you’re surrounded by. “Got caught up in it, but only for a minute.” I recommend you watch both music videos to feel and see the radiance that Jennifer found. It's a hope to all that no matter what everything will work out. Jennifer is the face of Final Child. She was raised in the 90’s where she spent a lot of time singing along to everything from Spice Girls to Nirvana. She is Swedish and moved to America in 2008 to begin her career as a musician. Jennifer perfected her craft for writing and producing and her debut single “The Wounds” was released in 2018. Since then, her discography has grown immensely with various single releases and three albums. Her music brings elements of pop rock together with her natural talent for story telling. If you love “Healed Wounds” be sure to check out the links down below to follow her career. Written By Emylee Herring FOLLOW FINAL CHILD: Instagram | Spotify  | TikTok  | YouTube

Serena’s Foster latest single, Wild Things, is an electro pop song inspired by the children’s book, Where The Wild Things Are. The book is about a mischievous young boy who goes on a wild adventure after getting in trouble at home. It explores themes of imagination and rebellion which are reflected in the lyrics of this song. The music video fits the vibe of the song because of the forest and day time setting. Upon first listen, it gave me immediate late 2000’s, early 2010’s vibes, but I couldn’t put my finger on which popstar from that era she reminded me of. She did say this song was inspired by Lady Gaga. As a Little Monster myself, I completely agree. Wild Things starts off slow, the clapping and lyrics begin, then the chorus kicks in and you feel the instant urge to bop your head along. As I mentioned earlier, the themes are reflected with lyrics like “Enticing is an understatement, Freedom from my heartbeat blazing”, “I’d rather be wild, banned, exiled, than a repeat bandit”, and “Where are the wild things, Am I the only one”. The song ends with a slow wind down of Serena’s oh-ohs. Pure silence for several seconds while you grasp the song’s hold on you. Her smooth and consistent tone and singing style complement the song and the message she is going for. It is a certified bop from start to finish and I highly recommend it. Serena Foster is an independent artist born in Simi Valley, California and based in Los Angeles. Her love of music started at the age of four. As the years went by, she became multi-talented: singer, songwriter, instrumentalist, performer, producer, filmmaker, and director. She cites Britney Spears, Lady Gaga, and Natalie Cole as her biggest musical influences and the reason for getting into music in the first place. Not music related, but Lady Gaga literally took her flowers at Coachella which I can only imagine was a dream come true. She’s been releasing music for almost 10 years now, so if you are looking for more pop artists to support, she needs to be high on that list. Written By Jazz FOLLOW Serena Foster: Instagram | Spotify  | TikTok  | Facebook  | YouTube | Twitter

If you're looking for a song that gives you the fun and angst of punk rock while touching on hard subject surrounding mental health issues, "Choker" by SkyDxddy is exactly that. The theme surrounding the song is the conversation about how some people go through life smiling on the outside but on the inside are really struggling to hold it together. The lyrics that SkyDxddy has chosen alongside touching guitar riffs and drum tracks touch our angsty teenage selves while speaking to our adult minds about how hard life really is. Lyrics in the chorus like, "But I feel it tightening, baby I wear it like a choker" use the symbol of the choker to express how suffocating of a life that can be. The song starts off with a catchy guitar riff that we carries throughout in a very beautiful way. What's important to note about how this song differs than other punk songs is when SkyDxddy comes in with the vocals and the rythmic choices for the lyrics in both the verses and the chorus that really compliment the guitar riff that we hear in the beginning. The song's verses and pre-chorus are easy to distinguish simply through volume. They both also have a nice delicacy to them being light and softer. The chorus feels like the complete opposite where the lyrics are a lot harsher speaking to the subject of the song and instead of the music being softer, it's loud and intense. SkyDxddy is an alternative Pop/Rock Artist who uses subjects of mental health, personal trauma and empowerment as the engine of her lyrical choices. She has an incredibly authentic sound and unique lyrics that connect deeply with those who struggle with all sorts of mental health issues due to the raw, emotionally charged lyrics from her past. With over 150 million streams, SkyDxddy is also a Billboard charting artist and has really made her mark as a young up-and-coming artist in today's industry. One of the greatest strengths that SkyDxddy brings is the connection to her fanbase where they find comfort in each others strength and resiliance through music. Written By Breanna M. FOLLOW SKYDXDDY Instagram | Spotify  | TikTok  | Facebook  | YouTube

Markus Schulz, Tim Clark, and Linney’s “You Belong” sparks unity with an electrifying, unstoppable sound that reaches the heart. Some people spring out of bed ready to face the world. Others have to fight to share a piece of themselves. But we all ache for connection, and music is the medicine. “You Belong” is a testament to every listener that no matter what path you start on, the heartbeat in your chest is beating for a reason. It strips the flaws and achievements down to the soul, making way to live in the moment. Linney sings, “This is for the shattered broken hearts/ this is for the dreamers in the dark.” Sometimes, we don’t need an extravagant or complex statement. We need to hear those simple words, “You Belong.” How many of us are one conversation away from our dream career? It’s alright to take life at your pace and take wrong turns: “When you’re lost along the road/ let the music take you home.” This track serves as a reminder that you’re not alone and that you’ll be okay. “You Belong” is a euphoric track that pulls you to the dancefloor, where multiple heartbeats sync to one rhythm. The soul-stirring melody plays over plucked notes, while Linney’s velvety vocals sing over the clean, polished production. Layered background vocals elevate the communal energy, like you could float away with the sound. As the glimmering arpeggio and snares climb toward the drop, the thrilling adrenaline races with the perfect tempo for dancing. When it hits, the percussion, bass, and synths collide together, and burst like a firework—a color masterpiece. Electrifying lead synths cut through the atmosphere, sparking a feeling of connection. Everything masterfully blends together. Markus Schulz, voted America’s Best DJ by DJ Times  in 2012 and 2014, creates trance, progressive, and house music. Shaped by the ’90s Arizona rave scene, he went on to host Global DJ Broadcast  and founded Coldharbour Recordings , securing a spot in DJ Mag’s  Top 10 DJs since 2008. Tim Clark, a Las Vegas-based DJ and producer, went from leading his $50 million company, Tradebloc Inc. , to creating electronic dance music. He hosts a weekly radio show,  Illumin8 , which is broadcast internationally. Joining them is Linney, an electronic music vocalist known for her smooth voice. Her EP, Desert Dream , topped the iTunes Dance chart. Her collaborations with artists like Nicky Romero and Tritonal have climbed up Billboard’s Dance Radio Charts. Together, Schulz, Clark, and Linney bring their talents to “You Belong.” Their song captures the spirit of connection through music. Written By Taylor Sheridan Lempke FOLLOW MARKUS SCHULZ: Instagram | Spotify   | X | Facebook  | YouTube FOLLOW TIM CLARK: Instagram   | Spotify  | TikTok  | YouTube FOLLOW LINNEY: Instagram  | Spotify  | TikTok | Facebook  | YouTube

The highly anticipated debut EP from alt-pop singer-songwriter Lauren Presley is finally here. Hanging In The Balance  is a flawless five-track project that explores the singer’s journey through “self-doubt, resilience, and the pursuit of happiness.” Her talent shines through with her vulnerable lyrics and powerful vocals. Each song shares a profound message that resonates with listeners, while Presley shares an intimate insight into her personal experience. Hanging In The Balance is perfect for fans of dark-pop, alternative, and punk rock. TRACKLIST Hanging In The Balance People Leave Can I Be Happy Paralyzed Ghost Lauren Presley is a pop singer-songwriter from Texas who is now based in Nashville. Her sound blends alt-pop and dark pop, drawing influence from artists such as Tate McRae , Halsey , Fletcher , and Nessa Barrett . She released her debut single, “A Little Longer,” in 2020. The track has garnered over 1 million Streams on Spotify and 5.6 million views on YouTube. Her talent has earned critical acclaim from prominent names, including Wonderland, Notion, Earmilk, Popfiltr, Kings of A&R, and Loss In The Nordics. She also earned a coveted cover feature on Spotify’s Fresh Finds: Pop playlist. With her stunning vocals and relatable songwriting, Presley continues to make impressive waves in the industry. Follow her on all socials to stay updated with all new announcements and releases! Hanging In The Balance Presley kicks off the album with the title track, “Hanging In The Balance." It serves as an interlude, slowly reeling the listener into the vulnerable EP. The minute and 17-second song packs a big punch in a short time. The track instantly starts with an eerie soundscape and Presley’s angelic voice. Her vocals have an empty-arena effect on them, accentuating the haunting soundscape. The artist confesses the gut-wrenching truth of her current mentality – she is “hanging in the balance.” She won’t let anyone see the pain and suffering she is going through. The track gives a glimpse into the upcoming tracks on the album, showcasing her heartbreak and sorrow. People Leave “People Leave” is the lead single from Hanging In The Balance.  The dark-pop song transports the listener into Presley’s anxious thoughts about relationships. She sings to her partner, expressing her deep disappointment in herself. She wants to trust them with no strings attached and admits they have not done anything to ruin that trust. However, she is so traumatized by past relationships that she is afraid they will leave. In the chorus, she apologizes for her behavior and explains it’s not her but “it’s the girl who’s still in pain // Who never watched them stay // And watched them walk away.”  The lyrics are backed by a powerful pop-rock production that emphasizes the desperation of the message. Presley’s passionate vocals complement this instrumentation, making “People Leave” a flawless anthem and earning its spot as my favorite track on the project. Our talented writer, Hanna Kowal, wrote a song review for “People Leave” in December 2024. Check it out here ! Can I Be Happy The second single is composed of heavy punk rock and dark pop influences. The style is reminiscent of early Paramore and new Cassadee Pope . Presley showcases her impressive vocal range, guiding the listener through her journey of pain and self-doubt. The song begins with a mesmerizing guitar melody and her angelic vocals as she expresses her inability to leave well enough alone and be content with where she is. The soothing soundscape in the verse bursts into the heavy, pop-rock chorus that emphasizes her fear of never being enough or ever loving herself unconditionally. The song is the perfect catharsis not only for her but for listeners who resonate with this heartbreaking message. “Can I Be Happy” proves that Presley found the genre made for her. Our talented writer, Victoria Fitzgerald, wrote a song review for “Can I Be Happy” in February 2025. Check it out here ! Paralyzed “Paralyzed” starts with an eerie synth production that lulls the listener into a dark, haunting soundscape. The instrumentation complements Presley’s lower register in the verse as she sets the foundation for the gut-wrenching, vulnerable lyrics. Throughout the track, she explores her frustration in feeling stuck with her career and personal life. She feels pressure from all sides, and nothing has gone as planned. She is “paralyzed," unable to escape this place of never-ending disappointment and misery. The song is utterly relatable to anyone in their 20s who had strong ambitions and thought they would be the best in their field by the time they turned 21, but are nearing their 30s with nothing to show for it. It is a quarter-life crisis anthem, making listeners, including myself, feel less alone in their self-doubt and bitterness. Ghost “Ghost” is the emotional ballad on the EP, sharing the singer’s struggle with mental health and sorrow. The song’s dark-pop soundscape evokes feelings of pain and melancholy as her lyrics describe how everything is slowly chipping away at her happiness. From the lyrics “Running off Zoloft and coffee” to “overworked and underpaid,” Presley ingeniously depicts the Gen Z and Millennial experience of pushing through life one day at a time. Now, she feels as if she is a ghost of herself – a shell of who she once was. Life has turned her into someone she does not recognize and is “hanging in the balance.” One more wrong turn… one more mishap, and she may lose herself entirely. Closing the project with “Ghosts” neatly wraps Hanging In The Balance , starting and ending the project with the significant theme of suffering in silence. Our talented writer, Nini Alano, wrote a song review for “Ghost” in April 2025. Check it out here ! Hanging In The Balance by Lauren Presley is a skipless project that features heavy, dark-pop anthems and emotional ballads that tug on listeners' hearts. With her stunning vocals, the singer mesmerizes her audience while providing a cathartic release for herself. From the anxiety-fueled “People Leave” to the self-loathing in “Ghost,” Presley has crafted a well-rounded EP. Her authentic lyrics provide a source of comfort for her audience, reassuring them they are not alone. Hanging In The Balance  is strong proof that the singer is one of the most exciting up-and-coming artists to watch! Listen to the Hanging In The Balance now and follow Presley for more ! Written By Karlee Skipper FOLLOW LAUREN: Instagram | Spotify | TikTok | YouTube | Facebook *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Post pandemic, more and more people are going to concerts than ever before. With a gathering of people so large, there are some spoken (and unspoken) rules of concert etiquette in place to maintain a safe and fun environment for the performers, fans, and crew. But we’ve seen the videos - performers being hit with flying objects, fans obsessively screeching all night, wild acts of entitlement and disrespect. I’m not going to say that concertgoers were always perfect angels before COVID, but this recent uptick in the neglect of concert etiquette is quite concerning, so let’s dive into the issues of concert etiquette in 2025. With high prices comes high entitlement. No matter what caliber of artist you are seeing, you are paying more than what you would have 5 years ago, or even a year ago. And it’s not just the cost of the ticket that’s gone up - the cost of transportation, merch, food, and drinks have also gone up too. The struggle of getting tickets off of Ticketmaster too, has created an element of entitlement amongst many concertgoers. Many spend hours on Ticketmaster queues, skipping work or class, with the very real possibility that something will go wrong in the process and they won’t be able to buy tickets. Once you’ve got them, you feel a part of this exclusive club, only one of the few to survive the Ticketmaster war. This leads to a certain air of superiority or entitlement once you get to the venue for some - you paid all of this money, shouldn’t everything go your way? A neglect of personal surroundings and general lack of knowledge regarding “time and place” is a plight that plagues concertgoers time and time again. We’ve all seen signs that are far too big, outfits too impractical, and cameras held too high. But it’s a tricky situation, though - you paid so much money to see the show, why shouldn’t you take advantage of the moment, or capture as much as you can? I think we’re all sort of guilty in bending the lines of concert etiquette to make our experience more enjoyable. But, I think there’s a line to draw. There’s a difference between standing on your tip-toes and sitting on someone else’s shoulders, or trying to get closer to the stage and violently pushing your way through the pit. You get my idea.  Is there a good approach to fix this problem of bad concert etiquette? I'm not sure. We see this kind of entitlement, selfishness, and rudeness everywhere, not just concerts. You can see it at the grocery store, on planes, in amusement parks - wherever. It’s not a problem of just enforcement; many venues make their policies very clear. But it’s about the culture. This elitist, and at times toxic, concert culture where you have to be doing the most all the time has created an environment that is focused on the individual and harsh to other people. It doesn’t help that many of these concert etiquette fails go viral on social media, only causing more and more people to attempt the stunts that others have performed before them in order to get their 15 seconds of fame. What should be the general concert etiquette rules then? I think the good ol’ fashioned mantra of “treat others the way you want to be treated” is a good rule of thumb. Don’t want to be elbowed in the face by a stranger? Then pay attention to your personal surroundings while dancing. Don’t want someone’s camera in your view all night? Then don’t hold up your camera too high. If you don’t want someone to be rude and inconsiderate towards you, don’t be rude and inconsiderate towards them. And of course, follow all of the rules set up by the venue and the artists team. And most of all, have fun. Where else can you be with thousands of other people bonding over the exact same moment? Enjoy it!   Written By Lauren DiGiovanni Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

There’s a desperation of wanting to know if someone is the one. There’s a question, a lingering thought of the thought of someone else. Is there something there? Or is it just all in your head? Matthew Orgel’s new single, “Will They/Won’t They” covers the feeling and moments of unspoken messages through two people who haven’t received the clarity of where their relationship is going. With these moments “on a loop in [their] head” and with only “two options ahead,” Orgel’s song professes the want for more. A trope as old as time, Orgel finds himself in a cross paths: either this is all in his head, or he’s reading the situation right. Will they find themselves in the situation that Orgel believes they’re in? Or is it just a fantasy? Orgel’s single is a great take on sexual tension and the building of feelings over time. Despite Orgel’s confession and longing for more, the upbeat tempo and strong bass line throughout the song makes for moments with the windows rolled down and singing along with friends. Clever lyrics detail the song, with flips between two thoughts throughout the song, like if it’s “fantasy or foreplay” or “Are you gonna be? / Or have we only begun?” Mirroring the meaning of “will they or won’t they,” Orgel’s lyrics profess the thoughts that have been haunting him throughout the relationship: going in circles until both people receive the answers needed. Matthew Orgel grew up a musician. Hailing from Long Island in New York, he grew up singing and songwriting, starting the latter not too long after learning how to play piano at the age of four. With Orgel’s various music and covers catching the attention of artists like Meghan Trainor, Tyler Johnson, and Mike Sabath, it’s no shocker that he rocks over 27,000 monthly listeners on Spotify. Now in attendance at Berklee College of Music, Orgel hopes to inspire listeners and make songs that have listeners feeling good. With singles like “Will They/Won’t They,” “Backwards,” and “I Could Be Him,” leading to his second EP, out May 15th, we couldn’t be more on the edge of our seats. Written By Abby Mornhinweg FOLLOW MATTHEW ORGEL: Instagram | Spotify  | TikTok

With retro sounds a drive for outspokenness, "Already Part of the Problem" by group Senses is a synth rock track that fights against the need to stay silent and limit change. The song has an 80s tone to it, finding a way to remind you of every classic from that period, but it still incorporates modern elements in its production. "Already Part of the Problem" is clear in its intention to be a song that urges for a forward-thinking movement that makes change instead of standing still. It almost plays the role of a battle call but the instrumentals themselves are much more cheery than that. When it comes to the aesthetics of "Already Part of the Problem" it does come across as more hopeful than the lyrics would want you to believe. It's filled with urgency and pleading, and it's the kind of song that excites you because of the message that it carries. The old-school influence is definitely strong on "Already Part of the Problem" which makes the track much more fun. However, the distortion of the guitars do give insight into a much darker tone. As previously mentioned, the lyrics are very direct in what they preach, pointing fingers to the listeners and questioning their lack of action. It's a song that's so necessary as it reminds people how important it is not to stay still and silent. That's why even when the song expresses fear and anxiety, it's still a motivational track. Even with its serious nature, "Already Part of the Problem" is still very fun and energetic enough to ignite a party. It's so easy to find yourself jumping up and down and dancing along once you press play. "Already Part of the Problem" has a lot to show for itself as it induces both fun and responsibility on its listeners.  Senses are a band of four best friends that formed in Coventry, England. The band consists of members Ian Finnegan, Kevin Kavanagh, Brian Callan, and Rónán O'Connor. The band takes inspiration from different musical styles like alternative, shoegaze, and indie rock. Senses has made their way around the UK music scene as they've performed many shows throughout their time as a band. Their debut album, "Little Pictures Without Sound," was released in 2023 and was a success. Their second album "All the Heavens" is expected to be released in July of this year so make sure to keep up with Senses as they continue to grow as artists. Written By Chantal Charles FOLLOW SENSES: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator