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  • Review: "Hierarchy" - SABRINA G

    "Hierarchy" by SABRINA G is a daring track that challenges the egotistical and empowers curious minds. If you've ever looked at someone who is frustratingly self-important, and wanted to ask 'what makes you so special?', this song will satisfy that urge. The lyrics hold nothing back, opening with the lyrics, "tell me, do you think it's fair playing with everyone's emotions?" By asking a selfish person to take a look at their thoughts and actions, the verses cut away at the grandeur of that person's f açad e until all that's left is the truth: they are a bully. The chorus is a catchy, teasing taunt of that person's so-called top-tier existence, making this song a deliciously powerful statement. Feel the strength that comes from knowing you are only as good as the way you treat others when you listen to this exciting track. Alluring and tantalizing, just as the daring message of "Hierarchy" teasingly begs for power, its sound exudes it. This dark pop song uses intimate vocals and a catchy, simple electric guitar pattern throughout to create an intense sound of curiosity and longing. SABRINA G sings in a breathy, low tone through the verse and hits entrancing high notes in the chorus. Electronic instrumentals bring a bold depth to the tune, including dramatic vocal distortion and building percussion that will captivate you with its punch of eloquent mastery. Whether you want to shift into a femme fatale mindset for a moment, or simply are searching for some powerful vocals, this intoxicating track will satisfy your craving. SABRINA G is a Brighton-based artist with an exciting Alt Pop style. Her empowering lyricism and bold vocals have made their mark, reaching listeners who connect with her resonant sound. She has been regularly releasing singles over the last four years, and has collaborated with other artists, like Ruins in Gold on the song "Back to You". In 2022, she made the Glastonbury Festival Emerging Talent Longlist , leading to further attention from platforms like BBC Introducing . She has performed at the Great Escape Festival , and opened for artists like Newton Faulkner and Maple Glider . Check out the links below to keep up to date with her music. Written By Hanna Kowal FOLLOW SABRINA: Instagram   | Spotify  | Twitter  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "web of lies" - yongkytown

    Looking back at a situation, the truth always seems so clear. yongkytown's powerful song "web of lies" captures that post-breakup insight when you recall the way you've been treated and understand what the relationship truly was. It's a devastatingly difficult process of reconciling your wants with the truth of how someone has wronged you, and this song is loaded with residual longing and hurt. Sometimes toxic relationships are like a bad habit you just can't quit. The verses take you through things that, in hindsight, are clear indications of an unhealthy relationship, while the chorus begs to try again. In a vulnerable and authentic representation of this sort of pain, the track shows how we tend to cling to love even when it's bad for us. Illuminating the way we contradict our needs with our wants, the lyrics use metaphors to demonstrate the way love can leave us wounded, like pieces of a whole. Listening to this track is a very healing and emotional experience, letting people know that they are not alone in holding onto the idea of a person who treated them badly. In a punchy use of pace and strongly constructed instrumentals, this track will captivate you with its emotion-heavy sound. yongkytown's soft vocals move quickly through the beginnings of the verse, glazing over the messy details of mistreatment in the lyrics, and slow the pace for self-reflected words. With a narrative tone to his voice, the way he sings takes on the feelings from the song's meaning. Slowing down through the pre-chorus, the high singing embodies the feeling of being lost as it asks the question "what would I do without you?" Acoustic guitar begins the song, with calm electronic instrumentals that build further throughout the track. A pulsing percussion and glowing gentle instrumental sound starts at the chorus and continues throughout the tune, adding depth with a more rounded style. Vocal distortion echoes, layered background vocals, and cool instrumental interludes give this song a storied feel as it moves through waves of regret, hope, and pain in its sound. yongkytown is a singer and songwriter from Singapore. His heartfelt and emotional lyricism make his songs comfortingly supportive. yongkytown has inspired young minds by gracing the stage of Singapore's Tanjong Katong Secondary School with covers, and has played his songs in Singapore shows at the Esplanade and NightFest . Recently, he played a sold out show at the Stamford Arts Centre . With songs featured on radio stations like 987FM Fresh Music Live , and climbing up the ranks of songwriting contests, earning the second runner up in The Dream Composition , yongkytown's songs have gained a wide reach. His music brings an emotion-heavy pop style that is perfect for fans of JP Saxe and Lizzie McAlpine. Check out the links below to learn more about his music. Written By Hanna Kowal FOLLOW YONGKYTOWN: Instagram | Spotify  | TikTok  | YouTube

  • EP Review: "Times We Shared In Innocence" - Molly Donnery

    Photo Credit: Onyx Chladilova Irish Contemporary Folk Singer/Songwriter, Molly Donnery has just released her debut EP, "Times We Shared In Innocence", a project that features the poetic personal storytelling of both love and loss. “The EP is a collection of songs that follow different relationships in their different iterations. It is titled Times ‘We Shared In Innocence’ because whether the relationships were loving or toxic, they all initially came from a place of innocence and intrigue, a hopefulness and an excitement for what was to come.” - Molly Donnery TRACKLIST Intro Pull Me Under She Hates Me In The Morning Ramble For Cathal Times We Shared In Innocence Molly Donnery was born and raised in the heart of Ireland's Midlands where she grew up with the natural love and talent for music. She played the harp and participated in musical theater, eventually creating her own unique arrangements blended of traditional Irish music, musical theater, and modern pop. At the age of 13, she participated in a national tv talent competition. She eventually began writing lyrics, which led her to find her true love in contemporary folk music and songwriting. Molly uses influence from her Irish roots, infusing traditional Celtic essence from her heritage into her unique, fresh modern folk style. She takes inspiration from classic folk legends like Joni Mitchell and Mary Black , but also from modern artists like Phoebe Bridgers , Mitski , and Adrianne Lenker . Her sound has also been compared to the likes of Irish artists like The Cranberries , The Corrs , and Lisa Hannigan as well modern folk and rock revival artists like Bon Iver , Sufjan Stevens , Florence + the Machine , and Hozier . Molly Donnery officially debuted as an artist in 2024 when she collaborated on a song with The Ciderhouse Rebellion titled "Little Jimmy Murphy". Later in August she would release her first official solo single, "Ramble" which would lead to the anticipation for her EP. Next would come her second single, "Pull Me Under", accompanied by her first music video and the last single to have us on our toes for "Times We Shared In Innocence". The EP was recorded in Berlin Producer and Engineer, Daniel de Burca . Let's dive in! Intro We go into this EP with a 55 second introduction track, simply title intro. We're immediately greeted by Molly's flawless, Celtic vocals. She sings so beautifully and effortlessly; not a note or rhythm is out of place. It almost doesn't feel real, like you're literally listening to a voice from heaven. It's hauntingly stunning. It feels like an ancient Celtic chant as Molly's voice is put at the center of attention. There's a faint atmospheric instrumentation in the background, giving just the right amount of music to accompany the vocals. Molly sets us up for what's yet to come for the rest of this EP, as she looks back on a past relationship, and ends the intro with the words "I wish I told you..." Pull Me Under Next we go straight into "Pull Me Under", Molly's second single in anticipation for this EP release and her first ever music video as well. I highly recommend watching the music video, because it perfectly tells a story that accompanies the pain of the lyrics portrayed within the song. "Pull Me Under" is about that kind of relationship that is completely destroying you emotionally, and your partner doesn't even know or care enough to know that they're causing you that much pain or distress. They never spend quality time with you anymore, they disregard your feelings and it doesn't even feel like they're interested in you anymore; but you want them so much, that you hold on to every little last thread of hope that maybe they'll snap out of it and you can be madly in love again. "Pull Me Under" features acoustic guitar that seems to be telling it's own story as it switches up it's groove and dynamic while the song continues to progress. One of my personal favorite parts is the fiddle and the way it does it's own things, but yet perfectly intertwines with the guitar at all times. She Hates Me In The Morning "She Hates Me In The Morning" is a duet between two conflicting lovers. This song stands out with it's unique style, as it has a very stunning blues influenced acoustic guitar and chord progression. As the song goes on, it begins to take on some classic French tones when they bring in a dueling violin and cello, as well as an accordion and piano sooner on. It's a very dark and mysterious, yet sensual type of soundscape that gives you goosebumps. Molly sings with partner and musical collaborator Cathal Crowley. The characters go back and forth, sharing their sides of the story, as if they can't decide exactly who or what the problem is - but they know there is one. They finish singing with the classic "she loves me, she loves me not" thing we'd all do as kids when we'd have a crush on someone and pick petals off of a flower to see if they liked us back. The song then ends with an incredible minute long instrumental showcasing all the unique sounds and chords, giving them a chance to shine. Ramble "Ramble" which was Molly's first official solo single, is about the moment you realize a toxic relationship you've so desperately been trying to hold together is finally crumbling to pieces. The lyrics acknowledge a lot of difficult things, like knowingly putting yourself in a situation to be hurt, how their words towards you are always too much to the point that your mind stops making sense of what their saying, and how your anxiety can get the best of you and all they do is stand their and watch you struggle. The soundscape almost sounds medieval with a modern twist. It has brassy strings, orchestral tones and raw vocal harmonies that give it a very classic, whimsical soundscape. For Cathal Cathal Crowley inspired this song, "For Cathal" and is Molly's partner, the guitar player on this EP and the second voice in "She Hates Me In The Morning". Not only that, but she credits him for being the one who pushed her to start releasing her music and to create this EP to begin with. "For Cathal" sounds like pure love and joy. It has a cathartic melody that actually brought a happy tear to my eye. If you've ever experienced a love like this, I'm sure the same will happen to you as you listen. This is the kind of love that takes all your pain away. You feel peace and safety when you're with them; and when they promise you that they'll never go away, you actually believe them. This song is gentle but still has energy behind it's groove; it features acoustic guitar, piano and strings that have a very real , classic and raw sound. I love the little interlude in the middle of the song that not only puts emphasis on these instruments but also features whistling which adds to the joyfulness. Times We Shared In Innocence We close out the EP with the stunning title track, "Times We Shared In Innocence". Sang in A Capella, the silence behind Molly's voice speaks so much louder than if there were music. Molly sings like she did in the intro with very traditional Celtic embellishments and rhythms. There's a fair share of vocal flips and and hauntingly beautiful slides. Perhaps what is most beautiful about this track is when you realize how raw it is. You can hear every breath Molly takes, and how she just sings as if she's talking to someone without fear of staying on beat. It's pure emotion just flowing from her soul as she sings her final goodbye to a past love, wishing them well in their new relationship, really emphasizing to "hold on to each other". Molly repeats this line a few times at the end, the last time being so soul-stirringly delicate, it left me with chills. Listening to the "Times We Shared In Innocence" EP left me wanting more from Molly Donnery. She is so beyond talented and this is only the very beginning for her. I was left mesmerized by the highly emotional and poetic lyricism, her effortlessly beautiful vocal control, and the way her unique personal sound felt like it was destined to be. Each song on this EP is an experience within itself; a story that grabs your full attention. I love how Molly takes pride in her Irish roots, has taken that traditional Celtic sound and created this new type of genre that can be considered modern and that mainstream music lovers can be drawn to today. I could hear any of these songs being played on the radio. Molly has been compared to a lot of artists from classic to new, but in my opinion, I don't think there's anyone who sounds quite like her - and I mean that in the best way possible. I am a fan and I absolutely can't wait to see what she does next. Make sure to follow Molly on her social media pages below to keep up on her journey! Written By Kaitlyn Nicole FOLLOW MOLLY: Instagram | Website | Facebook | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

  • Review: "Last Time" - Chloe Swanson

    Chloe Swanson immediately makes a mark with a soulful and touching tune in her debut release, "Last Time". The lyrics bring an emotional reflection on love after heartbreak, inviting in a new romance though barriers and obstacles remain. This song deals with the tricky mindsets we build after we've been hurt, wrapping a realistic pessimism into its message to a new romantic partner. Become enraptured by colorful metaphors for ways the speaker has been hurt, as the words paint a picture of bewitching and deceit. Lines like "do your worst to me, I've seen it all" invite listeners into the speaker's sad truth, that she has learned to expect disappointment as a way to cope with constant let downs. There is a reach towards hope throughout the lyrics, in wishing the new suitor is not like the rest and begging "please don't mess this up". Perfect for any listener who craves solidarity after being put through the dating ringer, this song will pull at your heartstrings and support you in cautiously softening up to love again. "Last Time" embraces an emotive journey, blending edgy pessimism with hope in its alternative folk sound. A busy array of guitar, piano, and slight distortion open the track, then fade away for the pure, acoustic sound of the verse. With a grounding, soulful voice through the lows, and Joni Mitchell-esque highs, this song makes the heavy emotional weight of the song come to life. Chloe's voice layers against itself in cool harmonies throughout the track, with entrancing minor melodies making the lyrics feel like an ethereal narrative. The dark perspective to love in this track carries a feeling of romance, like the blend of strings, piano, and pensive vocals show the song's speaker letting her guard down. Chloe Swanson is an artist from California who is new to the music scene, bringing a personal lyricism and folk-twinged sound to her debut release. She embraces honesty and vulnerability in her work as a singer and songwriter, having put out a song with introspective insights into her personal relationship habits. Chloe worked with producers Rachel and Brett Kramer to put out her first release, and featured guitarist Paul Deis Smith and Dakota Noxton on keys. Listeners will love the relatable and down-to-Earth feel of her lyrics and sound. Check out the links below to learn more about her music. Written By Hanna Kowal FOLLOW CHLOE: Instagram   | Spotify  | TikTok *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "SAVE A HORSE, BREAK A HEART" - Tiger La Flor

    A new pop song with an underlying country inudeno, Tiger La Flor released “SAVE A HORSE, BREAK A HEART” last week, and already has over 30,000 streams. Staying true to her typical whimsical and dreamy soundscape, La Flor’s lyrics poke fun at country stereotypes while giving girlboss energy. With lines that tie in with whiskey drinkers and her experience in the dating genre, she leans back and forth on the bucking horse of a new love. Purposely acknowledging the fact that she intends to break his heart, she places the importance of her own feelings over the potential hurt that he will endure. The track starts with a light snare beat and gradually adds La Flor’s delicate vocals. In the first verse, she states, “A storm is coming for his blue skies / I’m in the mood to make a cowboy cry”. I personally love this lyric, and feel that it showcases her songwriting ability while also being both light hearted and empowering. In her chorus, she sings, “Save a horse, break a heart / Play ‘em like my guitar / Think I drank the good girl out of my blood / I’m a wild ride baby buckle up”. La Flor’s soundscape has a strong pop vibe, with an almost Sabrina Carpenter tone of voice. With over 130,000 monthly listeners, Tiger La Flor has been making her rise as a solo artist. Tiger, whos real name is Tigerlily Cooley, was also seen on season 14 of the hit show Love Island USA. Stating that she has always loved nostalgia and old Hollywood, her upbringing in the pacific northwest certainly come through in her style of music. Her talent and intrigue transcends her from just a singer-songwriter, and labels her as up and coming all around celebrity. With many singles and an EP titled “see me in hell” on her Spotify discography, La Flor has been gaining traction in the music industry. Make sure to follow the social medias below to stay tuned for more music from Tiger La Flor. Written By Tessa Maddaloni FOLLOW TIGER LA FLOR: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • Review: "Too Close" - Leo Golo ft. ANGE

    *"Too Close," the latest single from Leo Golo featuring ANGE, is a refreshing blend of afropop and indie-pop that stands out as the fourth release from his debut album. The song is anchored by a catchy chorus that effortlessly pulls the listener in, juxtaposed with rhythmic afrobeat nuances that explore new sonic territories for the artist. The track poignantly delves into the allure and complexities of unrequited chemistry, capturing the emotional highs and perplexity that comes with receiving mixed signals from someone you're attracted to. Featuring ANGE's compelling verse, "Too Close" encapsulates the bittersweet reality many face after a night filled with tantalizing but ultimately unfulfilled promises. ANGE's contribution adds a layer of raw, emotional honesty, expressing the frustration and emotional exhaustion of being toyed with. The collaboration between Leo Golo and ANGE shines through the seamless blend of their voices and shared narrative, making the song both relatable and immersive. The combination of joyous beats with melancholic undertones hits right in the feels, rendering it a memorable listening experience that balances upliftment with introspection. Leo Golo, a Barcelona native born in 2000, is a burgeoning talent in the pop music scene, known for his captivating melodies and versatile productions. His music effortlessly marries the danceable with the emotional, creating a unique sound that's both surprising and familiar. With influences ranging from Justin Bieber to Tove Lo and iconic Swedish songwriters like Max Martin, Golo's compositions are a testament to his broad musical inspiration. As an adept keyboard player and a budding producer, Golo has already left his mark through national tours and collaborations with emerging Spanish artists. "Too Close" furthers his journey of creating music that leaves an indelible impression and marks his evolution as an artist ready to captivate a global audience. Written By Megan Cao FOLLOW LEO: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "LOST MY MIND" - Jess Meilman

    "LOST MY MIND" is the latest single by rising pop artist Jess Meilman, released on October 18, 2024. The anthemic track is all about willingly losing your mind for a bit. Here, she wants to let go of control and enjoy a carefree moment, stepping outside of her head. If you're also someone who is often stuck inside their own head and struggles to embrace chaos, Meilman lets you know that it is alright, and you are not alone in this experience. Blending danceable production with hard-hitting introspection, this song is the perfect addition to any playlist. Make sure to add "LOST MY MIND" to your library. "LOST MY MIND" explores Meilman's desire to relax and give herself a break from all the anxiety and stress-inducing moments of her life. She expresses this with lines like "26 years old / I just want a break" and "Catch up with my mind / Decode all my signs / I'm an enigma deep inside." In the infectious chorus, she sings, "Lost my mind / Left it in the car last night / I don't want to find it." Taking influence from contemporary R&B and with chants and harmonies like Chappell Roan and Kate Bush, Meilman crafts an earworming track that explores the universal feeling of wanting to be free. Jess Meilman is a singer-songwriter, based in Los Angeles. She was a semi-finalist for American Songwriter, along with being a JBL & Martin Garrix Music Academy Winner and United Master's Priority Artist. Since beginning to release music in 2022, she has accumulated over 5,000 monthly listeners and over 200,000 streams on Spotify. If you enjoyed "LOST MY MIND," make sure to check out the rest of her discography on streaming platforms. You can also keep up with all the latest information on Jess Meilman and her music by following the social media links below. Written By Sydney Gray FOLLOW JESS MEILMAN: Instagram | Spotify  | Facebook

  • Review: "Love I Know" - Sofia Eleni

    This song is definitely 90s coded and the Mariah Carey inspiration can be heard immediately. Sofia’s vocals are immaculate as she navigates this single. This song is the very definition of a bop as the young people say nowadays. It’s very easy listening coded and Sofia’s vocals only add to the vibes. Although the song does seem to be about going back to an ex, the way It's presented is with the optimistic lens of hope and that this decision could be a good one. That has been the case for numerous relationships both in fiction and non-fiction, but going back to an ex is mostly shunned and seen as a step backwards rather than forwards which is what people mainly focus on, moving forward in life. In “Love I Know”, Sofia sings of this person occupying her every thought and how she can’t get over the love that they had and how it affected her and made her feel. Concerning the premise of the single, Eleni states “About going against your better judgement, and fantasizing about rekindling things with an ex. With a 90s influenced Pop/R&B vibe, it’s the perfect song for late night car rides, and chill fall vibes.” So here we have an explanation for this song about returning to an ex, Eleni states that this is more of a fantasizing of going back, rather than the actual act of doing so. The “what if” aspect of things is why the song seems to approach the subject with rose-colored glasses. It’s as if Eleni is saying “Yes, you destroyed me and my peace, but the love, the vibes were real.” This explanation helps to explain what Eleni meant by saying that she’d made the decision and done what’s best for her. Eleni sings “All the days and all the nights of never being all right, I had to give you up.” This relationship was, seemingly, not a vibe and Eleni acknowledges that leaving was the best course of action. But now, she finds herself in the “what if” cycle that everyone goes through when leaving a relationship. “What if I was wrong”, “What if they just needed time”, “What if I was seeing things wrong” “What if we’re meant to be”. With every human decision, there’s always a “what if” chorus floating around in our heads. However, with this single, Eleni explores giving in to that voice and going back to a relationship that didn’t seem to be anything to write home about. Eleni is only reminiscing the good feelings that came from being with this person and minimizing the problems that were present in the relationship. It’s a fantasy that could become a nightmare, but it could very well help with silencing the “what ifs” that are dancing around in her head. Could it be a mistake? Wholeheartedly. Could it be a good thing that leads to a better relationship with this person? Also possible. Should this fantasy remain just that, a fantasy? Completely up to Eleni and whoever else is contemplating on whether or not the ending of their last relationship was for the best or not. This music forces the listener to at least do the head nod and shoulder bounce, it would have you contemplating whether or not you should give your last relationship another try. (Do so of your own resolution). Sofia Eleni is an actress, musician, singer, and songwriter. Sofia’s inspirations are said to be Mariah Carey and Janet Jackson, I’d dare to say that both of those influences are very apparent in her latest single, “Love I Know”. Eleni’s career began in theater at the young age of 10 with her also being cast as a young member of Andrew Lloyd Weber’s School of Rock- The Musical on Broadway. Eleni’s online presence consists of thousands of fans and listeners across all social media platforms. Eleni’s sound is best described as contemporary R & B also with pop elements as well. With credits that range from Broadway to film to tv and also to her own solo musical endeavors, Eleni is not new to this, she’s true to this. Eleni’s voice is the main event within her music and is, arguably, her best instrument. If you’d like to keep track of these amazing vocals and the singles you can hear them on, follow Eleni on all of her socials below! Written By Keiunna Thompson FOLLOW SOFIA ELENI: Instagram | Spotify  | TikTok   | Facebook  | YouTube

  • Review: "Casper" - Laila

    When a chaotic romance brings a supernatural intensity, you don't want to admit you're leaving yourself open to heartbreak. Laila's new song "Casper" captures that sensibility-blinding excitement, detailing the fleeting and unreliable, but ever-so-delicious connection the speaker has discovered. The song begins with tellings of the late hour encounters, and of the way this person vanishes. In a display of vulnerability, the chorus amplifies the thrill of the connection and the hurt of him leaving, all tying back to the question "what is it you're after?" Using a ghost as a metaphor for an unstable relationship, this song is perfect for your sad girl Halloween pop playlists! The song opens with Laila's high vocals that carry a fragile openness to the singing, building a more rounded sound at the end of the verse. The track really picks up with its percussion-heavy chorus and Laila's voice in a catchy pattern of a less breathy and more intentional tone. Electric guitar joins in with the melody of the lyrics. The last line of the chorus sounds like a message left on a voicemail, with a speaking tone that lets that direct message of continual interest stand out. Resonant sound that embraces the feeling of a conversation, accelerating from soft guitar into a high and emotive pop sound. Laila is a multi-disciplinary Canadian artist with a classic pop style to her music. On top of talents as a singer and songwriter, Laila takes her talents onto the screen, having appeared in the finale of Netflix's show " Glamorous ". Her debut EP "Heart Doesn't Work Like That" sparked national buzz, airing on CBC Radio . Laila has performed at popular Toronto venues like Rivoli , and she continues to work on her music with a new project to look out for in Spring! She collaborates with other artists like Michael Danforth Edwards on "Casper", and brings an exciting pop sound with her vocal style. Check out the links below to explore her music. Written By Hanna Kowal FOLLOW LAILA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

  • Review: "Waterfalls" - Patrik Jean

    Dealing with the loss of a loved one is hard. Even more so when this person was someone you held close to your heart, someone you once cherished deeply. Grief isn’t an easy emotion to process, and neither is it easy to describe the feelings one experiences when they are processing loss. It’s confusing and overwhelming for most people, almost like there has been an added weight to one's chest, the air in our lungs suddenly feels so limited. “Waterfalls” by Patrik Jean is about processing the emotions we endure when we experience loss in our lives. We are hit with an overwhelming and abundant of mixed emotions that mostly consist of incredulity and immense sorrow that put us in a lachrymose state that we are incapable of controlling. Or, as the song puts it, an incessant waterfall. Akin to a waterfall, the flow never stops, similar to the plethora of emotions we feel when dealing with these doleful sentiments after losing someone who meant the world to us. The raw emotions we experience, at times, can be difficult to put into words. All we can do is simply cry and mourn over our unfortunate loss. However, Patrik was able to depict the emotions so vividly. With emotive lyrics like “It’s a masquerade” and “If you could see my face behind this mask, you’d see I go out of my way to hold back,” it’s something many of us are unfortunately capable of relating to. Many of us have to conceal our emotions to proceed with life— we pretend that everything is okay when, in reality, our whole world is crumbling right at our feet and we are completely incapacitated to stop it. The music video does such a phenomenal job of capturing the true essence and beauty of a waterfall. Most of us, when we see a waterfall, we mostly think about how gorgeous it is. How the water innately crashes into a pool of its liquids, trickling down the crystals of the earth, depicting such a calming scene. However, if we take a look at a waterfall from a different standpoint, we recognize just how emphatic and demonstrative it can be. It has beauty, yes, but the image of beauty can quickly change into something that’s more sorrowful and forlorn. With the lack of sun and light, this waterfall depicts the despondency we feel when we experience loss. The angles and imagery do such an amazing job of illustrating such emotions. With the final touches of Patrik’s presence, it all blends together, creating such a sad and powerful scene as he stands in the middle of the waterfall, wearing an apathetic and disconsolate expression as the water flows above him, while he stands in silence, soaking up and basking in his suffering, embracing the ache in his chest that was caused by his grievous loss. “Waterfalls” is a song that we can hold close to our hearts, it’s a song that can offer many listeners comfort as they meet their whirlwind of emotions. The lyrics themselves serve as almost a shoulder to cry on, our hearts harmonizing with them, as it expresses what we are unable to express. Patrik Jean, the magnificent artist behind such an expressive song is a singer and songwriter based in Sweden. Patrik found his new sound by producing and creating his debut album, with “Waterfalls” being the first single from his upcoming album. In the following year, this album, titled “Utopia” will be released. Being that he produced the album himself, he was able to freely utilize his own artistic views, adding his own bold and contemplative perspective into his form of sound. It is sure to connect with the hearts of the listeners who crave a raw and open sound that allows us to change our perspective and open our hearts to music that derives from something true and real. With how powerful “Waterfalls” is, I can only expect the songs on his upcoming album to harbor even more sentiment and emotion. I look forward to hearing more of Patrik’s authentic sound! Written By Rosalyn Sanchez FOLLOW PATRIK JEAN: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "cheap therapy" - sorrycarlee

    sorrycarlee's song "cheap therapy" is a deeper look into the mind of someone who puts the needs of others above themself. The lyrics show another side to that friend who is always there to lend an ear, with a first-person look at someone who takes on other people's issues in order to hide from their own. In reality, this does more damage than good. The song begins with openly admitting that the speaker avoids being the focus of conversations, and circles around to the self-destructive confession: "I'm fixing friends who are breaking me". With a vulnerable message that so many can relate to, this illuminating song allows listeners to take a deeper look at how they speak and listen. This pensive pop track carries a building emotion that adds personality to the sound. Acoustic guitar plucking opens the song and becomes slightly muted when sorrycarlee's soft, confessional vocals begin. She sings quickly through the verse, very much capturing that 'enough about me' rambling attitude in the message of the song. Piano notes sound in a slow pattern of notes, descending line by line towards the chorus. Deliberately slow vocals and instrumentals in the chorus allow its simple lyrics to echo metasomatically. There is more definition in the vocals at the last verse as though pent up energy, and the song closes with layered vocals, truly taking on the jumbled emotional dependence from the lyrics. sorrycarlee is an American musician who perused an academic pathway towards psychology before reaching for her calling as a singer and songwriter. With a strong educational background, degrees in English and psychology support her rounded and introspective lyricism. Her music career successes include cowriting for artists like Maddie Zahm , Francis Karel , and Abigail Barlow . In her own songs, sorrycarlee brings an invigorating pop style to her powerful lyricism. On top of music, she is a mixed-media visual artist, and her work can be found on her social media. Check out the links below to keep up with her music. Written By Hanna Kowal FOLLOW SORRYCARLEE: Instagram | Spotify  | TikTok  | YouTube

  • Review: "That Way" - Jess Ball

    It’s inevitable that some friends will eventually move away. Whether it’s for their career, a partner, or simply because they’ve outgrown their hometown, it’s hard to say goodbye to someone who you’ve spent so much time with kindling a bond. Jess Ball’s latest single “That Way” underscores the cocktail of emotions you might have when a good friend moves elsewhere, and how those feelings manifest in a long-distance friendship. It’s difficult balancing those emotions towards a friend that’s supposedly “moved on” with their life, both physically and mentally. On one hand, you’re so proud that they’re pursuing what they want in life, but on the other, you’re desperately jealous of the new friendships they’re forming without you around. Although you haven’t been excised from their life, it nonetheless feels like a goodbye. A delicate discussion on what it means to be proud yet envious of your friend’s new life, “That Way” is filled with evocative lyrics and smooth instrumentals, sweeping you into its soundscape as you sing along to its relatable songwriting. For those of you who like that subtle, chiller pop sound, “That Way” is going to be your dream track. As for me, I’m a sucker for a killer bassline, and this track has it in spades. Just as the song starts, you’re greeted by this slick bassline that slowly makes way for Jess’ silky vocals, combining to create a soundscape that has tints of melancholy and rumination. When the chorus eventually comes along, the percussion and synth are ramped as the narrator poses a question to their friend while simultaneously answering it for themselves, asking, “Is it better over that way?”. The instrumentals and songwriting create the perfect blending for the song’s message, and I love the one-sided conversational feel that the track gives. The narrator wonders what their friend is getting up to in their new life, the new friends they’ve made and the paths they’ve carved, and tells the listeners of the seemingly selfish jealousy they feel at their absence; at the same time, they’re so proud of their friend and know that they should just be happy for them. But, above all else, the narrator misses them, and there is now a void where they previously lived. I really liked how the song concludes that although these complex and overlapping feelings are valid, it is still “better over that way”. “That Way” is a track that is having numerous conversations with itself, and I’m sure many listeners can relate to how the narrator is attempting to navigate the struggles of a long-distance friendship, all backgrounded by fantastic instrumentation that creates a reflective atmosphere. Jess Ball is a Melbourne-based Australian singer-songwriter whose forays into music began in 2009 at eleven years old. Influenced and inspired by artists such as Cigarettes After Sex, Olivia Dean, and Massive Attack, Jess’ soundscapes are known for their blending of pop, indie rock, and hip-hop, altogether creating a unique indie pop sound. Jess’ made waves with her 2020 single “I Found You (Neptune)” in collaboration EDX, which reached number 1 on the Future House Beatport charts, as well as number 38 on SiriusXM’s Electro top songs of the year. 2022 saw the release of her debut album “Ripe” and was followed two years later in 2024 with her debut EP “Carnal Emotion”. Her next EP “Where You Go” is slated for release in early 2025, and “That Way” is kicking off this thrilling new chapter in her musical journey as she has recently signed with London-based project Melody Music. I encourage everyone to give Jess’ fantastic discography a good listen while we wait for 2025 to come around with the release of her next EP! Written By Alexa Leung FOLLOW JESS BALL: Instagram | Spotify  | TikTok  | Facebook  | Website

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