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Alice Geary's latest track, This Time , is giving big Maisie Peters vibes thanks to its narrative-driven lyrics and a highly relatable aesthetic of strife-laden romanticism. There is a melancholy beauty attached to this song; highlighted by vulnerable lines like "hold you a little longer, how can you breathe when I'm holding you so tightly" – painting the picture of someone utterly in love with their partner and unafraid to show it. Alice explains that her motivation for This Time stems from her "first queer relationship, and the heartfelt hope that [she], in all honesty, [wouldn't] mess it up" as she truly wanted to "get it right this time". Simply put, this is the type of single any hopeless romantic out there can put on and instantly empathize with from start to finish. This Time blends synth pop with elements of rock and pop punk to create an intoxicating single for listeners to enjoy during the sweltering tail end of summer. The melodic continuity of the track's synth pads creates a dreamy atmosphere that is artistically paralleled by the earlier electric guitar tones that brought a bit of a tasteful edge. The bridge introduces an acoustic guitar riff which serves as a stark contrast to the distorted electric guitar tones previously heard in this ditty. There are upbeat indie pop drums rhythmically keeping the energy going as the tune progresses, making this single a hard one to take off repeat. A graduate of BIMM Music Institute, singer-songwriter Alice Geary is a "former EDM topliner turned pop girl" who is currently taking off with her infectiously fun style of music. Unfamiliar with her sound? She is the same girl who kicked off the 2023 FIFA Women's World Cup by singing the opening song on the BBC – so yeah, that Alice Geary. A proud ally and member of the LGBTQ+ community, Alice hopes to use her brand of music to connect with fellow allies and anyone currently navigating their own personal identities. Her goal is to be a source of support for her audience by giving the feel of a "best friend" who is lending guidance via her lyricism. Be sure to keep an eye out for the release of the remainder of her EP Have I Said Too Much? , which is set to drop sometime in the near future. Written By Dan Caddigan FOLLOW ALICE GEARY: Instagram   | Spotify  | TikTok  | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Write your name in a book of love with Dylan Dunlap’s song “The Long Way Home”. A mix of pop, folk, and a touch of indie paradise, “The Long Way Home” takes you a pleasantly safe way home. Wrapping you in an upbeat, folk-like mesh of instruments and a passionate, warm voice, this tune feels like a warm hug from a loved one that you’ve been anxiously awaiting. Dunlap’s skills of being a multi-instrumentalist, singer-songwriter, and creator of worlds shine in this track alongside its sweet, pure intentions. “The Long Way Home” is a gentle reminder that innocent and lasting love can & does exist, and that you can have fun with it. It leans into the side of romance and storytelling that can be a struggle to fully immerse yourself into, as the popularity and rise of heartbreak tales and yearning continue to cruise through the music scene. With Dunlap’s dedication to quality of craft and masterful lyrics, there is no beat left untouched nor no feelings left to discover – his heart is open and laid out on the line, as are the audience’s when they envelop themselves into “The Long Way Home”. Dylan Dunlap’s sound is unique, something you cannot quite put your finger on or try to contain to one box – yet it’s familiar and nostalgic. Dunlap’s ability to shift from genre to genre and/or combine several into one project, whether it be an album or a single song, reminds me of artists I grew up with. Striking, introductory piano leaning into his gentle voice reminds me of artists like John Mayer, Coldplay, and Jason Mraz. Nearing the chorus, the style of the song continues to weave into other areas, sounding slightly more indie and country. This draws comparisons to artists like Hozier and Mumford & Sons, yet Dunlap has qualities that these artists do not have. His style can simultaneously be classified as beachy, indie, country – the list goes on. “The Long Way Home” may just be a puzzle piece to the positive enigma that Dunlap is, but it’s a steppingstone heading in the right direction. Dylan Dunlap is an LA-based pop artist who creates music for people who love stories. Dunlap is a renaissance man – a multi-instrumentalist, singer-songwriter, producer, and visionary for East Magnolia Records. Dunlap launched East Magnolia Records, his own record company, in 2023. At the time, he had only released three EP’s. Now, he has received praise from people at Apple Music, as well as Spotify editorials, and continues to work hard for his music and company. His recently released album “ANGELENO” features 10 songs that tell the story of a coast-to-coast experience. This album starts in Burbank, California, and ends in Brooklyn, New York. With “ANGELENO”, Dunlap dives into his storytelling abilities and tells a coming-of-age story that is genuine to the chapters he’s lived through thus far. Written By Madison Spies FOLLOW DYLAN DUNLAP: Instagram | Spotify  | Website  | YouTube

“i'm not her" is a new song from Heather Kathryn on her EP ‘My Tragic Life.’ She mentioned how this song is the heart of the EP and holds a lot of significance to her. This song tells the story of what you have and what you can lose. Heather's vocals feel so raw on this track, conveying the hurt she feels deep inside. The acoustic guitar accompanies her voice in such a beautiful way. I think the simplicity of the track allows the listener to focus on the message of confusing and lost love. “i’m not her" is for the broken hearts that heal slowly and want to warn those who come after. Heather Kathryn wrote from a narrative of someone who has been healing yet still holds pieces of this past love. The relationship held a lot of false truths and deception that linger in the back of her mind. Heather vulnerably speaks about how this person found someone new and she sometimes wishes she could tell her how much she went through with this person. Sometimes we catch feelings and it turns out to be a façade and that’s what she faced. “Wish she could know all the lies you told me to keep quiet,” depicts her internalized hope of karma. In other ways this song also could be a projection of the narrator looking back on her past self and wishing she saw what she later found out. We all wish to protect  ourselves from getting hurt so I love this interpretation as well. Heather Kathryn was born in Phoenix, Arizona. She found her love for music by using it as a creative and emotional outlet. At the age of seventeen, she moved to Los Angeles in hopes of a career in the industry. She brings a pop-punk type of feel for fans of artists such as Avril Lavigne and Paramore. As a songwriter, her themes tend to reflect the realities of dating and what it’s like to live throughout her early 20’s. Heather Kathryn is on the path of making her dreams a reality with the talent she brings. Her discovery is ever growing so follow her social medias down below to watch her journey Written By Emylee Herring FOLLOW HEATHER KATHRYN: Instagram | Spotify  | TikTok  | Facebook  | YouTube

We as humans crave a deep connection, one that goes deeper than the surface. In this day in age, it is so easy to form friendships and relationships with our devices rather than real human beings. Perhaps that’s just because it’s so easy to be convinced and persuaded by technology that we form a digital addiction due to how much we rely on our devices. It’s almost like a source of comfort that we cling to whenever we desire some sort of reassurance or when we want to connect with something. It’s so easy to get it from our devices, like for example the exploitation of AI usage— it’s almost as if the media was created solely  to hook its users and keep us attached to our phones to shut out the world around us. Eventually, we fall into our addictions, and we tend to become so disengaged and uninterested in the real world that surrounds us. With an addiction to our devices comes addiction to social media which can then only provoke immense pressure from society. Yet, it’s as if we can be convinced by our devices. Sasha Haydn thoroughly explores the question “How does the human relationship with technology interact with the human relationship with other human beings” in her song “Phlip Phone” which truly delves deep with witty and pensive lyrics like “But, I could be convinced to give into a click-by-click kind of acquittance” that can leave listeners in painstaking thought, truly considering the question that Sasha has so meticulously included into such a psychedelic sound. A song that has perfectly highlighted the astonishing reality of our digital obsessions. “Phlip Fone” has immense charm, the lyrics, not only are so intricate and invoke the cognitive mind, but they are also melodic and catchy as any other whimsical lyrics would be in a pop song. Analyzing the sound deeper, we can hear all the innovative ways Sasha has included digital sound as percussion which is such a striking way to make use of the sounds– it adds even more appeal to Sasha’s work, making the song just that much more charming. Sasha’s voice is a delightful instrument in itself, it carries emotion and delivers the message included in her lyrics. Her rhythmic voice adds the impact the song needs to mend together and create such a remarkable story that strikes its listeners. As I listened to the song, the lyrics were so loud , too loud to ignore. They managed to seize my attention and grapple with my thoughts, forcing me to not only follow along with the story depicted but bob my head to the sound that was undeniably catchy with its digital sounds that hummed in a melodic susurration. The message that Sasha strived to include managed to break the sound, and it stewed my thoughts heavily, in awe of such incredible work. Sasha Haydn, the talented artist behind such a captivating song like “Phlip Fone” is an American singer and songwriter for genres of music like pop, indie, and pop-soul. Just listening to this particular song, “Phlip Fone”, it’s evident that Sasha puts her contemplative thoughts on paper, and manages to create a narrative for them, turning these loud thoughts of hers into songs and addicting sounds that listeners can relish and enjoy. Sasha takes her songwriting abilities seriously, and she even shares the process with her supporters, showing us just how immersed and articulate she can be whenever creating her pieces. Like her song “Phlip Fone” Sasha has also released more tracks that invoke new emotions like “Shower thoughts” which is her latest single, “Mercury in Marmalade”, “Eleanora”, and two more titled “Designated” and “Little Blue”. Despite her musical journey seeming to start in mid-2023, her rapid growth in music is unmistakable and remarkable. As Sasha continues to sing and write out her fascinating thoughts on paper, I will continue to look forward to any of her future releases!  Written By Rosalyn Sanchez FOLLOW SASHA HAYDN: Instagram | Spotify  | TikTok  | YouTube

Grace Kuraska’s latest single “monsters” is a contemplative track that tells the story of a toxic relationship. Acoustic with elegant vocals, this song is perfect for those of you who love the enemies-to-lovers trope while also being realistic about what the implications of these relationships are. “monsters” is lyric-driven, and so is best enjoyed with a close ear while gazing out a rainy window in the early hours of the morning. It is also alluringly soft, almost like the lover that the narrator describes; but you don't really see the thorns until you're close enough to get cut. Slow and introspective, you’ll be quickly swept into Kuraska’s soundscape as the gentle guitar and light percussion pull you deeper and deeper into this push-and-pull relationship, this complicated bond. Cradled in satiny, mellow strings and Kuraska’s silken voice, “monsters” has the air of comfort in its soundscape. The percussion maintains a steady rhythm as the other instrumentals remain tentative to make way for the songwriting to take center stage. I really love how consoling the soundscape is, and until you listen closer to the lyrics, you could be lulled into its solace. Yet, toxic relationships, by their very nature, are complex; the one that “monsters” describes is exactly that. Being a very lyric-driven track, it is no surprise that Kuraska’s writing is in the spotlight. Questions swirl around the narrator, asking “did you ever even love me?” and “did you ever even care, babe?”; and is yet bracketed by lines such as “your lips lie but your eyes don’t / I spy a spark when they’re ice cold”. I adored the back-and-forth the lyrics introduced while the instrumentals kept their sound similar throughout the track. On one hand, you have this quiet romance, and then you have the terrible betrayals of the lover. While the violence is not entirely mitigated by the perceived love that the narrator receives, "monsters" shows the dual nature of being in a complicated relationship with someone who fails to healthily show their emotions. You get hurt, you bleed, and you chase after it. The cycle is definitely not great for your well-being, but “monsters” illustrates the possibilities of this relationship with whatever blood may be shed and love given. It’s clearest in the bridge when Kuraska sings, “It’s so sadistic, it’s masochistic / I can’t quit, think I’m addicted”. Any way you look at it, “monsters” is a lovingly multifaceted track with both a brilliant soundscape and magnificent songwriting that will make you think. Hailing from Connecticut, singer-songwriter Grace Kuraska has spent myriad years secretly writing songs, and has finally revealed her music to the world. Although she first started writing lyrics as a child, it eventually blossomed into something more; picking up the guitar and keyboard opened up musical avenues for her to create art, and she used those skills to sharpen her songwriting. Inspired by artists such as Taylor Swift, Lorde, and Carole King, the influences in her music are clear in her honest, diary-like approach to her lyrics. Her debut single “Can You?” released in 2022 and was followed by four other singles in the years afterward. “monsters” is her first release of 2024. If you enjoyed “monsters”, consider following Kuraska and listening to the rest of her discography while we patiently await her next projects! Written By Alexa Leung FOLLOW GRACE KURASKA: Instagram | Spotify  | TikTok  | Apple Music | SoundCloud

“Almost There” by Jenna Vivacora serves as an anthem of anticipation and the culmination of love realized after a long-distance relationship. Conceived as Jenna transitioned from the bustling streets of New York City to the music-soaked avenues of Nashville to be with her partner, the song encapsulates the bittersweet yearning and excitement that accompany such life-altering moves. This track stands as a defining piece in Jenna’s upcoming album Sojourner, recorded at the Bunker Studio in NYC and produced by the talented Sirintip Phasuk, an artist and climate change activist. Jenna’s narrative of being “almost there” is symbolically represented in the song’s opening, where the sounds are morse code for "Almost There," run through an arpeggiator, echoing the meticulous thought Jenna puts into her art. Lyrically, "Almost There" is a beautiful blend of poetic and tactile imagery, reflecting Jenna’s theatrical flair and life’s emotional upheavals. The song’s progression mirrors this duality, transitioning from intimate verses that express the longing felt during long-distance separations, to an exuberant chorus that celebrates the imminence of reunion. Musically, the track underwent significant evolution, starting in a Joni Mitchell-esque draft and landing in the high-energy realm reminiscent of Dua Lipa. The production, layered and dynamic, incorporates a mix of acoustic charm and synth-pop sophistication that keeps the listener engaged from start to finish. The morphing sounds and Jenna’s emotive vocal performance create an overarching theme of movement and change, apt for a song about nearing the end of a long journey. Jenna Vivacora is not merely a singer-songwriter but a multifaceted artist whose life experience profoundly shapes her music. Based in Nashville, her background is a rich tapestry of nomadic travels, military discipline from her education at the US Naval Academy, and an embracing of different cultures, having lived in Central Asia, Turkey, and Germany. Jenna is also a playwright, a fact evident in the narrative depth and emotional sensitivity of her songwriting. Her work explores themes of trauma, healing, and resilience, most notably in her original musical Wait for Her and her composition for the Irish musical, Deirdre. Jenna’s commitment to her craft and the advancement of women in the music industry is a testament to her desire to create art that is not only reflective of her journey but also inspiring to many. Her blend of personal history, multiethnic background, and advocacy work positions her as a unique and influential voice in the indie music scene. As an artist who champions diversity, equity, and breaking new ground, Jenna Vivacora is truly an indie music woman to watch, bringing her rich, multi-dimensional experience into her ever-evolving sound. Written By Megan Cao FOLLOW JENNA: Instagram   | Spotify  | TikTok  | Bandcamp  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

GIO DARA’s recent release of new hit single “Nevermind” hits extraordinarily close to home as he delivers a sentimental ballad of all that could have been in the unpredictable, ever-changing journey we call life. Drawing on the abstract concepts of love, death, longing, and the future, DARA emphasizes the importance of experiencing the many joys and trials life has to offer in all of its unfairness. In spite of Life’s inevitabilities, DARA’s “don’t lose your hope” encourages us to foster relationships with the people we love and take the risk while we’re still able to, as we are comforted by the notion that someday, “the pain will go away”. “Nevermind” carries such a weighted value, and yet, DARA’s melody still manages to leave us lighter than when we heard it the first time. With this emotive track, we get a beautiful glimpse into the creativity DARA continues to bring into the pop world, successfully stirring and spurring our emotions in a direction that compels us to make the most of everyday and spread the love we exude with one another. One of the biggest messages we can take away from DARA's single would simply be to say "nevermind" to the things we can't change, to the "tide" we can't fight off, for life is simply too short to not seek and seize every fleeting opportunity of true happiness. DARA’s “Nevermind” is a wholehearted masterpiece with a story that takes us on a journey through its gentle introduction, fiery climax, and comforting resolution. An isolated guitar opens the track and sets a sensitive, yet vibrant mood as we are first introduced to DARA’s meaningful lyrics. In addressing the audience directly, DARA is able to isolate every listener and personalize his message; every "you" leaves the listener with a sense of empowerment and subtle call-to-action. DARA's vocals build as the chords progress, making for a heart-swelling chorus surrounded by pleasant acoustics and strong drums. As DARA grows more and more passionate towards the climax of the song, the listener begins to share DARA’s intensity; he commands our attention with a rasp that cuts through the instrumental and leaves a profound impression. Our hearts grow with an indescribable anticipation as we begin to feel a shift in the song's progression backed by DARA’s powerful vocals. Ending the song with the repetition of a resolute "the pain will go away", we are left with the beautiful story DARA's impassioned delivery has granted us with and leave holding onto its sentimentality. London's GIO DARA is an upcoming singer-songwriter that has already started building his legacy in the folk-pop genre! DARA has drawn inspiration from artists such as Noah Kahan and The Paper Kites , gradually forming a unique brand of his own that showcases him as an impressive vocalist and writer. In addition to the melodic and heartfelt "Nevermind", some of DARA's other recent singles such as "Riverflow" and "Dream Alone" have steadily gained lots of popularity on Spotify with roughly 20k and 40k streams respectively! DARA has garnered fans from all over the globe, making his presence known not only on the streets of London, but also in the States as a talented musician and creator. As there is still more to come from DARA in the future, make sure to stay up-to-date with his journey and follow the socials below! Written By Pejah Carr FOLLOW GIO: Instagram | Spotify  | Facebook  | YouTube

As someone who is about to enter her mid-twenties later this year, Libby Whitehouse’s newest single “Something” is a song I can deeply relate to. The track talks about the constant pressure of feeling like we’re supposed to have everything figured out in our twenties. The lyrics, “We’re all trying to make it // (Fake it till we’re famous burning all the pages) // Raise em high to the restless nights ‘cause we know one day we’ll be missing right now,” really sum up what it feels like to be navigating life as a twenty-something. We often spend many of these years trying to plan and figure out the trajectory of our lives, but sometimes it’s just important to live in the moment because all we really have is now. Speaking about her new song, Whitehouse says, “Being a girl in your early twenties feels like the best and worst thing ever, but we’re all trying our best and without realizing it, we all go through the same things. This song is to let you know that it’s ok to feel 100 things at once when trying to be ‘something’.” Overall, I think Whitehouse’s clever and honest lyricism have done the job once again, because “Something” is a song that everyone in their twenties needs to hear. “Something” is a fun, summer pop song with lyrics that I’m sure everyone at one point in their lives could relate to. The song starts off with electric guitar strums and Whitehouse’s unmistakable voice, prepping listeners for the emotional, up and down roller coaster that is one’s twenties. Just as the first chorus kicks in, a drum beat drops, adding a slight touch of angst that matches the feelings of frustration that Whitehouse belts out. It’s the kind of song that you sing at the top of your lungs after a rough day. Whitehouse described it best when she said, “Make sure you scream it with your friends, it helps!” Libby Whitehouse is an English pop singer-songwriter whose star is quickly on the rise. Channeling the spirit of pop giants like Miley Cyrus, Katy Perry, and Elton John, Whitehouse shows a deep dedication to her musical craft while also embracing the fun eccentricities of various styles and costumes. Her songs have received significant airplay on BBC Radio 1 and amassed a combined 1 million streams on digital streaming platforms. Whitehouse’s distinct voice and infectious, witty lyricism have made her a standout amongst the new influx of pop girlies bursting onto the music scene. Check out her latest single “Something,” available now on all music streaming platforms. Written By Giselle Morales FOLLOW LIBBY WHITEHOUSE Instagram | Spotify  | TikTok  | Facebook  | YouTube

Harper Allen is here with her third single of 2024, “Strangers”! In a vulnerable, acoustic pop-track, Harper details the complex feelings surrounding a past relationship. She started this song back in 2018 and revisited it 4 months ago to finish it. Harper sings about the progression of a catastrophic past relationship: the first verse is set before the breakup happened, the chorus in the weeks following, and the second half takes place 4 years later. Harper is so lost after the breakup, wondering “how [she’s] supposed to let go/when everywhere [she’s] been/is a place where the love was?” She knows the relationship was destined to fail from the start, but she still wants to go back to it. She’s distraught about how her ex believes they’re friends “and it just makes it worse.” Now Harper takes us to the weeks following the breakup and the struggles she faced. In her pain, she had lost weight, and “all [she wants] to be is hungry” for the first time in her life. Now Harper lays in the memories on the bed she used to share, but “[she’s} unable to sleep anymore.” Her ex said that Harper was their favorite artist and now she thinks of them every time she’s on stage, and she’s ashamed that her ex took yet another thing away from her. In the last moments of the song, Harper leaves us with these haunting lyrics: “you say that someday I’ll be glad that it hurt/but everyone else except you is a stranger.” “Strangers” is best described as a vulnerable, acoustic-pop ballad. The track is very stripped back, consisting of acoustic guitars, Harper’s beautiful vocals, and some delicate backing vocals and harmonies. When I first listened to the song, I immediately imagined Harper singing this to me (or any of her listeners) in her living room with just her guitar, performing her heart out. Harper starts out with this spoken introduction that gives off this voice memo vibe that adds to the connection she has with the listener. She has a beautiful voice and a strong range. She doesn’t shy away with her head voice, which adds to this intimate vibe Harper is going for. Harper said on her Instagram that this song was a labor of love, but it’s clear to see that all the work she put in paid off.  Jillian Harper Allen, professionally known as Harper Allen, is a singer-songwriter based in Los Angeles, California. Although she didn’t release a solo single until 2023, Harper first broke out into the music industry at 19, with a co-writing credit on an iTunes number 1 track. Despite this massive accomplishment, she fell into a deep depression, escaping to San Francisco, facing trouble with some dangerous vices. Once she recovered, she rediscovered her love for music again, and although she faced some FOMO, she’s grateful for her later start in music. Over the years, she has racked up many songwriting credits, which total to over 30 million streams. However, she debuted her own music career with “ We’re Listening to TS ”. Her most popular track, “ YOU (YOUR MOM) ”, has amassed over 250k streams. Her sound, reminiscent of artists such as beabadoobee , Gracie Abrams , and Lizzy McAlpin e. Although “your mom’s favorite songwriter” hasn’t hinted about what’s coming next, be sure to be on the lookout and “listen to the lyrics”.  Written By Lauren DiGiovanni FOLLOW HARPER ALLEN: Instagram | Spotify  | TikTok  | Facebook  | Linktree

If there’s anything you should know about me, it’s that I absolutely love romantic comedies. Classics like 13 Going On 13, How To Lose A Guy In 10 Days, and 10 Things I Hate About You are some of my absolute favorites. So, when I found out I was assigned a song that referenced almost all of the classics, I knew I was going to love it. And I was right! “ROMCOM” is the latest single by singer and songwriter Laura Rizzotto, and it is such a fun listen. The song blends classic rom-com tropes with the feeling of falling for someone. The lyrics were super fun, I got to essentially try to guess which romcom she was referring to in each lyric. I wouldn’t be surprised if she managed to combine at least 20 of them! This song was super cute, and I think the beat and instrumentals worked great with the lyrics! “ROMCOM” was produced with the help of only women, which I love! This includes Grammy winners like Ali Stone, Jett Galindo, and Maria Elisa Ayerbe. When I first listened to this song, part of the beat reminded me of “Saturn” by SZA. But then it exploded into its own thing that sounds so unique and amazing when paired with the incredible lyrics Rizzotto wrote. I also like how she included parts at the beginning and the end, where it’s just her speaking. I think it breaks up the lyrics in a great way, and made for an even balance of lyric and spoken word. I really loved it. Laura Rizzotto is an LA-based singer and songwriter. She is also Latvian and Brazilian, and you might recognize her from her run in Eurovision 2018, when she represented Latvia with her song “Funny Girl”. Risotto gets nearly 5,000 monthly streams on Spotify, and “Funny Girl” has around 2,000,000! You may recognize her for some of her other popular hits, like “The High”, “Symptoms”, and “Papaya”. She released her debut album, Reason to Stay in 2014, and has been taking off ever since! She has even shared the stage with artists like Demi Lovato, Colbie Caillat, and more! I loved every minute of this song, and the serotonin it filled me with. I thing I need to go rewatch some of these classics now. Go stream “ROMCOM” everywhere, today! Written By Isabel Mays FOLLOW LAURA RIZZOTTO: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Artist Jorja B comes full force with her synth-pop, club-banger “Damage.” The song brims with subtle anger and negative emotions stemming from overthinking and self-questioning within a damaged and toxic relationship. The song serves as a personal letter to the manipulator in the toxic relationship, as Jorja dissects every negative aspect of the doomed connection. Exasperated and continuously confused, Jorja can see the relationship is at its end, as too many times it's been played in a loop, the same problems reoccur. From the beginning we see the dysfunction of the relationship, Jorja writing: “I used to care about your feelings but you disregarded mine.” Jorja calls out her partner for being a gaslighting manipulator, a hypocrite in denial. In return, she has become, as the main chorus line rings out, a “messed-up emotional wreckage.” The relationship she describes is a tiresome cycle of conflicting emotions, with her toxic partner constantly "crawling back" and begging for forgiveness. Click here to listen to "song"! A moody synth-driven pop song, Jorja places her track within a club scene, as the bass and guitar reverberate and boom behind our ears. The sound complements the lyrics of heartache and emotional turmoil that is caused by the tumltuous connection. Feelings one might have and find an escape from in the nearest club, in a cup of alcohol under dizzying, dazzling lights, and pumping deafening music to drown out the unceasing thoughts. The song culminates in the chorus, like the rushing of emotions as it captures the quickening highs and lows of the rollercoaster relationship. A rushing blend of pop and EDM, the single is an anthem for all those disoriented by the uncertainties of a relationship. It also presents itself as a vulnerable voicing of what it feels like to be on the other end of such a mangled relationship, with someone who can't see their manipulative actions. Jorja’s voice glides smoothly over each key and deepened beat, perfectly complementing the telling lyrics. Hailed as the newest “Pop Rock Princess,” over the course of two years, Jorja has released an impressive collection of headbangers and danceable hits filled with the same lyricism brought to us by “Damage.” Her 2023 single, “If I had the chance,” received over 22,000 streams on Spotify as Jorja continues to entice audiences with synth-driven blends alongside authentic lyricism. Unique blends and experimental sounds can be seen mixed within her singles “Tried To” and “I Still Fucking Miss You,” the latter a fusion of fantasy pop-dream. Jorja's influences include artists like LØLØ, Holly Humberstone, and Renforshort. Alongside her unique sound, Jorja centers her music on themes of heartbreak and unrequited love. To keep adding to her solid collection of bangers, Jorja B promises to release a new song every month this year. Explore Jorja B’s collection below! Written By Mia Chavez FOLLOW JORJA B: Instagram | Spotify  | SoundCloud  | YouTube

Pop Singer kenzie , also known by her full name MacKenzie Ziegler , has released her highly anticipated album, "biting my tongue", her first album release in six years. TRACKLIST biting my tongue bad 4 u not around anatomy the me i was word vomit 6 feet under close to you midnight murderer paper face to face casualty kenzie grew up outside of Pittsburgh in Murrysville, Pennsylvania and is best known for her appearance on the LifeTime reality TV show, Dance Moms in which she starred in with her older sister, Maddie Ziegler . Although kenzie was and still is an incredible dancer, singing has always been her true passion. The now 20-year-old California based artist used to use the stage name Mack Z , and released an album in 2014 with the same name which ended up at the number one spot on the iTunes pop charts. Since then, she's been continuously releasing music and building the career she's always wanted, going on to release her first album as kenzie titled "Phases" in 2018, a viral hit with YouTuber and Singer Johnny Orlando titled "What If (I Told You I Liked You)" within the same year, a collaboration track titled "Exhale" with Sia in 2020 and tons more. Now, 6 years after the release of "Phases" and a project that has been in the works for over 2 years now, we finally have another album from kenzie! Let's dive into "biting my tongue", a project that kenzie said "speaks up for that little girl who was too afraid to speak her mind. and i hope that it can help all of you speak yours." biting my tongue We open up the album with the title track, "biting my tongue". It's a dark, eerie song exactly about what it's called. You hold back saying what you really feel just to make everyone else feel better or to like you, but really all you're doing is hurting yourself. You're not benefiting by not being your authentic self, it's almost better to just say what you want to say and get these toxic people out of your life. Who care's if they like you or not? kenzie says she's tired and fed up, and she is ready to move on. bad 4 u "bad 4 u" was released as the seventh single and is a dark-pop bop, so get ready for it to get stuck in your head. Filled with a haunting electro soundscape and screeching strings, "bad 4 u" is about knowing when something, or someone, is not good for you but you decide to go along with it anyway. It's self-destructive behavior, when someone entices your curiosity so much that you're willing to go through the painful aftermath just to know what the rush feels like to be with them. kenzie sings, "it's a dumb thing to do but all the best things are bad for you". not around "not around" is an electro-pop hit about when someone leaves you for a carbon-copy of yourself. It's confusing, and it doesn't make sense - and sometimes you start to wonder if the person they left you for is doing it on purpose. At the end of the day though, you realize that you're better off without them in your life. This is a "dance it off" kind of song, where the situation is really messed up but you've got to do your best to not let it bother you anymore and to look at the bright side of things. anatomy "anatomy" was the second single to be released last year in anticipation for this album, and it quickly became of of kenzie's biggest songs to date. This song is accompanied by a music video where kenzie brings back her dancing talents, which are choreographed by her older sister Maddie who still professionally dances. "anatomy" is a deeply emotional piano song about growing up without a father, and the impact that it has had on kenzie. She's not holding back on how her father's toxicity and absence has effected her and her family. It's a song that unfortunately, many little girls can relate to out there. It's beautifully tragic, so make sure to grab your tissues before pressing play. the me i was "the me i was" is the eighth and final single which was released along with the album, accompanied by a music video. There are a lot of very personal songs on this song, but this one hits a little bit different. kenzie sings about wishing she could be the girl she was before she had gone through trauma and heartbreak, the girl that was sweeter and trusted easier. The way she sings is so deeply emotional, and you have an instrumental, electronic production breakdown that takes the emotion to a whole new height. This is a song that many people can relate to as well. Once you experience life a little bit and realize that people aren't all good, it changes you, and not for the better. This song feels like mourning the loss of yourself, a part of you that you'll never get back. word vomit Acting as the fourth single before the release of this album, we have "word vomit". The lyrics don't actually contain the words, "word vomit" however, the lyrics literally are word vomit. They are just an endless stream of conscious, kenzie letting every thought in her head out onto the floor. It's a very personal, painful song about heartbreak; when you thought you knew someone and they turned out to be extremely toxic; and now you're just left all alone with your mind and intense feelings. This song puts a spotlight on a haunting guitar progression and drums that continue to build as the song goes on. 6 feet under Although it didn't come with a video, kenzie released "6 feet under" as the sixth single in anticipation for this album, just 2 months before it's release. This song is about being in a relationship with someone who is insecure and controlling; they feel like if you have a life outside of being in a relationship with them, then you don't love them or they're losing you. kenzie sings of how there's enough room for her to be herself and for her to love them, but as long as they keep pushing to change her, the more it feels like the end. This song is filled with acoustic guitar and a catchy, early 2000's type of beat. close to you "close to you" is the fifth single and is a beautiful love song and a duet with fellow pop singer, ASTN . This song is perfect for anyone who has found somebody who they've deeply fallen in love with, who makes everything feel right in the world. This song will definitely remind you of them; who knows, may it can become your couple song or the song you'll end up slow-dancing to at your wedding. It's slow but powerful, mixed with a bit of soul and simplicity to really give the vocals and heartfelt lyrics a chance to shine. midnight murderer "midnight murderer" is a fun song about those days you'd stay out and up all night with your friends; back when you could sleep all day the next day and time was never an issue. You had all the energy in the world and having fun with your friends gave you the sense of euphoria and adrenaline you needed. paper "paper" was the first song to be released over a year ago in anticipation for kenzie to release a new album. Although it was highly promoted, it continues to be one of the more underrated songs even though in my opinion, it's one of her best. It's got a simple, RnB influenced beat with guitar with gentle, classic, heartbroken vocals. "paper" is about losing a partner who left you to be with someone who is more "picture perfect" . They cared more about looks rather than what's good for them. It really hurts a person's self-esteem when something like this happens, because it makes you feel like you're not physically good enough even though you know personality wise, you were a perfect match. kenzie sings, "she looks good on paper, but I look good on you." face to face Released as a single just six months ago, "face to face" is the third single from this album. It takes a retro approach, with a fast-paced electronic beat, ethereal synths and layers of gorgeous vocal harmonies that transport you back to the 80's. The fact the the music is a bit nostalgic holds more meaning that it may seem once you realize what the song is truly about. "face to face" is about the frustration of having to play out the majority of your relationships over technology, and not in person. When you have a fight with someone, they have time to plan out what they want to say in text or when they call you instead of having a genuine face-to-face conversation. Combined with the music video, it's also about just missing that real human connection with people in this day of social media. casualty Closing out the album, we have the final track, "casualty". It's the come down, as it's more of a folk-influenced style with acoustic guitar and strings. "casualty" is about knowing when a relationship is hanging by a thread, but refusing to let it go. At any given second, things could end and they could end very badly, but both of you are too scared to lose each other; so instead you just hold on. I think "biting my tongue" is the best, most personal work we've gotten to hear from kenzie thus far. I feel like we're finally getting to hear who she is as an artist and not just as a vocalist. We're getting to hear her story and deep emotions. Not only that, but her vocal growth as a singer is absolutely impeccable. Her voice is so beautiful and she sings in a way that engages you as a listener; like you want to hear what she has to say. The touching and relatable songs on this album, mixed with the high quality production and kenzie's voice equal out to pop perfection. Written By Kaitlyn Nicole Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.