MOTHICA is an absolute force to be reckoned with. With each new release, she always outdoes herself. Every single project is an unforgettable masterpiece and is destined to land on the charts. With the release of her flawless third album, Kissing Death , comes the highly infectious focus single, “Another High.” The song explores the singer’s struggle with addiction. She admits that the drugs and alcohol are her way to self-medicate. To cope with her depression, anxiety, and suicidal thoughts, she turns to these vices as a way to forget. It is a vicious cycle, something she has fought for years. The lyrics are reminiscent of the singer’s 2020 single, “Vices.” She recognizes that these habits are unhealthy, but when she stops, she just finds another one to indulge in – as long as she no longer feels the pain. Her transparency about her struggle with addiction allows those who relate to feel less alone in their battle. Furthermore, the song hints at the singer’s recovery from not only addiction but also depression and suicidal ideation. “Another High” shares a lyric with the album’s second track, “Exit Plan.” In both songs, she asks: “How do you live when you don’t want to die anymore?” This is a key theme throughout Kissing Death and what inspired the album. She has seen growth in herself as well as healing from her suicidal ideation, allowing her to embrace life. While healing is not linear, and relapses and regressions will happen, MOTHICA is ready to take the next step in her journey. “Another High” is a cathartic release for the singer, expressing her exhaustion from being stuck in this endless battle. Meanwhile, it serves as a reminder that addiction is not what defines you, and you can make it out alive. “Another High” contains MOTHICA’s classic dark-pop soundscape while upholding her new style. The song begins with a riff on the bass and light synth in the background, giving a taste of what is yet to come. The bass leads the song with bass percussion that complements each other. The pre-chorus introduces additional synth that transitions perfectly into the chorus with a strong burst before leveling out. While the phrases “heavily distorted electric guitars” and “subtle” do not often go together, MOTHICA has found a way to make the two sound like kindred spirits. She adds them to the layers of sound, producing her unique and individualistic soundscape. The second verse contains similar instrumentation as the first but with added vocals and synth that enhance the complexity of the song. The second pre-chorus utilizes synth bass to bring the production even deeper before exploding back into the chorus. The guitar continues in the background, adding to the complex layers of the production. In the post-chorus, the sound transitions to muted drums and percussion while putting more focus on the electric guitar. This then turns into impressive licks on the guitar as the vocals continue, showcasing MOTHICA’s immense passion and range. In the outro, the guitar mellows out abruptly and switches to an acoustic guitar. MOTHICA’s stunning voice closes out the track with the hook repeating: “I’m just looking for another high.” This emulates the feeling of exhaustion from fighting her addiction. She is tired of the intensity and just wants to rest. “Another High” is another excellent example of MOTHICA’s outstanding talent and range. She captivates audiences with her incredible soundscapes, making them fall in love with her all over again after every new release. MOTHICA is an alt-pop singer-songwriter from Oklahoma, now based in Los Angeles. The stage name “MOTHICA” is born from the artist’s fascination with moths and their attraction to the light, symbolizing her journey through the dark to get to the brighter side. It also represents her own self-destructive habits, like a moth flying into a flame. She began releasing music independently in 2015 making her debut with her EP, Mythic . Since then, she has released three LPs ( Blue Hour , Nocturnal , Kissing Death ) and four EPs ( Mythic , Heavy Heart , Ash es, Forever Fifteen ). MOTHICA is a self-made musician, releasing music through her own imprint, Heavy Heart Records, in partnership with Rise Records/BMG. Her style blends into other genres, from rock, dark pop, synthwave, goth, and electronica to create her individualistic sound. The artist writes songs that share relatable stories of mental health, anxiety, depression, trauma, suicidal ideation, addiction, and other subjects that are often taboo. MOTHICA embraces these experiences in a way that is both cathartic for herself and comforting for listeners who relate. The singer has had several career highlights, including her single “VICES” hitting #2 on the Pop iTunes chart, her phenomenal track about sexual assault, “Buzzkill,” garnering over 51 million streams on Spotify, and her rendition of Bring Me The Horizon ’s “Can You Feel My Heart” earning over 25 million streams. MOTHICA has been on the road consistently for the past two years, touring North America and Europe with Coheed & Cambria and Halestorm , as well as performing at several festivals. This fall, she will be embarking on her headline tour in the US and the UK/EU, where multiple shows have already sold out or have been upgraded to larger venues. She will also perform at the Mayhem Festival in San Bernadino, CA in October! Check out her tour website for more information on dates and tickets, and follow her on all social media for any new announcements! Written By Karlee Skipper FOLLOW MOTHICA: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Photo Credit: www.carriganboynton.com Finally, after 8 long years of releasing original music, pop singer/songwriter, multi-instrumentalist, producer and arranger Jessica Woodlee has drooped her debut album, "JESS". Filled with a collection of a variety of new and previously released songs, "JESS" has 13 tracks that take you on a journey of being young, discovering who you are and experiencing whatever life throws at you. TRACKLIST T.O.M.L. Suburbs Dairy Aisle Whiskey Everything & Nothing Pity Party Has Been Rainy Day (ft. Teesa) Dude. Skinny Dipping Placebo By Now Breathe Again (Hope) Jessica Woodlee is currently based in Boston, Massachusetts where she attends Berklee College of Music . She has loved music for her entire life, growing up listening to legends like Carole King and Eric Clapton . In 2017, she debuted as an artist with her EP, "Karma" which had more of that classic sound that she was inspired by within her childhood. From then on, she became more infatuated with the modern pop singer/songwriter scene, diving deeper into complex lyricism and electronic production, becoming a fan of artists like Taylor Swift , Maggie Rogers and Maisie Peters but still keeping her classic blues and rock roots intertwined within her unique sound. Now with 8 years of experience, Jessica Woodlee has an impressive discography and over 800k streams on Spotify alone. She spends a lot of her time performing live and just opened for beloved Danish singer, Christopher , this past February at his sold out show at Brighton Music Hall . Previously, she was named one of Atwood Magazine 's "50 artists to watch in 2023". Now here we are, with her debut album which showcases just how far she has come in her career thus far. Let's dive in. T.O.M.L. Opening up the album is the song "T.O.M.L.", a song fully produced by Berklee College of Music students and the ultimate pop/rock anthem that sums up what it feels like to be young and in your 20's in this day and age. "T.O.M.L." stands for "Time Of My Life", which Jessica expresses she is NOT having. Growing up we're told to enjoy our lives while we're young, because we won't get those years back. They're supposed to be the best years of our entire lives - but in our generation, it feels like the most stressful. We're broke, we're stressed, we're heartbroken, we're confused, we're full of anxiety and it's definitely not a good time. Instead of partying and living it up, we're worried whether or not we can find a job, get out of debt and have a house before we're forty. "T.O.M.L." is a relatable song for all the millennials and Gen Zer's out there who feel like they just can't catch a break. The punk rock influence on the style reminds me of Olivia Rodrigo and GAYLE , and it gives the perfect amount of angst and attitude to really amp up the pint up emotions that come with being young nowadays. Suburbs Growing up in a town where there's nothing to do leaves too much time for you to be alone with just yourself and your thoughts. It makes you feel kind of trapped, and curious about what else could be out there waiting for you. Sometimes you feel like you can't live up to your fullest potential, and that living in this smaller place is holding you back. Part of you wants to appreciate where you've come from, but when you're somebody with big dreams it's a lot harder to stay in one place. This sums up what "Suburbs" by Jessica Woodlee is about. This song sonically takes me back to Taylor Swifit 's Fearless days. It sounds like early 2000's when pop was more folk and rock influenced with more emphasis on acoustic guitar but with just a little bit of funky synth mixed in there. Jess expresses that this song was also inspired by the likes of Maggie Rogers and Maude Latour but with Lizzy McAlpine lyrics. Dairy Aisle Next, we have "Dairy Aisle" which is a bittersweet, RnB influenced bedroom-pop song about "the one that got away". In this song, Jessica explores the idea of what would happen if she ran into someone she used to have a romantic fling with, but it didn't work out. At this point it's been two years since she's seen them, but she's finding herself thinking about them. In this case, she's wondering all the "what ifs"; like what if it actually worked out, what if she was able to actually see them again, what if she just happened to run into them in the dairy aisle at the grocery store? This song was written while Jessica was experimenting with sensory descriptions, and so it has a lot of imagery. You're able to place yourself in Jessica's shoes and imagine exactly where she is and what she is going through. It's a really cool song to experience. Whiskey Falling for someone who you know doesn't love you the same is probably one of the most painful things to deal with; especially when they're somebody you have to see often. "Whiskey" is about crushing on a friend, but you can't bring yourself to tell them because you know they don't like you back. So you think about drinking, not only to cope with the messy feelings but also to use the alcohol as an excuse in case you slip up and confess your love. "Whiskey" is more of an experimental, alternative pop song that focuses heavy on synths and production. The soundscape is meant to match the chaotic emotion that Jess is singing about. "Whiskey" is such a relatable, well written song and the lyrics read off the tongue like poetry. Cheers to all the people out there who have suffered from unrequited love. Everything & Nothing Moving on to track 5, we have "Everything & Nothing", a strong and vulnerable song about society's impossible standards. Completely self-written by Jessica and the only explicit song on this album, "Everything & Nothing" sums up the old saying "damned if you do, damned if you don't". This song has a bit of a country / western blues tone with emphasis on acoustic guitar and heavy drums. It builds into a flourishing soundscape that protests the challenges we face everyday as people just trying to make it by. We can't do too much because then we're a show off, but we can't do too little because then we're lazy. Jessica sings, "just be everything and nothing" , because that's just how silly it sounds when others try to have a say in what we do in our lives. It's literally impossible. Pity Party "Pity Party" is a raw, gentle piano ballad that really hits in the feels if you've ever been in a relationship like the one Jessica sings about here. "Pity Party" is about being with someone who is only with you because they feel bad for you; but they also like knowing that you rely on them, and so they inflict hurt on you on purpose because they feel like they can get away with it. This song has one of the best written choruses I've heard so far this year; "Well I'd rather be alone with myself, than feel alone with all of you / And I'd rather learn to love myself, than convince myself that you do / There ain't room in this pity party for two". The heart-wrenching lyrics mixed with the minimal production and soaring background harmonies make this a break-up song for the books. Has Been "Has Been" is another vulnerable self-written song by Jessica that touches on the topic of not making it as far in life as she's wanted to at this point in her career. She asks the question, "can someone be born a has been?" as if her time to shine has passed before she even got to chance to make it. This is a situation that many of us can relate to. We feel stuck in one place while we watch others move on in their lives; it stings a little bit to watch others success while we're still doing the same old same old - even though we have all these people around telling us how smart and talented we are and that we should've made our dreams come true by now. It's a confusing, disappointing struggle to go through, especially in Jessica's case with something as tough as the music industry. "Has Been" is a sparkling, radio-pop track with a catchy melody that will surely have you relating to the lyrics. Rainy Day (ft. Teesa) "Rainy Day" is a stunning, cenematic track that features a fellow Berklee student and friend of Jessica's, Teesa D'Agostino , whom is a pianist and film composer who plays live piano on this song! Aside from the absolute tear-jerkingly beautiful piano, "Rainy Day" features loud crashing drums that make you feel like you're sitting in front an orchestra experiencing a live romantic drama musical. Considering how the lyrics of "Rainy Day" also feel like they belong in a prestigious poem and it's paired with this type of soundscape, it definitely feels like it belongs in a movie. The song reminiscences on the good moments of a relationship that didn't work out, and in the end Jess sings about how since they're gone she guesses she will just save all her love for a rainy day. This song feels like running through New York City on a rainy day and just losing your mind over the one that got away. Dude. Next we have "Dude." which was originally released in February as an Anti-Valentines Day song and is described by Jessica as an "anti-love banger". "Dude." is about something many people have unfortunately fell victim to - being friendzone. Catching feelings for a friend who only wants to be friends is actual torture. In this song, Jessica sings, "I think I'm calling you the one, but you're calling me dude". Although this is a crappy situation to be in, the track takes a lighthearted, comedic and witty approach. So if you've ever been in this situation, this song can help you jam out and have some fun with it, even it it still hurts. Skinny Dipping "Skinny Dipping" is about saying goodbye to Summer; in particular, that very last Summer that you have with your childhood friends before you have to grow up and everything in life changes. It's a nostalgic pop/rock banger with some punk influence that sounds straight out of the early 2000's; it sounds like it belongs in a teenage rom-com movie about what happens over Summer break, and this is what plays in the end credits. Literally everything about this song is perfection and everything blends together super well - if there's a song that's going to get stuck in your head, I put my bets on this one. I can hear a lot of the Maisie Peters influence in this particular song; it's specifically reminiscent of her signature vocal production and her song "Cate's Brother". Placebo "Placebo" is a dark, bluesy track with a sensual and soulful groove that has heavy emphasis on a classic electric guitar and blues notes. The song is about having that realization that a romantic relationship can't solve your problems - only you can. Yes, they may be able to mask the pain for a while or be a good distraction, but they can't really fix those deep internal issues that you hold on to deep inside. Those are the kind of issues that only you can change for yourself and nobody else. In this scenerio, Jessica is calling this person she's been using to soften the blow of her personal problems a "placebo", aka, a fake treatment for something that is meant to trick you into thinking it'll help you. Jessica explains that this relationship was fun while it lasted, but she has to figure herself out on her own. By Now Written back in 2021 on Jessica's 18th birthday, "By Now" is a really personal song about becoming an adult and not being ready to grow up. A lot of us have felt this same way when we turned 18; like, "how in the world am I supposed to be an adult when I don't feel like one?". At that point in our lives, most of us still don't even know what we want to do yet. Some of us haven't even graduated high school on our 18th birthdays - but just like that, all of sudden within one day we go from being a kid, to being an adult. In "By Now", Jessica sings of that guilt we all have felt when you have no idea who you are or what you want to be when you turn 18, but the whole world makes you feel like you're supposed to already have it all figured out. Out of all the songs on this album, in my personal opinion, this one is one of the most vocally emotional as Jessica just lets her heart out on her sleeve. The layers of acoustic guitar and the heavenly harmonies in the background add even more depth to an already vulnerable and heart-wrenching song. Breathe Again (Hope) Closing out the album at track number 13, we have "Breath Again (Hope)". Let me start by saying, this is such a perfect song to end an album on, especially with all the themes of uncertainty and heartbreak, it's nice to end on a positive high note. Life would be nothing without hope, and this is very optimistic song that lifts people up and gives them that little spark of faith that they need to keep on going. "Breathe Again (Hope)" has a hook that is meant to be an ear-worm, so that it gets stuck in your head and it makes you want to sing along every time you hear it. I bet it's an amazing song to experience live and to sing with others. When I listened to this song for the first time and I got to the bridge, I think my heart actually stopped because of how insanely good it was. I said out loud alone in my living room "SING, GIRL!!". Hearing Jessica let it all go and sing these heartfelt lyrics like her life depended on it actually brought tears to my eyes. This is a song the world needed. Thank you so much, Jessica. Jessica Woodlee is a force to be reckoned with, and I really hope she knows that. After 8 long years of releasing music, she compiled 13 tracks into what would become her debut album, "JESS" and I don't think she could've done it any better. Jessica has a way with her words and she draws you in with her genuine demeanor. Her lyrics are poetic, intelligent and well written, but yet they're so easy to understand and still remain relatable which it is very hard to do both. She is an artist for the people, and this album is for all the coming-of-agers. I know that Jessica will continue to grow and evolve, not only as an artist but as a human being and it's so great that we are able to grow with her. She may have a lot of experience, but this is still only the beginning for Jessica and I can't wait to see what comes next. Make sure to follow Jessica Woodlee below to keep up on her journey, and to see if she's playing any shows near you! Written By Kaitlyn Nicole FOLLOW JESSICA: Instagram | Twitter | Facebook | Spotify | TikTok | YouTube | Website *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Kissing Death by MOTHICA via mothica.com Kissing Death by MOTHICA brings another compelling installment to the phenomenal singer’s discography. The album is not just a collection of songs, but a cohesive visual project that upholds the singer’s regular themes of depression, addiction, suicidal ideation, and her attraction to the dark. Each song has its own corresponding music video, bringing each individual track to life. MOTHICA flawlessly executes her creative idea with vivid imagery and stunning visuals. Every song shares a unique story to build one overarching theme — falling in love with your demons. MOTHICA’s grim aesthetic is what initially drew me to the artist years ago, and her raw talent and ability to mesmerize audiences keep me on the edge, anticipating every new chapter. Track List The Void Exit Plan Another High Doomed Curiosity Killed the Moth Red The Reaper Toxins Afterlife Mirage Oblivion for Two Kissing Death MOTHICA is an alt-pop singer-songwriter from Oklahoma, now based in Los Angeles. The stage name “MOTHICA” is born from the artist’s fascination with moths and their attraction to the light, symbolizing her journey through the dark to get to the brighter side. It also represents her own self-destructive habits, like a moth flying into a flame. She made her debut in 2015 with her independently released EP, Mythic . Since then, she has released three LPs ( Blue Hour , Nocturnal , Kissing Death ) and four EPs ( Mythic , Heavy Heart , Ashes , Forever Fifteen ). MOTHICA is a self-made musician, releasing music through her own imprint, Heavy Heart Records, in partnership with Rise Records/BMG. Her style blends into other genres, from rock, dark pop, synthwave, goth, and electronica to create her individualistic sound. The artist writes songs that share relatable stories of mental health, anxiety, depression, trauma, suicidal ideation, addiction, and other subjects that are often taboo. MOTHICA embraces these experiences in a way that is both cathartic for herself and comforting for listeners who relate. The singer has had several career highlights, including her single “VICES” hitting #2 on the Pop iTunes chart, her phenomenal track about sexual assault, “Buzzkill,” garnering over 51 million streams on Spotify, and her rendition of Bring Me The Horizon ’s “Can You Feel My Heart” earning over 25 million streams. MOTHICA has been on the road consistently for the past two years, touring North America and Europe with Coheed & Cambria and Halestorm , as well as several festivals. This fall, she will be embarking on her headline tour in the US and the UK/EU, where multiple shows have already sold out or have been upgraded to larger venues. She will also perform at the Mayhem Festival in San Bernadino, CA in October! Check out her tour website for more information on dates and tickets, and follow her on all social media for any new announcements! The Void MOTHICA begins the album with a unique track. “The Void” is more of an interlude, containing a short lyrical intro before transitioning into an epic display of synth instrumentation. The lyrics introduce the dark nature of the album. Similarly to her last album, Nocturnal , the opening song packs a lot of punch in a smaller space. With “The Void” the singer once again brilliantly kicks off her latest project with an unforgettable song that effortlessly encapsulates the overarching theme of the eleven remaining tracks. Exit Plan MOTHICA has an uncanny way of creating the most devastating tracks about mental health and transforming them into absolute bangers. The production in the post-chorus of “Exit Plan” has been playing in my mind on repeat since Kissing Death was released. The infectious song divulges the singer’s history of suicidal ideation. MOTHICA has been vocal about these thoughts, including her attempt when she was fifteen. However, this song is calling back to the past, and how her depression consumed her. In the chorus, she sings the hook: “Made an exit plan, but I left it on the shelf.” This is a common theme not only in Kissing Death but throughout her entire discography. However, this time she has a whole new outlook on death. She ends the chorus with the iconic line: “But how do you live when you don’t wanna die anymore?” before bursting into the electrifying composition. With this switch-up, she leaves the audience contemplating the sudden shift in the music and lyrics. Another High MOTHICA effortlessly enthralls her audience with her stunning vocals and intense pop-rock productions in Kissing Death’ s focus track. With distorted electric guitars and infectious melodies, “Another High” naturally became one of my favorites from the album. The song explores the singer’s struggle with addiction and using substances as a vice to numb the pain. The poignant lyrics give the listener an insight into the exhaustion that comes with fighting this battle. The song mirrors a lyric from the previous track when she sings: "How do you live when you don't wanna die anymore." The repetition of this line encapsulates a major theme of the album and represents where MOTHICA is currently at in her mental health. The connection is something I noticed immediately, leaving my jaw on the floor due to the brilliant songwriting. For a more detailed description of “Another High,” check back tomorrow for my song review! Doomed The first single from Kissing Death is also the most soul-crushing one. “Doomed” shares the singer’s natural draw to the darkness. The heart-wrenching ballad explores MOTHICA’s depression and trauma. While the artist is no stranger to songs about mental health, this song broke my heart in a brand new way. Rather than turning to the darkness after undergoing a life of hardship and pain, she was naturally predisposed to it — she was “doomed from the start.” Each one of her honest lyrics cuts through like a knife, from her relatable anecdote about being a former “gifted child” to the gut-wrenching truth of surviving child sexual abuse. Due to the stunning yet eerie soundscape and emotional lyrics, “Doomed” quickly became my most-played track in the month of March — despite being released 5 days before April began. I knew then that Kissing Death would be a masterpiece of a project. Curiosity Killed the Moth Released prior to the album, “Curiosity Killed the Moth” is one of the most satisfying songs that made me even more excited for the record. The track contains a dark guitar that remains steady as MOTHICA relays her own toxic habits. The name is a play on the popular idiom “curiosity killed the cat” but alters it to fit the singer’s persona. Throughout the track, she utilizes moth imagery and metaphors to describe her propensity to endanger herself. In the chorus, she sings one of my favorite lines of the album: “Me and Icarus... are cut from the same cloth.” Similarly to the legendary Greek myth, MOTHICA flies too close to the light and is destined to burn up. It is a clever comparison that showcases the singer’s impeccable songwriting and complex storytelling. Furthermore, the moth theme does not stop at the lyrics. In the intro, a moth can be heard buzzing before fading out for the music to take its place. Then, in the outro, it returns. But this time the buzzing abruptly ends with the sound of the wings igniting, like the insect flew into a bug zapper. This is just another meticulous detail inserted by MOTHICA that places her in my top three artists of all time. Red “Red” contains an intense alt-rock vibe with an electrifying guitar and powerful beats that instantly propel the listener into the incredible soundscape. The song continues with the theme of addiction and using vices to self-medicate. While MOTHICA knows this is not healthy and she wants to escape this vicious cycle, she cannot help but be pulled under. She uses drugs and alcohol as an escape from reality but loses control. And in the end, she will never learn until she sees red. She hates this side of herself, and yet she cannot let go. The intense nature of the production through the emotional lyrics and her passionate voice makes “Red” one of her most powerful songs. The Reaper “The Reaper” is a twisted kind of love song. It is dedicated to the King of Death himself. This is another track that was released prior to the album and contains the first glimpse of the album’s overall storyline – falling in love with Death. The song shows the toxic relationship she has with the Grim Reaper. In the second verse, she sings my favorite lines of the track: “It's not еasy to find// Somebody dependablе// I don't care that he thinks// My life is expendable// At least he's reliable.” These lyrics served as a sucker punch to the gut the first time I heard them. While she has gone through relationships that have ended in heartache, “the reaper” has always been constant. Even though “he” is hoping for a premature death. Despite these somber lyrics, the song contains an infectious dark-pop production in the classic MOTHICA fashion, making you want to dance while you cry. Toxins “Toxins” takes on a unique point of view. MOTHICA is no longer singing as herself but from the perspective of a venomous spider. The lyrics represent the arachnid hunting its prey, sneaking in before landing the final blow. While the song was originally created for a scrapped Halloween project, MOTHICA kept it for Kissing Death as she felt it encapsulated the idea. The spider symbolizes the grim reaper, sticking to the shadows and stalking MOTHICA. Even when she feels safe and happy, he is there just out of sight, waiting for the right moment to strike. The song has a heavy bass line that lulls the listener into the song before breaking into the infectious dark-pop production. The soundscape emulates the eerie, creepy vibe of the spooky season, making it a perfect song to play on Halloween. Afterlife With the outstanding alt-rock instrumentation, “Afterlife” instantly became one of my favorite MOTHICA songs. It was released prior to the album, and I immediately sent it to everyone I know begging them to add it to their music library. The intense soundscape automatically propels the listener into a cinematic action film – much like the one found in the corresponding music video. The production contains a perfect mix of the singer’s iconic sounds through mesmerizing synths, stunning vocals, and a fiery electric guitar. Once again, MOTHICA has showcased her flawless and unique genre that is solely her own. Mirage MOTHICA shares her experience with imposter syndrome and her fear that everything good is going to fall apart. Or that it was never even real to begin with. In the pre-chorus, she alludes to this idea with the lyrics: “No matter how far I’ll go// I’m still running away// Nobody here, on my own// I keep losing my faith.” She keeps fighting for the things she wants but is afraid of losing it all. Then in the chorus, she sings: “Oh my God, I’m caught in a dream// Don’t believe a thing that I see// Fooled me once with the fantasy// Then I slow it down and took it from me// Mirage.” Just like the illusion found in the desert, MOTHICA is in disbelief that the things she has always wanted are right in front of her. She is in denial that she can be happy and thinks everything is a lie. And it is only a matter of time before it is revealed to be a mirage. In the second verse, she continues with the notion of not ever being truly happy by admitting that she is always asking for more: a smaller waist, a shiny new car, or a star on the Walk of Fame. Her small wins are overlooked by her insecurities and inability to appreciate what she has. This is something that many people experience and with the illusion of social media, it is difficult to believe you are not alone. However, MOTHICA has once again come through with a candid song that explores her own mental health while reassuring audiences that they are not alone. Oblivion for Two MOTHICA continues the story of her toxic relationship with the Grim Reaper. “Oblivion for Two” shares the dark story of loving death until the very end. She knows this relationship will only lead her to oblivion but she cannot let go. In the chorus, she sings the lyrics: “Oblivion for two// Me and you, ‘til the colors fade” and “Don’t know what to do, like with you ‘til we disintegrate.” These lines are an excellent example of how depression feels. You feel lost and confused, unsure of what to do until you realize your life is slipping away. But there is nothing you can do and you feel helpless. In the outro, she switches the lyrics to reveal that she does not want to go – not yet. She sings: “Afraid I’ll fall if I look, but I’m not ready yet// It’s the end of the world, and we’re right at the ledge// But would it be so bad if we’re the only ones left?” She admits that she is no longer ready to slip into oblivion. This is a stark contradiction from the lyric in her 2020 track, “Forever Fifteen” where she sings: “I can’t take it all the damage done// Wanna sink into oblivion.” It shows how much MOTHICA has healed over the years and now she is in a good place. She is no longer ready to leave this world and wants to hold on to it longer, even if that means she is the only one to survive the apocalypse. Kissing Death The title track closes out the album beautifully, tying together all the themes into one musical bow. MOTHICA confesses that she is tired of “kissing death.” She finally wants to live and actively fears dying now. When she was younger, she felt the call of death, feeling as if her time was sooner rather than later. She references her suicide attempt at fifteen again with the lyric: “Thought fifteen was right, so happy I was wrong.” This transitions into the chorus where the twist of the hook is revealed. MOTHICA sings, “I’m sick of kissing death// I’d rather be friends.” She continues to express her disdain for the reaper, appalled that he began his relationship with her so young. In the second verse, she sings: “And then I grew up, what the fuck were you doing hanging out with all the kids like me?” Now that she is older, she understands how tragic falling in love with death so young was. She is grateful she survived and is now avoiding it as long as possible. Ending the album with this track provides the listener with a sense of hope, whether for themselves or for a loved one, that things will get better and someday death will stop coming around. MOTHICA has a beautiful way of eloquently expressing how depression controls someone's life. It is all-consuming. A powerful force that is nearly impossible to fight back. She makes this concept easy to understand for those fortunate enough not to know what it is like and helps those who do feel less alone. Kissing Death shares her experience through clever metaphors and poetic imagery. Her honest lyricism about mental health is refreshing, something that is not touched on as much as it should be in pop music. She executes this concept flawlessly, showcasing her outstanding talent. With Kissing Death, MOTHICA has outdone herself (and this is saying a lot because Nocturnal was my most-played album two years in a row). She proves to be a force to be reckoned with and deserves to become one of the biggest names in music. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

LOGAN has never failed to wow audiences with the savvy, powerful approach she takes into the pop genre, consistently making catchy bops for us to groove to; it's needless to say that "None of Your Business" easily falls into that category. "None of Your Business" is LOGAN's dismission of the noisy cynics, haters, and skeptics of her craft. It is her reiteration of the fact that their words "ain't sticks and stones" and the only opinion that matters is her own! Directly speaking to her listeners, LOGAN says to "put aside all of your fears", sending a message to those that don't fit perfectly into society's normative mold or mindlessly conform to its musical dictates. Carrying a sharp jazziness that translates into the pep in our step, LOGAN's track can be adopted as a trendy anthem for all of the talented misfits that refuse to follow what society thinks a singer is supposed to look like, sound like, or brand themselves as. In this funky, vibrant track, LOGAN triumphs amidst the ignorance and gives us a greater glimpse into her vast creative vision. With the well-timed release of "None of Your Business", LOGAN has graced her fans with yet another empowering, soulful tune to hum along to all day and all night! Throughout the song, LOGAN showcases a rich, velvety alto sound that we simply can't get enough of within 3 minutes. The track opens with a spunkily upbeat instrumental that sets the tone for the rest of the song and puts us in a positively unfazed mood. LOGAN's lyrics are able to evoke this sense of confidence and assurance within the listener, reminding us that we are the ones in control, the definers of our own narratives. When the sassy accompaniment takes a backseat to make room for the incoming bridge, LOGAN showcases her impressive range, hitting difficult notes and riffs with beautiful accuracy and ease. Overall, LOGAN's "None of Your Business" is a wonderfully crafted track that appeals and applies to people of all backgrounds, uniting them with her expertise and truly genuine passion for music! LOGAN, the soul-pop singer-songwriter from North Carolina, has equipped an "old soul, new music" motto that perfectly encapsulates her artistry and brand! "None of Your Business", in addition to some of LOGAN's other popular songs, like "Mixed Feelings" and "Finders Keepers", show off her diverse sound and ability to effectively mix finely aged jazz with the modernity of this genre's ever-changing inventory to create something entirely new and unique to her! At the young age of 24, this artist carries such a distinguished, classy charm that can be seen, heard, and felt through her aesthetically pleasing vocals, lyrics, and growing musical catalog. Inspired by similar icons such as Amy Winehouse and Remi Wolf who refuse to conform to any one genre, LOGAN has introduced her own spin on traditional pop music, enhancing it with her poise and refreshing originality. Don't forget to follow the socials below for more releases and updates! Written By Pejah Carr FOLLOW LOGAN: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Savanna Leigh’s “favorite parts of me” is the final track of her latest EP “reminders of you”. I think everyone has a tendency to look back on their past, to think of all that has happened to them, and want it again. You see the “has been” through a rosy lens, forgetting about everything else that happened during it that may not have been so nice. Yet, this track is self-reflective in a way that says, “you don’t miss your ex, but you miss who you were during that relationship.” “favorite parts of me” is decorated in calm, temperate instrumentals and vivid vocals; it truly is an introspective song that invites its listeners into a safe space to explore what could have been, while also remaining self-aware of what would or could happen if you romanticize the past too much. “favorite parts of me” begins with this awesome synth and a bit of percussion. I love how immediate the soundscape is built in this song– as Leigh’s vocals very quickly join the mix, you’re given this world of sound that can only be described as “thought-provoking”. It’s not slow and it’s not very fast– it’s something in between, and I think that’s a very poetic way of telling the listeners that there are no right or wrong answers to the song’s message. The instrumentals and atmosphere remain generally the same throughout the runtime; although the chorus gains a little more energy than the verses, I enjoy how level the entire song is. The lyrics mirror that, telling a story about the narrator’s struggle with their current reality, and thinking that their past has everything that they don’t have now. The song’s first line even says, “I thought you could save me / wake me up from a bad dream”. The narrator’s life is shifting and changing– there’s an upheaval happening and they want the comfort of the past, but they quickly backtrack to say that, “I don’t miss you, I just miss who I was when I was with you”. I love how back-and-forth the song is between reflection and awareness, neither made to be more important than the other. “favorite parts of me” is a song that encourages its listeners to think about these things and to think back on their past. You should feel everything, and you should remember everything, but you should also know that it isn't your ex that you're missing, but instead the person you once were. "favorite parts of me" is a study in navigation, and of realization. Nashville-based singer-songwriter Savanna Leigh grew up in Florida surrounded by creatives that worked in the music industry. She wrote her first song at age 12 that showcased her passion and love for music; this eventually took her to Nashville on a music scholarship. Although she initially performed in a country-pop duo with her sister, Leigh went solo. Since then, she’s sharpened her craft into her current style, authentic and rich with emotion. 2021 saw the release of her debut single “no words”; this was followed later that year with her debut EP “changes”. “favorite parts of me” comes as the sixth and final track of Leigh’s most recent EP “reminders of you”, which highlights a more inward-looking and contemplative sound. If you enjoyed “favorite parts of me”, then you should definitely check out the rest of this beautiful EP. And, while you’re at it, take a look at Leigh’s immaculate discography to get the full experience of her excellent songwriting. Written By Alexa Leung FOLLOW SAVANNA LEIGH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Step into a world of understanding and compassion with Erika Emerson’s “Cool Kid”. Emerson hooks the audience in from the very beginning, starting off with a sound bite of her as a child. This not only sets the tone for the overall song but additionally adds a personal touch to an already deeply personal and detailed track. With soft, backing piano and a voice filled with emotion and character, Emerson explores the former relationship she had with herself and how she now perceives that relationship. While exploring struggles, showcased through lines like, “I was ashamed of who I am,” Emerson dives into an opposite response toward the end of the track. Emerson brilliantly connects the relationship with her younger self to the relationship she now has with herself, where she accepts that she doesn’t need to adhere to what others expect/want of her and live the life she wants to live. It’s both inspiring to hear this bond with herself and how it connects with others. “Cool Kid” embodies a message of acceptance, hope, and reality.   While “Cool Kid” is a track that ebbs with emotion, with Emerson’s voice being the torch bearer. Her deeper, raw register brings these lyrics to life and is the true source of power behind “Cool Kid”. Going from acceptance to conflict, then to resolution, it feels as though you’re witnessing the pages of a personal journal unfold before your eyes. As a person who struggled with accepting myself and my identity while growing up, this song evokes strong resonation while still being completely separate and personal. While immersing myself in the song, I attempted to pinpoint an artist to compare Emerson with and came out unsuccessful. Emerson’s songwriting, as well as the emotion behind her voice, is something unique and incomparable. Even if you cannot relate to these lyrics, “Cool Kid” is an entirely human song that can pleasantly touch any life.   Erika Emerson is a queer artist raised in Berlin, Germany, with roots in the UK. She incorporates writing into her life as an outlet to channel empowerment of herself, as well as to connect with others by being vulnerable. Her voice reflects the emotions she puts into her music, changing at a moment’s notice from seemingly raw & brittle to powerful and full-bodied. She focuses on connecting with listeners through shared struggles and aims to make people feel comforted and accompanied in their lives. Based in Germany, Emerson booked a 2024 tour including multiple venues across the country. She has recently stepped into doing live shows and loves to connect with fans and expand the relationship she has with musicians she works with. Emerson loves to additionally connect with fans through social media, reaching out to thank personal messages and spreading messages of hope through interactions surrounding her music. Written By Madison Spies FOLLOW ERIKA EMERSON: Instagram | Spotify  | Facebook  | YouTube

"on-call girl" by India Thieriot is a powerpop song that expresses the singer-songwriter's passionate feelings of love and wanting. Production-wise and lyrically, this song is as if Thieriot took the butterflies you get when you first develop feelings for someone and formed them into an energetic anthem that many can relate to. Thieriot details how she is unable to stop thinking about her love interest, and in turn, makes her whole life revolve around him. Her first impression of him lead her to quickly fall head over heels, causing her to compare him to God. Thieriot calls herself his "on-call girl" because she wants to be with him all the time. Two different synths are concurrent with one another - a low ethereal tone, and a powerful high-pitched dance synth. Combined with syncopated drums and their instrumentation, as well as Thieriot's distinctive voice, "on-call girl" is a prime example of what pop music should be. Unique and iconic musical elements are presented in this sonically cheerful tune, such as the melody of the synths changing throughout the song, and the spoken bridge, where the volume of the production dips, only to rise again. The up-tempo vibes of this song manage to encapsulate the New York night life, where Thieriot is based as a musician. India Thieriot moved to New York City to pursue her career writing and singing her music. Her music style is alike to other one-of-a-kind artists, including MARINA and Chappell Roan . She is incredibly talented, and has made other great songs alongside "on-call girl", such as "Do You Remember Me Now?", "Take Some Space", and "Montage". She started releasing music in 2016, and since then has collaborated with the music artists Thando and JusSke on their song "God Complex". Thieriot has an amazing discography and is deserving of much more recognition. Written By Ashley Adams FOLLOW INDIA THIERIOT: Instagram | Spotify  | TikTok  | Apple Music  | YouTube

It’s hard to believe 10 years have already passed since 2014. The year was huge for the music industry, seeing the release of several albums by influential pop artists. To celebrate the monumental year and make you feel slightly old, Pop Passion has compiled a list of Iconic Pop Albums Turning 10 in 2024. 1. Sam Smith - In the Lonely Hour Marking the 10th anniversary of Sam Smith’s debut album, In the Lonely Hour was released in the UK on May 26, 2014. The album was a global commercial success, becoming the second best-selling album of 2014 in the UK and third best-selling of 2014 in the US. In the Lonely Hour earned Smith nominations for Album of the Year and Best Pop Vocal Album at the 57th Annual Grammy Awards, winning the latter. Giving the artist many hits, this album features many fan-favorites including “Money on My Mind,” “Stay With Me,” and “I’m Not the Only One.” 2. Lana Del Rey - Ultraviolence Serving as the artist’s third studio album, Lana Del Rey’s Ultraviolence was released 10 years ago on June 13, 2014. The album achieved global success, charting at number one in 11 countries including the United States. Five singles were released prior to the album, using “West Coast,” “Ultraviolence,” “Shades of Cool,” “Black Beauty,” and “Brooklyn Baby” to promote Del Rey’s work. 3. Hozier - Hozier Celebrating 10 years since the release of his debut album, Hozier’s Hozier  was released September 19, 2014. The artist began gaining traction prior to the album’s release with his EPs Take Me to Church (2013)   and From Eden  (2014), later including songs from these works on his self-titled album. Hozier is described as a blend of blues, soul, indie rock, gospel, R&B, and folk music, setting the stage for Hozier’s unique sound that fans have grown to know and love. The album achieved global success with its lead single, “Take Me to Church” earning a nomination for Song of the Year at the 57th Annual Grammy Awards. Some of the other hits from the album include “From Eden,” “Work Song,” and “Someone New.” 4. Jessie J - Sweet Talker The third studio album by English singer-songwriter Jessie J, Sweet Talker was released October 13, 2014, by Lava Records and Island Records. The album features several noteworthy guest appearances, including 2 Chainz, Nicki Minaj, Ariana Grande, De La Soul, and Lindsey Stirling. Sweet Talker achieved critical acclaim, especially for the worldwide hit singles “Bang Bang (ft. Ariana Grande and Nicki Minaj)" and "Masterpiece." 5. Sia - 1000 Forms of Fear Sia’s sixth studio album, 1000 Forms of Fear, was released 10 years ago on July 4, 2014. The album is primarily electropop but infuses elements of reggae and hip hop throughout the track listing. 1000 Forms of Fear lyrically represents many of Sia’s personal struggles, focusing on her experiences with drug addiction and being diagnosed with bipolar disorder at the time (later being re-diagnosed with complex PTSD in 2019). A huge commercial success for Sia, 1000 Forms of Fear earned the artist three ARIA Music Awards in 2014 and several Grammy nominations for the wildly popular song “Chandelier.” Aside from “Chandelier,” other hits from the album include “Elastic Heart,” “Fire Meet Gasoline,” and “Big Girls Cry.” 6. Taylor Swift - 1989 Swifties rejoice as Taylor Swift’s 1989 gets ready to celebrate its 10-year anniversary. The artist’s fifth studio album was released October 27, 2014, by Big Machine Records and features a sound inspired by 1980s synth-pop. 1989 netted the superstar several awards, including Album of the Year and Best Pop Vocal Album at the 2016 Grammy Awards, and became certified nine-times platinum by the Recording Industry Association of America (RIAA). Giving Swift a plethora of commercial hits and fan favorites, 1989 has an iconic track listing that includes songs like “Shake It Off,” “Blank Space,” “Bad Blood,” “Wildest Dreams,” “Out of the Woods,” and “Style.” 7. Ed Sheeran - X Marking the 10th anniversary of Ed Sheeran’s sophomore album, X (pronounced “multiply”) was released through Asylum Records and Atlantic Records on June 20, 2014, in Australia and New Zealand, later releasing worldwide on June 23 of the same year. The album achieved international commercial success as it peaked at number one in 15 countries, topping both the UK Albums Chart and US Billboard 200. Several singles spawned from the album, including “Sing,” “Don’t,” “Bloodstream,” “Photograph,” and “Thinking Out Loud.” 8. Maroon 5 - V Fifth studio album by the iconic Maroon 5, V will be celebrating its 10th anniversary in the near future as the album was released August 29, 2014, via 222 and Interscope Records. The album debuted at number one on the US Billboard 200 and spawned several hits for the group, including “Maps,” “Animals,” and “Sugar.” V marked the return of keyboardist/backing vocalist/rhythm guitarist Jesse Carmichael after his absence from their previous album, Overexposed . 9. Ariana Grande - My Everything Recently hitting the 10-year mark, Ariana Grande’s My Everything was released on August 22, 2014, by Republic Records. The album’s production featured an all-star cast as Grande worked with names like Max Martin, Shellback, Zedd, Ryan Tedder, Darkchild, Benny Blanco, Ilya Salmanzadeh, and David Guetta. Showcasing Grande’s evolving sound at the time, My Everything blended several genres including pop, R&B, EDM, electropop, and dance-pop. The album saw Grande collaborating with other iconic artists as Iggy Azalea, Big Sean, Zedd, Cashmere Cat, Childish Gambino, A$AP Ferg, and The Weeknd made guest appearances. My Everything quickly achieved global success and had many breakout hits, including “Problem,” “Love Me Harder,” and “One Last Time." 10. Charli XCX - Sucker An impressive sophomore album coming up on its 10th anniversary, English singer Charli XCX’s Sucker was released December 15, 2014 by Asylum and Atlantic Records. The album was a commercial success for the artist, finding itself included on several year-end lists for best albums of 2014. Sucker spawned several memorable singles and fan-favorites, including “Boom Clap,” “Break the Rules,” “Doing It (ft. Rita Ora),” and “Famous.” 11. One Direction - Four Fourth studio album by the English-Irish boy band One Direction, Four was released November 17, 2014, by Columbia Records and Syco Music. The album received positive reviews from critics and fans alike, debuting at number one in 18 countries and being the band’s fourth number one album in the United States. Four  was the sixth best-selling album of 2014, having sold 3.2 million copies worldwide, and featured several hits including “Steal My Girl” and “Night Changes.” The album was the last one released with member Zayn Malik as he announced his departure in March of 2015. 12. 5 Seconds of Summer - 5 Seconds of Summer Celebrating 10 years since the release of their debut studio album, 5 Seconds of Summer’s self-titled album was released June 27, 2014, in Europe by Capitol Records. The album debuted at number one in the US on the Billboard 200 and spawned several hits for the Australian group, including “She Looks So Perfect,” “Amnesia,” “Don’t Stop,” and “Good Girls.” Reminiscent of One Direction, 5 Seconds of Summer  features a blend of elements from the pop punk, pop rock, and power pop genres. 13. Nicki Minaj - The Pinkprint A throwback from December 12, 2014, Nicki Minaj’s third studio album, The Pinkprint , turns 10 this year. The album was released through Young Money Entertainment, Cash Money Records, and Republic Records and was co-executive-produced by Minaj alongside Birdman, Lil Wayne, and Ronald Williams. The Pinkprint received positive reviews from critics and fans, peaking at number two on the US Billboard 200. Giving Minaj many commercial hits, The Pinkprint features the singles “Pills n Potions,” “Anaconda,” “Only,” “Truffle Butter,” “Bed of Lies,” and “The Night Is Still Young.” 14. Lady Gaga and Tony Bennett - Cheek to Cheek A blend of jazz and traditional pop, Lady Gaga and Tony Bennett’s Cheek to Cheek is celebrating its 10-year anniversary in 2024. The duo’s first collaborative album was released in September 2014, serving as Bennett’s 58th studio album and Gaga’s fourth. Receiving critical acclaim, Cheek to Cheek was praised by critics and won Best Traditional Pop Vocal Album at the 57th Annual Grammy Awards. Cheek to Cheek  featured songs like “Anything Goes” and “I Can’t Give You Anything But Love,” both of which were released as singles prior to the album. Do you remember when these albums came out? What are some of your favorites from 2014? Let us know on our socials! Written By Cheyenne Johnson Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Photo Credits: https://www.shervinfoto.com/ Memphis, Tennessee native indie-pop artist HAPPIE, also known as Happie Hoffman, has just released her highly anticipated sophomore solo EP, "Real Love" which features four tracks that explore the complex and diverse feelings of love, from family bonds all the way to the good and bad of romance! TRACKLIST Shooting Star Close Real Love Easy HAPPIE officially started her musical journey in 2016 when she was part of the indie folk duo, Eric & Happie in which they did a modern twist on traditional Jewish music, after all, Happie was the cantor in one of the U.S.'s largest Reform Jewish congregations. In 2022, HAPPIE decided to go solo, transitioning more into the pop world and released her debut EP, "Heartbreak Season" which landed her a feature on GRAMMY.com and gained praise from publications like SPIN , Under The Radar , and The Big Takeover . "Heartbreak Season" focused on the exploration of romantic relationships and independence. HAPPIE's sound has been compared to the likes of alternative pop artists such as Maggie Rogers and Lana Del Rey , as well as emotional ballad singers like Adele and John Legend . Just in these past two years going solo, HAPPIE has managed to gain over 100k Spotify monthly listeners and over one million streams. Now taking things to the next level, we have HAPPIE's second EP, "Real Love" which features the heartfelt leading single dedicated to her father, "Shooting Star". Close Opening up the EP, we have "Close" the second single to come before the EP release. Have you ever heard the saying, "so close, yet so far away" ? The song "Close" is the embodiment of that saying, and is about being in a relationship with someone who could be physically right next to you but they are so emotionally disconnected that it's like they're not even there. All you want is for them to open up to you, and you find yourself hoping that one day something will click and you'll get that closeness you've been searching for with them - although, deep down you know that is very well might not happen. It's a very heartbreaking situation to go through, and is something many can relate to. Paired with ringing acoustic guitar and soulful background vocals, this minimalistic indie track is meant to pull at your heartstrings through it's emotional lyricism and dark harmonies. Real Love Next, we have the title track and final single release, "Real Love". Accompanied by a music video that features a dance choreographed and performed by the Hollywood Ballet , "Real Love" touches on the subject of how no relationship is perfect, but if you truly love each other, you can put your differences aside to make things work. It's like that old saying, "true love conquers all", HAPPIE sings, "if it's real love, then let's really love and let go" . Being in a relationship long-term is really hard; fights happen, but when you love someone, you'll do anything to make sure they're happy. "Real Love" has a really unique, diverse blend of worldly sounds. I hear hints of Latin, Middle-Eastern, and even Celtic tones throughout both the vocal style and the instrumentation. It's a haunting, but beautiful soundscape with respectful nods to many backgrounds. Easy "Easy" is a pure indie-pop track with heavy emphasis on gentle electric guitar and a little bit of a 60's pop/rock tone. "Easy" is about when you get into a relationship that is everything you've ever been looking for. It's effortless, and it feels right, but you're still a little bit on the cautious side of things in fear that at any moment that peace could just stop. HAPPIE sings to this partner, asking them if things could stay this easy forever, because they finally gave her something to believe in and she doesn't want it to end. "Easy" is a catchy song that has a radio-worthy soundscape and relatable lyrics. Shooting Star Released earlier this year as the leading single in anticipation for her EP, and as an early Father's Day gift, "Shooting Star" closes out the "Real Love" EP and is a tribute to HAPPIE's dad who acts a very important and inspirational figure within her life. You can tell when listening to this song how special the bond between HAPPIE and her father is. The emotion is so raw and cathartic; even if you personally don't have a relationship like this, you're able to feel the love emanating from this song within your own heart. The lyrics are a reminder that we don't have a lot of time on this Earth, so we need to enjoy it while we still can. Spend as much time with the one's you love while they are still here, because one day they won't be. "Shooting Star" focuses on a soft mixture of acoustic and electric guitar, mixed with gentle vocals by HAPPIE that make the song sound almost like a lullaby. HAPPIE is such a pure, natural artist that I am so glad to have had the honors of listening to on such a deep level. Her raw, vulnerable emotion that she puts within every detail of her songs, from the vocals to the lyrics, to the way she plays her guitar, is something very rare in music we have today. I love how each song has it's own unique style and story; there's nothing that sounds the same which is something else that makes HAPPIE such a stand-out artist. The ability to create music that connects with a wide range of people and not just a certain niche is an incredible talent to have, and that is what HAPPIE does and she does it effortlessly. If you enjoyed the "Real Love" EP, I highly suggest also listened to her other EP, "Heartbreak Season" and following her below to keep up on her journey to see what she does next! Written By Kaitlyn Nicole FOLLOW HAPPIE: Instagram | Facebook | Spotify | Website | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

In a world of heartbreak and trying times, there is simply nothing like a romantic love song. Lila Holler’s newest single “Not Mad” details the adorable story behind two young adults falling in love, and what it feels like to lose yourself in a romantic daydream. The soundscape is sparkling and whimsical, feeling like the first sunny day after a rainstorm. The track starts with an acoustic guitar and faint harmonica, and her voice is light, airy, and clear, all qualities that connect to the wholesome lyrics she sings. The first verse is simplistic, detailing the first day they met and how far they have come, and it quickly leans into the chorus, which has a soft drumbeat layered under harmonizing vocals. Holler’s lyrics are descriptive and adorable, giving the perspective of a young love. In her chorus, she sings, “The loss of my minds in full affect / It’s his eyes, his freckles, his clothes, and his accent / Hands in my hair, can’t get enough of it / Don’t remember falling this hard / But I’m not mad at it”, referencing the title of this track. She loves everything about him, down to the tiny little spots on his cheeks. She goes on to sing, “And he knows all about all the things I hate / Yeah he can calm me down he can keep me sane / I don’t think that I’ll ever be the same / Cause when he touches me it takes away my pain”. She repeats the line “No I'm not mad” multiple times in the last minute, solidifying her statement that she has fallen hard for this boy. Usually, the feelings are something to be wary of, but this time she allows herself to fall fully for him, not even being mad about the consequences. Currently living half in Liverpool, UK, and half in Charlotte, NC, Lila Holler has been creating music since she was 14. She was given a guitar that year, and the rest is history. Her music style blends pop and indie-folk, creating a light and airy vibe while depicting her current life events. Her music has grown up with her, showing growth and maturity. Influenced by artists like The Marias, Phoebe Bridgers, and FKA Twigs and a 2023 Interlochen Arts Academy graduate and Fine Arts Award recipient, Holler clearly has the accolades to support her beautiful work. Make sure to follow the social medias below to stay tuned for more music from Lila Holler. Written By Tessa Maddaloni FOLLOW LILA HOLLER: Instagram | Spotify  | TikTok  | YouTube

On colby!'s second single, "Gone To Bed," she proves herself to be an up-and-coming artist to watch out for. Following the success of her debut record "Don't Know What To Say," colby! is back with another dark pop smash. "Gone To Bed" is a piece of chill alt-pop with hints of R&B. It is moody, smooth, and undeniably catchy. Matching the track's dark sound, the lyrics explore an unstable relationship. The chorus surmises the sehigh highs and low lows; "You dropped off roses but then you went straight to bed." It's an intricate portrait of a rocky romance backed by a wonderfully emo instrumental and a powerful vocal performance from colby! Whether you're experiencing heartbreak or just in a mood for some good dark pop, "Gone To Bed" is a perfect listen. colby! has an innate talent for capturing a vibe in her music. She embodies the spirit of alt-pop with her songs' emotional resonance and rawness. Between its downbeat tempo with a to-die-for bassline and colby!'s delicate singing, the track generates a strong sense of moody dark atmosphere. It's hard not to feel everything colby! is while listening. Even more so because colby! writes about such universal topics. A relationship with lacking communication is a situation unfortunately far too common, and the songwriter captures that universal frustration perfectly; "all of the words were blank we had to fill in, you would have told me if I hadn't gone to bed," is a feeling we all know too well. Fans of artists like Billie Eilish or Halsey would find lots to love in "Gone To Bed." Simply put, "Gone To Bed" is an elite sad-girl anthem. colby! gave us a chilly alt-pop song perfect as autumn approaches. At only 14 years old, colby! is already an exceptionally polished artist whose talent and success are only bound to go up. From Fort Worth, Texas, colby! always found solace in the arts from growing up with severe dyslexia. Co-writing and releasing music with her brother, RJ Johnson, colby! now has two officially released songs under her belt, with plenty more planned to come. Her first single, "Don't Know What To Say," made an immediate impact, garnering over 36,000 Spotify downloads and landing on playlists like Spotify's "Local Pulse" and Apple Music's "New In Alternative." Within the week of its release, "Gone To Bed" has already seen similar success with over 12,000 Spotify downloads and 4,000 views on YouTube. Audiences are already finding much to connect with in colby!, and when listening to her music, it is easy to see why; her distinct sound and relatable lyrics are undeniable, and it will be exciting to see where she goes next. "Gone to Bed," is now available on all streaming platforms. Written By Lauren Nolan FOLLOW COLBY! : Instagram   | Spotify  | TikTok  | Tidal  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Emily Fields' latest track, Love Bomb , is the quintessential summer ditty to let your hair down too as you soak in the last few sunny days before fall arrives. Emily conveys a "blast of confidence" through her emotionally charged, energetic lyrics; parallelled by such lines as, "How'd you get me under your spell? So addicted to your heaven and hell, went from 0 to 100 so well" and "I'm due a little f*****g respect" – painting the picture of someone who is lovestruck but also well aware of their own self-worth. Fields cites Taylor Swift, Tina Turner, Celine Dion, and Whitney Houston as major influences on her evolving sound – and those influences surely shine through as you listen to her booming vocals. As Emily puts it, Love Bomb is meant to be a song "you can dance to, sing to, and just feel good about, even if you're going through it right now". Love Bomb opens with a plucky synth arpeggio sequence, layered with a fat synth bassline. Emily flexes her dynamic, and at times theatrical (in the best way), vocal delivery in the song's pre-chorus. The track's instrumentation fills out during the hook with synth pads and distant, percussive claps. After the first hook, the arrangement repeats with another verse, pre-chorus, and infectious hook. There is an artistic bridge with a groovy, choppy piano layer that leads into Love Bomb 's final chorus – eloquently putting a metaphorical cherry on top of this already supremely delicious auditory treat. London-based indie pop artist, Emily Fields, whose emotive vocal talents stem from being "always in her feels". After releasing her debut single back in November 2022, a transparency-laden ballad about being cheated on, she took off on a quick ascent up the music boards. The tracked reached #21 on the iTunes pop chart, leading to Emily having her discography featured on Love Island All Stars, BBC Introducing, and a bevy of music publications (most importantly Pop Passion, of course). Love Bomb is now available on all major streaming platforms, including Spotify, Apple Music, and YouTube – so make sure to go and give a couple listens before it totally blows up and goes mainstream. Written By Dan Caddigan FOLLOW EMILY FIELDS: Instagram   | Spotify  | TikTok  | Bandcamp  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator