“Complicate This” by Rainbow City Park begs to take a relationship in the direction of romance through moments of vulnerability and intimate intensity. This song captures that feeling when you’re so close to getting together with someone, but you’ve got that lingering fear that you’ve misread the signs. The song begins by laying the speaker’s hesitancy on the line, fearing a lack of reciprocation, and quickly squashes those doubts through the lyrics, “I see red flushing your cheeks and it’s no question to me”. From the very first verse, the lyrics had me rooting for the couple, inspiring excitement in my chest. Shifting to a feeling of certainty, the pre-chorus asks the question, “who’s gonna be the first one to make a move?” These words take listeners into the intensity of the moment as these people sit in their attraction to one another. The title of the song is an invitation through the chorus, and brings complication into a positive light. These words tell listeners that yes, romance is more complex, but it’s definitely worth giving it a go. As an inspiring dive into romance, “Complicate This” will captivate you as it embraces the possibility of making a friendship something more. The sound of this song builds, like the emotions in the lyrics are rising higher through the tune. Reverberating guitar opens the song with a dramatic and emboldening sound that is sure to capture your attention. Dani Judith’s soft and entrancing vocals delve into the lyrics, bringing a storytelling quality to the verse. Throughout the song, the lyrics are delivered with a love-struck feeling that captures the floaty energy of leaning into a connection. Gaining a soothing excitement, the vocals work slowly through the questions through the pre-chorus, prolonging the intensity of the want that is buzzing through the words. Listeners float into those ‘I like you’ jitters as the sound takes on the longing energy of the lyrics. As strong, layered acoustic and electric guitar riffs pair with powerful drums, “Complicate This” embodies the dreamy feeling of a 90’s rock love song. The guitar grows even bolder with its beautiful riff through the chorus, the vocals gain a dreamy quality. Dani’s voice becomes fuller through the bridge, emboldening the honesty and vulnerability of the lyrics. The tune moves on to an incredible guitar interlude that captures the escalating emotions of the song’s meaning. An incredible example of Rainbow City Park’s guitar-fuelled and romantic sound, “Complicate This” is perfect for fans of boygenius and The 1975. Rainbow City Park is a California-based indie pop-rock band that blends 90’s alt-rock with dream pop in their exciting sound. The band is made up of Dani Judith on lead vocals and guitar, Chris O’Keefe on guitar, Ryan Williams on drums, and Nick Nassab with guitar and vocals. The band formed in 2022, and have since toured Northern California and supported artists like Japanese Breakfast and The National Parks at the Farm-to-Fork Festival . They have many upcoming shows across California, with information available on their website . Check out the links below to keep up with their music. Written By Hanna Kowal FOLLOW RAINBOW CITY PARK: Instagram | Spotify  | Facebook  | YouTube

With immense poetics and an intoxicating expression of art, Alas de Liona’s new release “Vine Song” takes an introspective trip of love and vulnerability. From the very start, the lyrics entrance listeners with a sacred level of imagery. “A vine tendrils on your face” brings our perspective into the eyes of the speaker, beautifying this person through the caress of nature’s touch. Furthering a feeling of adoring connection, the lyrics say “my dreams compress me with your atmosphere”. From the cosmic language of attraction to delves into the actions of the speaker’s unconscious mind, these words place the relationship on a higher plane of existence. Beyond the beautification of one connection, the lyrics show the speaker’s deep need for togetherness, saying “I hold onto the ghost of anyone”. Taking these words into their minds, listeners are brought to think about what people mean to them. With a divine sensation of love and connection, this song will take you into another realm through its ethereal imagery and poetic lyrics. Combining an introspective and resonant sound like AURORA, and a special sentiment of Alas de Liona’s own, “Vine Song” is the type of track you listen to while lying down with your eyes closed so you can appreciate every moment. Descending synth chords and a hollow percussion eases listeners into the otherworldly energy of the song. The instrumentals are very quiet as Alas’s hauntingly atmospheric vocals begin, reaching a high and soothing pitch that lulls your ears into a state of calm fascination. With an entrancing and holy sound, the vocals transfix you and take time with the lyrics, allowing listeners to bask in the meaning. A pattern of notes repeats as the vocals get lower before the chorus, conveying the vulnerability of the lyrics. The pattern continues as Alas’s voice climbs back to its soothing high, creating a cerebral sense of introspection. As you listen to this song, time slows and the building power seeps into your body, floating in the natural and historic imagery. Feelings of reaching out and rising higher emerge through “Vine Song”, making it the perfect track to listen to when you want to sit in contemplation. Alas de Liona is an Edinburgh-based singer and songwriter from the California desert. In 2021, she released a truly unique EP called “Radio Astronomy” which gave lullabies a cosmic twist, and resulted in praise from platforms including BBC Radio Scotland , BBC Introducing , Amazing Radio , and Indie Music Center . She has performed at venues and events like Celtic Connections and the Hidden Door Festival in Edinburgh. September brought the release of “Gravity of Gold”, Alas’s 11-song album that brings her indie pop-rock style into realms of lyrical introspection. Check out the links below to keep up with her music! Written By Hanna Kowal FOLLOW ALAS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Coming in hot as a steamy morning pick-me-up, Hannah Duckworth’s new song “Caffeine” uses its title as a metaphor for the way a relationship feels. For some people, being a whole and functioning human is entirely dependent on their morning and afternoon and evening cup of coffee. We become addicted to the routine of letting it lift us through every day life. For the speaker of this song, it’s their partner that keeps them going. The lyrics “to get through the day I need you running through my veins” give that visceral idea that the speaker’s partner lives in their body, reaching every living part of them. In the chorus, the lyrics show just how unique the connection is, saying “you’re the only thing that makes me feel this rush”. An addictive excitement comes through the message that the love “Caffeine” describes is a vice the speaker will never quit. Intimate and invigorating dependency pulses through the relationship in this song, leaving listeners lifted by the jolt of caffeinated romance. With instrumentals and vocals keeping a fast-paced feel throughout, “Caffeine” infuses its sound with a whirlwind of energy pulsing through the lyrics. Guitar acts as a cool and steady background to the frantically expressive vocals that emulate a caffeinated urgency through the verses. Percussion keeps the song progressing, speeding up with the rapid lyrics. Rounded vocals and louder guitar amp up the sound in the chorus, with Hannah’s vocalizing and the grungy instrumentals bringing a pop-rock energy. In the middle of the chorus, the frazzled quickness of the words slows down to a pulsing emphasis on each syllable, along with punchy guitar emphasizing every word, before racing back to that invigorating speed. Listeners will love the stimulating feeling that comes from this souped-up serenade. Hannah Duckworth is a singer and songwriter from Seattle who blends rock, pop-punk, and emo genres in her sound. With a guitar-heavy style and an enthralling style, Hannah’s music is ideal for listeners who want their songs to make them feel alive. Fans of Paramore and early Avril Lavigne will find her songs fit seamlessly into their powerful playlists. She recently toured her music with shows in the US and Canada, and regularly plays at various venues, soon to appear at Neumos in Seattle with MELT. With an upcoming EP and various live performances, keep an eye out for Hannah’s new music and shows by checking out the links below. Written By Hanna Kowal FOLLOW HANNAH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Rage, devastation, and honesty flood listener’s ears in Emma Teufel’s new release, “Parking Lot”. The song is a message to a person who strung the speaker along, teetering on that tricky line between friend and relationship by offering misleading actions and words. It’s a disillusioning feeling when someone you thought was interested in you ended up being greedily deceiving. This song stands in solidarity of all the people who put effort, time, emotion, and dedication into a person only to be wrong about their true intentions. The lyrics amplify the greed that led to betrayal, saying “you were climbing high, you wanted more, you craved the rush of winning wars”. Portraying the idea that the speaker was merely collateral damage in the person’s pursuit of success, these words hit like a gut punch. The chorus repeats “I tried, for what?” A question like this fuels listeners with the devastation that comes from wasting your time and emotional dedication only to be left feeling used. With vocals that explore a beautiful range of sound and expression, and an acoustic instrumental vibe that brings a light and entrancing feel to the song, “Parking Lot” is an expressive track that keeps you listening on the edge of your seat. Emma’s expressive voice moves from a softer, vulnerable sound to gliding through passionate high notes, then onto a rage-fuelled gravelly projection. Gentle guitar opens the song along with the vocals, before a light and glowing note repeats, like a percussive twinkle through the song. As the lyrics flood the vocals with a reflective anger, drums add force to the emotion. In the chorus, Emma’s voice soars melismatically through her emotional statements, bringing in a high note for the question, “for what?” The song breaks through its glowy and mellow background, and gaining a grungy and electronic force at the end of the song, the instrumentals give power to the accusation in the questioning lyrics. Emma Tuefel is an American musician who grew up engaging with creativity in many ways. At the age of 15, she wrote, directed, and produced an original short film. In high school, she explored fashion design, which seemed to gravitate towards the musical side of fashion. For Emma, music wasn’t always the clear-cut path or goal she dreamed of, but it always held a special presence. With some maternal encouragement, Emma pursued vocal training and fell in love with writing and performing music. At the heart of her craft is love and connection, and you can genuinely feel that passion in her music. Click on the links below to keep up to date with Emma! Written By Hanna Kowal FOLLOW EMMA: Instagram | Spotify  | TikTok  | YouTube

Taking listeners on a journey of empowerment, PLAYHOUSE and noelle’s new song “Jealous” looks at the negatives that can come from a breakup and decides against embracing them. The verses express the speaker’s mourning, because no matter what you do, heartbreak hurts. The words “every time that my phone rings, catch myself tryna catch my breath” communicate such a relatable post-breakup feeling. Listeners can resonate with the sensation of hanging onto the possibility that their new ex may reach out, and this demonstration of how it physically manifests feels all too true. The pre-chorus takes the truths of a breakup and aligns them with a healthy consolation: “I don’t wanna love you if you wouldn’t love back”. This powerful statement encourages listeners to place their focus on healing, with the understanding that unreciprocated love is not better than the end of a relationship. With a chorus that shows why a clean break is the way to go, the lyrics motivate listeners to escape jealousy and not maintain a connection merely for the sake of memories. Bright electronic instrumentals, the snappiest percussion, and noelle’s sleek pop vocals bring a comforting energy to “Jealous”. The song opens on a peppy pattern of notes before fading out for noelle’s confident and narrative vocals and rhythmic percussion like snapping fingers takes listeners through the verse. Playing around with the melody, the vocals stretch the syllable of the word “I”, adding a fun texture to an emboldening personal message. The vocals get louder, caressing high notes as the percussion picks up and chords match the notes of the melody adding emphasis to the beginning of each line. The very same fun note pattern from the song’s opening has an interlude after the chorus before the second verse comes in with a bright and motivating feel. The exciting and resolutely  optimistic sound of “Jealous” will make you feel the lyrics’ meaning as it lifts you up. PLAYHOUSE is a duo, Max and Plummer, who bring together guitar and keyboard talents in their new journey into the musical scene. This pair truly makes music a priority, passing over on athletic scholarships to focus on their music. They create engaging content on their social media, so be sure to give them a follow. noelle is a Canadian singer and songwriter who has worked with writers and producers like Mike Wise, Geoff Warburton, and Phil Cook, to create truly impactful music. Her music rose high in the public eye after her bedroom music covers reached upwards of 90 000 Youtube subscribers. She has collaborated with artists like Lix and Seby , and continues to make music. This collaboration between PLAYHOUSE and noelle gives listeners a chance to enjoy a truly enlivening sound! Check out the links below to keep up with the artists! Written By Hanna Kowal FOLLOW PLAYHOUSE: Instagram | Spotify  | TikTok FOLLOW NOELLE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube

It's no secret that disco has been making a massive comeback in the past few years. From Dua Lipa to The Weeknd, today's artists have been drawing inspiration from the retro era that ruled the 70s, bringing a modern twist to the groovy instrumentals of the past. To give you a taste of this disco renaissance, here are some of the Modern Pop Songs Inspired By Disco. 1. Dua Lipa - "Don't Start Now" A huge milestone for the artist's career, Dua Lipa's "Don't Start Now" was an impressive hit in 2019 and is considered the beginning of the 2020 disco revival. The infectious track is a compelling mix of pop and nu-disco, receiving praise from critics for its use of 80s and disco inspired instrumentals. Bringing the retro stylistic choices back to the forefront of modern music, "Don't Start Now" features a delicious combination of funky bass lines, shimmering synths, and disco's characteristic four-on-the-floor beats. 2. Nothing But Thieves - "Do You Love Me Yet?" Coming from their 2023 album Dead Club City , Nothing But Thieves' "Do You Love Me Yet?" channels the 70s and 80s with a mix of pop-rock and disco. The track features driving, pulsing synth lines reminiscent of Foreigner's "Urgent," and draws inspiration from the four-on-the-floor rhythms characteristic of the disco era. Showing the moodier side of the genre, "Do You Love Me Yet?" takes a hard look at the music industry and tackles some of the issues that come with obtaining fame. 3. Stela Cole - "Blood Orange Wine" Exploring the darker side of disco-inspired pop, Stela Cole's "Blood Orange Wine" is bittersweet as the artist explores heartache over an infectious, moody soundscape. The track's sound is timeless, channeling a retro vibe with a modern twist that falls somewhere between Fleetwood Mac and Lana Del Rey. Keeping in line with disco's recent revival, "Blood Orange Wine" borrows elements from the 70s music style, featuring a classic four-on-the-floor beat, mysterious synths, and groovy bass lines that make the track unforgettable. 4. Cat Janice - "Dance You Outta My Head" A viral sensation from earlier this year, Cat Janice's "Dance You Outta My Head" is another great example of disco being alive and well in the 2020s. The track is clearly inspired by the vintage 70s era, featuring funky bass lines, infectious four-on-the-floor beats, and nostalgic synths. "Dance You Outta My Head" was dedicated to Janice's son as she battled an aggressive form of cancer and serves as a lasting legacy for the late artist. 5. Doja Cat - "Say So" A viral TikTok hit from 2020, Doja Cat's "Say So" breathes new life into a classic 70s sound with its nostalgic instrumentals. The track is a fusion of funk, pop-rap, and disco, creating a fresh vibe for pop enthusiasts to groove to. Complimenting the song's vintage feel, the music video for "Say So" directed by Hannah Lux Davis has received praise for matching the track's 70s retro aesthetic. 6. Harry Styles - "Adore You" Coming from his sophomore studio album, Fine Line , Harry Styles' "Adore You" is another prime example of a modern artist borrowing elements from the disco era. The hit track was released in 2019 as the album's second single, featuring an intoxicating mix of layered instrumentals that include guitars, brass, percussion, and synths. A fresh combination of many genres, "Adore You" is often described as a blend of midtempo pop, funk, psychedelic pop, disco, and pop-rock. 7. Sam Smith - "I Feel Love" Originally a 1977 hit by Donna Summer, Sam Smith released their cover of "I Feel Love" in November of 2019. Smith described the track as a queer anthem and planned to include it on their third studio album, Love Goes , but later removed it due to the album's delayed release. The artist stayed to true to Summer's recording, only adding a slight modern flair to the disco/synth-pop chart topper. 8. Sabrina Carpenter - "Espresso" Love it or hate it, Sabrina Carpenter's "Espresso" is one of the biggest songs of 2024. The track is a blend of pop, disco, funk, and synth-pop, becoming an award-winning combination for the singer as "Espresso" has won Song of the Year at the MTV Video Music Awards and Favorite Viral Song at the Nickelodeon Kids' Choice Awards. 9. The Weeknd - "I Feel It Coming (ft. Daft Punk)" No stranger to nostalgic influences, The Weeknd channels the essence of disco in his song "I Feel It Coming (ft. Daft Punk)." The track comes off his third studio album, Starboy , blending elements of disco-pop and funk to get the masterpiece we know and love today. Aside from The Weeknd's Michael Jackson-esque vocals, "I Feel It Coming (ft. Daft Punk)" features an infectious combination of funky bass lines, dazzling synths, and disco-inspired beats that give the track a timeless feel. Do you have any favorite disco-inspired pop songs? Let us know on our socials! Written By Cheyenne Johnson Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Ashley Barksdale’s song “Redemption” embraces self-love and reflects on a relationship that is, fortunately, over. Sometimes it does take being in a less-than-ideal situation to learn how you deserve to be treated, and this song lays the truths the speaker has learned from their experiences out on the table. The lyrics say, “love’s one of a kind, mine shouldn’t be a sacrifice”, demonstrating an important lesson learned, that if a relationship takes from you more than it gives, it is bad for you. There isn’t any regret in the words, rather they preach growth and self-worth. The chorus says “I see you in my memories, reminding me how good it feels to be on my own”. Instead of telling the speaker’s ex that they were a mistake, the lyrics take on a clever humility, using words of personal feeling and reflection. No time is wasted on hate as “Redemption” is truly all about building yourself up. Embodying the glorious feeling of post-breakup independence, “Redemption” is filled with musical confidence and swagger. Groovy synth instrumentals and high, smooth vocals enliven this cool and inspiring song. Nostalgia pulses through the twangy synth bass throughout the track, along with percussion that gives the sound a dancey feel. Ashley’s voice is distinctly pop, like Madonna meets Dua Lipa. Some of the background vocals even reach Ariana Grande territory, bringing in a feminine echo. High synth scales make exciting patterns through the song, leaning into the funk of the instrumentals.   Ashley Barksdale is a Brooklyn-based singer and songwriter with an exciting funk-pop style and a storytelling lyricism. She blends nostalgic instrumentals with her expressly pop voice and creates a unique sound of her own. Her second single, “C67-C2RZ”, reached nearly 18 000 streams on Spotify. She has collaborated with other artists like J.R. King on the song "LOVERS DON'T SAY GOODBYE". With a cool and exciting pop sound, fans of Ava Max and Katy Perry will love Ashley’s music. Check out the links below to listen to her music and observe her iconic sunglasses and suit style that captures the confidence of her music. Written By Hanna Kowal FOLLOW ASHLEY: Instagram   | Spotify  | TikTok  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

PITRE's newly released "Middle Class Daydream" is a refreshingly nostalgic track with a strong hook that transports us back to simpler times of young hustle and innocent dreams. Painting a picture of himself as "just a little punk kid beating on a snare", PITRE gives the listener an authentic glimpse into a childhood of pure, unadulterated passion and the shameless pursuit of it. He recounts on the humorous irony of the suburban kid with "white kicks" and "shaggy hair" with big aspirations, not knowing any better but also continuing to hope in spite of reality. That said, PITRE's song delves into a sentiment that we can all relate to at some point in our early days: freedom found through doing the things we love. PITRES's "Middle Class Daydream" embodies our shared yearning for fame, success, comfortability, and happiness through its idealistic and light-heartedly optimistic lyrics and production. Through that innocent, yet burning desire to go where the grass is greener, the kid that lives inside of us eagerly hopes of one day living the daydream. "Middle Class Daydream" is a masterfully composed track that offers so much to the genre with its feel-good freshness. The opening instrumental is just soft and compelling enough to put the listener into a state of familiar nostalgia, adding to the mellow mood. PITRE serenades the audience with his smooth, passionate vocals, not only switching into his falsetto with beautiful ease but also growing the song with an emotional intensity he brings in to create a climactic effect. The background percussion that ebbs throughout the instrumental surges into the chorus, complimenting the addictively hard-hitting hook. PITRE's soft chords and relatable lyrics transform the track into one of sentimentality and recollection as we listen alongside PITRE's trip down memory lane. Bringing his native New Orleanian swagger into the pop genre, PITRE has hopped on the train to making a name for himself as a talented musician! With a distinct, self-proclaimed "R&P", rhythm and punk, sound, PITRE has steadily gained fans from all over who have fallen in love with his uniquely charming delivery. In addition to catchy melodies like "Middle Class Daydream", PITRE's "Count on Me" has done wonders across platforms with over 200k streams on Spotify! Continuing to gain popularity throughout his music career, PITRE has established a brand built on his genuineness and fans can't wait to see what he releases next! Stay tuned and follow the socials below! Written By Pejah Carr FOLLOW PITRE: Instagram | Spotify  | Facebook  | YouTube

Pop Superstar, Conan Gray has been on tour for his latest album released earlier this year, “Found Heaven”. Heavily inspired by the 80’s and iconic artists like David Bowie , Michael Jackson , and Queen , the sound and aesthetic of the “Found Heaven” era was one that I knew I couldn’t miss; especially since Conan has been one of my favorite artists for a few years now and I’ve never gotten to see him live; AND the special guest for the United States leg of the tour was another one of my top favorite artists, Maisie Peters . Being in Pittsburgh, Pennsylvania (where not a lot of artists seem to go now-a-days?!) the closest show to me was 4 and a half hours away from me in Philadelphia. I knew getting to see two of my favorite people at the same time like this was a once in a life time opportunity, and so I took it. On October 1st, 2024, I went to The Highmark Skyline Stage at The Mann Center on the outskirts of Philadelphia and Found Heaven. I took my fiancé with me and we traveled the day before and stayed at a hotel so we could get to the venue early since it was a general admission show. We showed up 4 hours early, and we were given bracelets to save our spots in line ( we were number 260 and 261 out of the sold out show of 7,500 people). We were able to buy merch early and we sat for 4 hours waiting for gates to open. We managed to make it decently close to the stage, but as a very short person I unfortunately never get the best view. Shout out to all my fellow shorties out there. I just look in between people’s heads whenever I can, and luckily there were screens. Maisie Peters came out, and played an impressive 11-song opening set. I saw her last year on her “The Good Witch” Tour , and just in one year I can tell that she has gained so much confidence in herself as a performer. Not only was her stage presence phenomenal, but vocals were better than I’ve ever heard them before. She totally rocked that stage like it was her own. There were moments that I felt so lucky to witness, like being there during “The Band and I” when she sings “In Philadelphia, it was crystal clear we are the best damn band that’s ever played right here” and it actually being in Philadelphia. Also, during “There It Goes” (which is my favorite song) we got to sing the lyric “I wake up and it’s October” with her on the first of October, which was very special to me as a Maisie fan. After Maisie finished her set, they dropped a ginormous black flag down which cover the entirety of the stage with the Found Heaven symbol on it. We waited for a while before out of no where, the intro to “Found Heaven” began to play, lights began to flash, and smoke began to fill the air; and just like that, the giant flag dropped to the ground and Conan Gray was raised on a platform as the song transitioned to “Fainted Love”. When I tell you I’ve never heard a sea of girls scream so loud in my life… I mean it - and I’ve been to Taylor Swift and One Direction concerts with crowds that were 10 times bigger. For this show, he wore a shining silver leather vest and pants, with the words “Found Heaven” painted like graffiti on the back. I loved how he had a lot of fan favorites on his set list, and a great big variety from all three of his albums, not just “Found Heaven” (although he did leave out the tracks “Miss You” and “Forever With Me” which would’ve been so good live and I was sad). But it’s okay, because he played some serious deep cuts like “Family Line”, “The Story”, and “The Cut That Always Bleeds” which he used to perfectly transition into “Jigsaw” turning the show into a full blown rock concert. There were so many moments where you felt like you were really at a concert in the 80’s, with all the bright neon lights and Conan’s iconic hair and fun dance moves. Songs like “Never Ending Song”, “Lonely Dancers”, “Eye of the Night”, “Boys and Girls”, and of course we can’t forget “Bourgeoiseses”, made the night nostalgic and danceable. Then there were moments where things were more emotional and crowd connecting; when Conan grabbed his guitar and played more of his softer music like “The Story”, “Astronomy”, and his viral song “Heather”. During Conan’s acoustic moment in the concert, something crazy happened and we were the city that was so lucky to be chosen for this. Conan decided he was going to premier a brand new, never heard before song for us, which is planned to releases in just a few weeks. Everyone prepared themselves, and went quiet so we could listen to this new song, except for one person who unfortunately ruined the moment for us all by crying as loudly as she possibly could for the entire song. Anyone else who was there at this concert will know what I was talking about, and I’m so sorry to everyone whose videos of the new song also got ruined by this girls’ unnecessary wailing and hollering. Conan played more of his hit songs during the duration of his concert, like “People Watching”, “Memories”, and “Maniac”, but once it was time for the show to come to an end, his final song was none other than “Alley Rose” which is what he considers to be his best song and his personal favorite of his own. After going through one of the best bridges of all time, Conan hits his belting note and thousands of Found Heaven shaped confetti pieces shoot into the air. It was a cathartic way to end the show. Conan Gray is one of the best songwriters within our current generation of pop music. Not only that, but he has a voice most singers wish they had. He’s got an infectious personality that draws people to him, and he performs one heck of a show. Found Heaven on Tour is an incredible concert with a perfectly crafted setlist for true Conan Gray fans who really know him and connect to him and his music. I’ve been to a lot of concerts, and concerts with crowds almost 10 times bigger, and I’ve never heard people sing so loud in my life. Honestly, the crowd was singing so loud at times that I could barely hear Conan himself. I won’t lie, there were some concert etiquette issues and I do feel Conan deserves a lot better respect from some of his fans (especially the younger teenage generation). I think Conan enjoys hearing his fans sing back to him or else he wouldn’t hold his mic out to the crowd so much, but there’s a time to scream your head off and a time to be calm and listen. I also think liking an artist for how they look instead of what their music is about is extremely wrong, which is another thing I became aware of being surrounded by high schoolers. Conan Gray is an artist for the kids out there who don’t have proper parents, for the kids out there who feel alone, or like it’s not possible for them to be loved. I usually like to keep my reviews as positive as possible, but I felt this was an issue than needed to be addressed. Please be aware of your surroundings when you’re at a concert, and think about how your behaviors are effecting other people. Thank you so much for reading my review. Despite the people attending the concert, Conan Gray himself is absolutely amazing and his show is out of this world. He has worked so hard to make this tour a legendary experience, and I do recommend going if you have the chance to! CLICK HERE TO READ MY TRACK-BY-TRACK "FOUND HEAVEN" ALBUM REVIEW! Written By Kaitlyn Nicole Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Being a romantic when a person is right for you can be a beautiful thing, but carrying that romanticism across a series of wrongs is a whole different story. Tess Clare’s single “Not Here for You” empowers listeners to save their energy and devotion for themselves. The song evaluates the romances that the speaker has, showing how exploring meaningless connections no longer makes her feel anything, and saying “I’m numb for the first time”. The truth is when you have to try to convince yourself that a relationship is special or magical, it’s likely more effort than you can sustain. Highlighting the tendency people have to project feelings onto something that isn’t that strong, the song says “I fantasize, romanticize, lie to myself in my bed.” It’s a relatable image that many of us have experienced ourselves, lying in bed and making up ideas about a person we are trying things out with. The song takes a step back from the fantasy, and shares an empowering message of moving forward and moving on. Glowing electronic note patterns and uplifting percussion open the song before Tess’s low and feminine vocals begin. Her voice is matter-of-fact, like a calm narration of the truth. The vocals pick up speed through the pre-chorus, before vocalizing lifts the tune even higher into the chorus. With a comforting and dream-like sound, the high vocals and twinkling instrumentals hit the ear like you’re floating. The liberating feeling that comes from the words is embodied by the vocals in the chorus. Layers of singing close the song, folding rounds of lyrics with varying pitches over each other along with ethereal vocalizing. “Not Here for You” is a song for moving on if there ever was one, with honest lyrics and an unfettered sound. Tess Clare is an LA-based independent artist whose music touches listeners with its deeply personal lyricism and powerful sound. With strong meanings and catchy tunes behind her music, Tess’s songs have been placed on several editorial playlists like Grammy’s “2024 Pride Month” Playlist, Apple Music’s “New in Alternative” playlist and several Spotify playlists including “Indie Pop” and “Fresh Finds”. The musician has two EPs and several singles in her discography as she continues to put out emotionally vulnerable and exciting music. She has collaborated with other artists including Golddub , and regularly performs live shows with her band, recently performing at Music Midtown . Keep an ear out for a larger upcoming release by checking out the links below! Written By Hanna Kowal FOLLOW TESS: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

In a relationship where one person is giving too much, and the other not enough, it could feel like you’re both on two different planets. These two planets being so far away from each other, it creates a space (a divide) between the two that leaves enough room for heartbreak. “Space” by Sophia Angeles explores the complications of space in a relationship, and creatively compares those experiences to the astrological and the scientific phenomenon of outer space.   The opening lyric “A horoscope told me that you’d leave me lonely/ ‘Cause our signs they weren’t a match” uses astrology to explain why her relationship didn’t work out the way she wanted it to. Astrology can be used to explain personality and behavioral traits and some people like to use star-signs as a factor to determine if a relationship will work out.  When the stars align, everything happening in that moment seems like it is exactly the way it should be. This relationship seems like it was star-crossed, doomed from the start. “I’d give you the world if you gave me a chance/ But it feels like you’re just out of touch” is the other person not reciprocating the same amount of interest as Sophia. The lyric explains how she feels, and if given a real chance she would prove how much she’s willing to do for love. The chorus “You say you need space/ But I wanna be close to you” sums up the tone of the song. We’re navigating her feelings of being on the receiving end of the forced distance, and not the one asking for it. “Cause you’ve got my heart in your hands/ And I can’t make you love me the way that I’ve always loved you” is a lyric that shows the other person has the power. Sharing your heart makes you vulnerable and when you’re putting it in someone else's hands it shows that you really trust them. Sophia is willing to give them space and put up a front that she’s ok when in reality that is the furthest thing from the truth. She’s compliant because maybe they’ll come around and the space will make the relationship stronger. “Sometimes I feel like I’m Pluto/ ‘Cause you act like I’m not important to you” reflects on her insecurities. Pluto isn’t a planet, and a lot of people deem it pointless. They never pay attention to it, so by comparing herself to Pluto she’s saying she feels insignificant and undervalued. “Jupiter, Saturn, I’m stuck in a pattern/ I always gravitate to you” shows that regardless of how she feels, she’ll always go back to them. The closer you are the more you are pulled towards each other, so even though there’s space between them that's not stopping her from always being pulled in their direction.  The opening of “Space” is ethereal. Produced by Adam Turley, “Space” by Sophia Angeles is about a relationship where one person is giving more love and the other wants to throw it away. Space in this context could mean many things like physically being too far away, wanting distance or alone time, and the universe’s space. The theme of the song is like any traditional heartbreak song, but the details and metaphors make it more unique. The production was very thought out. This song has the perfect balance of instrumentals and beats that give off the right energy. While listening and absorbing the lyrics, I almost imagined myself floating in space. Sophia’s soft and smooth voice really contributed to the overall mood of the song. You can hear her hurt and understand how she feels when she sings without changing the pitch of her voice. Sophia Angeles is a rising pop singer based in Nashville, Tennessee. She released her debut single “Interested” in 2018 and has been releasing music ever since. Now she has over seventeen thousand monthly listeners on Spotify, with her single “Miss You More” gaining over four-million streams. “Miss You More” also debuted on Spotify’s editorial playlists “Fresh Finds” and “Poptronix”. Sophia finds inspiration from artists like Selena Gomez and Julia Michaels. Her music blends conversational lyrics with catchy pop melodies. Check out “Space” and give it a listen!  Written By Alexa LaMalfa FOLLOW SOPHIA ANGELES: Instagram | Spotify  | TikTok  | Facebook  | YouTube

If you’re searching for a song that makes you feel good about being human, embracing the good and bad that comes with it, look no further than Ella Eliza’s new song “Heaven is Magnetic”. This pop anthem takes on the imperfect journey of life, embodying an empowering perspective of grounding yourself in the present. Golden nuggets of wisdom are dispersed throughout the song like the truth that “there’s a beauty to just letting things unfold”. In drawing out the reality that we do not control what happens, this song frees its listeners from the bounds of dissatisfaction. The chorus starts with the mantra “the more I stay in the moment, the more I feel like I own it”, embodying a carpe diem attitude with a catchy and resonant turn of phrase. Winding words of inspiration with ideas like “you gotta give something before you take, and embrace all of the mess you made” conveys the humbling message that we all have flaws and that’s the beauty of being human. In a time of overthinking and feelings of dissatisfaction, “Heaven is Magnetic” tells listeners that they can be happy just existing. Combining fun, upbeat percussion, resonant piano, and Ella’s exciting pop vocals, this song has an encouraging and exciting sound. Through the verse, the feminine vocals are deep and emotional, allowing the wisdom of the lyrics to come through. The chorus lifts you up with cool and catchy guitar accompanying Ella’s high and invigorating vocals. Background vocals add dimension through the second verse and on. A fast and electric pace comes through the bridge, forcing a uniformity into the tune that emulates the lyrics “we’re all the same”. The music cuts out for a moment as Ella’s voice recites lyrics like poetry, adding a grounding moment for listeners to truly consider the important message she speaks. Electric background instrumentals pick up for the final chorus, giving it a synthpop power as uplifting as its message. Ella Eliza is a West London-based alternative pop artist from Germany. With almost 20 000 monthly listeners on Spotify, and praise from several platforms and music-lovers including Gemma Bradley from BBC Radio 1 . On top of being a singer and songwriter, Ella is a music producer, and produced her debut EP “INTROSPECTION”. The artist has several sold out headline shows under her belt at London spots like The Grace and Notting Hill Arts Club. Using her music to explore themes of empowerment, identity, and spirituality, Ella’s songs resonate with so many listeners who share her experiences. She is a member of Loud LDN , a group of artists who embrace diversity in the music industry. The music video for her recent single “Life Without Me” was directed by the award-winning filmmaker Frankie Joe Gommon , amplifying the song’s personal message of identity. Check out the links below to find out more about Ella! Written By Hanna Kowal FOLLOW ELLA: Instagram | Spotify  | TikTok  | Facebook  | YouTube