“Dancing On Dynamite” perfectly encapsulates the powerful rollercoaster of emotions that love can take you through. The latest single by Boy In Space talks about two people who are clearly in love, but as much as they tried, couldn’t make their relationship work. You would think that this would make for an incredibly sad breakup song, but Boy in Space’s deeply emotional lyricism paints a different picture. The lyrics, “We were beautiful, so delusional // Said we’d try until do or die // It was chemical, inevitable // We were dancing on dynamite,” reflect the journey of two people who parted ways knowing they gave it everything they had. Sometimes, as much as love can hurt, it’s worth the risk, and that’s what comes across with this song. “Dancing On Dynamite” is quintessential Boy In Space with a subtle country touch. The song is very heartfelt, starting off with an acoustic guitar that’s met with the artist’s piercing angelic tone that adds an extra layer of sentimentality. While Boy In Space experiments with some fun Western percussion sounds on this track, we still hear plenty of that upbeat pop flare that he’s become known for once the drums kick during the pre-chorus. The change in the song’s intensity also matches the impassioned story that Boy In Space tells, allowing the listener to experience an array of emotions as it unfolds. Robin Lundbäck, known professionally as Boy In Space, is no stranger to the music industry. The 30-year-old Swedish pop artist first achieved success as a member of the boy band JTR. After touring with the group for a few years, Lundbäck successfully embarked on his solo career in 2018, releasing his debut single “Goodbye” and re-introducing himself to the world with a new, distinct sound. His unique voice and versatile writing style have secured him a loyal fan base, racking in over 800,000 monthly listeners on Spotify. After the release of Lundbäck's 2022 album, Backyard , his 2024 EP Copium signified a new chapter for the musician. Now with a new team and a fresh musical outlook in tow, Boy In Space is preparing to take the pop music world by storm. His latest single, “Dancing On Dynamite,” is now available on all music streaming platforms. Written By Giselle Morales FOLLOW BOY IN SPACE Instagram | Spotify  | TikTok  | Facebook  | YouTube

Daniel Arison presents us with a song that describes the hatred and anger one can feel for someone after having your heart broken. Not only after having your heart broken, but also fighting for the relationship to work and being the last one standing. There were certain lyrics that contributed to the depth of the song. A few that stuck out to me were, "We were best friends / Until it all went wrong / I was there when no one else stayed long / Do you regret how you treated me sometimes." These lyrics help contribute to the feeling of sticking around for someone when they don't appreciate you. Daniel Arison conveys this in a way that every listener can relate to it. He doesn't stop there though he continues to dig deeper into the emotion of being hurt when he says "My time on you was wasted / Cause you're good at changing faces / There's no point in putting faith in this, / Cause it's easier to hate you then pretend we're fine." As a listener who recently went through something similar, these lyrics resonate with me and its comforting to know I'm not alone. When we're first introduced to the song the acoustic guitar guides us through the first verse. After the first verse the song begins to pick up, it becomes more upbeat and faster paced, the mood of the song is fairly cheery while conveying somewhat of a dim message. The structure of the song grabs the listeners' attention. It makes us want to sing along and take time to digest the lyrics. While the latter half of the song is more upbeat than the beginning the artist's voice remains soft. The vocals aren't rough or rocky but rather soothing. The artist remains calm, cool, and collected which helps bring the song and its purpose full circle. The overall tone is mellow, with an upbeat seriousness to it. Daniel Arison is no stranger to the creative arts. His journey with music began at a young age with interest in learning multiple instruments and dabbling in songwriting. Growing up, he was steeped in an environment that welcomed and fostered creativity. Daniel Arison also enjoys acting which he pursued throughout his younger years. His songs explore a variety of different themes but some of the most prominent are love, identity, and personal growth. When asked about the song 'Easier To Hate You,' he said, "When I wrote 'Easier To Hate You,' I felt angry. I gave my heart and soul to this person and still got a lot of shit back. Although I gave so much love and support, and literally was the last one standing, I still ended up being cut out of this person's life." He later went on to say "At that point, I decided that it would just be so much easier to hate this person than to wait around hoping things would get better. When you don't have closure, sometimes it's easier to hate someone and be done with it. It's an easier way out and to be able to let go." If you find yourself in this position, make sure to give the song a listen, you won't be disappointed. Written By Destiny Rundquist FOLLOW Daniel Arison: Instagram | Spotify  | TikTok  | Facebook  | YouTube

margø’s latest single is an empowering anthem about unhealthy societal beauty standards and refusing to change yourself for someone else. “love me ugly” was inspired by a toxic relationship where her ex-boyfriend constantly tore her down and tried to make her feel lesser. He wanted to change the way she looked, from her hair and make-up to what she posted online and how she talked to her friends. She immediately propels the listener to this gut-wrenching atmosphere with the lyrics: “Drew a line around my flaws and told me I should cut them out// Said that I would look much better if I learn to shut my mouth.” Just from the first two lines of the song, she reveals that her ex tried to change both her looks and her personality. Throughout the track, her candid lyrics sucker punch the listener as they experience the pain and shame margø endured. margø’s ingenious songwriting shines through in “love me ugly.” In the pre-chorus, there is a lyric that calls back to a previous single this year when she sings: “But I'm not a mannequin to play around with as you please.” This contradicts her single, “marionette” where she tells her muse that they are her “marionette.” The song shares the narrative of a toxic, codependent relationship. It is a stark difference from “love me ugly,” representing margø’s growth and resilience. The two songs will be featured on her upcoming album, giving listeners a hint of the detailed and immersive storyline throughout the new project. “love me ugly” upholds margø’s iconic dark-pop soundscape that initially drew me to the artist. From her spooky aesthetics and grim lyricism, margø is an expert at drawing in listeners – especially those who have a natural attraction to the macabre. The new single is built around triplets, emulating a marching song, perhaps signifying the death of their relationship. The bass and synth are done in such a way that the listener can feel it radiate through their bones. The song begins with the bass and rhythm, as well as eerie synth floating in the background. The production gains emphasis on the beat, leading to the first verse. The pre-chorus briefly loses the beat to allow a subtle transition to the drop in the chorus. The chorus reveals the full production which highlights the true intensity of the track, emphasizing margø’s raw and passionate emotions. The instrumentation suddenly mellows to the next verse, bringing the focus back to the candid storyline. The second verse and chorus maintain a similar production to the last. However, the bridge leads to an altered version of the chorus that seamlessly transitions into an electronica solo. This leads out the song with an epic ending, showcasing margø’s extraordinary songwriting and producing. “love me ugly” is the perfect song to lead into the upcoming project, leaving fans in anticipation of the finished album. margø is a dark-pop singer-songwriter from Edmonton, Canada. She made her debut in 2019 with her single, “In Between”. Since then, the artist has released over a dozen singles and three EPs. “love me ugly” is the latest single from her upcoming debut album. She has over 30 million streams globally with over 7 million streams on Spotify alone for her hit single, “Play Pretend”. Furthermore, she has been featured on several of the streaming platform’s prominent playlists, such as Villain Mode, SALT, young & free, misfits 2.0, Ready to Rock, It’s a Bop, Best of Rock 2022, Fresh Finds: Pop, Rock Now, New Music Friday Canada, and many more. margø draws inspiration from iconic rock artists such as Joan Jett and Blondie, while maintaining her individuality with a modern, dark twist. Make sure to follow her on social media to stay up to date with any future announcements and check out her creative posts that encapsulate her unique aesthetic. Written By Karlee Skipper FOLLOW MARGØ : Instagram | Spotify  | TikTok  | Facebook  | YouTube

KARINA’s latest single “bed of flowers” describes the self-destructive tendencies that gradually accumulate after experiencing abandonment countless times. There was once a time where you could appreciate the small things in life without worry. But as you gently touch the hand of your recent love, you do so with a genuine ache. Genuine instances of care and affection are fleeting as you believe this cannot last. You soak up every second you have with them and store deep within you so the memories can never leave. As you weep with loneliness, their hand withdraws from your touch and becomes just out of reach. It seemed inevitable that they too would leave and take their flowers with them. The foundational flowers everybody gives you eventually rot and decay because of your true self. Everyday before they left, you took time to smell and appreciate the flowery joy they made you feel. It seems almost pointless to deeply cherish joy in the moment, but you believed you would be alone again. Click here to listen to "bed of flowers"! “Bed of flowers” is a contemporary single that builds itself with its sweet yet simple instrumentation and vocality. We begin with a simple yet effective guitar solo that continues throughout. This is soon accompanied by the sweet and intricate vocal performance by KARINA. Each line is delivered with an affectionate and melancholy tone when paired with the lyricism. Immediately following the second chorus, we are introduced to some harmonization that greatly highlights an impressive upper-register vocal performance. This vocal treat is lyricless beyond taking “hey” and building off it with various vocal stems. The harmonization is reserved for this one section and we are soon reintroduced to the simple yet gorgeous guitar and vocal pairing. KARINA is an American singer-songwriter currently based in Virginia. KARINA has been enamored by music from a young age, idolizing young glamorized artists such as Hannah Montana. She first began her music career when she released her first single in August 2023 and has since released a plethora of music. She has released many singles as well as her first album just this year. Much of her music evokes a feeling of nostalgia that builds off experiences of mental health struggles and life experiences. These feelings create an air of blissful ignorance that is heavily explored throughout her musical catalog. She has built a strong presence on social media by promoting her music and singing covers of artists such as Sabrina Carpenter and Reneé Rapp. Make sure to follow her on social media and give “bed of flowers” a listen! Written By Willow Gray FOLLOW KARINA: Instagram | Spotify

Engage with a tale of romance and youth with artist philine’s recent single, “confused”.  As if living within one of her thoughts, philine crafts a personal world surrounding the nature of romantic relationships and trying to make sense of varying emotions at a young age. “confused” details a connection that leaves philine with her head spinning. She doesn’t understand how, no matter how seemingly “bad” or different from expectations their interactions come to be, this other person wants to stick around. Additionally, this person is vastly different from philine – causing her to reflect on her own thoughts & beliefs. She discusses subtle change within “confused”, and how their differences have ultimately led to her becoming confused about the entire connection between them. In a modern dating setting, philine’s raw thoughts and openness regarding lack of clarity is a prime example of how to properly connect with audiences – as well as people in general. Phrases such as “love” and “too soon” are mentioned in subtle ways throughout this track, yet as the song expands, philine dives specifically into why she’s confused about this romance. As mentioned in the first chorus, philine describes how this girl is “all that’s on her mind” and is the opposite of her type. By the second chorus philine adds details to these thoughts, displaying her fears. She mentions love should be avoided, that it’s too soon for her to feel how she does for this girl, and that she simply just cannot ignore her feelings any longer. These thoughts and concerns perfectly match the tone of the song as well as philine’s voice. Her voice is both kind and vivid, while the tone of the song is cool and imaginative. These qualities remind me of artists such as Clairo, Faye Webster, and the Japanese House. While these artists all have differing, overall sounds, I find a connection between them and philine all through their use of clever, time and event-centered songwriting that comes from places of personal experience and honest emotion.   philine is a singer-songwriter from the Netherlands. Growing up in a household where her Mom taught music to kindergarten-aged children and often played music within the house, philine grew inspired to write music of her own. By 11-years-old, she went from writing songs in Dutch to switching to writing in English. Upon competing in a professional songwriting competition during her teenage years, she decided she wanted to pursue her dream to become a professional singer-songwriter and went on to attend a conservatory in Rotterdam. By 2020, philine released her first single titled “gone”. In 2023, she had gained momentum for the release of her EP so sick of myself and generated millions of streams. Now, philine is gearing up to release her new EP the side-effects of living in a fantasy . Written By Madison Spies FOLLOW PHILINE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Falky’s latest track, “Poolside” is out of this world! This thrilling song explores the escapades of an ordinary guy who finds himself traveling with an ultra-wealthy woman for the fun of it. The song plays like a story wherein the protagonist abandons his normal life to be entertained by this surreal experience. Many of the lyrics of “Poolside” such as “I don’t know if it’s real or not so pour us up another shot” reveal a confusion between reality and fantasy. As a result, this light-hearted track emphasizes the excitement which living for thrills can involve, even if it’s only for a short amount of time. Not only are the lyrics of “Poolside” so much fun, but they also allow the listener to temporarily immerse themselves in a world where their usual rules don't apply. The vocals on “Poolside” are also quite light-hearted and fun, and they make a perfect match to the laid-back nature of the song. Rufus and Noah’s layered voices add great texture to the music; and the overall production quality is one of the most impressive aspects of “Poolside.” Falky has managed to encapsulate the feeling of carefree dancing within this track while its tone and mood are an impressive reminder of dance music legends Earth, Wind & Fire . What Falky does uniquely is blend this 70’s style dance music with their own eccentric music-making abilities. With a larger than life lyrical storyline to match, “Poolside” is infectious, ambitious, and clearly a passionate collaboration between two talented individuals. The story of musical duo of Falky begins in 2021 when members Rufus Mullhaupt and Noah Falk released their debut single “Dumb out of Luck.” With no specific sound or genre to pin them down, they have a significant plan to release new music every month of 2024 with no signs of slowing down. Intriguingly, these singer-songwriters have extremely different musical origin stories, with Rufus growing up in a household filled with instruments, and Noah with no familial musical background other than the sounds of the car radio. Together, Noah and Rufus now sport over 2,000 monthly listeners on Spotify, and they intend to keep paving their path towards notoriety with Falky’s eccentric sound. If you loved “Poolside” just as much as we did, and you’d love to hear more Falky, follow the duo on all social media listed below! Written By Casey Hascup FOLLOW FALKY: Instagram | Spotify  | TikTok  | YouTube

A breakup is the worst kind of heartache. In saying goodbye to a part of your soul and a version of yourself, you reflect on the ruins of your heart and try to understand your new reality. MICHA’s new song “Dead End of A Dream” is a raw message to a former partner, before the stage of letting go. In the first verse, he reveals that his feelings about their relationship haven’t gone away yet. The narrator feels deceived by his ex for having planted false hopes about their relationship. As the chorus builds, listeners witness the heart-wrenching remorse the singer feels, with the words “just give me back the heartbeats and the hours”. This visceral phrase connects time to the very thing that keeps us alive, alluding to the ex-partner being ingrained in the singer’s reason for living. The chorus concludes with a harrowing message: “you promised there was no way the love we had was ever gonna be the dead end of a dream.” It's a beautiful and tortured reminder, fuelled by the sting the narrator feels. A soulful melancholy mood comes from the melodic humming and a flowing acoustic picking pattern in a minor key as the song’s introduction. MICHA’s low, gravelly, and soulful vocals start simply. The depth of his voice brings a stimulating contrast to the gentle instrumentals. Only at the end of the verse does the melody in his vocals climb to showcase his bold range. A slight country influence to his sound, MICHA belts the chorus, with emotional texture and force. The sound of an acoustic guitar joins in with powerful strumming and a percussive pulse on each new bar. The last line of the chorus is echoed in background vocals, fading away. A soft electronic whooshing sound brings in the next verse, and vocals in the background harmonize. The instrumentals cut out entirely for the bridge as the melancholy humming from the song’s introduction plays gently. The vocals are belting with what feels like the force of a broken heart. The final chorus starts without the instrumentals, much quieter than before, until it breaks out with the same force until the end of the song. MICHA is a musician from the Netherlands whose solo music is new to the scene, with “Dead End of A Dream” being one of six releases on his debut EP of the same name. He engages with fans through social media, even hosting a contest for a living room concert. Recently, MICHA tried his hand at modelling for a collection called “Once Upon a Town” by Jasper Abels . He is part of Micah & Julia , a duo that released music between 2020 and 2022. He toured the Netherlands in 2023, performing in ten different cities. You can follow his music career on the links below, and enjoy his soulful voice as you listen to his songs. Written By Hanna Kowal FOLLOW MICHA: Instagram | Spotify   | TikTok | YouTube

In the vein of her title debut EP, "It's Not You, It's Them," Daisy Gill is back with her new single about the trials and tribulations of modern love. "Mess Around" is a fun synthy jam about not knowing where you stand in a situationship. The track is as shamelessly relatable as it is endlessly catchy. Daisy's signature "retro pop" sound is as welcomingly present as ever. "Mess Around" blends in the funky disco aesthetics of old with modern productions that still sound fresh. It is a truly timeless pop cut. With "Mess Around," Daisy Gill proves herself to be a certified hitmaker. Daisy has an innate ability to exude confidence, and "Mess Around" is no exception. With her robust voice and lower registry, Daisy commands attention. She knows her partner is going around with others and will not have it. The sticky refrain "You're acting like, acting like, I don't know, you're running around" works not only because of its insane catchiness but also because of Daisy's performance. The singer states the track is based on her real experiences, and it shows. The song is equally savage as it is honest about her hurt, and she sings with such conviction that it expresses both. Daisy emotes complex feelings with ease. With a powerhouse vocal performance and an irresistible disco groove, "Mess Around" is pop perfection. Daisy Gill is a singer-songwriter from Liverpool, UK. She began officially releasing music in 2018 and has seen exponential career growth ever since. In 2023, the artist auditioned for The Voice UK, where she received the rare 4-chair spin with her rendition of " In the Name of Love ," which landed her on Tom Jones' team. The video has now garnered over 82,000 views on YouTube. She has performed everywhere from Liverpool Pride to Threshold Festival to The Royal Albert Hall, and the artist's status is only growing. Daisy has also been recognized by the BBC, with Tom Robinson playing her track "New York State of Mind" on BBC 6 Radio. The singer-songwriter currently has over 2000 monthly listeners and 25,000 streams on Spotify. You can listen to "Mess Around" and the rest of Daisy's works on all streaming services. Written By Lauren Nolan FOLLOW DAISY: Instagram   | Spotify  | Soundcloud  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

This song, “dreamer” by Maria Shockey, is an upbeat indie-pop song all about trying to push through when life is turning out a little bit more difficult than you expected. Written after a year-long hiatus from the music industry, Maria Shockey wanted this song to capture that feeling of knowing you’re meant for more than you are now, but not quite knowing if you’re ever going to get there. With lyrics like “But I was a dreamer in the way you just know how to breathe,” and “If I’m not a dreamer, I don’t know, I don’t know who I’d be,” she pins down exactly what it’s like to always be aspiring for something you can’t reach, and that crisis when you try to figure out where that leaves you now. Click here to listen to "dreamer"! “Dreamer” is an upbeat song that is sonically reminiscent of artists like Valley, Gatlin, and Nightly. Starting off slower and more on the somber side, you’re drawn into the song carefully and subtly. The tension starts rising around 45 seconds through the nearly 4 minutes, and then the beat really picks up at the minute mark. The chorus is energetic with heavy percussion, making you bop your head and tap your foot. Maria Shockey’s strong vocals are able to keep up with the powerful instrumentation, creating depth to the melody. An almost retro sounding guitar solo breaks into the mix at the three minute mark, breaking up the established rhythm and adding interest. Overall, this song is perfect for someone who loves strong indie-pop songs that balance emotional messages with fun and dance-worthy tracks. Maria Shockey is an up-and-coming singer/songwriter who’s made a name for herself in the indie-pop genre. Taking inspiration from artists like Valley, Gracie Abrams, and Taylor Swift, she’s learned from their lyricism and production and created her own unique sound. Struggling through the difficulties of the music industry, Maria Shockey finds a lot of her influence from her own life, making her both relatable and someone to look up to. She released her first single, “You Don’t Get to Know,” in 2019, followed by other singles and a full length album, Composure, in 2022. “Dreamer” marks her latest release. Use the links below to explore more of her music and follow along her music career! Written By Morgan Fischer FOLLOW Maria Shockey: Instagram | Spotify  | YouTube

A person's bloodstream is the most integral part of their being. It passes oxygen through the brain, allows the heart to beat, and helps the body fight off infections that could cause it harm. Austrian singer-songwriter KRYSTOF’s newest single “In My Blood” adds one more quality to the bloodstream: his love for his partner. He states that he is so deeply in love that she has infiltrated his bloodstream, the very thing that keeps him alive. Her love allows him to keep breathing, seeps into his brain, and gives him a purpose to keep going throughout the days. She expels all the negatives, and the single's upbeat and electronic nature reflect the happiness he feels. This track joins his slew of singles, and has grown KRYSTOF a following since its release on August 30th. Throughout his verses and lyrics, he states that his lover doesn’t know what she is doing to him, but lists all of the positive impacts she has on him. She makes it easy to breathe, she feels like home, and he feels like he could never flatline. In his chorus, he sings, “You’re the blood in my body / Make my heartbeat / Go like boom boom boom”. Throughout the background, there is an element of pop and electronic beats, almost mimicking a heartbeat. Adding this fun and lighthearted soundscape to a topic such as important as this one shows contrast and variety in KRYSTOF’s work, and allows the production to shine through. 22 year old singer-songwriter KRYSTOF is from Carinthia, Austria, and has had music ingrained in him since birth. His mother is a professional pop singer, and from a young age he taught himself to play guitar and create chords. He began to write music at the age of 14, and signed to his first record deal at 17. Hitting high numbers on various charts and radio stations, KRYSTOF has over 3,000 monthly Spotify streamers and over 5 million total streams worldwide. He writes and composes all of his songs himself, and he has been dubbed the “Sad Pop Boy”. His sound is similar to that of DJ David Guetta and KYGO, extremely upbeat and electronic, while still focusing on storytelling through his lyrics. Make sure to follow the social medias below to stay tuned for more music from KRYSTOF. Written By Tessa Maddaloni FOLLOW KRYSTOF: Instagram | Spotify  | TikTok  | Facebook

Serving as the leading track from their new album, Forever On High has delivered a nostalgic pop-punk banger with "Brand New Low (ft. We The Kings )." The playful song and accompanying music video are a solid mix of sarcastic and optimistic, smiling in the face of adversity as the musicians barrel towards hitting a new low in their lives. Despite being in a difficult situation, "Brand New Low (ft. We The Kings)" shows that it's possible to keep your head up no matter what. Anyone can make the best out of any circumstance; all it takes is hope and a little bit of pop-punk snarkiness to pull you through. Channeling the sound of 2000s pop-punk, it's clear why Forever On High collaborated with the esteemed We The Kings to create this high-energy anthem. The powerful move pulls in new and longtime fans of the genre, allowing Forever On High to tap into an expansive fanbase. "Brand New Low (ft. We The Kings)" has an exhilarating, lighthearted soundscape, featuring addictive melodies, electrifying guitar riffs, and pounding drums that make you wish you could go back to the '08 Warped Tour . While it's a given that fans of We The Kings will love Forever On High's "Brand New Low," the track is also perfect for fans of icons like Boys Like Girls , All Time Low , and The All American Rejects. Hailing from Australia, Forever On High is a rising pop-punk sensation breathing new life into the genre. The group was formed in 2023, consisting of members Justin (vocals), Kevin (guitar), Will (bass), and Josh (drums). Forever On High cites several legendary pop-punk acts as their inspiration, including Green Day , Fall Out Boy , blink-182 , and All Time Low . Giving a modern flair to the nostalgic genre, Forever On High packs their songs with anthemic choruses, thrilling guitar riffs, and invigorating rhythms. Though they are still new to the scene, Forever On High is certainly a group to watch and is poised to become a mainstay in the pop-punk landscape. Written By Cheyenne Johnson FOLLOW FOREVER ON HIGH: Instagram | Spotify  | TikTok  | Facebook  | YouTube

In the newly released "Dead of Night", Anna Curreen captures the many uncertainties , hopeless stares at the ceiling, and  late-night questions that flood our heads whenever romance is involved. Curreen sings of that vulnerable moment when love meets anxiety and we can't help but lie awake and wonder where things went wrong. Despite its heavy subject, "Dead of Night" is compelling, not only throwing the listener into a pool of unresolved feelings and nonexistent closure but also reassuring them that they aren't struggling alone. When someone begins to gradually distance themselves over time, one is left battling the grief caused by the emotionally unavailable partner, and Curreen masterfully translates our helplessness into song in her attempts to not let these feelings consume her. "Dead of Night" confronts the uncomfortable as we try to make peace with the present all while reminiscing about the past. The first sound that enters our ears is a smooth instrumental with a strong R&B vibe; it's laid-back, but just angsty enough to evoke those feelings of romantic distress and set the tone for the rest of the song. The periodic snaps in the background, along with the slow, steady pace are paired with passionate lyrics that have us anticipating the chorus. Curreen's clean tone has an underlying sense of heartache, and as she pours her soul into the song, she manages to convey the dilemma of having loved and cared for someone. Throughout the song, she vocalizes and riffs softly, creating an emotional feeling with a profound impact, as words aren't always needed to make us feel and understand a song's meaning. Anna Curreen's "Dead of Night", in all of its ethereal harmonies and graceful charm, does a beautiful job of capturing the tension, complexity, and chaos of momentary romance. Anna Curreen is a rising pop artist from the U.S., finding her niche in a unique mix of R&B and traditional pop. First releasing songs back in 2020, Curreen has since expanded her discography with popular additions like "Compassion" and "Not Jealous" that have reached a combined number of nearly 40k streams! Curreen is best known for her vulnerable lyrics and emotive deliveries, both showing off her beautiful voice and talent when it comes to writing meaningfully authentic lyrics. Fans from all over are excited to see the direction she takes in the near future, producing more sentimental songs to stick in our heads! As always, stay updated and follow the socials below! Written By Pejah Carr FOLLOW ANNA: Instagram | Spotify | Facebook  | YouTube