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Your vocals in “Broken Pieces” are absolutely phenomenal, I got chills listening to it for the first time. Thank you for a beautiful song that helps to reduce some of the societal stigma surrounding issues of mental health. Could you share how important this song is to you, and what you hope your listeners take away from it? Leyla: When I was writing Broken Pieces I was in a very dark place. The process of writing this song allowed me to find a lot of freedom. I never intended on releasing the single however my loved ones persuaded me to do so. I hope people use the song in any way that benefits them. Your YouTube ‘About’ section indicates that your heritage is half-Greek and half-Turkish and that you were named after your grandmother. What other ways has your cultural background and/or family influenced your art and worldviews? Leyla: For those who don’t know, Turkey and Greece have a long-standing cultural and racial clash. When I was growing up I saw some people in my close circle that weren't too happy about my parents being together; however, I also saw how through awareness, exposure, and education their minds began to open and their views changed. This was a very important lesson for me growing up. I saw that the mind is flexible. We can unlearn life experiences and propaganda that we are taught. Most of us are just all trying to be safe and live a happy life. Most of us aren’t evil. I love that you write your own songs, and your commentary indicates that real life is raw, messy, and unfiltered. What is your songwriting process like, and how do you ensure that you remain unfiltered and true to yourself when creating? Leyla: A lot of women grow up learning to compromise their own needs in order to help others. I found that lesson translated into my work too. Compromising the depth of emotion in my artwork, compromising my live performance, compromising how authentically I communicate who I am. I’ve learnt not to compromise. Being completely honest is a superpower and if someone doesn’t like that, then my music and my art is not for them. You’ve some rather prestigious career accomplishments thus far, including selling out your 2019 headliner act, being featured in Festival Fringe in 2020, and being interviewed/broadcasted on networks such as BBC Radio London. Most recently, you participated in the WARchild Charity virtual concert. Which of these experiences was the most memorable for you, and why? Leyla: So far my most memorable experience was actually at the beginning. Still at university, I was terrified of performing, so my partner decided to help me book a tour. Every night he pushed me onto a stage to perform so I would lose my fear. There were a lot of tears, there was a lot of anxiety, but it worked and now I’m able to do the thing I love the most and share it with others. Who are some of your biggest musical inspirations and influences? Leyla: I would say I am massively influenced by artists like Aretha Franklin, Etta James, and Michael Jackson. Their ability to be so raw and authentic is something I massively crave. What’s coming next for you, what can listeners look forward to experiencing on your musical journey? Leyla: I am trying to share my story on Instagram and TikTok through music. There is some very cool content coming out that I think the listeners may be excited to watch and listen to. I will also be releasing some music on Spotify, I’m currently in the creative process of that Interviewed By Vanessa Siebrass FOLLOW LEYLA:

“I’m Alive 4 U” feels like an anthem of living in service of others, of always being able to lend a helping hand or a kind ear whenever needed. There is enough ugliness in this world, we don’t need to add to it – this tune reminds the listener of the purity that still exists within it. What is the story behind this song, and what inspired you to write it? Cody: Thanks for describing the song so beautifully! It makes me happy to hear that this is the feeling you get while listening to the song. I wrote this in 2020 when the pandemic started and it was the first time I experienced calmness in my mind. When I was 14 I was having suicidal thoughts because of my life at that moment. High school was not very kind to me. I knew I wanted to become an artist my whole life, and that was the only thing that kept me going besides my family. I kind of made this pact with myself one night that even if I don’t want to live for myself, I can live for my family, my future self, and all the people that I haven’t met yet. This is why some of the lyrics say “I’m not living for myself, gave my whole life to someone else, all the people in the world. I’m alive for you”. Now that I’m not living like that anymore I can see that it’s a pretty unhealthy way of living, but it helped me get through high school. I see that you’re very involved in outreach through UNICEF and causes such as World Children’s Day. How have these pursuits changed your worldview and influenced your approach to your music? Cody: Working with UNICEF was amazing. I got to work on causes that involved the rights of the child and this helped me with a lot of self-reflection. I always assumed that the real big problems were happening in countries 7000 miles from here. But even in your own country a lot of injustice is happening. Not to invalidate any of my own problems, but it helped me see them lighter and be extremely thankful for the life that I have. I’m not sure if my approach to music changed because of this. Since I was little I always wrote songs about the world (thanks to Michael Jackson). But it did make me more confident to use my voice. As an artist, do you find it ‘risky’ to incorporate deeper meanings into your music? “I’m Alive 4 U” doesn’t carry the stereotypical, ‘lighter’ messages that are often attributed to the pop genre. Cody: Not at all, no. But I do know that blatantly writing about heavy subjects can be disturbing so I always try to find a way to write a song in a way that the casual listener thinks it’s a ‘light’ pop song. Take this song as an example! It’s about suicide and living in service of others, but it could also just be a lovely song about, like you said, a helping hand or a kind ear. I know I did my job right when people say they can resonate with the lyrics while being sad, but also when they’re happy. What was it like at Eurovision?? I imagine that it had to be surreal, particularly as it was your first-time onstage performance! Cody: Yes it was surreal, terrifying and the most fun weeks of last year. Eurovision is such a production… everything needs to be on point. And that terrified me in the beginning. But the show really must go on, and there is not a lot of time, so you kind of don’t have the time to process what you’re feeling. Which in this case, was a good thing. It really set the tone for me though...hopefully, I get to perform my own songs in arenas as soon as possible. I liked it a lot. Congratulations on joining The Orchard/Sony Music Entertainment! That’s quite an accomplishment! How has your experience been thus far? Cody: Thank you so much! It’s a lot! Suddenly you are part of the ‘business’ side of things. I have my own label under them, so I’m still doing pretty much everything on my own and I didn’t know anything about releasing music, so I’m learning a lot at the moment which is kind of fun! What are your future plans for your musical journey, what’s coming next for you? Cody: I’m ambitious, so in my mind, I’m already busy with booking the Superbowl halftime show haha. But for now, I’m working on finishing my debut album. I’m thinking of releasing 2-3 more singles, introducing them to radio, and then releasing an EP somewhere next year. 2023 will be my year! Interviewed By Vanessa Siebrass FOLLOW CODY:

The depth of emotion and poignancy in “Poison” is something that definitely resonates. It’s a different type of pain, watching something that was once healthy and nurturing slowly turn toxic before your eyes. Sometimes it hurts more to hold on than it does to learn to let go. Would you mind sharing the story behind this song? Cabus: The story behind the song is based on my relationship with my partner of six years. At the time of the break-up, I didn't see it coming and it really took me to a brief dark place. I use the word "brief" because a good friend of mine who works in mental health & wellness set me up with an amazing therapist shortly after things ended because he knew I wasn't in a good space. I dove in and took the therapy seriously and did a lot of much-needed mental work on myself. It was through those sessions that I realized the writing was on the wall months before the break-up. The song is about one person who isn't happy anymore and the other not present enough to realize it. It was tough recording the song because I had to revisit some of those feelings again. It's hard not to feel anything listening to that song especially if you've been through something like it. Congratulations on the video for “Poison” – I understand this is your first official video. It’s very well done and provides some stunning visuals that help solidify the emotion of the song. What did you learn during the process, and what you might do differently going forward? Cabus: The concept of the video was actually developed during a meeting with Magdiel Lopez. I met with him to discuss to possibly creating the official artwork for my debut EP "PSYCHO". During the meeting I played him the EP, then "Poison" came on and for some reason, I broke down and started to cry. It was strange because it had been 4 years since the break-up. In that moment Magdiel became the creative director of the music video. Over the course of the next few weeks, we came up with the storyboard/concept and pitched it to a young up-and-coming filmmaker/music video director Jared Barton. The whole experience was amazing. Another awesome fun fact - I work with both of them!! These dudes are on another level with their work. How would you describe your experience performing at Modern by Moonlight: Otsukimi Festival, and what were some of your favorite moments? Cabus: I had so much fun playing at the festival. To perform songs from my debut EP in front of a sold-out audience - many of whom I did not know - was a joy. But probably the best part of the night was having my parents in attendance at the show. They've never seen me perform live before in all my years doing this music thing. I was raised in a very religious household. I'm sure they would prefer it if I was doing gospel music, but regardless I know they love me and that's really all that matters. On one of your Facebook posts, you say ‘I turned every bad thing that ever happened in my life into fuel, squeezing the hell out of every lemon that life gives me” – would you say that transforming life’s pains into the beauty of the music you create helps you to heal from some of these experiences? Cabus: Doing music, especially as an independent artist, is not a walk in the park. You're gonna have highs and lows, personally and some professionally. This is a brand-new project so I'm leaning on some tough personal experiences in my past. But going back to therapy was a turning point in my life because I learned to really love myself and be grateful. I'm really loving life right now and all people in it. Starts with my family, friends, work, family, and more importantly, my spirituality. In addition to your music career, I see that you are a photographer at Artist Uprising Studios and a host of the Artist Uprising Podcast. Could you tell us more about each of these endeavors? Cabus: Artist Uprising is like my second family. It's a creative company led by some of the most innovative people in arts and entertainment. Add to that all of the key employees who work there and you have this beautiful energy shared between creatives from all walks of life. Working for the company has made me a better creator as well as a musician because of the talent I'm surrounded by on a daily basis. What helps set you apart from other artists in an incredibly saturated industry? Cabus: I think it's my ability to present feelings, situations and moments-that-might-just-slip-away; basically things that are widely experienced among us all - in an honest and unconventional way. Interviewed By Vanessa Siebrass FOLLOW CABUS:

“Going Home” is quite catchy and has a broad appeal – some define home as a physical place, some as a person, and others still find themselves most at home when losing themselves in the flow of a beloved hobby. Can you share your inspiration behind this song? Rodney: I was actually at home with my sister when I had gotten the idea for the song. My mother came home and told us about her day. It sounded all too familiar. It was one of those days that seemed to just keep going and going. I thought it would make a great subject for a song because I know a lot of folks get fed up with work and rather be anywhere but there. How would you describe your unique sound, and what emotions do you hope your music invokes in your listeners? Rodney: I just sound like me! I'll let the listeners decide whether it's good or bad. I make music that everyone can relate to. Oh, and I make it a point to keep the vibes bright to invoke a sense of togetherness and a positive outlook in spite of whatever the situation is currently. You gave an incredibly touching shoutout to your mom on your Insta; she has clearly nurtured and supported your musical endeavors. Who else do you look to for guidance on this journey? Rodney: I would definitely say, my grandfather. Those two were major staple pieces in my life when it came to raising me and guiding me to be who I am today. You also seem to be quite skilled with nunchucks – if you were to step away from music, would you pursue something in martial arts, or where else would your interests lead you? Rodney: No. Martial arts was just a large part of my life growing up so I still train to stay in the know. I'd likely be acting full-time if my schedule allowed it. If you had the chance to collab with any artist, living or passed on, who would you choose and why? Rodney: Probably Quincy Jones based on his productions and ability to elevate artists beyond belief. What’s coming next for you, what should we be keeping an eye out for? Rodney: Maybe a music video, maybe more new music, only time will tell. Interviewed By Vanessa Siebrass FOLLOW Rodney:

I love how “I Thought I Knew You Better” can be interpreted in different ways. For me, it conveys either how an individual’s mask can slip, or perhaps the advantage of time and distance allowing you to see things with greater clarity. Either way, an illusion has been shattered. What meaning does the song hold for you? V?k: This song is quite important to me because it marked the end of a long period of heavy feelings. I had been carrying them around for so long even after my breakup and kept living in this fake reality that was supposed to be hopeful but then just resulted in only being very self-hurtful. So, this track reminds me of how I got my focus back on what really matters. How has being born and raised in Italy influenced you and your music and has relocating to the UK provided you with any different perspectives? V?k: Living in Italy was great, I love my country. I love the energy and emotional rawness that comes from my family, I wouldn’t be the same without it, and I like to believe that that comes through in my music too. Moving to the UK was most definitely a perspective shift: growing up, being independent, and taking care of your own mental health. It certainly made me realise how much goes into living a “healthy and balanced life”. My recent EP “Saffron Fields” completely focuses on this key journey I started since coming here. The name you’ve chosen for yourself, V?k, is quite unique – what inspired the inclusion of the question mark? V?k: I thought about my artist name a lot to be fair. I was so indecisive when I was about to release my first single Shadows in 2019, but after thinking of so many overly-complicated ideas to make my name sound interesting I just came back to my name, how everyone calls me “Vik”. I then decided to add a question mark because I felt like, aesthetically, it added a sense of mystery and felt more “pop” to me. Amongst many meanings, it represents how flexible, multicoloured, and maybe also unpredictable I want my music to be in my career. When did you know you wanted to be an artist, and what do you enjoy the most about it? V?k: When I was 14 years old I started watching many interviews of artists I was obsessed with on YouTube and I got inspired by how they were explaining the meaning and creation of their own songs, talking about it freely and showing how they were actually humans going through motions like everyone else, like me. I was so fascinated by them explaining it so effortlessly, that I decided I wanted to do that too, to be able to wield that mystic power they were using to evoke those emotions in me. My favourite bit of being an upcoming artist is probably the bond you create with the people who love your music, relate to it, and support it. It’s an energy exchange that’s almost magical I would say, knowing that you mutually relate to the same exact feeling sounds so simple yet is so powerful to me. Of your live performance experiences, which has been the most memorable, and what is your favorite moment from it? V?k: This year has been my first proper gigging year, so I had a lot of first-time moments and core memories that were all special to me. But I must say that being asked to perform on both stages, community and also the main stage, at this year's Pride In Surrey has been unbelievable. Stepping on that stage at a festival with about 5000 people around the park was insane and the response was crazy. Many people came up to me with the biggest smiles on their faces telling me how much they liked the show and I felt like I really belonged. If you weren’t pursuing music, what would you be doing instead? V?k: I don’t really know but I really love entertainment, so maybe having something to do with TV shows, video games, or event management. Or probably just a school teacher! I would love to teach my native language to kids around the world, moving to new countries and still keeping it interesting. Interviewed By Vanessa Siebrass FOLLOW V?k:

I love how the upbeat spirit and tempo of the song contrast with the more serious nature of the lyrics. What is the story behind this song? Amelie: "Faking Parties" is every main character’s anthem - it’s about feeling the need to make an excuse to hang out with your crush because you’re too scared to admit that you have strong feelings for them. I wanted the production & energy of the track to reflect the idea of a party but also to symbolise the fun, carefree, nonchalant impression of the white lie. But the truth of the song & the protagonist’s feelings come out through the lyrics - it’s like a confession because the protagonist is trying so hard not to confess. What was studying at Benenden like for you? Amelie: Benenden was not only a super fun & transformative experience, but it was also an incredibly important stepping stone for me in my life & my musical journey. I genuinely wouldn’t be where I am today without the support of the music department there and the school in general. I also really did make friends for life - you know your friends are real ones if they’re willing to fake a party with you in less than 24 hours for a guy they’d never met before! What first made you want to get into music, and what do you enjoy most about being an artist? Amelie: Music has always been such a huge part of my life, I’ve been playing instruments for as long as I can remember (I almost can’t imagine not playing one!), and I grew up watching a lot of DVDs & videos of artists doing live shows or going on tour, and I was completely mesmerised by the way that someone could connect with a group of people in such a personal way. From my first Taylor Swift tour DVD onwards, I told myself that I wanted to write songs that would make people feel things and one day be able to share that human experience with a crowd. So for me, that’s one of the best parts of being an artist, but the creative process of each track (from writing to producing to recording in the studio) is equally fulfilling and one of, if not my favourite parts. Guitar, drums, keyboard – you play a wide variety of instruments. Which of the three do you enjoy most, and what, if any, others do you have your eye on? Amelie: I start most of my song ideas on guitar or keyboard, so I probably play them the most & can’t imagine life without them, but the drum kit has a very special place in my heart because I picked it up when I was 3 years old. I would really love to be able to play bass as well - for the complete band set! What are some of your hobbies and interests outside of music? Amelie: I’m really interested in Ancient & Classical Literature, jewellery design, fashion, race cars, and amateur art. What’s the best advice you’ve ever received, both for navigating the industry and for life in general? Amelie: Just to enjoy the moment and fully be present in it because you’re never going to be in the same moment ever again. Interviewed By Vanessa Siebrass FOLLOW AMELIE:

“Lover Lover” is such a heartfelt song, the emotion in your vocals is tangible. Was there a specific person that inspired these lyrics, or is it meant more to generally capture the feelings behind an experience that is nearly universal? Crispin: It really is, and it all came from the heart. Lover Lover is about the first ever somewhat serious relationship I ever had. I learnt a lot from it and found the whole experience to be the worst outcome/version of "love," which left me asking where and who is the good one and where have you been? Congratulations on the premiere of the “Lover Lover” video. How would you describe the experience of making it, and what are some of your favorite moments from it? Crispin: Thank you very much! It was quite an experience, I have to admit. The favourite part was towards the end of the day, belting out Lover Lover millions of times in Tewkesbury Abbey. With the acoustics + being knackered + overwhelmed from the whole amazing day, it really felt like I put everything I had left into it. As a full-time videographer, I had to make sure it could be the best it possibly could be. So after loads of pre-production, the shoot came, and we all smashed it; and I'm so proud of everyone involved. I saw on your Insta that you had your first live performance at Tewkesbury. What other events or venues do you hope to play? Crispin: Yes, I sure did! I absolutely loved it; I couldn't have asked for more. Well, my dream stage is at the Reading Festival. It was the event I went to that confirmed to me I wanted to do this music thing. As disgusting as it is, I still have my 2019 wristband on. It's a constant reminder of where I would like to be and the dream to rip it off on mainstage. The other dream is The O2 Arena as they are one of our video clients, so it would be amazing to be the one actually on the stage. But until then, definitely The Sunflower Lounge, Deadwax, Gloucester Guildhall. What made you want to learn to play the guitar, and do you play any other instruments? Crispin: Well, we always had a really bad guitar in the house as my brother learnt a little bit when he was younger; he was awful. It wasn't until I actually picked it up and properly realised how versatile it is and how powerful as a songwriting tool it actually is. I also play the piano, which I've been playing since I was maybe 5/6, I'm definitely no prodigy, but it is my primary instrument. I also played the trumpet for quite a few years in school, but having been a chorister at Gloucester Cathedral for 8 years, my voice was my most trained "instrument." Who are some of your biggest musical inspirations and influences? Crispin: Well, a huge influence for me was the whole choral side of music which developed a lot. But in terms of who currently inspires me, Bastille, Tom Grennan, Whalestalk, Holly Humberstone. I would say I am a slight mash-up of all these. What are your future plans for your musical journey? Crispin: So I am going to continue focusing on single releases, keep the content and hard work coming. I have so many songs I don't even know what the next release is. But I have already planned the first album, which will be heavily inspired by my whole musical journey and life in general. I just want to keep progressing, growing my audience, and playing bigger and better live shows as time goes on. Interviewed By Vanessa Siebrass FOLLOW CRISPIN:

“From My Dreams” is a definite earworm, featuring catchy music while also being a bit melancholic with the lyrics. What is the story behind this song? Alane: Full disclosure, I did not write the majority of this song. A majorly talented friend of mine, Sam Herlihy, wrote it and sent it to me. I immediately fell in love with the song, and he very graciously gave it to me. I did the tiniest bit of co-writing on this one. But I value supporting other songwriters and love the concept of co-writing. Sam originally wrote the song as a ballad and I took a more upbeat approach because it felt right for my first release. I did get to ask Sam about his initial idea behind the song, and his intention was to write a song that encapsulates the feeling of trying to chase down rest, but it keeps eluding you. The verses and chorus are written from that place of tension, while the bridge opens up and represents the feeling of the unrest being lifted. You have been writing music from twelve years of age, and describe yourself as a passionate storyteller, one who aspires to start conversations and spark connections through music. What approach do you take when broaching potentially sensitive topics? Alane: Love this question. I try not to get too involved in writing about things that a close friend or I have not experienced. In my opinion, if you’ve experienced something, you have the authority to speak directly about it. So, I focus on telling my own stories and stories of those close to me that I am naturally sensitive to because I have walked through them myself or with someone I love. But on issues that I do not understand, I make a point to listen more than I speak and refrain from writing too in-depth about it. Your website also indicates that you have encountered numerous setbacks due to injuries that rendered you unable to sing or speak. Would you mind elaborating on what these injuries were and the steps you took to overcome them? Alane: Absolutely. When I was 16, I suffered a blunt force trauma incident that left me without my two front teeth and a handful of stitches in my face. I had just finished a fasting blood draw and fainted, but I fell forward and my face hit the floor. Without getting too detailed, over the next seven years I lost my teeth permanently, went through jaw reconstruction, had titanium posts put in my jaw, had eight soft tissue reconstruction surgeries, and went through seven different sets of front teeth. A lot of these surgeries happened in college (where I was a vocal primary music major). One of my surgeons actually told me I better pick another career when I told him what I do. But honestly overcoming it was very much a mindset and leaning into what I know I’m designed to do. Since I was a little girl, I was tailored to sharing my art with people through music and I had to trust that there was purpose in that. There were really difficult and discouraging days. But I was given every opportunity regardless of the numerous periods of healing I had to take, and that’s nothing short of a miracle. How has living on the east coast influenced you and your music? Alane: So, people ask me where I’m from, and I have a really hard time answering that question because I feel like I have been hopping around the United States. I am originally from Houston, TX, with most of my memories being from the small town my family moved to when I was five. Then we ended up moving to the greater D.C. area in Maryland when I started elementary school, and I've been to many places since. I would say that the way I function is more influenced by eastern culture. But I think my rural roots planted in a more city atmosphere allow me to notice and interpret things from a very impartial perspective. My writing style is definitely reflective of my background in that I am able to create without having to heavily tie my music to a place. I see from your Insta posts that you play the guitar. Are there any other instruments you play or want to learn? Alane: Yes! I also play keys/piano. I actually started on piano and studied it as my secondary instrument in college. I would love to pick up the electric guitar eventually. I just think female electric guitarists are the coolest people. If you were an album, what album would you be, and why? Alane: That’s a really hard question… but I think my instinctive answer is ‘Give Me A Minute’ by Lizzy McAlpine. I love her music, and it is entirely my vibe. But outside of that, this was the first album I had heard that I felt was similar to my style of writing. I didn’t know people listened to that kind of music and it was a game-changer for me when I realized I could release the music I love writing and other people might find it beautiful too. Interviewed By Vanessa Siebrass FOLLOW ALANE:

I found “Here Comes the Light” to be a song that has anthem-quality power – to me, it speaks of recognizing and reclaiming one’s power, of getting back up after the fall. Would you mind sharing what this song means to you and what inspired it? Ben: This one is interesting; I've had a few people ask me if I wrote it about this or that as it can apply to a few different scenarios. That's one of the best things for me about writing music. I always try to write something that's relatable to everyone. Something everyone has experienced and can picture vividly in their minds. When songs are left a bit more open-ended, they allow for more connectedness with the listener. That said, this one I wrote very specifically about my wife and me. In fact, the album as a whole tells our story. One of our biggest struggles was dealing with our mental health, and once we were able to overcome that emotionally and physically exhausting hurdle, the light came through, and our marriage quickly started to get better. The lyric "you've got a new pill to swallow" is quite literal. I’ve read that your album Phoenix has been in the making for four years; it is both truly a labor of love and tangible evidence of your dedication to your art. What were some of the challenges you encountered during its creation, and what steps did you take to overcome them? Ben: With any record, time and money are always two of the biggest factors I think for any independent musician. Only recently did I start building my own home studio, but until then, I've had to rely on others for recording everything. I'll still continue to work with my friend/engineer/producer who worked with me on Phoenix, but at least I have flexibility. Music as a passion project on the side can always be difficult to manage, specifically with time. Having a full-time job and a family can keep you pretty occupied. In order to work around that, I would take time off from work to record in the studio during the day or found myself staying up into the early hours tracking or producing on my own. It's not perfect, but it works. As some may know, the Phoenix is a symbol of resurrection, life after death, and immortality in some mythologies; it is also associated with the sun. “Here Comes the Light” certainly follows these concepts – what other themes can listeners expect to hear on the album? Ben: The record focuses on the life and death of a relationship as well as its resurrection from the ashes. It's about searching for someone, finding them, and desperately holding on. And most importantly, it's about adversity and not giving up. For me - my wife and I - our story is the phoenix. Of the songs on Phoenix, if you had to choose only one, which resonates with you the most, or holds the greatest meaning for you? Ben: "On My Way Home" probably sticks with me the most of any other song on the record. I have a tendency to write mostly pop music, but I love and am inspired by folk music. The emotions, the production, all of it I keep close to my heart. Your website indicates that you began your musical career at the age of fifteen, which has opened the door to some incredible opportunities, including myriad live performances and supporting acts such as Collective Soul, Ludacris, and Simple Plan. Are you looking forward to getting back to live performances, and do you have any artists in mind that you would like to work with? Ben: I've been playing gigs for a very long time, and in the last few years, I've continued to do so, but mostly in settings designed more for cover songs. I really do enjoy being able to play my originals for people, and I find most of the time that they enjoy it. But finding an audience for it can be difficult, especially living in a city that doesn't have a strong original music presence. That said, I have a number of artists that I really enjoy and would love to work with. Ed Sheeran certainly comes to mind as I love his writing style, his rhythms, and rhyme schemes. My favorite songwriter, though, is from Australia, Ben Abraham. Not only are his songs catchy and downright beautiful, but his performances are full of emotion that allows the listener to truly connect to his songs. His work has been very inspiring to me, and I'd love nothing more than to sit down and pick his brain. What advice would you give to an artist that is just starting out? Ben: The music world feels almost infinite as we swim in an oversaturated sea of talent. It's hard not to find yourself getting lost in it all and wondering how one can have their voice heard. As frustrating as that can be, I try telling myself that what's most important are those connections you make with the audience that you gain. Even if only 50 people follow you on your social media platforms or buy or stream your music, you are still impacting those 50 people - and that's a pretty stellar thing. I stopped writing and performing for several years, and now I feel like I'm starting over. In a sense, my musical journey is also synonymous with the phoenix. I took a break because I wasn't satisfied with my direction or the art I was putting out. But as I've returned my focus to writing, recording, and performing, I remind myself that my reason for doing this is my love of music. So long as you love what you're doing, don't ever give up. Because at the end of the day, even if you don't know it, you matter to someone - and that is the gift that music gives us. Interviewed By Vanessa Siebrass FOLLOW BEN:

Boy I Got U On My Mind is insanely catchy and definitely a vibe, and it's a perfect song for summer! Can you share the story behind this song? theoneDNA: Hello Pop Passion Blog and readers! My name is theoneDNA, an Orange County-based singer/songwriter. Thank you so much for featuring me on your platform! I’m so stoked to hear y’all dig the song! I would be more than happy to share the origins of how “Boy I Got U” came to be. In 2019, I started writing a bunch of new material, feeling I had reached a point where I wanted to manifest something I could really call my own. Specifically, I really wanted to write a lighthearted, quirky love song. I vividly remember being in the shower (sorry, TMI!) when I came up with its hook. I immediately hopped out, itching to jump into my home studio. Within less than an hour, I had the song’s skeleton down. It was such a special moment for me, as I could not stop smiling to myself while working on the demo. I told myself, “Yes, this is it.” And thus, “Boy I Got U” was born. Fast forward to today, I feel ecstatic to share the official record, and the music video is finally out! A labor of love, I feel it was certainly worth the wait for me. I hope y’all will enjoy it, too. On one of your Insta posts, you share your struggles with OCD, anxiety, and depression. Do you find yourself channeling these emotions into your music as an outlet? theoneDNA: I appreciate you giving me the platform to talk about mental health, and continuing to normalize its importance within our society. Being someone who was diagnosed with the aforementioned, I have found myself feeling incredibly isolated and disconnected from reality. A few years ago during one of the roughest periods of my life, I felt like I was barely existing, forced to muster whatever physical and mental capacity I had left to simply make it through the day. If there was a facet of my life that really played a significant part in my own healing, that would undoubtedly be music. Music in more ways than one really saved me from my own internal demons. Music has always been and will continue to be a cathartic release for me and a way for me to recalibrate my psyche. That said, I’ve since been in a much better place, and I couldn’t feel any more grateful. I would like to take this as an opportunity to remind others who are struggling that it does, and will, get better. You are never alone in your adversities. What made you want to learn the guitar and the piano, and which do you prefer? theoneDNA: Haha, total disclaimer. I don’t play the guitar! If you thought I did from one of my music videos, that was just a prop. I guess I played it off well… :) But the piano I do play. I’m not the greatest by any means, but definitely enough to get by and write my songs. Growing up, I always wanted to pick up an instrument. I was exposed to music at a very young age, and that was all I ever thought about. I’m blessed to say my parents have always been supportive of my career choice. I remember them taking me to my first-ever piano lesson, and that was pretty cool! I’m really glad I took on these lessons as they really helped shape a foundation for me as a musician. Besides your own, what are some of your favorite songs to sing? theoneDNA: Oh my goodness, I have so many! But if I had to choose songs I love to perform live (I’m a sucker for classics, by the way), then lately it’s been “Right Here Waiting” by Richard Marx. Every time I sing this song on stage, the audience never fails to take out their flashlights and sing their hearts out. It’s always such a beautiful moment when you get to really connect with people. And that’s really the beauty of music. My greatest idol is Mariah Carey (I’ve only seen her 7 times) and I could say she plays an influence in my work. One of my favorite records from her catalog I also love to do live is “Hero”. This song will always resonate closely with me as it helped me get through some trying times. Of course, I have so many more favorites but we’d be here all day! What are some of the most memorable moments from your first studio recording session? theoneDNA: You are certainly taking me on a trip down memory lane! I believe I was 11-12 when I had my first (of many!) studio recording sessions. I remember being completely fascinated and geeking out over the recording booth and the wide array of studio equipment the sound engineer had. I told myself, “Yup, I am certainly living the dream!” Hearing your voice being professionally recorded, mixed, and mastered for the first time was truly a surreal experience for me. In a way, it also helped solidify the belief that I am meant to do this for the rest of my life. What do you feel is the key to success, both in the industry and in life overall? theoneDNA: As someone who’s been navigating through the entertainment industry for almost their entire life, I can most definitely share that consistency, determination, and not being afraid of failing (it’s how you grow!) are some of the key ingredients to success, both in one’s career choice and personal endeavors. As a firm advocate for unapologetically embracing your individuality, staying true to yourself is imperative. Take control of your narrative. The road to success will not always be sunshine and rainbows. You will constantly be tested, and more than likely bump into certain situations that will try to steer you off course. However, it is certainly more than tangible if you have that self-belief that you can achieve whatever you set your mind and heart towards. The journey may seem grueling and never-ending at times, but trust me, it’ll be so worthwhile! Interviewed By Vanessa Siebrass FOLLOW theoneDNA:

"Count the Ways" is such a cute song, and to me, it reminds me that love isn’t just a noun, it’s also a verb - it requires action. There are countless ways to express love without voicing the word itself. Please share the story and inspiration behind this song. Adeline: I was having trouble figuring out how I felt about someone. The best way I could describe how I felt was by listing all of the moments I had with this person where I really felt at home. I also absolutely love poetry, and I knew I wanted to write a song inspired by Elizabeth Barret Browning's "How Do I Love Thee?". When I started to merge those two ideas, I realized those moments were how I loved this person. I couldn't tell them how I felt, but those shared experiences were words enough. I saw on your Insta that "Count the Ways" may be one of the favorite songs you’ve written. Why does this song stand out and what makes it so special to you? Adeline: I always try to write from a very real place. But with "Count the Ways", the process of writing the song helped me figure out what my own emotions towards this person were, and I think you can hear the confusion, love, and longing all wrapped up together in the lyrics. How would you describe your songwriting process? What practices or rituals do you have to help get the creativity flowing? Adeline: I write my songs about experiences in my life that have stood out to me or really impacted me in some way. I think that raw, unfiltered emotion is what makes a song really beautiful. So, in order to tap into that, I try to be as real with myself as possible. Usually, I end up writing at night in my room, when I'm the most unfiltered version of myself. I keep a journal on me at all times during the day so I can write down lyrics or ideas that come to me. Then, at night, I take out my guitar and look over the ideas in my notebook. Then, I'll just play around for a bit and see what sticks. Who are some of your biggest musical inspirations? Adeline: Growing up, I listened to a lot of my parent's music, and I think that those voices were the first that shaped me as a musician. Billy Joel, Tracy Chapman, and The Dire Straits are some of my favorites. On the more contemporary side; Sabrina Carpenter, Gracie Abrams, Tate Mcrae, and Lana Del Rey are all beautiful songwriters that I have had on repeat lately. What is an instrument that you’d like to learn, and why? Adeline: This past summer I've been working to get better at guitar, so I'd like to master that first before I start something new... but learning how to play the drums would be pretty sick (mostly because I think drummers are the coolest people on the planet). I see on your website that you describe yourself as both a singer and an actor. What is coming next for you? Adeline: I've been acting for as long as I can remember. Right now, I've been enjoying focusing on my music, but I do still love drama and have some really cool auditions coming up that I'm super excited for. But, music is my top priority right now, and I'm so excited to announce some new music soon.... Interviewed By Vanessa Siebrass FOLLOW ADELINE:

I love the dissonance between the upbeat music and the serious nature of the lyrics in "The One Who's Crying." Do you mind sharing what, or who is the inspiration behind it? Brianna: Thank you! My co-writer/producer Brandon Lew and I really wanted to write something with that level of contradiction, highlighting the inner conflict you go through during a breakup. We had a lot of fun making it and finding that groove. At its core, “The One Who’s Crying” is about the difficulty of getting over someone you really cared for, even though they disappointed you. I’m essentially calling myself out for my inability to move on and acknowledging all the semi-toxic habits that I have picked up in order to cope with heartbreak. Your Insta has some pics of you playing both the piano and the guitar. How long have you been playing these instruments, and which do you prefer? Brianna: I’ve been playing the piano since middle school, but it never came easily to me. I often cried before my recitals until finally, my teacher offered to have me sing while she played instead. Somehow, that was way less nerve-wracking. Who knows why? Guitar is much newer to me, but I definitely prefer it. I’ve been playing for a little over a year and a half now and I just love it. Currently, my favorite thing to play is Billie Eilish’s “Happier Than Ever.” I play it all the time and my neighbors probably hate me for it. What first got you into music, and when did you know you wanted to be an artist? Brianna: Growing up, I was surrounded by music. My dad had a huge book of CDs in his car filled with every rock album you could think of (Green Day, U2, Nirvana, Queen, etc). We would blast through each of them every time he drove me to school. My mom played the piano and would accompany me as I sang from James Taylor and Billy Joel to the entire score of Wicked. Needless to say, I had a lot of inspiration to draw from. I would write songs and poems a lot as a kid but never really shared them. During the pandemic, I moved back in with my parents and just found myself spending hours at the piano writing songs just to release some sense of how confused and isolated I felt. I started to send my friends voice memos of things I had written, and they encouraged me to actively pursue putting my music out there. The rest is history. I’m truly thrilled to be receiving such incredible feedback as I embark on this new adventure. It’s literally surreal to think that a year ago, I was sitting at a piano thinking “hmm this might be cool to take a bit more seriously.” Now I have two fully-produced songs out (and more on the way…). It all feels pretty surreal. I’m so excited to see where this takes me. What are some of your hobbies and interests outside of music? Brianna: I’m an actor, so I am currently pursuing a tv/film career in LA. On my days off, I love throwing my bike into the back of my car and driving to Hermosa Beach where I ride along The Strand. I grew up in a small town by the beach so it makes me feel at home. I also love hiking, reading whatever the current best-selling thriller novel is (nothing has topped Gillian Flynn’s Gone Girl), and playing Nancy Drew computer games. Don’t knock them until you’ve tried them. They’re incredibly addictive. I see that you took a trip to Thailand. Have you considered drawing inspiration from or infusing cultural elements from your travels into your music? Brianna: Ah yes! Thailand was my last trip before the pandemic hit. It was super special. I haven’t really thought about that. Maybe one day. If anything, the experience of travel would probably draw inspiration about being completely present. We live in a world where we constantly look forward to the next thing and don’t often take a second to acknowledge and be grateful for where we are. I feel the most present in my life when I am traveling. I feel very lucky to have had the ability to see the world so early on in my life. It has definitely helped me gain a ton of perspective. If you could open a show for any artist, who would you choose, and why? Brianna: God that’s so hard. I love so many artists. I would have to say Lizzy McAlpine. She has been a huge inspiration for a lot of my music recently. Her lyrics are so honest and palpable. I also just find her extremely relatable as a person. She seems genuinely excited and grateful for her success and that’s a wonderful thing to look up to. Interviewed By Vanessa Siebrass FOLLOW BRIANNA: