These days, it often feels like we put a strong emphasis on knowing exactly what and who we are, when, in reality, life is a journey filled with self-discovery and navigating our identities. That exploration is simply part of living. And nothing requires more exploration than the pathway to realizing how we are desired by others, and desire in turn. Liang Lawrence’s latest single “Use Me” delves into female sexuality and what it means to feel wanted, sexy, or even just useful in some way, shape, or form. The track is filled with searching, introspective lyrics, splaying out the emotions that come from not knowing who you are that may cause you to instead mold yourself into those around you. But, that might not always be a bad thing– even if you’re still figuring yourself out, you can be comforted by the fact that there is power in exploration, and the discoveries made thereafter. If you like Phoebe Bridgers, Clairo, or any similar female artists in that vein, then “Use Me” is going to be right up your alley. Personally, I love the soft rock and alt pop sound, so when the track began with understated strings and temperate percussion, I was immediately pulled into the world Liang was crafting. The tentative instrumentals remain a constant presence throughout the song’s runtime, with occasional moments in the verses where they are even more subdued, but they always come back to their original mellow tune as the chorus comes back. I really loved how their strength in the chorus painted the narrator’s desire to be useful– usable, really– but nevertheless was still slightly misty and fluid, rather than highly upbeat. It worked phenomenally well alongside the track’s songwriting, which details the narrator’s want to be desirably malleable for other people. As the chorus goes: “Use me, I could be everything that you need.” As much as the song is about being everything and anything for others, it is also illustrative of the roads and unpaved pathways that female sexuality undergoes in the modern day. That tiring yet lingering need to be exactly what someone wants haunts the song, especially evident when the narrator sings, “God, I can’t keep doing this / I’ll play pretend / Give you my best lines”. It’s a back-and-forth of “I can’t do this anymore” and “I’ll do it anyways”, a confusing, zig-zag journey with no clear destination, at least at that moment. Still, there is great power in exploration; this in-between time in your life is just as important as the days when you finally know who you are. Liang does a beautiful job of condensing so many complex feelings into one song, “Use Me” being the synthesis of an exploration of sexuality and identity. Singer-songwriter Liang Lawrence grew up in eight different countries before she was eighteen, which has led her to carve a home everywhere she goes. This fluidity shines brightly through her music, which has gained listeners all over the world. Liang first taught herself to play the guitar while she wrote songs in her bedroom, and from there the initial buds of her musical career were planted. Through her songwriting, she seeks to create stories and paint the, oftentimes, messy emotions that come with daily life. Similar to artists such as Clairo, The Japanese House, beabadoobee, boygenius, and Lizzy McAlpine, her music has that soft yet raw quality that we all know and love from the indie folk and soft rock genres. Her debut single “Santa Cruz” released in 2020, and her debut EP “letters to myself” followed three years later in 2023. “letters to myself” has garnered support from BBC Radio 1 Future Pop and BBC Introducing in the South West, as well as having well over four million streams on Spotify. “Use Me” is Liang’s most recent release. If you enjoyed the song, drop her a follow to keep track of her next projects! Written By Alexa Leung FOLLOW LIANG LAWRENCE: Instagram | Spotify | Facebook | YouTube

Photo: Night Club via Bandcamp On the Ides of March (commonly known as the 15th), the electronic synth-pop duo Night Club released their fourth studio album, "Masochist." The album contains what fans would consider classic Night Club elements, such as haunting lyrics and dark, moody synth-pop; the rest explores variations that provide exciting possibilities for potential future creative endeavors. The result is a marvelously catchy collection that strikes a delicate and challenging balance - familiarity to keep existing fans satisfied, while incorporating new elements, continually evolving and expanding their talents. "Masochist" explores the darker side of themes such as toxic relationships, breakups, and the trauma that is often inflicted during the fallout. TRACKLIST Gone (Ft. MJ Keenan) Barbwire Kiss Another Side of You Crime Scene Let's Play Revenge The Lunatics (Have Taken Over the Asylum) Pretty Girls Do Ugly Things Fatal Crush Everybody Knows Black December Comprised of members Emily Kavanaugh and Mark Brooks, the Los Angeles band Night Club was formed in 2012, releasing their self-titled debut EP in September that same year. The band's second and third EPs, "Love Casualty" (2013) and "Black Leather Heart" (2014), followed in quick succession. The duo's musical credits include composing the music for Comedy Central's show Moonbeam City and the film Nerdland. LPs "Requiem for Romance" (2016), "Scary World" (2018), and "Die Die Lullaby" (2020). Night Club has also performed alongside bands such as A Perfect Circle, Puscifer, Combichrist, and Rosegarden Funeral Party, to name a few. Track 1 - Gone (Ft. MJ Keenan) Album opener Gone sets the tone for this musical journey, featuring Maynard James Keenan (of Tool, A Perfect Circle, and Puscifer notoriety).  The synth progression feels sinister and otherworldly, punctuated by heavy drum hits and a pulsating rhythm. The drama heightens as the music swells; Emily's and Keenan's voices are eerie, menacing, plaited together in a haunting harmony. The song's lyrics depict a mutually assured destruction, a scorched earth policy, becoming irreparably damaged. ‘My heart has stopped bleeding/Can’t feel it/Emptiness lives on/My heart has stopped bleeding/Don’t need it/Everything is/Gone, gone, all gone…’  This tune entrances the listener and prepares them for what lies ahead. Track 2 - Barbwire Kiss Barbwire Kiss is both mesmerizing and hypnotic, coming in second on the tracklist and the second (and final) album single. Additionally, the music video for the tune was directed by none other than Mr. Dark Mark Brooks, featuring choreography from Youlmae Kim and Neil Schwartz. The track incorporates thundering drums, an immersive synth, and an infectious refrain, creating an undeniably addictive earworm. Poetic lyrics are flawlessly delivered by Emily's enticing vocals: ‘Kiss me underneath the blood sky/I don’t even know you/You won’t let me free/Placed inside your isolation/Don’t want to escape it/Throw away the key...' This track helps to emphasize and solidify the album's pervading dark theme. Track 3 - Another Side of You The album's third track takes a minimalistic approach, featuring a simplified beat and a throbbing, entrancing bassline, accented with sparkling highlights provided via keys. The stripped-down presentation offers a more intimate tone that nicely showcases Emily's vocal talents and range. Lyrically, the song feels predatory, sultry, seductive, and enticing. ‘I dare you/I will take you to a place where you can’t hide/I won’t share you/I will show you that/My taste for you is haunting/Got me wanting/Another side of you...'.  Additionally, the singer's spoken phrases, ‘I dare you’ and ‘Show me’, are particularly satisfying ASMR-esque additions that provide an auditory finishing touch. Track 4 - Crime Scene Crime Scene, the album's first single, is an excellent representation of this collection. Featuring a heavy electronic melody, the song delivers an infectiously catchy and dark atmosphere. The mood here is mournful, dramatic, and spooky, emphasized by melancholy and somber key accents. The tune's spooky ambiance is enhanced by Emily's layered vocals and the explosive, punchy energy of the chorus, slightly reminiscent of a horror film's jump scare. The lyrics are classic Night Club, featuring macabre concepts and a darkly intense Gothic vibe. ‘Was it random/Like a phantom/Waiting in the shadows after dark/Thought I locked it/Couldn’t stop it/When I felt the pain inside my heart.’ The tune is supported by a music video that is rich with symbolic imagery. Watch it, and see what speaks to you! Track 5 - Let's Play Revenge! With a funky disco vibe and the faintest hint of mainstream pop, Let's Play Revenge is an invitingly seductive tune that packs a sensual bite. The vocal effects deepen the tone of Emily's answering lines at the start, which contrasts pleasingly against the crystalline notes of the keys. Lyrically, the tune embodies a huntress attitude, that of a feline mercilessly toying with its prey, unhurried and biding her time. ‘I got it bad, bad, bad/You know you better watch your back, back, back/I play it dirty/Yeah your sins got you runnin’/And now the end is comin’/Let’s play (let’s play)/Revenge (revenge)/Come close pretty thing get what you deserve/Taste the ashes of everything you burned...' Track 6 - The Lunatics (Have Taken Over the Asylum) The album's sixth offering sees the duo covering The Fun Boy Three's 1982 hit, The Lunatics (Have Taken Over the Asylum). This rendition primarily remains faithful to the original while simultaneously incorporating elements that make it feel instantly familiar as a Night Club tune. The result is an utterly delightful, darkly whimsical, and topsy-turvy with an almost Addams family-type feel. Featuring the vocal stylings of the Las Vegas Mass Choir for the deeply resonant hook, Emily's higher vocals pack a sinister punch. Written during the Cold War Era and the Reagan years, the uncertainties and fears of the time are captured in the lyrics - ‘Go nuclear, the cowboy told us/And who am I to disagree/Cause when the madman flips the switch/The nuclear will go for me...' Track 7 - Pretty Girls Do Ugly Things Sporting a vibe reminiscent of Lady Gaga, the album's seventh track is an energetically punchy tune. The music starts with dramatically theatric piano, eventually giving way to infectiously catchy, dark synth tones. Emily's vocals showcase sinister lyrics that effortlessly glide off the tongue, much like a malevolent sorceress feverishly breathing life into an incantation - ‘Cut you like a razorblade/Play you like a masquerade/Suicidal hand grenade/She’s to die for/Hunt you like a criminal/Eat you like an animal/Homicidal cannibal/Do you want more?’  And these, ‘Burn you like an effigy/Swallow you like ecstasy/Narcissistic fantasy/She’s to die for/Smoke you like a cigarette/Choke you like a lariat/Fatalistic tourniquet/Do you want more...' Track 8 - Fatal Crush This delightful number is reminiscent of Can't Get You Out of My Head by Kylie Minogue, making it an excellent dance-along tune (as are most of the tracks, to be fair). A peppy, contagious beat punctuated by staccato synth and various additional sound effects contrasts nicely against the more somber and perhaps melancholy vocals. The lyrics here speak to the knowledge that one is entrenched in a cycle of dysfunction; much like a struggling addict, they have not only failed to extricate themselves from the situation, but they have become helplessly addicted to the chaos - ‘I’ve been waiting for you/My strange heart needs so much more of you/More of you, more of you, more of you/Now my desire’s not enough/I’m getting higher, burning up/You’re like a fire I’m dying to touch/A fatal crush...' Track 9 - Everybody Knows A pulsing, disco-inspired bassline, dark, moody synth, and the anguish in Emily's vocals deliver a broody, sorrowful track. The sensation of anxiety, coupled with the fear of having one's most profound secrets exposed, is tangible, punctuated by a rhythm mimicking an increased heart rate. There is a haunting sense of despair entwined throughout the vocal lamentations and the song's lyrics - ‘I've become a ghost of me/Haunted by anxiety/Everybody knows/And everybody knows/It's made a host of me/A living cemetery/...Can you feel their spell/Secrets that they tell/Feeling so unwell again/Can you call someone? Emergency/There's something fucked up inside of me/I want to report a casualty...' Track 10 - Black December The final track is a marked departure from the synth-driven, heavily electro-influenced theme throughout the rest of the album. A stripped-down ballad comprised of delicate piano and orchestral nods, this offering showcases the poignant vulnerability of Emily's vocals. Her voice, laden with sorrow and regret as she relives this agonizing experience, is hauntingly beautiful. ‘You said/See you again when/Spring can hide our shadowed ground/Still see my shadow now/And it’s getting older/Alone/With only memories/Of a king who lost his crown/Dethroned/Ruling a part of me/Buried underground...' "Masochist" is an album that is not only unafraid of taking a deep dive into darkness and all its facets but is then elevated by the duo's talents and artistry, resulting in an auditory treasure trove of catchy, relatable songs. If you have yet to listen to it, you are doing yourself a disservice. Check out their YouTube channel - Night Club has amazing, darkly imaginative videos rich in symbology and hidden details. Although the duo just concluded their "Masochist" tour with Rosegarden Funeral Party on the 19th, you can keep up to date on all the latest by following them on social media. Written By Vanessa Siebrass Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *Copyright not intended. Fair Use Act, Section 107.

Let’s take a look at Sara Ángel’s brand new enchanting single entitled, “The Script.” The entire track plays on the metaphor of a previous relationship to a written story or “script.” As a result, many lyrics contain layered figures of speech. For example, one of the first lines of the song reads as follows, “Did you simply replace the character played by me by hers truly?” Here, Sara not only integrates the metaphor of the song seamlessly, but explains her role has been filled by someone else without much thought or consideration. Sara Ángel herself had this to say about the meaning of the track, “This song is about seeing the special moments you created in your past relationship being recreated with someone new, post breakup.” Comprehensively, the entire song does an excellent job of displaying its themes of conditional love and disposability inside succinct and well-written lyrics. Another great example of this is the following line, "I wonder if she knows how the story goes." These words directly address the next victim of "The Script." Consequently, many listeners will be able to relate to the disheartening feelings Sara is grappling with in “The Script.” The emotional tone of the song carries a mixture of sadness and reflection. This is as a result of the evocative piano instrumentals and passionately smooth vocals of Sara Ángel. The drums on “The Script” become increasingly more prevalent as the track meets its crescendo. Perhaps this could also be mimicking the feelings of frustration she felt throughout the relationship which the song concerns. The drums work to dramatize the music; this choice fits perfectly with the consistent use of a metaphor to plays or scripts. Although, one thing to take away from this review is Sara Ángel’s fantastic voice. It definitely elevates the track to another level. Sara Ángel’s impressive bilingual discography showcases her vocals in both Spanish and English. Her music catalog is filled with lots of hits with some of her most successful being “Might sound Crazy” and “Creo Que Voy A Llorar.” Sara has accumulated an impressive 5k monthly Spotify listeners and 23k Youtube subscribers. As stated previously, her vocals are truly something special and it certainly won’t be surprising to see her continue to gain traction in the music industry. If you listened to “The Script” and are as impressed as I am, use the links below to follow Sara Ángel on all of her social media. Hitting that follow button ensures you will stay up to date with her latest releases and don’t forget, your support helps artists continue to create the music you love! Written By Casey Hascup FOLLOW SARA: Instagram | Spotify | TikTok | YouTube

The first words we hear are “Blame my brain, don’t blame me.” Nette’s “Blame My Brain” is a fun way of detaching your actions from yourself/body. It was my brain, not me. I can’t control the thing. Nette also proclaims “Maybe it’s how I was raised.” The grand old “nature vs nurture” argument. Nette implores her love interest to see past her actions and try to understand that her habits that she has are written into her DNA at this point in her life. It’s not necessarily a reflection of how she feels about her love, but how she processes love or even the prospect of it. It’s a sad tale of unhealed past traumas rearing their head and affecting her future. “It’s ingrained, I can’t change. It’s instinctual.” Nette is fully convinced that she is set in her ways atop a killer beat and instrumental. It makes the listener want to dance but also makes us question why she feels this way. She speculates throughout the chorus - “Maybe it’s how I was raised or how I dealt with the pain.” So, we get a glimpse into the cause of this feeling of hopelessness and despair. Regarding the inspiration behind the song, Nette has stated “If you ever thought you might be a little dysfunctional - don't worry it's not you! It's your brain! Blame My Brain was written and produced by Nette and The Renaissance and is a fun, sparkly swiftie-inspired pop jam about our silly brains.” Relationships are a tricky venture to embark upon but can be well worth it with the right person. Perhaps Nette feels she has found that right person but recognizes that she still has some work to do herself to also be the right person for them. So, while it can be seen as self-deprecating, these lyrics can also be seen as therapeutic, Nette is realizing a problem and that’s the first step to recovery. Perhaps, this was her first step in the right direction towards healing her inner child that dealt with the pain the only way they knew how. This song can be seen as Nette’s way of asking her love to be patient with her, to look beyond the surface of her wayward actions and see who she really is, underneath it all. There are so many ways to broach this subject and Nette leaves the door open for any and all interpretations with the lyrics as well as the music behind this banger. Nette is a singer, songwriter, and producer whose career blossomed in Vancouver, Canada amidst her receiving listening ears thanks to her quirky storytelling and impeccable vocals. Nette has described herself as someone who writes and produces “cute little pop songs.” Her musical style is most often associated with mainstream pop music that is energetic as well as moody. Nette’s songs are described as covering a wide array of subjects such as self-discovery, self-doubt, and the all too familiar personal struggles. Nette describes herself as a girls’ girl and has been breaking into the music scene as both a producer and singer since 2021. Nette’s online presence boasts hundreds of thousands of followers across Facebook, Instagram, Spotify, Tik Tok, and YouTube. If you don’t mind blaming Nette’s brain for this banger and want to hear more from her brain, follow her at the socials below! Written By Keiunna Thompson FOLLOW NETTE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

"I Think It's You," Shane Rennison's latest indie pop-rock offering, rings with an emotional clarity that slices through the heart of a complex narrative, a song that unravels the tangled yarn of introspection that often accompanies the tail end of romantic relationships. Rennison, in his vivid storytelling, confronts the gut-wrenching realization that sometimes the source of disharmony isn't a reflection on oneself but lies in the imperfections of one's partner. Verses laden with poignant elegance and relatable scenarios depict the soul-searching journey after relentless, albeit fruitless, attempts at mending "what's broken," leaving one ensnared in the throes of acceptance. It's a song that evokes the universal experience of grappling with the intricacies of love, marked by an epiphany that becomes both the closing of a chapter and the start of a path paved with resilience. The sonic landscape of "I Think It's You" transports the listener into the core of Rennison's artistic vision—a seamless blend of indie rock rawness and the slick, engaging pulse of hip-hop rhythms. The music cascades from gentle guitar melodies into a robust orchestration of drums and synths, each layer conveying the mood of contemplative fortitude. Rennison’s voice, a rich instrument in itself, displays a malleable range that shifts from vulnerable to potent, infusing each lyric with impassioned authenticity. The instrumental palette and Shane's vocal performance conspire to evoke feelings that range from somber reflection to a spirited resolve, capturing the essence of confrontation and the charged calm that follows the storm of realization. Shane Rennison carries the verdant beauty of the Catskills with him, channeling the soulful energy of his Upstate New York roots into his music. His genre, an alchemy of indie pop-rock imbued with elements of hip-hop, reveals a versatility that only serves to underscore the breadth of his talent. With a foundation built upon diverse influences, his original songs and renditions of eclectic covers showcase not just a musician, but a storyteller whose journey began with the strum of a guitar and the beat of a drum. As he primes his fans for the release of his upcoming album, 'IRRATIONAL,' set to drop on June 28th, 2024, Rennison stands poised to unfurl a wealth of new tracks that promise to both stir the soul and raise the spirit, continuing to build upon his catalog of authentic and stirring musical narratives. Written By Megan Cao FOLLOW SHANE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Brand new dark alt. pop artist from California, Kristina Rossi, has taken the next big step in her music career by releasing her debut EP, "Rings of Saturn". Kristina broke into the scene a few months ago when she released her first ever single, "Borderline" which jumpstarted the anticipation for this new EP. Going on to release 2 more singles, "Off Limits" and "Think About You" just in the span of a couple months, Kristina has already managed to gain thousands of streams across all platforms. Featuring two never heard before tracks, "Rings of Saturn" is just the beginning for Kristina Rossi. TRACKLIST Rings of Saturn Think About You Bittersweet Off Limits Borderline Rings of Saturn Opening up the EP, we have the title track "Rings of Saturn". It's meant to be a short introduction for what is yet to come for the rest of the project. "Rings of Saturn" is impressively self-produced, and is about stepping into your main character era where you put yourself first and follow your passions, regardless of how others feel about it. However, transitioning into that mind set is still accompanied with fear and insecurity. This track may be short, but it raises the bar and gets you pumped for the rest of the EP due to it's high-energy, EDM production and electro-pop soundscape. Think About You "Think About You" was the third single released and the last stand alone track in anticipation for the EP! "Think About You" is about those post-breakup thoughts where even though your relationship is over, you still find yourself thinking about them and what could've been. Some you also wonder if they ever think about you too, even though they broke your heart; And all though they're still stuck in your mind, you know deep down that they're not good for you and it would've never worked out. "Think About You" is a catchy, radio worthy track that blends styles of pop, RnB and EDM. Towards the end of the song, the groove shifts into a fist-pumping beat; perfect for that "crying in the club" type of night where you need to dance out your emotions. Bittersweet Considered the focus track of the EP and one of the two never heard before songs, "Bittersweet" is about those types of manipulative relationships where a person is really good at masking their toxic behavior behind false positivity. When you think of the word bittersweet, you usually think of something you can still find some good in; but Kristina uses plays on words, singing about how she can't be fooled by the fake niceness. No matter how much sweetness this person tries to portray, they'll always be bitter underneath. You can sugarcoat them, pour honey on them, add a little artificial sweetener to them and it still wouldn't be enough to cover up who they truly are. The song was co-written by Kristina with Miriam Kristoffersen and Peter Von Arbin. With their artistic chemistry, they put together relatable, vulnerable and emotional lyrics to accompany the dark and haunting electro soundscapes and production. Off Limits "Off Limits" is the second single, not only off of the EP but ever in Kristina's discography so far! This track is a dreamy pop bop about having feelings for someone that you can't have, particularly someone you're close friends with, due to them already being in a relationship. That person may even have feelings for you too, but you keep them off limits because you don't want to be that kind of person who crosses the wrong line. So you're asking yourself, why do they continue to be with someone else when they know they should be with you? With a hip-hop feel to it's beat and hazy synths, "Off Limits" is already a fan favorite and Kristina's most streamed song due to the attention it got from Fletcher fans on TikTok and it's spot on Spotify's editoral playlist, Goosebumps. We wrote a full, in-depth review on "Off Limits" which you can read here! Borderline Kristina's debut single, "Borderline" serves as the closing track of the "Rings of Saturn" EP. "Borderline" concludes the main theme of the EP, which is breaking out of toxic situations and realizing your worth. It's an anthem of empowerment, knowing that you're right on the edge of breaking free from someone who is not good for you anymore. "Borderline" features gentle, soft vocals and poetic lyrics that flow stunningly through the dark electro-pop soundscape. This song was completely self-written and produced by Kristina, really showing off her talents as an individual. We wrote a full, in-depth review on "Borderline" which you can read here! Kristina Rossi isn't playing any games. She's stepping out into the music world and claiming the spotlight as her own. From debuting as an artist to releasing a 5-track EP within just a few months, Kristina has already made an impact on pop music fans with her cathartic production style and emotionally relatable lyricism. "Rings of Saturn" is such a strong, empowering project and is a great start to what is yet to come for Kristina. When speaking about the EP, Kristina expressed, "I want my music to be a catalyst for others to step into the spotlight - we all have a story worth telling, and this project is a reminder that it's never too late to be the main character". Written By Kaitlyn Nicole FOLLOW KRISTINA: Instagram | Website | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Madeleine Rauch opens up on her latest single, Something Real , delving into the anxiety and self-doubt encountered when taking a leap in pursuit of chasing your dream. The "celestial RnB" track is based on Madeleine's own experiences as an artist in the world of music and harps on the importance of pursuing your passion despite the obstacles laid forth before you. Rauch's raspy vocals encapsulate the entire aura of this ditty as she sings out "Something real, Something that frees my mind and makes me feel, Something that breaks the spell and makes me feel" – exemplifying the catharsis that stems from pursuing a personal passion. Something Real was released on Jashua Tree Records and is available now on all streaming platforms – make sure to keep an eye out for the music video, which should be dropping any day now. The introduction to Something Real opens with clean guitar and synth pads, before drums chime in following the commencement of the first chorus. Ultimately, the track's instrumentation is rudimentarily very RnB, with classic trap hi-hats hitting in the second verse to add a nice modern touch to the vibe of the song. Madeleine's vocals are tastefully stacked together on the hooks, keeping the listener engaged to the point of wanting to sing along with every word. Rauch adds vocal runs and ad-libs as the song goes on to fill out the vocal arrangement, before a fading chill synth closes out the outro to the tune. In summation, Something Real is downtempo with smooth production that leaves plenty of space for Madeleine's voice to take center. Madeleine Rauch is a Los Angeles-based singer-songwriter known for her iconic booming vocals and RnB-inspired harmonies. Rauch cites Stevie Wonder, Aretha Franklin H.E.R., Snoh Aalegra, and Nao as some of the biggest influences on her current sound. Born and raised in Germany, Madeleine's musical journey started at the age of five when she began singing in her children's church choir – thanks to being inspired by the late, great Michael Jackson. These days, Madeleine has a Golden Record Award under her belt and can be found playing arena tours with the likes of Miss Platnum and Marteria, and performing at some of Europe's biggest festivals – including, Lollapalooza, Sziget, Hurricane, and Rock im Park. Her singles Obsessed and Far Away have already garnered close to half a million views on YouTube, along with critical acclaim from The Word is Bond and LeFutureWave. Rauch also sings under the alias Maraux, where she has collaborated with producers IMKK and Arpad on the single When You Look At Me , which has accumulated over two million streams on Spotify, alone. Written By Dan Caddigan FOLLOW MADELEINE RAUCH: Instagram | Spotify  | Website  | Facebook  | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

The latest single from Bermuda Search Party, "Asking 4 a Friend," is a poignant exploration of the bittersweet memories of a relationship that has reached its end. The lyrics paint a vivid picture of the longing and nostalgia that lingers in the aftermath, as the narrator reflects on the fleeting moments of intimacy and connection they once shared. The song's mellow, introspective tone is perfectly complemented by the lush instrumentation, which features a delicate interplay of piano, strings, and atmospheric textures. The emotive vocals convey a sense of vulnerability and raw emotion, drawing the listener in as the narrative unfolds. The repetition of the chorus, "We're the makings of a memory, warm silhouettes," reinforces the idea that the relationship has become a cherished memory, a bittersweet reminder of what once was. The song's style and structure exude a dreamy and contemplative mood, with ethereal textures and emotive vocals that tug at the heartstrings. The use of poignant lyrics layered over a melodic backdrop creates a captivating atmosphere, drawing listeners into a reflective journey. Instruments like gentle guitar strums and subtle percussion enhance the emotional depth of the track, enveloping the audience in a serene sonic landscape. This track creates a contemplative and melancholic mood, inviting the listener to reflect on their own experiences of loss and heartbreak. The music wraps around you like a comforting embrace, with soft textures and a gentle melody that tugs at the heartstrings. Bermuda Search Party are a band who met each other and formed while studying at Berklee College of Music . Consisting of the artists Leo Sun (singer/songwriter & guitarist), Claire Davis (singer/songwriter & bassist), Maclin Tucker (trumpetist & keyboardist), and Hoyt Parquet (trombonist), Bermuda Search Party are performers at heart and have played hundreds of shows all across America. They officially debuted in 2019 with their single release, "Willow" which has amassed millions of streams. Right now, they are working with music producer Eric Palmquist for the next chapter of their journey. "Asking 4 a Friend" is their first single of 2024, and I can't wait to hear what else is to come! You too can experience the enchanting journey that "Asking 4 a Friend" offers by listening to it on Spotify in the link down below, and you can also watch the song's official music video above. If you would like to continue following Bermuda Search Party's musical journey and stay up to date on their latest releases and upcoming tour dates you can follow them on all of their social media platforms in the links below. You guys know I won't ever lie to you when I say you won't be disappointed after listening to this enchanting song. Written By CJ Taylor Revised by Kaitlyn Nicole FOLLOW BERMUDA SEARCH PARTY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Photo: Billie Eilish - HIT ME HARD AND SOFT via https://store.billieeilish.com/ Billie Eilish is a musical phenomenon. She took the world by storm in 2019 with her debut full-length album, When We All Fall Asleep, Where Do We Go? The album’s success earned her five Grammy Awards, including Best New Artist and Album of the Year. From that moment, everyone knew that Eilish was one to watch. Each new release is highly anticipated and her latest album, HIT ME HARD AND SOFT is no exception. Her third record has already been deemed a fan favorite by many listeners, containing 10 tracks that showcase a new side of Eilish that has not yet been heard. Track List SKINNY LUNCH CHIHIRO BIRDS OF A FEATHER WILDFLOWER THE GREATEST L’AMOUR DE MA VIE THE DINER BITTERSUITE BLUE SKINNY Eilish kicks off the album with a hauntingly beautiful ballad that delves into the singer’s insecurities and her experience with body image and growing up in the spotlight. Throughout “SKINNY”, her profound lyrics give the listener insight into the inner workings of the singer’s mind. Being in the limelight, the media and the general public think it is acceptable to comment on the appearance of others. In the first verse, she mentions the song’s title for the only time: “People say I look happy// Just because I got skinny// But the old me is still me and maybe the real me// And I think she’s pretty.” She has noticed public opinion on her and the way she is treated has changed based on her looks. But she is the same person she always was. As she continues in the song, she utilizes clever metaphors to reference her experience with feeling trapped in a cage, accompanied by the sound of a crowd screaming at a concert, or being in a controlling, power imbalanced relationship. “SKINNY” gives the listener an opportunity to know where Eilish’s headspace is before she delves into nine more tracks that explore her life in the past three years since her last album. LUNCH “LUNCH” is an incredibly infectious track that immediately enthralls the listener and makes them want to dance along. Eilish utilizes a unique production choice that she used on previous albums, where the beat began at the end of “SKINNY’ and continued into “LUNCH”. She utilized this on her first album when “bury a friend” transitioned into “ilomilo”. Eilish continuously creates songs that keep the listener on their toes. Her albums are not just a simple collection of songs, but a cohesive masterpiece that is made to be played in order. Eilish first teased snippets of “LUNCH” at Coachella 2024, giving her listeners a glimpse into the album. The catchy song is her first outwardly queer song since coming out within the past year. Regarding the song, she told Rolling Stone it helped her understand her sexuality and identity better. With the cheeky lyrics and bouncy production, “LUNCH” is on its way to becoming the song of the summer. CHIHIRO The third track has such an abstract and unique soundscape that is simultaneously very different from other Eilish songs while also maintaining her distinctive experimental sounds that fans initially fell in love with. “CHIHIRO” is a reference to the 2003 film, Spirited Away. Much like the movie, the track contains an ethereal element that takes the listener to another world as they immerse themselves in the song. Throughout the track, she continuously makes references to the namesake, bringing excitement to fans of the film. Meanwhile, Eilish showcases her stunning vocals alongside psychedelic build-ups that float the audience into orbit. The song ends with an intense production explosion that suddenly cuts off, followed by one final vocalization to stun listeners. BIRDS OF A FEATHER “BIRDS OF A FEATHER” is another song distinctively different from all other music she has released. The soft, indie-pop instrumentation with an upbeat melody instantly caught my attention. Throughout the song. Eilish showcases her vocal range, showing a different side that she has not utilized before. Rather than her soft, airy vocals, her voice was more rounded and fuller, showing that she can sing any style and genre. The song discusses a relationship that is perfectly made. She uses the popular idiom: “Birds of a feather flock together.” She is telling her muse that their similarities are what makes them perfect for each other. The unforgettable soundscape, stunning vocals, and sweet lyrics are what made “BIRDS OF A FEATHER” my initial favorite track. WILDFLOWER “WILDFLOWER” is another incredible track that contains elements of indie-rock, folk, and pop, making it one of my favorite instrumentations of the album. Alongside the emotionally charged production, Eilish shares her experience of comforting a girl after a break-up, only to get together with her ex. The singer describes the guilt and shame she holds in the back of her mind, and her inability to stop thinking about the girl she is betraying. The song starts soft, lulling the listener into a sense of serenity and comfort before the song builds into an intense, passionate soundscape that showcases her desperation and anxiety. At the end of the final chorus, the guitar strums indicate the ending of the song. However, after a few seconds, the guitar returns, and Eilish’s stunning vocals use an empty hallway reverb effect to repeat the vulnerable bridge, bringing an emphasis to the heart-wrenching lyrics. This second ending to the song is another classic Eilish production, always leaving listeners guessing. THE GREATEST As a lover of gut-wrenching break-up songs and soft, folk-rock style soundscapes, “THE GREATEST” is another song that caught my attention from my first listen. Eilish delves into a relationship where she was constantly giving and her partner was constantly taking. There was an imbalance in their dynamic, and she was constantly putting in more effort. She introduces this idea immediately with the lyrics: “I’m trying my best to keep you satisfied// Let you get your rest while I stayed up all night.” She was constantly making sacrifices for the subject, while they wouldn’t even bat an eye. In the chorus, she sings the tongue-in-cheek hook, “Man, am I the greatest?” She knows she is worth more than she is being treated. In the outro, she repeats this and follows up with, “God, I hate it// All my love and patience// Unappreciated.” She has finally given up on this person and is not afraid to showcase her resentment toward their selfishness and apathy. She ends the song with a twist on the hook: “I shouldn’t have to say it// You could’ve been the greatest.” She tells her subject that if they had put in an effort and treated her the way she deserved, they could’ve been the greatest too. Their love could have been epic, but instead, they fell short of this feat. “THE GREATEST” is not only my favorite song on the album, but also one of my top Eilish tracks ever due to its complex lyrics and powerful production. L’AMOUR DE MA VIE “L’amour de ma vie” is the French translation of the phrase, “The love of my life.” However, Eilish uses this phrase as a sarcastic ode to her ex-partner, stating that they are no longer the love of her life—or perhaps they never were but she definitely was theirs. She conveys a tone that displays this cheeky attitude. The first half of the song has a steady coffee shop production that effortlessly guides the listener through the song. Then, with only two minutes left, the soundscape transitions to a sudden change in the iconic Eilish fashion. The music turns into a dance-pop, electro production with heavy vocal effects. This instrumentation is the exact opposite of the first half’s natural instrumentals. Listeners are shocked by this change and intrigued by Eilish and Finneas’s unique musical composition that does not stick to one genre. THE DINER “THE DINER” takes another page from Eilish’s past releases. Similar to “bellyache” from her EP, don’t smile at me, which shares the narrative of a murderer, “THE DINER” is from a stalker’s perspective. However, while “bellyache” is a fictional story, the new song is about the singer’s experience with stalkers. Unfortunately, an aspect of being in the limelight is being stalked and threatened by strangers, some who believe they are in a relationship with the celebrity. Eilish steps into their shoes and describes their delusions. Throughout the song, there is an effect on her vocals that makes them seem distant, emulating a stalker looking in from a distance. They want to get closer, but they are kept away, maybe due to a restraining order or a large security fence. However, this does not stop them and things only progress. After Eilish sings the lyrics in the bridge: “I saw you in the car with someone else and couldn’t sleep// If something happens to him, you can bet that it was me,” sirens can be heard in the background, bringing the story to life. “THE DINER” serves as a reminder to fans that there is a fine line between being a devoted supporter and an obsessive stalker. It is a cautionary tale to remind them to not let the parasocial relationship drive them to extremes. BITTERSUITE The title of the ninth track is a play on the word “bittersweet.” The song is very different from anything she and Finneas have ever written, from the unique sections of different instrumentations to the style of music. “Bittersuite” is incredibly abstract and was an experimental track for the power collaborating siblings. There were times throughout the song that I had not realized I was listening to the same track because of just how distinct each section was. Toward the end of the vocal section of the multilayered track, Eilish sings, “L’amour de ma vie// Love so bittersweet/Open up the door for me.” While the middle line utilized this song’s title for the only time, the first line recalls the previous track of the name, and the last line was a lyric from “CHIHIRO”.  This is not the first time she has done something like this. On her debut album, her final track “goodbye” referenced each song in reverse order. It is a unique addition that I have not heard any other artist do, and it brings me joy to hear Eilish do it again. BLUE Continuing with the references to previous songs on the album, “BLUE” upholds this clever process. In the verse, she references “BIRDS OF A FEATHER”, “L”AMOUR DE MA VIE”, “THE GREATEST”, “CHIHIRO”, “WILDFLOWER”, “BITTERSUITE, “SKINNY, and “LUNCH”. Since not every one of these songs are referenced directly by title, it takes a few listens or read-through of the lyrics to grasp this. However, once you do, you cannot unhear it. And it becomes something lodged in your mind. Eilish has once again ended her album with an ingenious nod to all the songs on the album, wrapping the entire project up in one final, neat bow. HIT ME HARD AND SOFT is another flawless addition to Eilish’s stunning discography, showing off a new side of herself while simultaneously calling back to her roots. Rather than erring on the side of caution and making radio-friendly tracks, the singer has delivered songs that are authentically her and what she enjoys. This is one of my favorite aspects about Eilish. Instead of catering to the general public, she releases what she finds relatable and interesting. This is what initially drew her fans to the artist. From her unique aesthetics to everchanging, nonconforming sounds, Eilish has once again proven her absolute stardom. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. 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Toxic love can be detrimental. It can leave destruction far more harmful than a calamitous storm, leaving its venomous mark– making it unforgettable. Yet, through all the destruction that is left, all the damage its poison had left behind– toxic love can also be immensely addicting. As time passes, the hurt we’ve gone through will be long diminished and ebbed, and all that we are left with are the feelings of desire, yearning for the love we once experienced despite the superfluous bedlam it might have caused. Akin to ‘forbidden fruit’, we fall into temptation, and before we are even made aware, we are back in the harrowing palms of toxicity, longing for more of its venom. ‘Venomous’ by Riya Gadher is an addictive sound that will leave listeners not only craving for more of Riya’s beautifully gentle voice but also finding themselves resonating with such elaborate lyrics that are cultivated from the deepest sentiments of Riya’s very own heart and ingenious mind. Masterfully created, ‘Venomous’ is a song that we may all painfully find ourselves connecting to. The sound is infectious, blending between a compelling rhythm and a tempo that is sure to hook its listeners in just the very first few seconds the song even begins, with a skillful sound of piano keys that pull at the strings of our hearts. Riya’s voice is what’s sure to leave us wanting more, innately talented, it acts as a ravishing susurration, echoing throughout our bodies, leaving us with chills– her talent for music is undeniable. The music video takes us through a few different scenes, with Riya being the center of our attention. We watch as she mouths the lyrics to such a raw song, her emotive countenance portraying just how much these lyrics must mean to her, and how much she wants the message of the song to impact her listeners. Whether or not we find ourselves relating to the song, we just can’t help but sense the powerful message the vehement lyrics express. Riya Gadher, the talented singer behind ‘Venomous’, is a singer and songwriter based in the United Kingdom. Although she was born and raised in Leicester, she now lives in London. Riya has had a passion for music for quite some time, earning her degree in songwriting and performance. For five years, Riya has been quietly working her way up the ladder, officially debuting her career as a singer in 2023! Riya has also created more catchy tunes, including ’Venomous’ ‘Own Way Home’ and ‘You Take up My Songs’, all with meaningful lyrics that tell a story and showcase Riya's innate talent. She’s an exceptionally young talent with a burning passion that only continues to expand. I can’t wait to hear more of her addicting sound! Follow her socials to stay updated with any new releases and exciting updates! Written By Rosalyn Sanchez FOLLOW RIYA GADHER: Instagram | Spotify | TikTok | YouTube

Brilliantly introspective and reposeful, “Blue,” by singer-songwriter Anna Josephine perfectly captures a poet's heart laid bare. And to our grateful ears, Josephine has presented her song as a lyrically soothing sonata, a lullaby of plucking heartstrings, and an ephemeral moment. Pressed with winter shades and dreamy vocals, “Blue” resembles its title with delicate scenes of short-lived moments and the sting of their passing. “Hollow chest and restless eyes / Room more empty than before” Josephine lulls, “Precious daylight / Mid-December.” Moving and soft, “Blue” finds you wrapped up in an empty bed, filled with memories of it once being occupied by another kindred spirit. She sings, “Strain to listen through the fog / What’s another minute more.” “Blue” captures precious moments and the longing to keep them before they float away. Wrapped in a simple acoustic plucking of delicate notes and a sweet, melancholic melody, Josephine delivers a “Blue” mood with a touch of soft vocals. With a soothing and tranquil voice, Josephine carries the song along like a calm flowing stream of water. Though the lyrics hit on heavier themes at moments, “Take again, another bite / Edibles won’t save you from your fears,” Josephine skillfully balances it out by keeping the song lighter in tone. Cut-up memories are scattered throughout, compelling us to piece together an unsolved puzzle, worn down by time and use. Lyrically we are left to pick up the pieces, step back, and fully see the bittersweet moments come together. Through the second chorus and bridge, angel-like harmonies are heard behind Josephine, adding to the faint dreamlike landscape, a dream quickly washing away, as we're left with only sorrow at its disappearance. Simple and pensive, “Blue” is beautifully crafted, soul-baring, and appreciatively authentic. Anna Josephine is a pop-folk singer and songwriter known for her unique lyricism and indie sound. Josephine's past singles showcase her talent in story writing through folky tunes such as “Sweeter Than Reality” and “Lovesick Lullaby.” The Brooklyn-based singer hits on realistic themes of heartache, love, and finding oneself. Through her music, Josephine has proven to be honest and sincere with her lyrics and her music always shines through with her originality. Labeling her new music season as her “Blue Period,” listeners are given a taste of her poignant poetry and melodic voice as we are left craving for more. “Blue” sits with a quiet magnitude, and I eagerly await what else Josephine will pull from her pockets. Check out her single "Blue" below! Written By Mia Chavez FOLLOW ANNA JOSEPHINE: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Sweet Dreams is the latest single by pop artist, Ronald Morrera. The track was released after an almost year-long hiatus where Morrera made the decision to keep pushing through and making music despite many hurdles in his way. The song tackles issues such as body image, identity, and self-acceptance. Morrera stated in a press release that he hopes the song's narrative "resonates with individuals navigating their own paths of self-discovery." Morrera tells the story of feeling self-conscious after being cheated on. He reveals his insecurity through lines like, "I'm just the guy on the side that you like." He also talks about how he wants this person so badly, but is upset that he can't have them when he sings, "Sweet dreams got me dreaming of you/I scream learning that I can't have you." I really liked his angle on this track because it's rare to hear male artists addressing topics like mental health and self-esteem issues in their music. It's a breath of fresh air on the traditional breakup song and I was a fan. Much like the majority of Morrera's other songs, Sweet Dreams is a 1980s-inspired synth-pop anthem. The upbeat synths lead the track and give it the 80s flair that artists like The Weeknd and Dua Lipa brought back over the past few years. The vibes of this song might just send you back in time and get you out on the floor at the roller rink. Sweet Dreams also features a prominent bass riff throughout the song, giving the song a little bit of a jazz influence. The fast-paced drum beat keeps this song modern with its Timberlake-esque R&B energy. Morrera's voice is one of the most unique voices I've heard in pop music. He combines the styles of Sam Smith and Usher to create a sound that I could easily see on hundreds of summer smashes. Long story short... it's a banger. "I wrote Sweet Dreams at a point in my life where my eating disorder was slowly getting the better of me. Being fat, gay, femme, and Asian was kinda hard," said Ronald Morrera in an Instagram post regarding the song's release. This Filipino-Canadian artist started releasing his music amid the pandemic with his debut single, Call Me . He released several other singles throughout 2022 and 2023 and has played iconic stages and events including the JUNO Awards. Morrera may have taken some time away from the spotlight, but he is ready to share his story. "I am a bad b**ch. But I'm also an introvert and a softie. One day I'll write some c**ty gay pop music for you all, but for now, I am bearing my heart to you." To hear a little bit of Ronald Morrera's heart, stream Sweet Dreams now and make sure to keep an eye out for his next big hit. Written by Jordan Elliott FOLLOW RONALD MORRERA: Instagram  | Spotify  |   TikTok  | Facebook  |   YouTube