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"+1" confronts holding on to a relationship out of the comfort of being desired rather than because of love. Settling instead for the dutiful relation of being a plus one, the singer requests, "for a few hours, please be mine." Preferring to keep her true realizations buried rather than accept the truth that "I am just a plus one that you call when you’re alone," the artist pleads with her placeholder, "Why won’t you let me try to be everything that you want and need," or, at least, "can you stay till the morning." B. Miles does a stellar job conveying the desperation of a yearning to be someone's everything. So much so, that one is willing to lose themselves in the process of seeking that validation expressed bluntly in her lyric, "If you want fake, I can fake it right." An effect of inserting a VHS into a player sets the stage for B. Miles's single "+1." Miles's voice sings like honey spreading over a smooth blend of loose percussion, subtle saturation, and a fuzzy sonic atmosphere. The textures of sound lend themselves to the emotional and contemplative lyrics Miles wrote for the single. She creates a whimsical eeriness through the swirling sounds of lofi-adjacent modulations that appear heavily in the introduction and throughout the track. This track exists in a soft spot of Miles's discography, musically and lyrically exposed. It's been ten years since New York-based artist B. Miles released her first EP, "Twenty Fifteen." In her own words, Miles says, " Most of what I’ve written over the last decade feels like smoke leading me back to the same flame." About her new album "Time Doesn't Heal. It Hides." she states, "The songs I’ve written since seem to fold into that EP, like they were always part of the same story...Together, these songs form an album that tells the story I’ve been circling for a decade.” The artist's sound has been described as “a bridge to pop music’s future” (Ones To Watch), "universally addictive" (Nylon), and "giving us the language when our emotions are hard to explain" (Refinery29). B. Miles is unafraid to dive headfirst into her past, taking listeners along to uncover hidden truths. Written By Azalea Withrow FOLLOW B. MILES: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Being an over thinker is living with a brain that chronically overthinks and spirals. The constant fear that you’re too much for anyone to stay. You see the patterns and know you’re at fault for your own wreckage but it’s hard to step away from old habits. Goof released their new song “ZOMBIE” that puts a witty twist on agonizing thoughts. The chaos of mental health and the line between what happens in their brain versus reality. It’s an apology laced in sarcasm that is just as catchy as it is brutally honest. If you’re a fan of dark humor and prone to falling into your own head, this track if for you. “ZOMBIE” is a high energy alt-pop track with tongue-in-cheek lyrics and guitar-driven melodies. It lays bare the messy pain of battling your own mind while just wanting to be loved. “I hate my brain, I think even a zombie wouldn’t like the taste.” Goof uses the hook as a metaphor to express how rotten their thoughts truly are that no one would want to accept them. It’s an inner conflict that is irrational at the end of the day because we all are loved even if we don’t think we deserve it, but that doesn’t make it easy to toss the thoughts out. Your mind may feel like the enemy, but remember you’re still alive. Mental health is a common struggle, but it’s song like these we can find peace in knowing we aren’t alone. Goof is an alt pop artist, raised in Chicago but now based in Nashville. They blend biting humor, emotional clarity and big melodies into their work creating a unique sound. Their debut single “Rewind Halloween” was released in 2021 and they have follow that with eight singles and their debut album “Seasonal Fantasy.” Along with the release of “Zombie” is a full-production, comedic music video on YouTube. It is such a creative way to bring the song even more to life so go check it out. If you’re a fan of Chappell Roan’s theatrical edge and Sabrina Carpenters lighthearted wit, then Goof is a must listen artist for you. Check out the links down below to follow Goof’s artistic journey and to stay up to date on future releases. Written By Emylee Herring FOLLOW GOOF: Instagram | Spotify  | Facebook  | YouTube

I have had a special place in my heart for Kelsea Ballerini since her “Rolling Up the Welcome Mat” EP debuted in early 2023. Last year, she released her fifth studio album, “Patterns,” which dominated my Spotify Wrapped and elevated Ballerini’s already impeccable songwriting abilities. These two projects have a touch of magic that has gotten me through so many of the trials and tribulations that come with being a woman in her early twenties, and have set the bar for what I expect from all of Ballerini’s projects through the roof. Her newest EP, “Mount Pleasant,” was released on November 14, 2025, and includes 6 tracks. It is short and sweet, with a runtime of only 15 minutes, exploring complex feelings of envy, longing, and regret when reflecting upon one’s life path. Ballerini exposes her deepest insecurities and gets honest about comparing herself to her peers while also trying to stay rooted in who she is.  Tracklist I Sit in Parks People Pleaser Emerald City 587 The Revisionist Check On Your Friends I Sit in Parks “I Sit In Parks” is the first single from “Mount Pleasant,” and it instantly sets the stage for the rest of the album as she speaks to feeling envious of her perception of another person’s life, while also trying to find gratitude for where she is.  The song follows Ballerini as she sits in a park and watches a family at a Saturday picnic. She idealizes this scene, longing to swap places with the mother she is watching. In the same breath, Ballerini is also aware of how lucky she is to have achieved success in her career, and she wonders if the woman she is watching wants to swap places with her just as badly as she does. “I Sit In Parks” continues to follow the concept of listening to one’s body clock while pursuing other ambitions. It asks the age-old question, “Can we ever really have it all?” As a woman who does not want children, the dream of motherhood that Ballerini speaks to doesn’t resonate with me as it might with others. However, while I may not feel connected to the root of this song, I can relate to that longing of finding “the one” and wanting to build a life with them in the midst of chasing other dreams. We are all trying to “have it all,” even if that “all” looks different for each person. No matter how young or old we may be, we have all felt like we are running out of time to achieve the life we want.  People Pleaser While I may not relate to “I Sit in Parks,” I do  relate to “People Pleaser” more than I would like to admit. This track follows instances where Ballerini has abandoned her true self and her happiness to make things more palatable for others. Clocking in at only 2 minutes and 12 seconds, this song is short and straight to the point. The part that stuck out to me most in this track comes during the bridge, as Ballerini sings, “Right now I just wanna scream // but that would be dramatic of me // Right now I just want to leave // But I guess that I’ll stay, he likes me today.”  These lines instantly take me back to “Welcome Mat,” which got me through a bad relationship and subsequent breakup.  The entire song is a call out for me, but this part in particular is a gut punch to us self-aware people pleasers. Though we may be able to recognize where we are going wrong, we have to learn the lessons over and over again before we gain the strength to break the cycle.   Emerald City “Emerald City” is by far the most controversial song on this record, as it confronts the ugliness of jealousy in a relationship as Ballerini compares herself to her partner’s former lover. It is a bit of an uncomfortable listen, as the feeling of envy often is. Even the most healthy relationships can include moments of insecurity, and Ballerini admits that this is something she must overcome in herself for the relationship to progress. However, she does ask her partner to affirm their devotion to her and give her grace as she attempts to overcome this emotion. One line that listeners have especially picked up on is, “I always liked my naive innocence, ‘til I heard she got around // Now I’m green.” The toxic side of her jealousy is on full display here, and many fans have expressed disappointment at the element of slut shaming that is present. While some argue that this part was Ballerini’s way of exposing her own cattiness in the midst of envy, others argue that this line feels immature and should have stayed in the drafts. 587 “587” is a somber track that reflects upon the end of a relationship. It highlights the smallest details that only two people who meant the world to each other would know about, such as the color of his sheets and her lipstick stain on his wine glass.   It chronicles the difficulties of a long-distance relationship, as they would fly to each other with excitement, only to end up fighting as soon as they were together in person. The distance between them now is more than the 587 miles between the locations, and it is too great a distance to traverse. This song perfectly encapsulates the feeling of being right on the cusp of accepting that things are over, but still daring to look back just in case there is still a sliver of hope left.  The Revisionist “The Revisionist” is a simple, piano-based track that puts Ballerini’s vocals front and center. In another feat of lyrical storytelling, Ballerini reflects upon the choices she’s made in her life that she might like to go back and correct with the help of “the Revisionist.”  Beginning from childhood memories, Ballerini recalls small moments of childhood naivety, from accepting her cousin’s dare to go downhill on a skateboard and ending up with lifelong scars, to touching wet paint when her mother told her not to. The lyrics then explore deeper topics, such as Ballerini losing her virginity with a first love before she was ready. While reflecting upon that experience, she also wonders how she will tell her future daughter about it, and what wisdom she might impart. It is a brutally honest track that puts her past missteps in the spotlight, and while she has no choice but to own her past, she would still erase them if she could. This tentative acceptance mirrors the feeling from “587,” as Ballerini moves forward while still looking over her shoulder. Check On Your Friends “Check On Your Friends” is a reminder to do just that; while your loved ones may seem to have it all together on the surface, you never actually know what is going on inside. This song is a love letter to female friendship and taking care of the ones you love. It feels like the little sister of Ballerini’s tracks, “IF YOU GO DOWN (I’M GOIN’ DOWN TOO)” and “I Would, Would You.”  The end of “Check On Your Friends” reintroduces the melody of “I Sit In Parks,” bringing the project back full circle. While I do not feel as connected to this project as I do to “Welcome Mat” and “Patterns,” and likely won’t return to it as often, I still enjoyed Mount Pleasant. It is very sonically cohesive and explores topics that Ballerini hasn’t touched before. This EP will surely feel comforting for those in the same life stages reflected in tracks like “I Sit in Parks” and “Emerald City.” Ballerini has always had a knack for writing lyrics that listeners can project their own experiences on, and this project is no exception. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Graze Arts and AR on Pinterest Since World War II, there has been a widening gap between the pop and classical music worlds. The audiences and genres feel so far removed from each other. However, the gap seems to be narrowing in recent years. One way this has happened has been through covers of pop songs done by orchestral groups. These songs combine the instrumentation and expression of classical music with the well-known melodies and harmonies of contemporary pop songs. This is an innovative and fun trend that honors centuries-old traditions with modern creative expression. 10. I Wanna Be Yours - Dramatic Violin “I Wanna Be Yours” was made popular by the Arctic Monkeys. The violin cover starts with a repetitive introduction and a long countermelody. The melody is incredibly emotive and has a lower harmony. The performer leans beautifully on points of tension and release, which captures the devotion and longing of the original track perfectly. 9. Set Fire to the Rain - Vitamin String Quartet “Set Fire to the Rain” was made popular by Adele. This track begins with a repetitive arpeggio underneath the melody. The melody is played by solo violin, which allows you to really hear the timbres and overtones of the instrument. Harmonies are played on low drone harmonies. The prechorus brings more motion that builds into the chorus. The chorus is taken in the higher register of the violin. There are more motion and harmonies in the second verse and prechorus with a layered second chorus. The growing harmonic and melodic motion capture the drama and emotion of the original song.  8. Love the Way You Lie - St. Martin’s Orchestral Academy of Los Angeles “Love the Way You Lie” was made popular by Eminem and Rhianna. This track has thick layering in the introduction, which gives it an emotive quality. The melody is played solo until the second half of the introductory chorus, where the solo is joined by lower harmonies. The melody is tossed around between different instruments, which allows listeners to enjoy a variety of timbres and textures. The group has impeccable timing, which, along with the electric guitar cameo, really tie the entire track together. 7. Do I Wanna Know - Vitamin String Quartet “Do I Wanna Know” is another song made popular by the Arctic Monkeys. The bassline introduction sounds absolutely beautiful on orchestral strings. The high string melody layers stunningly with the countermelody and harmony in the bass. In the prechorus is a hint of desperate longing and the chorus carries intensity with the strength in the bass part. The melody sounds almost improvisatory over the backing, which adds to the emotive quality of the track. The ensemble takes the melody an octave up for the last chorus, which really adds a special touch.  6. Young and Beautiful - Invadable Harmony “Young and Beautiful” was made popular by Lana Del Rey. Most of the tracks on this list are composed primarily of string instruments, but this track is really unique. It is a combination of music box and piano. Piano carries the chords, and the music box carries the melodies. The reverb has an almost synthesized and dreamy quality. The instrumentation creates an innocent and childlike quality, reminiscent of a first-love feeling.  5. Hey Soul Sister - Dallas String Quartet “Hey Soul Sister” was originally performed by the American band Train. This track is in an upbeat major key. The verse is very exposed, with just the melody and supporting background being present. The harmonies develop throughout the prechorus and blossom fully in the chorus. This cover does a magnificent job of capturing the carefree whimsy and beauty of the original track.  4. Mad World (Piano Version) - Myuu   “Mad World” was originally by British band Tears for Fears. The introduction is melancholy. The melody is in the mid-register of the piano with the left hand carrying lower harmonies. There are gradual swells in dynamics throughout the entire piece. There is more harmonic motion at the chorus. The second verse features a melody in a higher register, which provides an interesting change of pace from the rest of the song. 3. Summertime Sadness - Antonin Charvat “Summertime Sadness” was originally by Lana Del Rey. The introduction is primarily on strings, with brass supporting the harmonies. The first verse melody is done by flutes with a countermelody on oboe. Melody is then traded off to the strings and throughout different instrument groups through the entire song. Brass typically carries harmonic motion, except for the chorus where they have a strong presence in the melody. The chorus instrumentation is epic and thick. The wide range of instrumentation in the track allows for flexibility in timbre and thus flexibility in the emotional expression of the piece.  2. Fake Love (Orchestral Version) - No Choir - MDP “Fake Love” was originally made popular by BTS. This track has a piano introduction before strings and brass join in for the second half of the introduction. Woodwinds feature primarily on the verse, and piano carries the prechorus before the strings take over. Strings are the primary feature on the chorus as well. Harmonies carry most of the creative and emotion expression in this song, adding the punch that the original track has.  1. Bad Romance - Simply Three “Bad Romance” was made popular by Lady Gaga. The introduction has a solo melody over long harmonies. More motion is added in the verse with a fun pizzicato moment in the lower bass. This track sounds almost sassy, and balances spunk with emotional depth in the expressive melodies of the chorus. Genre-blending is, in my opinion, one of the most fun things that modern artists can do. Not only beautiful, but orchestral covers are also innovative and exciting. Instrumental music has a variety of uses, and these songs can be listened to while cleaning, studying, or lounging about.  Written By Victoria Fitzgerald Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Coming to terms with feeling as the only route to healing, "Sleep off the Sadness" is written about allowing oneself to deeply experience unpleasant emotions that are often avoided as a means of self-protection. Riese writes from the heart, finding inspiration to face fears head-on through her experience undergoing cancer treatment at just twenty-two. On the vulnerable track, her voice asks listeners, Have you ever felt that feeling in your chest? Like you don't ever really wanna feel again? The chorus reminds gently that, Baby you can't sleep off the sadness... Gotta feel it to fix it, smoke it to quit it. About the inspiration for her project, Riese share s it's about, " not wanting to be defined by the hard things we go through, but I’ve learned how powerful it is to share those experiences and find connection through them." A lyrically and melodically positive track, the upbeat guitar and accompanying keys provide a soft-pop base for Riese's sweet vocals. "Sleep off the Sadness" keeps it simple in the best way, allowing listeners to absorb every important lyric. Switching from head to chest voice throughout the song, Riese displays a gentle power over her airy vocal tracks. Featuring catchy pop hooks and stacked vocals, the artist doesn't sacrifice intention for quality of sound. This track off Riese's debut EP sounds like an encouraging letter from a friend and operates that way for listeners. It is a warm embrace after a tough reminder that you can't sleep off the sadness. Raising $7,000 in just 24 hours, Riese debuted her five-track EP 9th Life through the support of her community, who helped her fund the self-made project. The singer/songwriter performed an album release show on November 21st at Nublu in New York, just after her headlining performance at the iconic Baby's All Right venue in Brookly n. The self-written songs on 9th Life explore themes of grief, feeling like you’re falling behind, and wanting to make the most of every moment. She cites artists like Taylor Swift, Griff, and Julia Michaels as inspiration for her songs. Writing songs since she was seventeen as a therapeutic practice, Riese is currently making music based out of New York City. Written By Azalea Withrow FOLLOW RIESE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Sometimes, it is easier to see a person’s true colors and negativity from the outside, instead of those close to them. However, this then leaves those close to them confused as to how they ever missed these signs. Sloan Treacy’s latest single “Common Knowledge” details this dilemma, and the damaging effect it has on self confidence. “You end up feeling kind of blindsided because no one really warned you,” she says. “And then after the fact acted as if they had known the whole time.” This track is off of Treacy’s upcoming album “Aftermath”, due in 2026. Written about a period of time full of self discovery and growth, this album was written mostly in LA, but recorded in studios in Nashville, blending various vibes and inspiration. This track highlights Treacy’s emotive voice, while also displaying a full and rich soundscape. It starts calm, with just Treacy and a growing underlying synth, which is slowly joined by drums and guitar chords as she also grows in confidence and annoyance. The lyrics follow the story of Treacy realizing that the one who used to be her ‘person’ was really tricking her the entire time, and everyone else could see the upcoming betrayal except her. In the chorus, she sings, “Is this what you wanted? / Is it common knowledge / To anyone else who isn’t me?”. She is hurt and confused on how she did not see this coming, and realizes that all along she was being played. Since she was 16 years old, Sloan Treacy knew that music was her future. She recalls her father playing the guitar since she was a little girl, and her writing lyrics and stories to go over his chords. She is based in Franklin, TN, and is wrapping up working on “Aftermath”. This is her debut album, adding to her discography of various singles and two EPs, “Stuck” and “was any of it real?”, released in 2024 and 2025 respectively. Her music and style has been compared to Gracie Abrams and Taylor Swift because of her heartfelt lyrics and storylines, and she also has drawn inspiration from artists like Billie Eilish and Stevie Nicks when first developing her sound. Make sure to follow the social medias below to hear more from Sloan Treacy, and keep an eye out for “Aftermath”. Written By Tessa Maddaloni FOLLOW SLOAN TREACY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

“March Madness” is a track from the sophomore EP from Jesse Adams Love You Like I Do , a song about finally getting together with your crush that many other people also have a crush on, only to realize this person is not as desirable as you originally perceived. In this calendar-themed EP, we reach the spring section of Love You Like I Do  in “March Madness”, especially when Adams mentions that her new significant other is leaving her for spring break. This is one of the various reasons mentioned throughout the song that leads Adams to long for her partner; she feels very distant from them, which is causing her to question the relationship. When you click play on “March Madness” by Jesse Adams, you hear something like you have never heard before. It begins with harmonies of Adams singing the introduction in acapella, then transitions into an acoustic pop song. The melodies are sweet and divine before the chorus transforms into a power pop song, with expressive drums that amplify the guitar chords. Once the second verse hits, more drums are added that gives “March Madness” even more character than it already had. Adams also has incredible vocals that accurately portray the emotion of the lyrics, and they go so well with the production style of the song. Jesse Adams is a Canadian and multitalented musician and YouTuber, who grew up wanting to become a performing artist. She perfected her songwriting skills before releasing her debut single The Darkest Hour  in July of 2022. The song was featured on her debut EP Shades of Gold  released in November of the same year. A year later, she released her debut album Gravity . She has managed to form a very impressive discography in just three years, showing she is a great and hardworking artist. It is more than apparent she puts lots of effort into her aesthetics when it comes to her album covers. Jesse Adams is a fantastic music artist! Written By Ashley Adams FOLLOW JESSE ADAMS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

I love when artists take inspiration from other art forms. Some of my favorite songs stem from the artist either seeing a show, reading a book or watching a movie. What KAKI has done proves that you're allowed to find inspiration from other art forms and they do it so tastefully with their new single "Harry Met Sally." KAKI does a perfect job at putting their own story mixed into the movie plot of When Harry Met Sally. The lyrics play into what we love about the movie, capturing the aesthetics of Central Park while somehow capturing the autumn-aesthetic musically that we love so much about the movie. This song lyrically is one of my favorites to come out of this year. So much of this song screams not only fall, but the holiday season, because the reflection they make to the movie. The song musically really captures the warmth of the movie while adding personal tidbits of moments from KAKI's life that tie everything together. Some of my favorite lyrics are in the beginning where they say, "Let's take a walk in Central Park" which is one of the most iconic moments in the movie. Another line that I really love, which sums up the entire movie is "If we're both single at 40" which is one of the best parts of the movie. The correlation between the song and the movie show the brains KAKI brings to the table. KAKI is an indie-pop artist based in Los Angeles and from Columbus, OH who is breaking barriers left and right breaking in to the industry. Being known for their catchy melodies with heart felt lyrics, KAKI brings their organic stories to catchy melodies that you can't get out of your head. Lyricaly, they bring in the ideas of vulneribility in dating, how confusing things can be learning how to date or going through something so human which allows relatablity to audience members. KAKI's newest single shows exactly those strengths making it incredibly exciting to already be here. Written By Breanna M. FOLLOW KAKI: Instagram | Spotify  | TikTok  | Facebook  | YouTube

There is no pain quite like watching someone move on from you so easily while you’re completely heartbroken. You can barley get through day to day life without constant thoughts of missing them, while they don’t seem to spare you a thought. Ocean Tisdall’s new single “Jealous” paints the picture of envy that comes with seeing an ex be so happy. It’s gut-wrenchingly beautiful with piercing lyrics and vulnerable delivery. He showcases the pain of loving someone enough to let them go despite how much you wish they stayed. He strips all emotions bare and lays them in a way that floods you with emotion. If you’ve been heartbroken and need a song to cry to, this is it. Ocean’s “Jealous” is the third, emotion packed song in his heartbreak series. He perfectly captured love and loss in a raw form that is so easily to relate to if you’ve been hurt. Ocean stated, “Jealous explores that uncomfortable emotion that most of us don’t like to admit feeling.” Jealousy is a fickle feeling because it’s easy to write off as us being unfair, but really we are yearning for things we want that others have. Ocean said after writing “Jealous” he realized the feeling fades and you begin to learn your value isn’t determined by anyone else’s attention or affection. “I was a dog on a leash, you know I would’ve stayed, stayed and sat on your grave.” I admire the passion he put into this song and how real it feels. Ocean Tisdall is an Irish alt-pop singer-songwriter. His mom, pop-culture and overall love for storytelling inspired him to start making music at a very young age. He’s become known for his introspective and evocative lyrics. Over the last year, he reconnected with his passion for music and stepped back to write from deeply personal emotions. He created an acoustic project that is full of emotions and unfiltered vulnerability. Ocean wants to explore the highs and lows of life, love and self-discovery and express all the real emotions in between. If you loved this track, you’re sure to love the rest of his heartbreak series. Follow the links down below to stay up-to-date on his future releases. Written By Emylee Herring FOLLOW OCEAN TISDALL: Instagram | Spotify  | TikTok  | YouTube

There's power in embracing the messiest parts of your life. When it seems as if there's no fixing you, might as well enjoy the ride. New anthem by Ava Valianti "Hot Mess" loudly proclaims the beauty in not being perfect. "Hot Mess" is a fun alternative pop banger that combines opposing stylistic elements to shape a unique listening experience. The song creates a safe space in its expression in the complexities of living; how often we don't fit in our skin, but no point in constantly trying to save the situation. Instead, acceptance and pride is the answer, and that's how "Hot Mess" becomes the anthem for our "ugliest" aspects. The introduction for "Hot Mess" instantly catches your attention. The electronic elements are vivid and paint the image so well. What works well is the instrumentals are not overcomplicated, both older and new stylistic elements are well balanced. A great choice that Valianti makes with "Hot Mess" is she knows how to present confidence well. Just by listening to the track audiences instantly feel empowered. While "Hot Mess" is primarily an alternative pop track, there are still rock influences that are mixed in so well. This rock influence adds to the edginess of the track that is needed to make this track a fight song for empowerment. Not only is "Hot Mess" an anthem for confidence, it's also a fun song to dance to. Overall, Ava Valianti's "Hot Mess" is an honest expression of self-acceptance which is so needed in society today.  Ava Valianti is a young artist from Newbury, Massachusetts who began releasing music in 2023. Her style is a combination of pop and indie. Since then she has been played on a multitude of radio stations and has been nominated for several awards. She's also been fortunate to have multiple performances on her belt as both an opening act and a headliner. Her song "Hot Mess" is a part of her debut EP, petunias , which is a collection of seven tracks that paints her style well. For someone so young, Ava Valianti has already accomplished so much and this only proves that she will continue to grow as an excellent artist. Written By Chantal Charles FOLLOW AVA VALIANTI: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Grenon has released her new single, "paperbox." Going through the memories of a past relationship, Grenon revisits a memory box hidden underneath her bed. With the realization that she can’t escape or erase the past, Grenon revisits the past relationship throughout the song and realizes why she “keeps the damn [box] shut,” due to memories floating back in and the nostalgia that comes with the old box. There’s a want to erase it and ignore that it ever happened; however, with the past comes new lessons and new wants that shape our new future, and while we can’t replace or erase it, Grenon writes on how to ignore it so that we can move past it. Grenon’s “paperbox” goes through a story, a quality of the songwriting that runs throughout her discography. “[P]aperbox” is a sweet escape into the trips home that have listeners reminiscing on what once was, laying in childhood bedrooms and wondering how we got to the moment of time and the version of ourselves currently. Grenon captures the yearning of memories throughout the lyrics, saying that memories of her ex “[fills] up [the] entire room” when looking at the memory box she had made; while storytelling is a hard balance act in lyrics, Grenon walks the tightrope perfectly by creating catchy melodies with vulnerable lyrics that capture the sting of the past. Grenon is a singer-songwriter based out of Nashville. Hailing from New Hampshire, Grenon dropped out of high school to chase her dreams while making her own mark with a metallic sharpie. The Nashville newcomer doesn’t let her discography be defined by one singular genre; Grenon wears her inspiration on her sleeve, leading to a diverse yet cohesive collection of songs that go through Grenon’s most vulnerable moments. Her newest EP, aptly titled “HEALED HEART broken mind,” is out now. When she isn’t writing, listeners can catch Grenon on some of the most notable stages, from Bluebird Cafe to the Rock and Roll Hall of Fame. If you’d like to keep up with Grenon’s newest releases and concert dates, you can follow her on social media, linked down below.  Written By Abby Mornhinweg FOLLOW GRENON: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Singer-songwriter Ava August is back with her latest single, “Cinematic.”“Cinematic” is a big, bubbly, poppy ode to love. It’s about those beginning stages of a relationship where everything is so perfect it feels right out of the silver screen. This electro-pop jam is utterly vibrant. With colorful synths and a dynamic vocal performance from Ava, “Cinematic” is instantly irresistible. More than anything, on “Cinematic,” Ava shows what makes her such a special artist; Her playful lyrics and joyful demeanor create a song that is pure pop fun. “Cinematic” is an instant mood booster. “Cinematic” captures the whimsy of falling in love with someone for the first time. The song's energy is carefree and light. Ava takes advantage of the song’s title by adding as many cinematic elements to the track as possible. The opening lines are accompanied by a film reel, and there are tons of cheeky references to films. Lines like “I can be your Rose, honey, I can be your muse,” for instance, instantly invoke the iconic movie romance of Titanic. There is just a real sense of liveliness and magic to “Cinematic,” that perfectly mirrors that feeling of falling headfirst. “Cinematic” encapsulates the grandness of the movies through song in a perfectly pop-sized package. Ava August is a twenty-year old singer-songwriter. Her love of music stemmed from when she was just nine years old and she has since worked hard at making her dream a reality. She picked up the ukulele, guitar, and piano, and since 2020 has been putting out official releases. With inspirations like Taylor Swift and Chappell Roan, Ava has crafted a singular synth pop sound. On Spotify, Ava has over 8900 monthly listeners. Her songs, including hits like “Move On,” “Beauty Queen,” and “GOODBYE” have accumulated over hundreds of thousands of streams on various streaming services. You can listen to “Cinematic,” along with the rest of Ava’s discography on all major streaming services now. Written By Lauren Nolan FOLLOW AVA: Instagram | Spotify  | Facebook  | YouTube