Rising pop singer Tess Clare just released her single, "Never Be a Boy" on May 17, 2024. The indie pop track details her growing feelings for her best friend as a teenager, as Clare grappled with the complex journey of coming to terms with her sexuality. Her music often takes inspiration from her relationships and coming of age experiences, and "Never Be a Boy" is no exception. In this song, Clare beautifully captures the innocence and confusion of forming a crush, particularly in how it relates to queerness. It's the perfect addition to any playlist on your streaming platforms. In "Never Be a Boy," Clare sings about innocent childhood activities like having sleepovers, braiding each other's hair, and talking about their crushes on other people. But in these moments, she does not just feel a friendship connection; she feels an attraction that she did not even fully grasp until she was in her 20s. With lines like "Butterflies, summertime, when we touch / Too bad I could never be a boy" and "Changing in the closet / Waiting on a plot twist," she puts into words the complex feeling of falling for another girl and coming to terms with what that means. Between gentle vocals and mellow synth pop, it's a song that will be felt deeply by anyone coming into themselves and their sexuality. Tess Clare is an independent LA-based artist who put out her first song in 2018. Taking inspiration from Amy Winehouse, Holly Humberstone, The 1975, and more, Clare puts value on putting emotion into her music and drawing from her personal experiences. Since releasing her first track, she has accumulated nearly 6,000 monthly listeners on Spotify alone and over 100,000 streams across songs. You can keep up with all the latest information on Tess Clare and her music by following the social media links below. Make sure to listen to and save “Never Be a Boy” on whatever streaming platforms you enjoy. Written By Sydney Gray FOLLOW TESS CLARE: Instagram | Spotify | TikTok | YouTube

On her latest single, singer-songwriter Maria Lane writes about a topic we all know too well: tumultuous relationships. “merry go round (carousel)” uses the metaphor of the theme park attraction going round and round to represent the cyclical nature of toxic relationships. The lyrics are clever and paired with a stunning indie-inspired instrumental. The track is a low-key rock jam with wailing guitars and a catchy thumping drum beat. Maria notes that Boygenius and Lizzy Mcalpine inspired aspects of “merry go round,” which makes total sense, as the song features a raw acoustic sound and emotionally resonating lyricism; Fans of these musicians are bound to appreciate Maira Lane’s artistry. The track is perfect for a late-night drive—-or just screaming along when you relate. With its relatable lyrics and killer instrumental,” merry go round (carousel)” is yet another success in the Maria Lane’s ever-growing musical catalog. “merry go round (carousel)” is a stunning track all around, but it’s most special quality is its lyricism. Maria Lane is able to write in such an authentic way that’s bound to resonate with listeners. Lines like “Can we remember how we fell in love?” to “maybe it’s easier just to sit in silence” are simple yet incredibly evocative. The way Maria expresses a failing relationship is so universal. It’s nearly impossible not to relate. Not to mention the titular metaphor which is equally poetic and brilliant. When Maria belts “I can’t get off this merry go round,” it’s such a powerful moment because we all know that feeling. Here, Maria Lane has crafted a track that showcases such a smart songwriting ability, both in its catchy melodies to heart-wrenching lyrics. Maria Lane is a Brooklyn-based singer-songwriter. Her songs usually fall under the indie-folk genres and center on emotional lyrics and storytelling. Lane often delves into deep, necessary topics, as trauma, relationship issues, and mental health are all common topics within her music. Her official debut was in 2021 with the track “strangers again,” and her career has only grown from there. Since then Lane has released 9 more singles and currently has over 15,000 downloads on Spotify. In 2023, Lane was even featured on “The Fader” with her song “crying in a cvs” (whose title is incredible, by the way, like seriously who can’t relate?). Maria Lane's music career is only just beginning and you can listen to her discography, including “merry go round (carousel)” on all streaming services now. Written By Lauren Nolan FOLLOW MARIA: Instagram | Spotify | TikTok | Bandcamp | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Change can be frightening, especially when you have to go through it on your own. I recently encountered a major change of my own when I graduated college and moved away. I wasn't sure if there would be a song out there that could help me reflect. But luckily, I recently gave Natalie Kilic’s latest single, “it was a really cold winter”, a listen, and I think it perfectly encapsulates my feelings. In the song, Kilic sings about feeling out of place in this new world, and how encountering various changes can make you spiral. But as you adapt, the cold melts away. I think this song was a perfect representation of the feelings of anxiety associated with change, so I really enjoyed this song. I’m not sure what kind of sound I was expecting this song to have, but I’m obsessed with what Kilic ended up doing with it. With a title like “it was a really cold winter”, I was perhaps expecting the song to be more melancholy and reflective. However, it had a relatively upbeat sound, with an electric-esque instrumental backing. I also think Kilic’s voice stood out well; I think she has an extremely healthy-sounding voice. I also appreciate how there weren’t any belts in the song, I think I would have gotten too distracted if there were. I think every element of this song worked perfectly with one another. Natalie Kilic is a Turkish singer and songwriter who first got her start in the music industry at 23 years old. Currently based in New York, Kilic has gone on to release a wide variety of songs that relate to the human experience and maturity. Kilic is still a relatively new artist, however! Her debut single, “what do we do”, was released in 2022. “it was a really cold winter” is Kilic’s fourth single, and is expected to be featured on her upcoming EP, Heartbreak Meditation Center. I thoroughly enjoyed “it was a really cold winter”, and I hope y’all did too! Go stream it everywhere now! Written By Isabel Mays FOLLOW NATALIE: Instagram | Spotify  | TikTok

“Think about it” indulges into theorizing about how your younger self may have thought about your drastic life changes. It wasn’t too long ago when your current life was just a fantasy. You imagined what differences a drastic cross-country move would make to your life, but they remained as theories. Now that the dust has settled and you’ve begun your journey in a new place, you find yourself trying to recall your old emotions. You have experienced many exciting and new things, but your past mindset seems so foreign to you now. There are new things you do each day that would have been incomprehensible to yourself just a year ago. In the new city lights, you contemplate what your past self may have imagined and if it resembled your current feelings. You may have felt a sense of accomplishment and enjoyment, or nothing like it at all. With no set answer, it is comforting to imagine that you would have been proud of your current life. Click here to listen to "think about it"! “Think about it” is a pop rock dream pop anthem that resembles a nostalgic feel that reflects its lyricism. This venture into indie-pop-rock sounds feels both nostalgic and brand-new. The instrumentation resembles times like “Mid-summer ‘99”, which Heather Sommer displays and looks back on with fond familiarity. We are introduced to consistent contemplation on a past life as we venture into the present day. We begin with a gradual instrumental build-up accompanied by simple vocalizations. For each verse or chorus change, new instruments and harmonizations are sprinkled in. Each new incorporation pulls every element together so they blend into one experience. Heather Sommer is a singer-songwriter currently based in Los Angeles, California. She is a fully independent music artist and has garnered an impressive name within the music industry. She has amassed almost 100 million streams across multiple music streaming platforms. Her music spans different genres and this is reflected in her three EPs and singles. Her music has been featured in many Spotify Editorial playlist such as Hot Acoustics and Chill Pop. She has garnered an impressive and dedicated fan base across multiple social media platforms. Make sure to follow her on social media and give “think about it” a listen! Written By Willow Gray FOLLOW HEATHER SOMMER: Instagram | Spotify | TikTok | Facebook | YouTube

Brenna Williams has just released her first single, “Ransom”, off her upcoming EP! She describes this as the first song she truly believes is a reflection of her authentic self. The word “ransom” often has a negative connotation attached to it, as being held ransom usually is price demanded for someone or something to be released after captivity. She uses “ransom” as a metaphor for how powerful love can be and the effect it has on someone. Brenna starts off the song detailing her life before this person. She’s lonely, stuck in a “riptide…drowning in truth.” This person caught her at her lowest point, and she’s willing to let them take her away. Brenna wants this person to stay with her forever and then some, and exclaims you “can’t put a price on faint hearted lovers.” In the second verse, Brenna skips forward to waking up next to this person, and it is a complete emotional switch. She’s “breathing in [them]”, in a slow, fiery love. In the bridge, she takes a look back on her previous state before this person, saying that she was a terrible liar by telling people she was okay. This person was a blinding light that guided her to happiness. If you boil this song down, it really is a love song. But, there’s another layer of complexity that makes this description of love unconventional. “Ransom” is a beautiful blend of 70s soft rock and indie pop. Citing Fleetwood Mac as one of her earliest influences, the soft drum beats and acoustic instrumentation heard in the song are reminiscent of that era. The indie-pop vibe in the song is attributed to personal lyrics and a DIY ethic, as Brenna has said she records her music in her bedroom and FaceTime’s her producer. Her voice is deep and powerful, as most of the song is spent in her lower register. However, she shows off her upper range in the bridge, yet she maintains control and keeps her tone quality. This song is laid back and is super easy to listen to, yet it is so intriguing at the same time. The production is beautiful, but Brenna says it took a long time to get there. In a TikTok, she said that the production started off as Americana inspired, then morphing into a dark, ominous vibe, then to a Weezer vibe, then a Fleetwood Mac vibe, and the final product ended up a combination of all of those. Brenna Williams, although being a singer-songwriter, has a strong foundation in visual start. Being a fashion design student in college, she was acclimated to an environment in 3-dimensions. However, her passion for music pushed her to look beyond a 3-dimensional plane and create quality songs that resonated with listeners on a deeper level. For over 10 years, she traveled throughout the US to music studios to hone in on her sound as well as develop her musicianship. She released her first single, “All I Know”, in 2019, and has consistently released music since. Now, she’s planning to release her first EP later this year. Although she may be a small artist, she certainly packs a punch, and her EP will surely cement Brenna as a powerful indie-pop artist. Written By Lauren DiGiovanni FOLLOW BRENNA WILLIAMS: Instagram | Spotify | TikTok | Facebook | YouTube

Authentic and reflective, Vilhelm Buchaus teases his upcoming debut EP with his latest single, "Snow In The Summer." Buchaus feels this is his most vulnerable and candid song yet, diving into themes of alienation and introspection. The singer tackles feelings surrounding the challenges he has faced trying to find his place in life. He outlines his struggles in "Snow In The Summer," grappling with the unknown. Incorporating a relatable narrative into the track, Buchaus discusses the unanswered questions he's dealt with and his fleeting dreams. It's something many listeners have struggled with before, facing failure and the fear of what comes next. Following the 2023 release of his emotional ballad, "Together," Vilhelm Buchaus moves in a new direction with "Snow In The Summer." The track showcases an upbeat, edgy indie/pop rock soundscape, featuring gritty guitar riffs, driving drums, and addictive melodies. Buchaus gives a captivating performance, showing off his vocal prowess with raspy lines and belted choruses. Being a perfect example of what the indie and pop rock genres embody, "Snow In The Summer" would fare well in a playlist alongside acts like Goldhawks, Inhaler, The Amazons, and Blossoms. A young artist on the rise, Vilhelm Buchaus has been making waves with his skillful guitar playing and mellifluous voice. His music is a charming mix of pop and rock, consisting of both covers and self-written songs. Just getting his career started, Buchaus began posting recordings to YouTube in 2022, later releasing his first single, "First Cut," in Spring 2023. The artist cites several influences as his inspiration, including acts like John Mayer, Bruce Springsteen, Dire Straits, Bob Dylan, Ed Sheeran, Lizzy McAlpine, and The 1975. Some of his popular releases include "Take Me To The Moon," "All In Vain," and "Nothing At All." Written By Cheyenne Johnson FOLLOW VILHELM BUCHAUS: Instagram | Spotify | TikTok | Facebook | YouTube

“Thinking Of You” is Josefine Landelius’ latest release, a piece that takes the listener back not only to memories of classic heartbreak hits, but on a more personal level, to relationships and feelings of the past.  This is her personal letter to someone she could never say these lyrics to, the words really behind “I miss you”.  Landelius offers not only her own emotions regarding her past relationship and the state of craving it, but also the nostalgia that revokes such emotions.  She perfectly balances focus between the intimate confession of her current state and the storytelling of what brought her here. She begins the song by telling of the relationship without regard to its end, leaving the listener to only find this out later in her emotional reaction to these memories.  The piece holds a vaguely upbeat tone, maintaining its rhythm to be an enjoyable listen, but not venturing far from its openly melancholic roots in the lyrics.  Landelius holds the same skill as a vocalist, her voice is sensationally pop but her pacing and tone allow for the words sung with it to be taken to heart.  Her talent here allows for the song to seamlessly blend instrumentals without ever covering the focus of it, her.  Percussion steadies the beat while the music seems to become one with her voice and follow the lead of her stunning vocals. Josefine Landelius has always wanted to do what she does today, fantasizing of being a singer since she was young.  She’s based in Sweden where, at 22, she decided to follow through on her childhood dreams and pursue the path in an impactful way.  She began studying at Musikmakarna in the Songwriters Academy of Sweden, growing every day in her skill as a songwriter and perfecting her abilities.  Josefine spent years learning and writing and hoping and in 2018, she released her first single: “Home”.  She’s been releasing music consistently since and has garnered over 400,000 streams worldwide.  Find these songs as well as more information on Josefine below. Written By Hailey Schap FOLLOW JOSEFINE LANDELIUS: Instagram | Spotify  | TikTok

The duo from the hit 2015 song, “ Ain't Nobody (Loves Me Better) ” are back for another collaboration! I’m so excited for this new piece of art they’ve released together titled, “ Without You ,” because not only is it perfect for the summer, but it displays the growth of these two artists after nearly a decade. The talent, energy, and creativity from these two are stronger than ever, and the ability to come together to create another summer hit just shows how brilliant these two are when they work together. They’ve already proven to be a powerhouse duo with their collaboration on “ Ain't Nobody (Loves Me Better) ” and they’re back to show us that this is still true! Celebrate “ Without You ” along with Jasmine and Felix by not only vibing to it, but by appreciating their blending of talents to deliver us a hit once again after so long! The combination of the wistful guitar, poppy beat, heartfelt lyrics and breathy vocals has me picturing myself with a group of friends driving through the sunset with the windows rolled down, my arms held up high through the open sunroof, and the wind blowing through our hair. I adore how effortless Jasmine sings, and how Felix makes the magic happen by adding perfect musical elements with Jasmine’s voice, making this pop-dance track one to put on replay. The lyrics are touching and feel very personal. It’s a love song that describes the strong bond in a relationship - so strong that you realize your life is incomplete without your partner. Jasmine sings directly to this person: “I can’t breathe here without you. I can’t say what’s on my mind. All the air is filled around your touch. And, oh, I can’t breathe here without you.” This person has an important and special place in her life and heart. She’s showing her appreciation for them, the difference they make and the importance they have in her life. The love she has for them is so true and strong that she describes it as a feeling of relief and being able to breathe freely when they’re present in her life. Jasmine Thompson is a 23 year-old singer-songwriter based in London. Felix Jaehn is a 29 year-old German DJ and producer. When speaking on the new collaboration after 9 years since the release of,  “Ain't Nobody (Loves Me Better),” these two both expressed their excitement on working with each other again, sparking something new, and how much this truly means to them. Jasmine stated how excited she was for the reunion and how all of the memories from working with Felix on their previous collab were coming back to her. “ It's been a dream to work with an old friend again ,” she says. Felix was ecstatic as well, expressing how it felt as if they’re picking up right where they left off, as well as how  “Without You” is a celebration of their reunion and meshing of talents. He says, “ 'Without You' is a celebration of our musical chemistry and a special gift for our fans. I hope it becomes a soundtrack to many unforgettable summer moments .” These two artists have incredibly impressive backgrounds. Jasmine signed to Atlantic Records at just the age of 13 and has since grown to topping charts, having 3 million monthly Spotify listeners, and receiving more than 3 billion global streams. Felix is one of the most successful producers and DJ’s out there! He is the youngest artist to have ever received 2 diamond award certifications. He’s also behind the remix of OMI’s song “ Cheerleader ,”   that was charting at #1 in 55 countries, and sitting at #1 on the Billboard Hot 100 chart for 6 weeks straight. His songs have collected over 10 billion streams, and he currently has 23 million monthly Spotify listeners. Keep up with Jasmine Thompson and Felix Jaehn’s social media by clicking on the links below, and check out “ Without You ,” out now! Written By Sneet Efrem FOLLOW JASMINE THOMPSON: Instagram | Spotify  | TikTok  | Facebook  | YouTube  | Website FOLLOW FELIX JAEHN: Instagram   | Spotify  | TikTok  | Facebook  | YouTube  | Website

Situationships, by definition, are complicated. They’re complex, confusing, and lack that sorely-needed definition between two people who may or may not be scared to put a label on what they are to one another. Still, to maintain a situationship, at least one person in that relationship-not-relationship must want something more than their casual affair. In no joke’s debut single “your somebody”, the pop duo describes just that. Snippets of quiet intimacy and desire are surrounded by electric guitar and upbeat synth, pulling you into the song's world. The track describes the narrator's want to make a situationship more than what it is, and is sure to be a relatable feeling to anyone who has wanted something to bloom between them and another person. "your somebody" is a song for those stuck in relationship limbo. Click here to listen to "your somebody"! The first thing you’ll notice about “your somebody” is the climbing keyboard. The song opens with this introspective moment where the vocals remain slightly understated as the keyboard is spotlighted. Eventually, the keyboard fades into the background as the vocals grow stronger, the synth and strings becoming the forefront of the instrumentals. I was amazed by the track’s compelling blend of the aforementioned synth and strings, and how they complemented one another in such a harmonic way. The track’s production makes it irresistibly catchy, and if you’re anything like me, you’ll find yourself humming along to the song long after it has ended. Aside from its excellent composition, “your somebody” is also laden with superb lyrics and a message that is more relevant than ever. Describing a situationship from the perspective of one partner who wishes for more than that, the songwriting is full of complex emotion and desire, yet is constantly aware that there is a wall between them and their lover. The chorus definitely does this best: “I just want you to feel like I’m not just anybody / I don’t have to be a hobby / We could be more than just coffee”. The want to be more than just casual fun is so evident, and when combined with the instrumentals and powerful vocals, you’re left with a track charged with the classic push-and-pull that situationships are known for, and the adoration the narrator feels for their lover. Brothers Joey and Jake McCarrick make up the pop duo no joke. First from Saint Augustine, Florida, and now based in Nashville, Tennessee, the duo’s music draws inspiration from some of pop’s greatest artists, like Justin Timberlake, Bruno Mars, and Maroon 5. Combined, their sound is defined by their rich vocals and poetic lyricism. With synthesizers, electric guitars, and keyboards, they create a soundscape filled with plenty of dynamic movement to keep listeners engaged. Their singular style will absolutely make a mark on the pop music scene with their potent energy and musical vision. “your somebody” is no joke’s debut single, and they definitely don’t plan to stop there. If you enjoyed "your somebody", consider dropping no joke a follow to keep track of their next projects! Written By Alexa Leung FOLLOW NO JOKE: Instagram | Spotify | TikTok

Time is a funny thing. It’s a constant, irreversible reminder of what we can’t stop and what we can’t get back. “Rearview Mirror” is a perfectly poetic representation of just how frustratingly delicate time can be. It’s a song that talks about the “what ifs” in life. As someone who is a natural overthinker, the past can be a tricky concept. “Rearview Mirror” reflects on this idea in an incredibly raw and heartfelt way. At some point in our lives, we’ve all probably found ourselves reflecting on a moment from the past and wondered what we could have done differently. The chorus itself brilliantly sums this up. The lyrics, “If I had a rearview mirror // Would I just keep it all the same // Watch us go up in flames // Or savor it like old champagne,” beautifully showcased Chance’s journey of deep introspection and self-discovery. Greyson Chance is a master at knowing how to make a song feel just right. He never tries to overdo it with explosive guitar licks or an overshadowing drum beat. It’s all about the lyricism. That’s what makes “Rearview Mirror” a simple masterpiece. A piano and Chance’s voice, that’s all it takes to draw you in. The deeply personal, indie pop track shines a light on just how strong of a vocalist the artist is. Weaving through the verses into the chorus, his voice takes you on a spiritual journey as Chance starts in his low, gritty tone and then explodes into a piercing falsetto that captivates you from start to finish. “Rearview Mirror” is simplicity at its finest. This isn’t Greyson Chance’s first rodeo. The 26-year-old pop singer rose to fame in 2010 when his cover of Lady Gaga’s “Paparazzi” went viral on Youtube. At the tender age of 12, Chance signed with Geffen Records and quickly became a teen pop sensation. His debut album, Hold On ‘Til The Night, which was released in 2011, spawned the hit “Waiting Outside The Lines" and made him an artist to watch. Shortly after, Chance co-headlined the Waiting 4U tour with Australian pop singer Cody Simpson. After a string of single releases, the artist independently released his second album, Portraits, in 2019 and has kept his foot on the gas ever since. His “Portraits” world tour was a massive success and his third album, Palladium, further cemented his status as an innovative storyteller. “Rearview Mirror” is now available on all music streaming platforms. Written By Giselle Morales FOLLOW GREYSON CHANCE Instagram | Spotify | TikTok | Facebook | YouTube

Photo: Sasha Alex Sloan via sadgirlssloan.com Sasha Alex Sloan has outdone herself once more with her highly anticipated third album, Me Again. The album contains 13 tracks that delve deeper into the singer’s mental health and insecurities more than she has ever gone before. Anyone who has listened to Sloan previously knows the multi-talented artist is no stranger to vulnerability through her music. So, when she announced the theme of this record, fans knew they were in store for gut-wrenching tracks. Me Again touches on complex topics, from themes of heartbreak, addiction, loss, insecurities, and mental health issues. While expressing her own experiences, Sloan becomes a voice for the voiceless, providing them comfort in their times of darkness. Track List Me Again Cowboys Cry Kids Glad You Did Oxygen Mask Highlights Falling Out Of Like (feat. Ruston Kelley) Tiny’s Song (demo) Deep Only You Can Don’t Laugh I’ll Cry Good Enough Picked First Sasha Alex Sloan is an American indie-pop singer-songwriter. Her music is a flawless blend of pop, acoustic-folk, and alternative. She made her debut in 2017 with her single, “Ready Yet”. The following year she released her first EP, Sad Girl. After two more EPs, she released her debut full-length album, Only Child, in 2020. She received critical acclaim for the project, earning praise from industry tastemakers. In 2022, she released her sophomore album, I Blame The World. Throughout her career, she has had the opportunity to work with musicians from multiple genres and backgrounds. Sloan has collaborated with several iconic artists, such as Kygo, Charlie Puth, Sam Hunt, and G-Eazy. She also has significant songwriting credits for artists including Katy Perry, PINK, Charli XCX, and Camila Cabello. Sloan continues to make significant waves in the music industry, continuously impressing audiences with her insightful lyricism and heavenly vocals. Follow her on all social media to keep updated with any new music and potential tour announcements! Me Again Sloan opens her album with her heart-wrenching title track and the second single, immediately immersing the listener into the overarching themes of the album. “Me Again” explores the singer’s desire to return to her former self— the person she was before depression entered her life and altered her personality. Throughout the song, Sloan’s stunning voice guides the listener through her experience and the things that she wants to love again. Even everyday activities as mundane as brushing her hair or going outside. Her introspective lyrics eloquently express how it feels to struggle with depression, wishing and hoping that one day you will be okay. With her soft, subtle instrumentation, she focuses on the emotional message. “Me Again” sets the stage for the emotionally vulnerable album. Cowboys Cry “Cowboys Cry” was one of the songs that caught my eye initially when the track list was announced. Me Again was written and produced in Nashville, and Sloan has an extensive history working with country musicians, as recently as Tenille Arts, Ryan Hurd, and even Ruston Kelly on this album's 7th track. This new record contains songs that show influence from this genre, and the second track gives listeners the first taste of this soundscape. While maintaining the classic singer-songwriter vibe of Sloan, “Cowboys Cry” also contains a country-esque element, reminiscent of the whimsy sound of The Wreckers. The song details that even the toughest of people, even cowboys, reach their limits. And in the end, it is okay for them to shed a few tears. This reminds listeners that everyone has hard days and crying is only natural. Kids “Kids” is a bittersweet track that illustrates the unconditional love and support between parents and their children. The song is about children growing into adults and taking over as the role of a caregiver. The lyric, “I remember when your dad got sick, wasn’t a mountain that you wouldn’t move,” introduces the listener to this touching notion. In the first chorus, Sloan sings, “One day I’ll take care of you, like you took care of him.” This changes throughout the song, where the second chorus switches to “One day I’ll take care of you like you took care of me.” Then the final chorus, Sloan prefaces it with the bridge saying if she ever has kids then she hopes that, “Someday they’ll take care of me, like I’ll take care of them.” These altered lyrics represent the everchanging circle of life. At the end of each chorus, the hook remains the same “One day before we know it, parents become the kids.” Through her wise, reflective lyrics, Sloan reminds listeners, and herself, to cherish their loved ones while they still can. “Kids” is another excellent example of the singer’s remarkable songwriting, instantly becoming one of my favorite tracks. Glad You Did “Glad You Did” was another single released before the album, giving listeners an insight into the candid lyricism. Throughout the melancholic ballad, Sloan illustrates her desperation for a loved one to leave a toxic relationship. She kicks off the track with the lyrics, “Dysfunction has a way of hiding itself when it’s sitting right next to you on the couch.” She continues to describe the unhealthy behaviors and how this person has turned her loved one into someone she does not recognize. The second verse juxtaposes this with the line: “Dysfunction has a way of showing itself when you’re looking in on somebody else.” Often times people cannot see that they are stuck in a toxic, or even abusive, relationship when they are in it. It takes someone else telling them or looking at it themselves in retrospect to recognize this. Sloan pleads to their friend, or family member, to leave. It may be hard now, but one day they will be glad they did. The soft production maintains the classic Sloan soundscape while showcasing another side of the multifaceted artist. Oxygen Mask Sloan utilizes mesmerizing indie-rock instrumentation to lull her listener into “Oxygen Mask”. Alongside her compelling vocals and production, the song quickly rose to the top of my album ranking. The song details a relationship where her partner has no regard for their own feelings. They are “all give and no take.” In the pre-chorus, she tells them: “Yeah, you know I love you more than anyone else, but it’s hard for me to love you when you won’t love yourself.” She wants them to put themselves first when they can, because if they don’t then “We’re just gonna burn if you don’t put your oxygen mask on first.” Anyone who flies knows this means the only way to help those around you is to ensure you have been helped first. In the moment of crisis, put your own mask on before putting it on children, the elderly, or the disabled. She loves them no matter what and she can put her own mask on, so she implores them to take care of themself before they kill themselves trying to keep her alive. It is a sweet sentiment that she will still love them even when they put their needs first. Highlights The lead single of Me Again broke my heart the first time I heard it and continues to break my heart even more after each new listen. She teased the song on her social media first, with the gut-wrenching pre-chorus lyrics, “I’m not angry anymore for what you did, but who does that to a kid?” The song exposes a loved one, specifically a parent, who continuously has let her down since she was a child. They were only ever present when life was going well and they could bask in Sloan’s spotlight. But when life takes a sharp turn or when the singer needs someone to lean on, they are nowhere to be found. At the end of the chorus, she reveals the devastating hook: “Sometimes it feels like you only love me for the highlights.” Writing this track was a cathartic release for the singer, and now the track serves as a constant comfort for listeners who resonate with the vulnerable lyrics. Falling Out Of Like (feat. Ruston Kelly) Sloan always nails it with her collaborations and “Falling Out Of Like” is no exception. Featuring country music artist, Ruston Kelly, the only duet on the album flawlessly blends the two artists’ voices to form a mesmerizing break-up ballad. The song explores the inevitable end of a relationship. One that slowly fades over time until the couple realizes they have reached their expiration date. Throughout the song, the two singers never say “falling out of like.” However, the narrative cleverly illustrates this process and the stages they have undergone before they reached this point. At the end of the chorus, they sing: “I’ll always love you, but I don’t like you anymore.” The couple admits they don’t get along like they used to and they no longer have anything in common— or perhaps they never truly did. It is a slow burn of a heartbreak that may hurt even more than the sudden shock of an ending. With the poetic songwriting and stunning harmonies, “Falling Out Of Like” instantly became a top favorite. Tiny’s Song (demo) There is only one song on the album that, despite its immaculate songwriting, I don’t think I could bring myself to listen to again. “Tiny’s Song (demo)” is a beautiful track with poignant lyrics that share the story of losing a pet that has gone missing. Throughout the song, the artist delves into her experience with this. She describes the devastation of losing her dog, wondering where they have gone and if they will ever return. This is a heartbreak that is harder than most—while you mourn the loss of your furry friend, you hope they were found by a loving family but ignore the fear in the back of your mind. Listening to this song shattered my heart as I recall experiences where my pets had run off (fortunately returned) or when friends had lost their loving animals. Like a Sarah McLachlan commercial, I appreciate the sentiment but my heart can only take so much sorrow. Deep “Deep” is a very tongue-in-cheek track where Sloan is speaking to a melodramatic muse. This person allows the smallest inconveniences to turn into complete disasters. She shares examples of this ruining their entire week, such as their favorite band skipping their favorite song at their show or a bad haircut. In the chorus, she uses the popular idioms, “So don't go cryin' over spilt milk” and “Or makin' mountains out of molehills,” to convey the absurdity of the subject’s flair for the dramatics. At the end of the chorus, she sings: “Take it from me// It’s not that deep.” With the hook, she indicates that she’s not speaking from a place of annoyance or impatience. But perhaps, from a place of relatability. The artist may have once blew everything out of proportion herself and now she is using her experience as a cautionary tale. Either way, her lyrics remind listeners to not take life so seriously and in the end, nothing is ever that deep. Only You Can Sloan shares another deeply vulnerable and heartbreaking narrative. “Only You Can” is about watching a loved one fall deep into the cycle of addiction. Every time they tell Sloan they’ve quit drinking, she wishes to believe them. But in the end, they are always dragged back under. The singer is at her wit's end, unable to help her loved one. In the pre-chorus, she tells them: “I'll keep rollin' up my sleeves// But you made a mess that I can't clean.” She will keep trying in vain because of how much she cares. But she knows she can’t force them to stop— only they can. In the bridge, she tells them that, no matter what, she will always offer them a shoulder the cry on. If they need a reason to “hold on” to their life, she is right there, ready to support them once they pull themselves out. “Only You Can” is a bittersweet ode to a loved one, expressing worry for their well-being while reassuring them she will always be there. Don’t Laugh I’ll Cry Sloan maintains the melancholic atmosphere with the grim storyline of “Don’t Laugh I’ll Cry”. She exposes the truth about her morbid attitudes. Rather than it showing her lack of tact, it is actually a defense mechanism to deflect from her intense fears. In the first verse she sings, “When I drive past a graveyard// I still hold my breath// I guess on some level// The thought of what's next makes my stomach hurt// When I get like that// I don't know where to go with it// So I just say something inappropriate, Like, ‘Must be nice to skip work.’” This immediately propels the listener into Sloan’s mindset and the topic of the song. As someone with a natural inclination to the macabre and a crippling fear of losing loved ones, I feel personally attached to this song. She continues into the chorus describing her inappropriate morbid jokes as a guard from the truth: If she doesn’t laugh, she’ll cry. The honest lyrics and stunning instrumentation are the epitome of the Sasha Alex Sloan that longtime fans fell in love with. Good Enough Sloan has a history of writing gut-wrenching tracks about mental health and self-image issues. My favorite song of hers is “House With No Mirrors” (which she added to her setlist the night of my show on her last tour and I’m still in shock!). This previous track shares her experience with self-loathing and insecurities. Meanwhile, “Good Enough” appears to be from an outsider’s perspective sharing the devastating experience of a woman suffering from an eating disorder. She finds it impossible to view herself in the way everyone else does, convinced they are lying to spare her feelings. She shares that the woman continues to “pop back another pill” and “skip another meal,” always intending to stop. But then the lyrics repeat, and the cycle never ends because she feels she is “never good enough.” After the bridge, she flips the script by going from third-person narrative to first. Sloan reveals that she is the woman in the story. This switch leaves listeners’ jaws on the floor, showcasing once again her clever and creative songwriting. Picked First “Picked First” is another song that is difficult to listen to due to its devastating storyline. Sloan shares the story of a loved one that passed on too soon. She begins the song with the detailed imagery of the singer rushing to catch the first plane home, checking in with the front desk, presumably of a hospital, and spending time with the subject while she still could. Throughout the song, the lyrics illustrate the overwhelming grief that still consumes Sloan. In the chorus, she tells her muse that she misses them all the time and wishes they’d never said goodbye before revealing the poetic hook. Sloan sings, “Like daisies in the dirt// The most beautiful flowers always get picked first.” This touching sentiment tugs on the heartstrings of listeners and provides them a sense of comfort as they relate the lyrics to their own mourning. With the soft instrumentation and her profound yet heart-shattering lyrics, Sloan has once again proven her outstanding talent and ability to turn her own experiences into relatable tracks for fans. After only my first listen, Me Again had already become one of my favorite albums of the year, perhaps of all time. Sloan’s stunning voice and introspective lyricism sets her apart from similar artists of the genre. She poetically details her own experiences while simultaneously providing relatable tracks for her listeners. My love of Sloan bloomed from the moment I heard her previous track, “When Was It Over? Feat. Sam Hunt” and only grew over time. After seeing her live in 2022 and following her journey over the years, Sloan had easily transformed into one of my favorite artists. Me Again was one of my most anticipated releases of 2024 and it was well worth the wait. Anyone who listens to the flawless album knows exactly why she is a sought-after collaborator and songwriter. Her talent shines through in everything she lays her hand on, proving she deserves to be one of the industry’s biggest artists of all time. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

B.Miles first release of 2024, “Emergency Contact” is a reflective song surrounding events in which you’d need one. B.Miles states that she’s always been fascinated by how someone chooses their emergency contact. Having moved far away from her family and friends to live with her spouse in her 20s, B.Miles realized when they split that she no longer had an emergency contact at the ready should anything happen to her. There is a level of hesitation to this song added by this explanation as well as the chorus lyrics “I sit alone, trying not to overreact, staring at a line that says, ‘emergency contact’” and “Wonder if I called you, would you let it ring through?”. The hesitation is paired with a deep sense of regret and reflection conveyed through many of the lyrics in the song including “I just spent a year, thinking I wouldn’t need you”. Despite the accompanying faster pace of the melody, “Emergency Contact” deals with the aftermath of a split in an introspective way. B.Miles says “In reality, your old emergency contact is still around- and you can still technically reach out to them- but there’s a fear that keeps you from reaching out to them” and that message is conveyed through the story told in “Emergency Contact”. B.Miles has a unique brand of lyrical storytelling that mirrors the late 90s to early 2000s era of pop. There are a lot of influences in “Emergency Contact” that are extremely nostalgic, but none more than the Sixpence None the Richer “There She Goes” reference in the pre-chorus. The iconic beat is slowed down for emotional effect in each verse leading into the chorus and adds a fresh spin to the beat. B.Miles’ vocals are soft, breathy, and haunting, reminding me of UK artist Imogen Heap played over a beat that's reminiscent of what I believe Bic Runga and Sixpence None the Richer would sound like melded together. There is a lot of variation in this song that takes heavy influence from the late 90s to early 2000s era of pop including the reflective tone applied to the lyrics and melody.      New York-based, B.Miles is a singer/songwriter raised in LA who began her music career in 2015 with EP Twenty Fifteen and breakout single “Salt” which is now featured on Netflix's original series “Las Chicas del Cable”. B.Miles released her debut album In Order of Appearance in 2020 and featured tracks “Wasting Time (New York)” and “Worst Enemy”. In 2023 she released the album Different Pages that featured 11 tracks confronting the outdated expectations placed on women in their 20s and 30s. Currently, B.Miles is set to play in LA on May 25th. Check out more of her work at the links below or her website for more music and information on live shows in your area!    Written By Joselyn Jimenez FOLLOW B.MILES: Instagram | Spotify  | TikTok  | Facebook  | YouTube