“Baby Mine” is a retro-inspired r&b single that captures the complex feelings of longing and frustration that can derive from long-distance relationships. Strong-willed and supported love can withstand distance, but the physical distance can lead to doubt and worry from said loving couple. That solid foundation that once existed can be shaken by the miles between you two and you are left craving the physical intimacy you once shared. The space between leaves you vulnerable, and you two feel consumed by this emptiness. A lack of immediate confirmation of your feelings leads to emotional disarray, and reconciliation and healing seem impossible. Over the months, weeks, minutes, seconds apart, the love you both held so tenderly seemingly crumbles. You dream of reaching them again, but the walls they built up due to the struggling seem impenetrable. In the end, they will open back up and reach you once again and that love you held will be repaired through understanding and communication. Click here to listen to "Baby Mine"! “Baby Mine” is a synth-pop alternative anthem that expertly intertwines a nostalgic mood with modern feelings. One can imagine hearing this song play during an early 90s mall-trip, domino-patterned wall tiles and hairspray styled hair optional. Every chime and ambient-air synth beat really culminates into a unique experience alongside Freeman’s engaging vocal performance. Each new note feels like a breath of fresh air as he explores the complex emotions of the lyrics. The more somber feelings come from the actual lyrical artistry, while the upbeat nostalgic melody is reminiscent of the nuanced feelings. The nostalgic nature here truly encapsulates the nostalgic feelings that can arise from long-distance relationships. Everything culminates together into a unique artistic and emotional musical experience. Ben Freeman is a singer-songwriter and producer based in Brooklyn, New York. Freeman has had a long history within the musical scene and is well-known for his musical and spiritual escapades. For two years, he sang within a gospel choir in Madrid, Spain which helped to better expand his musical and vocal abilities. He currently works as an artist within a Synagogue, and has incorporated his spiritual expertise and focus into his craft. He has released albums and singles, both accumulating positive receptions from audiences. He has maintained a positive image in the music industry with the events he organizes and participates through his work as a ritual leader. Make sure to follow him on social media and give “Baby Mine” a listen! Written By Willow Gray FOLLOW BEN FREEMAN: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

“What if this IS as good as it gets?” That was the burning question a close friend asked after I probed too hard about their relationship. Baseline: the relationship in question is unhealthy. It’s riddled with constant arguing, endless lies, manipulation, and feeds on insecurities. A relationship centered on this much misery shouldn’t be one worth saving or stressing yourself over, right? It’s not – let’s make that abundantly clear. However, this situation isn’t as black and white to the people within them. And Brooke Day’s single “Crying On My Balcony” has given me a better understanding of the unfortunate position my friend has found themselves in. “Crying On My Balcony” identifies why we feel so compelled to stay in relationships that should have met an early demise. The single opens with swelling synths that loop as Daye reflects on the bittersweet relationship. Through impassioned vocals, our artist captures the pained situation of “loving” someone that causes us nothing but “agony”. This evolves into ruminating on the numerous ways this lover exhausts us within the pre-chorus as the synths gradually build. From emotional labor consistently falling onto us to our lover becoming “two-faced when lying” – the reasons to leave this connection are outweighing the ones to stay. The synths then die out to be revitalized with a renewed fervor in the chorus as we come to the realization that there’s “nothing in between” the two lovers. There’s not equally, shared love to be found here – only the effort one person has poured into the connection. Daye points out in the second verse, it’s too painful to outright admit this relationship might be “another one of [our] mistakes” after we’ve invested so much into it. So instead, we stay and see the relationship through in hopes that the other person will eventually reciprocate the “heaven” we’ve given them. In this waiting period, we begin “second-guessing” ourselves and feel guilty for the resentment we’ve developed for our partner. Ultimately, “Crying On My Balcony” offers an abundance of understanding for listeners in similar relationship dynamics while reminding those outside of these relationships of the empathy that’s needed when probing them. Daye is a Los Angeles-based singer-songwriter with a flair for experimental pop. The artist’s discography showcases tracks that fall under various pop sub-genres, but their authenticity and lyrical prowess remains intact throughout it all. If you’re craving to hear more from Daye, you’re in luck. Our artist and masked singer-songwriter, HXRT, released the ethereal synth-pop single “In It Alone” yesterday. The new single encapsulates modern fears of entering a relationship: assessing if the work needed to make the connection last is a shared responsibility or a job suited for one. There’s more, though – Daye also has an upcoming EP titled Me & My Mania. The best way to stay updated on Daye’s EP is by following them on all their socials. And while you’re at it, show them some virtual love by streaming their music. Written by Giavanna Gradaille FOLLOW BROOKE DAYE:

The 2020s have been memorable, to say the least. As society slowly progresses past world-changing historical events, we are beginning to witness art reflect on the struggles of living through these turbulent times. Up-and-coming musician Mara Liddle is one of this trend's newest and most exciting artists. Her latest single, "All Over The Place," ponders life post-pandemic in the digital age, exploring our anxiety and disheveledness. Lyrics like "Stage fright / Spotlight / I've never felt so shy" and "I'm so humble / God, I'm so carefree / That's what I want them to see," are relatable, sharp observations on the pressures of being on social media. The titular line, "These days I'm all over the place," accurately represents the confusion of what to do after socially isolating for nearly a year and a half. And yet, for its weighty themes, "All Over The Place" is one of the most colorful and exuberant pop cuts recently. As Liddle says, she wants to make music "spray it in Pink [and] package it for the Tiktok generation." Mara Liddle takes the universal challenges young adults face today and blends them with new-age aesthetics to create a song by and for Gen Z. Liddle has cited hyperpop icons like Charli XCX and Pinkpanthress as sources of inspiration for her music, and she calls her songs a mix between Garage and Pop. These references are apparent in "All Over The Place." In line with similar tracks before it, "All Over The Place" takes cues from club beats and Euro dance. The song is bouncy, light, and unequivocally pop. With its rattling beat and smooth synth line, "All Over The Place" is a sparkly earworm bound to get stuck in your head. Yet, the song also implores lo-fi aesthetics. With Liddle's soft crooning and gentle harmonies, "All Over The Place" balances being a low-key bop, feeling like a mix between Shygirl and Clairo. "All Over The Place" is a bright, pink, summery hit. Mara Liddle is a U.K.-based singer-songwriter. During the COVID lockdown, Liddle began writing her tracks. Now, alongside producer JB Thomas, Liddle is working towards releasing her debut EP. From the beginning of January of this year until only a week ago, the musician has released four singles; "Twist The Knife," a collab with fellow artist Say, "facebook official," "Oversharing," and now, "All Over The Place." She strives to capture the sentiments of living as a young woman in the social media age. With a colorful, eccentric aesthetic in and out of her music, Liddle wants to make music with a message that is also fun. Her discography consists of poppy, upbeat songs that explore authentic emotions. I'm very much looking forward to seeing what she releases next, and you can find all her music, including "All Over The Place," on streaming services now. Written By Lauren Nolan FOLLOW MARA:

Zach Benson’s newest release brings an 80s pop vibe into the current world of strict rap and indie performers. The track is titled “white lies”, and is the first single from his sophomore album that is currently a work in progress. The song is about insecurity in a relationship and not trusting your partner’s words, and he prompts a million questions about his situation. Is his partner as all in as he is? Do they mean it when they confess their love? These questions are woven through the backbone of the song, and are especially prevalent in the chorus. However, the soundscape is so upbeat and catchy that listeners are left with a pop-indie hit, rather than a depressing ballad. This contrast is indicative of Benson’s musical style and who he is as a person - a mix of serious and honest words, with a snarky and fun attitude. Despite the upbeat background, Benson’s lyrics truly tell a story that almost everyone who has been in a relationship can relate to. In the chorus, he sings, “you call me lover like we’re alright / you paint a picture but the sky is the same as the sun / because your color’s all in white”. He contrasts the typical description of love, the ability to paint the world with bright colors from your newfound emotions, with the feeling he currently has, the feeling that the world has lost its color and its love. The bridge furthers this idea with the repeated chant of “could end it with a fight, but at least it’s not a lie / [just let me know, and you can go] / cause we’re not alright here”. He begs his partner to be honest with him, to paint a picture of truth instead of lies. My personal favorite lyric is what Benson chose to end the song with. The last words hit the audience hard, as he sings, “I'll paint your picture with the pinks and the blues till you’re done / cause all your colors all are…” He trails off without closure, similar to the feeling of his relationship. He pleads for the chance to prove his love, to paint the white lies full of color, but based on the trail off it can be assumed that he is not granted this peace of mind. Zach Benson is a pop musician and producer based in Richmond, Virginia. He found his love for this art in middle school, and has been pursuing it ever since through various pop punk bands, talent shows, and developing new skills, like production and now album releases. He dropped an EP in July 2022 titled “and miles to go before i sleep”, which helped skyrocket him to the almost 25k monthly listeners that he now has supporting him. He recently toured it across the east coast, and after a bit of rest is currently working on another album that his fans are desperately waiting for. With a similar vibe to Dayglow, the 1975, and MUNA, Benson also prides himself on creating music for the queer community, in an effort to connect more with his identity and be the voice that he needed growing up. Make sure to follow the social medias below to stay tuned for more music from Benson. Written By Tessa Maddaloni FOLLOW ZACH BENSON:

Providing a weapon for the heartbroken, Mack Imagine has released the moody new single, "nothing at all." The track is steeped in heartache, giving fans an outlet for the hurt that comes with betrayal. "nothing at all" takes the gut reactions from being stabbed in the back and turns them into a beautiful contemporary pop ballad. Giving a fresh spin on the phrase "all's fair in love and war," Mack Imagine weaves the desire to seek revenge against the person that hurt you throughout this single, making it equal parts bitter and lovely. "nothing at all" is one of three singles Mack Imagine has released since the group's 2022 debut, adding another compelling track to their catalog. Emotional and exposed, Mack Imagine bares their soul in "nothing at all." Pairing well with the transparent and moving lyrics, "nothing at all" is a melancholic ballad that features a haunting soundscape and impassioned vocals. The track begins with contemplative piano lines, slowly building into the chorus' lush harmonies. Showcasing the duo's ability to create emotive music, Mack Imagine delivered their touching lyrics with stirring melodies that'll linger in your mind. "nothing at all" highlights the pair's mature sound, making it a track that would fare well alongside acts like Charlie Puth, John Mayer, and Jeremy Zucker. Formed in 2020, Mack Imagine is a singer-songwriting pop duo based in Southern California. The duo is comprised of Matthew Zeko (guitar/vocals) and Jack Brady (piano/vocals). During the pandemic, the two decided to move from covering songs to writing their own, releasing "don't give up on me yet" in 2022. Keeping things raw and authentic, Mack Imagine pulls inspiration from their lives and experiences, telling their stories one song at a time. The more they write, the more their sound evolves, perfectly capturing the emotions they wear on their sleeves. Though the two are just getting started, Mack Imagine is certainly an act to keep on your radar. Written By Cheyenne Johnson FOLLOW MACK IMAGINE:

Felicia Lu has finally released her highly anticipated debut album, Something Regrettable, and with it comes the infectious title track. With both the song and the album, Lu gives her listeners an insight on the inner workings of her mind as a “twenty-something year old.” The track utilizes empowering lyrics to describe her experience with letting go of the toxicity in her life once she had realized she is better off without it. Whether it is caused by another person or an unhealthy vice, she decided to cut off the bad and do what makes her happy. While this message can be applied to many situations, Lu specifically wrote the song in response to the ending of a romantic relationship. The track is composed of many brilliantly written lyrics, making it difficult to pin-point the best. However, the singer poetically wraps up the entire message of the track with the final line of the pre-chorus as she sings: “The man you loved is the devil in disguise.” This perfectly encapsulates the idea that, in hindsight, this relationship was doomed and her partner was entirely toxic. In the moment, she was infatuated by him, but now that it is over, her eyes are open to the truth. The chorus continues this idea with the hook: “How could I miss something regrettable?” and “How could I want something so regrettable.” With the relationship in the past, her rose-colored glasses are shattered as she sees her partner for who he truly is—someone to regret. Furthermore, Lu includes additional clever lyrics in the bridge as she ties back to her tenth track from the album and earlier single, “Not My Friend.” In the last line, she sings: “Let me remind you that you’re not my friend.” This is a fun easter egg that fans can easily catch while Lu ingeniously shares that the two songs may be about the same person. With “Something Regrettable,” Lu once again showcases her characteristic skillful songwriting while conveying a relatable message that resonates with her listeners. “Something Regrettable” is a high-energy pop anthem that brings to life the song’s empowering message. The track kicks-off with a bass guitar riff and subtle synth waves that set the fiery atmosphere. After a few measures, the instrumentation is briefly cut-off, before returning with a heavy drum beat. This signifies the beginning of the verse led by Lu’s compelling vocals. A steady beat and soft percussion are heard, while the bass continues in the background. When the pre-chorus hits, the drums and bass mute, leaving the production to only Lu’s distinctive voice and additional synth sound effects. The vocals have an added reverb to them that create an extra dynamic to the song. The instrumentation slowly builds, preparing the listener for the explosion into the chorus. While the full production returns, additional synth and keyboard notes are played, bringing an electronica vibe to the track. In the post-chorus, vocal effects are added to have the lyrics reverberate through the speakers. This effect is even more powerful when listening with headphones, as it bounces from one ear to the other. The second verse and chorus maintain the same production, never letting off from the entirely infectious soundscape. In the bridge, the bass mutes, drawing focus on the lyrics with the synth and the beat. The reverb continues as Lu’s voice guides the listener through the song, enhancing the multi-layered production. The end of the bridge is signified by a record-scratching sound effect, before bursting into the final chorus. The first half utilizes only the bass and Lu’s voice, before a synth effect builds back into the full production. As Lu sings the last line, “something regrettable,” the instrumentation becomes slightly muffled, bringing one final emphasis to the clever hook. Every single song Lu writes and releases has an incredibly meticulous production that proves she is ahead of the game and deserves to be the industry’s next big pop queen. Felicia Lu is an indie-pop singer, songwriter, multi-instrumentalist, and producer from Germany, currently based in Vienna, Austria. In 2014, she made it to the finals of the RTL Talent Show, “Rising Star”. Then in 2017, she was a contestant for the Eurovision Song Contest. She returned to the world-famous contest in 2022 with her song “Anxiety” and placed fourth for Germany. In June 2023, she performed at Donauinselfest 2023, where she performed on the main stage powered by Hitradio ö3. With both “Anxiety” and her second biggest single, “Pay,” the two tracks amount to over 3 million streams on Spotify. Furthermore, Lu has a total of over 14 million streams for her entire discography on the platform. She has 2 extended play albums and several stand-alone singles. On September 29, 2023, she released her debut full-length album, Something Regrettable. Written By Karlee Skipper FOLLOW FELICIA:

The cover of Bad Weather's new single, "Lilac," is entirely grayscale. This might initially seem like humorous irony, at odds with the colorful title and celebratory lyrics, but it functions more to set the stage. Callum Robertson, singer/songwriter/guitarist/producer behind the Australian band, opens the alt pop track with a sullen croon. His silky delivery softens the sharpness of the verse's pounding drums and jangly guitars. Once he bursts into the chorus, recalling the memory of a past relationship, "Lilac" takes flight. The instrumental maintains its anthemic pop-rock fervor throughout the three-minute runtime, relying on Robertson's vocal performance to shift the mood and energy. Finding joy in the wake of a breakup, vivid color fills the space like a playful misdirection. Rather than deepening the shadows of its emo-tinged style, the band casts them out with a bright optimism. It's not as simple as every storm leading to a rainbow. "Lilac" bares the downpour, but comes to find that nothing washed away in the rain. The non-linear storytelling of "Lilac" highlight its themes of holding onto self-discovery in the face of what may feel like utter loss. "You found me at a good time," Robinson recalls, implying an almost whirlwind of a relationship. When someone, as the singer describes, extraordinary comes into his life, it upturns everything he thought he knew. So, what happens after? At first, he writes from a place of fragmentation. "Missing pieces, I've been trying to get them back," the song opens with. But soon comes the realization that lasting change must come from self-discovery and growth. The desire to hold her "under lilac skies" becomes a sort of challenge. First, he has to see the world in those brilliant hues. Based in Perth, western Australia, Bad Weather returns for their first song since the release of their debut EP in August of 2022. The five-track project, titled Flowers In Your Room, includes lead single "Cherry," showcasing the band's stylistic versatility and immaculate production. Influences, such as The 1975 and Slowly Slowly, can be heard in their alternative pop instrumentation and songwriting. Robinson, as the bands singer, songwriter, producer, and guitarist, possesses a Prince-like multi-talent and musical passion. While no future releases have been announced, Bad Weather is currently playing a string of live shows, including Electric Feelings at the Rosemount hotel. Written By Andy Mockbee FOLLOW Bad Weather:

With her sophomore single, Dani Stocksdale has once again knocked it out of the park with a relatable track about love, life, and heartache. “Prototype” details the gut-wrenching experience of falling in love while you are young, only for the relationship to end. Now every single subsequent relationship falls short. Stocksdale describes that no matter who she dates and how great they look on paper, they will never compete with her first love. The clever song title is a brilliant metaphor for this phenomenon. The chorus kicks off with the hook: “But you’re still the prototype.” She continues through the track, illustrating her inability to fully move on. As she reaches the end of the chorus, she sings: “What am I supposed to do// When you’re the one that I compare everyone to.” Then, she reveals the heartbreaking reality with the lyrics: “But I’m not that for you.” Stocksdale confesses that while her former partner is the irreplaceable prototype that has set the standard for all future relationships, they do not reciprocate this. Instead, they have moved on and do not give her a second thought. Stocksdale even admits that this is what she strives for and that she knows their relationship needed to end. And yet, she is still unable to let go. Throughout the song, her poetic lyricism eloquently describes this experience and serves as a cathartic outlet for not only herself, but also her listeners who resonate. With “Prototype” being only her second release, Stocksdale has already proven her remarkable songwriting talent and innate ability to captivate audiences with her authentic lyrics. “Prototype” is a poignant track filled with bittersweet nostalgia that effortlessly tugs on the heartstrings of listeners. Stocksdale utilizes a gloomy, yet powerful production to bring to life the somber storyline. The song begins with soft synth sounds that draw the listener in before transitioning into a crisp electric guitar played finger style. Simultaneously, Stocksdale’s compelling vocals kick off the verse, guiding the audience through the melancholic journey. The pre-chorus picks up keyboard chords while the bass raises and lowers with a portamento technique. The chorus introduces layered vocals that are paired with a heavy reverb that is utilized on the entire production. Stocksdale sings in her higher register, enhancing the delicate, emotional atmosphere of the track. Then, she uses mesmerizing vocalizations in the post-chorus while the production picks up piano melodies that harmonize with the finger style guitar. The second verse adds a light beat and extra synth effects while the reverb maintains. Then, the pre-chorus mutes with only the beat and keyboard chords, drawing emphasis on the vulnerable lyrics. The second chorus and post-chorus continue to showcase the singer’s incredible vocal range while the reverb creates an empty hallway effect, providing an isolated ambiance to the song. As Stocksdale reaches the bridge, the audience prepares for the emotional climax of the track. The production softens, ensuring the layered vocals are at the forefront. The heavy reverb intensifies for the last line of the bridge: “Loving you is so damn tragic.” This effect helps pierce the heart of the listener as they contemplate the severity of such a deep line, before the song fades into the final chorus. The soft piano plays for the first few measures, before the full production returns to close out the track. “Prototype” flawlessly captures the essence of a broken heart through the beautiful production and solemn lyrics, solidifying Stocksdale’s path to inevitable stardom. Dani Stocksdale is a 22-year-old independent pop artist based in New York City. She made her debut in August 2023 with her single, “Swimming Pools.” She aspires to create music that is authentic to who she is and tells a relatable story for listeners. With her insightful lyricism and honest vulnerability, she utilizes her personal experiences, from relationships to self-discovery, to connect with audiences. Stocksdale has performed at prominent New York City venues, such as Mercury Lounge, Baby’s Alright, Rockwood Music Hall, The Cutting Room, and Arlene’s Grocery. Listeners are sitting in anticipation awaiting upcoming releases from the new artist. Follow her on all socials to keep up with future projects! Written By Karlee Skipper FOLLOW DANI:

Photo Credits: Tyler Morning Telegraph While critics haven't been too wowed by Autumn Variations, fans have been rejoicing over Ed Sheeran's second album of 2023. The album was released through Sheeran's own label, Gingerbread Man Records, a move he made to make the project purely independent. Stepping away from typical pop releases, the megastar chose to release Autumn Variations without any singles, major advertising, or music videos, taking a break from the pressures of his usual releases. Following the album's release, Sheeran stated, "So Autumn Variations is out now! This is an album purely for you, the fans. There’s no singles, no videos, it’s on my own label, so no pressure for anything. I just want you guys to have a soundtrack for autumn/fall that feels like a warm hug. I hope you love it. Lemme know what your fav songs are and il see some of you this week at random pop ups we are doing. Love you all x." Though the album didn't have all the typical fanfare that normally accompanies Sheeran's releases, it hasn't disappointed and is perfect for the upcoming fall season. TRACK LIST: 1. Magical 2. England 3. Amazing 4. Plastic Bag 5. Blue 6. American Town 7. That's On Me 8. Page 9. Midnight 10. Spring 11. Punchline 12. When Will I Be Alright 13. The Day I Was Born 14. Head > Heels Enjoying much success since his music industry debut, the 32-year-old singer-songwriter has made waves in the pop world with tracks like "Thinking Out Loud," "Shape of You," and "Bad Habits." Sheeran's charming, folk-pop sound has captivated audiences all over the world, turning the humble and beloved redhead into a pop superstar. Autumn Variations follows on the heels of his first 2023 album, Subtract, being the first album to follow his mathematics series. The charismatic singer's light, folksy sound is perfect for the warm, cozy atmosphere he creates on Autumn Variations, giving us a flawless soundtrack for fall. Starting soft and relaxed, Sheeran kicks off Autumn Variations with “Magical.” The track features warm harmonies and laid-back instrumentation, demonstrating how much Sheeran can evoke with a simplistic song. Lyrically, “Magical” describes the fuzzy feelings of being in love, repeatedly asking the question, “is this how it feels to be in love?” Picking up the pace, “England” is up next, giving us a tour of some English sights. The track was inspired by Dungeness, a unique spot in Kent, England. Light and upbeat, “England” features a warm fondness for a place many of us may have never heard of, making us want to adventure there alongside Sheeran. Light and jazzy, “Amazing” comes in with irresistible melodies and driving percussion. Sheeran continuously sings that he’s “tryna feel amazing, but [he] can’t get out of [his] way,” making it a relatable song as feeling good is just out of his reach. It’s surprisingly optimistic and upbeat in the face of struggling to find happiness. Turning to a classic Ed Sheeran style, “Plastic Bag” mixes commercial-pop with a hint of folk. The track has an essence like hits “Overpass Graffiti” or “Collide” but with the twang of Sheeran’s folksy acoustic songs. “Blue” moves away from the commercial-pop style and goes straight for folk-pop with a sound reminiscent of Bon Iver’s “Skinny Love.” The track showcases Sheeran’s falsetto over a simplistic, acoustic guitar-laden background. Though “Blue” is noncomplex, it has a modest, rustic air about it that leaves a lasting impression. “American Town” is a cute little ditty, reminiscing on the times Sheeran visited his wife when she was in America. The track is upbeat and cheery, narrating several of Sheeran’s happy memories in the U.S. “That’s On Me” has a similar vibe to some of Sheeran’s previous tracks, featuring some rap-like lines mixed with sung lines and choruses. Moving back to a soft atmosphere, “Page” is an epic ballad featuring acoustic guitar riffs and heavy pop beats. The track is reflective, highlighting the inner turmoil of one’s inability to move on from a past relationship. Sheeran references this in the chorus’ signature line, “I’m stuck on a page.” Exploding into one of the peppiest tracks on Autumn Variations, “Midnight” takes the spotlight as a classic Ed Sheeran pop tune. The track has an infectious energy driven by fast-paced beats and light guitar riffs. Making it one of the more memorable entries on the album, “Midnight” is filled with catchy, unforgettable melodies and fuzzy feelings for a significant other. Slowing things down a bit with a midtempo ballad, “Spring” reflects on a year gone by too fast. It’s a relatable track, conveying feelings of seasonal depression—something many of us struggle with when fall and winter come around. Sheeran repeats the sentiment that “we can’t let winter win. That’s why I’m holding out for spring.” Seasonal depression often feels like an uphill battle, but there’s always hope with spring on the horizon. Keeping things slow and soft, “Punchline” is a guitar-driven, midtempo ballad. It’s one of the melancholier songs on Autumn Variations but beautiful, nonetheless. “When Will I Be Alright” takes on Sheeran’s inner struggles, exploring some of his mental health battles. It’s a relatable song, asking a question many of us have wondered ourselves: “when will I be alright?” Simple yet lovely, “When Will I Be Alright” features acoustic guitar riffs, folksy fiddle lines, and supporting piano chords. Picking the mood up a bit, “The Day I Was Born” is next with a sound reminiscent to Train’s “Drops of Jupiter.” The track is a relaxed, midtempo ballad, featuring acoustic guitar riffs, piano, and rich harmonies. Ending the album on a positive note, Sheeran gives us a sweet, sappy love song with “Head > Heels.” If there’s one thing Sheeran is a master at, it’s creating moving ballads that make you want to lose yourself in someone’s arms. “Head > Heels” is Autumn Variations’ “Perfect,” making the song love incarnate. Some might feel the album is a bit mundane compared to Subtract and earlier releases, but it perfectly captures the essence of everyday life. Sheeran aimed for an album that didn’t fit the mold of a typical, commercial-pop megastar release, so it’s fitting that Autumn Variations would paint a picture of something ordinary. The album feels like it’s as much for the fans as it is for Sheeran, showing that he’s human, too, and enjoys the same simple pleasures we do. So what if critics think it’s as basic as pumpkin spice? We, the fans, love it, and that’s all that matters. Written By Cheyenne Johnson Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

*Top row from left to right: Death Lens via Instagram, María Isabel via YouTube, and Slow Joy via Instagram; middle row from left to right: Victoria Canal via Spotify, Pacifica via Spotify, and Tatiana Hazel via Spotify; last row from left to right: Guaya via YouTube, Quelle Rox via SoundCloud, and Midnight Generation via Instagram.* Happy Latinx and Hispanic Heritage Month everyone! For those in the unknown, this celebratory observation is spread over the course of two months; beginning on September 15th and ending on October 15th. The month is split between the two because of the many monumental triumphs that have coincidentally occurred within them for Latinx and Hispanic communities. For example, Costa Rica, El Salvador, Guatemala, Honduras, and Nicaragua all claimed their separate independence on September 15th. But since its inception, the month has expanded beyond reflecting upon the past. Now, it recognizes the ongoing influence and incredible contributions made by members of the communities in every facet of life. And that’s why today we’re taking a moment to appreciate and uplift Latinx and Hispanic voices in the music sphere. The criteria I followed by for my choices: the reviewed song had to be released this year either by itself or with a collection of music (like an EP, LP, or album); and the reviewed song must fall under the pop genre (or a sub-genre and/or pop adjacent genre). Let’s dive into the songs! 8. "I Drove U Crazy" - María Isabel “I Drove U Crazy” is a soul-stirring depiction of an unhealthy relationship in demise. Through a haunting melody that showcases pronounced drumbeats, María Isabel’s contemporary R&B single is bound to “get under your skin” in the best way possible. Isabel’s deliciously venomous vocals let listeners know this is a love that has lasted well past its expiration date. And a relationship in decline, especially an unhealthy one, resorts to negotiation and manipulation tactics to keep it alive. This results in our artist pointing out a hard truth: “there’s nothing poetic about” driving each other crazy in the name of love. María Isabel is a Dominican-American artist and native New Yorker with a prolific discography for anyone whose heart lies in the depths of the city. “I Drove U Crazy” is the artist’s first release following a brief break and their second EP i hope you’re very unhappy without me. 7. "Someday" - Midnight Generation “Someday” keeps hopes high for the day a situationship returns and matches the adoration we have for them. Midnight Generation’s nu-disco single features an infectious funk-laden rhythm that’s carried by rich guitar notes, driving drums, and dazzling synthesizers determined to have you dancing like Napoleon Dynamite. Even with promises of “treating them right”, the situationship keeps “playing games” with our heart. Yet, we’re still optimistic that they’ll “fall in love” with us “someday” in the future. Midnight Generation is a disco electronic pop group from Chihuahua, Mexico and led by Fernando Mares. The group is currently on their Drop the Synthesizer Tour with multiple performances scheduled for this month and November. Tickets for venues and their locations can be found here. But if you’re homebound, you can always indulge on the group’s latest album Afterlife. 6. "COHIBA" - DEZI “COHIBA” is a dark-pop single that unleashes the daddy energy in any listener. With Latin beat infused verses that build toward a sinister industrial-synth chorus, DEZI is determined to bring out and keep out the “God complex” in you. Much like a Cuban cigar – better known as a cohiba – this song delivers lusciousness in the form of enticing vocals that also heightens one’s confidence beyond all tangible measures. DEZI is a queer, Cuban singer-songwriter and multi-instrumentalist with roots in New York. But has recently set sights on California with their partner. Because of the move, there’s unfortunately no live performances scheduled now. But that shouldn’t stop you from listening to earlier singles DEZI’s released this year like the emotional “Make It Home” and resonant “Panic”. 5. "Maybe In Time" - Laura Galindo “Maybe In Time” is an indie-pop single that loans itself to dream-pop all while centering on finding the optimism in a relationship’s end. The song’s star-studded percussion strings invoke ethereal feelings of freedom – like a gust of wind pushing your bike forward as you ride. Alluding to how freeing it is to look back on the denouement of a relationship with rose-colored glasses instead of bitterness. Through light and airy vocals, Laura Galindo reminds listeners that not all endings need to be shrouded in pain; they can also envelope us in endearment and hope. Galindo is a queer, Colombian singer-songwriter, multi-instrumentalist, producer, and actress based in Brooklyn, New York. For those in NYC and its surrounding areas, there’s an opportunity to see Galindo perform live at The Sultan Room on October 17th; tickets can be found here. But those too far to travel can always enthrall themselves with Galindo’s soulful 2021 EP In Front Of Your TV. 4. "Vacant" - Death Lens “Vacant” touches on the all too surreal reality of feeling empty when attempting to stay sober. Regardless of what your choice of poison is, Death Lens newest punk anthem reassures any listener they’re not alone in their struggle to stay on the straight and narrow. The musical arrangement perfectly encapsulates the overwhelming anxieties that come with avoiding a vice while ensuring the void that created the need for said vice somehow remains full. Death Lens is a Los Angeles-based alternative/punk band consisting of vocalist Bryan Torres, guitarists Jhon Reyes and Matt Silva, bassist Eduardo Contreras, and drummer Edgar Alejandre. A huge congratulations to the band for signing to Epitaph Records; “Vacant” is the first release they made under the new record label. The band also has multiple live performances scheduled for the next two months throughout the states – you can find the closest performance to you and their corresponding tickets here. 3. "Caught These Feelings" - Ale Campillo “Caught These Feelings” showcases the unbridled zeal that overcomes us when we know for certain the person before us is who we want. The desire for the other person has gone beyond physical, though. It’s evolved into a full-fledged desire for a deeper commitment. With gospel-like hymns, futuristic synths, and versatile guitar strings, Ale Campillo’s radiating warmth is extended to listeners in this alt-pop single. If reassurances of “I’m yours” and plans for a shared “future” don’t spell out budding love, than I don’t know what does. Ale Campillo is a queer, Cuban-Mexican artist from California. The discussed single’s title also doubles as the title for Campillo’s second EP Caught These Feelings; where every featured track feels like a direct confessional shared between two friends. And it’s a bit late, but a huge congratulations are in order for Campillo, they recently graduated from Yale. 2. "Been On" - Javi Vera “Been On” is all about knowing your self-worth and when to walk away from someone. Hypnotizing guitar riffs and explosive drumbeats topped with Javi Vera’s assertive vocals make this the perfect self-reminder that you don’t need to wait around for anyone. Especially if they’re going to take you for granted. Vera even manages to squeeze in a little cowbell for the song – amusing any fan of the infamous SNL skit with Christopher Walken. Maryland native Javi Vera blends contemporary alternative and classic rock to deliver indie funk-rock to eager listeners. For those itching to see Vera live, the artist has a performance scheduled for today at the Ottobar in Baltimore, Maryland. Tickets for the performance can be found here, with doors opening at 7:00 P.M. But if you’re stuck elsewhere, you can enjoy their latest single “BOXED UP”. 1. "reckless" - yungatita Yungatita’s “reckless” allows listeners to reflect on the impulsive relationships they experienced in their youth. The vocals put you under a dreamlike trance that beckons deep introspection as a mellow guitar melody plays; showcasing how we tend think of younger relationships through a lens of nostalgia. It also hints at some of the naivety we have – especially in thinking our character was completely faultless while within these relationships. But heavy drumming and an overall change in mood signifies the sudden realization that we were just as careless (if not more so) as the other people in these early connections. Yungatita was originally an East L.A. project that turned into an indie-pop fusion band fronted by multidisciplinary artist Valentina Zapata. For fans dying to see yungatita, there’s two upcoming opportunities to see them perform live in California. They’ll be performing at The Moroccan Lounge in Los Angeles on October 12th (tickets found here), and Nothing Fest’s 10th Anniversary at the Garden Amphitheatre in Garden Cove on October 21st (tickets found here). If that’s too short of notice, yungatita just dropped their latest single “Whiplash” for you to enjoy in the comfort of your home and anywhere you like to turn your speakers up to full volume. If you’re familiar at all with my writing, then you know I’ve said multiple times that diversity in the music sphere is rare. Which is why I’m always ecstatic to find artists that better reflect the everyday world. But to be able to find artists and musicians that reflect my personal world means so much. It makes living while being Cuban just a little bit easier because it offers visibility and permanence. Two sentiments that are significant in a sociopolitical climate that’s been vocal about keeping Latinx and Hispanic identities on the sidelines of society. So, a huge thank you to the Latinx and Hispanic artists that continue to dedicate their energy and time into crafting music that allows the marginalized to see a piece of themselves and their culture in a positive light. Written by Giavanna Gradaille Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Back again after her stunning debut EP, “Melancholia High School”, Sarah Von Reis has given us “Phenomenon”. Sarah creates a mysterious, cool girl effect through this song. The feeling of being distant yet so close to someone emerges while listening to her melodic tune. By her words blending together in perfect harmony, she creates a unique vibe; she says “Or more precisely, about coming and, in that moment, feeling like you are being resurrected from the dead”. “Phenomenon” allows for your imagination to come forward and take over as you melt into the music. This song makes you feel like the world has stopped. From each note Sarah releases to every beat of the instruments, your senses will be alive. Describing each move of “Phenomenon” she says, “I chose to use a bass clarinet because it is the hottest instrument out there”. The song becomes more intense with every beat; it feels as if you are being lured in more with every note. Sarah is able to send us into a different universe as she guides us through each psychedelic strum on the guitar and launches us into a space where anything is possible. Sarah Von Reis is a young musician who has already had her foot in the industry by being a member of the acclaimed band Dolly Style. Sarah later broke up with the band and has branched off to make her own path! Making major strides, this Swedish pop sensation has found her roots in the melodic language of Swedish jazz. By creating a name for herself, she has become a role model for fans by being fearless, talented, powerful, and openly lesbian. Follow Sarah Von Reis below, and don’t forget to listen to “Phenomenon”. Written By Cate Schnoebelen FOLLOW SARAH VON REIS: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Guestlist is Katie Gregson-MacLeod’s latest release. It’s a diary piece, made to be honest and relatable. She reflects the experience of many women her age, watching the world pass her by, specifically the world of her former partner, feeling stuck and lost. She carries themes of others' perception of her throughout the song. Speaking of her social media use as a career, perhaps not respectable in real life as she comments on it being “cringe” and states the potential future partner of her ex would have a “real job”. So, she doesn’t want to be seen as using this for a living and yet the entire career itself is being seen, “it’s all about content”, she recites. She states she started smoking cigarettes during this relationship, she is “blaming sober thoughts on overdrinking”, she’ll “be happy for you but unhappy”, it’s a contest to be the most content. To be the most successful, at peace, to live in the moment longer than those around her. She is consistently aware of how she doesn’t fit the image of what her partner, and the general public, may expect of her and then she makes this her image. Stuck being unhappy at 23. The song begins with an echo, the note that plays would sound imperfect, or out of tune by itself, but here it creates this unique beat that sets the tone for Katie’s original approach to music. When she begins singing, in her instantly recognizable voice, acoustic guitar backs her. It is heartfelt, slow but not melancholic. When the music picks up, her voice seems to stay at the same pace, perhaps an ingenious nod to the theme of being still as those around her pass her by, but regardless of intent it sounds incredible and offers an emotional track while keeping the listener entertained. The song has long pauses for instrumentals that don’t disappoint, giving time to reflect on Katie Gregson-MacLeod’s poetry. After one of these pauses, she recites the chorus again and ends somewhat abruptly on that line, “I’ll be happy for you but unhappy and 23”. Katie Gregson-MacLeod is a fairly new artist, her first single being released in 2020. But even with this, she’s gaining popularity quickly. Her debut EP “Games I Play” gained support from BBC Radio 1 and she was named in BBC Scotland’s 25 Artists To Watch just two years after her initial debut. Her social media is also extremely popular holding over 240k followers on Tiktok and 45k on Instagram. She’s originally from Inverness in the Scottish Highlands but her music is reaching much further, especially with “The Big Red Tour” in which she will travel across Europe. Find details on how to attend in her social media below and stream “Guestlist” now. Written By Hailey Schap FOLLOW KATIE GREGSON-MACLEOD: