Getting over a breakup can be hard. The once light feeling of love is replaced with heavy sadness. The good thing is that the sadness subsides over time, and you find other things in your life to keep you busy. For example, You may get a new job or pick up a cool hobby. Despite all the good that’s happening, you want to be in love again. Physical affection releases good chemicals in the brain, so it’s no wonder that we crave it. You want to put yourself out there, but you are also afraid of getting hurt. Amie Jay has been at this place in her life. She writes about these warring feelings in her new upbeat pop song, “Miss Being In Love.” The mood of the song switches from sad to hopeful as Amie Jay expresses all her feelings about love. The first verse starts out slow, but it has a good bass line. This kind of gives it a power ballad feel. Jay sings about longing for affection and waiting to keep her heart guarded at the same time. In the chorus, she keeps having this back and forth. Even so, the music becomes more upbeat. The chorus ends very optimistically with “my life’s a movie. Honey I’m the lead, but I miss being in love.” The second verse and chorus are structured in the same way. This shows the war she is fighting with her feelings. In the end, Jay decides to be brave and find love again. I think she made the right choice. Singer/Songwriter Amie Jay was born and raised in London, UK. She has had a love for music from a very young age. Her goal in writing music is to tell stories. Jay’s biggest musical inspirations include Lana Del Rey and Alanis Morissette. “Miss Being in Love” is her first release of 2023. If you want to hear more, check out her 2022 debut EP, “Cancer Sun.” I recommend “Sweet Nostalgia.” It is a groovy song about looking back on the past. You should listen to “Unashamed” as well. It is a gritty and upbeat track about getting over a breakup. I really enjoyed listening to Amie Jay’s music. Follow all of her socials below to learn more about her and be the first to hear of any new releases! Written By Kelli Dixon FOLLOW AMIE JAY

**TRIGGER WARNING - ADDICTION** Addiction is something that many struggle with, especially in todays society. In the midst of a mental health crisis, many turn to the worst to find some sense of relief from the pain they face inside their minds. Whether it's substance abuse, alcohol, gambling, shopping, food or even a toxic relationship, addiction is something that can be extremely hard to break free from. It turns us into someone that we're not and we get lost within the walls of this alternate state of mind it puts us in. We make ourselves believe that we can't live without it, but in reality, we'd be so much better off. Fighting off addiction is one of the bravest things someone can do; it'll only make you stronger, healthier, and a better version of you - the version you were always meant to be. "FADED" by We Are PIGS and Crazy Town is the collaboration I never knew I need to hear. It's about the lead singer of Crazy Town, known as Shifty Shellshock or Seth Binzer, and his own personal struggles with addiction. The lyricism is raw, emotional and helpful for others who have gone through a similar scenario. The flow is just simply, effortless. It pulls you in immediately with a hazy hook and groove that puts you in a trance throughout the whole duration of the song. The soundscape of this song is a softer approach to We Are PIGS and Crazy Town's usual style which is usually metal and rap rock. This particular song feels more like an alt-pop song with hints of 2000's punk and hip-hop, in similar taste to "Airplanes" by B.o.B and Hayley Williams. This is a song that makes you feel, and I have no doubt you'll have it on repeat once you take a listen. We Are PIGS is a project created by South African native producer and songwriter, Esjay Jones. Now based in California, Esjay focuses on styles like rock, metal and pop. We Are PIGS is specifically an alt-metal-hybrid project in which she's already collaborated with names like Billy Corgan from The Smashing Pumpkins and Brian Welch from KORN. In "FADED", Ejsay collaborates with Crazy Town, a band that has been making music since the 90's. They're best known for their No. 1 hit single, "Butterfly", which reached the top of the Billboard Hot 100 charts in 2000. Based in Los Angeles, California, their unique rap rock style continues to grasp the ears alt. music lovers. Written By Kaitlyn Nicole FOLLOW WE ARE PIGS: FOLLOW CRAZY TOWN:

Holly Hebe releases haunting new track, “Ghost of You.” As the tides change, so do people, and there is a real sense of loss that comes with moving on. When someone who was once your world is now no longer a part of your days, you have to mourn that relationship. You do a double take in the grocery store, or down a familiar road, because you feel their spirit everywhere. They’ve stained the walls of your mind, and their presence lingers no matter how much you try to block it out. There is a gut-wrenching sadness that comes with the realization that someone has been lost along the way long ago in the trajectory of your life. No matter where you go, or who you meet, you’re haunted by a lover past, and you’re getting used to the illusive company. “Ghost of You” emulates a sense of loss that is otherworldly, yet omnipresent. “Ghost Of You” tells the tale of mourning the past version of a relationship, or a loved one, due to uncontrollable changes over time. The track is likened to the lingering memories of a haunted house. The lyrics express the struggles of desperately trying to hold onto something, or someone, when you know you’re destined to grow apart. This dreamy pop single is steeped in ethereal rhetoric. Holly’s soft vocals ache with sadness and longing. Regret transcends through every note. Prepare to be swept away by the somber emotions that “Ghost of You” evokes, and say a solemn prayer that the curse will be lifted, and you will be free. Holly Hebe is a budding singer, songwriter, and producer from Melbourne. She is quickly getting noticed in the music industry for her euphoric vocals and dreamy instrumentals. Her indie-pop arsenal is reminiscent of icons, Holly Humberstone and Phoebe Bridgers. Holly started playing piano at a mere four years old, and her passion for music was implemented ever since. She infuses her love for poetry and the piano to create celestial, dreamy pop tracks. You can catch Holly live in a special show along Sandy Hsu in Melbourne on August 25th. Holly Hebe is rapidly cementing her spot in the music scene, and her talent will haunt you much like her latest track, “Ghost of You.” Written By Grace Chapman FOLLOW HOLLY HEBE:

In its first moments—filtered audio and descending piano chords—the latest single, "can I hear it again?" from singer/songwriter KYRA might seem poised to capture downtrodden heartache. As the 19-year-old artist's words come into focus, however, the picture becomes soft and loving. It's not a coy fake-out, there is an aching at the song's core; it's the delicate ache of feeling so full of affection that you might burst at any moment. For most of its runtime, KYRA fills the arrangement with light touches, finding the greatest impact in subtle details: pulsing distortion, sprinkles of strings, and tasteful vocal layering. Those layers of vocal harmonies feel like waves of raw yearning crashing against the lyrical shores. Despite its sparseness, "can I hear it again?" effectively builds towards its climactic peak, a crescendo of passion. It's a magnificent song that radiates warmth, comfort, and tenderness. Blanketed by the delicate sound, KYRA sings of overwhelming infatuation—emotions that pang, squeeze, and envelop. "Funny, now I'm so obsessed, it's obvious, but I haven't said those words yet," she floats over a gorgeous cloud of strings. Small moments, like playing chess, lend to the diaristic quality and add dimension to the storytelling. "When you play guitar on my bed / is it from the heart, 'cus you got mine." While KYRA creates an archive of these powerful emotions to be experienced, she yearns to live within those moments on repeat. Nestled at its center is the desire to honor love at its most raw and honest. KYRA captures her love's present condition, accepting its ever-evolving nature. "Can I hear it again?" is the first official release by singer/songwriter KYRA. She wrote it about her boyfriend who she met in a songwriting session a year ago to write a love song. The recording that opens the track is the two of them chatting upon first meeting. The 19-year-old musician takes inspiration from artists such as Father John Misty, Taylor Swift, and The 1975, among others. On Tiktok, KYRA shares snippets, covers with her guitar, and background info on her music. She writes that "can I hear it again?" is one of her most personal artistic statements to date, relating it to an open diary entry. Written By Andy Mockbee FOLLOW KYRA:

Who the hell is Charlie Puth? That’s the question every person asked when told the concert I would be attending. Though Charlie Puth might not be as well known as I thought, the Charlottesville leg of Charlie The Live Experience was magic; to say the least. I have never been fond of outdoor venues. The sun acting as a harsh light can kill the mood of a show. So, I was less than thrilled to see the sun was still in the sky when opener Blu DeTiger took the stage. The amount of light entering the venue didn’t outshine her, however. She lit up the stage with groovy basslines and an electric personality. I was slightly familiar with her music before this show but her stage presence was beyond anything I could have imagined. I found myself completely enthralled with the performance. She pranced around the stage and made good use of every corner to show off her skills to the audience. When Blu’s set came to a close I was hyped for what Charlie had in store for us. As the sun went down the stage lights came up and Charlie emerged. The crowd went insane. He began his set with a bit of a skit. He skipped through a Rolodex of songs after running into a beautiful girl on a jog. He skipped through many tracks that expressed his emotions before landing on a particular classic that influenced him to write his opening song, Charlie Be Quiet. Ironically when the first few notes were sung the crowd was anything but quiet. Screaming the lyrics in a tone that made pitch-perfect Puth ecstatic. The setlist continued in this pattern. It was incredibly interesting to see how Charlie’s mind works in the studio. How each piece came together to form the incredibly well-produced tracks that made it onto his self-titled studio album. He even sang covers of tracks that influenced him as an artist. Songs such as Slow Motion by Trey Songs and Dreaming of You by Selena served as both transitions and reminders of the tracks that impacted his songwriting. The show came to a climactic end with "See You Again" closing out his performance and leaving the crowd completely in awe. Charlie is a phenomenal performer. Each second of the show was perfectly curated to match the mood he was conveying and the skits he was acting. So, The next time someone scoffs or asks “Who the hell is Charlie Puth” I’ll feel even more confident in sharing his music with the world. Written By Kaiana Lee Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

It’s always interesting to see how the authenticity of oneself is seen as troublesome and to break out of that insincere shell means to be rebellious. The latest track by Amelie Blake, “Rules Are Made to Be Broken” is a dark pop anthem that displays the need to break away from restraints that keep people’s true selves trapped. The song has an interesting attitude that comes in with a kick when you first hear it. Amelie Blake provides a unique style with this track and its sound becomes addictive the more you listen to it. Listening to “Rules Are Made to Be Broken” truly is an interesting experience and that is a result of Amelie Blake’s talent shining through. The way the song starts is captivating, and it creates this dark ambiance the track carries on throughout. Amelie Blake’s voice has a unique tone to it that sells the song so well. Additionally, the constant harmonies create a haunting bled of sound that makes it feel as if there are multiple voices around you pushing you to break out of your restraints. In the verses, there are these mechanical sounds that paint the scene very nicely and transport listeners into Amelie Blake’s head. The chorus of the song is incredibly catchy and paces itself very well. The repetition of the song’s title in the chorus really engraves the song's rebellious nature and motivates listeners to be non-conforming. It’s obvious to listeners that Amelie Blake was able to have a lot of fun creating this track, simply because the song is so enjoyable and unordinary. With every listen, it is clear that “Rules Are Made to Be Broken” is an incredible track and that Amelie Blake is a true talent. Amelie Blake is an artist from the UK who has been making quite a name for herself. Her music has been featured in many shows and films, as well as trailers and advertisements. She recently was nominated for a PMA award for one of her songs, as well as gaining recognition from other outlets. She has become known for her unique style that blends a multitude of elements to create her dark pop sound. While she has been writing music for over ten years, she’s only been releasing music in recent years as she is no longer afraid to hide and is ready to put her art out there. Amelie Blake is definitely the next artist to check out as her talent and style keep audiences captivated. Written By Chantal Charles FOLLOW AMELIE BLAKE: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

“Polaroids”, Kaiya Gamble’s latest release, offers an intensely cathartic remembrance of a relationship. The beautifully solemn ballad, though slow paced, feels like a freefall. As if losing this person has been building for a while, but it is only now Gamble feels free to express the grief she experiences over it. The token word of the song “polaroid” is the key to understanding her theme here, an outdated method of capturing memories. How better could one represent this attachment to someone lost? Especially where, as she describes, they are the only one still stuck on it, still refusing to use those “fancy photographs”. The song is a symbol of her love, she is angry, but never directs it towards the person she misses. Instead, she offers her lyrics as a message of nostalgia with only a touch of resentment. It’s as if she’s sending an old picture to someone she misses to remember the good times they shared, and in turn, the fact that those times ended on the other’s accord. The song begins with a missed call recording, another nod to her theme of nostalgia, as well as the neglect she’s experiencing from the subject of the piece. When Kaiya’s voice is heard, the tone is decided for the remainder of the song. Her voice is immediately full of heart, she’s quiet but seems to be belting with the emotion it evokes. She begins describing her grief slowly over piano, the line “who you've worn on your sleeve” reminding the listener of that earnest emotion she feels and expresses. Not her own heart on her sleeve, but the fact that it belongs to someone else being displayed. Dedication, loyalty, and love being shown off proudly where they are usually hidden. Following this description of her current state, she goes into a story that chases her own nostalgia. “Used to be me…” she begins each statement as the piano behind her picks up, chasing her own spiraling memories. When she admits their present day relationship, this racing music halts in its tracks and becomes, again, melancholic and depressive. She follows this ongoing emotion though, and hesitantly, the music does as well. As her voice rises in anger she clarifies she feels no rage towards this person, despite the strength of her emotion. As she goes on, there is a moment in which her voice cracks, not by fault but in a way that manages to make her already heartfelt voice sound even more so, as if she is on the brink of tears throughout this confession. With this, she folds again into the pattern of “used to be me…”, this time featuring a note that can be described as nothing short of pure talent. A content, soft, goodbye wishing them the best follows and the song closes. Kaiya Gamble is a sixteen year old artist who has still managed to be in the field for nearly a decade, a true musical prodigy. Her first single “Speak Out”, released in 2020, was instant proof of this, earning a position on the Top 3 of the International Women’s Freedom Song Contest and being nominated for Pop Single of the Year for YYC Music Awards in 2021. In the same year, she became the youngest artist ever featured in the “In The Mirror” podcast, as well as having frequent appearances on billboards, in articles, and in a best selling novel. Needless to say, her popularity skyrocketed the moment her music became public. In the two years since, she’s released three singles which have echoed from stadiums packed with thousands as she turns her focus towards live performances. Her notoriety has continued here, where she became the youngest artist to ever perform at Canadian Music Week in 2022. “Polaroids”, a song which Gamble herself has attested to being close to her heart and a true connection with listeners will likely join her on the stage as her audience grows more and more. Stream it and follow Kaiya Gamble below. Written By Hailey Schap FOLLOW KAIYA GAMBLE:

Expectations versus reality. It’s important to keep these in mind when making a big change in your life. For Quinn Karter, that big change occurred when she moved from Brissi, Australia, to Bondi. She even wrote and released a song about it! And I have to say, it’s such an interesting concept for a song as it transcends genres while at the same time delivering a powerful message. It works brilliantly, and in the end, Karter was able to release a song that not only delved into her ideas of what Bondi would be like compared to how it really was, but it does so in an electronic style that made me feel was listening to an upbeat song in a club. And did I mention that she wrote the song in a matter of hours? Well, it’s true, and the lyrics are very well written. “Thought I’d go to the beach by day, visit cute cafes. But it’s nothing like I thought it was,” and “Guy downstairs keeps hitting on my friends. Theres a girl doing lines on the bathroom sink,” are two lyrics that, I believe, were the most powerful to hear, as they really showed how different Karter’s expectations of Bondi were to the reality she learned of. I don’t listen to a lot of electronic music, but if it’s anything like this song, I’ll have to start! Karter expertly combined the pop and electronic genres together, creating a song with catchy lyrics and an addicting beat. One small thing that I noticed that I really appreciated was how deeply she dropped her voice when singing the word “Bondi.” It was breathy, yet you could tell she got the power to force out the word from her gut. It was deep, quiet, yet powerful, and I love how this added to the song. There are some other small elements of the song that I thoroughly enjoyed. For one, toward the end of the song, during the chorus, you can hear faint giggles in the background. I just thought it was a cool addition, as well as the clapping in the background. It all worked together very well, I thoroughly enjoyed it. Karter has been active in the music industry since she was two years old when she was taught to play the piano and compose music. Karter discovered her love for electronic music when her mom, who was in school to get her master's in music technology, brought “Logic” home. Logic is a digital audio workstation. With this, Karter began producing and composing her own music by the age of 14. She eventually earned her diploma in Electronic Music Production from SAE. As of now, Quinn Karter regularly releases music that shows off her two “sides”. Some of her music will make you feel varying different emotions, while others - like “Bondi” - were deep hard hitters. Aside from “Bondi”, Karter also recently released her new song “Overdramatic”, and has supported trap producer, Quix, to create even more. I, for one, can’t wait to hear what she releases next. Written By Isabel Mays FOLLOW QUINN KARTER:

Opening with a jazzy beat and fast paced piano chords, Noah Pearce’s latest release “Ballet Dancer” talks about how even though the relationship is over, Pearce felt that he and his ex perfectly complemented each other. He compares them to how music is to a ballet dancer, how one isn’t found without the other. He laces dance terms throughout his lyrics to connect back to the title and describe the grace of the relationship, like when he sings, ‘You’re pirouetting ‘round my heart / tiptoeing, glowing in the dark / You move your body like a star / You’re my ballet dancer’. Each word of Pearce’s lyrics is completely intentional, showing how much he cares about his music and exhibiting his attention to detail. Despite the title and mention of ballet giving a connotation of peaceful and slow moving, Pearce’s single is anything but. The song wastes no time on an intro and a fast beat sweeps quickly into the story that allows the audience to envision what Pearce sees: a graceful dancer that ties into his lyrics and moves rapidly with the soundscape. The lyrics are wistful and longing, but still couple with the brisk and pop beat of the background instruments. The cover art features a vintage picture of a ballet dancer lifted by her partner in front of a beautiful beach background. Noah Pearce, an artist from Luxembourg who moved to the UK to kickstart his music career, has amassed almost 400 monthly Spotify followers since his debut single in early 2022. This song, “What the Other Boys Do”, discusses Pearce’s journey as a transgender artist, and how he has struggled with leaving a part of himself behind while growing into who he wants to be. He has been very open about this journey on his social media platforms and throughout his music, allowing his artistry to be a true reflection of himself. This has also helped fans learn more about the real Noah and feel more connected to him and his music. Other releases such as “Way Back Home”, which talks about missing his hometown, and “Monster”, which discusses his battles with anxiety and mental health, show how open he is, and how music is truly Pearce’s way of expressing his emotions. Make sure to follow Pearce on his various social medias and stay tuned to his music journey to learn more. Written By Tessa Maddaloni FOLLOW NOAH PEARCE:

"Move On" is the latest single from talented singer-songwriter Jenny Kern. The title of the song perfectly sums up the message the track sends out to listeners. Surrounded by dreamy pop sounds, Jenny Kern sings about the nuance of moving on from a situation or relationship. In signing about this topic Jenny Kern, shows listeners the strength that comes in moving on beyong a toxic situation. Furthermore, she provides insight into the self growth that arises from putting yourself first and letting go of the things holding you back. With this Jenny Kern, really connects with her audience and listeners in her new single, "Move On." A highlight from the song "Move On," sonically, is the voice of Jenny Kern. Her voice is haunting and dreamy, while still maintaining a slight rasp that adds authenticity. In using her vocal styling Jenny Kern is able to effectively present the song's content and lyrics to listeners, in a way that allows listeners to connect to what she is singing. The song's instrumentals do a great job at propelling the song foward, but leaving Jenny Kern's voice and lyrics as the focal point, allowing for her vocal styling to really come through. Jenny Kern is a Canadian born, singer-songwriter, currently based in Brooklyn, New York. After releasing her debut single "Slow Burn", Jenny Kern gained praise and attention for her unique vocal style and original lyrics. Following the attention from her debut single, Jenny Kern went on an international tour. Since then Jenny Kern has released various other singles and projects that have each progressed her career to where she is now. Releasing her four song EP in 2021 was a big accomplishment, granting her over one million streams on Spotify, and three songs on the top 40 charts. Since the release of her first release Jenny Kern also released her latest EP entitled, "Your Heart Knows." With amazing and successful projects under her belt Jenny Kern is expected to release another much anticipated EP some time this year! Written By Alison Holst FOLLOW JENNY KERN:

This pride month has taken a far more reflective tone than prior years in recent history. While celebration, joy, and remembrance remain at the month's core, there's been a sense of social reckoning in the air. The latest single from Pablo Brooks, "Boy Don't Cry," delivers a pertinently pointed statement through ear-worm melody and alt-pop grit. A subtle-yet-groovy bassline slithers through the verses, like a lit fuse, leading into an explosively catchy chorus. The guitar-driven pulse of the track makes the most out of contrast and impact, landing knock-out blows with each bar. Brooks' vocals are solid-bodied and slick, sliding over notes with hints of spite and abandon. He spits the titular phrase with both a sarcastic smirk and bitter frustration. "Boys Don't Cry" takes place in the aftermath of a toxic relationship. Brooks opens up about the role toxic masculinity plays in its collapse ("Don't say you've done nothing wrong,") and in healing from it. "Save me from the things I want," the indie pop artist begs on the sparkling bridge, "I love what leaves me crying on my own." The vulnerability in his self-revelations bring dimension to the chorus. Brooks ignites each word: "boy, don't cry," but it feels directed both at the toxic ex as well as himself. He recognizes the toxicity of the sentiment, while expressing how it influences his coping process. The nuance transcends the confines of middle-finger anthems and confessional laments; Pablo Brooks engages with relationship dynamics, yes, but more fundamentally "Boys Don't Cry" expresses the struggle to be supportive to himself. The past two years have seen German popster Pablo Brooks' touring and playing over 50 shows with his band. Headlining all over Germany, Amsterdam, Antwerp, London, etc., the young artist has gained a loyal following. "Boy Don't Cry" arrives as the third single towards Brooks second EP, Pleaser. The EP follows his experience moving to Berlin and documents feelings of confusion and disorientation in relationships and within oneself. In 2021, Brooks released his debut EP, Not Like The Movies , featuring six tracks that have accumulated over 2.5 million streams on Spotify at the time of this review. "Boy Don't Cry" also released alongside an excellently shot music video. Written By Andy Mockbee FOLLOW Pablo Brooks:

Hunter Daily’s latest single is an honest discussion about mental health as she divulges her own experiences with depression, anxiety, and heartache. The vulnerable track was written with her sister, Tyson, during the middle of the pandemic. During this time, feelings of isolation and unrelenting depression was at an all-time high, and the two sisters were not immune to this. To help cope with their experiences, both with the pandemic and their personal lives, they let out all their authentic emotions through this cathartic songwriting session. On a freezing, rainy day when the world felt like it was ending, the two sisters teamed up with Jenna Andrews and Cody Tarpleyy to write the deeply profound song. With Tyson’s angelic harmonies featured on the track, Daily sings these heartfelt lyrics alongside her sister as a reminder to listeners that, “the best is yet to come.” While the verses paint the gloomy picture of a deep depression, the chorus ignites feelings of hope and rebirth. The sisters sing the hook: “Dare to end this age of depression” and “Don’t entertain this age of depression.” The optimistic chorus is a stark contrast from the despondent verses, pulling emphasis on the notion that even in the darkest storms, one can pull through as long as they keep their faith and hold onto the light. “Age of Depression” is a lifeboat for listeners, providing them comfort and reassuring them that things will always get better. “Age of Depression” utilizes a calming, ethereal production that does not distract from the vital lyrics. With unique sound effects, Daily instantly transports her audience to the secluded outdoor scene she was in when the track was written. From the moment the song begins, nature sounds such as light rain, crickets chirping, and owls hooting could be heard. Paired on top is an airy acoustic guitar that ties together the intimate atmosphere of the song. Brief vocalizations are heard before the first verse kicks off. The production continues through the verse, with the introduction of Tyson’s harmonies flawlessly complementing Daily’s heavenly voice. Throughout the song, Tyson’s vocals provide an extra emphasis on the lyrics, symbolizing that Daily is not alone, nor will she ever be. In the pre-chorus, guitar chords pick up to provide an intensified effect while maintaining the beautiful acoustic instrumentation. Then, the production takes a significant turn in the chorus, where the soft percussion plays softly in the background and synth beats hit periodically, adding a new layer to the track. “Age of Depression” is a hauntingly beautiful track that uses this simple, yet elegant instrumentation to emphasize the delicate emotions and accentuate the two sisters’ phenomenal vocals. Hunter Daily is a singer, songwriter, and actress from Los Angeles. She is the daughter of the prominent voiceover actress, EG Daily, and famous poker player, Richard Salomon. In September 2022, she made her musical debut with her single, “Die in LA.” After several singles, Daily most recently released her debut EP, Die In LA. “Age of Depression” marks her sixth and final single from this project, wrapping up this era of music perfectly and solidifying her rightful place in the music industry. Daily’s sound blends the whimsical pop of modern artists such as Frank Ocean and Phoebe Bridges with the 1960s Laurel Canyon style. With her unique and reflective lyricism, Daily’s career has been set in a firm foundation that has already attracted an impressive number of dedicated fans. Written By Karlee Skipper FOLLOW HUNTER: