Over previous decades, music has evolved into a worldwide phenomenon of wonders. Many different genres are born each year. Hip-hop, rock, metal, gospel, R&B, and many other amazing genres. What's even more fascinating about the art of music is the ability to mix many of these genres and create a new genre. Ryan Doyle achieves that well in his new hit single, "Closer." This catchy, energetic Lo-fi, electronic pop song leaves you bobbing your head to the rhythm with its clever utilization of different mixing techniques such as panning and reverb. The song can be interpreted as him wanting to spend more time with his loved ones and telling them to come closer to him. This song is pulling us closer, and we won’t be planning on leaving! This song's soundscape and dance production have a ton of love and creativity flowing throughout. You can hear the utilization of different mixing techniques from start to finish. The panning in the bridge gives the illusion that your mind is swaying back and forth inside your head. The lo-fi beats give it a kind of bubbly vibe that is light and smooth. Subtle hints of reverb help enhance the vocals, giving them a dreamy essence that really compliments the vocals. It is without a doubt that the time, love, and care that went into this song are evident from start to finish. Ryan Doyle, a producer, songwriter, and artist based in London, started by working from home. He built a large and devoted fanbase by sharing remixes online, and they encouraged him to come out with his music, which he eventually did. With his brand-new song "Closer," Doyle gives us a fresh perspective on dance and electronic music. There is a video that goes along with it that is certain to make an impression. He says of the single: "From the moment I wrote "Closer," it felt like a special song, but it took a lot of work to perfect it after the initial demo! It's my favorite song released so far, and I can't wait for people to hear it. It took three vocalists and two completely distinct productions. I highly recommend any new listeners come to check out the list's new song! Written By ShatteredSoul FOLLOW RYAN DOYLE:

Umbra Moon is bringing a divine sense of femininity back to the music industry with a powerful drive. With “Only U in the End” we can hear the message of not wanting to let someone go, because you know that you only have them in the end. Umbra sings “How I dream of you. A tale where you don’t leave”. This line can make us connect with the feeling of loss, tying back to the rest of the song where we know that even if we lose this person we know that they are still the only one. She sings to share a story that can resonate with fans and reach a variety of audiences. Umbra allows us to go on this personal journey with them where we can hear each infliction of emotion throughout “Only U in the End”. Umbra uses their background of the violin to guide us through “Only U in the End”. This song starts with a slow electronic blip pairing with their voice. Adding layer by layer we learn more of Umbra's rich voice and story. This deep electronic pop song changes pace to keep listeners engaged. When Umbra picks back up, her vocals follow and ramp up to a rich and full tone. She allows us to feel free to let go while we hear these sweet and sharp belts throughout the song. Her round tones peak by the middle of the song, holding onto each note like it is her last. Enchanting us with multiple layers of her voice, all we can do is wait for each following note. Umbra Moon is a talented Australian based electronic artist and producer. “Only U in the End” being their first song to be released across multiple platforms. Umbra has built a number of beautiful covers across her SoundCloud to feed fans wanting more of this sharp and resounding tone. “Only U in the End" is an amazing first release for Umbra because it combines her love for classical sounds and pairs it with electronic beats to create something unique and irresistible. Umbra will be performing her first headline show this June in Melbourne to launch her second single and showcase “Only U in the End”. Follow Umbra below to keep up with all of the new things she has coming. You won’t want to miss this incredible sound. Written By Cate Schnoebelen FOLLOW UMBRA MOON: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo Credits: Joel Devereux An indie pop track that comes in tough, presenting a calm and collected force against someone’s envious nature. It’s not fun when people’s quick judgment and jealousy get in the way, forcing you to have to defend yourself. Sahara Beck’s latest single “Hunter” is an empowering response to this kind of behavior. It’s an electric song that truly portrays Beck’s strength, not just as a woman, but as an artist. This track is fueled with enough energy to keep listeners hyped and singing along. Along with that, Beck’s voice is sweet enough to soothe ears but also contains enough kick to maintain attention. “Hunter” is the next best addition to the pop scene and should be the next addition to your playlist. The electro-pop song has somewhat of an 80s feel to it. The song begins with a simple bassline, this allows for more attention on Beck’s voice and the nature of the words she’s singing. The line “she wanna play a game” stands out because it’s a simple way to present the situation taking place. The chorus comes in big and electric, and the repetitive nature of the lyrics during this section paints how confident the speaker is in what they are saying. It shows a level of maturity in understanding where the other person’s jealousy is coming from. Musically, the chorus is incredibly entertaining and catchy, it truly brings the song to life. This is done by some of the electronic add-ons, especially some of the ones used as background harmonies. The bridge of the song is where everything slows down, and it creates a dramatic contrast with the rest of the song. Overall, the song is very clean and well-produced. It’s also a nice combination of retro and futuristic elements which really portray Sahara’s Beck style and character well. Sahara Beck is an Australian artist who has been making quite a name for herself and her craft. Playing music from a young age, Beck has been releasing music for some time now. Her debut album, Volume One, was released in 2011, and her sophomore album, Panacea, was released in 2016. Additionally, Beck has released a multitude of EPs and singles and is expected to release her third album later this year. Recently, Beck had quite a busy time in the UK where she performed at Glastonbury Festival where she headlined the Circus Tent. She also performed at Queen Elizabeth Hall in London and at the Edinburgh Fringe Festival. With all of her achievements, Sahara Beck is a clear powerhouse in the scene and is only expected to keep getting better. Written By Chantal Charles FOLLOW SAHARA BECK: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

People are… complicated! Damn! Emotions, dreams… regrets … and that’s just on the inside! Throw life in the mix, and now you’ve got relationships, maybe a career, so much more! Swimming along life’s river, we often meet others caught in the current; sometimes we travel together… and sometimes, well, the water just pulls us apart… Is there a ‘right’ way to hold on? Is there a ‘right’ way to let go? Balancing drama and longing with a dash of nostalgia, New York-based crooner, Ilan Bell, courts woe and wonder on new single “Anna.” Easy, breezy--Bell spins a bittersweet tale atop a thoughtful instrumental… So often, when our strongest emotions grip us, we default to cathartic extremes, swinging high and low. But then again, there are times when a comfortable numb feels best, and that is where this budding city superstar finds his groove! Listen to "Anna" by Ilan Bell. Meditative instrumentals… breathy vocals hinting at folk, pop, and even a lick of Blind Melon’s minimalist grunge… Ilan Bell makes a bold statement with this tender track, showing precocious talent as a singer and songwriter, alike. Longer than your typical pop song, “Anna” carefully unfolds over the course of four minutes, telling a colorful tale of loss and longing. Opening as a full ensemble after two swift bars of introduction–voice, polished synths, whispering strings, and rhythm section all enter; straightforward, the song’s central riff is anchored by crisp snare hits and a steady pocket. Blowing wind into the sails of this otherwise chill track, the eighth-note pulse serves the song well, invigorating Bell’s vocals with persistent percussion. And beneath that pulse, a crisp, 16th-note hi-hat adds yet more depth, lending the tune a ‘swung’ feeling that gives the production some cut and contour. Choices like repetition, rhyme, and motif–all help to construct this memorable tune. Across buoyant verses, mirrored pre-choruses, spacious refrains… Bell echos himself, tagging familiar phrases and vocal dips to create a dreamy roadmap. A sure-fire ‘up and comer,’ the Big Apple's own Ilan Bell weaves understated tapestries that speak to the very best of modern sensibility and yearning alike. Flowing in an indie vein, Bell’s work has drawn comparisons to sonically-inclined peers likr Phoebe Bridgers, Rex Orange County, even old guard heroes like Tom Petty! While only his sophomore single, impressive offerings like “Anna” set the stage for "American Love," the young-blood’s upcoming debut record! With support pouring in from both grassroots fans and industry veterans, it’s clear that a bright future awaits this young artist. Boasting production from Grammy-accoladed producer, Paul Falcone, "American Love" is sure to help Bell soar sky high! Written By Thomas Hiscock FOLLOW ILAN: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Drifting apart from someone is one of the worst feelings. If that person drifts too far away, all that’s left to remember them by are memories. In their latest release, “Dark Side of the Moon,” Fortune Favor crafts a dance pop lyrical story about this experience. “Breaking up” is a popular thing to write songs about, yet I think theirs is especially unique. The lyrics incorporate a space metaphor that compares breaking up to being on two different sides of the moon. Even though the track is supposed to be about a romantic relationship, the overall story is still relevant for different contexts, such as with family or friends. Listeners will love dancing to music and relating to the lyrics! The instrumentation of the song and the lyrics really contrasted with each other. On the one hand, the music itself makes you want to dance.One element that really sticks out is the buildup from the first verse to the chorus. The first verse starts out semi calm with a piano surrounded by electronic sounds. Once it gets the chorus, you hear a really crisp booming bass line and backup vocals. The change occurs as the singer asks, “why do I keep reaching out to you from the dark side of the moon?” It almost sounds like a rocket ship which fits perfectly into the space metaphor. On the other hand, the lyrics talk about the pain of drifting away from someone as the singer exclaims “Feels like we’re worlds apart staring at different stars.” The contrast worked really well though. It seems as if the music was trying to capture the feeling of being in space. Fortune Favor is an East Coast based duo consisting of Marcus Munroe and William Glingerich. While both artists have had success individually, they are a powerhouse when you put their heads together. “Dark Side of the Moon” is their fourth release of 2023. If you want to hear more of them, check out their other song, “Take the Party Home.” Similar to “Dark Side of the Moon,” the song also has a good dance beat. The lyrics address a happier side of love, as they talk about wanting to get the attention of a crush at a party. I can’t wait to hear what this duo comes up with next! Follow all of their socials down below to be the first to hear about new releases and upcoming tour dates! Written By Kelli Dixon FOLLOW FORTUNE FAVOR

"I'm Not Good At This Anymore" is an insightful track from indie singer songwriter Alexandra. Alexandra opens her heart up to listeners and honestly reccounts her personal experiences with self-reflection. In being self aware Alexandra expresses her worries and doubts on whether she will ever be enthused in a way she no longer is anymore. The vulnerable lyrics and story being told are supported by instrumentals with powerful and cathartic melodies that draw listeners into the track. With this Alexandra creates a melody that is as unique and personal as the experiences she writes about in the track, "I'm Not Good At This Anymore". Alexandra provides many elements for listeners to pull apart and analyze in her single, "I'm Not Good At This Anymore". The progression of the song's melody and rhythm are both infectious and seamless. The song starts with a simple indie-guitar sound and progresses into a fuller more cathartic melody. In this way she is able to use varying sounds and genre references in order to create a sound in "I'm Not Good At This Anymore", that is unique to Alexandra. The drums that make up the song keep a steadiness and familiarity while the guitar sounds more unsure and carries the emotional burden of the lyrical content. Alexandra is a talented indie singer-songwriter with a passion for songwriting. She was born in Ohio and is now based in Dallas, Texas where she has working on her new EP. Her honesty and vulnerability that she incorporates into her lyrics generates a creative release for both herself and the listeners of her music. Alexandra is focused on creating music that is both familiar but new. In her songs Alexandra draws listeners in with familiarity, and then once drawn in, Alexandra takes listeners down a new path of her own unique melodies and lyrics. In her newest single, "I'm Not Good At This Anymore", Alexandra displays both her lyrical and sonic talent. Written By Alison Holst FOLLOW ALEXANDRA: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo Credit: Pooja Nayyar Congratulations on the release of "hollow" ! Can you tell us a bit about the story behind this song and how it came together? Lisa: Thank you so much!! I wrote this song after a recent end of a relationship. I was feeling down at the time and really wanted to write a song to maybe feel a bit better. I was in a session with my friend and co-writer Brandon Rosenfeld and he asked what I wanted to write about. This song just poured out of us and I'm really excited about how it turned out. I wanted to get across the pain of a relationship ending but also the angst that comes with it. You've been creating music since high school and you have an impressive musical catalogue! How has your songwriting process changed over time? Lisa: Thank you, that means a lot! I started out by just writing songs in my parent's living room on the piano that got passed down to them. I would just mess around on the piano until I found a chord progression I felt attached to, and then the melody would come and the lyrics simultaneously from there. This has been the same process I've used for years. Since moving to LA and having sessions with different people, it now varies a bit more in terms of how I come up with a song. Sometimes I'd still start out on the piano while other times the song would start on acoustic guitar and we go from there. I always like starting with real instruments because it makes me feel more connected to what I'm writing. What is the best part of songwriting for you? Lisa: Can I say all of it? Hahah. Songwriting is super therapeutic to me. It feels like a journal entry in a way. I can get out on paper what I've had on my mind in an unharmful way. There are a lot of bad coping strategies out there and songwriting is one that I feel has been really positive for me. I feel so lucky to be able to do what I love for a living and maybe even help other people too. This song is part of your upcoming EP Sadie. What can fans expect from this EP? Lisa: This EP is a huge chapter of my life and lens into the deepest parts of myself. I tried to touch on a bunch of different topics of mental health and heartache that have affected me the past few years. I poured my heart and soul into this EP and I think you will be able to hear that when you listen. We are just getting started and I can't wait for you to hear what we have coming next :). Photo Credit: Pooja Nayyar You're currently on tour with Andi and Rachel Grae! Do you have a funny story or favorite memory of your tour so far? Lisa: Yesterday we were driving in downtown Chicago in our van and it started hailing out of nowhere. Like I'm talking HUGE golf ball sized chunks of ice falling from the sky. It was a bit scary but also super funny because what else can you do but laugh in that situation? We were worried that Bandago wouldn't be too happy if we had huge dents all over the van, but luckily and miraculously no dents happened. We made it to the venue safely. What message or feeling do you want listeners to take away from "hollow" ? Lisa: Even at your lowest, things will get better. I was in a dark place when I wrote "hollow" and seeing what has happened with this song and the reaction you guys have had just shows how healing music really is. Also, if they break your heart they are SO not worth it :) Interviewed By Tessa Brainard FOLLOW LISA HELLER:

Home is an abstract idea that can be found within a person or a place. But a house only becomes a home when the space that's being occupied feels like our own subjective idea of home. In other words, our emotional connection to space transforms how a given place is perceived by us. But what happens when a house ceases to be a home for us? When this house harbors and plays home to a version of ourselves that’s foreign and uncomfortable to think about? Andie Mechanic explores the confrontation with such a house that homes an older version of herself from three years ago in her new single, “Clinton”. Listen to "Clinton" by Andie Mechanic here. “Clinton” is a transformative, folk-pop single about reflecting on past selves and the mistakes that were made as these selves. The single opens with a glimpse of the confrontation that’s to come in the form of a soaring, rock-inspired distress that can be heard in the background. Afterwards, the acoustic guitar-laden ballad clues listeners in on the darkness that surrounds the artist’ past self through a folk melody. Mechanic’s vocals are bared in whispers to highlight how older versions of ourselves manage to linger around in spite of the houses we confine them to. The song’s progression leads us to a distortion where it eventually crescendos into an intense, folk-rock harmony – the hour to confront a past self has arrived. But this confrontation doesn’t hold malicious intent; it’s to provide empathy and understanding for an older version of us that was experiencing a surplus of overwhelming emotions. This intention is made clear when Mechanic returns to her soft whispering, and the single ends on the hauntingly poignant folk melody listeners became familiar with. By loaning some compassion to ourselves, we can have honest conversations about the mistakes we’ve made to make conscious efforts to grow from them. Andie Mechanic is a singer, songwriter, and current student at the Berklee School of Music in Boston set to graduate this May. The budding artist’s discography dives headfirst into grittier topics that address life’s hard truths and lingering aches with compassionate wisdom. After graduating, Mechanic’s long-term plan is to move to Los Angeles to pursue music full-time. Her short-term plans center on releasing an album and the music video for “Clinton”. All listeners know for now regarding the latter is that it’ll contain photography and videography from Hamilton College in Clinton, New York that was shot by the artist's best friend, Amaliya Rakhmatullina . While you patiently wait for updates, show Mechanic some virtual love in the form of streams, likes, and follows. Written by Giavanna Gradaille FOLLOW ANDIE MECHANIC:

Photo Credits: Frederike Wetzels It’s hard to be in a relationship where you don’t feel respected as a human being, yet you can’t stop yourself from going back because you just feel so addicted to this situation. It’s hard to stop yourself from going back, no matter how much you want to. Cupid Girl’s latest song, “I Drop Everything” is an indie pop track that articulates the difficulties of being in a toxic relationship that you keep going back to. The song serves as a comfort to those in similar situations, providing them with an outside look into how problematic these relationships are. Cupid Girl does this by putting the story into the sound of a fun and upbeat track. “I Drop Everything” is definitely a single you don’t want to miss out on and should be the latest addition to your collection. The song begins slow and steady, allowing for more of a focus on the vocal performance. Cupid Girl’s singing has an atmospheric feel that really allows for the song to feel full and cosmic. One line from the first verse that really stands out is “Am I an object just for fun?” This line truly expresses how dehumanizing these relationships can be, and how that loss of identity is often the price to be paid in order to stay with this person you can’t keep away from. Sonically, the chorus doesn’t steer away too much from the verse which makes the transition nicer. From the verse to the chorus, we do see multiple elements that are slowly added into the song, and this creates a smooth buildup. During the chorus, the line “I drop everything to come over” is repeated over and over and this paints the image of the speaker of the song continuing the pattern of going back to this person that keeps doing them harm. It shows the addictive nature of this relationship that almost mimics substance abuse. The second verse changes from the original, as it includes vocal layering that really uplifts the song to a new level. It allows Cupid Girl’s vocals to feel much more ethereal. The bridge is much quieter, and this contrasts the absolute explosion of sound that is the final chorus of the song. It leaves you feeling much more alive and brings listeners to their feet. Overall, the performance that is “I Drop Everything” will leave you struck and stunned at the talent that is Cupid Girl. Cupid Girl is a true burst of talent, whose style creates an interesting combo of both old-school and new-school indie pop sounds. Her songs carry an energy that is reminiscent of summertime, and she knows just how to paint any scene she wants. Throughout all of her songs, her unique voice stands out as powerful enough to carry any message she chooses. Although all her songs are unique from each other, Cupid Girl’s aesthetic is cohesive enough to still shine through each track. Cupid Girl is expected to release more music in the near future as she is currently building up to releasing an EP in May. Cupid Girl is definitely an artist to keep looking out for as she creates a new and unique name in the indie pop sphere. Written By Chantal Charles FOLLOW CUPID GIRL: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo credit: @bygwynethchoi Amelie Jat’s latest release, “You Ruined My Birthday”, is a teen girl anthem. It’s about heartbreaking events, but certainly not heartbreak. Amelie is not depressed, though her lyrics reflect she may have been in the past, now, she is angry. Her birthday, her birthday was ruined by someone who didn’t deserve her and she is adamant that she didn’t deserve that. She sings of the hurt they caused her but doesn’t question it, doesn’t sit in it, instead uses it simply as examples of their cruelty. “You Ruined My Birthday” is a reflection, where the excuses for behavior are gone and simple facts of mistreatment become more clear. It’s not “You Ruined My Birthday But You Got Me This Watch And You Had A Long Day…” it’s “You Ruined My Birthday” the end. There is no reasoning for the treatment she endured and she is evidently aware of this. It’s relatable, screamable, and honest story make it a compelling piece for anyone who’s been let down. The song begins with a quick, strong, drum beat, setting the tone for the remainder of it. Amelie begins singing almost immediately after this, “Got a champagne bottle I can’t wait for tomorrow, ‘cause now I’m one year older, don’t know how to do this sober”. It seems to start in the past, or at least reminiscing on the past. She touches on this issue of alcohol use only once more, shortly after this first line, and considering it seems to take place on the ruined birthday she may be implying this was yet another problem caused by the relationships that formerly pained her. The background here features a steady but slow guitar and drum beat, but it changes after only a moment into the pop punk anthem expected from the first note. The percussion picks up quickly and the listener is thrown into the chorus. The way Amelie sings here, and in other portions of the song, is purposefully concise. She doesn’t bury her former treatment under layers of emotional metaphors, she simply says what happened, almost clarifying it to herself. It is this clarity which not only makes the song extremely memorable and catchy, but also fuels the anger and feelings of justice behind it. She continues this theme with the instrumentals as well, until the second chorus finishes and the music briefly sounds techno, almost R&B. Her voice is edited and there’s a background singer, it’s a surprising but refreshing portion of the song which truly exemplifies Amelie’s creativity. But just as the listener is thrown into the first chorus, it picks up quickly again and the song ends after another rendition of it, classic and upbeat. Amelie Jat began exploring her skills as a songwriter at only eleven years old, and by sixteen she had decided on following her passion and clear talent in the music industry. She then released her first album with the help of a producer introduced to her by her former music director in school. Since then, two more have followed along with 17 singles. She’s gained nearly 86,000 followers on tiktok, upwards of 4,000 on instagram, her Spotify releases have tens of thousands of streams, and she has booked her first headline show where she’s based, in London. All while enduring those unbearable birthdays which inspired her song. Jat often uses her real life experiences as inspiration for her lyrics and it’s particularly clear in “You Ruined My Birthday”, which is in a way representative of her own years of growing and struggling within the industry. Learn more about Amelie Jat by following her below, or by simply streaming “You Ruined My Birthday” now. Written By Hailey Schap FOLLOW AMELIE:

Photo Credit: Darren Cementina Losing any prominent relationship in your life can feel as though a physical piece of you has been taken, leaving you broken and in a state of uncertainty. Maria Lane’s brand new single, “Nashville” is a heartfelt track that explores themes of change, loss, sisterhood and love. The song expresses the bond between two sisters who have grown up together, supported each other, but now must grow in separate directions. Maria’s touching lyricism will resonate with any listener who has ever had to say goodbye to a loved one. For instance, the line “I don’t know how to say goodbye, I’ve been holding back tears this entire time” reflects the sudden realization and acceptance that hits you when a distinguished chapter in your life actually meets its end. Maria Lane’s stunning vocals, melodic instrumentation and impressive lyricism establish “Nashville” as a passionate tribute to her sister and some of their most cherished memories that solidified their never-ending bond, no matter the physical distance between them. The instrumentation in “Nashville” is simple but effective. It consists of an acoustic guitar, a piano, and a cello. The guitar provides the main rhythm and harmony, while the piano adds some melodic embellishments and fills. The cello adds a warm and rich tone to the song, especially in the chorus. The song has a simple and catchy melody that contrasts with the complex and deep lyrics. Maria uses repetition, imagery, and details to convey her feelings and memories. The chorus repeats the line “You’re leaving, too Nashville” several times, creating a sense of urgency and finality. The bridge is a contrast to the rest of the song, as it changes cord progression and the melody while showcasing themes of vulnerability and resilience. Maria’s angelic and expressive voice is very distinct. She has great range and control while singing with immense emotion and clarity. Maria can sing both high and low notes with ease and power, and she can also switch between different registers and dynamics such as vibrato, falsetto and belting. The sweet instrumentation and layered, harmonious vocals make “Nashville” an emotionally impactful and poignant song that captures the bittersweet emotions of saying goodbye to a loved one who is leaving your side. Based in Brooklyn, Maria Lane is a singer-songwriter and actress with a passion for evocative storytelling. In 2021, she released her debut single, “strangers again” a heart wrenching ballad that showcases Maria’s beautiful falsetto with high-pitched vocal runs and harmonies. In 2022, she released her second single, “valentine’s day” which has accumulated over 4.2k streams on Spotify alone and later gained an accompanying official music video. In November 2022, Maria released her debut EP, “maybe I'll feel better” which features eight hypnotizing tracks, most notably “haunting me”, “crash” and “crying in a cvs” which alone has garnered over 5.7k streams on Spotify. Maria’s music is full of emotion and painfully relatable lyrics that help audiences navigate depression by focusing on growth and healing. Luckily for fans, the multi-talented artist, Maria Lane will be performing live on April 7th at the Rockwood Music Hall in New York City, where she will be playing three unreleased songs. Written By Julia Hooper FOLLOW MARIA:

Being in a long-distance relationship poses a challenge. The main difficulty with these types of relationships is the infrequency of meeting each other and the inconvenience of dealing with arguments or breakups over the phone. Not physically being around each other makes it harder to deal with issues that arise. In her song " BRB ," Joselin talks about her experience of a long-distance breakup and how it was challenging for her to end it over the phone. She also mentions the denial and expectation of her ex returning soon, only to realize that it doesn't always work that way. “ BRB ” serves as a therapeutic song not only for Joselin but also for her audience. In the song, she expresses the pain of an unexpected breakup with someone who used to be her daily source of motivation. He was her motivation to get up and out of bed every morning. By losing this person, she started to go back in the opposite direction. She shares, “ I guess this is how I made the bed. Now you’re gone, I’ll stay in it forever .” Joseline was in denial and hoped that her ex would return quickly, but he did not. She was hoping for this breakup to not last as long as it was going on for, and because it was, she struggled with these new and rough feelings that she disliked. Joselin's lyrics show her denial and longing for her ex when she says, " Cuz in another life, somewhere in my head we said BRB instead ." It can be tempting to hold on to the hope that your person will come right back to you quickly, but this mindset can be detrimental to one's mental health. You’re putting yourself in a position to feel angry and stressed if they still have not returned, or they’re taking “too long”, etc. Instead, it’s healthier to let go and move on. As everyone has gone through a breakup, Joselin's listeners can empathize with her feelings and relate to the pain of a sudden separation, especially a long-distance one. Joselin is a 21 year-old singer and songwriter from Sweden who spent a lot of her time growing up in the U.S. and Asia. She was part of a jazz band in high school in Malaysia before attending the Lillehammer Institute of Music Production and Industries in Norway a year later. Joselin then spent a year working on music production with world-class mentors in a room that she had rented out. In 2021, she studied music at Linnaeus University in Växjö, Sweden, and in 2022, she participated in the popular Swedish reality competition show "Idol," where she received a golden ticket after performing her original song " If I Had a Weapon ." She can be seen in three episodes! Keep up with Joselin by clicking on the links below and check out her latest single " BRB, " which is out now! Written By Sneet Efrem FOLLOW JOSELIN: