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Friends for Now’ is so relatable! What is the story behind the song? Matthew: So this song was written after I met a girl that I felt an instant connection, like we hung out for 4 hours and talked and watched the sunset but she wasn’t ready for a relationship. Friends For Now to sum up is a song full of hope and a message to take that chance tell the person who you like how you really feel. I saw that you played ‘Friends for Now’ for the person you wrote it about. What was that experience like? Matthew: So I want to be honest with you and my fans, that was actually an actress friend of mine playing the part of the girl I actually wrote it about. It was still a super fun experience, the girl I did write it about has heard the song and loved it and also was very supportive of me releasing the song. Congrats on the recent release of your deluxe album, ‘Emotions’! What is your personal favorite track from the album? Matthew: Thank you so much, Emotions is my first child, it has jumpstarted my career and to help me finally make music that I love. Breathe is my personal favorite track on the album, because it deals with a time of my life that I was not in a good headspace. I was dealing with a lot of anxiety and depression and my OCD diagnosis which was a lot to deal with but this song helped me get through these hard times. I noticed on your instagram that you are very passionate about your faith. How has your religion influenced your music? Matthew: My religion has given me the courage to talk about things that are a little harder to talk about and be vulnerable. I’m a pop singer, but I have a Christian heart which allows me to be positive in my music but allow my true self of pop music to still be there. If you could collaborate with any artist, who would it be and why? Matthew: Im so glad you asked this question, the artist I would collaborate with is Charlie Puth. Charlie is a major reason why I love music the way I do, he Is so genuine and kind to other artists and wants to teach people what he knows about music and the music business. Me and Charlie could definitely make a bop. What are you most looking forward to in terms of your musical career? Are there any upcoming projects you can talk about? Matthew: I’m looking most forward to performing and recording more music with new people in the industry. My goal is to open for another pop artist in the next two years. I’m currently working on my next EP and after that I’m going to be working with a bunch of new producers and writers. I'm really excited about the future. Interviewed By Kendall Koval FOLLOW MATTHEW:

‘X In My Sensual’ is so upbeat and fun – I’m obsessed! What was the songwriting process like for this track? Asbjørn : I’m really happy you feel like that. The song is about the lack of consent in club culture, which is obviously not a lot of fun, but I wanted to make a song you could actually play in the club to change those structures. A song that made you dance and sing along to consent. Sexual acts without consent also continuously happen at gay clubs, that are supposed to be safe spaces, and I wrote the first version after an experience at Heaven in London. I used my frustration and anger from that incident into a song called “L to the Head” from my newest album Boyology. When I met DAYYANI we got to talking about these experiences and it turned out we had a lot of shared ones - that’s when I knew we had to re-write a new version together. ‘X In My Sensual’ is that. Your music is based around sex education, which is so amazing! What made you decide to include this topic in your songs? Asbjørn : It was never really a decision I made, more a reflection of the questions that are on my mind. I’m interested in how we, as super conscious human beings, become as free as we can. Sometimes that freedom can be found in movement, in dancing and singing. But sometimes you have to look at the heavier stuff too, like gender roles, sexuality and identity in general. Pop music should embrace and facilitate these questions, cos it has the power to actually change some of the cultural structures holding us back. If you had to choose, which would be your personal favorite track out of the ones you have released so far? You can only pick one! Asbjørn : Be Human has a huge relevance for the current gender-debate and is also a deeply personal song about my relation to that. How did growing up in Denmark influence your music? Asbjørn : Denmark has a lot of free music education and funding, because the state reinvests a lot of taxes into music culture and art. It’s a very unpoetic answer, but I do believe it has a massive impact on the creation of music, because it gives us the space to explore our creativity and take chances. Which artist would you love to collaborate with and why? Asbjørn : One day I will do something with Christine & The Queens. Please. What are you most excited about in terms of the future of your musical career? Are there any upcoming projects you could talk about? Asbjørn : I am currently making my next project, maybe it’s an album, maybe it’s something else - but I don’t know yet. At the same time I’m doing new versions and b-sides from my last album Boyology, and in general collaborating and releasing music in a more intuitive, less over-thought way than ever. I definitely have a tendency to put a lot of pressure and expectation on myself, but working with friends and getting out of my own head helps massively. Interviewed By Kendall Koval FOLLOW ASBJØRN:

I love the sound and vibe of ‘Juliet’! What did the song writing process look like for this track? Jem: This track was originally written with me laying down some chords on the piano that resonated with me emotionally in that moment. Juliet inspired the whole forbidden love idea for the EP. After writing the topline I met with my producer Tomi to make the arrangement, laying down keys, bass and drums - dotting these little ideas I had for motifs throughout the track. Tomi had a jazzy chord progression for a middle 8 so we created a new section. I recorded lead vocals at home then had time at Tomis stacking all the harmonies and liaising with Alex to add the funky guitar motifs. Later the lead vocals were re-recorded in a studio to push to that higher quality. Finally, we added the last bits of arrangement such as the synths you hear in the final chorus. If ‘Juliet’ had a music video, what do you think it would look like? Jem: Haha you’ll have to stay posted on this one. I’m not going to lie, coming up with video concepts definitely hasn’t been my strong point, it took a while for me to have some kind of idea for the Juliet video and still not sure if it's any good. Let’s just stay I wanted to steer away from what you might think the video would typically be and instead do something more authentically Jem. Congrats on your new EP that just came out in September! What is your favorite track from the EP, if you had to pick one? Jem: Gosh this isn’t an easy one as each track is special to me for its own qualities. But I’m going to have to say Juliet, particularly the pre-chorus and bridge as my favourite sections. Overall, I love all of the textures in the track and we had a lot of fun making the arrangement and all the little motifs you hear. It’s groovy, and funky with the awesome guitars recorded by Alex England. My producer Tom did bits on the bass like that riff you hear at the beginning. Being a drummer, I really wanted to throw in that half-time feel at the end to make the final chorus something that would be epic live. What inspired you to first start creating music? Jem: I couldn’t pin-point one specific moment. I have just loved music since I was a kind, listening to it, singing and dancing - until I discovered I couldn’t dance. I was pursuing a more musical theatre route in my early childhood but in secondary school I started taking up the drums and piano. Songwriting from the age of 11 ish but probably not writing anything decent until 18. In the last couple of years that I have been finding my sound as Pop with RnB/Soul and Jazz influences, working with my producer Tomi Balogh to envision this in my first EP Love Me or Lose Me and all the new projects to follow… What is one of your go-to karaoke songs? Jem: I don’t usually do karaoke (within the earshot of other people) often, but we went there with some friends for my 20th birthday and it was a lot of fun. Instead of trying to belt out the classics usually sung by people with insanely talented voices like Adele which is out of my range, I prefer to rap. One of my best party tricks is doing Eminem’s ‘Rap God’ sped up. Are there any upcoming projects you can talk about? Jem: So many projects. I’ve got my next EP in the works in which I steer away from love and relationships and write about the nature of living and challenges of breaking through as a young adult in this hyper-digitalized, overwhelming social media governed society. I’m doing this for my final project at uni and it's going to have live drums and bass. Then I’m working on a more commercial EP to drop after that and some singles in which my rapping is going to start coming out more. Also, my producer and I are making a portfolio of songs written in the style of other artists to explore a publishing route. Interviewed By Kendall Koval FOLLOW JEM:

“Daddy’s Girl” by Halo Kitsch is a certifiable pop rock anthem. You can feel the music pulsating through your body from the moment it begins. It gives off the same energy as throwing clothes in a trashcan from someone who wronged you in a dark alley, torching the sweatshirts and memories with gasoline, lighting a match, and walking away as the world behind you goes up in flames. Halo Kitsch tackles mental health, substance abuse, and pure honesty in a tactful, yet abundantly catchy, manner. “Who cares if people adore me when I’m in pain?” This is a chilling line of relatability from when you’re at your lowest and begin to stop what anyone else thinks. This song is about someone in a deep state of darkness. Halo Kitsch explains the depression and misdirections in an incredible way where you’re not just hearing the words, but you’re seeing a movie project through your eyes of a lost soul on a path to destruction. The sad protagonist has found she can only rely on herself, and even that is touch and go. We watch her rollercoaster ride of life that mirrors her peaks and valleys of her mind. It’s a cold, cold world for a daddy’s girl, but we’re on this journey with her, even though she can’t be stopped and denies help, we root for her recovery to happiness and a new life ahead. “Daddy’s girl” is just one of the powerful tracks on Halo Kitsch’s debut EP, ‘With You (In Mind)’ where she completely flips preconceived notions on their head and speaks so honestly about the struggles in life. This album pays homage to her best friend Jillian who passed away in January. She confronts real life issues head on. This song is authoritative yet intimate. You turn the volume up to 100 but don’t make a sound because you’re hooked on every word. She’s making a statement in this song that life is not always rainbows and butterflies, and it’s that raw realness mixed with her raw talent that makes us absolutely captivated. Halo Kitsch is an indie pop rock singer, songwriter, and musician who has a firm grasp on the reality of the real world. She’s in a lane of her own creating a clear path to honesty and making the members of the world not feel so alone. Some people don’t breach these deep subjects, but Halo Kitsch knows the importance of tackling them on a global scale. Her deliberate, clear words will have a great impact on fellow listeners who are struggling. She is a 24 year old from Los Angeles with an old soul and a compelling presence. She’s the type of artist you want to listen to because she seems to have lived a hundred lives. She turns the dark, taboo stigmas of the world into energetic bops that open our eyes, ears, hearts, and minds to know we are not alone. Halo Kitsch is a powerhouse artist who’s going to change the world with her vulnerability into the dark world and her sublime knack for music. Written By Grace Chapman FOLLOW HALO KITSCH:

Gabe James certainly didn’t leave anything up to chance when he wrote his latest single “Rolling Dice”. The song is an expertly crafted indie-pop masterpiece, from its breadth of lyrical themes to crisp instrumental mixing. James has been teasing the song’s release for a while now, and he certainly did not disappoint. “Rolling Dice” is the latest and greatest anthem for anyone who’s feeling slightly lost and very romantic. “Rolling Dice” immediately perks your ears by opening up with clean acoustic guitar strumming and James’ beautifully harmonized lyrics singing about being lost in his own head, something all too familiar to many of us. The chorus ramps up the energy beyond expectations, and James’ singing feels extra passionate alongside the satisfying electric bass line. Stomp-and-clap style percussion makes bobbing your head irresistible, and you’ll be singing along to the melody in no time. James even includes some surprises like rain ambience to match his line “but it just rains, and I’m in pain”, demonstrating his affinity for sonic creativity. The Colorado-born and LA-based songwriter Gabe James has been consistently releasing bangers for the last year, cooking up a storm of singles and EP’s in his discography. Collaborating with popular artists like Outerskies and working with the label TAG Music, James has certainly earned himself a well-deserved following that grows every day. If you haven’t already heard his music before, take a gamble and check out “Rolling Dice”. For indie-pop lovers, or anyone for that matter, keep an eye on Gabe James. Written By Ari Schweitzer FOLLOW GABE JAMES:

Jordi does not hold anything back in her debut single, “Hate You”. She enters the music industry with an emotionally charged ballad about heartache and longing. Jordi tells the sad conclusion to a previous relationship that she never wanted to end. Throughout the song, she uses vulnerable lyrics to describe the pain she endured within the relationship, and the hurt she is still feeling now that it is over. She reveals her former boyfriend’s dishonesty and betrayal while they were still together when she sings, “Hate how you lied and called it honest// I let you drive and now I’m car sick// Hate knowing that her eyes made you forget all about mine.” She continues to list off all the things she hates that her ex-boyfriend did, but wraps it all up in the hook when she sings, “Hate how I don’t hate you at all.” These candid lyrics reveal that despite the lying and infidelity, she cannot let go of the love she has. "Hate You" is a beautifully written track, showcasing Jordi's vulnerability and her natural talent to resonate with audiences. “Hate You” consumes listeners and makes them feel every emotion Jordi is feeling—from hurt and regret to love and longing. The heart wrenching ballad starts with an arpeggio that is played on the piano which sets the gloomy tone of the song. Once Jordi’s compelling vocals begin, a second piano is added, creating a mesmerizing effect. As the song continues, a synth beat is gradually added until the chorus where it takes off. The corresponding music video follows Jordi, her ex-boyfriend, and the girl he replaced her with. In the video, the scenes switch from Jordi to the new girl, representing how easily he moved on and forgot about her. A clever detail inserted was the imagery of the sweater Jordi was found wearing. In the pre-chorus, she sings, “I’m in the sweater you gave me// But it’s not as warm as it used to be// I don’t wanna cut you out like this but I think that I got to.” Throughout the video, it becomes unraveled, slowly falling apart into nothing. Then at the end of the video, Jordi is seen without the sweater, standing face to face with the new girl, who is now wearing the sweater. This beautiful imagery represents the feeling of him slowly drifting away into the arms of another woman. Jordi is a singer, songwriter, dancer, and content creator from Myrtle Beach, South Carolina. In 2018, she joined TikTok where she quickly went viral for her comedy videos. After gaining a significant fan base, Jordi began sharing music covers on YouTube and TikTok. She has also used livestreams to create a concert-like experience for her fans. She now has 12 million followers across all social media platforms and over 60,000 monthly listeners on Spotify, despite having only released one single. Her music style draws inspiration from artists such as Sabrina Carpenter and Olivia Rodrigo, drawing focus on the lyricism and emotional intensity. Written By Karlee Smith FOLLOW JORDI:

The vibes of your “love letter to London summer” new single "4 once" are IMMACULATE!! What inspired you to write this new track? GIYA: It was one of those tracks that just pops into your head completely randomly, it was about 3 years ago in summer in London, and when you’re in one of those phases hopping from place to place, living in this slightly alternate life just soaking it all in. Anyway I was en route to the next and the chorus was just going round and round in my head, got into the studio, put the bass down, then finished the song that day. Basically didn’t touch it after apart from a couple bits really afterwards. Something happens to London in the summer just feel it becomes like nowhere else on earth, and really that is what inspired the track. Your music has a blend of so many interesting genres, who would you say are your biggest style inspirations when it comes to your music? GIYA: It definitely changes song to song stylistically but for this tune, definitely Lily Allen and Jamie T, that proper storyteller, visual lyricisms that I adore. Sonically, there's definitely hip hop influence in there too with the break beat and bass driving the whole thing. To be totally honest, this one was such a quick, almost unconscious process making it, I try not to think about what I am making, just make what feels right. If you could go on tour with any artist and be their supporting act, who would you pick and why? GIYA: At the moment, either Joesef or Olivia Dean, really can’t get enough of their music so addictive, so simple but so great, and both have insane voices. Supporting either of those would be an absolute dream. I love the music video for this new single!! How did you come up with the concept for it? GIYA: Honestly just wanted it to be as literal as possible! Just bouncing around London really, lots of beer with a cheeky Morleys feature. Had to be done. Was a very fun shoot. I was very pissed at the end, you can probably tell. What is the proudest moment of your journey so far? What is on the top of your bucket list when it comes to your career? GIYA: Playing Glastonbury this year was pretty amazing, never been before so whole experience was very surreal. Top of my bucket list has always been a major stage at a festival, I mean, shoot for moon eh, Pyramid Stage at Glastonbury, why not. What do we have to look forward to from you next?! I hope you have an awesome time on your upcoming tour these next few weeks!! GIYA: Yeh playing a few shows, which will be good fun, back in Brighton and supporting Sol Paradise and the Jago, so will be a great night! And then more music! New EP coming soon, new singles, plenty of stuff to keep me busy. Interviewed By Sarah Curry FOLLOW GIYA:

“Goodbye” offers upbeat music paired with somber lyrics, making for a catchy tune – the line ‘you know my heart is the one that I follow’ immediately recalled the adage ‘follow your heart but take your brain with you.’ It reminds me that sometimes, despite how painful it may be, saying goodbye is the best possible thing for your well-being. What was the inspiration for this song, and what does it mean to you? Hannah Grace: "Goodbye" was inspired just by my experiences over the last few years of being in relationships and friendships where you just end up growing apart from each other. Whether it's jealousy or you just mature more, sometimes it's just best if you move on even though you still care for the other person. What are some of your most memorable moments from filming the video for “Goodbye”? Hannah Grace: For sure, the spray painting scene and the smashing the guitar scene. The spray painting "Goodbye" in graffiti on the wall was really cool as I got to kick over the easel and paint on the wall, which was very 'rebel' for me :) Then the smashing of the guitar scene was an intense scene just because you only get one take for filming it...if the camera missed it, the guitar is gone! I see that you were on the hit show Dance Moms. How would you describe that experience, and did it help prepare you for the challenges of undertaking this journey as a musical artist? Hannah Grace: Being on Dance Moms was a very launching point for me and my career. I am very thankful and grateful for all of the opportunities that it has brought me. I got to build a loyal fan base, become used to working in front of cameras, and work with some amazing people. I got to go on tour and be a backup dancer for JoJo Siwa, travel to LA, and visit the UK. If you had to choose between dance and singing, which would win, and why? Hannah Grace: I don't know if I could really choose one over the other. I have been dancing since I could walk as I grew up at the dance studio my mother owns, but it was at the dance studio that I was exposed to all kinds of music and fell in love with singing. I love that you can express your feelings and emotions through both dance and singing and have others feel those emotions. My plan is to dance as long as I can because the career of a dancer is physically limited, but I always want to sing; if I am fortunate enough to go on tour one day, I will incorporate both into my shows! Aside from your own, what are your three favorite songs to sing? Hannah Grace: There are so many...I would say anything by Billie Eilish, Raindrops by Ariana Grande, and any of Taylor Swift's early music. What’s the best advice you’ve ever received, either in life, industry-related, or both? Hannah Grace: Putting yourself and your art out there for others to judge is not an easy thing to do; not everyone will like your work or you (even though they don't know you). Don't take things or criticism too personally; no one knows you like you and your family, and lastly, no matter what, always be kind. Interviewed By Vanessa Siebrass FOLLOW HANNAH GRACE:

In what seems to be a note-to-self, ‘Drama Queen’ by Sophia DeLeo sings to an angsty 17-year-old to remind them that someone loves them. Lyrics highlighting personal details such as after-school routines and a romantic relationship imply that DeLeo is wishing someone would’ve given her this advice at that age. Regardless, the single provides comfort and solace to anyone at any age experiencing self-doubt. Folky instrumentals give ‘Drama Queen’ a different sound than most new pop heard nowadays. The song has simple production which allows for Sophia DeLeo’s ethereal vocals to stand out. Though it has a wistful sound, the lyrics are hopeful and encouraging making the single an easy-listening, feel-good tune. DC native Sophia DeLeo began her ambitions towards a career in performing from a very young age. Her childhood consisted of self-taught guitar sessions, dance classes, and vocal lessons all while attending school. After receiving her BFA in Musical Theater, she moved to New York where she’s been busy working in various plays while writing, recording, and releasing her own music. The contemporary pop artist has steadily released a slew of singles to stream and is currently putting out her second EP. Written By Zewdi Cass FOLLOW SOPHIA DELEO:

Everyone knows the heart-wrenching feeling of getting friend-zoned. It can be devastating and confusing to have such a strong inclination to be with someone, and not have that affection reciprocated. The Pretty Ugly captures these intertwined feelings of desire and disappointment in their new single, ‘Friend’. The song communicates a narrative of loving someone and wanting the best for them, even if you're not meant to be together. ‘Friend’ successfully illustrates the magic of falling for someone, alongside the misery that follows when they don’t choose you. The heavy influences of punk rock instrumentation are beautifully balanced by the addition of delicate keyboard chimes and underlaid vocal harmonies. Intricate guitar strumming, booming percussion and rich vocals help shape ‘Friend’ into an indie rock anthem. The single’s catchy and electric chorus is reminiscent of the early 2000’s indie punk music scene. The poetic lyricism helps immerse listeners in the song’s overarching theme of longing for love. For instance, the lyrics, “Dancing in the kitchen, with the same song in our minds” present an image of a passionate connection between two people. The Pretty Ugly released a music video for ‘Friend’ which features vintage-like visuals with the utilization of film videography. Beautiful golden lighting, sun flares and static video distortion help to create an aesthetically pleasing video that perfectly accompanies the loving vibes given off in the single. Based in Yorkshire, The Pretty Ugly is a four-man alternative pop/rock band. The group has been busy creating music this year, with the releases of ‘Friend’, ‘That’s Such A Girl Thing To Say’ and ‘All The Time’ which has already amassed over 11.3k streams on Spotify alone, the platform where they have gained 8.5k monthly listeners. The band consists of James Swift, lead singer and guitarist, Joe Cottam, who plays drums, Dan Cottam, lead guitarist and keyboard player and Sam Vickers on bass. The Pretty Ugly has their own website where you can find contact information for bookings and a gallery featuring photos from some of the band’s performances and photoshoots. According to their social media, the band’s last three singles are a part of an upcoming album. The Pretty Ugly will be presenting their new album for the first time on Friday, December 30th at The Leopard, a pub and music venue in Doncaster. Written By Julia Hooper FOLLOW THE PRETTY UGLY:

Picture the scene where a person is shown sitting at an old wooden table with two people who look like their parents sitting on either side of them, blurred as the camera slowly focuses on the person who is zoned out. The light clinks of silverware scraping porcelain plates fade as their thoughts grow louder: “Outside these four walls//You’d be out that door”; “If this wasn’t family//If it wouldn’t rip you apart//You would curse out their name.” Jules Paymer is the one at the head of the table, pining to say the thoughts endlessly circling in their head. Their melancholic single, “Blood,” is a battle of emotions, fighting off an inevitable conversation with a family that won’t understand, but struggling to hold their tongue because they are blood. The song’s story is told through tedious elemental production, like the faded conversation at the end of the song suggesting they eventually gained courage to talk to their family, and the melody’s intensity rising in certain parts to heighten the words. But the main element that ties everything together is Jules Paymer’s angelic voice acting as the calm in the storm, swiftly carrying the song’s message straight into our hearts. Music helps to amplify feelings by identifying the exact emotions and placing the right sound to accompany it. “Blood” is a perfect depiction of this as Jules Paymer’s pain is perfectly embedded into the wistful synths, its yearning violins, sorrowful piano chords and intense electric guitars. Their lyrics also pinpoint the exact emotions the instrumentation suggests with lines like, “And that’s not your real smile//Cause you have one now//The more like you you are//The less they say they’re proud.” Hitting every pathos in your body, Jules Paymer succeeds at tugging on your heartstrings, making you sing out sympathies for someone you don’t know. Jules Paymer is a Nashville based artist. Their discography is filled with nine singles, all in which perfectly encapsulate who they are as a person: real, raw and heartfelt. Seeking a solo career in the music industry is hard, but Jules Paymer proceeds to grow amidst its difficulties, with 95.6k followers on TikTok and over 2 million likes on their videos. With their popularity flourishing, compelling melodies and relatable writing, Jules Paymer is a rising star. Written By Amanda Palacios FOLLOW JULES PAYMER:

I have had ‘You Like To Play With Fire’ on repeat ever since I heard it – it is so relatable! What was the songwriting process like for this song? Tea: Thank you so much that means a lot, I am so touched that the song has gotten such a positive response! I wrote this song when I was 19 at Stargate’s music school in Norway called LIMPI. The process of this song was very hectic. The song started out completely different and then I wanted to make it more me. We made it more of a pop punk vibe reminiscent of a 2000’s teen movie intro. I had been up all night when we started laying down lyrics so I was just really just saying whatever came to mind. I really wanted to write a song about having a person in your life who amplifies the worst parts of yourself and takes everything to the extremes, cause I may be the fire but you sure like to play with it. The visualizer for this track is so vibrant and fun! How did you decide what you wanted the visualizer to look like? Tea: I am obsessed with Pinterest so I make a board for each song I write depicting different ideas of things I think that fit the song. I then worked with my amazing videography Jaqueline Day (@jacquelineday) to form a vision and plan for the visualizer. My management Rico and Vanessa at Grassfed Music helped keep everything organized and on track. If ‘You Like To Play With Fire’ could be included in any movie or TV show, which one do you think it would be and why? Tea: That’s so hard for me to choose this song was very inspired by 2000’s movies. I would have to say the 2006 movie She’s the Man starring Amanda Bynes during the montage scene where they are transforming her character Viola into her brother Sebastian. I just think this song screams teen movie montage scene it fits so well. Which city would you love to perform in? Or a specific venue? Tea: New York City, I lived there for a few months and I loved the city so much. I can imagine preforming at the Bowery Ballroom, Market Hotel, or the Mercury Lounge. Who would you say have been some of your biggest influences? Tea: Kurt Cobain, Amy Winehouse, and Lana Del Rey fundamentally though Nat “King” Cole, Elvis Priestly, and Frank Sinatra when I was in about 5th grade I loved listening to vinyls and I still collect them today. What is some of the best advice you have received? Tea: The best advice I’ve ever received is to take things one sentence at a time. I struggled a lot with dyslexia and visual processing disorder as a kid so school was hard for me. When it came to writing essays I would always get so overwhelmed until someone told me to just take it one sentence at a time. I pretty much apply that to everything in my life. Interviewed By Kendall Koval FOLLOW TEA: