2026 is bringing back the whimsy of 2016, and many artists are chasing that nostalgic sound. Hello Sister's newest single, "Little Lover," has hit the nail right on the head. It has the kind of catchy beat that transports you to a convertible gliding on a street lined with palm trees. It perfectly captures the lovesick innocence of youth in an upbeat way. The vocals helped this song along, wrapping it up in a nice bow for a nostalgic present. The song captures a special feeling in its melody. This talented young band of three sisters is having a blast playing their own instruments and collaborating on music. They have exciting plans to unveil new music throughout the year. The dynamic pop-rock band consists of three multi-talented sisters. Grace (lead vocals, keyboard, and bass), Gabriella (vocals and guitar), and Scarlett (vocals and drums). Their unique, infectious sound blends influences from Paramore, Avril Lavigne, Olivia Rodrigo, and Beabadoobee, and their high-energy performances. The trio made their national television debut on season 16 of America's Got Talent , receiving a standing ovation from Simon Cowell after performing their original song, "Middle Schooler." In December 2023, in a spectacular showcase of their talent, hello sister owned the stage at the iconic iHeartRadio Jingle Ball in New York. The trio's electrifying stage presence left the audience buzzing. With a blend of catchy pop hooks and rock-infused beats, Hello Sister proved they’re not just an opening act but rising stars who steal the show. “Little Lover” is a fun, laid-back love song about getting over a past relationship and “burying those memories six feet under”. Throughout the song, the lyrics express a sarcastic attempt to move on while still struggling to fully accept it. This song reminds us of cruising down the California coast with the top down, ocean breeze in the air, just chilling and having a good time. This one feels different from our past releases—more chill, more catchy, more “play it on repeat.” If you’re into indie pop, indie rock, alt-pop, and road trip music, this might be your new fav! Stream "Little Lover" wherever you listen to music. Written By Deanna Moody FOLLOW HELLO SISTER: Instagram | Spotify | TikTok | Facebook | YouTube

Chloe Jane intertwines the timeless elements of romance and orchestral strings with 2000s dance beats in her recent release “Sleepless Nights.” As all classic love stories tell, Jane finds an unexpected interest among the crowd, and the two people develop an ardent relationship. The Jane-Austen-esque lyrics reveal that her partner pushes through her judgment of the world, offering a new perspective. From pacing and wondering to sharing time under the moonlight, the desire leads to sleepless nights. “Sleepless Nights” raises the tension with orchestral elements and breaks through with an EDM drop as wonderful as that first kiss. The cello and violin play with the flair of modern rhythms, creating a Bridgeton-like atmosphere. But instead of a waltzing three-meter tempo, the four-on-the-floor beat discards the ballroom etiquette and cues the time to let loose. Produced by Tor Eimon, known for his work with Ava Max and David Guetta, the energy from those 2000s party hits bursts through. “Sleepless Nights” is a fresh mix of the classic sound. Jane entered the dance-the-night-away world as young as thirteen. She landed her first DJ gig and opened for Paris Hilton. She released her debut single, “Addicted,” in 2022 and continued producing cheeky, empowering anthems like “Iconic” and “Oopsie Daisy.” As well as being a professionally trained pianist, vocalist, and DJ, Jane was a figure skater with aspirations to compete in the Olympics. She found an escape in ice skating and music. Jane continues to work sleeplessly on new music focused on confidence and creativity. Written By Taylor Sheridan Lempke FOLLOW CHLOE JANE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Photography: Max Baker "First Day" is the newest and third single from amazing artist Christian Chambers , a song about a love that will never die. Many people often claim that they found the love of their life or their soulmate before realizing that the relationship they are in with them was not actually ever meant to be. However, Chambers describes how he doesn't feel this way at all. He is so deeply in love that he is truly confident he has found the person he is meant to be with. The butterflies you feel at the beginning of a relationship never left for him, meaning that the feeling of a budding romance still permeates in his life, which shows him that the love he is experiencing won't dissipate. The summery setting the lyrics portray perfectly capture the accompanying sound a part of the production in “First Day”. The combination of joyful 80s synths and modern pop beats makes it a timeless classic, especially with Chambers' amazing vocals. His octave changes and runs along with the addition of the distinct guitar chords establish this fun bop as one of a kind. During the verses, the production style is more at ease, but becomes intensified during the chorus, as if the verses symbolize a summer day and the choruses symbolize fun nights out on the town. Every part of the song is addictive and bubbly, especially when it comes to that amazing bridge! Christian Chambers is a multitalented music artist based in Los Angeles, California. He began his music career strong with the release of his fantastic debut single "Anywhere with You" on Valentine's Day in 2023. In August of 2025, he released his second single "Running". He's also been prevalent in commercials and was a part of season 27 of The Voice . Chambers also presents his versatility and virtuosity in his work by offering vocals, self-written lyrics, and creative production styles, crafts of his he has been perfecting for almost two decades. Christian Chambers is a stupendous and wonderful musician! Written By Ashley Adams FOLLOW CHRISTIAN CHAMBERS: Instagram | Spotify  | TikTok  | Facebook  | Apple Music

Magdalene is a proud pop star for the freaks. With sounds influenced by Fame Monster -era Gaga and hyperpop legends like SOPHIE and Charli xcx, Magdalene’s sound is bombastic, meaningful, and unabashedly pop. Her latest single, “DJesus,” continues on this legacy. Much like the previously named musicians’ works, “DJesus” is both a carefully crafted artistic statement and, of course, an undeniable banger. The track is an EDM-infused pop-rock party anthem. Produced by Slushpuppy and Dylan Harrison, “DJesus,” is simply irresistible. Comparing the highs of a rave to a religious experience, Magdalene creates pure pop euphoria. “DJesus” is a callback to the time when camp-infused pop was mainstream. Magdalene’s performance skills, in particular, are kitsch to the max. Her vocals are powerful and brim with personality. The music video highlights this even further. Set in a trailer park town, we watch a community blindly bestow upon their DJesus (portrayed by Magdalene, donning numerous Gaga-esque, colorful costumes). Satirizing the conservative, Christian right, Magdalene's lyrics are biting and sharp. “DJesus” is a reminder that pop is a high art worthy of respect. Magdalene is the future of pop stardom. A LA and New York-based artist and producer, Magdalene has been in the music game for years. Originally a member of bands like Current Joys and Surf Curse, Magdalene went solo in 2024. Since then, she has received mass critical and commercial success. PAPER Magazine profiled Magdalene for her track “Lucky Girl” in 2025, acclaiming the song’s artistry. On social media, Magdalene has seen mass TikTok virality, even becoming the face for Spotify’s ‘Fresh Finds Pop’ playlist. With nearly 60,000 monthly listeners on Spotify and over 500,000 streams, Magdalene is blowing up—and it’s not hard to see why. You can listen to “DJesus,” along with the rest of Magdalene’s discography, on all major streaming platforms now. Written By Lauren Nolan FOLLOW MAGDALENE: Instagram | Spotify  | TikTok  | YouTube

Valentine’s Day is this week, and love is in the air. But what is the best kind of love? Self-love, of course. Nashville singer GRAVAs new single "Bounty" delves into this self-confident mindset. The single is a girl boss anthem that reminds you that you are the star in any room. It's meant to lift you up and give listeners that feeling of invincibility. Her soothing siren voice had my head swinging from left to right. The lyrics set out to tell listeners that we are the prize in every situation. This song is perfect to listen to while getting ready for a night out or when you're feeling low. The song's lyrics convey a sense of being underestimated. As she takes us through the story, she shows that this person has misunderstood her. She is not the kind of girl to go peacefully. “I’m not a girl to kiss and tell/But I’m not a girl to wish you well/Cause I draw a crowd, and it’s nothing unusual.” This verse is a turning point in the song, where it reaches its full potential as a women's empowerment anthem. It feels like something you'd hear at a Tate McRae show. It's nonstop adrenaline after this section, as we're hit with an onslaught of instruments that make you feel like you're in a music video. Nashville-based alt-pop singer & actress Ava Grace (aka GRAVA) is a force to be reckoned with. Originally from Chattanooga, Tennessee, she has traveled across North America to pursue her mission of blending timeless melodies with vivid storytelling & brutal honesty. Drawing inspiration from artists like Fiona Apple , Billie Eilish , & Olivia Rodrigo , among others, GRAVA’s sonic versatility is unmatched, spanning genres from synthwave to hard rock & everything in between. GRAVA is the epitome of everything modern music should be: Bold, Unafraid, Transcendent, Emotionally Gripping, & Emblematic of Universal Truth. Listen to "Bounty" wherever you stream your music! Written By Deanna Moody FOLLOW GRAVA: Instagram | Spotify | TikTok | YouTube

Haley Bundy has returned to music with her new single, “End to Begin.” Within the process of starting over, Bundy knows the heartache that comes with it; however, instead of the heartache of endings taking over, Bundy instead celebrates renewal and growth, stating that “sometimes love's gotta end to begin.” This outlook, while acknowledging the pain that comes with a love that’s ending, also allows Bundy to fully embrace her growth and focus on herself. While there may be memories lingering, Bundy starts “a different chapter” instead of going back-and-forth. Bundy may be dealing with heartache, but she’s “closer to everything / [she wants] to be,” letting listeners into her healing process as she bounces back from an ending. “End to Begin” acknowledges the bittersweetness of growth: with any beginning comes an ending before it. It seems easy and logical to put together, but when living through it, the endings are hard, but starting over is even harder. With “End to Begin,” Bundy not only lets listeners into her new beginning, but also encourages them to look at starting over with the same mindset she has: starting over allows a chance to breathe and see a new light in life. While this mindset may be tinged with pain and may be difficult to achieve through the pain of starting over, listeners of “End to Begin” have an anthem to get them through to the other side. Haley Bundy is an American singer-songwriter based in Nashville. Hailing from a small Appalachian town, Bundy grew up with a deep connection to music. Starting her career at 13, Bundy has blossomed into a talented performer with over 200 shows under her belt. While moving to Nashville in 2024, Bundy has made waves in the music world. Her debut single, “June,” was just the start of a stellar discography, with songs like “My Problem is You” and “Glow,” with “End to Begin” adding to the list. If listeners would like to keep up with Haley Bundy’s newest music releases and performance announcements, they can keep up with her on social media, linked down below.  Written By Abby Mornhinweg FOLLOW HALEY BUNDY: Instagram | Spotify  | TikTok  | Facebook  | YouTube

In a moody pop track, Belle McKee releases her first single of 2026. “MOVE”, released at the end of January, discusses McKee’s struggles with knowing she needs to move on, but being unable to get herself to take the steps away. The feeling is all too common: knowing that the relationship’s time is up, but being so attached that you cannot get yourself to leave. With electric guitars and an exasperated tone, McKee explains that even though the feeling is not reciprocated from her ex partner, she has never been a leaver and is not about to start now. The track is still upbeat and catchy, giving the vibe that McKee is more exasperated and angry at these feelings than sad and heartbroken. “MOVE” opens gradually, with the electronic pulsations and guitar chords heard throughout the track growing as the intro progresses. McKee’s voice is young but defined, perfectly expressing the feelings of self annoyance behind the lyrics. The first verse is full of comparisons to things that are unmovable. She is an engine-less car, she is a movie with an ending never written, and she is stuck in an endless waiting game. In the chorus, she sings “I should get a move on / But I stick to you like glue / So I turn the truth off / Pretend to miss the clues / You never needed me the way I still need you / So how do I move on when I'm afraid to move”. The end of each line holds a repeated riff in the vocals that is a downward spiral, mimicking the downward spiral of the relationship. Belle McKee is a Nashville based singer-songwriter. Born in a small town in New York, she graduated from Belmont University in May of 2025 with a Bachelor of Arts in Songwriting and a minor in Music Business, and also had taken Berklee College of Music classes online in high school. Her education has certainly helped streamline her career, but her songwriting and soundscapes come from her heart, as she aspires to share music that is honest and heartfelt with her listeners. In addition to “MOVE”, she has two EPs, an album, and a plethora of singles on listening platforms. Make sure to follow the social medias below to stay tuned for more from Belle McKee as she grows in her career. Written By Tessa Maddaloni FOLLOW BELLE MCKEE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Lights takes the club to the car with her recent release, “Come Get Your Girl.” Her voice glows in electric, fast-paced productions, adding emotional depth to melodic bass and progressive house tracks. She centers the “Come Get Your Girl” around nostalgia and the open windows on the freeway with no destination in mind. Lights plays on the tension of hesitation and confessing how she feels, singing, “I don’t wanna wait anymore/ I’m in the city on the curbside/ Come get your girl.” This is a ride-or-die love—the type of partners that pick each other up at 3 a.m. when they need to clear their minds. “Come Get Your Girl” is as irreplaceable as that bond. The single reignites an old flame with synthwave features. The four-on-the-floor rhythm speeds like a convertible racing over the broken white lines on the freeway. Lights changes lanes from reminiscing old drives to locking in on a ride-or-die partnership with analog synths that sweep like the air flowing through the window. The guitar echoes with a melodic riff and an extra percussive touch. Lights’s vocals break through like the conversations and the thoughts that come alive in the dark. “Come Get Your Girl” turns up the volume and celebrates life from the passenger seat. Lights makes her career as a singer, songwriter, producer, multi-instrumentalist, comic book author, and DJ—the type of person who travels through every route. She has perfected the balance between dance music and storytelling. Lights has collaborated with Travis Barker, deadmau5, Kaskade, Illenium, Steve Aoki, and Seven Lions. Despite the subject, her vocals have a way of igniting hope that lingers after the song ends. The power to speak from her heart is what allows her to thrive and push the boundaries of indie, electronic, and dance music. Written By Taylor Sheridan Lempke FOLLOW LIGHTS: Instagram | Spotify  | TikTok  | Facebook  | YouTube

Ella Red IT'S NOT REAL Album Art via Nettwerk Music Group Ella Red is a whimsical fairy princess who mixes ethereal imagery and sharp lyrics to craft an impeccable discography. Her debut album, IT’S NOT REAL, kicked off my heavily anticipated albums of 2026 list. In August 2025, I had the pleasure of seeing Red perform as the supporting act for Ellise, and I instantly became obsessed with the artist. Her eerie soundscapes and heavenly voice make for flawless music. At that show, I was thrilled to hear a taste of IT’S NOT REAL, with songs such as “Ball and Chain” and “He Asked For It”. Red’s first LP is an emotional rollercoaster of rage, longing, self-criticism, and female empowerment. Through her 13 songs, the singer showcases her undeniable songwriting talent, impressive vocal range, and clever production.  Track List  Parasite Ball and Chain We’re All Gonna Die Funeral He Asked for It Predator Party Animal Aphrodite Cupid Always the Artist Religion Spider String IT’S NOT REAL PARASITE Red kicked off the album with the eerie, dark ballad “Parasite.” The moody production and the singer’s smooth vocals create the hauntingly beautiful atmosphere that lures people into the new project. The lyrics explore themes of self-hatred and helplessness. Red takes her depression and deteriorating mental health and turns it into a grim metaphorical parasite. She is the host for this “parasite” — one that is sucking her dry, leaving her a shell of herself. With her stunning vocals and descriptive imagery, Red successfully places hooks in the listener's mind and keeps them craving more.  Ball and Chain “Ball and Chain” continues the theme of mental health and self-loathing. The energizing track immediately catches the listener's attention with the electric guitar in the intro. When the verse hits, Red’s flawless voice takes over the song. While the song has a more upbeat sound, the lyrics are devastating. Written while Red was enduring an illness, the song reflects her fear of dying and the existential crisis she experienced. She was stuck in her head and wanted to break free. She sees everyone making the same mistakes, but she wants to change this for herself now that she’s in this crisis mode. “Ball and Chain” is a whimsical dark-pop anthem that perfectly encapsulates Red as an artist.  We’re All Gonna Die The theme of existentialism remains in “We’re All Gonna Die.” The song starts with a chorus of people yelling, “we’re all gonna die,” before transitioning into the alt-rock-influenced verse. The production is reminiscent of the 2000s punk-rock era, while Red’s vocals maintain her timeless, effervescent style. The lyrics discuss the inevitability of death, and no matter who you are and how you live, we all end up six feet under. In the chorus, just one line defines what it means to be human: “We’re just making up religions on our way out the door.” There are over 4,000 religions in the world, and only one can be true – but no one knows which. It is a coping mechanism to comfort us when faced with the finality of death. Red’s vocals are dripping with desperation and emotion as she wrestles with the uncertainty of an afterlife, showcasing her innate ability to turn lyrics into a cinematic tale. Funeral The story continues in “Funeral,” where Red ruthlessly celebrates the death of an enemy. Whether her muse is an ex-partner, a former friend, or a fictional book character, the story explores the feeling of pure joy and relief at knowing someone is gone forever. Red confesses that she’s happy at this person’s death – or the end of the relationship. Their demise was necessary for her happiness, as it was toxic and gruesome. Alongside this dark imagery, the production is fast-paced, with an alt-pop soundscape that creates a feeling of movie-like magic. He Asked for It Red lives out every woman’s fantasy in this devilish track. “He Asked For It” flips the script on the misogynist belief that a woman is “asking” to be sexually harassed or assaulted because of the clothes she was wearing, her dating history, or where she was walking at night. In this track, Red describes the story of her murdering a man simply because he asked for it. Read more about the track in my song review here . Predator The ominous vibe remains in “Predator,” where Red warns her subject that she is coming for them – and she’s out for blood. She’s a fox, a shark, a snake, slowly creeping in for the kill. Alongside her lethal lyrics, the dark-pop soundscape evokes a cinematic psychological thriller, with haunting vocals and distorted instrumentation to emphasize the message. Party Animal “Party Animal” diverts from the album's dark soundscape and is reminiscent of 2010s KE$HA, with energetic, fast-paced vocals and a catchy production. On a surface level, the lyrics seem fun and lighthearted. However, when you pay attention to the words, you uncover the devastating message. “Party Animal” explores the singer’s jealousy over this mysterious woman. She wishes to be her – desires to be the carefree, showstopping muse described. In the chorus, Red sings: “Somebody called me Aphrodite // I’m a little like Psyche.” This Greek Mythology reference indicates that she cannot see herself as the Goddess of love and beauty, which cleverly transitions into the next song. Aphrodite Red slows down the album with the dark emotional ballad, “Aphrodite.” The melancholy track is an ode to the Goddess, praying for answers. The song explores the singer’s desire for self-acceptance and breaking free from both society’s expectations and her own insecurities. About the song, Red said she wrote it about “what it feels like to live inside a body that’s been judged, desired, dismissed, and hated more than it’s ever been loved.” The raw desperation in her voice underscores her yearning to be released from the shackles and to be comfortable with who she is. In the bridge, Red’s haunting vocals repeat the line: “A woman fighting.” As the emotions build, the song plays the intro to Angela Davis’s January 21st, 2017 Women’s March speech: “At this very challenging moment in our history, let us remind ourselves that we, the hundreds of thousands, the millions of women…” Outside of the song, the speech continues with Davis concluding the quote with “...transpeople, men, and youth who are here at the Women’s March, we represent the powerful forces of change.” Red inserts this speech into “Aphrodite” to symbolize her desire for society to let go of the judgment and unrealistic standards imposed on women. As someone who has been in the crowd while Red sang this song, seeing so many women cry along with the lyrics highlights the power of the track and the inspiration of the singer. Cupid The somber atmosphere is maintained in “Cupid” with a soft, acoustic ballad and heartwrenching lyrics. Red describes losing another relationship, leaving the singer feeling numb and confused. She relays that she did everything right in the relationship and still was left broken. She blames Cupid for the destruction, always leaving her to mourn. This time, she describes her partner as the love of her life, but “Cupid had a deal he had to make // He said, every heart I loved, he would have to break.” Red’s voice conveys the feeling of loss that ties the entire song into one neat, yet devastating bow.  Always the Artist “Always the Artist” is an ethereal pop ballad containing soothing synth and delicate piano that beautifully complements Red’s stunning vocals. The singer expresses her frustration and sorrow that she is always the person writing songs about someone else, always completely infatuated by someone, but she is never the person being written about. She longs to be desired, to be loved in such a way that they feel inspired to sing about her, write about her, paint portraits of her. Instead, she’s left wondering if she’s worth the time to be someone’s muse, or if she is doomed to the fate of pursuing and not being pursued. Religion Red brings back the intense energy with “Religion.” The dark-pop anthem is a sensual ode to her lover. They are her religion – the one thing she spends all her time and thoughts on. She is fully devoted to them, and nothing else. The song begins with a deep bass that transitions to the beat-heavy verse. The synth melody reels the listener in and creates a feeling of dread and anticipation. When the chorus hits, the beat seizes to focus on the hook: “I found my religion, good God he’s a vision.” This allows Red to hone in on the obsessive message and emphasize the possession she is under. The moody soundscape and unique imagery make “Religion” one of my favorite tracks on the album. Spider String Returning to the morbid theme, “Spider String” paints a deadly image of decay and horror. With lyrics such as “I’d rather rot and ravage with the bug and E Coli // Lie in the hollows of the earth, somewhere that they’ll never find,” and “Let me decay // Be an ugly thing // Fill all my holes // With spider string,” Red describes her desire to escape from the world and become a part of the earth. She wants anyone who is listening to leave her alone and let her sink into this void. Similar to many of the other tracks, “Spider String” contains a dark, intense pop soundscape that evokes feelings of dread and gloom.  IT’S NOT REAL The title track is perhaps the most unique song on the album. In the verses, the singer turns to melodic rap to express her feelings of self-doubt and desperation. “IT’S NOT REAL” starts with muffled vocalizations and heavy synth effects to set the somber tone, before Red leads the verse with her spoken word. The singer expresses her exasperation at societal rules and gender roles, and not knowing where she belongs. The pre-chorus maintains the slow, haunting vibe as the singer rejects these thoughts. When the chorus hits, the song switches to a fast-paced, frantic melody that emulates the singer’s anxiety. Red’s ability to convey such vulnerable devastation while maintaining her iconic dark-pop soundscapes is one of the reasons so many people fall in love with her. IT’S NOT REAL by Ella Red  is a flawless album that can be played on an endless loop. There is not one song on the project that can be skipped, and every lyric is methodically written. As her debut album, she blew it out of the water. It is not every day an artist releases a perfect album, let alone it being their very first. From the anger in “He Asked for It” to the sorrow in “Aphrodite,” Red displays a range of complex human emotions. It may be too early to tell, but IT’S NOT REAL  is on its way as one of the best projects of 2026. Follow Ella Red on all social media ! She is about to embark on her first headlining tour, starting on February 17th in Houston, TX, and concluding on March 14th in Dallas, TX. This week, she announced a final show on April 15th in Los Angeles. Click here to purchase tickets for a show near you. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Boy In Space's new song, "Who's Crying When I'm Leaving?" is a catchy anthem that speaks to a struggle so many of us experience. Feeling out of place and lonely unfortunately is a part of life that isn't always easily avoidable. With "Who's Crying When I'm Leaving?", Boy In Space shows how, when you feel out of place, it becomes nearly impossible to compare yourself. Looking around and seeing everyone else having a place where they naturally fit like a puzzle piece. Wondering why you don't have that? Or asking when will it be your turn to experience that? To be truly known and to be wanted so deeply by others is a desire shared amongst many, but its a feeling that fills your mental airspace to the point it consumes you. "Who's Crying When I'm Leaving?" is song that carries a happy, light tune, while the lyrics tell a more bittersweet story. The longer you listen, the more the song seems to fill you with hope. Its almost like Boy In Space created the song as a vessel for conveying his thoughts and emotions straight onto listeners. The pop song has a bit of a country sound to it that adds even more character to it. While listening, the song gave me a bit of hope and comfort. Boy In Space succeeded at telling a story that can be felt. Anyone who can relate to the song's meaning, can also now name the song as one that has made them feel seen and comforted. "Who's Crying When I'm Leaving?" is a song that feels like it would be perfect to listen to once Spring approaches. Boy In Space (Robin Lundbäck) is a Swedish singer-songwriter who recently released his latest song "Who's Crying When Im Leaving?"! His moniker is a reference to his personality, which he has described as, "spacey." Before starting his solo career, Lundbäck was a member of JTR, a Swedish boy band. Coming from Alingsås, he has achieved international success at a very young age. After embarking on a world tour with his brothers, he then transitioned to launch his solo career in 2019. Since then, he has solidified his position in the global music scene. With his distinctive voice, whimsical writing style, and versatile productions he quickly captivated the pop world. He has tallied an impressive over half a billion streams on Spotify alone. All the while, he has maintained his independence as an artist and tours extensively in the United States and Europe. Written By Kyler Griggs FOLLOW BOY IN SPACE: Instagram | Spotify  | TikTok  | Facebook  | YouTube

My shoulders didn't stand a chance against the opening beat of this song. The synth-like instrumental had me swaying from side to side. It s ounds like something you'd hear on your way to a rundown gas station. Specifically, if your windows are down. Ethan Beer's new single, "Doesn't Get Better," is a catchy anthem for when you're missing that special someone. It's a great song for when your favorite person isn't around, but those memories just won't leave you alone. With moving lyrics such as "If you're the match, then I′m the lighter/Our souls collide and catching fire/Nothing truly gets me higher," the single successfully conveys a sense of longing. Beer is a 21-year-old singer, songwriter, and record producer from Brisbane, Australia. Beginning his musical journey by performing in church and at school at the age of six, he wrote his first song at eight. Which explains how he professionally guides listeners through the single. In the years that followed, Beer began learning guitar and played a lead role in several musicals. His most standout role was Bruce Bogtrotter in 'Matilda the Musical,' presented by the Royal Shakespeare Company, where he showcased his musical talents to large audiences throughout Australia. He also starred in the 2018 short film "Not Like Me" as the lead actor before moving to Los Angeles, CA, where he began working with various writers and producers for his music career. There is a lot of pressure that comes along with starting out as an artist. Even so, Beer strives to bring a fresh wave of acoustic-pop, with an edge of raw emotion and honesty. Beer has already taken his music from bedroom demos to theatre stages and major events, building a loyal online community and earning co-signs from Conrad Sewell, Sam Fischer, and Tekoa. He recently signed with Nashville label Anotherland. He is quickly becoming one of Australia’s most exciting new voices. Catch him live as he brings his energy to stages across the country in upcoming performances, proving why he’s an artist to watch in 2025. Make sure to follow Ethan on social media. Stream "Doesn't Get Better" wherever you stream your music! Written By Deanna Moody FOLLOW ETHAN BEER: Instagram | Spotify | TikTok | Facebook | YouTube

Waltz into a dreamy, yet utterly realistic story of youthful romance with “Sweet Blue Moon” from artist Victoria Staff. Staff gives listeners insight into a relationship that details both the upsides & downsides of a young romantic connection. While the upsides are dream-like and have extremely high highs, the downsides replicate the same intensity but for low, difficult points. With an indie-alternative feel and layered writing, listening to “Sweet Blue Moon” reminds me of the experience of going into a secondhand store and finding someone’s love note embedded on an old postcard. Staff’s songwriting and tone are both delicate and a force to be reckoned with, showcasing that she is multifaceted - as is this romance (and many others) are. “Sweet Blue Moon” softly balances the joys and comfort of falling in love at a young age, then transitions and displays how time and personal conflicts can impact a relationship. This balance in the track is not only impressive to carry out as a musician/writer, but additionally presents Staff’s realistic knowledge of love & relationships. Personally, this song spoke to me with its realistic yet artistic presentation, and I believe it will impact many, many others.  While Staff brilliantly executes her songwriting in “Sweet Blue Moon”, the overall sound and feel of the song is unique and stands out in the world of pop music. Cleverly all connected, the title itself - “Sweet Blue Moon” - alludes to memory-protruding experiences that happen every once in a while. As listeners go through these rare experiences alongside Staff, they will additionally witness the beautiful, confusing aftermath of this passed moments. Down to the guitar tone, a very forward part of this song, you witness an acknowledgement and acceptance of complex emotion. It is undeniable that the vulnerability in this track is palpable and present in its every aspect. Although love and connections through romance vary by person, there is a type of nostalgia and emotional acknowledgment that can relate to many. As you explore the sweet, realistic world of “Sweet Blue Moon”, going forward, you will not be able to tear yourself away from Staff’s talent and ability to dig deep into pure emotion.  Victoria Staff is a singer-songwriter born and raised in Toronto, ON. Following the obtaining of her degree in Behavioral Neuroscience from UBC, Staff decided that this field was not the path of her true calling. After growing up surrounded by music and wanting to start a side project, Staff began playing shows in Vancouver for “beer money,” but quickly discovered that she may have found her true calling. A multi-talented artist with the ability to play guitar, piano, banjo, and ukulele, Staff is inspired by artists such as Hozier, Gregory Alan Isakov, and Taylor Swift. Her 2023 EP release, Records & Honesty, is a true reflection of the heartfelt labor and emotional experiences Staff has gone through and put into the project. Through creating her music, Staff hopes that people can “find therapy” within listening to it in the same fashion as she did while creating it. Currently, Staff is releasing music - such as “Sweet Blue Moon” - that speaks to her lived experiences and emotional maturity.  Written By Madison Spies FOLLOW VICTORIA STAFF: Instagram | Spotify  | TikTok  | Facebook  | YouTube