Cali Rodi is back, and she just released a tribute to one of my favorite 90s rom-com flicks: Never Been Kissed ! The song is the third single from her debut EP, the romcom tapes , where every song is titled after her favorite rom-com movie from each decade! “Never Been Kissed” is a song so full of energy and 90s nostalgia, that it will make you want to watch the titular movie (starring the iconic Drew Barrymore) on repeat. I think this song had a lot of really fun lyrics that easily got me into an upbeat mood! And I think the chorus is one of my favorite parts of the song! “You bring me right back under the bleachers / Summer heat, your hands under my t-shirt / It’s like all the other lips / Before you didn’t exist / Holy shit / It’s like I’ve never been kissed.” Like I said before, this song is SUPER upbeat and energetic! While the song doesn’t inherently sound like a song from the 90s, there are some related elements. I think everything worked together nicely, and it made the song that much more enjoyable to listen to! Cali does a great job of balancing her tone when she’s using her chest voice. She harmonized with herself for a good majority of the song. Cali has a healthy-sounding voice, which I think put this song over the top! I genuinely enjoyed listening to every second of it! Cali Rodi is a singer and songwriter based in Los Angeles. She has been releasing music since 2017, and is soon due to release her debut EP, the romcom tapes . And she’s doing pretty well for herself on Spotify, with her music getting around 50,000 monthly listeners. Cali says that she grew up listening to artists like Blink-182 and Brittany Spears, and you can easily hear their influence in her music! Though, I would say she has a sound more similar to Leah Kate and Maisie Peters. Nonetheless, I loved every second of this song, and am so excited to hear which classic rom-com she decides to write about next! Give “Never Been Kissed” a listen if you haven’t already! Written By Isabel Mays FOLLOW CALI RODI:

Unhealthy habits and thoughts can make us feel trapped in a cage with no way out, but Rebecca Sichon learns to fly with zero restraints in her new song “Breaking Free.” The song is about finally realizing your worth and not holding yourself back any longer from exploring what the world has to offer. “Breaking Free” is the empowering anthem we need to give us the strength to be independent. Rebecca sings about her desire to be free and tells herself to just let go of the toxic relationship she has with herself so she can reach her fullest potential. She is tired of morphing herself to fit the standard and unrealistic expectations that society has drilled into our heads, and wants to express herself authentically. “Breaking Free” is for everyone who needs to hear that it is okay to love yourself just the way you are. Rebecca reminds us that you don't have to fit a certain mold to be happy, beautiful and successful. Rebecca Sichon blesses our ears with her slow-tempo ballad, “Breaking Free.” Her voice is smooth like silk, and her vocal runs elevate the record. Her raw emotion, lower tone, and the faint grit in her voice are reminiscent of the late Amy Winehouse, who happened to be one of Rebecca Sichon’s favorite artists growing up. She delivers a vocal performance that is both vulnerable and powerful. The passion and depth in her voice do not go unnoticed. The instrumental is timeless, as the drumbeat and a steady bass create a familiar yet comforting bluesy sound. ”Breaking Free” is a song worth melting into because Rebecca's voice and the bass guitar pair so well together. The soulful sound lifts you from your feet and carries you to a special place. It empowers you while simultaneously tugging on your heartstrings. Canadian musician Rebecca Sichon began singing at a young age, learned piano at age seven, and even taught herself how to play the guitar and ukulele at twelve. She grew up listening to classical, jazz, French, and Eastern European folk music her Ukrainian parents would play but discovered R&B on her own. H.E.R., Alicia Keys, and Amy Winehouse were among her early favorites. She is primarily an R&B artist, but she believes her music is a mix of the many genres that inspire her. The Vancouver artist has been writing and recording music since she was nineteen and has released over 11 singles and two EPs. She calls her songs “Musical Diary Entries” because she uses her day-to-day feelings and experiences to inspire her writing. In 2022, Rebecca toured Canada, performing from Vancouver to Montreal, and hopes to release her debut album in late fall 2024. Written By Victoria James Revised by Kaitlyn Nicole FOLLOW REBECCA SICHON: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Singer-songwriter John Conlin's newest single, "Months and Months," is an electro-pop banger about the difficulties of moving past a toxic ex. Conlin effortlessly captures the exuberance and life of euro-dance. With its pumping 4-on-the-floor beat and poppy synths, the track is an infectious earworm destined for nightclubs. Sonically, "Months and Months" sparkles with its bouncy pulsating production. The song is akin to the likes of Robyn and Troye Sivan. On Instagram and TikTok, John Conlin's bio is "Emotional Popboy." This completely translates in "Months and Months," as the track is equal parts pop anthem and emotionally resonant. For as bright as "Months and Months" is musically, the track also shines songwriting-wise. Conlin tells the narrative of an ex-partner trying to re-initiate a relationship and the issues that would occur if they did. "Months and Months" is easy to dance to, yet meaningful and relatable when listened to closer. Conlin's lyricism is sharp, with strong storytelling capabilities. Lines like "Your face is starting to vanish....At the top of my screen / See your words, all in green / the panic fills up my head" create such a clear image that evokes those moments we've all faced where past feelings for someone begin creeping up again. The song's central message of not letting an ex back in your life is powerful; Listeners are bound to cheer when Conlin belts, "Been months and months since I've seen you / Let's keep it that way" in the chorus. "Months and Months" is an anthemic track perfect for screaming in the car when you need to vent or dancing the night away. John Conlin is a Toronto-based singer-songwriter creating music in the pop and electronic soundscape. He began his musical journey at only four years old when he learned the piano and hasn't looked back since. Conlin debuted his first official single, "Radio Silence," in 2019 and has since continued to release singles including "Hopeless Romantic." "Your Car," "Something About Your Face," and "It Doesn't Matter." On Spotify, Conlin's discography has amassed over 26,000 streams. Currently, "Months and Months" has over 10,000 views on YouTube and 1,000 streams on Spotify. And with how catchy it is, the song is bound to take off even more. John Conlin is an up-and-coming artist whose music, including "Months and Months," can be listened to on all streaming platforms. Written By Lauren Nolan FOLLOW JOHN: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

The older we get, the faster time flies by. When we're younger, it seems like time can't move any slower as we're racing towards adulthood and supposed freedom; once we hit a certain age, the years just start slipping by and we're left to reminisce over our lost youth. Shawn Fox captures this perfectly in his new single, "The Party Is Over." The track takes listeners on a ride through experiences of being in our late teens to late 20s, exploring the highs and lows of these transformative years. Fox aimed to create a song that would resonate with anyone, stating, "As a 27-year-old living in Brooklyn NY, I wanted to channel my personal experiences into this track while also making it accessible to anyone. Each verse is a snapshot of key age markers, highlighting the realization that time is inexorably slipping away. While the chorus sounds like one big party, I ultimately leave listeners with one question we often ask ourselves: 'Can I please go back to yesterday?'" Releasing a pop-rock/pop-punk anthem, "The Party Is Over" takes the stage with its upbeat, energetic sound. Fox's crisp vocals steal the show, delivering the panicked and nostalgic sensations that come with growing older. The guitar-laden soundscape is paired with driving drums, propelling the song forward into infectious choruses. Showcasing the artist's impressive songwriting abilities, Fox weaves memorable melodies throughout the song's foundation, giving listeners something to play on repeat. "The Party Is Over" draws inspiration from acts like The Band CAMINO, Knox, and All Time Low, making the track perfect for any pop-punk/pop-rock playlists. In 2004, Shawn Fox's parents gave him the tough choice of choosing between throwing a party with his best friends or getting a drum set. He chose the drum set, shaping the next two decades of his life. Over the following years, Fox played along to artists like Panic! At The Disco, All Time Low, Fall Out Boy, Cartel, and Good Charlotte. He got a sneak peek at the magic of live shows, playing in bands throughout middle school. Eventually, Fox was inspired to write and perform his own music. He learned to play guitar and piano through YouTube tutorials, kickstarting his songwriting journey. Leading up to the release of "The Party Is Over," Fox's pursuit of songwriting became an obsession, drawing inspiration from Ryan Tedder and Jon Bellion. Though the artist is just getting started, we can expect to hear great things from Fox's future endeavors. Written By Cheyenne Johnson FOLLOW SHAWN FOX:

It's that time of the year again! Poinsettias are filling up living rooms, families are planning holiday vacations, and kids are decorating cookies for Santa. Christmas, usually, is a classic and joy-filled time of the year, filled with love and happy memories. However, not everyone has a particularly nice time during the “most wonderful time of the year.” “It’s Not Christmas” is the latest single by artist ROSIE, and it delves into how sometimes, Christmas can feel pretty lonesome if you’re missing someone, and how it’s perfectly okay to feel this way! I love a good Christmas song, but I never really get to hear the sadder ones. I thoroughly enjoyed this song, and could sadly relate in a few different ways to the lyrics. The elements of this song are so simple, yet so perfect. ROSIE’s voice is absolutely stunning, dripping with emotion, and completely drew me in. In the background, you can hear her hums harmonizing, which I think added a nice bit of depth. There also aren’t too many instrumentals! I could mainly hear the quiet strum of a guitar, but if you listen closely, you can hear sleighbells jingling. If you needed any more proof that this was the perfect moody Christmas song, then that should easily sell you. Every element of this song paired so well with one another. It immediately went into my Christmas playlist; queued right in between Michael Bublé’s Christmas and the Glee: The Music, The Christmas Album . The perfect ordering, in my opinion. ROSIE is a 23-year-old singer and songwriter from New York. She first garnered attention on TikTok, where her single “Never the 1” was a breakout success. The initial video reached around 18 million views, and shortly after, Arista Records signed ROSIE for their label. ROSIE’s music resonates with millions, and her lyrics hit you deep in the feels. She has made a name for herself fairly quickly, with her songs about self-love and heartbreak having the ability to draw anyone in. She also recently wrapped up her U.S. headlining tour for her EP, 5 Songs for Healing . ROSIE is authentic, she has raw talent, and she is going to go extremely far. I loved this song, and I can’t wait to hear what she releases next. Written By Isabel Mays FOLLOW ROSIE:

This song, “in the stars - cinematic version” by Sami Rose, is all about the aftermath of losing someone, and how you feel like you lose a part of yourself too. That kind of grief, when someone who’s crucially important to you and always there for you suddenly isn’t anymore, is probably the deepest kind of grief we can feel. It hurts to your very core, and nothing is the same after that, as Sami Rose conveys in this song. With lyrics like “you took the best of my heart and left the rest in pieces” and “now you’re in the stars and six feet’s never felt so far”, this song perfectly describes that hollow feeling when someone you once loved is gone. Everything changes - the way you view the world and the way you interact with the people around you - and there’s nothing you can do but hope that time helps you move on. “In the stars - cinematic version” is a beautiful song that swells with emotion through the vivid instruments and the powerful vocals of Sami Rose. Starting with lilting piano and soft lyrics, Sami Rose gently brings you into the song, before picking up the pace in the first verse as her voice gets stronger and the melody starts to expand in the background. The true difference between this version and the original version of “in the stars” starts in the chorus, with the richer instrumentation that continues throughout the rest of the piece and makes this song truly worth a spot on a movie soundtrack. I can picture this song so clearly on the soundtrack of a favorite coming of age movie, with the poignant message pairing beautifully with the piano and the violin and the heavy hitting percussion. “In the stars - cinematic version” is an immediate favorite for me, and I know it’ll be for you too! Sami Rose is a singer songwriter based in the state of Pennsylvania. At only twenty years old, she’s already had massive success, gathering over 750,000 monthly Spotify listeners and almost 300,000 followers on Instagram. With her clear and powerful voice and her lyrical melodies, she’s caught the attention of stars like Olivia Rodrigo, James Arthur, Benson Boone, and Gnarls Barkley. She released her first single, “Enough”, on May 4, 2022, and has since released four more singles, with her debut EP on the way. “In the stars” came out on May 5 of this year, and “in the stars - cinematic version” is just one new remix of this fan favorite song. Use the links below to listen to more of her music and follow her journey to fame! Written By Morgan Fischer FOLLOW Sami Rose:

“Built for This” by KRYSTOF is this almost somber pop song, which isn’t a demerit to the song itself, the sad and almost despairing tone the song sets, really pulls you into the emotions and meanings behind it. The song lays it out clear as day. When your heart has been broken, so many times, how are you? Sure you even have the capacity to love anymore? To keep trying and going heartbreak after heartbreak? To anyone who’s had a love life that’s been less than fruitful. This song is something you can relate to on innermost personal level. This song really tugs on the heart strings in a really realistic way as the beginning of the song shows how the narrator of the song, is trying their best to keep going but how they struggle to do so with all his heart as been through. this only continues within the next part of the song, the indecisiveness clearly shown even if they’ve been at this for awhile, it isn’t easy and love is confusing. then the chorus sweeps in, in a soft way that makes your heart ache as you reflect on past heartbreaks. it has you questioning what if you’ll never find your happy ending? your true love? what if this was a string of misfortunes and your heart isn’t meant for much more? Missing out on love can feel like missing out on special parts of your life leaving you feeling static. Everyone else is in love so why aren’t you able to do the same? The next part sweeps in echoing familiar tones of vulnerability just as the rest of the song did. Jumping into love only to be left cold and alone, which is something no one should have to go through. Everyone deserves a chance to fall in love and stay in love. Finally, the chorus sweeps back in and overtakes you with feelings of all the what ifs you have in love. What if you’ll never find the one, What if you’ll miss out on life? This is exactly why the songs moves me so personally, the relatability and the way the tone of the song pulls at your heartstrings is enough to get you feeling just as sad as this song is wrote. Krystof only furthers this element with his soft, and calming vocals as he tells the tale of heartbreak. he’s such a talented performer and this is the type of thing you just have to see live in action. KRYSTOF, is 21 years old who talent and creativity shine through. Hailing from the town of St. Georgen am Längsee in Carinthia, with a family just as musical as he is. At only 14 years old, he had already taken his steps into songwriting, and other musical abilities. At seventeen he had came out with his debut single 'Tears&Tonic' placing itself in the 20th spot on the Austrian Shazam charts, and on iTunes charts. He also appeared on shows like 'Guten Morgen Österreich,' and had amazing moments situated at the Klagenfurt Concert Hall, and many others where he could clearly showcase his artistic talent. which is why it’s no surprise he’s received. Praise from Sasha Alex Sloan herself, who’s worked with many stars like Katy Perry and Camila Cabello. he’s also caught the attention of DJ David Guetta for his cover of "I'm Good". The talent and passion just shines through while you listen to his works and it’s clear that he has a very promising career. You can tell there is such care and real human emotion behind the art that he creates and if you’re looking for more just as I am, keep connected with KRYSTOF on the social media links below! Written By Jaylice Mitchell FOLLOW KRYSTOF:

I consider myself to be a restless spirit. Imagine my shock when I discovered that the denotation of a restless spirit – the literal definition – is someone that’s continuously unhappy and dissatisfied. Aside from mild irritability when my caffeine addiction isn’t fed, I’m relatively happy-go-lucky. But how did I wind up misconstruing what a restless spirit is, and in turn, misrepresenting myself? Well, I’ve been using the connation of the phrase: the subjective interpretation. Take the word sick – depending on the context in which it’s used, you could be feeling ill (denotation) or find something/someone fascinating (connotation). As a connotation, a restless spirit is someone that lives life in motion: they rise against social conventions and forever seek to expand their horizons. And I think Meredith Rounsley’s latest EP Soft Animals, Strong Chemicals flawlessly encapsulates the life of a restless spirit through a connotative lens. *Chocolate satin drapery courtesy of FreePik, with Soft Animals, Strong Chemicals' tracklist featured.* Listen to Soft Animals, Strong Chemicals in its entirety here! Meredith Rounsley is an indie-pop singer and songwriter from Salisbury, Maryland. Early influences of soul and contemporary pop on the songstress have helped create a discography filled with whimsical wanderlust. Shortly after moving to Nashville’s ever emergent and diverse music scene, Rounsley wrapped up and delivered her first EP Ember in 2021. The four-track project greets listeners with overwhelming warmth throughout our artist’s confessional-styled lyricism. Now with her sophomore EP Soft Animals, Strong Chemicals, Rounsley seeks to defy her own musical limitations while providing a tender introspection on existing as a restless spirit. Steady Rounsley kicks off her EP with “Steady”, an optimistic anthem centered on the exact moment you piece together your life. Despite the tenacity of restless spirits, they struggle with channeling it towards efforts that provide direction. Our songstress depicts how this can leave us feeling aimless and craving balance – seeking out reassurance from outside sources. Through a lullaby-inspired musical arrangement and vocals filled with hope, Rounsley advises listeners to turn inwards; “feel all [your] emotions / instead of trying to hold them in”. By doing so, we can reconnect with ourselves and start steering life in a direction that suits our needs. Something New “Something New” offers listeners a judgment-free zone as they daydream and reminiscence about extraordinary adventures alongside our artist. With everyday life we settle into a routine out of convenience. Routines establish repetition: a sentiment met with dread by restless spirits because it opens the floodgates to mundanity. Thumping chords and drumbeats not only drive this single but motivate listeners to search for fresh experiences. Rounsley loans her voice to this timeless desire while also indicating of vices’ inability to recapture this feeling long-term. This all leads to one burning question: “what do [we] have to do to feel something new”? Under My Hands Despite their hunger for new experiences, restless spirits always seem to find themselves hung up on one person. “Under My Hands” is a wistful ballad about falling in lust with that exact person. And I say lust because while it’s acknowledged that this connection is filled with “electricity”, there’s a “rehearsed restraint” due to its “ephemeral” nature. Rounsley manages to create an atmosphere that showcases the depth of the emotional dichotomy occurring; from pulsing rhythms to intricate but hushed guitar strings. This single also magnifies the (often) unfortunate duality of being a restless spirit: fiercely passionate but fearful of deeper commitment. Trying While striving for novel experiences and exhilarating connections, restless spirits can find themselves in bouts of self-doubt. It happens to the best of us. But “Trying” is the encouraging battle cry we all need to push ourselves past uncertainties. Our songstress opens this single with resonant guitar chords as she shares how doubts have kept her in a state of stagnancy and self-sabotage. The tempo’s steady rise towards the chorus symbolizes both the mobilization that’s required and its speed. Overcoming a slump is a slow process that entails smaller accomplishments to be made – like researching “advice” from the “internet and articles” – before we “break a wall”. A blossoming chorus redirects our attention to the bigger idea here: the fact that conscious efforts are being made in the face of ambivalence. Over the song’s duration, listeners witness Rounsley transform into a folk hero that exudes grit and is driven by ambition. And now she calls upon others to take the very same plunge she took. Soft Animals, Strong Chemicals On top of “Soft Animals, Strong Chemicals” sharing its name with the EP, it can also serve as the personification of Mary Oliver’s poem "Wild Geese". The poem is a reminder of the natural world’s continuity while we as people experience a range of emotions within our inner world; if we imaginatively engage with our surroundings, we can find comfort within ourselves and the vast planet we inhabit. But most importantly, "Wild Geese" is about celebrating the experiences we’ve had thus far that have helped us achieve a greater sense of belonging – all of which Rounsley captures beautifully with this single. Acoustic chords carry a delicate folk melody that mimics twinkling stars in dark skies. As the melody sweeps over listeners, Rounsley gets vulnerable and shares the different experiences she’s had. With every passing experience, whether savory or unpalatable, she “gave away … pieces of the old [her]”. As opposed to mourning over these pieces, our artist is treating it as a rite of passage. Even encouraging listeners to "try everything" if they can. And although there was some running from certain memories, Rounsley figured out “you can’t erase them, [you] gotta face them” eventually. There must be a willingness to surrender yourself to all experiences to grow. Only then can we begin to develop a sense of belonging. Woman I Wish I Was The EP concludes with “Woman I Wish I Was” which builds upon “Soft Animals, Strong Chemicals”. Whereas the last single recognizes past experiences that have gotten us to where we are now, “Woman I Wish I Was” focuses on the future self – the version of ourselves we aspire to be. Restless spirits have incredible vision. These are people that are constantly imagining the future and determining whether it’s realistically obtainable. And I think “Woman I Wish I Was” demonstrates tangibility through consistency. Experimental synths open the single and return for each verse where our songstress lists attributes she wished she possessed. But sporadic rock outs temporarily bring us out of our reveries to emphasize the gravity of the longing experienced here. But more significantly, they illustrate how showing up for ourselves can help us be the version we’re envisioning; no longer making it feel like a game of “catch-up”. Rounsley’s remarkable sincerity simultaneously makes us fall in love with her and the person we’re becoming. Soft Animals, Strong Chemicals not only embraces what it means to be a restless spirit in modernity but explores how possessing it allows an individual to create a space for themselves. The creation of this space occurs both externally and internally – all of which can be identified throughout the EP. Externally we foster this space by pushing ourselves past our boundaries to create novel experiences that otherwise could not have unfolded. While internally, this space is nurtured when we’re vulnerable enough to admit that we yearn for something beyond familiarity. With this EP, Meredith Rounsley invites listeners to contemplate how they’ve made space for themselves as she carves out a permanent space for herself within pop as an essential voice of endearment. Soft Animals, Strong Chemicals released yesterday, November 10th, on all streaming services. But Nashville-bound fans have the chance see Rounsley perform the EP live at her release show! The EP Release Show is next Thursday, November 16th at The Basement; doors for the performance open at 8:30 P.M. for 21+ attendees and tickets can be found here. If you find yourself bound elsewhere, though, virtual love in the form of streams, likes, and follows is just as welcomed. Written by Giavanna Gradaille FOLLOW MEREDITH ROUNSLEY: Instagram | Website | Facebook | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

A beautifully haunting track of trying to come to terms with the inevitability of having to hide behind a mask as you grow older. “Smokescreen” is the latest single by artist Hillary Capps and the song is a truly captivating experience. The song is deeply emotional, but still carries a sense of magic within that makes the song entertaining. The song does carry a sense of positivity and finding how to stay grounded. Hillary Capps shines bright in this song and her singing and songwriting abilities are wonderful to experience. If you’re looking for something new and poetic, “Smokescreen” is definitely worth the listen. From the moment you first hear Hillary Capps singing, you instantly fall in love with her voice. Her voice sounds angelic, and it matches the energy of the song perfectly. A lot of the production and mixing choices on the track really enhance the appeal of it. If you listen closely, you can hear the details in the artistic choices made and it is an example of the level of talent Hillary Capps possesses. The song also follows a structure that feels unique and unexpected. The main melody is very catchy and works well with Hillary Capps' vocal performance. Even though the song is emotional, you still get a lot of joy from listening to “Smokescreen” and it’s worth it to check out Hillary Capps. Hillary Capps is a New York-based singer and songwriter. She has received a lot of praise for her poetic songwriting and her mesmerizing vocals. Her musical style predominantly consists of alternative pop or retro pop, and she fits into the style very well. Her debut album “The Way Back Home” was released in 2020, and since then, she’s been featured in several articles and has had the opportunity to perform at several festivals. Since the release of her album, she has continued to release EPs and singles. “Smokescreen” is one of the songs featured on her upcoming EP “From the Quiet of the Underworld,” so keep looking out For Hillary Capps and what she does next. Written By Chantal Charles FOLLOW HILLARY CAPPS: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Maria Lane’s Carrie White is an amalgamation of indie-folk-pop, delivered through melancholic lyrical motifs and layered over hypnotic harmonies. The eerie aura surrounding this song, combined with the mystic tropes of retribution alluded to in its bars, gives music fans everywhere an ominous glimpse at the effect peer ridicule can play on the mental state of someone who isn’t to be trifled with. The track is a tasteful homage to Carrietta N. White, the central figure in Stephen King’s hit novel Carrie , and a fitting adaptation just in time for spooky season. Lane paints the picture of a high school beta-heroine tormented by stereotypical adolescent mean-girl bullies and left feeling trapped in a cannibalistic social habitat, singing “They taunt you, a haunting realm you can’t escape”. There can be felt a longing for acceptance emanating from the story’s anti She ro, a foreseeable byproduct of the persecution she’s faced from the story’s villains; with the zenith of the tune coming in its chorus “Carrie, Carrie White, I know you’re misunderstood, you just want to feel how it feels to feel good.” The crown jewel of this composition is its pleasantly harmonic vocal arrangement and production; highlighted by Lane’s exceptional pipes, which serve to carry (no pun intended) the canzone as it continues to build. The snare that comes in on verse two adds nicely to the overall rhythm, and the overlay of both lead and backing vocals towards the end of the song create a fitting sense of mental duress that accurately reflects the inner chaos being inflicted upon Carrie’s psyche. A unique touch that doesn’t go unnoticed in this one is the inclusion of female giggling, which further adds to the overwhelming feeling of suffering felt by the tale’s central figure. The vocal doubling throughout the chorus is a clever way to reinforce the message being delivered, as the effect of stacking her vocals creates a sense pluralizing Carrie’s voice, making it appear as if she isn’t alone in in her pilgrimage through these hard times. The effervescent background guitar is an artistic take on the dread felt by the repetition of a speeding clock – further adding to the tension of the song. There is also a tastefully sampled fluorescent lightbulb sound heard throughout that emulates the anxious aesthetic of a public high school and hits listeners with a relatable feeling of dread, creating a strengthened sense of sympathy between the audience and the plight of Carrie White. Budding Brooklynite balladeer, Maria Lane, is a musical raconteur who beguiles listeners with her heartfelt take on compelling topics like depression, body dysmorphia and starting over after lost love. Heavily influenced by the likes of Olivia Rodrigo, Lizzy McAlpine and Avril Lavigne, Lane has developed a style of lyricism that similarly blends a sense of vulnerability with the unmistakable power of girl boss energy. In 2021 she released her first single, Strangers Again , proceeded by her 2022 eight-song EP maybe i’ll feel better and the 2023 single Nashville , both of which came under the tutelage of producer Julian Giaimo. Lane has since aligned herself with new producer Justin Meyer, resulting in the indelible Carrie White , and leaving fans salivating at the thought of what hit she might cook up next. Written By Dan Caddigan FOLLOW MARIA LANE: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Love is often unpredictable, leaving us with conflicting or overwhelming emotions. Relationships come with ups and downs, leaving lovers to face difficulties and overcome challenges. The emotional turmoil can prove to be exhausting and leave us with the need for comfort. Will Conn perfectly captures this in his new single, "MARATHON." The track navigates the highs and lows of relationships and the whirlwind of emotions that accompany them. Creating something many can relate to, Conn's new track incorporates the universal theme of love's rollercoaster journey throughout its lyrics. Blending genres, "MARATHON" fuses elements of pop, rock, folk, and country together to create a unique listening experience. The track features a guitar-laden soundscape, having a sound reminiscent of some Ed Sheeran hits. Conn's crisp vocals steal the show, delivering relatable lyrics and memorable melodies. Demonstrating the artist's impressive songwriting abilities, Conn keeps listeners hooked from start to finish with infectious beats and energetic choruses. Whether you've been scorned by love recently or not, "MARATHON" is a true masterpiece that will have everyone coming back to listen again and again. Hailing from Sydney, Australia, Will Conn is a 24-year-old singer/songwriter that is heavily influenced by pop music. Conn's journey has been profoundly impacted by his grandfather, Denis O'Dell, and his musical legacy as a prominent British film producer known for his work with The Beatles. Having an intense love for songwriting, Conn's ultimate goal is to share his music with the world and bring joy to his fans. He draws inspiration from Ed Sheeran, being influenced by Sheeran's style and genre. The artist is just getting started, having released a handful of singles, including "MARATHON," "Not Mad," and "Far Apart." Written By Cheyenne Johnson FOLLOW WILL CONN:

In the world of screens and technology, it is nearly impossible to catch a break. Notifications go off every five seconds, and seem to multiply faster the more that you need them to stop. Still Searching’s recent release “Notifications Off” explains this feeling (as the title might suggest), and the artist’s personal struggles with overthinking and anxiety shine clearly through. The song itself is simplistic, with most of the soundscape including only a backing track of piano and electric synths. This allows listeners to focus on the lyrics, and truly hear what he is trying to say. Still Searching explains that the song is about “being self destructive, feeling detached from another person you’re supposed to love, acting irrational, getting tunnel vision then getting very anxious but not taking care of yourself.” This feeling is extremely common, and he does a perfect job at detailing it. The premise of this song is simple: the artist feels as if the world is too full of too much disappointment, stress, and anxiety for him to manage, so to cope he shuts it all out. He opens the song with the lyric “I turn my notifications off / Cause if I hit you back / You'll know what's wrong”, which gets right to the point and hits hard as the introduction to this track. The chorus is where the soundscape of the song comes to a precipice, and spills into feelings of inferiority and the need to deal with it on your own. Still Searching sings, “I'm doing everything I can / Not to blow my cover / It's not your fault / I'm shutting you out / Till the problem's solved / So I keep my notifications off”. He knows that he has help in these trying times, but he is so self-destructive that he feels like he needs to manage it all alone. The only way to do this is to shut out the world and turn off all contact, even with people who love him. Previously known as SVEN, artist Sam Stevenson has rebranded as Still Searching, and is ready to get back into the music scene. Originally from Kildare, Ireland, Stevenson’s music has been making hits around the UK and on Spotify, and it is clear why. With similar vibes to Jeremy Zucker, the 1975, and LANY, Still Searching has a unique mix of alternative pop and electro synth music. He writes about classic topics, such as leaving home, and the mental struggles with finding yourself in the world. Fans relate to his topics, and appreciate how matter of fact he is about these issues. He is certainly not one to miss, so make sure you follow the social medias below to stay tuned for more new music. Written By Tessa Maddaloni FOLLOW STILL SEARCHING: