This song, “Hello” by Bre Kennedy featuring Jake Wesley Rogers, is a song that’s all about personal growth. Sometimes it’s hard to reconcile that you change as a person over the years of your life, but sometimes that change is needed and in order to become the person you want to be you have to accept that things do not stay the same. You do not stay the same. In “Hello,” Bre Kennedy sings all about that change, singing how “it’s funny how a memory doesn't even look like me.” But she also sings about the acceptance as well, recognizing how she doesn’t “want to spend another day in rewind” and wonders “What if I said, ‘Hello’” to the new person she’s becoming. We’re stronger people the more we change, because it shows our growth and how we’ve taken the lessons life has taught us to learn more about not only who we want to be, but who we could be too. “Hello” is a rousing pop song that keeps the energy high and consistent throughout the entire three minutes. Starting off with a strong beat and fast lyrics, you’re caught right up into the song, bouncing your head and your foot as you listen to Kennedy’s smooth voice pair perfectly with the rhythmic melody. The chorus continues the electric energy, but adds more depth to the instrumentals, therefore increasing the vibrancy. This pattern repeats - fast but smooth verse into a vibrant chorus - before the song drops low to highlight Jake Wesley Rogers’ spoken bridge. This moment of relative quiet builds the tension perfectly, dropping down in order to make the build back up to the chorus even more exciting. Overall, this song has quickly become a personal favorite of mine, calling to mind images of driving down the road with your friends and screaming your heads off to the music on the radio. The vivacity of “Hello” is incredible, and I do believe this is a song you’ll put immediately on repeat! Bre Kennedy is a singer, songwriter, and producer, who’s gathered a large crowd of loyal fans due to her unique and engaging alternative pop tunes. Influenced by timeless talents such as Brandi Carlile, Fleetwood Mac, and Bonnie Raitt, she’s developed her own sound with her raspy voice and her clever lyrics that highlight some of life’s most difficult moments. This song, “Hello,” showcases her sound perfectly, and is the newest single off her upcoming album Scream Over Everything , coming out November 10th. She’s currently on tour across North America, and you can check out the links below to try and get tickets! Accompanying her on this track is singer/songwriter Jake Wesley Rogers, whose sound and storytelling has garnered his own loyal group of fans and compliments Bre Kennedy’s style flawlessly. Written By Morgan Fischer FOLLOW Bre Kennedy: FOLLOW Jake Wesley Rogers:

The pain caused by someone you loved and trusted hurting you is impossibly difficult to recover from. In her song "You Lied," Rachel Cousins maintains a mature and reflective perspective after a breakup with a best friend, despite the betrayal she feels. She calls them out on their actions, all the while communicating her emotions in a way that reflects how she has grown from the relationship. The song is dark yet energetic, straddling the line between a breakup song and an upbeat party anthem that listeners can dance to. When we've been hurt by someone, we often just want them to know the pain they've caused by their actions in order to move on. This is what "You Lied" accomplishes, while maintaining its pop roots. Starting on a dark and edgy tone, with warping synths and a pulsing beat accompanying Cousins' vocals, the track begins with the lyrics, "One thing I've learned is to never take your word." Immediately, we are immersed in Cousins' anger and disappointment from her trust being betrayed. The tone of the song conveys lingering resentment, with subtle jabs like, "When the party's over and all your friends are sober... does it ever cross your mind how you left me lonely?" alluding to the subject of the song not seeming to care about the devastation and hurt that they caused, but rather partying with their friends care-freely. The track then picks up the pace with added production, leading to a catchy chorus with an electro-pop feel. Cousins states that she's "not pleading or needy," which are likely insults her ex friend used against her, but rather, she just wants "to be understood" and heard. She wants them to know that they hurt her. Cousins directly calls them out with lines like, "You're not healing or grieving the people that you let go," and "You're not growing, or showing me anything I don't know," highlighting her ex friend's emotional immaturity and toxic behaviors in the relationship. The song serves as the only way for Cousins to be heard, as her former friend shows no interest in mending the wounds they caused or even apologizing, with a sound that could lend itself to playing clubs where they like to party, their past mistakes haunting them. Rachel Cousins is gaining recognition as one of the most promising pop artists from Atlantic Canada. Her musical journey began with the release of her debut 5-song EP, "This Fire," in 2017, where she showcased her ability to blend pop melodies with elements of folk, rock, and electronic music. In 2020, she contributed to the collaborative album "Songs from Home," a project supported by Music NL's "Press On" program, alongside artists like Alan Doyle, Fortunate Ones, The Ennis Sisters, and The Once. Rachel Cousins' exceptional talent as both a vocalist and a songwriter has garnered significant acclaim in her home province, with six Music NL nominations and back-to-back Pop Artist of the Year titles in 2020 and 2021. Additionally, she received an East Coast Music Award nomination in 2020 for her self-titled album. Written By Rachael Bach FOLLOW RACHEL COUSINS:

"Sensitive" comes as indie-pop singer moonsea's first single of 2023 and follow up to her debut single "Lullabye" released in April 2022. The heartfelt track chronicles moonsea's experience with being a sensitive person. Sensitivity does not have to mean weakness; it does not have to mean that you are too fragile for the harsh weights of the world. Through her childhood, adults worried that moonsea's tendency to cry and feel things so deeply would make her life difficult. However, she has come to not only accept, but value her strong ability to feel. With feathery vocals and alt-pop production, moonsea delivers an empowering song that realizes the strength in her sensitivity. "Sensitive" starts off with moonsea's light vocals singing about how often she cries with lyrics like "I cry at the roadkill on the street" and "I cry when you raise your voice at me" over a keys-laden production. As someone who was sensitive as a child, I could relate to her recounts of expressing empathy and emotions in these moments. The vulnerability in her lyricism shines through with the question in the next verse: "Is it a blessing or a curse / To feel so deeply that it hurts." In the end, she feels empowered within herself and sings, "Don't you know that it's beautiful / To be sensitive." She knows that it can be difficult to feel deeply and to be so expressive with your emotions, but moonsea also recognizes that this can be a bit of a superpower. The warmth and tenderness of this song is so uplifting, especially if you are a listener that can relate so deeply to her journey. Cecilia Xu, known professionally as moonsea, is a Melbourne-based singer-songwriter within the indie-pop genre. She began making music when she moved to Melbourne for university for medicine in 2013, where she released two EPs under her former alias, Sympholily. However, a mentorship in late 2020 with Sophie Payten (Gordi) inspired her to start her new musical journey as moonsea. While she only has two releases out in this new endeavor, she has already cemented herself as a strong artist with an unflinching ability to be vulnerable in her music. She has crafted a tender sound with her latest release "Sensitive" feeling like a hug to listeners. You can keep up with all the latest information on moonsea through following the social media links below. Written By SYDNEY GRAY FOLLOW MOONSEA:

There’s an unfortunate reality to many relationships, and it revolves around toxicity and attachment. “unforgivable” is the newest release by artist TAELA, and it calls out a lot of the thoughts and emotions one may have in a relationship like this. “I wrote “unforgivable” about being so deeply attached to a toxic relationship that it would take your partner doing something completely unforgivable for you to leave,” TAELA revealed. “Having a trauma bond is the worst type of addiction.” The song has a hauntingly vintage feel to it, and the music video adds to it! It has a sort of 50’s style vibe, and I think it pairs perfectly with the moodiness of the song. I think it's the best kind of combo. This song is moody, raw, and extremely unique. I think TAELA’s voice is a wonder all on its own. She has a bit of a unique accent, which may be thanks to her Nashville and St. Louis roots! While she isn’t belting or doing various runs, she sings each lyric with this beautiful mix of her head and chest voice. And as she sings “Do something unforgivable / So I won't wanna stay,” you hear TAELA’s angelic hums in the background. Every element to this song works together perfectly. This is definitely a new favorite on my playlist. TAELA is a singer and songwriter from St. Louis, Missouri, who as a single mom, moved to Nashville in 2021 to pursue a career in music. Her debut single “drugs with you” solidified her place in the industry. Since her debut, TAELA has gone on to surpass 300,000 monthly listeners on Spotify. Her debut album, life’s a bitch… but it gets better , is bound to be a resounding success, and “unforgivable” is just one of the 14 songs on the list! I think that TAELA’s style and sound are both something that I could become obsessed with pretty quickly. I imagine she is going to have a long and successful career in her future. I’m excited to watch her grow. Written By Isabel Mays FOLLOW TAELA:

The up-and-coming pop star SAPPHIRE has released her highly anticipated single “crisis” following up her song “corvette.” This song perfectly describes the whirlwind of emotions you experience in the early days of a relationship that can take you off your guard. SAPPHIRE says she was inspired by the first season of the “Heartstopper” on Netflix. The song starts off with her walls up, which is when SAPPHIRE decides that this guy isn’t her type. She can avoid his eyes easily, but she should’ve seen all of the signs of this relationship coming. She questions herself, asking “why did I say yes when you asked me out,” but “maybe [she’d] feel safe when [he was] ‘round.” SAPPHIRE is denying her feelings, but when she drops him off at his house, they start kissing, and she knows she’s falling for him. In the chorus, she expresses that she never thought she would feel like this, and that she wishes “[her] heart knew what to do.” No one knows about her feelings, and she comes to the conclusion that “this is a crisis” because she can’t deny her feelings anymore. SAPPHIRE builds off the ideas expressed so far into the second verse, saying she’s never been so disillusioned by her feelings, and she never thought “[she’d] be missing [him].” But, she misses lips, and she can never say goodbye. SAPPHIRE uses vivid imagery to make the listener feel like they are actually going through this same scenario as she is. The production on “crisis” is perfectly created, down into the little details of the backing vocals. The track starts immediately with a disco and dance-pop beat with some 80s inspired arpeggiated synths. This song is one of those upbeat sad songs with perfect tempo for an addition to anyone’s running playlist. SAPPHIRE’s voice is immediately captivating: it's refined, smooth, and it has true strength. In the pre-chorus, she adds some synthesized strings into the mix, which adds a great sense of grace to the track. The chorus is where SAPPHIRE’s talented powerhouse vocals are shown off. She easily belts the high notes and she does some impressive riffs with her head voice. The stacked harmonies in the choruses also add depth to the song, which makes it sound like she’s singing this and her friends are singing it with her in the background. The production perfectly matches with the lyrics of this song, with a fast-paced tempo that can give an anxious feeling, which is exactly what SAPPHIRE is describing. British singer-songwriter SAPPHIRE is one of the few 20 year olds that can say they have over 100 million streams under her belt. She’s proven to be a powerful songwriter and singer, and is an innovator in the British music scene. She first made her musical debut when she won Kids Got Talent in 2012, and she was on ITV’s Little Big Shots in 2017. Two years later, she released a single, “Unity,” with famed DJ and producer Alan Walker in 2019. Since then, she’s been releasing covers and original music. Her cover of Edison Lighthouse’s “Love Grows (Where My Rosemary Goes” has almost 2 million streams on Spotify to date. Despite all of this massive success, the way most of her 241k Spotify monthly listeners found her was through her viral TikTok song, “eddie’s song.” Now, she has fans across the world, who will get to see the true talent that SAPPHIRE has to offer. Written By Lauren DiGiovanni FOLLOW SAPPHIRE:

As frustrating as it is, hindsight really is 20/20. It's easy to look back on mistakes and think about what you could've done differently, but that often leads to torment because you know you can't change what happened. Through the lens of a breakup, Zach Hood explores the feelings in his latest single, "not them." Elaborating on the story behind the song, Hood states, "'not them' is about the thoughts you have after a breakup and what you wish you could have done differently. You know where you could have improved to maybe make the relationship work, but the damage is already done and you know it will never be the same. No matter what you say or what you do, you will never get back to what it felt like at the beginning.” Simple yet beautiful, Zach Hood sets the perfect backdrop for the reflective nature of "not them," choosing to highlight the song's rawness with a scaled-back instrumentation. Hood's powerful vocals soar over lush piano harmonies and rich strings. Wearing his heart on his sleeve, Hood holds nothing back as he laments over his failed relationship. "not them" is charged with authentic, gut-wrenching emotions that make the track relatable and addicting. The music video for "not them" matches the simplicity of the song, showcasing an intimate setting with the musicians performing in a cozy living room. Born and raised in Daphne, Alabama, Zach Hood is now based in Los Angeles and is a talented singer, songwriter, and multi-instrumentalist. Always finding solace in music, Hood turned to it as an outlet for the difficult times in his life, including his experiences with his parents' divorce. He began his ascent to stardom through social media, posting acapella covers on Instagram and later gaining a following on TikTok. In 2021, Hood made his debut with the single, "Flashbacks," amassing 4.8 million Spotify streams. Shortly after, Hood released "Isabelle," which garnered 12.2 million streams and recognition from OnesToWatch. Hood has been consistently on the rise, landing a deal with Arista Records. His unique, punk-inflected pop sound is comparable to acts like Thomas Day, Shawn Mendes, and Jonah Kagen. Written By Cheyenne Johnson FOLLOW ZACH HOOD:

Pop duo ROOUE has just released their first single of 2023 and it is an absolute electronica gem. “so bad” comes with both intricate, wry lyrics and sleek vocals– it’s the kind of song that demands it be played with the windows down, or a crowd singing along with it. Double-edged and snarky, the song focuses on the fickle nature of the media’s idea of perfection, especially in women; it ponders what confidence truly means, and if you should truly “fake it ‘til you make it'' to attain that perfect version of yourself. “so bad” is wickedly clever, satirical in its writing but maintaining that classic dance-pop vibe. “so bad” is all sultry and sensual tones– the vocals are phenomenally harmonious; ROOUE’s Ro and Lulu manage to mingle and mesh their voices so well, being addictively catchy. With the rising synth and layered vocals, “so bad” becomes quintessential dance-pop; you’ll feel it especially in the chorus, with a deep and twangy bass that hangs in the background. The lyrics, like the instrumentals, are complex; all about wavering confidence, each verse details the struggle of maintaining, gaining, and developing the idea of perfection. The writing tears down these ideals in order to realize that you, as you are, are perfect. There’s a fantastic line that begins right near the chorus, going “it took me a minute/to figure out/I know now/that I’m so bad.” Juxtaposing self-confidence against the media's perfectionist ideals has resulted in “so bad” being a fantastic song, production and quality-wise, while simultaneously commenting on issues that sorely need to be brought to light. Twins Ro and Lulu make up the electronic alt-pop duo ROOUE, creating electronic stylings imbued with dark pop, all meeting together to sing about love, loss, and vulnerability. Growing up in a home surrounded by music– their mother being a music therapist, father a total “jazz nerd”, and a sister that toured internationally as a BV– resulted in the two being completely entrenched in music culture. Ro and Lulu regard their close relationship together as a source for their music creation; the fact that they both ended up in the music industry is described as “serendipity”, simply magical that they both had the passion to create meaningful and connecting music. ROOUE’s debut single “What You Want” released in 2020, and, in particular, their 2022 single “Orbit” hit number 4 in the Breakers Charts. “so bad” is ROOUE’s first release for their current EP campaign, so keep an eye out for it while you stream “so bad” in the meantime! Written By Alexa Leung FOLLOW ROOUE:

"Do you like who I turned out to be?" singer/songwriter Katie Gregson-Macleod asked on the lead single to her new EP, "Your Ex." Following the viral "Complex," the line highlighted the young artist's ability to articulate a dissonance between expectations and reality. Now, with the release of her third EP, Big Red , she poses this question as an ever-transforming one. On opening track, "September," Gregson-Macleod views this change as a reclamation of selfhood and agency. Delicate, acoustic strumming and whirling synths open the single to familiar melancholy. As drums are introduced into the mix, the track solidifies into a bittersweet indie-pop anthem. "September" reaches its magnificent peak at the bridge, where an arena-filling guitar sears away the chorus' sparkling synths as drums crash like a statue crumbling to the ground. As the candle she held for an old flame dies out, she begins to recognize ways in which she falsely exalted him and their relationship. "I don't think that I believe it anymore," she sighs. The joy of new love is complicated by the sense of loss in realizing that she hadn't had it before. As an opening track, "September" finds itself paradoxically caught between the past and present. Gregson-Macleod pens the song directly to an ex, but frames it around the dawn of a new relationship. Sometimes, these lyrics strike directly at the journey of their past relationship. "I know now that you were right when you let me know that I had changed," she tells him, "I know now that it was wrong in the first place." Written from a place of reflection, "September" finds some peace in framing this past relationship as a learning process: learning who she is and what she deserves. Still, though, the sting of hindsight remains prevalent. "That September will stay just where it is." Even turbulent memories can be gravely missed at time. But, later in the EP, when Gregson-Macleod asks "do you like how I turned out to be," we understand that she is too authentically herself to ever go back. After sharing a snippet of her 2022 song, "Complex," on Tiktok, Katie Gregson-Macleod attained viral success for the piano ballad's tearful delivery and confessional lyricism. Soon after, she released a demo version and, later that year, the official release. Gregson-Macleod wrapped up her breakout year with her sophomore EP, songs written for piano. Born and raised in Iverness of the Scottish Highlands, the young artist began writing music and singing solo at just eight years old. Inspired by the likes of Amy Winehouse, Tim Minchin, and Phoebe Bridgers, Gregson-Macleod has developed her own voice for intimate and revealing storytelling. This year has seen the Scot collaborating with Grammy award-winning producers, playing to larger audiences than ever before, and preparing for the release of her third EP. The five-track project, titled Big Red , is another artistic leap for Gregson-Macleod, proving that her fire is only growing brighter. Written By Andy M. FOLLOW Katie Gregson-Macleod:

Love can be complicated and leave you hurt. Sometimes, you think you find the perfect person but learn they’ve taken you for granted. No one wants to feel used. It’s an awful feeling yet many of us have come to know the feeling well. Kid Souf knows the feeling like the back of his hand. He has found himself in many relationships where he is taken for granted. He knows it’s a problem but he keeps finding himself in the same situation. Though he is working on making a positive change in his love life the hurt is still there sometimes. His new track The One That Makes Me Cry is a track about reflecting on these upsetting truths and becoming a stronger person through the pain. Many artists create a world with their music but Kid Souf is one of the few that creates music that completely envelops you in this world. In previous tracks, Waterproof Mascara and Lover Boy Kid Souf showcases this world-building talent and gives the audience a taste of what he can do. With The One That Makes Me Cry, he goes all in and shows off this musical superpower. This track traps you in the haunted house of EDM and forces you to shake ass to these lowkey melancholic lyrics. The record describes times he’s been taken for granted and how looking back on those moments can hurt. That hurt is real but it doesn’t lead to a ballad that isn’t Kid Souf’s speed. The One That Makes Me Cry has lyrics that could make you cry but an instrumental that makes you want to dance to the pulse of a strobe light. This dichotomy is exactly what we all expect from the immensely talented Kid Souf honestly. He perfectly blends the timeless sounds of 70s and 80s disco with the party pop surge of the 2010s. This combination leaves Kid Souf in a league of his own that can and will rock the world. Kid Souf is a Philly native and it shows. With the influences of Philadelphia grit in his music he is reviving the pop genre and adding his flair to it. He grew up in a rather painful environment. Living with his uber-religious family as a queer child Kid Souf learned to find solace in the sounds of the 2000s. Artists such as Britney Spears and Lady Gaga filled his bedroom at the latest hours of the night and became an obsession. These artists playing from Kid Souf's secret radio became staples in his childhood and influences in his music today. You can hear the influence of Gaga in his tracks with the hyper-dance soundscapes. Written By Kaiana Lee FOLLOW KID SOUF:

Have you ever come home from the most incredible first date you’ve ever been on and knew that was the last first date you’d go on? Or maybe you’re in the early stages of a relationship, and the connection is so deep that you’re already in love. “How Did I Fall So Hard?” by Kid Travis perfectly encapsulates the precious feeling of finding “the one” and wondering how it happened so fast. In “How Did I Fall So Hard?” Kid Travis reminisces on a date with the girl of his dreams, with whom he shared a special connection and didn’t want the night to end. This melodic pop song is the perfect tune for all the romantics who have found themselves smitten with their significant others but don’t know how to put it into words. “How Did I Fall So Hard?” is the perfect mix of pop and R&B. Kid Travis delivers smooth vocals over a funky trap beat that draws you in immediately. He incorporates drums in the production to create a groovy baseline, making “How Did I Fall So Hard?” a great song to vibe to. It has the most infectious beat, and his vocals are just as spectacular. He sings slower during the verses, allowing listeners to concentrate on the romantic lyrics. Kid Travis’s flow is so natural and relaxing that you might feel as if you are floating on a cloud when you hear his voice. The song is especially charming due to his soulful voice, background vocals, and impressive harmonies. The chorus is easy to sing along to because it’s upbeat and catchy. The boom-bap beat paired with the modern production makes the song sound futuristic yet nostalgic. “How Did I Fall So Hard?” is the perfect tune to play in the car with the windows down. Philly-born singer-songwriter and producer Kid Travis started posting music in 2013. He has almost 500,000 subscribers on his YouTube channel, where he releases original music and covers hit songs like “What Was I Made For?” by Billie Eilish. Kid Travis has amassed an impressive 945.4k monthly listeners on Spotify as an independent artist and has received shoutouts from Post Malone, Bryson Tiller, and Dominic Fike. He is a fascinating artist because his music transcends a single genre. Listeners can check out his pop and R&B music with punk/trap undertones. Kid Travis is an eclectic artist who deserves recognition for his talent. Written By Victoria James FOLLOW KID TRAVIS:

Woodes (also known as Elle Graham) is an alternative pop singer/songwriter, producer and composer from Australia. She released her first solo single in 2016, titled Daggers and Knives, as well as her self-titled debut EP and has been unstoppable since. 6 years, two albums and two more EP's later, she has released her 4th official EP, Hibernation. It's her second EP of the year, the first one being Kingdom Come which was released earlier this year. While Kingdom Come had an aesthetic that was more bright and whimsical, Hibernation is more dark and dramatic. It features four cinematic tracks that we are going to deep dive into. TRACKLIST Hibernate Don't Look Back War Cry Heavenly As I mentioned before, Hibernation has a more immersive and darker theme than previous works by Woodes. It represents strength and power; the ability to rise from the ashes. Imagine this EP as a hypothetical movie soundtrack, where a female warrior is coming out of hiding to lead her people to victory against an unruly enemy (and she wins of course). The style stays true to Woodes modern alternative pop sound, but with a bit of a folk influence and intricate cinematic production. This EP will take you on a complex audio journey that'll keep you on your toes up until the very end. Hibernate Acting as the opening track and the inspiration for the title of the EP, Hibernate is a song about coming out of the darkness and getting back to doing the things you love. It was written about what it felt like as the world started to wake up again after being in lockdown for so long. A lot of us lost ourselves during that time, but you can't just stay asleep forever. Many of us feel like we've wasted years that we can never get back, which makes up take on more than we can even handle. This is a reminder to slow down; you're not alone. It has a slow build of synths, percussion and horns that give you a gentle introduction into the complex sound of the rest of the EP. "The calm before the storm", in our hypothetical movie if you will. It has a very dreamy, beautiful melody that represents what it feels like to wake up to a glowing warm sun. Don't Look Back Taking a large, dynamically loud step away from the first track comes Don't Look Back. It's always been a dream for Woodes to have one of her songs featured in an action film or video game. The complex soundscape of Don't Look Back was written with this dream in mind while Woodes played action movies on repeat in the background for inspiration. Her goal was to achieve the epic and cinematic soundscape that would be played during a highly energetic battle or action-packed scene, and she achieved exactly that. Upon my first listen of Don't Look Back, I was saying to myself, "this sounds tribal; and almost like a Celtic war song but modernized". It would absolutely be perfect for a period piece; like a movie that takes place in the Middle Ages with dragons and enemies. The production on this track is out of this world. If you love powerful songs, this one is for you. War Cry Staying on the action-packed and energic vibe comes War Cry. Written as an anthem for women and female empowerment, War Cry is also a reminder to men that we are stronger than they think. Men think that they can get away with anything and everything. They like to portray women as weak and act like we need them to survive; when really, it's the complete opposite. The song has loud, heavy production that gives off those "I am a warrior" feelings; but the bridge is a place of softness. It's almost magical; spiritual, actually. It's a soundscape that it too good for this world, and it definitely made me a bit emotional. One of my favorite parts in the entire song are what I assume to be the "war cries", which are the angelic soprano embellishments echoing in the background. Heavenly The last track of the EP is Heavenly, and it sounds exactly as it's named. Consider it the "cool down" period after experiencing the energy of the last two songs. Components of this song actually started out as the bridge for War Cry, but the sound was just so lovely that Woodes decided to pull it out and make it it's own song. Which, in my opinion, was a genius move because War Cry has a new bridge that is also stunning and now we have a whole other song that holds that same angelic feeling! Imagine this song as the outro to our hypothetical movie soundtrack, where the narrator sits alone with a lute and finishes off the story with one final heart-grasping tune. This is how Woodes intended for Heavenly to sound, and she did it flawlessly. Woodes had a vision, and she completely nailed bringing it to life. Every detail in this EP was perfectly crafted into a sophisticated and empowering collection of songs. Listening to Hibernation really does give you the same euphoric feeling as watching a good action movie; starting with a soft intro, moving on to the high-energy fight, and then ending with victory and peace. If you loved Hibernation, make sure to also listen to Woodes' other EP released this year, Kingdom Come which is described as having spellbinding, hypnotic melodies that focuses more on the personal experiences of Elle Graham. Woodes is always performing and touring around Australia, so make sure to check out her show dates on her website as well! Written By Kaitlyn Nicole FOLLOW WOODES: Instagram | Twitter | Website | Spotify | TikTok | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Relationships can be so fulfilling and truly can boost one's confidence so much. However, every once and a while some red flags are overlooked and you find out (too late) that maybe your partner is not as good for you as you thought they were. The relationship breaks you down and sends you spiraling, and you are left realizing that you have to leave them for your own good. Madeleine McPherson’s latest release “Treat Me Right (Bubble Song)” describes this very phenomenon, and details her own experience with this issue. The song is heartfelt and extremely uplifting, as McPherson also sings about how she is so much better than she was before now that she is out of this toxic relationship. The song’s makeup is simplistic and ebbs and flows with her lyrics, which truly highlights the content and how genuine McPherson’s work is. Her lyrics really hit home to anyone who has been in this scenario, making her such a relatable artist. The soundscape of the chorus swells as she sings hard hitting lyrics like “I had to leave you / for you to treat me right” and “Now it's all over / I’m so much better than before”. Sure the choice to leave was painful and hard, but she knows that now she is in a better place and that without a doubt it was the right move. The bridge dives deep into how McPherson felt when she was in the relationship- how once she realized how much he was hurting her, it was all that she could see. She drives her point home and finishes the song with a punch as she sings “You thought you were special / You thought that I’d never leave / You thought I would care for you forever / Sorry to burst your bubble baby”. She emphasizes her point and hits her ex with a line that truly shows how much pain she was in. Madeleine McPherson is 23-years-old, and was raised in Kent, England. She attributes a part of her unique sound to the fast paced and contemporary vibes of the city, as well as time spent in the more calm countryside with her father. She has only been releasing music on Spotify since 2022, and has built up a following on social media that is drawn to her profound lyrics and powerful vocals. Her songs discuss her real life experiences, and fans feel all the more connected to her as an artist because of how honestly she portrays life events. She thanks the many artists she grew up admiring for her soundscape, such as Etta James, Miley Cirus, Adele, and Aretha Franklin. She is only at the start of her career, and is certainly not one to miss. Make sure to follow the social medias below to stay tuned for more music from Madeleine. Written By Tessa Maddaloni FOLLOW MADELEINE MCPHERSON: