"Touch" is the contemporary pop collaboration by Brianna Scully and Polf. The deeply vulnerable track is Scully's first time speaking openly about her experience with sexual assault when she was 15 at the hands of someone that she considered to be a friend. The song starts off with a sad, guitar laden production, but picks up toward the middle of the track as she moves from recounting her trauma to an empowered expression of her anger toward this perpetrator. If you have undergone a similar experience, Scully's authentic lyricism and emotional vocals will resonate with you deeply as you listen. In "Touch," Scully goes through feelings of anger, grief, betrayal, confusion and empowerment. Each lyric is an open expression of how she has grappled with the trauma that she went through. She sings that she could never forget about it, has tried to deny it, and in the end, wishes that her abuser would die. These raw emotions are backed by a mellow production and communicated through strong vocals. The song is built off so many hard-hitting lyrics like "You fucking ruined / Every love I ever tried" and "I didn't want it / But I felt it." Scully and Polf have crafted an empowered track that connects with listeners and lets us know that we are not alone in the trauma we've faced. Los Angeles-based singer-songwriter Brianna Scully found her musical footing within the bounds of the 'sad girl pop genre.' She cites Taylor Swift, Lizzy McAlpine and Phoebe Bridgers as her biggest musical inspirations, which shows in her strong ability to tell a story in her lyricism. When making her music, she focuses on telling her heartfelt tales and connecting with her listeners. She dives deep into her personal experiences and does not shy away from expressing vulnerability, a trait we see so clearly in this release, "Touch." If you enjoyed this track, make sure to check out the rest of her EP Manic. You can also keep up with her newest releases by following the social media links below. Written By Sydney Gray FOLLOW BRIANNA SCULLY:

Lingering memories and a lack of closure from a relationship can haunt us more than some of the Halloween horrors we see this time of year. Movie Night captures the feelings surrounding a messy relationship that has ended with their new single, "Haunted." The track reflects an insatiable need for closure, telling the story of two lovers who still aren't over their ended relationship. "Haunted" depicts a scene where the toxic duo return to the hometown bar where they first met, admitting that they're still not over each other. Trying to make peace with the situation, the lead singer shares that he's okay with the memory of his lover haunting him as long as it's mutual, stating, "I don’t mind living with the ghost of me and you/As long as you’re haunted too." Accompanying the captivating story in "Haunted," Movie Night builds a delicious alt-pop/pop-rock soundscape that'll have you listening to the track again and again. "Haunted" is dripping with edginess, featuring angsty, face-melting guitar riffs and impactful drums. Mike Squillante's deep, sultry vocals are hypnotizing, flawlessly delivering the emotionally charged lyrics. Turning up the heat, Movie Night bounces between casual verses and epic choruses, building from the duo having small talk to unleashing their pent up feelings over the lack of closure. Having an addictive sound, Movie Night is comparable to acts like The Strike, Drive!Drive!, The Catalina, and Recent Rumors. A rising NYC-based pop/rock trio, Movie Night is comprised of members Mike Squillante (guitar/vocals), Nick Squillante (keys), and Steve Ranellone (drums). The band is formerly known as Running Lights, rebranding themselves as Movie Night with all new songs. Their catalog includes several productions/co-writes with William Wiik Larsen, a Grammy-nominated and multi-platinum producer who has worked with the likes of Nico and Vinz, Kygo, and Florida Georgia Line. Showcasing Movie Night's impressive live performance abilities, they have sold out several NYC concert venues, ranging from the Rockwood Music Hall to Gramercy Theatre. Written By Cheyenne Johnson FOLLOW MOVIE NIGHT:

Playing hard to get is an ancient art of flirtation. Only the best have mastered it and Austin Carr is one of the few. His game of cat and mouse with his partner is unmatched. The constant pursuit and escape game leaves both parties wanting more and Austin is up for the tease. In his new track, Tame Me? Austin describes this romantic entanglement cleverly. They both know this flirtation probably isn’t the best for either of them but neither wants to settle for anything less. He asks his partner will you tame me? And the answer is plain as day. The track presents itself in an indie pop suit. Glimmering with guitars and synths that add that pop element. However, we are quickly greeted by the subtle but enjoyable throws of a vintage sound. Similar to Springsteen or Phil Collins there's an 80s vibe that punches through and creates a fun atmosphere. This is something Austin does best with his music. Blending sounds, both the old and the new have a place in Austin’s music and he uses them to their full advantage on this record. Tame Me? Is refreshing in its efforts to combine flirtatious songwriting with the country's Western genre. It’s a new spin that works so well for the track. Austin Carr is a singer/songwriter based in Los Angeles. His talent for combining genres and sounds is unmatched. He loves diving into writing about queer relationships and placing these lyrics over a sound that doesn't often include them. With a new EP on the way, he has been releasing tracks that show off this incredible skill. Tame Me? Is the first of this upcoming EP and more are to come. Keep an eye out for what Austin has cooking in the coming weeks. His sound is intoxicating and once you start listening you’ll never get enough of his wicked lyricism and stellar instrumentation. Written By Kaiana Lee FOLLOW AUSTIN CARR:

April Jai is back with another hit called “Morally Grey.” April said this song is all about “falling in love with morally grey characters.” She starts describing this morally grey guy, and talks about how attractive she finds this guy. She can’t help herself with this guy; she knows “he’s no good for [her],” but she still comes back to him. April says in the chorus that he knows exactly what she likes: “he’s so eager to please/knows the right frequencies/worships me slowly.” Other people tell her that he blurs the line between good and bad, but “grey’s [her] favourite color.” April then goes into detail about his personality in the second verse, saying he is confident, quick-witted, and he keeps her up at night. Because of these traits she sang about in the first and second verses, “all the things that he says/go straight to [her] head.” She then repeats the chorus and ends the song in a techno breakdown. April perfectly describes the emotions of a conflicting relationship, and how you can be drawn to someone even if they’re not good for you. The production on “Morally Grey'' is perfectly complex. The sound is layered, filled with elements derived from country music and pop music. The acoustic guitar is reminiscent of April’s earlier days of music, while the synths and electronic sounds are inspired by the current pop genre. The synths feel like a deep undercurrent under April’s polished and breathy voice, which makes the verses feel like a bit of a dream sequence, which could allude to the dreamlike fantasies that April has about this guy. The chorus has a fun breakdown with a very strong beat that drives the song. The overall production and vibe really adds to the theme of having conflicting emotions, as the production can shift from mellow to an upbeat pop track. April Jai is a UK singer and songwriter currently residing in London. Her first release was an EP titled “The Last Goodbye,” but she also does covers of famous songs. Her cover of Katy Perry’s “I Kissed a Girl” currently has over 14k streams on Spotify. Just like Taylor Swift and Shania Twain, she made the switch from country to pop, and April says that, “fell a little bit out of love with the music [she] was making,” but she felt that, “ [her] songwriting is rooted in the honest, conversational style of songwriting that we see in country music.” Her first big break as a singer-songwriter was her song “It Ends With Us,” inspired by the best-selling novel by Colleen Hover, which has almost 600k streams on Spotify. TikTok is her biggest weapon in promotion, as “It Ends With Us” went viral on the platform. April Jai has been dubbed “The Queen of Sad Songs,” but she continues to innovate in her genre release after release. Written By Lauren DiGiovanni FOLLOW APRIL JAI:

Breakups. No one enjoys going through one, but they can offer the chance to open your eyes to your own self-worth. 4th Impact, a musical group formed by four sisters, released their new song “DISTORTED,” and the message is one that many may relate to. The song is a powerhouse of energy and empowerment, and on more than one occasion, it got me wanting to dance around. Listen, if you ever need some kind of confidence boost, whether it’s for your relationship or just for your own self-confidence, give this song a listen. Four strong voices, each with their own unique ranges and tones, came together to create an explosion of talent. I loved it. This song was really fun to listen to. As far as its style goes, it very much has K-Pop energy. As someone who isn’t the biggest fan of K-Pop, if it sounds anything like “DISTORTED,” I may become a fan of it pretty quickly. I also want to talk about the vocals, which were easily my favorite element of this song. It’s insane how each sister is so incredibly talented, and they each brought something fun and unique to the table! The harmonies are addictive to listen to, and they take up a good majority of the song. So, I quickly fell in love with it. Like I said earlier, 4th Impact is a group comprised of sisters Almira, Irene, Mylene, and Celina Cercado. The group, formerly known as 4th Power, are well-known for their time on the X Factor UK, where their rendition of Jessie J’s “Bang Bang” went viral, surpassing over 190 million views on the X Factor UK YouTube channel. The sisters have traveled all over the world, singing their music to their vast fanbase. They have even gotten to open for artists such as Boyzone and Rita Ora! While their style of music is classified as P-Pop (Filipino pop) rather than K-Pop, I say that anyone who is an avid K-Pop fan would love their music. It’s unique, energetic, impactful, and overall… extremely well done. I hope to get to listen to more of their music in the future, and I can’t wait to see how they evolve as a group. Written By Isabel Mays FOLLOW 4th IMPACT:

The latest single by artist Daisy Gill, “Don’t Wanna Know,” is a retro-sounding breakup track that shows how to have fun when writing a song about a difficult topic. While the lyrical content is filled with uncertainty, there is still some fun to be had with the musical aspects of it. This means the combination of emotionally vulnerable lyrics with fun instrumentals. It’s catchy and reminiscent of that 80s synth pop sound which has had a resurgence in recent years. Daisy Gill’s voice shines well throughout the track as it is mesmerizing enough to capture the attention of listeners. Overall, “Don’t Wanna Know” really is an intricate track because of its ability to serve as a therapeutic outlet that still knows how to create a fun time for listeners. With the opening lyric, “Sometimes I get so lonely,” listeners already know what they’re getting themselves into in terms of the song's focus. The synth throughout sound matches the tone of her voice very well. Throughout the song, Daisy Gill maintains an interesting vocal performance, and it shows the level of talent she possesses. The chorus of the song is smooth and incredibly catchy, and the post-chorus creates a nice steady transition into the next part of the song. The bridge of the track is a nice way to tie up the acceptance of the speaker’s relationship. It doesn’t stray away too far from the rest of the song's sound, which is nice. Overall, Daisy Gill has executed this track very well, so make sure to add “Don’t Wanna Know” to all your playlists. Daisy Gill is a singer-songwriter based in Liverpool, UK. Her sound is heavily inspired by the classic 80s pop sound, and she has been able to transition this style into the 2020s very well. Daisy Gill shines bright in this “retro pop” sound and has received a lot of praise for it. Additionally, she has received a lot of credit for her songwriting abilities, specifically for being able to write songs that get stuck in your head. She has done very well as she has gotten the opportunity to perform at the Liverpool Pride Parade and Glastonbury. Daisy Gill has definitely earned her spot on your radar, and it’ll be exciting to see what she does next. Written By Chantal Charles FOLLOW DAISY GILL: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

On the effervescent chorus of Kara Connolly's latest single, "Magic," she provides insight into the central ethos behind her upcoming sophomore album, California Queen. "Gonna dive in deep 'til I'm losing control," she declares triumphantly over resplendent dance pop. The forthcoming, nine-track record finds the alt-pop artist cutting herself free from perfectionism, embracing the magic of letting go. "Magic" proclaims this personal liberation to the dance floor. The opening verse has a gruffer exterior, terse bassline and rigid drum machine thump ahead like they're coated in concrete. As Connolly sings of self-sabotaging thoughts and patterns, she finds the strength to break out of that rigidity. When she soars into the chorus atop a motoring pop engine, it feels like a breakthrough. The music itself creates a powerful sensation of unburdening. As "Magic" ignites into a confident, dance pop anthem, Connolly fuels the fire with mantra-like reminders. "Let it go and let it happen," she insists, "you might find magic!" Contrasting these affirmations are questions the USC-alumni reflects on in the pre-chorus. "Why am I afraid of something always going wrong?" While undeniably personal, Connolly writes from the crossroads of universal experience. It's for this reason that the feelings translate immaculately to the actual experience of listening. The bridge puts this self-affirming magic to the test. Piano and synth keys illuminate the path ahead as the singer finds strength in the silly acts she does for herself. "Lipstick smilies in the mirror; if that sounds weird, well, I don't care." It's a miraculous shift to prioritize personal joy over self-consciousness. She suggests that we're all instinctively capable of finding the magic in life. If only we would all let ourselves seek it out. The sincere and open-hearted music of Kara Connolly has brought the independent artist to astounding career heights. With the release of her 2019 debut, Life in Rear View, the singer/songwriter/producer demonstrated her polished vision of pop: fun, catchy hooks expressing the depth of emotional experience. This songwriting has landed Connolly's music on editorial playlists and major placements within studio films and network television. "Magic" follows several singles leading towards her upcoming sophomore album. California Queen demonstrates an artistic step forward, centering around self-worth and discovery, with the artist's most soaring and infectious pop songwriting. Written By Andy M. FOLLOW Kara Connolly:

“Stormy Weather” is a breezy breakup anthem cursing yourself for overthinking and ruining something that had the potential to last. It’s all too easy to hyper-fixate on specific actions, especially with the modern attention economy expecting things to be instant and perfect. But relationships take cultivation, really truly understanding someone, and without controlling and trusting the other person, self-doubt can consume a relationship into a burst of flame. With touching lyrics like “behind my back is a place I start to see, when I feel lonely. And it’s presented in a cinematic arrangement”, Pomona Park perfectly describes the ever-present spiral as assumptions that wouldn’t have ever made sense in a logical state begin to seem like the only possibility. With a lone acoustic guitar driving much of the melody, Pomona Park describes the ups and downs of an increasingly more popular pitfall in relationships. With epic synth-back guitar riffs, snappy drums, and iconic basslines, the song inches towards an explosive chorus that inspires the audience members to scream along in raw catharsis. Pomona Park does a great job at capturing how one pesky thought can multiply into many until it consumes you, especially if the thought isn’t nipped in the bud immediately. From the on-point songwriting to the emotional vocals emerges a passionate song that implores you to maintain trust and refrain from self-sabotage. Fresh out of the second UK lockdown, bassist Bobby Mears messages guitarist James Reid in 2021. He tells him that frontman Chris Smith has succumbed to the weight of material and ambition, and has decided to grab drummer Aaron Wigglesworth along for the ride. With conversational lyrics painting the world as punchy basslines and awesome guitar riffs supplement it, Pomona Park’s rough-tough style was born. With features of BBC Introducing and Amazing Radio, Pomona Park has one mission: to get your feet tapping. After selling out Guilliver’s Manchester for their last headline slot and a recent support slot for Manchester aces Saytr Play, Pomona Park tops the bill at Lions Den Manchester on November 17th in a big step-up for the band. Written By Megan Cao FOLLOW POMONA PARK: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Is there anything as cathartic as listening to a song that perfectly encapsulates your relationship struggles? Manchester-based artist ALF's latest single, "Gunpoint," is a pop-punk anthem about the struggles of a toxic relationship and the inability to let someone go, no matter how unhealthy the dynamic. ALF describes this love as being "held hostage at gunpoint;" A clever metaphor for the cyclical nature of toxic attachment and the difficulties breaking the cycle. The track is angsty, relatable, and big. With its honest lyrics and infectious melody, "Gunpoint" is bound to connect with audiences who have experienced similar situations. Whether played in a concert arena or just somebody's car, the song is tailor-made to be sung or, let's be honest, screamed along to. "Gunpoint" is the best of the pop and punk worlds. The single, produced by Alex Quinn and ALF himself, is catchy and fun. There is a high-speed drum pulse that builds to an explosive chorus bound to get stuck in your head. Having worked with Michael Aldag and Justin Bieber, Quinn knows how to create an enormous pop sound. Yet ALF crafts a song that maintains the core punk edge only a title like "Gunpoint" can provide. The mixing and mastering from Graeme Lynch similarly help balance pristine pop sounds with rock aesthetics and sentimentalities. The punk inspiration translates throughout the track, from the wailing guitars in the background to ALF's impassioned vocals. ALF writes from an honest point of view. Lines like "babe I'm exhausted / I've never let you hear me cry" and "When I'm making that dumb choice" are relatable, candid depictions of the harmful thought patterns and habits that result from a toxic partnership. This raw vulnerability is what makes "Gunpoint," along with ALF as an artist, so special. The track is an electrifying, upbeat anthem exploring authentic human experiences almost everyone has faced before. ALF is a U.K. musical artist and social media star. Born in 2004 to a family who values music and records some of their own, ALF fell in love with the art form. Over the past few years, the singer-songwriter has had a meteoric rise on the app TikTok. His account @whosalf currently has over 185,000 followers and 15.2 million likes, with an audience still growing daily. ALF released his debut single, "Tired of Being Nice," along with a sped-up version in 2022, placing #7 in TikTok's "New Music U.K." playlist. Earlier this year, ALF released "Killing Me," in regular and high-speed versions. All three songs have displayed a substantial range in ALF's work. "Tired of Being Nice" showcases an electronic pop sound, while "Killing Me" is a gentler, acoustic ballad. Now, with "Gunpoint" and its pop-punk aesthetics, it is clear that ALF is a versatile artist whose musical trajectory will be exciting. "Gunpoint," along with his other songs, are now available on all streaming services. Written By Lauren Nolan FOLLOW ALF:

A fling is described as a short period of enjoyment. A moment in time that is cherished by those who participated. Though it may be brief, these intimate affairs pack a heavy punch. There's no need for conversations about the future. The two parties would prefer to be tangled together on a mattress. A symphony of arms and legs laying tightly together taking in the moments as they pass by. Sometimes that's all you need. Nothing more and nothing less. Just time together until the entanglement is just a fond memory. Vibi’s new track Mattress details this story of living in the moment with your fling. The intimacy of laying with someone and knowing it isn’t meant to last. Somehow, the track manages not to be a somber one. With its soundscape rooted in indietronica and the lyricism standing firmly on the bright side of a fling, this makes for a fun listen. Vibi’s songwriting is reminiscent of Tove Lo; the uninhibited punches and raw emotion shine like diamonds through each track. Mattress is a microcosm of this talent. It's a very personal song that many can relate to; the story of star-crossed lovers who enjoyed the short amount of time that they have with each other, but now it's over. The track is an ode to flings and the cure to any post-fling blues. Vibi uses her pen exceptionally well as she tells the story in such a compelling way. Almost inviting you into her memories and giving you a complete visual of the scenario. Vibi (pronounced VeeBee) is a Canadian-born pop singer. With currently over 3k monthly listeners on Spotify, Vibi is making waves in the industry with each drop she makes. Though she has only released a few songs so far, her sound is very established. She is nestled comfortably in the synthpop genre along with artists like Tove Lo and Carly Rae Jepsen, and that is exactly where she shines. With each track we get a little bit more of her story as an artist. As we learn more about who Vibi is through her music it all becomes a bit more personal. She is a rising star in the pop world and the mattress is just a drop in the bucket. Written By Kaiana Lee FOLLOW VIBI:

This song, “My Everything” by the band Jet City Sports Club, is about the power of love and how love can make you appreciate the mundane things in life even while the world is falling down around you. Written about a dream the lead vocalist, Lilla, had where someone she loved was struck by lightning, this song really showcases to a listener how even fears like that cannot overpower what love can make you feel. With lyrics that convey the simplicity that love can have, such as “hold me when I’m feeling sad,” and “you’re everything I wanted,” this band has managed to craft a song that is energetic and yet manages to convey the softer side of feeling so strongly for a person you never want to let them go. “My Everything,” is an upbeat indie/rock track that perfectly balances a dreamlike melody with powerful beats and strong vocals. Starting off with a mellow guitar rhythm and soft vocals, you’re lulled into the song. The lead vocalist remains prominent through the verse, with the instrumentals beginning to pick up about halfway through, building up the tension before breaking out into the bright chorus. The bass and the melody is stronger in the chorus, the music heavier hitting than in the verse. To me, this keeps the song even, with softer moments contrasting the energy. This pattern repeats - verse into the chorus - before starting the chorus again in a much more toned down manner before brightening it up one last time to close out the song. As a listener, this song keeps you engaged the entire time, and the way the melody flows and yet keeps up the sharp energy throughout the 3 and a half minutes makes this track an instant favorite! Jet City Sports Club is an indie/rock band made up of four members and based in the lovely city of Sydney, Australia. With an enthralling guitar-driven sound topped with bright vocals and engaging melodies, Jet City Sports Club has garnered themselves lots of loyal support in a short amount of time and has earned spots supporting other acts like The Grogans, Ruby Fields, The Vanns, Trophy Eyes, and more! They released their first EP, titled September Sun , in March of 2021, and have since released five more singles throughout the course of 2022 and 2023 so far. “My Everything” is their most recent track, released on October 9th, and is a continuation of the sound that keeps their fans coming back for more. Use the links below to listen to more of their music! Written By Morgan Fischer FOLLOW Jet City Sports Club:

*WARNING - some explicit content within the music videos* It's been 5 years since Troye Sivan's last studio album, and now he's finally back with his 3rd one, Something To Give Each Other. Filled with funky, psychedelic grooves and bass mixed with modern electronic dance pop, this album has a sound that you won't find anywhere else. Get ready to dance like you've never danced before. TRACKLIST Rush What's The Time Where You Are? One Of Your Girls In My Room Still Got It Can't Go Back, Baby Got Me Started Silly Honey How To Stay With You Click here to stream the full album! Troye Sivan is a queer alternative pop artist who was born in South Africa but moved to Australia when he was two. He made his start in the public eye on Australia's Got Talent in the late 2000's as a child, and went on to make a YouTube channel where he'd post covers and other types of entertaining videos. He soon became a YouTube sensation, earning millions of views on his videos. When Troye signed a record label deal in 2013 with EMI Australia, he turned his focus solely onto his music career. He released his 3rd EP, TRXYE, that same year and it peaked at No. 5 on the Billboard Charts in the U.S. Troye has been consistently releasing music since, but his last studio album, Bloom, hasn't been since 2018. Finally we are here now, experiencing Something to Give Each Other, Troye's 3rd studio album and probably one of his best works so far. Rush Rush is the leading single and first track of the album. It touches on the topic of being young and experiencing life with no care in the world. You're unapologetically yourself and you're living in the fast lane while you still can. Parties, friends, hooking-up with strangers, hangovers... it's the kind of thing that makes you feel alive. It's a literal Rush of euphoria when you're able to let lose and let all your intrusive thoughts take over your actions. The production in this song is very addicting to the ear and makes you want to dance carelessly around your room. The music video features incredible chorography, and probably more butts than you've ever seen within 3 minutes before. What's The Time Where You Are? What's The Time Where You Are? is about being away from someone who has the ability to still make your heart skip a beat from half-way across the world. It's also a nice little love song that you could send to someone you're dating from afar to show that you're thinking about them. Love knows no distance, and it's easy to get lost in your thoughts about what someone is up to without you when your miles away and in a different time zone. I really like the mellow tone of Troye's voice and the soft-club groove. One Of Your Girls Besides being a complete BOP of a song, One Of Your Girls has one the most emotional meanings out of any of the other songs on this album. Don't let the sensual groove of heavy bass and synths fool you. At first you think the song is just about being an ego booster as Troye spits out compliments that any man would love to hear. Then when the chorus hits, you realize it's the sad reality of being in love with someone that you can't have. It's an anthem that every queer person could relate to; whether it's because the person you're in love with isn't the same sexuality, or you're their dirty little secret and they don't want to admit that they're not who they pretend to be... it's heartbreaking to come to terms with the fact that you have to let this person go. Sad stuff aside, can I just point out how beautiful Troye Sivan looks in drag in the music video?? It also features Ross Lynch, which was everything I didn't know I needed. In My Room In My Room features Spanish singer/songwriter and guitar player, Guitarricadelafuente. It's simply about those times where you're in your room alone with your thoughts, and all you can do is stare at the way all day-dream about a special someone that drives you crazy (in a romantic way). Half of the lyrics are in Spanish are sung by Guitarricandelafunte who has a very similar soft and sensual vocal tone that blends well with Troye's. This song has one of my favorite instrumentations on the album. It has a very funky and soulful groove that will have you vibing. Still Got It Still Got It is one of the more lyrically driven songs on the album. It's about the aftermath of a breakup when you're learning how to live on your own again, but the feelings you had haven't faded yet. The good memories are still fresh in your mind, and even though they've already moved on you still feel you you've "got it bad" for them, meaning that if they ever wanted you again you would drop everything and go to them. The first half of the song has very minimal instrumentation with an organ playing at the forefront. Once you start reaching closer to the end, there's a guitar interlude and a lot of ethereal production that really brings out the emotion behind the song. Can't Go Back, Baby Can't Go Back, Baby samples "Back, Baby" - a song from a fellow Australian artist, Jessica Pratt. Troye's song is about when you're at the breaking point of a relationship; when you know it's over, but neither of you have said it yet. It's hard to let go of someone you thought you knew, but sometimes it's worth fixing and sometimes it's not. Sometimes someone takes things too far, and pushes boundaries past the possibility of things ever being okay again. This song has one of my favorite melodies on the album. It's an earworm that will easily get stuck in your head. Got Me Started Got Me Started samples the iconic electronic dance song (and viral meme), Shooting Stars by Bag Raiders. Troye took this familiar melody and made it completely his own in this incredibly catchy banger. The lyrics reflect a story of meeting somebody at a party that you have undeniable chemistry with and not wanting the night to end. If you thought the other two music videos for this album had great dancing, just wait until you see this one. The choreography in this one deserves an award and Troye's dancing skills had my jaw on the floor. It's such a close call because all three of this music videos are genius, but this one has to be my favorite. Silly Silly is about being in a casual relationship with someone that you're in love with, but they don't want anything serious the way that you do. It has a simple but danceable groove that has R&B influence that reminds me of Drake's style in 2010. It's perfect music for a club setting, with repetitive lyrics and rhythm that will get people moving. Honey I think out of every song on this album, Honey is the most mainstream in it's soundscape (in a good way). It has a melody and progression that feels inspired by Taylor Swift (I'm not sure if it is), but with just a tad more dance/club production. It's a softer, more relaxing song than most on the album and is really ear-pleasing to the ear. In my mind, Honey is what comes after the scenario in Got Me Started where you've taken the person you have a lot of chemistry with home with you and you're just enjoying each other's company and not thinking about what will come next. How To Stay With You We've all heard the saying, "right person, wrong time". How To Stay With You is about wanting to take a relationship to the next level, but there's something that is standing in the way. Maybe they live too far away, maybe your careers won't allow it, or maybe one of you just aren't emotionally available or mature enough yet. Regardless, they are someone you could see yourself being with in the future and you want to keep them in your life for as long as you can. This soft, sensual and funky groove is a nice mellow way to end the album. It acts as a cool down from all the excitement and energy from the rest of the album, assuming you've been dancing your butt of the whole time. "Something To Give Each Other" is an album that celebrates sexuality, individuality, love and heartache with a unique sound that pushes the boundaries of mainstream pop. It's unlike any other project that I've heard from Troye or from other artists this year. It's alternative dance pop music that focuses on experiencing the story through eccentric soundscapes and production rather than complex vocals or intricate lyrics. It's more experimental than Troye's style in the past, but it's done in a way that defines him and his artistry so well. There's nothing "ordinary" about this album, in the best way possible. It's the kind of sound that you get lost in; where you can just close your eyes and move your body like no one is watching. Written By Kaitlyn Nicole Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.