Fighting with someone you love is literally the worst feeling in the world; especially when you said some things you regret and wish you could take back. It's even more frustrating when all you want to do is call them up to tell them you're sorry, and they refuse to answer the phone. So you're stuck laying in the dark, staring at the ceiling and thinking about what you wish you could say to them if you just had one more chance. "Call Me Back" by the band No Lonely Hearts is a catchy, yet emotional pop anthem for all those hopeless romantics out there who have experienced a situation like this. "Call Me Back" feels like an early 2010's pop-hit song that you'd hear on the radio. The style is very reminiscent of those One Direction days. After that initial first listen, it gets stuck in your head for hours until you finally give in and listen to it again. The groove of this song feels like Summertime and it's the perfect type of song for you to put on your "I'm in the car" playlist. The vocals are clear, smooth, and make it easy for you to want to sing along. Most importantly, at least to me, is that the lyrics are relatable. The words hit you right in the gut; and paired with the production and ear-pleasing soundscape, you've got yourself a masterpiece pop song. No Lonely Hearts is a pop boyband from Orlando, Florida. Oliver, Brian, Dylan, Aidan and Alex are the five boys that were hand-selected during a nationwide audition to be part of the worlds next biggest boyband. Since 2022, they've released five singles and a Christmas EP, including "Call Me Back" and their other most recent single released this year, "Special Treatment". They've been spending all their time in the studio with the best songwriters and producers, as well as performing live at various events. No Lonely Hearts is just getting started, and I can't wait to see what they'll do next! Written By Kaitlyn Nicole FOLLOW NO LONELY HEARTS:

Makena releases reflective track “hard to love” about feeling unlovable. Makena delves into the depths of her emotions, offering listeners a window into her personal journey of self-discovery and the complexities of love. This song meticulously captures the challenges faced during one’s twenties. A lot of new people enter your life, but not everyone stays for the long haul. Some are here for a season; some a reason; some a lifetime; some a fleeting moment. The departing of a person you thought you had a connection with makes it difficult to navigate the desires and expectations of maintaining a lasting connection. In today’s ever-changing world, people are so accessible that we create lifelong relationships in our mind from the first crossing path. We expect people to stay because we know we’d do it for them. These quick blips of attachment can make us ponder the unthinkable… am I unlovable? Although it hurts your heart each time a stranger chooses not to set up camp in your soul, you are not hard to love. In your 20’s, the relationship that is most valuable to water is the one from within. People will come. People will go. The right people will enter your life when they’re meant to, and the one’s who are momentary were never meant to be in it in the first place. Makena fearlessly tackles the intrusive thoughts and negative self-perceptions that we all face in “hard to love.” “hard to love” is an early 2000s nostalgic, moody single that we can all relate to. Makena's musical versatility really shines through in "hard to love." She seamlessly merges pop, rock, and singer-songwriter elements to create a unique sound that resonates deeply with listeners. She uses introspective lyrics to touch on a subject a lot of us are afraid to think about for too long. Her soulful melodies result in an honest, deep musical experience. She has an ability to authentically connect with her audience through her enchanting vocals and heartfelt lyrics. “hard to love” was crafted in Makena’s cozy LA studio apartment, and it’s like a sleepover with your best friend, a bottle of wine, and your deepest darkest secrets. Makena is a talented singer/songwriter who is making a name for herself in the music industry. The rising star expresses her life experience with her various genres and transparent hooks. She draws influence from Olivia O’Brien, Fletcher, and Taylor Swift. Makena offers a vulnerable, candid edge to the pop scene. She grew up in Denver, CO, and she began performing at just 4-years-old. Makena began writing music shortly thereafter, and she continues to experiment with different genres and styles, creating fusions unlike anyone else. “hard to love” promises to transport listeners to a nostalgic era while addressing contemporary themes of self-acceptance and the intricacies of human connections. Makena invites music enthusiasts to immerse themselves in her captivating world of emotive storytelling, so stream "hard to love," and jump in head first! Written By Grace Chapman FOLLOW MAKENA:

Some people get songs stuck in their heads, others have people stuck there. With each passing minute, a thought pops up of what they're doing, where they're going, and who they are doing it with. This person is Living rent-free in your mind without any plans to break the lease. Siena Liggins knows the feeling but she won't let that stop her from having a good time. This flirtatious record is exactly what anyone would need to forget what a typical breakup feels like. Rent Free is a song filled with reminders to get out and enjoy your life. Learn to have fun and live it up while you still can regardless if that person is still taking up space in your head. Rent Free is the product of two times. With the heavy bass bumps and soprano vocals, the songs have traces of 2000s nostalgia. Siena takes these elements and merges them seamlessly with modern or futuristic synthesizers that ping off the record and create a playful atmosphere. Aspects of old and new are present in this infectious bubbly pop anthem that'll get you moving and out of your seat after one listen. Flirtatious lyrics accompany the playfulness of the track. Playing off the modern phrase “living rent free in my head” and using it to turn classic break-up songs on their head. The track recognizes the constant reminder of your ex-partner and still urges the listener to enjoy life and have fun regardless of it. Rent Free is released in anticipation of the release of FLOOZY Siena’s upcoming album. The album will feature Rent Free along with other tracks that encapsulate Siena’s unique connection to the pop genre and the fun ways she uses it. Siena Liggins is a military brat turned pop sensation. With nearly 300 thousand monthly listeners on Spotify, her talent is not going unrecognized. The Atlanta-based star tends to find herself rubbing shoulders with futuristic soundscapes and uses this to put a unique spin on the pop genre. Siena stands ahead of the rest with her records playful atmosphere and personality. Her new album solidifies this with the way it teeters the line between candy pop nostalgia and futuristic hyper pop. Her sound may be what grips the audience but everyone is staying for her unique writing style. Each lyric written is a different point of view into the typical pop arsenal. The way Siena uses her experiences to create unique-sounding songs both lyrically and sonically is phenomenal and will keep any listener on their toes. Written By Kaiana Lee FOLLOW SIENA:

Billy Cullum has outdone himself with his sophomore album, Whatever Happened Next. The project is compiled of ten outstanding tracks that follow the singer's personal timeline. The album begins with songs that discuss moments from early years of his life and flows into tracks that details his current life experiences. Cullum discusses vulnerable topics such as relationships, sexuality, mental health, and identity. The soundscape of the album is entirely unique, making it an unforgettable genre-blending journey. Whatever Happened Next kicks off with a folk-pop style that then increases in intensity before closing out with a calming production. TRACKLIST 1. Gold 2. Whatever Happened Next 3. Say My Name 4. Twisted 5. The Key 6. Crashed Into You 7. Maybe for the Better 8. Radio On 9. To All of the Hands 10. So Bright Billy Cullum is a singer, songwriter, dancer, and actor from London. He made his music debut in 2017 with his single, “Lost in You.” After three follow-up singles, he released his debut album, Lonely Hearts Club. The album consists of twelve tracks, including the four previous releases. Between both albums, Cullum released four standalone singles, before releasing Whatever Happened Next’s lead single, “Gold.” Cullum has also worked as a choreographer for artists such as Perfume Genius, Kero Kero Benito, and MS MR. Aside from his music career, Cullum is also an actor. He is known for his role as Hector in MAX series, It’s a Sin, and acting in Netflix’s Matilda the Musical. He has also been in a handful of theater productions and has a long list of credits to his name. With all of his skills, Cullum is an impressive triple-threat that is ready to show the world what he has to offer. Gold Cullum opens up the album with the optimistic lead single, “Gold.” The song begins with birds chirping before a soft soothing acoustic guitar is introduced to play the melody. Prior to the vocals, charming whistling is heard alongside the guitar. This soundscape immediately presents the intimate vibe of the track as Cullum’s thoughtful lyrics reflect on his younger self. As a queer artist, he was often told to hide his true self and fit societal gender norms. While Cullum sings to this version of himself, “Gold” serves as a reminder to anyone listening to be authentically themselves. This track beautifully sets the tone for the brilliantly written, wonderfully produced album. Whatever Happened Next “Whatever Happened Next” instantly increases the energy of the album with the infectious kick drum and the 80s pop influenced synth. While maintaining a mid-tempo, the song’s optimistic lyrics and dazzling instrumentation emit an energetic, dance friendly atmosphere. Cullum describes the feeling of treading into uncharted territory and being unsure what will happen next. With romantic undertones, Cullum tells his muse that in the midst of the storm, they will “dance under the weather// Soaking wet, we let go together,” and to “just let it go// Go with the flow// See where the waters will take you.” No one knows what the future holds and that is what makes it so exciting. He will let fate decide what happens next while he sits back and enjoys the ride. “Whatever Happened Next” is an uplifting, joyful track that is bound to lift the spirits of all who listen. Say My Name “Say My Name” is a lighthearted love song about falling for someone and hoping the feelings are reciprocated. Throughout the song, the burning question of “what if” races through Cullum’s mind. He utilizes detailed imagery to paint the scenes where his crush makes his heart race with mundane activities, such as sitting next to him or running his fingers through his own hair. In the pre-chorus, Cullum confesses his desires with the lyrics: “In my dreams, we are lovers// Wrapped under covers, lost in the night// Movies scenes in my mind// Your lips touching mind// And boy it feels right.” Then in the chorus, he reveals the hook: “You say my name// Everybody wants you, baby// Oh my god, I look away.” At the end, he sings: “Boy, you make this boy go crazy// Every time you look my way// When you say my name.” Cullum eloquently expresses feelings of falling head over heels for someone and not knowing if it will ever turn into something real. The high-energy, infectious track is the perfect summer jam that is made to be blasted while driving down the highway with the windows down. Twisted With the second single, “Twisted” takes a darker turn from the previous tracks. The infectious track is a break-up anthem about reliving the joy and the pain felt during a previous relationship. The detailed lyrics describe the feeling of loving and hating someone simultaneously and how easily these two emotions can become intertwined. The track utilizes more synth and pop instrumentation than the last three songs, and has moments of heavy production and angsty attitude. With the combination of the brutal lyrics and darker instrumentation, “Twisted” is my personal favorite song on the album. The Key “The Key” is a heart-wrenching ballad composed of a satisfying bassline and melancholic lyrics. Cullum divulges a previous relationship that left him broken and bruised. His former partner wanted to keep their love a secret. Cullum complied but it tore him apart, piece by piece. In the song, he sings: “You thought I’d never go// You could keep me on the deep down low// Secret love// But I just couldn’t cope// Made me choke// I’m done with playing games.” He confesses that he could not take it anymore and keeping their love a secret doomed the relationship from the start. In the end, he felt suffocated and repressed, unable to be authentically himself. The poetic lyrics detail a vulnerable storyline that will tug on the heartstrings of listeners and make the song an instant top favorite. Crashed Into You “Crashed Into You” instantly kicks off with a heavy 80s influenced synth melody that immediately catches the listener’s attention. The instrumentation continues into the verse while Cullum’s soothing vocals begin and take control of the song. The high energy remains for the verse, until the song reaches the chorus. The soundscape takes a unique shift when Cullum sings acapella with significant reverb on his vocals and a very subtle synth beat that hits between lines. As the chorus leads to the hook, the instrumentation softly increases, before the production bursts when Cullum sings the line: “everything ended when I crashed—crashed into you.” For the remainder of the track, the instrumentation continues to build and shift, making it an incredibly dynamic track with new twists and turns every measure. With this unique production, “Crashed Into You” is a stark contrast from the sound on the rest of the album. Maybe For The Better “Maybe for the Better” is a reflective track about accepting loss and recognizing that things do not always go according to plan. In the chorus he sings the lines: “Boy, we had it good, why did it go bad?// Is it so sad?// Now that I’ve been changed but maybe for the better?” The song begins with a melancholic piano that sets the moody atmosphere. The production slowly builds to the synth heavy chorus, where Cullum’s voice emotionally sings the vulnerable lyrics. The shift in the instrumentation enhances the idea that change is not necessarily sad. Cullum emphasizes that it can be a good thing and it symbolizes the hook that this outcome is “maybe for the better.” Radio On “Radio On” has a soothing chill-pop production that encourages the listener to focus on the nostalgic lyrics. The track is about holding onto the past when times were simpler and life was not as harsh. In the chorus, Cullum sings, “Driving in the car with the radio on// Taking me back to when we were young// We change who we are// You’re never too far.” He is reminiscing on the good times that he and a romantic partner once had with each other. The second half of the chorus contains the line: “So I wanna stay here in the car with you and the radio on// In the backseat where we know the road that we’re travelling on.” These lines indicate that the muse is not a platonic friend, but of an intimate partner. In the bridge, Cullum tells them: “Take me back to when we were young// Shouting out at the top of our lungs// Take me back to when we were young// You’re never too far from where you belong.” These lines reveal that not only does he want to relive the easy times, but that this person is always welcomed back into his life. He repeats this line, bringing an emphasis to his desperate hold on the past and his desire to keep it from fading away. Music is often attached to memories. So, Cullum having the radio on makes these memories shine brighter and easier in his mind. To All of the Hands Cullum uses his voice for forgiveness, growth, and acceptance in “To All of the Hands.” In the track, he speaks to all those who have burned him and left him scarred. He tells anyone that has used their hands to hurt him that he has moved on. In the bridge, he sings: “Forgive, Forget// I won’t regret// Forgive, Forget// I learned to fly from the fall.” These uplifting lyrics reveal that he does not live with regret, and he acknowledges that all of his past, the good and the bad, have all led him to who he is today. The soundscape of the track is reminiscent of gospel music with the addition of hauntingly beautiful background vocals and a soothing piano intro. As the song continues through, Cullum’s retro-pop influences begin to take over with a synth keyboard. The gospel background vocals remain in the choruses, while the pop instrumentation continues, blending to two sounds to create a unique genre-blending sound. “To All of the Hands” is ingeniously written with emotionally mature lyrics, making it one of the most unforgettable songs on the album. So Bright Cullum ends Whatever Happened Next with the album’s third single, “So Bright.” The final track strips the project back to the beginning, with a soft acoustic production that compliments Cullum’s angelic vocals. Throughout the song, there is a gentle vocal effect that makes the atmosphere have a vintage element to it. The dreamy soundscape is the perfect sound on a rainy day while sipping hot tea and reminiscing on pleasant memories. The sentimental track is about someone he loves that has since passed, but their light still shines “so bright.” Even in the darkest times, Cullum only has to call on the memories of their loved one to be a beacon of hope in this cruel world. It is a sweet sentiment that even after we pass, our family and friends will hold onto us in their hearts. With the soothing production and the tear-jerking lyrics, “So Bright” is the perfect track to end Cullum’s flawless album. As someone who often chooses their favorite music based more on the lyricism than the production, Whatever Happened Next is the perfect album. Cullum divulges his most vulnerable parts of himself and reveals an intimate side that fans do not always get to see. The poetic lyrics on each track astonishes listeners and makes them crave more relatable and heart-wrenching narratives. The fantastic genre-bending style throughout the project is only the icing on the cake for me. Cullum ingeniously combines multiple sounds and leads the listener through a rollercoaster of soundscapes. The album starts with a soothing, acoustic track, with each subsequent track building in production, before mellowing back as the audience reaches closer to the final track. It is a brilliant structure to the project and is another example of a great album that requires to be listened in order- in the way the artist intended. Whatever Happened Next solidifies Cullum’s unmistakable talent and proves he is on his way to complete and utter stardom. Written By Karlee Skipper FOLLOW BILLY: Instagram | Twitter | Spotify | YouTube *Sponsored Post - Discovered on SubmitHub. A contribution was made to help create this article as part of a promotional campaign.

Has someone ever broken up with you, and then they have the nerve to ask you if you can still be friends? The first words that usually come to mind in a scenario like this are, "you've got to be kidding, right?". It's almost humorous when someone thinks you'd want to be their friend after breaking your heart. You don't know whether to laugh, be dumbfounded, or just flat-out angry. A typical response is NO! ; because how are you supposed to just get over somebody you had feelings for if they're still hanging around? "we can't be friends" by Eliza Tamar is a catchy, electro / dance pop song about rejecting the idea of being friends with an ex. "we can't be friends" has such a versatile sound that it could be used for any type of scenerio; like background music while you're at the beach, a song to sing your heart out to with headphones on while you're dealing with a breakup, or a song to dance to while you're having a ladies night out. Eliza's soft and intimate vocals mixed with the emotional lyrics and phenomenal production (by Trey Vittetoe) bring this track to life. It's a very Summer playlist worthy type of sound that'll easily get stuck in your head. Eliza Tamar is an Armenian pop singer from the bay area of San Francisco, California. She's a graduate from the University of Southern California and is a hard-working corporate girl who is a "pop princess" in the evenings and on the weekends, spending her free time in the studio or at the beach! She debuted her music career earlier this year with her first single, "Final Kiss" which is also a catchy, funky electro-pop vibe. "we can't be friends" is her second single release. Written By Kaitlyn Nicole FOLLOW ELIZA:

Photo: Taylor Swift via Beth Garrabrant Taylor Swift has once again made history with her latest release, Speak Now (Taylor’s Version). The singer has famously been re-recording her first six albums to reclaim their masters under her sole ownership. Speak Now (Taylor’s Version) is the third installment of her re-recordings, following the 2021 releases of both Fearless (Taylor’s Version)­ and Red (Taylor’s Version). Each of these re-releases include additional “vault” songs that were initially omitted from the original versions. Speak Now (2010) is best known as Swift’s only completely self-written album, so the vault tracks continued this pattern. With slight lyrical changes, increased production quality, and mature vocals, Speak Now (Taylor’s Version) proves that Swift’s music is a timeless work of art that will go down in history as one of the world’s greatest musical legends. TRACKLIST Photo: Taylor Swift via Beth Garrabrant Re-recordings After Swift declared that she will be heading back into the studio to re-record her previous albums, my mind, like all Swifties, started fantasizing about her vast differences in vocals between her earlier albums and her current mature vocals. Speak Now (2010) was written and recorded while Swift was between the ages of 18-20, while the singer revealed she recorded the re-release when she was “32 and still growing up now,” a reference from the 11th track, Innocent. Being a Swiftie since 2006, I remember growing up reading the quote from Swift, “I’ll never change, but I’ll never stay the same, either.” This perfectly represents exactly how listening to the re-recordings feel. When the listener hears the new recordings, the songs evoke a unique feeling of nostalgia. Swift’s voice is mature and contains a stronger tone, yet she manages to make the songs sound identical. Furthermore, the production quality is immensely better. The instrumentation sounds significantly more crisp and clear, with each individual instrument sounding more distinct. The bells in "Haunted (Taylor’s Version)” are louder and the bridge in “Back to December (Taylor’s Version)” is more intense. The electric guitar in “Sparks Fly (Taylor’s Version)” became more apparent and Swift’s voice matches the intensity of the production in “The Story of Us (Taylor’s Version).” Overall, every single song maintains the original magic and wonder of the initial release, showcasing Swift’s remarkable longevity in the industry and incomparable ability to captivate audiences. Dear John (Taylor's Version) One of the most notable moments while listening to the album was hearing “Dear John (Taylor’s Version) for the first time. “Dear John” has been my favorite song from Speak Now for a long while, so listening to the re-recording was a very surreal experience for me. Knowing that the song was going to be an emotional moment for me, my friends and I paused the album so I can prepare for the emotional journey we were about to embark on. From the very first note, I could tell that “Dear John (Taylor’s Version)” was already better than the original. Similar to the other songs, the guitar was fiercer and it tore through my soul. Throughout the track, Swift’s angelic voice effortlessly hits every high note and falsetto, breaking my heart as she retells the story of an emotional abusive relationship. In the iconic bridge, Swift reveals that she will not allow herself to fall into the unrelenting cycle of abuse that leads victims to become a shell of themselves. The emotional climax with the outstanding vocals and intense soft-rock influenced instrumentation brought me the first chills and tears while listening to the album. While only five songs in, “Dear John (Taylor’s Version)” confirms that Speak Now (Taylor’s Version) has done the original album justice and undoubtedly enhanced the already impeccable record. Electric Touch (Feat. Fall Out Boy) (Taylor’s Version) (From The Vault) The first of the six vault songs is pop-rock anthem, “Electric Touch (Feat. Fall Out Boy) (Taylor’s Version) (From the Vault).” If someone were to have told me in 2010 that Swift would have a collaboration with Fall Out Boy, I would have looked at you as if you were crazy. However, in 2023 I was excited to hopefully get another rock influenced track from Swift. “Electric Touch” did not disappoint. The song kickstarts with a captivating electric guitar riff that is quickly met by a catchy drum beat, immediately catching my attention. Throughout the track, Swift and Patrick Stump of Fall Out Boy harmonize with each other while singing about the hopefully beginning of a blooming love story. At the end of the first verse, Swift astonished me with the lyric, “Still hoping that the fire won’t burn me// Just one time, just one time,” before breaking into the hopeless romantic chorus. The lyricism is heavily reminiscent of classic Taylor Swift through its clever metaphors and pure, innocent longing. With the electrifying pop-rock soundscape and collaboration with Fall Out Boy, “Electric Touch” proves that Swift is destined for an official rock album. When Emma Falls in Love (Taylor’s Version) (From The Vault) With the next vault track, the production mellows down for a sweet ballad that combines the indie-pop soundscapes of Folklore and the lyrical storytelling of classic country music. “When Emma Falls In Love (Taylor’s Version) (From The Vault)” is about one of Swift’s best friends and the light she shines on the world and those she dates. Fans theorize that the song is about known close friend of the singer, Emma Stone. Of course, this is only mere speculation and nothing has been confirmed by Swift herself, other than it being about one of her friends. However, with Swift being my favorite singer and Stone being my favorite actress, I would love to believe this theory to be true. The lyrics paint the picture of a girl that everyone cannot help but fall in love with. In the chorus, Swift sings, “’Cause she’s the kind of book that you can’t put down// Like if Cleopatra grew up in a small town// And all the bad boys would be good boys// If they only had a chance to love her.” Emma is the kind of girl that changes the lives of those around her for the better and when she falls in love, everyone can see the shift in her eyes. The end of the chorus, Swift sings the heart-wrenching lyric, “And to tell you the truth, sometimes I wish I was her.” She admits that she is not the type of girl that men are willing to change for, nor is she the unforgettable novel that they cannot get enough of. Seeing these men fall in love with her best friend while she has a history of heartbreak fills her with jealousy. However, Swift’s sweet, sentimental lyrics indicate that regardless of her personal experience with heartache, she is ecstatic that her friend is happy and in love. “When Emma Falls in Love (Taylor’s Version) (From The Vault)” is proof that Swift has been writing excellent love songs from other’s perspectives long before Folklore and Evermore were even conceptualized. I Can See You (Taylor’s Version) (From The Vault) “I Can See You (Taylor’s Version) (From The Vault)” gave me whiplash from the moment the song began. The vibe was a stark difference from anything we have ever heard from Swift. The song kickstarts with a sultry guitar riff quickly met with Swift vocalizing seductive “uh-uh, uh, uh.” Throughout the track, the production utilizes the bright sounds and the upbeat strum pattern of reggae. However, the song is anything but. It has a hint of soulful rock and synth pop to create this sensual atmosphere. The lyrics enhance this atmosphere with romantic lines teetering on sexual implications. In the chorus, Swift sings, “’Cause I can see you// Waitin’ down the hall from me// And I could see you// Up against the wall with me// And what would you do?// Baby, if you only knew// That I can see you.” With additional lyrics such as, “You won’t believe half the things I see inside my head” and “And I could see you being my addition// You can see me as a secret mission// Hide away and I will start behaving myself,” this track is the catalyst of Swift’s later released suggestive tracks, such as “Dress,” “False God,” and “…So It Goes.” The cheeky lyrics and the magnetic vibe makes “I Can See You (Taylor’s Version) (From The Vault)” my personal favorite of the vault tracks and leaves me wanting more like it from Swift. “Castles Crumbling (feat. Hayley Williams) (Taylor’s Version) (From The Vault)” The fourth vault track contains another surprising collaboration on the album with none other than Swift’s best friend, Hayley Williams of Paramore. “Castles Crumbling (feat. Hayley Williams) (Taylor’s Version) (From The Vault)” is a devastating track about the undeserving hate Swift has undergone. Although the song was written prior to Reputation and everything that led up to that album, the lyrics felt very reminiscent of that era. This leads fans to speculate that the song was written about the infamous moment at the 2009 VMAs. Swift starts the song with the lines: “Once, I had an empire in a golden age// I was held up so high, I used to be great// They used to cheer when they saw my face// Now I fear I have fallen from grace.” These lyrics feel taken straight out of a fairytale, but are saturated in Swift’s iconic imagery. The production beautifully matches this theme with a powerful haunting production that emulates a fantasy movie. Swift’s angelic voice leads the song until Williams takes over in the second verse. Once the second pre-chorus begins, the two singers harmonize with one another, bringing an additional dynamic to the track. The vocals contain an element of fragility that emphasizes the emotional atmosphere. Before the bridge begins, vocalizations that resemble the bridge in "Innocent (Taylor's Version)" lead to the climax of this track. Due to this song being confirmed about the VMA incident, these vocalizations nearly prove that this vault track is about the same event. This unique inclusion makes “Castles Crumbling (feat. Hayley Williams) (Taylor’s Version) (From The Vault)” one of the best tracks on the entire album and is an excellent example of Swift’s ingenious songwriting. Foolish One (Taylor’s Version) (From The Vault) “Foolish One (Taylor’s Version) (From The Vault)” is a melancholic country-pop song about unrequited love and inevitable disappointment. Throughout the song, Swift shares her experience of unrelenting heartache and hoping things will change, only to be left broken and scorned. In the pre-chorus, she sings: “And the voice say, ‘You are not the exception// You will never learn your lesson’” before breaking into the self-deprecating chorus. These voices tell her: “Foolish one// Stop checkin’ your mailbox for confessions of love// That ain’t never gonna come// You will take the long way// You will take the long way down.” Despite her knowing in the back of her mind that she is only going to end up hurt, she will try her “best to seem bulletproof” and hope that one day they will end up together. In the bridge, the lyrics reveal the heartbreaking reality that her lover will end up with another woman while Swift is left alone, wondering what went wrong. Paired with this vulnerable storyline, the song is led by an acoustic guitar and a catchy beat that perfectly exemplifies Swift’s country-pop sounds found in her early years. Timeless (Taylor’s Version) (From The Vault) “Timeless (Taylor’s Version) (From The Vault)” immediately made me recall “Mary’s Song (Oh My My My)” from her first album. Both songs are a sweet country ballad that guides the listener through a perfect love story that was written in the stars. Swift begins this vault track with a soft acoustic guitar to set the delicate vibe, before her melodic voice begins. She sets the scene of an old antique shop with vintage photos, before diving into a love that is so perfect, it is timeless. Throughout the track, she tells her lover that even in another life, in another time, they would have still found each other. They are each other’s destiny, so even in 1944 during the war or in the 1500s when she was betrothed to another man, he would have still been hers. The song takes the listener through this sweet, sentimental storyline before landing on the final chorus where she describes how they truly met. The song is a perfect first dance song at a wedding and proves that no matter what Swift does as an artist, she is a songwriter first and foremost, and will always write songs that evoke feelings of nostalgia and love in her listener’s hearts. “I Can See You (Taylor’s Version) (From The Vault)” Music Video Surprise A couple months ago, I wrote an article for the Top 13 Taylor Swift Music Videos. Swift decided to say “hold that thought” and release the most iconic video of her career. The night the album released, the singer had a show in Kansas City, Missouri. During her surprise song act, she announced the premiere of the music video for “I Can See You (Taylor’s Version) (From The Vault)” and played the video for the lucky fans at the show. The video consists of Swift’s iconic easter eggs she likes to sneak into her videos, such as a hint that the next re-recording is her 5th album, 1989. However, the most chaotic part of the video were the guest stars. In the video, Speak Now Taylor Swift is seen locked in a vault, unable to escape. Iconic members of the original era spend the video breaking her out. Two of the guest stars include Joey King and Presley Cash, whom both starred in the original “Mean” music video. However, the most surprising of the cast is Taylor Lautner, her former boyfriend and the muse of the album’s third track, “Back to December (Taylor’s Version).” Throughout the video, references to the original era, including props and outfits, are scene while King’s and Lautner’s characters are sneaking in to save Speak Now Taylor, while Cash is in the getaway van, controlling the cameras. The spy movie imagery is a perfect metaphor for Swift reclaiming her masters while utilizing major influences and themes of the original recording. The music video is filled with sweet nostalgia that is bound to make every single Swiftie emotional. Speak Now (Taylor’s Version) managed to exceed my already high expectations. The quality was crisp and clear, while maintaining the integrity of the songs. Even with the lyric change in “Better Than Revenge (Taylor’s Version),” I feel like nothing has changed, other than Swift regaining ownership of her hardwork. The vault tracks may be the best ones fans have received from any of the re-recordings, each with a different sound that mixes multiple genres. Speak Now (2010) was already Swift’s first attempt at genre-blending, so it is no surprise that the vault songs have even more rock and pop influences. With her latest re-recording, Swift is halfway finished reclaiming her stolen art, with Taylor Swift, 1989, and Reputation ready to be broken out of the vault. Written By Karlee Skipper Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Estonia’s Eurovision representative, ALIKA, is showcasing her true versatility and strength as an artist with her new single “Too Much”. Contrasting her previous works, “Too Much” is a much happier and more carefree song, with an overarching message of not being afraid of doing what you want to do. In the first verse, ALIKA talks about how people are bringing her down with untrue words. But, she has drive and she wants to make it to the top, and she won’t stop until her success is real. Then in the pre-chorus, she goes on to say that people tell her she’s not good enough. However, ALIKA realizes that she’s worked too hard for her success for it to be brushed off as luck, and she concludes that she’s “a bit too much”. In the next verse, ALIKA talks about some hard truths. She says that people lie and think they’re right, and they’re unaware that “rules don't apply when you're high and you're never coming down”. She closes off the song with the bridge, asking if people have ever been in her place of success where people are telling you stories to convince you to not go after your dreams. In the choruses of the song, she utilizes the non-lexical vocable “na” to balance the darker lyrics. The sound in “Too Much” is quite different from ALIKA’s previous works. It uses a stripped acoustic guitar in the verses alongside various rhythmic claps. But then in the chorus, the sound is much more filled by the many voices singing along with the melody. Her vocals have a very punchy presence, which pairs perfectly with the vibe of the lyrics. In interviews, ALIKA has expressed her love for rock music, and this is a perfect example of her rock influences trickling into her music. Many Estonian listeners are used to hearing ALIKA’s powerhouse vocals, and this song takes a step back from her usual style with less challenging melodies. It is a fresh new sound, and she doesn’t need to showcase her breathtaking vocals to make the music great. 20-year-old ALIKA, whose full name is Alika Milova, got her first break by winning Estonia’s version of Idol entitled Eesti otsib superstaari in 2021. ALIKA, however, is no stranger to singing contests, participating in the Baltic Voice, New Wave Junior, Kaunas Talent, and Bravo Song Contest, among others. Her first three singles Õnnenumber, Bon Appetit, and C’est La Vie all reached the top of Estonian radio charts. Most famously, ALIKA participated in Eurovision, an international song competition in Europe, which is organized every year by the European Broadcasting Union. ALIKA came in eighth place in this year’s Eurovision competition, which was the highest Estonia had placed since 2018. Written By Lauren DiGiovanni FOLLOW ALIKA:

Society’s got its own book of rules– for girls, no matter where they’re from, it’s a mile long. The usual suspects include wearing makeup, speaking politely, and looking pretty, skinny, and well-kept; always say “yes,” never say “no”; make sure to nod– don’t shake your head. It’s these chain-like rules that BOWIE sings about breaking in her newest single “Good All On My Own” in her upcoming EP “The Right Way Up.” “Good All On My Own” is a song for the girls (and, really, anyone who feels like they don’t fit into their assigned box in life) that reject what society expects of them– the beauty, the people-pleasing, and all the other stupid and arbitrary rules that are written in the big codex for folks to live by. “Good All On My Own” has lyrics full of conviction– the frustration is palpable throughout each verse, and, every time the chorus comes by, it’s like a huge release of stress. BOWIE sings “I’m good all on my own” with a pulsing synth in the background, inviting its listener to tap their foot along and sing with her. It’s a deeply powerful rhythm, just like its lyrics. “Good All On My Own” details the rejection of societal norms and being comfortable and proud in your own skin and self; in an audible representation of this, BOWIE sings “I’ll wait until your bubble pops” as a balloon pops in the background to a sudden silence. It’s a sober moment, but it doesn’t last for long as the best part of the song begins with a swelling choir as BOWIE croons, “I’m so good all on my own.” It feels like an anthem in the same way that anthems are meant to move entire groups of people to feel a sort of connection and kinship to the song’s message; it's that sudden realization that you don't have to subscribe to the traditional meaning of “girl” or “beauty”: you can be good all on your own. “Good All On My Own” is a universal feeling and BOWIE translates it perfectly through honest lyrics and an infectiously catchy beat. BOWIE grew up not in a cradle but in tour buses, clubs, and concert halls. Born to two professional musicians, she has been surrounded by music and the music industry her entire life. After being booked by Jules Buckley (co-founder of the Heritage Orchestra) and the WDR Funkhausorchester as a soloist, she quickly paved her way for a career in music. In November 2022, BOWIE released her debut EP “The Upside Down” while on the verge of buckling beneath the growing pressure of all the expectations that come with being a young woman– yet, she persevered, and is now releasing her next EP in September 2023, “The Right Way Up,” of which “Good All On My Own” is part of. "The Right Way Up" is also part of a concept album that is slated to release in spring 2024. With a singularly unique musical tone, filled with genuine, candid lyrics that may remind you of Regina Spektor and Ashe, and a complex and distinct musical style brimming with synth and intense rhythm, BOWIE remains a fresh voice in the pop genre. VOGUE Germany agrees, listing her as one of the six most promising rising female artists of 2023. For now, you can look forward to BOWIE’s September 2023 release of “The Right Way Up” and listen to “Good All On My Own” in the meantime. I'm looking forward to all the tunes that BOWIE's next EP will have to offer! Written By Alexa Leung FOLLOW BOWIE:

When exiting a relationship, it’s easy to fall into a state of remorse, but if you are able to look into the future with the hope of a new, better life, congratulations, you won! In Sophia Bavishi’s acoustic rendition of her 2021 track “Ya We Broke Up,” she creates a new outlook on a song about looking back at a past relationship and not feeling any regret and instead, feeling hopeful about possible future endeavors. Two years after the release of the original single, it is clear how much Bavashi has grown as an artist as her talent is able to shine much brighter in the acoustic version of “Ya We Broke Up.” There is a clear maturity in her singing, as she has gained more control and confidence. It’s clear that Sophia Bavishi has fun revisiting one of her oldest tracks, and it’s a song that is definitely worth a listen. While there are no lyrical changes, there is a difference in tone between the original and the acoustic version of the song. While the original is a more hyper-pop-sounding track, this new version comes across as an emotional ballad that shifts the entire situation presented by the song. The piano accompanies Bavishi’s voice so well and creates a much more sentimental delivery. The lyrical content paints a confident demeanor for the speaker, as they express to their past partner how they do not need them anymore. The chorus has a nice rhythm to it and there’s a fun play on words at the end where she sings “wishing you the best ex, oh,” but the line can also read as “wishing you the best, xo.” It’s a fun addition that could be intentional or unintentional. The bridge of the song includes a part where she switches to speaking instead of singing and it adds to the lighthearted nature of the track. Overall, Sophia Bavishi has executed this acoustic rendition very well and is able to showcase how much she has grown as an artist. Sophia Bavishi is a singer/songwriter who is currently studying at Arizona State University, pursuing a degree in Popular Music. She has been credited for her beautiful vocal performances and ability to write captivating songs. Recently, she has become passionate about live digital performing, as it goes along with her love of electronic music. Her musical style can be described as having a distinct alt-pop style that fits her vocals so well and paints her lyrical content in a much more vivid way. With a look at her discography, it is clear that Sophia Bavishi is growing and perfecting her craft in a way that keeps audiences on the edge of their seats, excited to see what she will do next. Written By Chantal Charles FOLLOW SOPHIA BAVISHI: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Natalie Gish is aiming for the stars in her new single, "She's Going Places." The track is filled with ambitious lyrics, outlining Gish's goals for launching her career in the music industry. Gish explains, “'She’s Going Places' was inspired by a poster on my wall with a map of the world. This song tells my story of leaving my hometown to live out my big dreams. While leaving my family and friends was hard, I knew it was important for me to step out of my comfort zone with confidence. It is a reminder to those with stars in their eyes to not hold back and accomplish their goals." The fiery new single is the first release from Gish's upcoming EP, giving us a fabulous look into what's to come. "She's Going Places" starts off with a funky synth line, setting the groovy vibe of the song. Natalie Gish enters the track with her lush, clean vocals, flawlessly delivering lines of ambition and dreams. The track seamlessly fuses characteristics of pop, electropop, dance pop, and funk together to create a truly dynamic vibe. "She's Going Places" is propelled forward by driving beats and features a mid-tempo feel that's perfect to dance along to. Giving listeners a track to play on repeat, Gish tastefully pairs the lyrics with memorable melodies and catchy hooks. The sound created in "She's Going Places" is a nuanced one, being on par with acts like Becky G, Meghan Trainor, and Ariana Grande. Hailing from Kansas, Natalie Gish is a now Nashville-based artist with a longtime passion for the performing arts. She released her debut EP in 2021, garnering the support of Pop Wrapped, CelebMix, Music-News, and Skope Mag. Prior to the release, Gish had been given the opportunity to develop her singing and songwriting talents through the 2019 Launch Showcase in Chicago. She later co-wrote songs for her EP with her team in New York and Nashville. Looking to advance her career in the music industry, Gish now attends Middle Tennessee State University as a Commercial Songwriting major. She cites Ella Fitzgerald, Etta James, and Billie Eilish as her main influences. Some of Gish's most popular releases include "The End of Something Good," "Say Goodbye," and "Where I Was Before." Written By Cheyenne Johnson FOLLOW NATALIE GISH:

"Boyz Talk" is a new single released by Efi Gjika on June 23, 2023. The track captures the teenage girl angst, confusion, hope, and frustration of relationships with boys. Boys think they understand girls, but truthfully, they often miss the mark. Here, Gjika explores these experiences and emotions in an energetic, electrifying song. Her vocals shine bright backed by catchy pop rhythms that make you feel empowered and like dancing. The storytelling in the lyricism encapsulates experiences that many listeners can resonate with. If you're looking for the next song of the summer, this one is a good place to start. Teenage love can be so messy and difficult and hard to figure out. In this track, Gjika aims to speak to girls that have ever felt silenced or devalued in their relationship. For the boys that don't quite make these girls feel seen and heard. The uplifting message radiates through the pop-rock sounds created with exciting guitar riffs and strong vocals. It's a song that you scream, dance, and just vibe along to. She sings about boys lying about their experiences like "You made up stories that we kissed / You told them we were holding hands" and spilling all their moments to their friends. The song means to channel every girl's strength and build their self-worth, which Gjika does so powerfully. Efi Gjika is an Albanian singer-songwriter who takes inspiration from artists like Taylor Swift, Ava Max, and One Direction. Here, in "Boyz Talk," she has showcased her strengths in the relatability of her lyrics and anthemic production. This recent single continues her theme of positive energy for the year 2023. It is no wonder that Gjika has already amassed over 20,000 monthly listeners on Spotify. If this track was an enjoyable listen, don't forget to click on the links to her social media platforms below so that you can keep up with all the latest updates on her music. I am excited to see what comes next. Written By Sydney Gray FOLLOW EFI GJIKA:

Every once in a while, it is healthy to let your struggles go. After all, you will be more equipped to face them with a clear mind. In her new upbeat pop track, “Let You Go,” Sophie Gray sings about getting over a breakup. I would assume she has done everything beforehand, from ripping up the pictures to blocking them on social media. She now wants to have a fun night with her friends. This seems to be working for a little bit. However, with her inhibitions low, thoughts of lost love come rushing back. Maybe she wasn’t completely over her ex after all. Gray’s experience just goes to show that the only way to truly leave your struggles behind is to face them head on. The lyrics and instrumentation of the song are very contrasting. On one hand, the instrumentation is upbeat with a great bass line throughout. I particularly liked the dance break in the chorus. On the other hand, the lyrics talk about Gray’s struggles of getting over a breakup. Her friends are having a good time while she is stuck in her thoughts about lost love. The line at the end of the chorus sums up the message quite nicely, “And I’m sick of living with your ghost, but I’m never gonna let you go.” I think this contrast does a great job of illustrating the war within Gray’s mind. She wants to move on from her ex, but she doesn’t want to forget the good times either. This is a common obstacle when getting over a breakup. I think it’s something a lot of listeners will relate to. Sophie Gray is a U.S based singer/songwriter from Denver, Colorado who developed a love for music from a young age. She started by playing guitar and writing songs. She later started performing her work. Gray is now 18 years old and continues to work hard “Let You Go” is her first single of 2023. If you want to hear more of her, I recommend her 2021 single, “The Shock.” Similar to Let You Go,” it has a great dancing vibe. Instead of being about the sadness of a breakup, it boasts of the thrill of new love and having a crush. I can’t wait to hear the other stories Sophie Gray has to tell! Follow all of her socials below to stay up-to-date on new releases. Written By Kelli Dixon FOLLOW SOPHIE GRAY