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Drifting apart from someone is one of the worst feelings. If that person drifts too far away, all that’s left to remember them by are memories. In their latest release, “Dark Side of the Moon,” Fortune Favor crafts a dance pop lyrical story about this experience. “Breaking up” is a popular thing to write songs about, yet I think theirs is especially unique. The lyrics incorporate a space metaphor that compares breaking up to being on two different sides of the moon. Even though the track is supposed to be about a romantic relationship, the overall story is still relevant for different contexts, such as with family or friends. Listeners will love dancing to music and relating to the lyrics! The instrumentation of the song and the lyrics really contrasted with each other. On the one hand, the music itself makes you want to dance.One element that really sticks out is the buildup from the first verse to the chorus. The first verse starts out semi calm with a piano surrounded by electronic sounds. Once it gets the chorus, you hear a really crisp booming bass line and backup vocals. The change occurs as the singer asks, “why do I keep reaching out to you from the dark side of the moon?” It almost sounds like a rocket ship which fits perfectly into the space metaphor. On the other hand, the lyrics talk about the pain of drifting away from someone as the singer exclaims “Feels like we’re worlds apart staring at different stars.” The contrast worked really well though. It seems as if the music was trying to capture the feeling of being in space. Fortune Favor is an East Coast based duo consisting of Marcus Munroe and William Glingerich. While both artists have had success individually, they are a powerhouse when you put their heads together. “Dark Side of the Moon” is their fourth release of 2023. If you want to hear more of them, check out their other song, “Take the Party Home.” Similar to “Dark Side of the Moon,” the song also has a good dance beat. The lyrics address a happier side of love, as they talk about wanting to get the attention of a crush at a party. I can’t wait to hear what this duo comes up with next! Follow all of their socials down below to be the first to hear about new releases and upcoming tour dates! Written By Kelli Dixon FOLLOW FORTUNE FAVOR

"I'm Not Good At This Anymore" is an insightful track from indie singer songwriter Alexandra. Alexandra opens her heart up to listeners and honestly reccounts her personal experiences with self-reflection. In being self aware Alexandra expresses her worries and doubts on whether she will ever be enthused in a way she no longer is anymore. The vulnerable lyrics and story being told are supported by instrumentals with powerful and cathartic melodies that draw listeners into the track. With this Alexandra creates a melody that is as unique and personal as the experiences she writes about in the track, "I'm Not Good At This Anymore". Alexandra provides many elements for listeners to pull apart and analyze in her single, "I'm Not Good At This Anymore". The progression of the song's melody and rhythm are both infectious and seamless. The song starts with a simple indie-guitar sound and progresses into a fuller more cathartic melody. In this way she is able to use varying sounds and genre references in order to create a sound in "I'm Not Good At This Anymore", that is unique to Alexandra. The drums that make up the song keep a steadiness and familiarity while the guitar sounds more unsure and carries the emotional burden of the lyrical content. Alexandra is a talented indie singer-songwriter with a passion for songwriting. She was born in Ohio and is now based in Dallas, Texas where she has working on her new EP. Her honesty and vulnerability that she incorporates into her lyrics generates a creative release for both herself and the listeners of her music. Alexandra is focused on creating music that is both familiar but new. In her songs Alexandra draws listeners in with familiarity, and then once drawn in, Alexandra takes listeners down a new path of her own unique melodies and lyrics. In her newest single, "I'm Not Good At This Anymore", Alexandra displays both her lyrical and sonic talent. Written By Alison Holst FOLLOW ALEXANDRA: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo Credit: Pooja Nayyar Congratulations on the release of "hollow" ! Can you tell us a bit about the story behind this song and how it came together? Lisa: Thank you so much!! I wrote this song after a recent end of a relationship. I was feeling down at the time and really wanted to write a song to maybe feel a bit better. I was in a session with my friend and co-writer Brandon Rosenfeld and he asked what I wanted to write about. This song just poured out of us and I'm really excited about how it turned out. I wanted to get across the pain of a relationship ending but also the angst that comes with it. You've been creating music since high school and you have an impressive musical catalogue! How has your songwriting process changed over time? Lisa: Thank you, that means a lot! I started out by just writing songs in my parent's living room on the piano that got passed down to them. I would just mess around on the piano until I found a chord progression I felt attached to, and then the melody would come and the lyrics simultaneously from there. This has been the same process I've used for years. Since moving to LA and having sessions with different people, it now varies a bit more in terms of how I come up with a song. Sometimes I'd still start out on the piano while other times the song would start on acoustic guitar and we go from there. I always like starting with real instruments because it makes me feel more connected to what I'm writing. What is the best part of songwriting for you? Lisa: Can I say all of it? Hahah. Songwriting is super therapeutic to me. It feels like a journal entry in a way. I can get out on paper what I've had on my mind in an unharmful way. There are a lot of bad coping strategies out there and songwriting is one that I feel has been really positive for me. I feel so lucky to be able to do what I love for a living and maybe even help other people too. This song is part of your upcoming EP Sadie. What can fans expect from this EP? Lisa: This EP is a huge chapter of my life and lens into the deepest parts of myself. I tried to touch on a bunch of different topics of mental health and heartache that have affected me the past few years. I poured my heart and soul into this EP and I think you will be able to hear that when you listen. We are just getting started and I can't wait for you to hear what we have coming next :). Photo Credit: Pooja Nayyar You're currently on tour with Andi and Rachel Grae! Do you have a funny story or favorite memory of your tour so far? Lisa: Yesterday we were driving in downtown Chicago in our van and it started hailing out of nowhere. Like I'm talking HUGE golf ball sized chunks of ice falling from the sky. It was a bit scary but also super funny because what else can you do but laugh in that situation? We were worried that Bandago wouldn't be too happy if we had huge dents all over the van, but luckily and miraculously no dents happened. We made it to the venue safely. What message or feeling do you want listeners to take away from "hollow" ? Lisa: Even at your lowest, things will get better. I was in a dark place when I wrote "hollow" and seeing what has happened with this song and the reaction you guys have had just shows how healing music really is. Also, if they break your heart they are SO not worth it :) Interviewed By Tessa Brainard FOLLOW LISA HELLER:

Home is an abstract idea that can be found within a person or a place. But a house only becomes a home when the space that's being occupied feels like our own subjective idea of home. In other words, our emotional connection to space transforms how a given place is perceived by us. But what happens when a house ceases to be a home for us? When this house harbors and plays home to a version of ourselves that’s foreign and uncomfortable to think about? Andie Mechanic explores the confrontation with such a house that homes an older version of herself from three years ago in her new single, “Clinton”. Listen to "Clinton" by Andie Mechanic here. “Clinton” is a transformative, folk-pop single about reflecting on past selves and the mistakes that were made as these selves. The single opens with a glimpse of the confrontation that’s to come in the form of a soaring, rock-inspired distress that can be heard in the background. Afterwards, the acoustic guitar-laden ballad clues listeners in on the darkness that surrounds the artist’ past self through a folk melody. Mechanic’s vocals are bared in whispers to highlight how older versions of ourselves manage to linger around in spite of the houses we confine them to. The song’s progression leads us to a distortion where it eventually crescendos into an intense, folk-rock harmony – the hour to confront a past self has arrived. But this confrontation doesn’t hold malicious intent; it’s to provide empathy and understanding for an older version of us that was experiencing a surplus of overwhelming emotions. This intention is made clear when Mechanic returns to her soft whispering, and the single ends on the hauntingly poignant folk melody listeners became familiar with. By loaning some compassion to ourselves, we can have honest conversations about the mistakes we’ve made to make conscious efforts to grow from them. Andie Mechanic is a singer, songwriter, and current student at the Berklee School of Music in Boston set to graduate this May. The budding artist’s discography dives headfirst into grittier topics that address life’s hard truths and lingering aches with compassionate wisdom. After graduating, Mechanic’s long-term plan is to move to Los Angeles to pursue music full-time. Her short-term plans center on releasing an album and the music video for “Clinton”. All listeners know for now regarding the latter is that it’ll contain photography and videography from Hamilton College in Clinton, New York that was shot by the artist's best friend, Amaliya Rakhmatullina . While you patiently wait for updates, show Mechanic some virtual love in the form of streams, likes, and follows. Written by Giavanna Gradaille FOLLOW ANDIE MECHANIC:

Photo Credits: Frederike Wetzels It’s hard to be in a relationship where you don’t feel respected as a human being, yet you can’t stop yourself from going back because you just feel so addicted to this situation. It’s hard to stop yourself from going back, no matter how much you want to. Cupid Girl’s latest song, “I Drop Everything” is an indie pop track that articulates the difficulties of being in a toxic relationship that you keep going back to. The song serves as a comfort to those in similar situations, providing them with an outside look into how problematic these relationships are. Cupid Girl does this by putting the story into the sound of a fun and upbeat track. “I Drop Everything” is definitely a single you don’t want to miss out on and should be the latest addition to your collection. The song begins slow and steady, allowing for more of a focus on the vocal performance. Cupid Girl’s singing has an atmospheric feel that really allows for the song to feel full and cosmic. One line from the first verse that really stands out is “Am I an object just for fun?” This line truly expresses how dehumanizing these relationships can be, and how that loss of identity is often the price to be paid in order to stay with this person you can’t keep away from. Sonically, the chorus doesn’t steer away too much from the verse which makes the transition nicer. From the verse to the chorus, we do see multiple elements that are slowly added into the song, and this creates a smooth buildup. During the chorus, the line “I drop everything to come over” is repeated over and over and this paints the image of the speaker of the song continuing the pattern of going back to this person that keeps doing them harm. It shows the addictive nature of this relationship that almost mimics substance abuse. The second verse changes from the original, as it includes vocal layering that really uplifts the song to a new level. It allows Cupid Girl’s vocals to feel much more ethereal. The bridge is much quieter, and this contrasts the absolute explosion of sound that is the final chorus of the song. It leaves you feeling much more alive and brings listeners to their feet. Overall, the performance that is “I Drop Everything” will leave you struck and stunned at the talent that is Cupid Girl. Cupid Girl is a true burst of talent, whose style creates an interesting combo of both old-school and new-school indie pop sounds. Her songs carry an energy that is reminiscent of summertime, and she knows just how to paint any scene she wants. Throughout all of her songs, her unique voice stands out as powerful enough to carry any message she chooses. Although all her songs are unique from each other, Cupid Girl’s aesthetic is cohesive enough to still shine through each track. Cupid Girl is expected to release more music in the near future as she is currently building up to releasing an EP in May. Cupid Girl is definitely an artist to keep looking out for as she creates a new and unique name in the indie pop sphere. Written By Chantal Charles FOLLOW CUPID GIRL: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo credit: @bygwynethchoi Amelie Jat’s latest release, “You Ruined My Birthday”, is a teen girl anthem. It’s about heartbreaking events, but certainly not heartbreak. Amelie is not depressed, though her lyrics reflect she may have been in the past, now, she is angry. Her birthday, her birthday was ruined by someone who didn’t deserve her and she is adamant that she didn’t deserve that. She sings of the hurt they caused her but doesn’t question it, doesn’t sit in it, instead uses it simply as examples of their cruelty. “You Ruined My Birthday” is a reflection, where the excuses for behavior are gone and simple facts of mistreatment become more clear. It’s not “You Ruined My Birthday But You Got Me This Watch And You Had A Long Day…” it’s “You Ruined My Birthday” the end. There is no reasoning for the treatment she endured and she is evidently aware of this. It’s relatable, screamable, and honest story make it a compelling piece for anyone who’s been let down. The song begins with a quick, strong, drum beat, setting the tone for the remainder of it. Amelie begins singing almost immediately after this, “Got a champagne bottle I can’t wait for tomorrow, ‘cause now I’m one year older, don’t know how to do this sober”. It seems to start in the past, or at least reminiscing on the past. She touches on this issue of alcohol use only once more, shortly after this first line, and considering it seems to take place on the ruined birthday she may be implying this was yet another problem caused by the relationships that formerly pained her. The background here features a steady but slow guitar and drum beat, but it changes after only a moment into the pop punk anthem expected from the first note. The percussion picks up quickly and the listener is thrown into the chorus. The way Amelie sings here, and in other portions of the song, is purposefully concise. She doesn’t bury her former treatment under layers of emotional metaphors, she simply says what happened, almost clarifying it to herself. It is this clarity which not only makes the song extremely memorable and catchy, but also fuels the anger and feelings of justice behind it. She continues this theme with the instrumentals as well, until the second chorus finishes and the music briefly sounds techno, almost R&B. Her voice is edited and there’s a background singer, it’s a surprising but refreshing portion of the song which truly exemplifies Amelie’s creativity. But just as the listener is thrown into the first chorus, it picks up quickly again and the song ends after another rendition of it, classic and upbeat. Amelie Jat began exploring her skills as a songwriter at only eleven years old, and by sixteen she had decided on following her passion and clear talent in the music industry. She then released her first album with the help of a producer introduced to her by her former music director in school. Since then, two more have followed along with 17 singles. She’s gained nearly 86,000 followers on tiktok, upwards of 4,000 on instagram, her Spotify releases have tens of thousands of streams, and she has booked her first headline show where she’s based, in London. All while enduring those unbearable birthdays which inspired her song. Jat often uses her real life experiences as inspiration for her lyrics and it’s particularly clear in “You Ruined My Birthday”, which is in a way representative of her own years of growing and struggling within the industry. Learn more about Amelie Jat by following her below, or by simply streaming “You Ruined My Birthday” now. Written By Hailey Schap FOLLOW AMELIE:

Photo Credit: Darren Cementina Losing any prominent relationship in your life can feel as though a physical piece of you has been taken, leaving you broken and in a state of uncertainty. Maria Lane’s brand new single, “Nashville” is a heartfelt track that explores themes of change, loss, sisterhood and love. The song expresses the bond between two sisters who have grown up together, supported each other, but now must grow in separate directions. Maria’s touching lyricism will resonate with any listener who has ever had to say goodbye to a loved one. For instance, the line “I don’t know how to say goodbye, I’ve been holding back tears this entire time” reflects the sudden realization and acceptance that hits you when a distinguished chapter in your life actually meets its end. Maria Lane’s stunning vocals, melodic instrumentation and impressive lyricism establish “Nashville” as a passionate tribute to her sister and some of their most cherished memories that solidified their never-ending bond, no matter the physical distance between them. The instrumentation in “Nashville” is simple but effective. It consists of an acoustic guitar, a piano, and a cello. The guitar provides the main rhythm and harmony, while the piano adds some melodic embellishments and fills. The cello adds a warm and rich tone to the song, especially in the chorus. The song has a simple and catchy melody that contrasts with the complex and deep lyrics. Maria uses repetition, imagery, and details to convey her feelings and memories. The chorus repeats the line “You’re leaving, too Nashville” several times, creating a sense of urgency and finality. The bridge is a contrast to the rest of the song, as it changes cord progression and the melody while showcasing themes of vulnerability and resilience. Maria’s angelic and expressive voice is very distinct. She has great range and control while singing with immense emotion and clarity. Maria can sing both high and low notes with ease and power, and she can also switch between different registers and dynamics such as vibrato, falsetto and belting. The sweet instrumentation and layered, harmonious vocals make “Nashville” an emotionally impactful and poignant song that captures the bittersweet emotions of saying goodbye to a loved one who is leaving your side. Based in Brooklyn, Maria Lane is a singer-songwriter and actress with a passion for evocative storytelling. In 2021, she released her debut single, “strangers again” a heart wrenching ballad that showcases Maria’s beautiful falsetto with high-pitched vocal runs and harmonies. In 2022, she released her second single, “valentine’s day” which has accumulated over 4.2k streams on Spotify alone and later gained an accompanying official music video. In November 2022, Maria released her debut EP, “maybe I'll feel better” which features eight hypnotizing tracks, most notably “haunting me”, “crash” and “crying in a cvs” which alone has garnered over 5.7k streams on Spotify. Maria’s music is full of emotion and painfully relatable lyrics that help audiences navigate depression by focusing on growth and healing. Luckily for fans, the multi-talented artist, Maria Lane will be performing live on April 7th at the Rockwood Music Hall in New York City, where she will be playing three unreleased songs. Written By Julia Hooper FOLLOW MARIA:

Being in a long-distance relationship poses a challenge. The main difficulty with these types of relationships is the infrequency of meeting each other and the inconvenience of dealing with arguments or breakups over the phone. Not physically being around each other makes it harder to deal with issues that arise. In her song " BRB ," Joselin talks about her experience of a long-distance breakup and how it was challenging for her to end it over the phone. She also mentions the denial and expectation of her ex returning soon, only to realize that it doesn't always work that way. “ BRB ” serves as a therapeutic song not only for Joselin but also for her audience. In the song, she expresses the pain of an unexpected breakup with someone who used to be her daily source of motivation. He was her motivation to get up and out of bed every morning. By losing this person, she started to go back in the opposite direction. She shares, “ I guess this is how I made the bed. Now you’re gone, I’ll stay in it forever .” Joseline was in denial and hoped that her ex would return quickly, but he did not. She was hoping for this breakup to not last as long as it was going on for, and because it was, she struggled with these new and rough feelings that she disliked. Joselin's lyrics show her denial and longing for her ex when she says, " Cuz in another life, somewhere in my head we said BRB instead ." It can be tempting to hold on to the hope that your person will come right back to you quickly, but this mindset can be detrimental to one's mental health. You’re putting yourself in a position to feel angry and stressed if they still have not returned, or they’re taking “too long”, etc. Instead, it’s healthier to let go and move on. As everyone has gone through a breakup, Joselin's listeners can empathize with her feelings and relate to the pain of a sudden separation, especially a long-distance one. Joselin is a 21 year-old singer and songwriter from Sweden who spent a lot of her time growing up in the U.S. and Asia. She was part of a jazz band in high school in Malaysia before attending the Lillehammer Institute of Music Production and Industries in Norway a year later. Joselin then spent a year working on music production with world-class mentors in a room that she had rented out. In 2021, she studied music at Linnaeus University in Växjö, Sweden, and in 2022, she participated in the popular Swedish reality competition show "Idol," where she received a golden ticket after performing her original song " If I Had a Weapon ." She can be seen in three episodes! Keep up with Joselin by clicking on the links below and check out her latest single " BRB, " which is out now! Written By Sneet Efrem FOLLOW JOSELIN:

Never feel stressed again after listening to Paenda's new electric track, I Don’t Get Stressed. Paenda wrote this song while cleaning her apartment. She was so stressed about her responsibilities and it all flowed into this track. The song is true to its name as Paenda shows us how she eliminates stress in her daily routines. Stress is nothing fun and it may seem difficult to allow yourself to live a stress-free life. In the end, making an effort to eliminate your stress is nothing to feel guilty about. This track is an anthem for those who just want to relax. Paenda is telling the listener it’s fine to let go and enjoy the ride of life and we should all take the advice. Pop star Paenda is in her element in I Don’t Get Stressed. This song is a single from her upcoming LP Culture which features more of her vibrant sound. Taking her knack for EDM-style instrumentals and mixing them with chill beats that embody a stress-free attitude. She sings about how even though stress can keep you back and affect your day-to-day life; She chooses to throw out all the things that keep her stressed and just stay in for once. Sometimes you need a day in bed and there's no shame in that. The song isn’t just about everyday stress. In this track, Paenda uses each verse as a reminder to take the pressure off of herself as an artist and just let things be, something that can be hard for her. Paenda wrote, produced, and performed this track. Showcasing her incredible talent. The beat works perfectly. They follow the lyrics and match the vibe of the song entirely. Paenda is an Austrian-based singer, songwriter, and producer. She has been working on music since 2016 and has built a sizable fan base from these years of work. She began her journey in the underground indie scene. Making waves there while fine-tuning her craft, she began to find major footing in the electro-pop genre. Paenda is known, today, for her vibrant blue hair, authentic lyrics, and her ear for electronic pop. With her training in musical technique, she embeds a certain vibe into her music that adds a flair to who she is. She is a star and doesn’t plan on stopping her shine any time soon. Written By Kaiana Lee FOLLOW PAENDA:

Everyone fights invisible battles that no one else sees. Those strangers you pass walking down a street could carry the weight of the world on their shoulders, and you would never know. Miles Arnell has created an ode to those battles with his new single, "Deep End." The track is about being plunged into the deep end of depression, heartbreak, and loneliness—emotions that are at the heart of many people's hidden struggles. Having a double meaning, "Deep End" also tackles Arnell's personal feelings. He dives into the confusion surrounding a romantic situation gone bad with a close friend. We've all figuratively drowned in the deep end at least once, making this single a relatable tune for anyone listening. "Deep End" features a more relaxed atmosphere, leaning into the melancholy meaning behind the lyrics. Miles Arnell delivers catchy melodies, backed by electropop beats. The percussion-driven track settles in to a chill groove, making "Deep End" ooze a laid-back energy. Arnell's crisp vocals and the single's electropop vibe creates a combination reminiscent of Glass Animal's "Heat Wave." Though "Deep End" gives off a sadder mood, the track is full of memorable earworms. This song is bound to be played on repeat and would be a perfect addition to any pop enthusiast's playlist. Travelling decades back in time, Miles Arnell has taken the pop scene by storm with his flashy, dapper style. The pop singer-songwriter has created a unique sound, deeming it "luxury pop." Arnell tastefully blends elements of pop, soul, funk, and Rat Pack era swing, delivering fresh new finds for pop enthusiasts. He has enjoyed much success in his career so far, including opening for acts like Nelly, Redone, MAX, Kent Jones, and Big Time Rush's Logan Henderson. Arnell has been steadily writing and releasing music, garnering over 5 million streams since 2020. He is currently working on his new EP with Grammy-winning producer, Mack McKinney. A true pioneer in the pop music world, Miles Arnell has much to offer. We're excited to see what he releases next! Written By Cheyenne Johnson FOLLOW MILES ARNELL:

Photo Credit: Jake Haseldine Have you ever been scared to fall in love? In “Late July” the singer, Oliver Pinder details the fear that comes with opening up to a new partner. The musician does a phenomenal job showcasing the intoxicating feeling of new romance and how a person can‘t help falling for someone. The songwriter describes the unreal sensation that summer love can feel like. The anxiety the artist feels about his feelings are balanced by the romantic sentiment. The sweet and emotional lyrics are complemented by the relaxed melody. Overall, ”Late July” is a touching and incredible pop song that you will have playing on repeat. The song begins with a guitar riff that is joined by Pinder’s raspy vocals. As the vocalist sings about feelings, electronic noises are added to the single that add a fresh and cool sound. As the chorus begins, the melody quickens and the singer is then joined by gorgeous layered and harmonized vocals. After the second chorus, there is a musical interlude that allows the guitar to shine. Before the song ends, there is a bridge where the instrumental is lowered, so that the singer has a moment to showcase his lovely voice and thoughtful lyrics. Ultimately, Pinder should be on your list of artists to watch for his stunning, raw lyrics and fantastic voice. Oliver Pinder is a singer/ songwriter that is Los Angeles based. He is influenced by his favorite artists such as The 1975, Maggie Rogers, and Jeremy Zucker. The artist has been making music for over ten years and released his debut EP, “Island Rain” eight years ago. After his first EP, he took a break and only released one single titled, “Lockdown” within seven years. Since 2022, the singer has been inspired and has released three new amazing indie pop songs. Recently, the songwriter announced an upcoming tour in Europe, so you should grab some tickets and come see the new up-and-coming artist this spring. Written By Stephanie Berning FOLLOW OLIVER PINDER:

Have you ever met someone so great, that they seem almost too good to be true? They’re everything you've ever wanted in a partner and so you think you can trust them with your heart. But then, the too good to be true was right, and they’re not what you thought they were. Lauren Black and Bobby Crane’s song, “Hurricanes” is about thinking that we should’ve known better. We should’ve known what we were getting into when starting a relationship and jumping in too quickly. The reality is, you can't really trust anyone even if you think you know them. Sometimes it can be hard because you’re so infatuated that you ignore all the red flags. You tricked yourself into believing they were all sunshine and rainbows; but instead they turned out to be a hurricane. The intro of “Hurricanes” has a dreamy effect with Black’s soft voice leading up to an upbeat guitar melody. Her vocals have a country kick to it that’s contrasted with an alt-indie pop soundscape creating a diverse listen throughout. Her consistent tone of voice accentuates the relatable message about feeling betrayed and wishing she shouldn’t have ignored the bad signs. The bridge of the track has a sense of realization with a catchy, upbeat tempo that makes you want to dance and clap along regardless of the meaning. After the bridge, Black’s additional ad libs creates an instrumentation with the guitar melody subtly lowering in tone which enhances the emotions of regret. Then, the chorus perks back up with high energies and a lively tune along with Black’s passionate vocals enriching the energetic melody. The ending of the track goes into a fade out with her echoed voice creating the same beautiful, dreamy effect. Lauren Black is an American country singer/songwriter and guitarist based in Orange County, California, and she has been a full-time musician since 2014. The first stage she performed was at the Co-America Theatre in her hometown of Phoenix, AZ opening for Alice Cooper in the Pudding Songwriting Competition at age 16. She has performed gigs in California and won MTV’s Cover of the Month Competition which received 34 million votes. She has landed at the EMA’s in London back in Fall of 2017. Her cover of “Same Drugs” by Chance The Rapper landed her on the Discovery Weekly Playlist with Patric Johnston. Her latest original single, “Fireworks and Rooftops” that was produced by Grammy Award Winning Engineer Phil Allen was released in January of 2018. Black has a catalog of over 75 unreleased original songs and is represented by DNT Entertainment. Bobby Crane was born deaf until his corrective surgery at age four. He is now a versatile musician from Southern California and has the ability to create music all on his own. Crane loves to collab, and he believes the best way to creating music is to do it with other artists. He’s written for many artists in the industry and now, it’s his time to tell his story. Make sure to check out Lauren Black and Bobby Crane because they definitely have a lot coming! Written By Lyndsey Cheng FOLLOW LAUREN BLACK: FOLLOW BOBBY CRANE: