Laura Marano boldly stands up for herself in her clever new single, “Boundaries.” The track is about setting limits for those around you in a dignified effort to preserve individual happiness. In life, especially in the modern technological age, people are often expected to be available to others at all times. This leads to an individual being spread too thin, which results in emotional, and even physical, turmoil. Marano takes this unreasonable expectation and throws it out the window. She wants to be the best version of herself and that is impossible when too much is required of you. In the first pre-chorus, Marano reveals the hook with the lyrics: “I’m learning boundaries// I know it’s my fault that I’m without these// I just wanna make 'em feel happy// But maybe they don’t even care about me, about me.” She acknowledges that she should have had these boundaries up before, but she is adapting and learning. However, she is worried that if she does not give herself up for the people around her, they may fail to show up for her in the end—that they never truly cared. This is a feeling that many people have experienced all too well. They are petrified to put boundaries up, in fear that those whom they love will leave them. But in the end, they know that they are better off without people that take advantage of their people-pleasing tendencies. In the chorus, Marano goes on to explain why being a flexible people-pleaser causes more harm than good. She sings, “I can’t give the best of me// When I’m spread so thin// Everybody wants a piece// That I can’t give to them// Wish that I was better when it came to being friends// 'Cause when they don’t see the best of me// They don’t see me again.” When someone is spread too thin, they are not able to give their full, undivided attention to the situation or task at hand. This results in subpar outcomes and everyone involved is disappointed. Marano is worried that because her friends never get to see the best version of herself—the real version—then they will tire of her and leave. So, to counteract this, setting boundaries will help these relationships, even if it sounds counterintuitive. With “Boundaries,” Marano brilliantly articulates the internal struggle of an anxious people-pleaser when they finally find the courage to protect their heart and happiness. Laura Marano never fails to create infectious songs that contain a complex production and an unforgettable melody. “Boundaries” continues with this creative pattern, exemplifying her outstanding songwriting talent. The song kicks off with a unique intro that instantly catches the listener’s attention. The production is made-up of a rhythmic hand-clap and staggered finger-snaps with a steady bass played in the background. After a couple of measures, Marano’s compelling vocals pick up the melody as the production continues. In the pre-chorus, the finger-snaps remain while the hand-claps cease. In its place, a keyboard is introduced, adding a sultry element to the track. Then, the chorus introduces the full production, bringing back each instrument and adding a classical guitar and a synth beat that helps guide the audience through the vulnerable lyrics. In the post-chorus, Marano beautifully harmonizes with herself, showing off her impressive vocal range. When the bridge hits, she continues with incredible high notes that remind listeners that she is not just a singer, but also a natural performer. Furthermore, the corresponding music video is a brilliantly crafted imagery that brings the song’s message to life. The video shows multiple versions of Marano as plastic dolls. She is seen wearing outfits from her past, including ones from her Disney Channel days and her debut music video while she tries to be comfortable as her current self. She wants to break out of the mold that the industry has set for her, and be who she truly is without the expectations of everyone dragging her down. In the video, her past selves begin to tear her apart, making her into someone she does not recognize. But at the end of the video, the hidden version of herself, breaks through the box that is caging her in and her true self is able to shine through. The last scene shows the newest version of Marano standing confidently with a “Miss Independent” sash. She learned from her past and has grown from it by setting boundaries for those around her. The video perfectly encapsulates the message Marano spreads in the song, making “Boundaries” one of her most brilliantly written projects. Laura Marano is a singer, songwriter, and classically-trained musician. In 2019, Marano dropped her debut EP, Me. Then in 2020, she released her second EP, You. These two projects combine to showcase that “there are always two sides to every story.” In 2021, she released a deluxe version of You. In July 2022, she released the surprising third chapter, Us. Currently, fans anticipate the release of her upcoming debut album. Not only is Marano a skilled artist, she is also a talented actress. She is well-known for her role as Ally in the hit Disney Channel series, Austin & Ally. She has starred in many movies such as The Perfect Date, Saving Zoe, which she also produced, and The War With Grandpa. Her most recent film was 2022’s Netflix Original The Royal Treatment. In 2023, fans will get to watch her in the interactive Netflix Original romantic comedy, Choose Love. The movie will feature two original songs from the actress. Between her music and acting career, Marano has many projects, keeping fans on their toes for her next move. Written By Karlee Skipper FOLLOW LAURA:

Cutting toxic people out of your life is one of the most freeing feelings. You take off the rose-colored glasses and realize just how much that person was holding you back. You now know your worth and won’t let anyone else tear you down. KEHLI’s song, “Dead Body,” is a breath of fresh air in musical form. After going through a breakup, she will do everything in her power to keep her toxic ex out of her life. Every aspect of the song works together to paint a picture of newfound happiness and independence. The overall message of breaking free from something can apply to a variety of other contexts, and I think a lot of listeners will be able to relate to it! The first thing that stood out to me was how the instrumentation builds from the verses to the chorus. The first verse starts out with an edgy electric guitar strum as KEHLI is reflecting on the bad times in her relationship. She sings, “so narcissistic, how did I miss it?” The music begins to change on the phrase, “after all these things you’ve done…” The chorus then bursts forth with a louder guitar, drums, and backup vocals. At the end of the chorus, KEHLI triumphantly declares that she wants her ex back “over my dead body.” Another element of the song that I enjoyed was KEHLI’s vocals. They blended excellently with the instrumentation and you can really hear the raw emotion in her voice. KEHLI is a singer/songwriter from Dublin, Ireland who now resides in London. Her passion for music took hold at a young age when she studied music and dance in stage school. At 14, she competed on The X-Factor and The Voice which built up her fanbase. Since then, it has only grown. Her debut song, “One Last Kiss,” snagged the top 5 spots on several of UK’s club charts. KEHLI has also accumulated 1.1 million streams on Spotify alone! I loved listening to “Dead Body” and can’t wait to see what she comes up with next. Follow all KEHLI’s socials down below to be the first hear about the release of her upcoming EP! Written By Kelli Dixon FOLLOW KEHLI

“Fever” is a pop-rock ballad that explores the delicate nature of new relationships and the budding emergence of trust and faith. Once the fever of love is over, you’re left with insecurities despite your strong feelings. Vine inspires you to trod on ahead with excitement even in the face of crises, diligence, and the thin lines you walk on. Without trust in your partner, you would simply be making decisions out of fear, and though maybe you don’t mean for it to be, it’s this lack of trust that actually will lead you to lose what you so want to preserve. “Fever” follows Vine’s style to a t -- the warm acoustic instruments texturized with electronic, industrial, and organic sounds wrapped up with straightforward yet empathetic lyrics. The beautiful acoustics allow the melody to wrap all those that listen in the rush of young love, the gush of emotions that overwhelm you when the spark ignites. Vine’s lyrics are breathtakingly sincere, and the song teeters from an anthemic jam to a thoughtful narrative. Vine’s songwriting guides the audience through his personal beliefs and experience with living his best life. His charismatic voice is intense yet subtle, charming the socks off of all who listen. Born Jonathon Weinreich, Juno Vine has many talents: a musician, producer, songwriter, and multi-instrumentalist based in Tel Aviv/LA. Growing up in Melville, New York, he moved to Isreal as a kid, leading him to absorb a wide variety of musical styles and cultures in addition to his well of experience in producing and composing for artists, theater, and scores. Originally debuting in 2023, the Isreal-baed newcomer took a two-year hiatus before returning with a bang -- his first full-length album was announced to drop later this year. “Fever” is the first taste of his madness, and we can’t help for hope for more. Vine prides himself on creating music and content dealing with topics like self-esteem, self-criticism, authenticity, fulfillment, and questions about our world's direction. Written By Megan Cao FOLLOW JUNO: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Alexia Rev empowers herself after a breakup by steering into the skid and allowing herself to feel the negative emotions that come with it. “Something Again” explores the harmful patterns that people fall into when a relationship ends and describes Rev’s own experience. This notion is wrapped up in the hook found in the chorus, when she sings, “I wanna feel something again// Like it was the first time// No I won’t forget// I fell to the bottom// With one dying breath// Now I want to feel something again.” Rev illustrates this dark pit that she fell into when her heart was broken. She felt like part of her died and she was left feeling numb. Now, she has dusted herself off and desires to feel something—anything. She does not care if it is pleasure or pain; she just wants to feel human again. One of the first lyrics the audience hears is: “Keep on tryna fill the void but it ain’t enough// And so I go into the shadows// Lust into love.” She admits that her actions are only a temporary fix for her empty heart, yet she allows herself to fall back into these harmful patterns anyway. However, she lets the listener know that she is completely content with this when she sings, “I kinda like how// It feels when I’m// Outta control// Outta my body and soul// Don’t save me.” For her, this behavior mends her broken heart and she does not want anyone to intervene. She wants those around her to let her continue down this path and allow her to navigate her reintroduction back into single life the way that she wants. “Something Again” is a cleverly written track that is not only a cathartic release for Rev, but for every listener that resonates with these lyrics. “Something Again” is a high-energy pop song that ingeniously represents the carefree attitude with its upbeat rhythm and synth beats. The song kicks off with a compelling staggered keyboard intro that transitions into the first verse. The verse maintains the keyboard in the background, while adding the dreamy synth beats and mesmerizing bass on the forefront. Rev’s heavenly vocals guide the listener through the lyrical journey of heartbreak, recklessness, and healing. In the chorus, the bass and the beat mutes, focusing on a soothing synth production that sets the emotional tone of the track. Then in the post-chorus, the song takes a complete turn with a fiery take on the production. The tempo changes as the drums become the focus, paired with Rev’s voice as they provide a sultry vibe. Unique synth sound effects are heard in the background, providing a unique dynamic to the track. Then, the original production found in the first verse returns for the second verse, followed by the same chorus. The song maintains a similar structure throughout but switches up for the final chorus. Rather than the soothing, synth waves found in the previous ones, this chorus utilizes the production found in the verse, rounding out the track perfectly. Then in the outro, the production slows to the soft synth music with Rev’s muffled voice singing the first three lines of the chorus as the song steadily fades away. “Something Again” is a vibrant track with a complex production that is designed to help listeners dance away their broken hearts. Alexia Rev is a Paris-born, New York City-raised singer-songwriter, now based in Los Angeles. Coming from a family of classically trained musicians, Rev has possessed a strong admiration for music from a young age. She grew up with a mixture of influences from artists such as Ray Charles, Elton John, and Prince. These influences led to her non-genre conforming style, with a perfect blend of pop, funk, R&B, and classic rock. Rev made her debut in October 2021 with her single, “Lemonade”. After a few more releases, “Something Again” marks her first single of 2023, and her ninth single overall. In these two short years, Rev has already made huge waves in the music industry. Her songs have garnered attention from industry tastemakers, such as Mundane Magazine, Hollywood Digest, and A&R Factory in the United States, and LeFuturewav and Iggy Magazine in France. She has performed at iconic venues in Los Angeles such as The Vigil, The Mint, and Adults only. She continues to grow as an artist and is on her way to well-deserved superstardom. Written By Karlee Skipper FOLLOW ALEXIA:

“Over You” is from the perspective of someone who isn’t. The pop-punk style song is angry, feeling stuck in a past relationship, addicted to the toxicity, while wanting to move on. CeCe’s past relationship is hardly described in the song, a reflection of her mindset, continuously trying to shut it out. Her new love interest, though, is given impeccable detail and sympathy. He’s a knight in shining armor, the type to rescue one from an unhealthy relationship. Nothing could be better, and yet, she sings of cravings for the worst. “Over You” is not a song romanticizing toxicity, it’s a song about romanticizing toxicity. She misses the insanity, and calls herself insane for this desire. CeCe tells a truth many wish they could say with her confidence. Nonetheless, considering its subject matter, it’s a surprisingly healthy tale. Yes, she finds herself struggling to move on; however, she is intent on doing so. And she doesn’t bring her knight down with her. “Over You” is not only relatable to many, it’s advisory. "Over You" begins with a soft beat, but it quickly turns sharp, and CeCe begins singing. “Got a new man”, the first words of the song. When it begins, it sounds as if she truly has moved on. She sings only praise of this new relationship, but there is an overbearing sense that something is amiss. More and more audio effects are added into the background, until finally she admits “‘Cause I’m still getting over you” and the listener is reminded that this isn’t a love song, the “you” being addressed is not whom she sings so fondly of. The first chorus introduces the listener not only to CeCe’s incredible production abilities, with an astoundingly magnetic melody; but the strength and passion of her voice. She holds her final note for so long, it begins meshing with the background audio, creating a fresh, techno, sound. She goes on, singing of what she’s “supposed” to do, but keeps falling back into the sincerity of her chorus. The song ends with another rendition of it, leaving nothing but static for the following moments. CeCe was born in a rural town in Illinois and grew up on a farm, far from her current L.A. lifestyle and home. She began singing when she was five years old, a school performance, something most kids would participate in and move on from. Not CeCe. She had found her passion, she sang everywhere she could. At 18, she joined the band VilHolla and began performing across the Midwest. While touring, she was approached for the reality show The X Factor. She stood out, immediately revealing her authentic creativity, being labeled the show's “most polarizing” participant. She finished in 6th place, and with her new-found fame, set out to begin work in the music industry independently. In 2018, she created Good Wolf Entertainment, a music video production company. Now, she’s respected in several careers including fashion, production, and, of course, music. With several albums, hundreds of thousands of followers, and a fan base called “warriors”, you’d think she’s already “made it”, but I believe CeCe has just begun- stream “Over You” now and follow her below to witness her incredible journey. Written By Hailey Schap FOLLOW CECE:

Everyone tends to overthink, but it leads to unnecessary and dramatic thoughts that do nothing but cause stress. Ella Lombardi's " Burden " reflects on her believing that she is always going to become a burden in her relationships, whether they’re romantic or platonic. She constantly overanalyzes her significance to others and convinces herself that they will eventually grow tired of her and end their relationship. This pattern of behavior is not only common in Ella, but in many others as well. However, this habit is detrimental because it involves scrutinizing every little detail of your interactions with others and constantly observing their actions towards you to see if they’ve outgrown you yet. It’s both exhausting and unhealthy. Due to this habit being very common, many of Ella's listeners may identify with this song and situation, as it is relatable. As soon as the song starts, the guitar, along with Ella's soothing and angelic vocals, creates a sad tone that reflects the mood of the song. Ella begins by singing about how relationships nowadays tend to be short-lived, either based on personal experience or by seeing it happen to those around her. She repeatedly plays this scenario in her head until she starts to believe that it will happen to her too. She thinks that her relationships won't last long, and it’ll be because she will become a burden to them, causing them to eventually grow tired of her. She says that when this eventually happens, she’ll only be left with memories (“ Leave me like nobody knows it. All that's left are your drawings on my arm ”). Ella believes that because she will be abandoned too quickly (“ Stranded in silence ”) she feels like love will not be given a chance (“ Said you hate love but you haven't tried it. These days never make it that far ”). In the bridge, Ella says, “ Thought that I had moved on, but I spoke too soon. My importance leaves you with the moon ”). She worries that once the relationship ends, her significance will disappear, and they will forget all about her and what they had experienced together. She thinks that her importance will be so long gone that it's as far away as the moon is. In the outro, we hear glass shattering. This was used to signify either the damage that Ella is doing to herself mentally, or her heartbreak when her relationships end and how it feels to be immediately forgotten about. Ella Lombardi is an independent 17-year old singer and songwriter based in Southern California. She began writing original songs during the pandemic. Her songs tend to revolve around the heartbreak that she has experienced in her teenage years, and trying to navigate her emotions since they’re so new to her. She currently works part-time at a local boutique in order to fund her music. She also attends local open-mic nights in order to both promote her songs, and become more comfortable with performing live! It's obvious that she’s a hard worker and has an incredible work ethic with trying to write songs consistently, perform, work, and attend school all at once, but it’s definitely worth it for her if people around the world are loving and relating to the songs that she loves to create. Check out Ella Lombardi’s newest single “ Burden ” out now on streaming platforms! Written By Sneet Efrem FOLLOW ELLA LOMBARDI:

Many times, it becomes all too easy to lose yourself at various points throughout your life. Whether you are wrapped up in studies, a job, or even another person. But, that’s not to say you can’t always find your way back home. Jodi Valentin’s new single “the girl who isn’t scared” is reminiscent of the old saying “What’s lost can always be found.” She wrote it as an ode to the desire to reconnect with herself. Overall, this song is both incredibly nostalgic and beautiful inside and out, from the lyrics to the instrumentals. It is extremely positive and encouraging for all who have lost themselves to simply start on the bath back. You will always find it again. The song begins with a beautiful ballad on the piano as Jodi enters the verse with her voice singing in a very rich tone. As the verse continues, Jodi incorporates voice layering into the tune with perfection. Everything about this song is mesmerizing, and that beauty is heightened in the chorus as Jodi sings about how she is trying to find her way back to the girl who isn’t scared to be her. The strength of the piano and Jodi’s voice remains consistent through the second verse, where more layers are added to her voice. Throughout its entirety, this song exudes talent, whether it be the crisp musical instruments or Jodi’s soft and clear voice that reaches an impressive range. Jodi Valentin is a singer and writer originally based in Philadelphia. Throughout her career, she has put out music featured on TNT, CBS, the CW, and BET cable networks, which is a very impressive accomplishment! Recently, Jodi made a big decision and moved to New York City to pursue her dreams as a singer/songwriter. It is here where inspiration struck for her latest single “the girl who isn’t scared,” which is a past version of herself that Jodi hopes to one day become again. Other music Jodi has produced throughout her career includes her single titled “Open Ocean” which has amassed over six hundred thousand streams on Spotify. Jodi creates beautiful music, and we are excited for all her music to come! Written By Molly Schiff FOLLOW JODI:

In our modern society, technology and social media seem to be encroaching on every aspect of our lives, even romance and relationships. A world enthralled in online communication and constant change has seemingly influenced our ability to cultivate meaningful, long-standing bonds. Lucas Watt reflects upon this new romantic culture in his new single, “All My Friends”, an indie-pop single detailing the overwhelming feelings of disappointment and denial that often arise after being ghosted by a romantic interest. Lucas’s honest lyricism communicates feelings of pain and confusion. For instance, the line “I don’t know what is happening, you’ve gone ghost I’m just imagining” showcases the state of disbelief and betrayal one is left in after being cut off by someone they care about, especially when it’s out of nowhere. “All My Friends” presents audiences with themes of abandonment, resentment, denial and recovery. The track touches on relatable ideas, such as ignoring the warnings and opinions from your friends and blaming yourself for the failure of a relationship. Lucas Watt displays his talent as a brilliant lyricist, skilled producer and gifted instrumentalist in his new indie-pop single, “All My Friends”. “All My Friends”, like all of Lucas’s music, was written and self-produced at his home studio. Lucas combines groovy guitar, booming drums, rhythmic synths and raw vocals to create a beautiful and simple sound. The track builds up in intensity and emotion as it progresses, adding more layers of instrumentation and vocals. The lyrics are honest and relatable, expressing the confusion and frustration of being left in the dark by someone who you envisioned a future with. “All My Friends” contains a powerful bridge, with lyrics such as “I told my friends they should go to hell” insinuating the overwhelming denial present when avoiding the truth that those around you can plainly see. Lucas’s voice is highly expressive, ranging from soft and vulnerable to angry and powerful. His vocals are layered and harmonized at times, such as the chorus, to create a fuller and richer sound. “All My Friends” is excellently produced and performed by Lucas Watt, who showcases his talent as a singer, songwriter, and producer. Based in Yorkshire, Lucas Watt is a rising indie-pop singer-songwriter and producer. In 2017 Lucas released his debut single, “Plans” which has garnered over 5.8k streams on Spotify alone. Since then, he has acquired major success on singles such as “Tightrope”, “More Than This” and his debut EP, “Broken Reflections” which was released in 2019. There was no stopping Lucas’s ambition and achievements, with hits such as “Kind of Funny”, “I Don’t Feel Fine” and “Dirty Teens” which alone has surpassed 30.4k streams on Spotify. Lucas’s sophomore EP, “FAKE ID” was released in 2021, followed by a collaboration with Owen Norton, a pop-dance musician and producer from the UK. Their single, “Closer to You” has amassed more than 338.4k streams on Spotify since its release in 2021. In 2022, Lucas debuted his single, “Here We Go Again”, a fast-paced indie-pop track with scattered drawn-out notes, really showcasing his vocal capacity. Lucas’s latest single, “All My Friends” has already surpassed 1.7k streams on Spotify within its first three weeks of being released. 2023 is set to be a big year for Lucas, with a number of new songs and an even bigger headline show to be announced at Manchester's Deaf Institute in the coming months. You can catch Lucas Watt live on June 16th at The Spice of Life Pub and Music Bar in London. Written By Julia Hooper FOLLOW LUCAS:

Can a person’s eyes really be a “window to the soul?” I guess so, right? I mean, poker players and romantics certainly think so! What else could prompt high-stakes professionals to wear sunglasses inside? Light sensitivity? Fashion?! Well, as a romantic to my core, of course I’m sticking with the former! Eye contact might just be the most intimate, revealing form of body language possible between two people… Sometimes, when our world is crumbling around us, we’re determined to put up a front… so we don an armor smile, protecting us from the pain while our melancholy eyes tell a different tale… Or perhaps we’re happy, excited–but want to remain composed… Even the most unassuming demeanor can be dashed by a pair of sparkling eyes! With genre-bending nuance and a secret sadness, Australian alt-pop duo, Naked Face, speak to the subtle, sinister sides of life on their daring new single, ‘Eyes in Love.’ Listen to "Eyes in Love" by Naked Face Fearless coming out of the gates, these two musicians call to mind icons stretching from Maroon 5, Bastille, and beyond, blending synth-driven electronica with infectious rhythm to create a spacious, open groove. Spotlighting their obvious love for EDM, ‘Eyes in Love’ finds singer Steve Slik riding a hypnotic wave of pulsating production and tireless ‘drum n’ bass,’ leading the charge with his confident, anguished tenor. Simple lyrics, beginning with the phrase “you remind me …” propel the song forward, exploring themes of sadness and suffering, over–ironically–an energetic instrumental. “ I wrote ‘Eyes in Love’ about my struggles with a deteriorating, tumultuous relationship whilst also battling a severe post-surgical opioid addiction ” admits Slik candidly… Through the poetic, ominous verses and heart-pounding refrains, it’s easy for the listener to connect with the loss and longing that emerges from the feverish track, a poignant analogy for the dark place the singer found himself… Nostalgic beyond belief, the streamline production and anthemic lyrics of ‘Eyes in Love’ signals to the 80’s, an homage to the ‘new wave’ wonders of ground-breaking artists like Depeche Mode and Tears for Fears! Providing unwavering support across genre boundaries or time, bassist Luke House covers the low end, laying a foundation strong enough to support soaring highs and lamenting lows… Describing themselves as an “ Energy, a Mood, an Atmosphere, and a Feeling ,” Melbourne, Australia-based newcomers, Naked Face, tackle purpose and pain on their striking new offering, ‘Eyes in Love.’ Rounded out by singer/songwriter Steve Slik and bassist Luke House, this group has worked diligently to make a name for themselves over the past three years. With successful charting on Australia’s infamous Triple J radio station and a growing relationship with Sony Records, Naked Face will certainly capture your eye for a time to come! Written By: Thomas Hiscock FOLLOW NAKED FACE: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

A motivational electronic anthem that serves as a reminder to anyone to not lose hope during difficult times, because you’ll always have people at your side to uplift you. It’s an important message to write about, which is why “Help Will Be There Soon” by Minno should be the next song to be added to your motivational playlist. The song serves as a tool to help you unwind when you feel stuck and helpless, but it’s catchy enough to have fun as well. The song is accompanied by the fantastic vocal performance of Sophie DeFrench, who helps complete the track. Having such inspirational lyrics be the subject of an atmospheric electronic track serves as a reminder that these hopeless feelings are a very human and universal experience, and we should keep this in mind at all times. Minno’s track is exactly the anthem that needed to be made. The production of the song feels very futuristic and modern, as well as very clean. A nice aspect of the song is the way it’s able to build up on itself, it’s what portrays the uplifting nature of the song’s subject matter. For the most part, the lyrics of the song remain positive, but during the chorus, we see more transparency as to how it feels to be in these dark moments. There’s this clear focus on the feeling of drowning about being completely overwhelmed with despair. It makes the song feel more theatrical, the dramatization of the situation. It’s the line “SOS save my soul” that gets repeated throughout the chorus that truly stands out because it shows the speaker isn’t afraid of asking for help from their situation. It shows a level of emotional maturity to be able to admit that you need help. As mentioned before, Sophie DeFrench sings on this track and her voice is effective in emphasizing the emotions of the song. Her vocal performance helps shape the imagery in our heads as we listen. Overall, “Help Will Be There Soon” does well in pushing its message while keeping listeners entertained. Minno is an electronic music producer based in Austin, Texas. He currently has over 40,000 monthly listeners on Spotify and his most popular track, “Glory,” has over a million streams. He brings a very therapeutic and precise touch to electronic music, which is what makes his sound so entertaining. It’s a style that is often overlooked in the electronic space and this makes Minno stand out as more unique than other artists. With this fresh style, Minno brings to the table, it’s clear that he will begin to make a name for himself soon in this music space. Songs like “Help Will Be There Soon” show a level of dedication to spreading positive messages that not a lot of artists do. This is why Minno is the next artist to add to your playlist. Written By Chantal Charles FOLLOW MINNO: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Sydney Gordon has wowed us again with her new single “I Should’ve Known”. Showcasing her incredible power, Sydney speaks about betrayal and personal experiences though her deep cutting lyrics. She pulls us through this anger and leads us to a feeling of empowerment, singing, “Don’t waste your breath on me. I won't play stupid again.” Sydney is able to show us how to come back from something difficult and realize that we can all grow and become stronger from our past. She recognizes the signs from her relationship and can show us how we can always begin to sense the light at the end of the tunnel after the anger and frustration. Sydney is an alternative pop powerhouse! In “I Should’ve Known” she uses her strength fully and does not hold back. The song starts out with a soft tune and her voice begins to capture you with the first line. In the beginning she allows us to hear the sadness within her voice, but that quickly changes. Picking up with a beautiful sequence of notes, she grabs us by the heart and allows us to feel every emotion. The strong beats that hit each note align with Sydney's voice, and create a sense of roundness. This song feels like an experience, and by the end her powerful tone sends us directly into a sense of empowerment. Sydney Gordon is a rising star, growing her fanbase by releasing songs with her passionate sound. In 2022 alone, Sydney released 5 pop anthems that each provide us with more of her commanding voice. This 21 year old singer is breaking through the noise, creating fresh and memorable music for her fans. Sydney started making music at a young age, and due to that she is growing up with her fans and staying relevant to what they want to hear. Her music can be played for a plethora of different occasions. So whether you need something to blast in your headphones after a long day or something to request on a night out, Sydney Gordon has a song for that. Don’t forget to follow Sydney below, and stream her new single, “I Should’ve Known”! Written By Cate Schnoebelen FOLLOW SYDNEY GORDON: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Four years after the release of their most divisive album, Mania. Chicago-born pop rock outfit Fall Out Boy returns with their eighth album So Much (For) Stardust . The record was released on March 24th via Fueled By Ramen and has garnered massive success. Fall Out Boy never fell from grace. Having devoted fans from as far as 2002 they have found their footing again and put out another banger of an album. The album has soundscapes that pay homage to past albums such as Infinity on High and Folie à Deux. Love From the Other Side Heartbreak Feels So Good Hold Me Like a Grudge Fake Out Heaven, Iowa So Good Right Now The Pink Seashell feat. Ethan Hawke I Am My Own Muse Flu Game Baby Annihilation The Kintsugi Kid (Ten Years) What a Time To Be Alive So Much (For) Stardust Fall Out Boy’s career has been a rollercoaster. For 20+ years, we have watched them ride the highs of albums From Under the Cork Tree and Infinity on High. We have seen them experiment with their sound on both Folie à Deux and Mania. Though many believe they fell short on the electro-pop rock album Mania the group has had their fair share of successes. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurly make up the band and the influence these four have on the music industry is incredible. Regardless of your opinion of their work, it is clear that Fall Out Boy has been a substantial force since they began. Their innovative sound put them on the map in 2005 and skyrocketed them to one of the most influential emo bands of their generation. The fire never died out for them and everyone is over the moon that they have returned. So Much (For) Stardust proves that Fall Out Boy still has gas in the tank and regardless of the Young and Menace slip-up, they can return to their roots better than ever. The album stays true to their experimental nature with a culmination of classical strings and heavy guitar riffs. The album begins with dream-like orchestras that feed slowly into the rising power chord. They then explode together beautifully and introduce us to the energy the rest of the album will hold. Love From The Other Side is an opener that evokes a sense of revelation. The metaphors on this track hint at Fall Out Boys' move toward artistic pursuit rather than commercial success. The apocalypse referenced is the storm of hardships that come with being a band. constantly under the m, microscope of others and forced to pump out albums that sell rather than sticking to your roots. The title Love from the other side suggests Fall Out Boy is on the other side of this industry barrier. they have seen what the industry can do and have broken free of the apocalypse but still send love to artists stuck there currently. The album follows suit with this high energy as we switch into some of Fall Out Boys' best pop writing yet. Heartbreak Feels So Good is an upbeat earworm designed to get you on your feet. The bouncy instrumental utilizes low synth, layering vocals, and the natural sounds of drums and guitars to create this fast-paced track. It blends the classic Fall Out Boy Sound with the new perfectly while adding the same poetic lyrical feats we are used to from this band. Heartbreak Feels So Good is an anthem for those of us who chose to find the good in heartbreak. Faking a smile regardless of the tragedy we face and using it as fuel to move forward. As the chorus says “It was an uphill battle but they didn’t know we were gonna use the roads as a ramp to take off” This song leans more towards the pop sound but the defiant sounds Fall Out Boy is known for reigns true here. Hold Me Like a Grudge is one of those songs that just sticks with you. A heavy and funky bassline starts this song off setting the tone for the funkadelic journey we are about to embark on. Patrick Stump's vocals and intonations follow the bounciness of the instrumental while showing off his Michael Jackson influences expertly. In classic Fall Out Boy fashion the music video is an extension of their iconic Dance Dance video from 2005. Playfully poking at a universe where the band is no longer together, their name is fading from existence and desperately they come together for one more show to save their legacy. Fake Out slows the album down a bit. Beginning with a subdued guitar that is backed by growing drums. It then slides its way into the opening verse with an acoustic guitar. The lyrics revolve around Patrick's love for someone and how he gave his all for this relationship only for it to end abruptly. Fake Out is a song that is overlooked on this album. Fall Out Boy sticks with the slower ballads with Heaven, Iowa . This track is an explosive power ballad. Patricks take off in the chorus accompanied by piano drums and guitar. The energy of the previous songs is harnessed in an entirely different way on this dynamic anthem. So Good Right Now is another upbeat pop track that gets you in a great mood. The track takes on a carefree attitude with lyrics like “I know I made mistakes// but at least they were mine to make.” This track is the most fun on this album. It’s simple and effective. Simply there to say one thing: don’t let life bog you down and just enjoy life regardless of the mistakes you made. This track is followed by an Ethan Hawke cameo, The Pink Seashell. This spoken word is directly inspired by Hawkes's 1994 movie Reality Bites. The track signifies a transition in the album. The Pink Seashell references how life might be meaningless. Even so, the smaller moments in life are worth paying attention to. It is a transition to the heavier side of the album with I Am My Own Muse. Photo Creds: Pamela Littky I Am My Own Muse is the heaviest track on the album. The track begins similarly to Love From The Other Side . But with a sinister twist. The wintery soundscapes of the orchestra leading Love from The Other Side are now accompanied by Andy Hurley’s expert drumming. Andy leads the instrumental, adding an intensity to the track that is only heightened by the urgency in Patrick's voice as he sings the chorus. The track's moodiness serves as a proclamation. Fall Out Boy isn’t going to fall to the whims of what others want them to be. They focus on their art and no one knows what is best about Fall Out Boy than the band themselves. The punk rock roots continue on the following song Flu Game. Flu Game is a similar experience to I Am My Own Muse . utilizing heavy drums and punk influences. This track is a bubbly guitar-driven banger. Patrick sings of perseverance something the entire album seems to be referencing. Fighting your way through pain to get to the finish line and shining the entire time. This track then shifts into Baby Annihilation, a spoken word performed by Pete Wentz. Though the track has a strange title the piece is beautifully written and contemplates the changes in love and trust and how things fade and decay but remain important in our lives. This is the final spoken word on the album and it transitions to a track referencing the stress of changing lives. The Kintsugi Kid is all about embracing who you are. learning to love yourself after tragedy. Kintsugi is a Japanese art of pottery where they put broken pieces back together using a gold adhesive. The pottery that was once broken and possibly even seen as trash to some is reused and turned into something unique and beautiful just as Fall Out Boy has over these years. What a Time To Be Alive is a celebration. The track has references to the pandemic and how it felt so scary but it leads to bursting creativity and the revival of who they are. The pandemic caused a lot of reflection for many of us. Fall Out Boy took this reflection and turned it into a fun track for finding the good in their lives. The album comes to an end with the namesake track So Much (For) Stardust. This song is so strong, brings the album full circle with the orchestral instrumental we see throughout the entire work. It's so perfect the way it pulls the lyrics from Love From The Other Side. It brings a completion to the extremely satisfying album. In a way ending the thematic story, they had built in the beginning. It all comes down to this. A fairytale beginning coming to completion. So Much (For) Stardust brings everything into perspective with its choir, horns, strings, and Patrick's soulful vocals. It’s the perfect closer to an all-around great album. It’s so rare for a band that's been around for 20 years to keep their sound intact that whole time but after all this time fall out boy has proved they haven’t changed much just grown into who they are as a band. Written By Kaiana Lee Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.