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  • Review: "I Don't Get Stressed" - PAENDA

    Never feel stressed again after listening to Paenda's new electric track, I Don’t Get Stressed. Paenda wrote this song while cleaning her apartment. She was so stressed about her responsibilities and it all flowed into this track. The song is true to its name as Paenda shows us how she eliminates stress in her daily routines. Stress is nothing fun and it may seem difficult to allow yourself to live a stress-free life. In the end, making an effort to eliminate your stress is nothing to feel guilty about. This track is an anthem for those who just want to relax. Paenda is telling the listener it’s fine to let go and enjoy the ride of life and we should all take the advice. Pop star Paenda is in her element in I Don’t Get Stressed. This song is a single from her upcoming LP Culture which features more of her vibrant sound. Taking her knack for EDM-style instrumentals and mixing them with chill beats that embody a stress-free attitude. She sings about how even though stress can keep you back and affect your day-to-day life; She chooses to throw out all the things that keep her stressed and just stay in for once. Sometimes you need a day in bed and there's no shame in that. The song isn’t just about everyday stress. In this track, Paenda uses each verse as a reminder to take the pressure off of herself as an artist and just let things be, something that can be hard for her. Paenda wrote, produced, and performed this track. Showcasing her incredible talent. The beat works perfectly. They follow the lyrics and match the vibe of the song entirely. Paenda is an Austrian-based singer, songwriter, and producer. She has been working on music since 2016 and has built a sizable fan base from these years of work. She began her journey in the underground indie scene. Making waves there while fine-tuning her craft, she began to find major footing in the electro-pop genre. Paenda is known, today, for her vibrant blue hair, authentic lyrics, and her ear for electronic pop. With her training in musical technique, she embeds a certain vibe into her music that adds a flair to who she is. She is a star and doesn’t plan on stopping her shine any time soon. Written By Kaiana Lee FOLLOW PAENDA:

  • Review: "Deep End" - Miles Arnell

    Everyone fights invisible battles that no one else sees. Those strangers you pass walking down a street could carry the weight of the world on their shoulders, and you would never know. Miles Arnell has created an ode to those battles with his new single, "Deep End." The track is about being plunged into the deep end of depression, heartbreak, and loneliness—emotions that are at the heart of many people's hidden struggles. Having a double meaning, "Deep End" also tackles Arnell's personal feelings. He dives into the confusion surrounding a romantic situation gone bad with a close friend. We've all figuratively drowned in the deep end at least once, making this single a relatable tune for anyone listening. "Deep End" features a more relaxed atmosphere, leaning into the melancholy meaning behind the lyrics. Miles Arnell delivers catchy melodies, backed by electropop beats. The percussion-driven track settles in to a chill groove, making "Deep End" ooze a laid-back energy. Arnell's crisp vocals and the single's electropop vibe creates a combination reminiscent of Glass Animal's "Heat Wave." Though "Deep End" gives off a sadder mood, the track is full of memorable earworms. This song is bound to be played on repeat and would be a perfect addition to any pop enthusiast's playlist. Travelling decades back in time, Miles Arnell has taken the pop scene by storm with his flashy, dapper style. The pop singer-songwriter has created a unique sound, deeming it "luxury pop." Arnell tastefully blends elements of pop, soul, funk, and Rat Pack era swing, delivering fresh new finds for pop enthusiasts. He has enjoyed much success in his career so far, including opening for acts like Nelly, Redone, MAX, Kent Jones, and Big Time Rush's Logan Henderson. Arnell has been steadily writing and releasing music, garnering over 5 million streams since 2020. He is currently working on his new EP with Grammy-winning producer, Mack McKinney. A true pioneer in the pop music world, Miles Arnell has much to offer. We're excited to see what he releases next! Written By Cheyenne Johnson FOLLOW MILES ARNELL:

  • Review: "Late July" - Oliver Pinder

    Photo Credit: Jake Haseldine Have you ever been scared to fall in love? In “Late July” the singer, Oliver Pinder details the fear that comes with opening up to a new partner. The musician does a phenomenal job showcasing the intoxicating feeling of new romance and how a person can‘t help falling for someone. The songwriter describes the unreal sensation that summer love can feel like. The anxiety the artist feels about his feelings are balanced by the romantic sentiment. The sweet and emotional lyrics are complemented by the relaxed melody. Overall, ”Late July” is a touching and incredible pop song that you will have playing on repeat. The song begins with a guitar riff that is joined by Pinder’s raspy vocals. As the vocalist sings about feelings, electronic noises are added to the single that add a fresh and cool sound. As the chorus begins, the melody quickens and the singer is then joined by gorgeous layered and harmonized vocals. After the second chorus, there is a musical interlude that allows the guitar to shine. Before the song ends, there is a bridge where the instrumental is lowered, so that the singer has a moment to showcase his lovely voice and thoughtful lyrics. Ultimately, Pinder should be on your list of artists to watch for his stunning, raw lyrics and fantastic voice. Oliver Pinder is a singer/ songwriter that is Los Angeles based. He is influenced by his favorite artists such as The 1975, Maggie Rogers, and Jeremy Zucker. The artist has been making music for over ten years and released his debut EP, “Island Rain” eight years ago. After his first EP, he took a break and only released one single titled, “Lockdown” within seven years. Since 2022, the singer has been inspired and has released three new amazing indie pop songs. Recently, the songwriter announced an upcoming tour in Europe, so you should grab some tickets and come see the new up-and-coming artist this spring. Written By Stephanie Berning FOLLOW OLIVER PINDER:

  • Review: "Hurricanes" - Lauren Black x Bobby Crane

    Have you ever met someone so great, that they seem almost too good to be true? They’re everything you've ever wanted in a partner and so you think you can trust them with your heart. But then, the too good to be true was right, and they’re not what you thought they were. Lauren Black and Bobby Crane’s song, “Hurricanes” is about thinking that we should’ve known better. We should’ve known what we were getting into when starting a relationship and jumping in too quickly. The reality is, you can't really trust anyone even if you think you know them. Sometimes it can be hard because you’re so infatuated that you ignore all the red flags. You tricked yourself into believing they were all sunshine and rainbows; but instead they turned out to be a hurricane. The intro of “Hurricanes” has a dreamy effect with Black’s soft voice leading up to an upbeat guitar melody. Her vocals have a country kick to it that’s contrasted with an alt-indie pop soundscape creating a diverse listen throughout. Her consistent tone of voice accentuates the relatable message about feeling betrayed and wishing she shouldn’t have ignored the bad signs. The bridge of the track has a sense of realization with a catchy, upbeat tempo that makes you want to dance and clap along regardless of the meaning. After the bridge, Black’s additional ad libs creates an instrumentation with the guitar melody subtly lowering in tone which enhances the emotions of regret. Then, the chorus perks back up with high energies and a lively tune along with Black’s passionate vocals enriching the energetic melody. The ending of the track goes into a fade out with her echoed voice creating the same beautiful, dreamy effect. Lauren Black is an American country singer/songwriter and guitarist based in Orange County, California, and she has been a full-time musician since 2014. The first stage she performed was at the Co-America Theatre in her hometown of Phoenix, AZ opening for Alice Cooper in the Pudding Songwriting Competition at age 16. She has performed gigs in California and won MTV’s Cover of the Month Competition which received 34 million votes. She has landed at the EMA’s in London back in Fall of 2017. Her cover of “Same Drugs” by Chance The Rapper landed her on the Discovery Weekly Playlist with Patric Johnston. Her latest original single, “Fireworks and Rooftops” that was produced by Grammy Award Winning Engineer Phil Allen was released in January of 2018. Black has a catalog of over 75 unreleased original songs and is represented by DNT Entertainment. Bobby Crane was born deaf until his corrective surgery at age four. He is now a versatile musician from Southern California and has the ability to create music all on his own. Crane loves to collab, and he believes the best way to creating music is to do it with other artists. He’s written for many artists in the industry and now, it’s his time to tell his story. Make sure to check out Lauren Black and Bobby Crane because they definitely have a lot coming! Written By Lyndsey Cheng FOLLOW LAUREN BLACK: FOLLOW BOBBY CRANE:

  • Review: "Two Lies" - Jamison x Maria Lynn

    Love is a tricky thing sometimes. We can’t all get a happy ending like the characters in our favorite movies. Having romantic feelings for a close friend can go one of two ways. On the one hand, you want to tell them how you feel. After all, there could be a chance that they feel the same way, which could deepen the connection and make it more meaningful. On the other hand, you could also put off revealing your true feelings for the fear of ruining the relationship altogether. In their second collaboration, “Two Lies,” Jamison and Maria Lynn team up to craft a perfectly blended pop/punk track about someone who is working up the courage to reveal her romantic feelings to one of her friends. The instrumentation of the track surprised me in a good way. The first verse starts out with a slow guitar strum as Lynn reflects on her feelings she is having. Produced by Jamison and Zach Golden, I thought the music worked well because the tone matches the internal battle described in the lyrics. That is, Lynn is deciding if she should tell her friend how she really feels about them. The music bursts forth on the chorus when Lynn finally makes up her mind. Through a driving guitar and drums, she declares “I wanna f**k up the friendship, baby.” Jamison co-wrote the track with Anna Kline, and her lyrics do a great job of telling this story. More specifically, I liked how they flow. She uses the verses to express fear and hesitation. She then pushes all of that away in the chorus. Together, Jamison and Maria Lynn are a power duo, as their songs have accumulated over 35 million total streams. If you want to hear more of them, listen to their first song, “Phone Sex.” It reflects on a breakup and the freedom of being single. Both artists have had success individually as well. Jamison is a Nashville TN based singer/songwriter who works with both local and international artists and has acquired over 2 million streams. Maria Lynn is a successful musician as well. Her honest songs about life have captivated listeners, receiving over 39 million streams. I really enjoyed “Two Lies” and am excited to see what they come up with next. Written By Kelli Dixon FOLLOW JAMISON FOLLOW MARIA

  • Review: "VOID" - Melanie Martinez

    Melanie Martinez has the natural proclivity for including meticulous details and ominous aesthetics throughout her artistic career. Her music is often connected to previous songs and projects, making fans anticipate her next releases even more. Her latest single, “VOID,” continues with the concept of the afterlife found in her hit song, “DEATH.” She provides fans with a deeper insight of the inner workings of her mind, while maintaining her characteristic mysterious disposition. Throughout the track, she describes the anxious thoughts that run through her mind, confessing that she often overthinks and harshly criticizes herself. The song kicks off with Martinez repeating the eerie intro, “In the void, in the void,” before the first verse begins. The verse immediately sets the vulnerable scene, ending with the lines: “There’s rotten things left in me// Injected by society// No one here but me to judge me.” She admits that she is her own worst enemy. She has been sucked in by the negative thoughts that society has forced upon her. Even when she is alone, she still feels evaluated by these societal standards—ones that no one can uphold. In the pre-chorus, she continues the self-loathing message with the lyrics: “I hate who I was before.” Martinez is likely referring to her former persona, Crybaby, who was found in past projects. In her previous single, “DEATH”, this character was killed off and resurrected into a new persona. She has made it clear to fans that Crybaby is who she once was, but this new character is who she is now. Then, the pre-chorus continues with the grim lines, “I fear I won’t live to see the day tomorrow// Someone tell me if this is Hell,” before she breaks into the emotionally honest chorus. Martinez sings, “I gotta escape that void// There is no other choice, yeah// Tryna turn the voices// The void ate me.” She is screaming for help while she is stuck in this severe depression. She feels swallowed by the darkness with no hope of escaping—the darkness being her own self-loathing. The void she is stuck in is an inescapable purgatory that causes her to continually repeat the same detrimental patterns. Martinez recognizes the harm, but she cannot seem to stop. She conveys this with the lyrics, “Like a priest behind confession walls, I judge myself// Kneeling on a metal grater// Bloody like a body that has died and it’s myself// Tangled in my own intestines// I gotta escape the void.” This morbid metaphor illustrates Martinez harshly judging herself for the negative things only she sees in herself. As a result, she imposes severe punishments that turn into a gruesome cycle she cannot escape from. She is lost in this dark void, fighting for a way back into the light—into self-love and acceptance. This unique take on self-hatred and mental illness further exemplifies Martinez’s innate ability to turn her deepest sorrows into a hauntingly beautiful masterpiece. VOID holds a special place in both Martinez’s heart and in the hearts of her devoted fans. It is the first track that the artist produced solely on her own. The song begins with high end guitar chords being played fingerstyle, backed by the keyboard chords. After a couple measures, Martinez’s vocals are altered with an eerie voice effect as she repeats the statement, “in the void.” As it continues, the statement speeds up and increases in volume, audibly representing the unrelenting anxiety that she feels in this personal hell. The song effortlessly flows from this straight into the steady bassline leading the chorus, paired with Martinez’s compelling vocals. The bassline stands out for more than one reason. First, it is played at a register that could be captured on a normal guitar, but it is played on a bass. Furthermore, it is even more unique because Martinez has confessed that the bass guitar top line was the exact melody that she composed in a voice memo when initially writing the track. As a result, the chorus and the lyrics were born from the bassline. Along with the bass, Martinez initially added a synth drumbeat that was later replaced by her drummer’s live performance, heard in the final recording. In the second half of the verse, there are three note synth chime sounds at the end of each line that provide a dreamy addition to the production. This addition ceases in the pre-chorus, as Martinez builds up to the passion-fueled chorus. Then in the chorus, the high-hat symbol maintains the rhythm and airy synth notes are played in the background. At this point, the high energy allows Martinez to get all her emotions off her chest and scream into the void. The remainder of the track maintains a steady structure within the choruses and verses, allowing the singer to effortlessly guide the listener through the deeply vulnerable lyrics. The entire track flows together beautifully, carefully avoiding overwhelming the audience and ensuring the critical message is clearly heard. “VOID” being Martinez’s first solo-produced track, it showcases her undeniable talent and her ability to hold her own not only has a captivating singer and songwriter, but also as a skilled producer. Melanie Martinez is an American singer-songwriter from Queens. Her music career kicked off in 2012 when she competed on the third season of the singing competition, The Voice. After the show ended, Martinez began focusing on her independent music career. In February 2013, she released her debut single, “Dollhouse”. Later that year, she signed with Atlantic Records and released her debut EP, Dollhouse. Over the years, her following grew steadily as more listeners became intrigued by her eerie aesthetics and mesmerizing vocals. In 2015, she released her debut full album, Cry Baby. The album became an instant fan favorite and later garnered massive attention from the general public in 2020. The album re-entered the Billboard 200 after the track, “Play Date”, blew up on TikTok and earned a 2x RIAA Platinum certification. The album has over 3.5 billion streams worldwide and every track earned a Gold certification or higher. In 2019, she released her sophomore album, K-12, which debuted at #3 on the Billboard 200 Chart, #1 on the Billboard Alternative Album Chart, #1 on the Billboard Soundtrack Chart, and a nomination for “Top Soundtrack” at the 2020 Billboard Music Awards. Along with the album, Martinez wrote, directed, and co-wardrobe designed a 90-minute movie that encompasses the album’s themes. On the day of release, it was the sixth highest grossing film in the United States. In fall 2020, she released her EP, After School. Recently, her third full length album, Portals, was released on March 31, 2023. She will be going on tour this summer so check her social media accounts to see if she is going to a city near you! Written By Karlee Skipper FOLLOW MELANIE:

  • Review: "Tell Me What I Need To Do" - Jack Kane

    Jack Kane has done it again, releasing another catchy and relatable song. “Tell Me What I Need To Do” is the one of the 4 exciting titles on his new EP. This song presents a strong type of self awareness by telling someone that you want to be there for them whenever is possible. Jack adds “Maybe you’re not capable of fixing all their problems, but you’re going to try your best. I think a lot of the time when you’re going through something, knowing there is someone on your side fighting with you can take so much of the edge off”. His song allows us to feel like we are there following through the stages of wanting to do everything he possibly can for love. We can feel this sense of holding on through his lyrics as he describes “Call me at midnight and I’ll drive straight to your house”. It is a type of devotion we all want to feel from someone we love. This song reels you in from the very start, with the groovy pop roots at the very beginning and the captivating lyrics that support it. Starting from the top Jack taunts us with his lovely vocals. Building the beat, the drums are layered in while the song builds up. “Tell Me What I Need To Do” has a a humble and intimate tone but still captivates us, moving though at a change of pace. As the pace changes we can feel his emotion and love more while still wanting to sing along with every word. With every changing pulse of each lyric it grabs you. Leaving you feeling hooked and allowing yourself wanting to listen time and time again. Jack Kane has made his career early on in the entertainment industry by highlighting his array of skills. The 23 year old has found his love for acting and music already. Jack is from right outside of London in Hertfordshire and has an upcoming show nearby this April. His singles have already caught the ear of many fans, allowing for the excitement of his first EP. The EP also named “Tell Me What I Need To Do” consists of 4 titles that all show his storytelling and vocal abilities. excided to see what the future holds for this artist! Be sure to follow him below and keep up with all things Jack Kane! Written By Cate Schnoebelen FOLLOW JACK KANE: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Your Gentleman" - Claudia

    In the beginning stage of most relationships, the love both people have for each other remains entirely innocent and pure. Most commonly, this is dubbed the honeymoon phase, where everything is sunshine and happiness between two people who absolutely adore each other. In Claudia’s new single “Your Gentlemen,” the girl in this tune is singing to a guy in an effort to convince him that she is perfect for him. She tells him all the things she would do for him if they were dating, for instance buying him flowers and taking him to dinner, things are stereotypically done by a boyfriend. With this admission, she drives the point home that they would be equals in this relationship, making her a “gentle lady” to his gentleman. Immediately, Claudia's voice singing serenades to the boy of her affections takes over the first verse of the song. A very light and upbeat tune strummed out on an electric guitar pair very nicely with the wistful and hopeful tone of her vocals. As the first verse ticks on, Claudia continues to sing to this boy about all the ways she’ll treat him right, as a soft snapping beat is layered into the background music. This carries on into the chorus, where she really gets into all the little things she will do to treat this boy right. In the second verse, she sings more about how he makes her feel and wonders to what extent he feels the same. All throughout the song, Claudia is projecting good vibes bound to put a smile on your face every time you listen. Claudia Tan is an impressive singer, songwriter, and romance author. She graduated from Lancaster University with a B.A. in English Literature & History. Recently amassing over 10,000 followers on Instagram and on the brink of 50,000 on TikTok, a lot of Claudia’s songs have been gaining traction worldwide. She has over three million streams on her song “Bodies” and over one million on another single titled “bad together.” Needless to say, Claudia makes fantastic music and deserves each and every bit of her success. A big fan of romance novels myself, I will definitely be checking out her novels Perfect Addiction, Perfect Illusion, and Perfect Ruin. In fact, Perfect Addiction was just made into a movie! We are so excited to see all of the success Claudia will continue to amass in the future. Written By Molly Schiff FOLLOW CLAUDIA:

  • Review: "Prana" - Olla

    Olla creates an exclusive tone for her music, that she develops through her aesthetics, artistry, and musical talent. The exclusive tone also stems from the high quality sound Olla implements into her music. In this her music reveals the dedication and hard work Olla puts into her music. Olla takes her unique qualities as an artist and translates them into her song, "Prana". In "Prana", Olla reveals both her talent and skill for creating pop music. Listeners also become connected to Olla through the vulnerability she expresses with her voice and lyrics. Listeners of "Prana" are sure to be swept away into the exclusive sonic space Olla creates. Olla's single "Prana" does a great job at combining many different elements to create a seamless pop song. Olla uses varying sounds, and instrumentals that resemble contemporary pop references, while also creating her own unique signature. This along with the original lyrics and vocal styling of Olla, makes "Prana" a perfect representation of the aesthetic and artistic talents of Olla. The song's instrumentals do an amazing job at highlighting Olla's voice and the lyrics she sings. The lyrics, vocal styling, and instrumentals come together to perfectly capture the story Olla is telling. So much so that "Prana" feels like a time capsule that contains all the emotions from the experience Olla sings about. Olla is a Monaco-based singer songwriter that has a passion for all things music. Olla's passion started young, as she would begin singing at the age of four. Growing up Olla worked hard to prove the seriousness of her passions. Once older Olla began to work with a vocal coach and studied at the Musicians Institute in Los Angeles. Following her training she would decide to move to Monaco, where she would develop her artistry. Olla's career began to take shape after releasing her single "Monte Carlo". The release of this single would lead Olla to have an opportunity to perform at various private events in Monaco. Now Olla focuses on making high quality music that feels unique to her artistic visions. Written By Alison Holst FOLLOW OLLA: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Interview: "Nashville" - Maria Lane

    Photo Credit: Darren Cementina "Nashville" is such a beautiful song, congratulations on its release! Can you talk about the story behind it? Maria: Thank you so much! My sister told me last year that in 2023 she was going to officially be moving out of NYC to Nashville, and before I wrote the song she had just gotten engaged. She was my first roommate when I moved here back in 2016, we spent a total of 6 years here together, and so it was hard for me to accept that she was moving and we wouldn't be physically close to each other anymore. I picked up my guitar in November when I was processing that she would be leaving in a couple of months, and I began writing Nashville and reminiscing on our time together. Writing Nashville was closure for me that my sister is leaving. Saying goodbye to someone is really hard and that was kind of my process while writing this song. The lyrics to this song are so honest, it feels like a peek into a diary. How do you approach your songwriting process to get such a raw final product? Maria: I try to just approach it like I'm talking to the person the song is about, i try to have personal details and make it very specific because the situations I'm writing about are very specific and personal. What is the best piece of songwriting advice you've ever been given? Maria: Just write! You're gonna write a lot of bad songs before you write good ones, and your songs will continue to get better as you are constantly growing. And don't get caught up comparing your song to someone else's. Music and lyrics are personal to the artist and that is what makes songs special. You are playing a show at Rockwood Music Hall in New York City on April 7, the same day this song (and this interview!) are released! What are you most excited about for that show? Maria: Yes, my first time playing there I'm so excited! This is also how I wanted to spend my 27th Birthday this year. I have a really great band playing with me, and I'll be playing 3 unreleased songs I haven't done at a show yet and I can't wait for that first experience of playing those songs live. Photo Credit: Darren Cementina What messages do you want listeners to take away from your music? Maria: It's okay to be vulnerable and I hope my songs can be a safe space for you in whatever it is that you are going through. What is something about being a songwriter or the songwriting process that people don't usually ask about but you would like people to know? Maria: Well I often get asked a lot how much money I make being a singer/songwriter and I usually just laugh and say, "I don't". Hopefully at some point I'll get there. But just know not everyone who is a singer/songwriter is lucky enough to get to do this for a living. But I don't create and share my music for funds. I do it because I love songwriting, and it's nice to get to share parts of myself with listeners. The reward in itself is hearing how people are touched by my lyrics or hearing that a song I wrote really helped them. Interviewed By Tessa Brainard FOLLOW MARIA LANE:

  • Review: "No Control" - Peyton McMahon

    Peyton McMahon has just released a powerful new single called “No Control”. This is Peyton’s first release of the year and the artist takes you inside his head and into his personal life as he shares a vulnerable side with his listeners in a new high energy pop track inspired by his own experiences with mental health. The single, "No Control” was written about the anxiety he has had since he was young. Peyton shares that , "Whenever I'm in situations where I don't have control over the outcome, or I'm trying to make a big decision, I can sometimes overthink and worry to the extreme. It's frustrating and makes things harder than they need to be, and it can sometimes feel like an endless cycle, so I wrote this song to vent about it." The honesty in his lyrics cover an open dialogue which explores the feelings that arise during situations like these, capturing just how it affects him internally, and leaving listeners feeling empowered by the end. If you also tend to overthink and worry about situations where you don’t have any control I highly recommend giving this track a listen. With the opening lyrics, "I kinda hate the way I'm wired, my minds always on fire, I can't change it", many people can find themselves relating to his new single. "No Control" takes modern indie and alternative approaches to pop creating a refreshing blend of the two that lovers of both genres will enjoy. Listeners can expect to be taken away by Peyton's strong voice, heavy drum melodies, and infectious guitar riffs right from the beginning. One of the many highlights of this single are his honest and relatable lyrics that hit hard for anyone who has wrestled with their own inner thoughts. Peyton uses personal lyrics throughout the song to capture those intense feelings inside his mind and and brings awareness to himself, by asking, "What do I worry for?" and "Why do I have these questions?". I've learned that Peyton makes music with a goal in mind which is to reach other people and help them the way it has helped him and this song is certainly no exception to that. Peyton McMahon is a Singer and Songwriter from Louisiana. Peyton has been recognized for his emotional music which is often inspired by his own life experiences and past with anxiety. Well known for the relatability he adds in his lyrics, Peyton's vulnerability in his music connects well with those who listen. His music career first began when he started posting cover videos on YouTube ten years ago. On his channel, he has covered songs by popular artists like One Direction, Taylor Swift, The 1975 and more. Along with posting his original songs on the platform, the artist has impressively reached over 13,000 followers and hundreds of thousands of views collectively. Since then, Peyton appeared on Spotify in 2017 when he released his first singles, “Tell Me Why” and “See The Sun”. Two years later, the artist released his third single, “Liberate Me” and in 2020 to follow he released his fourth single, “Higher”. After nearly a three year hiatus, Peyton with much anticipation released his newest and 5th single to date “No Control” on March 31st, 2023. Go give his song a listen and check out his social media for upcoming releases in the future! Written By Jenna Barton FOLLOW PEYTON: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Who The Hell Do U Think U Are" - Daimy Lotus

    Trigger warning: Sexual Assault. Damiy Lotus’s newest single is a fiery pop-rock track about fighting back against the patriarchal system. Just in time for Sexual Assault Awareness Month, the singer touches on the all too real misogyny and harassment women face daily that is often swept under the rug. Women are terrified to stand our ground and to say no, petrified that what may happen instead may be even worse. In “Who The Hell Do U Think U Are”, Lotus takes a stand against these sexists and predators. She immediately kicks off her powerful message by setting the vile scene. She sings, “Take your hand off my leg// Just keep your eyes to yourself// Hm I see your worst intentions// By now I’ve learnt my lesson// Who do you think you are?” She illustrates this scene where a man is attempting to touch her in ways she does not consent to. She has learned the hard way that she needs to fight back, and she does. She is outraged by this man’s actions, and every man that came before him. Then in the pre-chorus, she explores a very controversial, yet incredibly critical topic with the lyrics: “And I know that it’s not all men// But it’s still a problem// Cause there’s enough of them// Walking home at night shouldn’t be a problem// But it’s still a problem.” Every woman knows that it is not all men, but when one out of three women have been sexually assaulted, it makes us afraid of the men we do not trust, let alone the ones we do not know. When we are alone at night, we are afraid to walk. When we see a man on the sidewalk, we cross the street to avoid them. This is a survival response after centuries of being victims to these heinous acts. Lotus continues with profound lyrics in the chorus, describing repulsive views from society. She sings, “He said she wanted more attention// Could tell by how little clothes she’s wearing// Why is it I’m such a bitch? // Cause I don’t just put up with it// Who the hell do you think you are?” Both society and the justice system often put the blame on the victim, rather than the perpetrator. This concept is infuriating to victims and their supporters. No other crime blames the victim, so why do sexual assault survivors have to endure interrogation? Lotus is rightfully angry and lets out her rage in this track. In this age of the #MeToo movement, women are still terrified to speak up; if you think you do not know anyone who has been a victim, think again. “Who The Hell Do U Think U Are” is an overwhelmingly powerful track that perfectly encapsulates this vital message, reminding victims that it is not their fault and warning perpetrators that we are not done fighting back. “Who the Hell Do U Think You Are” deserves an intense production that matches the passionate message, while ensuring it does not overpower the lyrics. Lotus flawlessly executes this throughout the song, providing a melody that replays in the audience’s mind, making certain that they never forget the track. The song begins with a muffled synth intro that slowly transitions into the verse. Lotus’s angelic vocals kick off the verse, paired with the electric guitar in the background. When the pre-chorus hits, the drum beat is introduced, adding an extra element to the angsty energy. Then, the drums mute for the first half of the chorus, drawing focus on the lyrics, before kicking off again for the post-chorus. In the second verse, the drums and the guitar remain, keeping a steady rhythm. In the bridge, the tempo slows down and the production reduces to a muted guitar and the muffled synth found in the intro, enhancing the emotional climax of the song. Lotus finishes the track with one more high energy chorus that ends abruptly in typical pop-punk fashion. Throughout the entire song, Lotus’s passionate vocals impeccably sing the lyrics while showcasing her remarkable songwriting. “Who The Hell Do U Think U Are” is perfectly crafted to represent the angsty atmosphere while ensuring the important lyrics are not overshadowed. Daimy Lotus is a Dutch pop-punk/rock singer-songwriter who is inspired by rockers like Gayle, yungblud and Fletcher. She is a huge mental health advocate and uses her music to inspire others to be their true and authentic self. She first and foremost considers herself a songwriter and has made a career out of writing for other artists, such as Paris Hilton, Phuture Noize, and Julian Jordan, just to name a few. Currently, she is mainly focusing on her solo career and has released three singles so far this year, including “Who The Hell Do U Think U Are”. If you love empowering, upbeat and enthusiastic pop rock music, then make sure to check out Daimy's other songs and follow her below. If you or someone you know is a victim of sexual based crimes, here are some resources. National Child Abuse Hotline 1.800.422.4453 www.childhelp.org National Domestic Violence Hotline 1.800.799.7233 www.thehotline.org Rape, Abuse & Incest National Network 1.800.656.4673 www.rainn.org National Teen Dating Abuse Helpline 1.866.331.9474 www.loveisrespect.org National Suicide Prevention Lifeline 1.800.273.8255 www.suicidepreventionlifeline.org Written By Karlee Skipper FOLLOW DAIMY:

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