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davvn’s latest single is an anger-fueled anthem that uses cheeky lyrics and a high energy production to expose a toxic ex-partner. “thanks!” is not about thanking them for all the love they shared, but a sarcastic way to acknowledge all the pain, anger, and sorrow they have caused. The words carry a heavy amount of resentment for the toxic person that treated them terribly. Through the use of detailed imagery and vulnerable lyrics, the band exposes this behavior. In the chorus, band member, McCall, sings, “Thanks for acting like it’s charity to even want me// Never gave compliments// Just hits to my confidence.” These words cut like knives, exemplifying the full extent of the damage done. However, McCall flips the script when she finishes up the chorus with, “So thanks for making breaking up feel so easy.” Although this person played games with her mind, it opened her eyes to just how awful they were—making leaving them easier than she had thought was possible. “thanks!” is an infectious track that acts as a cathartic release for both the band and listeners. “thanks!” is a pop-punk masterpiece that wastes no time in kicking it into high-gear. The track begins with McCall’s muffled vocals singing two lines from the chorus paired with an electric guitar. At the end of the second line, the track switches to the verse with the vocals unmuted. The steady beat in the verse pulls focus into McCall’s gorgeous vocals and the clever lyrics. The verse has synth sound effects that are reminiscent of 80s/90s pop, showcasing davvn’s famous genre blending. Then, the chorus returns with the full production of guitars and drums, continuing the angsty pop-punk genre that McCall was born to sing. Throughout the track, the listener can hear the anger in her voice and the passion from the band. “thanks!” is another outstanding addition to davvn’s discography that further cements their future as the next big pop-punk band. davvn, pronounced “dawn”, is a pop-punk duo consisting of members, McCall and Mike. In 2018, they made their debut with their Sleeping Lion collaboration, “Felt Something”. The following year, they released another collaboration “faded on you” featuring PNK FME. About a month later, they released their first solo project, “:butterflies:”. Since then, they have released several more infectious tracks. The duo is known for mixing different elements from dreamy pop, electronic pop, R&B, and rock to create a genre-blending sound that stuns listeners. Written By Karlee Smith FOLLOW DAVVN:

After years of anticipation, fans have finally received the collaboration they have been waiting for. noelle and Virginia To Vegas have teamed up in their latest single, “Daydreaming”. The track is a dreamy pop single about falling deeply in love with someone and spending every moment thinking about them. The two artists wrote the song together after noelle came up with the melody over the summer. In the first verse, noelle kicks off the track singing, “You’ve been on my mind// You’ve been driving me crazy// I can’t even sleep because I’ve been thinking ‘bout you lately.” These lyrics immediately introduce the listener to the focus of the entire song—that she is “daydreaming” about the one she loves. The infectious track produces nostalgic emotions in the listener and evokes feelings of admiration for their own partner. “Daydreaming” is composed of an ethereal pop melody that takes a hold of the listener’s mind and transports them to another world. The track opens with a synth keyboard riff that introduces the listener to the whimsical production. Then, noelle’s angelic vocals begin, leading the soothing melody. As the pre-chorus starts, the listener can slowly feel the build-up before the beat drops leading to the chorus. The synth production paired with the beats in the chorus create an otherworldly effect that consumes the listeners. In the second verse, Virginia To Vegas leads the song with his compelling vocals, meeting up with noelle’s at the end of the verse, effortlessly blending the two voices to create a heavenly effect. “Daydreaming” is the perfect single, proving that the two artists were destined to collaborate. noelle is a Canadian singer-songwriter. She has been singing from a very young age and grew up in a family that exposed her to a vast range of music. She began posting covers on YouTube, which earned her a following of 94.2K subscribers. This viral success helped her stand out to Wax Records, ultimately landing her a record deal. Virginia To Vegas is an American-born Canadian singer, songwriter, and producer. In 2014, he released his first single, “We Are Stars”, which was later included in his debut EP, Vol. I. He has over 700 million streams globally, as well as nearly 2 million monthly listeners on Spotify alone. Written By Karlee Smith FOLLOW NOELLE: FOLLOW VIRGINIA TO VEGAS:

L E A has joined forces with alternative emo artist, Bemo Rouge, to create an infectious new single. “FTS (Sick of This)” describes the difficulties of navigating life, specifically as an artist breaking into the alternative music scene. L E A expresses the feelings of wanting to prove yourself to those who have always doubted you, while fighting an internal battle, financially and mentally. However, the song contains uplifting lyrics about rejecting the negativity and believing in yourself. The most outstanding lyric is found in the pre-chorus, when they sing, “I know you saw me last year// Now I’m finally here// Watch me fucking make it.” Despite all the downsides that the industry has to offer, L E A has recognized that she has made a name for herself. Although these struggles still impact her, and she still feels the stress and anxiety of it all, she is proud of how far she has grown as an artist. These three simple lines stand out against the aggressive lyrics in the song because listeners that relate to these words are given hope for the future. “FTS (Sick of This)” is an angsty track that blends the sounds of multiple genres to create the unique production. The song kicks off with L E A singing the chorus paired with an acoustic guitar for the first four measures, setting the stage for the track. Then, the song takes an unexpected turn by using an intense electric guitar transition that is reminiscent of 1990s punk. This transition leads into the verse, where the drums are introduced, complimenting the fast-paced guitar. Throughout the track, sound effects are used to assist the drums, aiding in the unique genre blend. As the song progresses, Bemo Rouge’s vocals are heard backing up L E A’s powerful voice, further boosting the defiant mood. In the bridge, his vocals take the driver’s seat, filled with a fiery passion that leads the point home. The production combined with the fiery vocals influence the listener to release their own anger and frustrations. “FTS (Sick of This)” takes the unique talents of both artists and fuses them together to create an unforgettable collaboration. L E A is a singer-songwriter from Point Pleasant, New Jersey, now based in Los Angeles. L E A’s music blends “the boldness of punk” with the “beachiness of pop” to create the alternative pop-punk sound found in her songs. She draws inspiration from prominent acts of the genre, such as Mayday Parade, Charlotte Sands, Secondhand Serenade, and Magnolia Park. She released her debut single, “Stay Right” in 2016. Since then, she has released one EP and several standalone singles, including a handful of collaborations. Bemo Rouge is a singer, songwriter, producer, and the DJ host for Emo Nite New Orleans. In 2021, he released his first single, “Catch My Breath”, featuring fellow artist, Razzle. Since then, he has released 10 additional singles, including several more collaborations. Over this past year, he has gained a large following and developed a loyal fanbase. His music is a blend of alternative emo, pop punk, and hip-hop, creating a unique sound that defines his creative artistry. Written By Karlee Smith FOLLOW L E A: FOLLOW BEMO ROUGE:

Stalking Gia has released yet another track that highlights her outstanding songwriting and compelling vocals. “Happy Birthday!” is a “very bitter birthday anthem to sing to your favorite toxic situation-ship.” The song consists of sarcastic lyrics “celebrating” the negative person in your life, whether they are a former partner or best friend. Stalking Gia begins the track with the hook, “Happy Birthday, everybody loves you!” before kicking off the first verse, which contains lyrics revealing that she definitely does not agree with “everyone.” After describing her emotional pain, she sings, “Wish I could wish you away,” to further express her heartache, while upholding the birthday theme. Throughout the track, every lyric is saturated in sarcasm and bitterness, enhancing the cheeky storytelling. “Happy Birthday!” is an impressive addition to Stalking Gia’s discography, reminding fans why they fell in love with her from the beginning. “Happy Birthday” is a versatile track that blends the sounds of alternative pop and soft rock to create a gorgeous song that sticks with listeners. The track begins with a subtle violin sound that is met with Stalking Gia’s heavenly vocals singing the hook. Once this is finished, the first verse begins by transitioning to a steady piano melody. Halfway through the verse, the violin returns, effortlessly guiding the listener through the clever lyrics. When the chorus hits, the production intensifies with the addition of the drums and synth notes. The second verse takes a unique turn, shifting from a piano-led production to a guitar-led production. When the verse ends, the guitar is no longer present and the original production returns. The remainder of the track maintains a high-energy atmosphere, highlighting the detailed storytelling. The song then closes with an outro that reintroduces the simple production found at the beginning, ending the track with the delicate melody. “Happy Birthday!” is an enchanting track that uses cheeky lyrics and a mesmerizing production to captivate the audience. Stalking Gia is an alt-pop singer-songwriter based in New York City. In 2016, she released her debut single, “Second Nature”, kickstarting her viral fame and gaining her over 13.2 million streams on Spotify for that track alone. In 2017, fellow artist, blackbear, sampled the platinum single on his track, “Wish U The Best”. The two artists would later tour together and collaborate for their track, “Miracles”, which has earned over 4.7 million streams and was added to New Music Friday playlists. Stalking Gia has released several singles, including a few tracks under Epic Records. Since then, she has returned to releasing music independently, marking massive success and continuing to gain a loyal fan base. Written By Karlee Skipper FOLLOW STALKING GIA:

Estella Dawn has the natural talent to convey honest vulnerability in her songwriting while maintaining a sense of confidence that radiates throughout the track. With “Not A Problem”, Dawn exemplifies this reflective storytelling by expressing the somber thoughts that wrestle in her mind. A major theme within the track is not wanting to admit weakness, but acknowledging that giving in to ignorance may lead you down the wrong path. In the second verse, Dawn paints this idea beautifully with the lines, “I could rewrite the darkness that came through my family line// But the truth is I find comfort with the shadows in the room// And the monster in the corner ain’t as scary when it’s you.” Dawn admits that her family history has a grim foundation, alluding to the lyrics in the pre-chorus: “Think I’m becoming my father// Got a little too drunk.” There are things from her family that she recognizes as dark. There is a piece of her that wants to end this harmful pattern, and change her future. However, she confesses that fighting with her genetic predispositions may not be what she truly wants, and she seeks the familiarity of her troubled past. In the end, she recognizes that these demons she is facing now are not of her familial past, but of her current self that does not want to admit her flaws. Furthermore, Dawn realizing that the “monster” is not an outside force commanding her to be afraid, but rather a personification of her own fears, provides comfort in the darkness. “Not A Problem” is an incredible addition to Dawn’s discography, providing fans with yet another relatable track to cling to during life’s hardships. True to Estella Dawn’s unique artistry, “Not A Problem” is an ethereal track with a flawless production and heavenly vocals. The listener is instantly captivated by the angelic piano and the soft synth notes at the beginning of the track. When the pre-chorus begins, the production shifts to an infectious pop melody with simple synth beats that adds focus to the vulnerable lyrics. Then at the chorus, the production completely unfolds with the steady drums and the angelic vocal harmonies. With Dawn’s exceptional voice, she effortlessly guides the listener through her emotional journey. In the last line of the second verse, she uses her lower vocal register that sends chills throughout the listener’s body, bringing emphasis to the meaningful lyrics. Then in the bridge, she switches up to enchanting falsettos that take the listener by pleasant surprise. Her vocal switch further enhances the emotional element of the track, demonstrating Dawn’s passion for the words she is singing. Every aspect of the production is remarkable, but Dawn’s unique and powerful vocals drives the point home. Her vocal range and distinctive voice are one of the many reasons fans fall in love with her, and her honest songwriting and catchy production are only the icing on the cake. “Not A Problem” will remain in the hearts of listeners and leave them craving for more outstanding releases from Dawn. Estella Dawn is a singer, songwriter, producer, and multi-instrumentalist from New Zealand, now based in California. Her music does not stick to one style, but rather mixes the sounds of multiple different genres to create her own. In 2018, she made her debut with her first single, “Feet". She released several singles leading up to the onset of the global pandemic. During quarantine, she took the time to hone in on her sound and capture her true essence within her music. That year she released 10 original singles every six weeks, defining her impeccable ability to keep audiences engaged with anticipation of her next masterpiece. Since then, Dawn has released several more incredible singles and she continues to release music that reels in thousands of listeners. Written By Karlee Skipper FOLLOW ESTELLA:

Ann Gray’s poetic storytelling tugs on the heartstrings of listeners in her latest single, “Sorry Excuse”. She was inspired to write the track after reading the classic novel, Wuthering Heights by Emily Bronte, for school. She was fascinated with the concept that the main character could see their love interest in “everywhere and in everything,” including “things as small as individual blades of grass.” In the first verse, she sings, “In every single parking lot// I think I see the silhouette of you// In every grocery line I hear your// Pre-planned pick-up lines.” She continues in both verses to describe the mundane situations that remind her of her partner. Furthermore, Gray uses imagery throughout the track to paint a vivid picture of a toxic relationship where the narrator yearns for their former partner, but recognizes that they are no good for them. Many of these lyrics provide dark depictions of this toxic person that they cannot let go of, bringing tears to listeners’ eyes. In the bridge, Gray sings, “Remember New Years Eve// The alcohol on your breath// Started yelling at me in front of all my friends// Excuse you, I made excuses for you.” The vulnerability in these lines reveal the extent of the emotional abuse the narrator endured, shattering the hearts of listeners. The track provides an overwhelming sense of comfort for those that resonate with the grim lyrics, reminding them that they are not alone in these emotions. Gray’s imaginative storytelling in “Sorry Excuse” further proves her impressive songwriting, comparable to the likes of veterans in the industry. “Sorry Excuse” is a melancholy ballad consisting of vulnerable lyrics and an ethereal production. The track starts with the acoustic guitar setting the tone of the song. Gray utilizes fingerpicking to create a soothing melody before she kicks off the verse with the heartbreaking lyrics. Throughout the song, the listener is blown away by her harmonizing vocals that enhance the heavenly atmosphere of the track. The combination of the emotional storytelling and Gray’s airy voice creates a tear-jerking effect on the listener and sends chills throughout their entire body. “Sorry Excuse” is the epitome of a sad-girl indie-folk ballad, perfect for rainy winter days. Gray solidifies her impeccable artistry with the track, creating a song that will be on everyone’s favorite playlists. Ann Gray is a 16-year-old singer-songwriter from Norfolk, Virginia. When the global pandemic hit, she turned to social media to share her music by posting on Instagram, doing livestreams, and performing for virtual music festivals and open mics. In July 2021, she released her debut EP, Foolish, which consisted of 6 original tracks. After releasing several more singles, Gray took a break from releasing solo music, and released an EP with her cousin, Viv Golpira, under band name Times New Roman. The EP, entitled Calibri, consisted of 5 original tracks written by the duo. Currently, Gray is promoting her solo music with “Sorry Excuse” being her latest single from her upcoming album, The Half Of It, set for release on January 27th. Written By Karlee Skipper FOLLOW ANN:

Rita Ora has returned with her latest single, introducing her next era of music. “You Only Love Me” is a new level of vulnerability that she has never touched on in previous releases. She wrote the song during the beginning stages of her relationship with her husband. The song discusses the delicate period in a relationship when you love someone, but are unsure if they reciprocate those feelings. The pre-chorus introduces her fears with the lyrics, “I try, I try, and I try// To tell myself it’s alright// ‘Cause I’m terrified.” She then immediately follows up in the chorus with the hook: “You only love me when// The whiskey’s pouring// Four in the morning” and “You only love me when the// Night is over// No one to hold ya.” These lyrics reveal the anxiety-filled thoughts that run through her mind; That the one she loves only wants her when they are drunk and lonely, and not because they truly love and cherish her. This is a feeling that many listeners can relate to in their own life, and this song may be a sense of comfort for them. They see that Ora has gone through this complex time in a relationship, yet she still made it to the other side happily married to her partner. “You Only Love Me” is a remarkable track that perfectly encapsulates these vulnerable thoughts through a high-energy electric-pop production. “You Only Love Me” is an energetic track that effortlessly compels the audience to dance along to the infectious beat. Before the music begins, the track starts with a unique touch that only Ora can provide: a voice memo from legendary film director, Taika Waititi. As her husband, he provides his charming New Zealand accent to introduce the track saying, “Rita, it’s me.” From there, the production kicks off and Ora’s angelic vocals begin. The listener is led through the verse by a subtle piano and simple beats. This perfectly leads into the pre-chorus, where the music begins to intensify. The synth production hypes the listener up, making them anticipate the beat drop at the end of the chorus. The remainder of the track continues with a high-energy that is only found in the best electronic dance songs. The corresponding video is the perfect complement to the unforgettable track. The video is complete with a star-studded cast and intriguing visuals, including cameos from icons such as Lindsay Lohan and Kristen Stewart. Ora is found surrounded by her “badmaids”, while she is the star of the show as the stunning bride, making the video one to remember. “You Only Love Me” is a lively track that highlights Ora’s mesmerizing vocals while navigating her vulnerable emotions. Rita Ora is one of the UK’s most successful modern pop singer-songwriters. Her debut album, Ora, was released in 2012. This album topped the UK charts and included two #1 UK singles. She has a total of 4 #1 UK singles and holds the record for the most Top 10 singles for a British female artist in the history of the UK. She was recently awarded the “Entertainer Award” at the 2022 UK Glamour Women of the Year awards. She has collaborations with artists such as Cardi B, Bebe Rexha, Charli XCX, Kygo, and Iggy Azalea. She has also dabbled in acting, taking on projects such as Fast & Furious 6, the Fifty Shades of Grey trilogy, and Southpaw. She has made a huge name for herself in both the music and film industries. “You Only Love Me” is the first snippet of her highly anticipated upcoming album, set for a summer 2023 release. Written By Karlee Skipper FOLLOW RITA:

Courtney Paige Nelson’s latest single is a vulnerable track that tells her side of a heart-shattering break-up. “1-800-broke-my-heart” was written after Nelson discovered her ex-boyfriend had been cheating on her with his coworker. The track is a sense of closure for her, something she never truly got after the relationship ended. Nelson wears her heart out on her sleeve and holds nothing back through the candid lyrics. She does not hide behind metaphors and insinuations, but instead rightfully airs out her ex-partner’s dirty laundry. She begins hinting in the chorus, singing: “It was all over your face// Under her within a day// Played your joker card// But your bluff fell hard.” Then in the second verse, she drops the bomb: “I’d call that slightly evil, heartless, maybe a narcissist// Pre-mediated cheating with a girl that I fucking met.” She lays it all out on the table with that line, exposing his infidelity. The witty track proves to be a cathartic release for not only Nelson, but listeners who resonate with the clever lyrics. “1-800-broke-my-heart” is the perfect addition to every angsty break-up playlist and an excellent example of Nelson’s creative songwriting. “1-800-broke-my-heart” is an ingenious track that utilizes a memorable production to further enhance the emotional atmosphere of the song. Before the music begins, a busy tone followed by a muffled voicemail message can be heard, introducing the listener to the track. Halfway through the message, the steady beat begins, transitioning to the verse. As Nelson’s captivating vocals kick off the track, the synth melody complements the beat. Once the chorus starts, the song explodes into the full production that compels the listener to dance along to the melody and belt out the fiery lyrics. Throughout the second verse, synth sound effects can be heard, providing a unique element to the song. As the listener is guided through the track, they can feel the passion behind Nelson’s voice and the anger she feels toward her former partner. Brilliantly, she ends the track with a giggle and a simple “fuck you,” signifying how she has chosen to let go of the hurt and move on to happier matters. Nelson has created a dynamic anthem that will have listeners playing it on repeat. Courtney Paige Nelson is a singer-songwriter from San Francisco, now based in Los Angeles. She got her start as a contestant on America’s Next Top Model Season 23 where she earned 4th place. This experience set the foundation for her true passion: singing and songwriting. Nelson has written poetry since she was a child, and naturally felt compelled to become a musician. In 2020, she released her first single, “Saved Myself”. The following year she released her debut EP, Fever Dream. Since then, she has released a handful of singles, including collaborations and remixes. She is also a credited songwriter for fellow artists and continues to make a name for herself within the music industry. Written By Karlee Skipper FOLLOW COURTNEY:

Thomas Day holds nothing back in his compelling new single, “VICIOUS”. The emotional track describes the intense feelings of heartache and betrayal he experienced after a devastating breakup. Day transports the listener into his mind after he discovered that the one he loved had been lying to him. The vulnerable lyrics throughout the song provide an insight that only a brilliant songwriter can deliver. The verses offer detailed descriptions of the torment his partner put him through, while the chorus represents Day rising up through the ashes and setting himself free. He sings, “I wish we could go back to the way it was// But I’ve got my own eyes// I’ve seen enough, all the damage.” He has come to realize that his partner has damaged their relationship beyond repair and now knows he needs to let them go. Day withholds the song title until the bridge, where he ties everything together. He sings, “Thinking about all the memories I’d visit// Hoping they’ll just slowly fade away// And maybe it’s my fault// I knew you were always vicious// I just didn’t know it was a game.” Preserving the title word for this one line makes these lyrics more powerful– more potent. Day reveals that he knew his partner was toxic, but had hoped that their relationship would prevail. But in the end, he was only left hurt and betrayed. “VICIOUS” is a heart wrenching track that beautifully showcases a complicated break-up through Day’s ingenious songwriting. “VICIOUS” is an exceptional track that takes the listener by surprise with the lively production and gloomy lyrics. The song begins with a steady keyboard before Day’s voice kicks off the first verse. When he starts singing, the bass guitar is added, providing a jazzy element to the song. Once the chorus hits, the production intensifies as Day passionately sings the honest lyrics. At this point, the drums are added and the bass and keyboard change pace to match the high energy. Once the second verse commences, the production from the first verse continues, with the drums remaining present. The chorus returns with its full energy, before Day’s angelic falsettos transition the song into the calm bridge. The production mellows, drawing focus on the vulnerable lyrics, before exploding into one final chorus. Day’s remarkable talent is highlighted in “VICIOUS” through the unforgettable lyrics and infectious melodies. Thomas Day is a 20-year-old singer-songwriter from Nashville. When he was only 9-years-old, he began participating in musical theater productions. From there, he knew that music was his passion and what his future holds for him. However, when he hit high school, he veered from this path. He turned to football, where he was his school’s star kicker and received several college scholarship offers. Despite this success, his heart remained with his music career. In 2021, he chose to commit to a career in music full-time. He began posting covers on TikTok, where he currently has 6.8 million followers. In the same year that he joined the platform, he signed with Arista Records and released his debut single, “Softly”. With only 9 singles under his belt, he has over 7 million social media followers across all platforms and over 30 million global streams. Day has made a name for himself in such a short time, proving that his 9-year-old self was right all along. Written By Karlee Skipper FOLLOW THOMAS:

photo credits: Eva Smittle "I Don't Wanna Fall" is a playful and classic rock themed song by the incredible duo, Daisy The Great. Though the lyrics are about going through a silly fight with the person you love and just wanting to make up, the music itself gives a positive feel to the song. The overall soundscape feels influenced by legends like Queen and Elton John - featuring a strong piano line and prominent electric guitar throughout - but with Daisy The Great's own modern indie-pop twist and their signature captivating harmonies. This song takes you back to a time when all the instruments you heard were real and live instead of electronically produced. The music video features Daisy The Great and their band in a sequence of clips being themselves, having fun, goofing around and playing live shows. Watching them perform in this video allows you to take in the raw and real type of sound that they have as well as their incredible energy and stage presence. I have no doubt in my mind 'I Don't Wanna Fall' sounds amazing live, especially with the impressive guitar solo and again, those incredibly crafted and iconic harmonies. Daisy The Great radiates a type of realness that a lot of music is missing nowadays, which makes you want to put their music on repeat and maybe go see them live! Daisy The Great is an indie-pop duo project created by singer-songwriters Kelley Nicole Dugan and Mina Walker. The Brooklyn, New York based friends began writing music together in 2016, releasing their first ever EP together in 2018, 'I’ve Got a Few Friends and I Wish They Were Mine'. Their single off of the EP, "The Record Player Song" gained traction on TikTok in 2019, gaining over 5 million streams. Since then they've accrued almost 1 million monthly listeners on Spotify, and just recently released their second album 'All You Need Is Time' which features "I Don't Wanna Fall" and my personal favorite, "Glitter". Daisy The Great plans on going on their headline tour for this album in the Spring, so get your tickets here! Written By Kaitlyn Nicole FOLLOW DAISY THE GREAT:

"Get Better" is an earnest song from artist Ari Rizzo. Ari's intentions are to create music that makes an impact, and connects with listeners. "Get Better", is a prime example of how Ari is trying to accomplish this, and accomplishing it well. "Get Better" is sure to tug on the heart strings because the song dives into the emotions following a breakup. More specifically the song tackles the feeling of loss, and abandonment. In the song listeners can also get the sense that there was an abruptness to the loss Ari faced. The song is also really successful at combining both the emotions of anger and acceptance. Ari is recognizing his past anger and confusion, while also accepting the current reality, and realizing he is better off. Ari Zizzo does a great job both mixing acoustic and raw sounds, with more electronic pop sounds. This shows Ari’s ability to use contemporary pop references, while also maintaining a unique sound. The tempo change from the verse to the chorus makes the transition an exciting and smooth one. The faster pace of the chorus really helps in delivering the emotional intensity of the song. This song is the perfect amount of pop and emotional, leading to a cathartic experience for listeners. Listener's are also given the space while listening to "Get Better", to feel all the feelings. "I don't really care if you ever get better", is the perfect lyric to scream post breakup. Ari Zizzo was born in New York, to his musical parents on the Upper East Side. He would attribute some of his inspiration to his parents among other artists. He began his journey with music at age four, and at thirteen he was itching to be an artist. Ari would then go to college to study music, and afterward move to L.A. to pursue his artistry. Ari ZIzzo does more than just make music, he is a true artist. His intentions show his authenticity as he is setting out to make the music closest to his heart that will connect with and help others. Written By Alison Holst FOLLOW ARI ZIZZO:

Sometimes when get get into a relationship - especially one that is long term - we get so attached that we start to lose who we are as an individual. Then when you break-up, you have to learn who you are all over again and how to be by yourself. Finding yourself again can be really hard to do at first, but after a while you find a new happiness in discovering things about yourself that you might have not seen while in a relationship. Even if you're just struggling with your identity apart from it being caused by losing a relationship, I have the perfect song for you. "Somebody, Nobody" by Have A Good Day is a feel-good anthem about finding your place in the world as an individual. What makes you somebody in your own circle of the world? What makes you nobody as just a little spec in this crazy universe? This song makes you appreciate yourself and the miracles of life just a little more. "Feel-Good" music and nostalgic sounds are coming back strong in the industry and Have A Good Day are jumping on the trend with 'Somebody, Nobody'. The classic pop rhythm is paired with a bassline that you just have to get up and dance to. Dreamy synths compliment the vocals throughout the song and create a euphoric soundscape; it almost feels like an outer-body experience if you close your eyes and just listen to the incredible production and groove. This song radiates positive vibes and good energy. If you're having a rough day or need a reminder that you've got a place in this world, 'Somebody, Nobody' is the perfect pick-me-up song. Have A Good Day is a indie-pop duo project based in Australia, created by brilliant artists James MacCallum and Luke Minness. Although they both have quite an impressive amount of experience working on projects for other artists and performing as individuals, there's no doubt that Have A Good Day is going to make their mark in music. Their energetic, joyful and playful sound is undeniably captivating. Although 'Somebody, Nobody' is their debut single as a duo, they have a lot more in store for this year. Make sure to watch their official music video for 'Somebody, Nobody' directed by Marcus Wong above and follow them on their socials below to keep up with their journey! Written By Kaitlyn Nicole FOLLOW HAVE A GOOD DAY: