lovelytheband’s new single, anywhere but on my mind, is a midtempo indie/synth pop song about someone you can’t stop thinking about. No matter how hard you try, that person stays on your mind all the time. It captures that universal feeling of hearing their name through mutual friends or scrolling past their social media handles, but wishing you coudl finally move on. It was released at the perfect time since it’s giving spring heartbreak meets summer reflection. It’s catchy yet vulnerable in ways that make you feel like you’re listening to someone else sing your life story and that’s why I love indie music. One of my favorite things about listening to bands is that you can hear their insturments. I repsect that they never sacrifice that aspect of songwriting and anywhere but on my mind is no different. “Oh no, I saw you at the Beachwood Cafe again. I swore I was over it. Oh no, I heard about your weekend from one your friends and saw on the internet.” Right off the bat, they hit you with vivid scenes that sound like they were ripped straight out of a diary. Strong songwriting and strong production is hard to come by these days so I would highly recommend you check this band out. lovelytheband is an alternative rock band based in Los Angeles. The duo is comprised of Mitch Collins (lead vocalist and guitarist) and Jordan Greenwald (guitarist and keyboardist). Back in 2017, they released their debut single, “broken”, which charted for 76 weeks on the Billboard Hot 100 and is certified triple platinum. They went on to be nominated for multiple awards at the biggest award shows including Billboard, Radio Disney, Teen Choice, and iHeartRadio. Their latest album was released in 2024 so it's safe to assume they might be releasing more music this year. Written By Jazz FOLLOW lovelytheband: Instagram | Spotify | TikTok | Facebook | YouTube

Kacey Musgraves holds a shining spot in my heart. My first introduction to her came in September 2012 with the release of her debut single, “Merry Go Round.” I was only 11 years old, but I knew I’d found something special. I didn’t follow her career closely again until her magnum opus, Golden Hour, was released in 2018. That album carried me through falling in love for the first time as a young woman, and her following divorce album, Starcrossed, held me through my first heartbreak. I’ve also been a loyal listener to her sophomore album, Pageant Material, finding solace in songs like “This Town” and “Dime Store Cowgirl.” The only Musgraves album I didn’t fall in love with was her 2024 album, Deeper Well. I didn’t connect with it as deeply as her other work, so when she announced the release of her latest album, Middle of Nowhere, I wasn’t sure what to expect. However, I was hooked from the first single. Released on May 1, 2026, Middle of Nowhere is the triumphant return that I’ve been waiting for. Tracklist Middle of Nowhere Dry Spell Back On The Wagon I Believe In Ghosts Abilene Coyote (feat. Gregory Alan Isakov) Loneliest Girl Everybody Wants To Be A Cowboy (feat. Billy Strings) Horses and Divorces (feat. Miranda Lambert) Uncertain, TX (feat. Willie Nelson) Rhinestoned Mexico Honey Hell On Me Middle of Nowhere The title track for this album, “Middle of Nowhere,” finds Musgraves enjoying complete solitude, perhaps for the first time. Written during one of the longest periods of singlehood in her life, Musgraves became fascinated with the transitional states of liminal spaces, both physically and mentally. This is most prominent in this opening track as she learns to exist in a space not occupied by anyone else. As she embarks past the county line into a place with no cell service, no other humans for miles, and “no reckless men who don’t know what they want,” she realizes that there is true comfort in being alone. She doesn’t care if a past lover is trying to reach her, and she wouldn’t call them back even if she could. Dry Spell “Dry Spell” was the first single from this record, and an instant favorite of mine. Musgraves teased this track through promotional posters and billboards in various cities in the United States. These advertisements included the words, “Dry Spell? Call for a real good time,” followed by a telephone number that aired an out-of-service tone. Further advertisements featured the bull from the album’s cover art with the message, “Horny? Call for a real good time.” This track is playful and witty, with tongue-in-cheek double-entendres that make me laugh every time I hear them. It’s painfully relatable for anyone who has ever been “lonely with a capital H, if you know what I mean.” The instrumentals on this track were also a standout for me from the moment I heard it. Aside from the solace the lonely girls get from the lyrics, this track is also a hit for those of us who grew up with the desert in our blood. Ripe with a pedal steel guitar and a prominent bassline, my first thought was, "This is an album for us Southwest girls.” Back On The Wagon “Back On The Wagon” follows a toxic relationship that the narrator can’t seem to let go of. Over twangy guitars, Musgraves laments about the ways her lover has wronged her, and the ways she believes he has changed. He’s “back on the wagon,” promising her that things will be different this time. While those around her look at her doubtfully, the narrator doesn’t mind appearing delusional as long as she’s with her man. This track is painfully relatable to those of us who have gone back time and time again to someone we know has hurt us. It may be naive, but sometimes you can’t help but see the good in someone. It is said that love conquers all, but sometimes it’s better to let this one go. I Believe In Ghosts “I Believe In Ghosts” describes the sudden death of a relationship that continues to haunt Musgraves. She once felt safe with this person, only to realize that any semblance of love they gave her was just smoke and mirrors. When she tried to get close and let them into the light, they disappeared like an apparition. She can see right through them now, but as much as she wishes that this person were dead to her, their memories linger in her mind like a bad spirit. The instrumentals have a fitting spooky quality to them that helps carry the theming of the track, with steely electric guitars and a thrumming drumline backing Musgraves’ clear vocals. This is one track I’m excited to hear live, as there is a subtle dance quality to it that is sure to help me shake off any remaining bad vibes from past lovers. Abilene Reminiscent of “Blowin’ Smoke” from Musgraves’ debut album Same Trailer, Different Park, “Abilene” follows a mysterious woman escaping her hometown in search of something greater. The track follows the small town gossip spreads about her, the townspeople wondering where she’s going and why she left. Still, this talk will never reach her, as she’s miles away by now, never to return. It is said there’s no place like home, but the narrator supposes, “that’s the thing she’s countin’ on.” With plucky acoustic guitars and a simple drumline to back it, “Abilene” feels like rolling down the highway at dusk, leaving everything you’ve ever known behind. It is cathartic and heartfelt; simply put, it feels like freedom, especially for those of us who have left our own Abilenes. Coyote (feat. Gregory Alan Isakov) “Coyote,” featuring Gregory Alan Isakov, is a true treasure on this record, especially for us from the American Southwest. From the opening guitar notes, I found myself driving down a highway at night in the middle of nowhere, with nothing but cacti and miles of desert surrounding me. That is, until the coyote of this track is seen running down the road. An old flame of Musgraves’ is likened to this wild animal throughout the song, as the coyote she sees “looked like he’d been crying.” Coyotes are known to be timid and will typically flee when in contact with humans. However, they can still be dangerous if you’re not careful. Musgraves has realized that she got too close to something that needed to run free, only to hurt herself as she held out her hand to this notoriously skittish creature. My only criticism of this track is that Isakov’s voice easily gets lost. It takes a few listens to hear his vocals in the background, and even then, it is a strain to pick up. This collaboration would have been more impactful if Isakov had his own lines, especially in the second verse, as the male counterpart in this tale is supposed to voice his regret. Despite this missed opportunity for a stronger collab, “Coyote” is a haunting tune that will linger in the back of my mind for weeks to come. Loneliest Girl “Loneliest Girl” is a reflective love letter to learning to enjoy singlehood. Self-described “serial monogamist,” Musgraves uses this track to reinvent herself and finally find peace in being “the loneliest girl in the world.” She finds that she doesn’t need a partner in the ways she thought she did, and being alone might actually be better than “anything that’s taking up [her] energy.” Everybody Wants To Be A Cowboy (feat. Billy Strings) “Everybody Wants To Be A Cowboy” highlights and criticizes the mainstreaming of cowboy- and ranch-hand-inspired fashion. While many people are quick to adorn what they think is cowboy attire, Musgraves knows that they haven’t done any of the work that living off the land entails. The instrumentals are rife with impressive guitarwork. This track features famed modern bluegrass singer-songwriter Billy Strings. I haven’t listened to Strings’ work before, and I wish his vocals were more prominent in this track so I could get a true feel for his voice. Overall, this track isn’t a heavy hitter, but it is still an easy listen. Horses and Divorces (feat. Miranda Lambert) “Horses and Divorces,” featuring Texas country superstar Miranda Lambert, is a collaboration no one ever saw coming. Described as the Norteño-influenced, countryfied “Girl So Confusing,” this track sees the two singers burying the hatchet. For context, both singers are from small towns in Texas, not far from each other. Mugraves wrote Lambert’s hit single, “Mama’s Broken Heart,” which was released in early 2013. However, this song was pitched to Lambert without Musgraves’ knowledge, and while she ultimately let her have the song, the tension between them was never fully resolved. That is, until now. Maybe, “Hell just froze over,” but they’ve both come to realize their similarities are much bigger than their differences. They croon, “We’ve got a few things in common // Like horses and divorces, and we both like to drink // Maybe we’re more alike than we think.” Uncertain, TX (feat. Willie Nelson) “Uncertain, TX,” is named after a real town in Texas with a population of only 85 on the border of Texas and Louisiana, truly placing you in the middle of nowhere. Musgraves uses clever wordplay on the town name to evoke that horrible feeling of being strung along by someone who can’t decide if they want to take you seriously in love or not. The song’s featured artist is none other than American icon, country music legend and fellow Texan, Willie Nelson. Longtime friends and collaborators, Musgraves and Nelson have created another hit. The instrumentals are the focal point of this song. Backed by twelve-string guitars, Tejano-inspired, and a heavy presence of cowbell (a truly underutilized percussion, in my opinion), the pair laments over this doomed romance. As the track comes to a close with the scathe of Musgraves’ pen as she writes, “Down here in Uncertain, Texas // Nobody ever makes up their dusty, old, love-bombin' // Snake-charmin', bullshitin' // Heartbreakin', godforsaken, dumbass mind.” Rhinestoned “Rhinestoned” would sonically be right at home on Musgraves’ 2015 album, Pageant Material. There is a glittery quality to the instrumentals, overlaying a Nashville twang that would put this track right at home on that record. On “Rhinestoned,” Musgraves seeks comfort in a fellow bar patron who is enduring a similar heartache of lost love. Together, they vow to get lost in where the night takes them without overthinking it. Musgraves has “got something in [her] pocket, [they] could step out back,” that can help him forget about his troubles. With all else having failed, why not get lost in the moment? She sings, “Baby, we don’t have to be alone // Let’s get a little rhinestoned.” Mexico Honey “Mexico Honey” is a sexy standout that I’ve had on repeat. It’s fun and lighthearted, a lovely detour from some of the heavier themes on this record. It’s the perfect track for those of us who are currently all-consumed by a crush and a need for a little (but hopefully a lot of) passion. It seems that her aforementioned “Dry Spell” is blissfully broken, and she can “ride this wave ‘til it breaks.” Her desires are barely contained, flowing out of her with the quick cadence of her words and the flirty lilt to her voice. It seems she can’t even comprehend the effect his man has on her as she sings, “I want you so bad, it ain’t even funny // I mean, for real, what the hell?” She can’t get enough of him, and she’s not afraid to show it. Hell On Me The album’s final track, “Hell On Me,” ends the record on a somber note. As Musgraves reflects on a past partner, she realizes she doesn’t blame this person for the pain she felt in their relationship, as much of it was self-inflicted by her attempts to change them. She knows now that trying to be an angel for someone who was fighting their own demons did nothing but bring Hell upon her. There is nothing else for her to do now but pick herself up and move forward. The record closes out with only Musgraves’ soft vocals and a steel pedal guitar, leaving the listener to sit with the feeling of heartbreak. Middle of Nowhere is a masterclass in genre-blending and lyricism. Heavily inspired by the Mexican culture ingrained in her home state of Texas, Musgraves honors these roots throughout the record. Overall, the album is a triumph in her songwriting abilities and brings back her signature storytelling that I fell in love with so many years ago. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

We all love a good movie sometimes, and if you're reading our blog, odds are you like good music too! So, what if we told you we could give you a list of some of the best music themed movies to watch? Well, it turns out we can! Whether it's a reminiscent biopic or a family-friendly comedy, strap in because we've got you covered with 10 must-see movies about music. In no particular order, let's get into it! 10. This is It (2009) If you're a Michael Jackson fan, "This is It" is an absolute must-see for you. This film is comprised of real rehearsal footage of the King of Pop as he prepared for his London residency, intended to be his final series of performances before retirement. "This is It" offers a unique behind-the-scenes look into Jackson's performance style and creativity, showing every triumph and struggle along the way. Released shortly after his tragic passing in 2009, "This Is It" pays tribute to Jackson's impact on pop music throughout his iconic career. It's certainly worth a watch! 9. La La Land (2016) "La La Land" is a charming, romantic musical starring Emma Stone and Ryan Gosling. The pair play Mia and Sebastian, an aspiring actress and jazz pianist respectively. The story follows the couple's journey as they chase their dreams in the hustle and bustle of the entertainment industry. While charming, the film pulls at our heartstrings, showcasing in vivid color the struggles of balancing our own dreams with those of our partner. "La La Land" is a beautiful little tale with a gorgeous score and we absolutely recommend checking it out. 8. Soul (2020) Pixar's "Soul" is an incredibly imaginative animated film that explores the concept of the afterlife. You may be wondering what this has to do with music. Well, "Soul"'s protagonist, Joe Gardner (played by Jamie Foxx), is a middle school music teacher and jazz musician himself. Before his untimely death, Joe is offered the music gig of a lifetime and wants nothing more than to get back to Earth and play that show! Along the way, he encounters some quirky characters and completely creative obstacles. While a beautiful journey, "Soul" is also comical and family-friendly, making it a great film to watch with just about anyone. 7. Walk the Line (2005) Music historians will love this next one. 2005's "Walk the Line" covers the life and legacy of country music icon, Johnny Cash, played here by Joaquin Phoenix. From childhood to stardom, this film paints a picture of Cash's life with all the gritty details. By the end, you'll feel deeply connected to the music, fully understanding why and how Johnny Cash wrote the way he did. While raw and truthful, "Walk the Line" is a fascinating tale and definitely worth your time. We recommend letting your curiosity get the best of you with this one. 6. Bohemian Rhapsody (2018) Speaking of music history, let's talk about one of the most iconic bands of all time, Queen. "Bohemian Rhapsody" follows the lifetime of the one and only Freddie Mercury, played here by Rami Malek, as well as the band's formation in 1970 leading up to their legendary Live Aid performance. Along the way, we learn the origins behind timeless tracks like "We Will Rock You" and of course, "Bohemian Rhapsody" itself. Similarly to "Walk the Line" we get an insider look at Queen's struggles as they grapple with stardom and pave their unique path through the music industry. If you're a Queen fan, or you want to become one, this is the film for you! 5. Pitch Perfect (2012) Back to another fun, comedic entry, this time featuring the exaggerated ins and outs of college acapella. "Pitch Perfect" is an absolutely hilarious film starring Anna Kendrick as Beca Mitchell, who becomes an unsuspecting part of her new university's female acapella group. This film keeps us laughing all the way through the Barden Bellas' journey to beat the all male group, the Treblemakers, in a fierce singing competition. While not wholly accurate to the real acapella world, "Pitch Perfect" is an absolute joy to watch and will keep a smile on your face the whole way through. 4. Drumline (2002) Next up is another fun one. This is 2002's "Drumline", a film about one very underappreciated art, marching band. A young Nick Cannon plays our protagonist here, Devon Miles, a talented but overly confident street drummer trying out for his college's drumline. Unfortunately, the current band is stuck in the past, in need of a little flair. However, Devon's arrogance proves to be his own downfall, as he could use a lesson in teamwork as well. "Drumline" is a comedic story about the give and take of what it means to be a team, and the challenges of accepting each other's differences, plus it makes marching band look really cool! 3. School of Rock (2003) Now, this one is peak 2000s kid energy, and peak Jack Black. "School of Rock" is a 2003 family-friendly comedy about a struggling rock guitarist turned unexpected teacher who has ... his own methods of education. While hilarious, the film is also heartwarming, showcasing our protagonist, Dewey Finn's true understanding of his students along the way. "School of Rock" is often regarded as the film where Miranda Cosgrove rose to stardom as well, as she plays the 'band manager', Summer Hathaway. This is a beloved film from many of our childhoods and still feels pretty timeless today. Definitely give it shot! 2. Tick, Tick... Boom! (2021) Next up is "Tick, Tick... Boom!" Now, this one is a bit confusing without the backstory, but we promise it's worth it. This Netflix film is actually a biography for the man who wrote the 1990 musical of the same name, Johnathan Larson (played here by Andrew Garfield). The story covers Larson's deep desire and self-pressure to be successful before he turns 30 in just a few days. To do this, he hopes to write a musical in order to enter the world of musical theatre. The theme of that musical is his own life. Essentially, this film features an auto-biographical musical within a biographical musical, which is extremely meta, but absolutely fascinating. Larson's original score is used within the film alongside Lin-Manuel Miranda's directing, leading to some outrageously beautiful performances. This one is high on our list. Give it a watch! 1. Whiplash (2014) Our last film on this list is 2014's "Whiplash". While certainly about music, this one gets inside our heads as more of a psychological drama starring Miles Teller and J.K. Simmons. Teller's character, Andrew, is an aspiring jazz drummer with extreme ambition. Meanwhile, Simmons plays his headstrong and incredibly strict instructor, Terrance. While learning and chasing his dreams, Andrew is pushed to the brink of insanity by Terrance's borderline unethical teaching practices. "Whiplash" is a film about being pushed to your limits and even figuring out what those limits are. It truly showcases the whiplash between obtaining your goals and how far you'd go to reach them. While this movie can be a little hard to watch, it's certainly one that keeps you on the edge of your seat. So, there you have it, 10 must-see movies about music! What did you think? Are there any we missed? Which one is your favorite? Feel free to let us know all this and more at any of our socials below. Written By Shelbi Baker Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

"17" by Gabriela Bee is a self-reflective track that takes listeners through the twists and turns of teen life: complete experiences of competition, fake friends, and exhaustion. Switching between the past and present tense and the use of the words "you" and "I", the lyrics mixes a compassionate message to the speaker's younger self through the with direct, in-the-moment reflections. Lyrics like "the world got louder but I didn't" beautifully express how small and eclipsed the speaker felt by the chaos of growing up. Reflecting on the hurt of being "stuck on weird insecurities" and mistreated by friends, the speaker says, "I didn't want to die, I just wanted to sleep and wake up at the end of the year." A soothing blend of airy, melodic vocals and bright instrumentals bring a lightness to the heavy emotional weight of "17". The song starts off with a repeated guitar plucking pattern and percussive element, bringing an ambient feeling of continuity to the tune. Gabriela's vocals walk the line between singing and whispering through the verse, and bask with a melodic, strong voicing through the chorus. Her singing through the pre-chorus is reminiscent of Laufey as with a layered floaty, expressive delivery of the lyrics. Electronic instrumentals chime throughout the track, adding a whimsical atmosphere of contemplation. With its gentle and dynamic mix of vocals and instrumentals, the sound of this feels like a message to the speaker's younger self: that everything will be okay. Gabriela Bee is a Canadian musician with an exciting alternative pop style. Her career blossomed from her covers going viral across social media platforms. Now, at 19 years old, she has carved out a niche in her genre. Gabriela's releases include collaborations with artists like Prinz, and features on Spotify editorial playlists including indie pop & chill, and Easy Listening. Gabriela recently finished a European tour supporting Walk off the Earth, where she graced the stages of renowned venues like Wembley Arena. Check out the links below to stay up-to-date with her music. Written By Hanna FOLLOW GABRIELA: Instagram | Spotify | X

"VISION" is the newest single from Matt Hansen, a song about pushing through tough moments in life and always knowing that it gets better. Even during the worst hardships, where you feel like everything is crashing down on you, it is important to remember to persevere through them in order to reach the light at the end of the tunnel. Utilizing support and communication from your friends and family, maintaining self-confidence, and staying strong are just some of the ways you can conquer challenges that come your way. Life isn't easy, but it doesn't have to be impossible, and Hansen relays this message in "VISION" and throughout the rest of his upcoming debut album Orchid. Just like the lyrics, listening to "VISION" exudes an uplifting atmosphere with its exuberant production and instrumentation soundscapes. The blend of pop and folk that can be heard as you listen to the single add to the overall vibes of motivation and inspiration. These genres are also supplemented by Hansen's incredibly talented singing voice, as he has the perfect vocal style for a song such as this one, and is also able to effortlessly switch octaves from the verses to the hooks. The instruments in "VISION", such as the expertly played guitar chords and drums, being organically layered adds more emphasis onto the authenticity of this soon-to-be album track. Matt Hansen is a multitalented music artist from California and is based in Los Angeles. He was raised in the city of Berkeley to love music and grew up singing and performing, and would eventually attend college to study it. He began his studio career in October 2021 with the release of his debut single "Without You With Me". Overtime, he has been releasing tracks from his upcoming and highly anticipated first full-length album Orchid, which is to be released in just two weeks, on May 15, 2026. Developing his signature sound and performing for many, whether on TikTok or in real life, Matt Hansen has shown he is really a one-of-a-kind artist. Written By Ashley Adams FOLLOW MATT HANSEN: Instagram | Spotify | TikTok | Facebook | YouTube

Dawn's lyricism immediately pulls you into her internal world. Inside, you experience the feelings of love, loss, and healing that is "Thanks For Asking." For many of us, we have experienced falling in love or crushing on someone. We can get hooked on the butterflies in our stomachs at the mere thought of someone. But too often, it's the idea of someone that you fall for, rather than how they truly are. Dawn shows this very idea with the lyric: "I miss the idea of you / But the reality stole him / I don't speak about you now / Cuz I've exhausted every option." Once you come to the realization that you romanticized everything, all those butterflies turn to moths, and you are left with a less than glamorous reality. The aftermath of such a heartbreaking experience can leave you progressively more upset, no matter how much time has passed. The lyric, "I tasted the loss / Like blood in my mouth / Now it's been years / And I can't spit it out," hits the hardest, showing how what was once love unfortunately soured. Estella Dawn's voice is the standout of the song. Her vocals are powerful and vulnerable. Just one note and one word from her mouth sounds like a grand confession that leaves you reeling. She is undeniably a powerhouse, and her voice reminds me of RAYE's. The sound of the guitar in the background starts off soft. Its a juxtaposition to her strong vocals, creating a balance of vulnerability and power. "Thanks For Asking" sounds like it belongs on the soundtrack of a coming-of-age movie. It's the kind of song that you instantly connect with, its sound wrapping you up tightly in different emotions. Estella Dawn is a singer, songwriter, producer, and multi-instrumentalist born in New Zealand. She is currently based in San Diego. She writes, records, and produces everything herself. She is genre-fluid, fearlessly honest, and impossible to pin down. With over 15 million streams across her catalog and a growing global fanbase, her music spans various genres. Dark pop, alt-country, indie folk, and everything in between. Standout tracks include "Detached," "You Didn't Text Me," "Conversations," and he Radiohead cover "Creep." Her latest single "Thanks For Asking" is a sardonic, gut-punch breakup song about the grief that refuses to disappear. Follow Estella Dawn to keep up with her future songs and projects! Written By Kyler Griggs FOLLOW ESTELLA DAWN: Instagram | Spotify | TikTok | Facebook | YouTube

Have you ever been in love but fallen into the cycle of impending doom? Wanting to cherish every moment with someone but the lingering thought that it’s going to end follows you into every room. There’s something unsettling about a love song that questions forever. Kelly McCafferty leans into that discomfort where devotion and doubt coexist in her new single “Blue.” Her soft yet powerful vocals are full of feeling mixed with quick guitar melodies to showcase the worries of it all. She encapsulates all it is to hope for happy endings but predict they aren't real. It's an anthem for all the anxious girlies that stay up late at night pondering every outcome. Kelly said she wrote “Blue” about falling deeply in love and the immense sadness that comes with having something to lose. It’s that paralyzing fear that breaking up, falling out of love or getting cheated on is going to happen to you. We see and experience heartbreak throughout our lives and it’s easy to get stuck in the “it happened before so it will happen again” mindset. The thoughts are toxic yet consuming and no matter how deeply in love you are they sit with you. “Will love run out even if we meant it.” Kelly’s vulnerable lyricism reflect on how haunting this can be and the effects it has on oneself. If you’re one to watch an imaginary clock wnd wait for it to run out, “Blue” is the song for you. Kelly McCafferty is a singer-songwriter based in Pittsburgh. She crafts warm, intimate indie-pop tracks inspired by artists like Gracie Abrams and Lizzie McAlpine. Her writing is open and honest, putting every piece of her emotions on the table. She released her debut single “Next to You” in 2016, but came back with “All I Want to Know” in 2022. Crafting a sound that was unique to Kelly, she released her debut EP “Texas Heat” in 2025. Since then it’s gained over 50,000 streams and marked her spot in the Pittsburgh music scene and gained amazing opportunities to share her craft. Kelly success is anything but blue and I am excited to watch her career. Follow the links down below to keep up with future releases and shows. Written By Emylee Herring FOLLOW KELLY MCCAFFERTY: Instagram | Spotify | TikTok | YouTube

Lauren Presley’s latest single, "Everything You Hate," is an empowering anthem that takes back control of the narrative. The track explores the aftermath of a break-up through a strong, independent lens. Instead of staying home and mourning the end of this relationship, Presley is going out, having fun, and doing everything they despise. After being stuck under this person’s thumb and being drained of all joy, Presley is now liberated from the shackles of this toxic relationship. While she is having the time of her life with her friends, whom her subject doesn’t like, she hopes they're miserable and bitter. “Everything You Hate” is a masterpiece that resonates with listeners and reminds them never to let a partner dull their shine. “Everything You Hate” is an alt-rock track that contains an angsty, powerful soundscape that complements the candid lyrics. The song starts with a soft, subtle intro that transitions into the first verse, where a soft guitar lulls the listener. The track slowly increases in the pre-chorus, building anticipation for the full production. When the chorus hits, the heavy-rock instrumentation is introduced, paired with vocal distortion to create the fiery atmosphere. The second verse tones the song back down while maintaining the drums to home in on the lyrics, before exploding into the chorus and bridge. The well-rounded track highlights Presley’s impressive vocal range and introspective lyrics, making “Everything You Hate” another flawless track in her discography. Lauren Presley is an alt-pop singer-songwriter from Texas, now based in Nashville. She is known for her raw, emotional lyrics and her powerhouse vocals. Taking inspiration from Halsey, Jutes, and Maggie Lindemann, Presley blends alt-pop, dark-pop, and rock to create an unforgettable sound. Since her debut, she has amassed over 50 million views and over 10 million streams. Her breakout EP, Hanging In the Balance, and her hit single, “People Leave,” have received critical acclaim from fans and notable press, including Wonderland, Notion, Earmilk, tmrw, SPIN, and CLASS. Follow Presley on all social media to stay up to date with new releases and announcements. Written By Karlee Skipper FOLLOW LAUREN: Instagram | Spotify | TikTok | Facebook | YouTube

Returning with her latest single, ORKID is back with "In All Of My Tomorrows," the titular track of her second EP that she released April 24th. ORKID explores grief in this title track, expressing how it is not something to overcome and is instead something that exists alongside new beginnings and shapes who we are going forward. Sharing the inspiration behind the song and new EP, ORKID states, "My first EP was rooted in grief — a body of work that helped me begin to process something very personal. But grief doesn’t disappear; it changes shape. In All Of My Tomorrows is about carrying that feeling forward while finding space for hope again." Cementing herself as a unique, magnetizing force in the indie-pop scene, ORKID's "In All Of My Tomorrows" creates an unexpected soundscape to embody grief, crafting a sound that embraces the idea of life after loss. The track starts in an ethereal limbo as ORKID's hypnotizing vocals are supported by immersive, atmospheric synths, rapidly building intensity as energetic beats enter the sonic picture and push the song's momentum towards an infectious dance-pop sound. An epic single for lovers of all things synth-pop, "In All Of My Tomorrows" is perfect for fans of icons like The Weeknd, Ellie Goulding, and Kylie Minogue. Emerging as a rapidly rising pop star, Swedish artist ORKID has been catapulting into the limelight as her audience and accolades grow. Over the past year alone, ORKID has received a P3 Guld Award, a Swedish Grammy nomination for Best New Artist, widespread national radio support, a co-management signing with SALXCO, and a publishing deal with CTGA Music. She's earned widespread recognition for her striking sound and captivating vocals which she blends with deeply personal narratives in her songwriting. Her debut last year, Where Flowers Grow, was the catalyst for establishing ORKID's position as a new artist to watch, proving her ability to channel emotive authenticity into her sonic world as she navigated the aftermath of losing her mother. Written By Cheyenne Johnson FOLLOW ORKID: Instagram | Spotify | TikTok | Facebook | YouTube

Grammy-nominated singer-songwriter Noah Kahan has become a household name since the 2022 release of his album Stick Season. With over five years in the industry and two albums under his belt, Stick Season shot him to new levels of stardom. Born and raised in the small town of Strafford, Vermont, Kahan used that record to explore themes of loving but outgrowing the place you’re from, as well as struggling with mental health and generational trauma. Despite being specific to New England, where Kahan is from, these themes resonated with people around the world who see themselves in the small details of his work. Topping this record was a tall order, but Kahan found a way to do it. His fourth studio album, The Great Divide, was released at midnight on April 24, 2026, with 17 tracks. A little less than 24 hours later, Kahan released an additional four songs with the announcement of the deluxe album, The Great Divide: The Last Of The Bugs. Tracklist End of August Doors American Cars Downfall Lighthouse Paid Time Off Staying Still The Great Divide Haircut Willing and Able Dashboard 23 Porch Light Deny Deny Deny Headed North We Go Way Back Spoiled All Them Horses A Few Of Your Own Orbiter Dan End of August “End of August” opens the album with the chatter of bugs behind a series of soft piano notes. It instantly evokes the feeling of warm air blowing past as you drive through town at the end of summer. This track is gentle and melodic, yet it struck me upon first listen. Kahan and I are both small-town survivors and January Capricorns (four years and nine days apart!) We both grew up in tiny villages where everyone knows everyone, and we both itched to run the moment we could. Yet, we find ourselves longing to return to a life we once longed to leave. When listening, I get that same panging nostalgia I have whenever I drive through my hometown, and the sunset hits the mountains in such a way that suddenly forces me back to being 17 and coming home from my first love’s house. It reminds me of summer monsoons, the smell of rain hitting the pavement, and that one rare snowstorm we got the winter I turned 18. It’s the feeling of missing the moment while you’re in it, knowing the seconds you’re living are fleeting, slipping from you before you can fully process them. It’s knowing this moment, no matter how simple, will haunt you, no matter how far you try to run from it. In the second verse, Kahan describes knowing which traffic lights you can speed through in town because the cameras are broken. Simple details like this only come from knowing a place so well, and there is a fear that he might lose this knowledge if he leaves. He desperately loves where he is from, yet he desperately needs to go. As the track fades out, Kahan sings the zipcode of his hometown, Stafford, Vermont, with a haunting lilt, wrapping the song in an oddly perfect bow. Doors “Doors” follows a person locking themselves away from connection out of fear of being hurt. The narrator pushes people away out of protection – for himself, or for them, remains to be seen. The line “I just live here, babe, but you’re the one who decided to knock” suggests the narrator is not fully owning their actions and blames others for trying to get close to them. He has the warning signs up, yet someone still dares to try. When they do, he is afraid they’ll leave immediately. He’s paranoid, writing, “At the rattle of your keys, ‘Oh, are you leavin’?’” The person responds, “No, babe, I’m just waking up.” From there, he tries to give them reasons to leave. It’s a self-fulfilling prophecy of wondering why people always abandon him while handing them the map and keys to drive off with. There is no effort being put into self-improvement, so, of course, the cycle is doomed to repeat itself. American Cars “American Cars” is a track that took me a few listens to understand, and hit me like a ton of bricks when I did. It is from the perspective of a younger sibling who an older sibling has left behind, while family conflict arises. The younger sibling is left to deal with the fallout of the family unit, longing for their older sibling to fix it. There is a strained relationship between the two, and while the younger person knows they can reach out, they almost have too much pride to do so. This song is particularly stark for those of us who have strained relationships with our siblings. As the youngest of four and a child of divorce, I grew up so far removed from my siblings that I often consider myself an only child. Yet, I always dreamed of having that bond, especially in times of trouble. This track puts into words what I often wish I could. Downfall “Downfall” was the first song to make me cry on my first listen to the full album, getting me a mere 30 seconds in (I have cried to nearly every song since). The first verse of the track describes the feeling of missing someone before they leave and trying not to resent them in your final moments together for not choosing to stay. The entire song follows the narrator, not-so-secretly hoping for the downfall of this person’s plans, so they are forced to return to him. He hopes that they are miserable in their new life and miss him badly enough to return. He vows to keep the house as it was for them to come home to, and he promises not to rub it in their face when they fail. A large part of him doesn’t mind being their dead-end, something to settle for, so long as they do come back eventually. Lighthouse “Lighthouse” is the first of four bonus tracks on The Last Of The Bugs. It describes the feeling of being stuck in your grief following a loss (likely after someone you love has left abruptly). Kahan vows to stay in the wreckage this person has left behind, unable to move on. He decides to tell their story because anyone else will get the details wrong. While the rest of the world might judge them, Kahan knows who this person was at their core. Even though he always knew they would leave, he still holds hope that they will come back one day. He stands at the metaphorical lighthouse, ready to welcome them home and help them burn the boat they escaped on. Paid Time Off “Paid Time Off” describes a couple stuck in a toxic relationship, where one is “a running car, and you’re a closed garage.” People around them are reminding them that there is a world out there to see, but they’re too codependent on each other to worry about anything else besides each other. They will likely stay in their hometown, despite any dreams they might have outside of it. They settle into a routine: “a pack of cigarettes and a round of golf // make a livin’ workin’ for the paid time off.” Staying Still “Staying Still” is the second bonus track on this album and was highly anticipated before its release due to a snippet shared on TikTok. It follows Kahan’s heartbreak as he watches someone leave to chase their dreams. This track brings back the same themes from “Downfall,” as Kahan hopes that Boston Logan International Airport “crumbles and gets hit by a tornado” before this person can go. He feels like he keeps getting left behind and forced to start over in love. Yet, he’ll keep trying in the hope that he’ll find the one who stays. He writes, “Oh, I can’t keep starting over… All love must leave, but search for it I will // Honey, tell me, are you good at staying still?” In an effort to keep moving forward, he pushes his feelings aside, singing, “Never mind, never mind, I’ll forget about it // I’ll be good, I’ll be fine, I can laugh about it.” With a set of loud electric guitars and crashing drums, “Staying Still” blends the insecurity and loneliness of letting go of someone, again. The Great Divide “The Great Divide” was released as the album’s first single on January 30, 2026. The record’s title track is a five-minute whirlwind that perfectly encapsulates the album's overarching themes of miscommunication, loss, and emotional turmoil. This track made me cry the first time I heard it, and has done the same on every listen since. It reflects on a past friendship or romance in which you realize how little you actually knew about the person you spent so much time with. Kahan describes listening to a song with this person and coming away with a completely different understanding of it. Their inability to see what the other was thinking defines the entire relationship, ultimately creating a distance between them that becomes impossible to close. It’s truly loving someone, but never being able to meet each other’s needs. Kahan expresses profound guilt for failing to see how badly this person was struggling and for avoiding the difficult conversations that could have helped them. Ignorance is bliss, until it costs you someone you love. Clocking in at just over five minutes, “The Great Divide” is relentless and heartbreaking. It feels like a tense car ride with someone you should be able to open up to. The words are on the tip of your tongue, so why can’t you say them? Haircut “Haircut” is one of the tracks on the album that seems to shift perspectives throughout the verses. It opens with Kahan returning to his hometown after his success, only to be met with pushback from the town’s residents. He thinks he’s trying to help, but it isn’t being well-received. It shifts to the point of view of people in Stafford who aren’t thrilled about Kahan's return. He has been vocal about his issues with his hometown, and his former neighbors don’t want him back if he feels he’s now too good for them. They view him more as a dark cloud over their town, refusing to feel pity for him after he’s been publicly complaining about where he’s from. The verse goes, “Got bored of the New Hampshire space, left us for the New York Times // And now you stumble around like a ghost, tellin’ people how you died.” Willing and Able “Willing and Able” is another track that shifts perspective midway through the song. It unfolds like a conversation between two people from the same town. While one had the courage and opportunity to flee, the other stayed behind. There is a deep misunderstanding between the two, and neither knows how to resolve it. They’re looking at each other, wondering how they’ve become strangers. Kahan writes, “I wish you could know me // I wish I could know you.” Yet, they’re both willing to keep kicking the metaphorical rock of the same argument around just to keep some semblance of a relationship. They may never come to a resolution, but being hostile towards each other is better than feeling nothing. Dashboard “Dashboard” is a callout for the avoidant travelers who feel most at home when they’re far away from where they grew up. The person described in this song is restless, never settling in one place for too long. They refuse to face true responsibility, always looking for the easy way out by constantly leaving and repeating the same cycle. They’re forced to wonder why they’re not suddenly a better person with each move, but it’s a harsh reminder that, “wherever you go, there you are.” This track is a completely different take on his other long-distance-daughter ballad, “You’re Gonna Go Far,” from Stick Season. Released in 2023, that track feels like a hug to those of us who have experienced the guilt of moving away from home, letting us know that it’s okay to choose ourselves. “Dashboard” instead voices the exact anger we’re terrified to get from loved ones. It forces you to think, “Am I a selfish person for running away?” While perhaps not his intention with this track, Kahan knows exactly how to tap into our deepest fears about ourselves in the most gut-wrenching ways. 23 “23” explores an estranged relationship with an older sibling struggling with addiction. The narrator reflects on the little things that they shared with their siblings growing up. Their mental image of this person is frozen in time, forever remembering their sibling as the age they were before everything changed. Despite missing them, the narrator hopes they never return, so this image of them isn’t ruined. He writes, “If I never see you again, you could be anything I want… Stay gone.” Porch Light “Porch Light” is the second single from The Great Divide, written in collaboration with celebrated producer and musician Aaron Dessner. Dessner is known for his band The National and for collaborating with artists such as Bon Iver and Taylor Swift. This track is written from the perspective of a parent watching their adult child navigate the world of fame and temptation. It is inspired by the burdens that Kahan feels he has imposed on his family because of his career choice. It describes a parent who wants their child to come home to a safe place, but knows they’re no longer able to protect them. There is a fear that they may never come home or be the same person they once were. Yet life continues; bills must be paid, the seasons must change, but the porch light will always be left on. Deny Deny Deny “Deny Deny Deny” follows two people who are doomed to repeat the same cycle of dishonest dialogues. Opening with the line, “Conversation within the conversation // I wanna drop the gloves, but you’re far too patient,” Kahan takes the listeners to the moment in an argument where you realize the things you’re leaving unsaid are louder than anything else. Both people are too scared to be direct, so they avoid confrontation while silently hoping the other will be brave enough to say what they really mean. These kinds of relationships are draining, and eventually, you’re too tired to care what the other person is trying to hint at. You know they’re keeping secrets from you, but the truth isn’t worth searching for. This song is for anyone who has ever gotten (or given) the silent treatment. You know this relationship has a rapidly approaching expiration date, but maybe biting your tongue will prolong it. Headed North “Headed North” continues the theme of missing someone who has left and hoping they’re heading back home for good. It is reminiscent of “New Perspective” from Stick Season, in that Kahan is filling this person in on changes in town. There’s not much to report, and in fact, the town he hated before is worse without them. Recorded live, the sound of bugs can be heard behind a single acoustic guitar, and Kahan is heard laughing with friends as the track fades out. We Go Way Back “We Go Way Back” is a gem of a love song hidden in an otherwise very sad album. Kahan recounts the small joys of daily domesticity that he misses when on tour. After seeing the world, he has realized that there is no sight more beautiful than seeing his wife welcome him home after time away. After hearing the roar of adoring crowds, there is peace in the silence. He’s able to hear the song of a robin without feeling pressure to write more music. He can hear his lover’s sigh and nothing else for miles. When off the road, he has to readjust to feeling useful outside of his role as an entertainer. He learns to appreciate the small responsibilities like sweeping the porch or taking his dogs out. My favorite line comes in verse three, as Kahan writes, “I’ve never seen the rain fall so hard, honey, we’re north of nowhere now // Heaven is a drink in the backyard // As we watch the storm touch down.” It embodies one of my favorite quotes, “Heaven is my kitchen table, my friend drinking coffee I made him.” Spoiled “Spoiled” explores themes of generational trauma and the fear of passing down toxic traits to your future children. Kahan wrote extensively about the negative personality characteristics he believes he inherited from his parents; he now worries he will extend the same to the children of his own. He imagines his kids blaming him for their mental health struggles the way he has blamed his parents. He hopes to provide for his kids, but knows he will inevitably disappoint them. He hopes they will one day understand his shortcomings, but knows they’ll hope not to be anything like him (and he hopes they’re not anything like him, either.) All Them Horses “All Them Horses” opens with an anecdote of Kahan seeing his hometown from an airplane above, watching the veins of rivers and roads get smaller the farther he goes. He describes the feeling of never feeling settled as he travels constantly for his career. He sees everyone he loves continue without him while he’s away for long periods. He’s chosen this life and the consequences of it, but he is still deeply affected by the distance between him and those he cares about. He writes, “Everyone looks happy in a photograph // I’ve crossed the county line, I cannot go back // I’m always on my own.” This song is especially poignant for those of us who have lived far from home and have had to settle for spending time with our loved ones in small doses. There is a sense of guilt that comes with missing key moments and milestones, a profound loneliness of figuring out life on your own. You no longer feel meaningfully connected to the community you were raised in, but you miss it all the same. A Few Of Your Own “A Few of Your Own” recounts the moments of Kahan falling in love with his wife over the years. Kahan met his wife, Brenna Nolan, when they were roommates in college over 10 years ago. He recounts the joy of being young and madly in love, growing up together, and evolving as a couple. Yet, he still has an underlying fear that one day, he will wake up from this dream and the two will part ways. Should that happen, though, he hopes that she will take the memories they’ve shared with her and “make a few of [her] own.” This is a beautiful track that expresses the profound love between two people and the quiet fear of losing it. Yet, should this person leave, you will continue to love them, anyway. Orbiter “Orbiter” offers insight into Kahan’s relationship with fame as he’s managing preexisting insecurities. He describes learning to manage his expectations while simultaneously feeling profound disappointment at losing at an awards show. His impostor syndrome is palpable, and he can’t help feeling like a kid in the industry surrounded by adults who already know what they’re doing. He’s completely disconnected, like a satellite orbiting around his own life. Dan “Dan” closes out the album with a bittersweet anecdote of spending time with an old friend who knows you better than anyone in the world. Kahan describes sitting outside on a camping trip with his best friend, Dan. Together, they stay up under the moon and rehash stories from high school, laughing at some of their favorite memories and quietly reflecting on painful ones. He writes about remembering the death of his friend, Carlo (namesake of “Carlo’s Song” from Kahan’s 2019 album, Busyhead). He describes the feeling of feeling light years away from the grief he experienced at that time, despite standing in the same spot he did, when “every day from back then is like a bad old dream.” This song feels like those special moments when you look over at someone you love and realize everything you need is sitting right next to you. As you’re contemplating the meaning of life and where we all go when it ends, you realize that it doesn’t matter at all, and you could live in this moment forever. Kahan writes, “Where do we go when we die? I wouldn’t mind right here.” This track is the perfect sign-off to the fragments of time recounted on this record. The Great Divide: The Last Of The Bugs follows many of the same themes as Stick Season, this time with a more mature perspective on certain matters. He’s not reinventing the wheel, but he doesn’t have to. His lyrics are hyperspecific in a way that shouldn’t be relatable, but often is. He knows how to tap into emotions that I never knew how to express, and I often found myself wondering how he knew such intimate things about my life. While I don’t resonate with every track, the ones I do feel like looking in a mirror. While uncomfortable at times, it’s still validating to know that somebody can put your experiences into words. The record is home to Kahan’s classic folk-pop sound, but it takes on new rock elements that will lend themselves well to live performances. Kahan will embark on his sold-out tour this summer, and The Great Divide: The Last Of The Bugs is now available on iTunes, streaming platforms, and in physical form. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

A major lesson learned while growing up is the fact that you are not going to be perfect all of the time. Intrinsically, people have an innate sense to be impressive and succeed. When it feels like suddenly you are not succeeding as strongly as you used to, it is natural to look inside, doubt yourself, and become negative. Taylor Bickett’s latest single details this feeling with her descriptive vocals and sweet tonality. “'Goldstar' is a letter to myself, or more accurately, my inner child,” she says. “I’ve struggled with perfectionism and self-criticism my whole life, and I find that it helps to think about myself as the little girl who just loved to sing and tell stories.” Bickett’s kind words to herself help listeners speak the same kindness to themselves, and allow them to take a step back and realize that they are doing a much better job than they think they are, life just got a little harder to deal with as they grew. The track opens with an immediate pull at the heart strings, as Bickett layers audio from a home video with the beginning chords. You hear a little girl’s babbling voice, and an older female voice telling her she is very smart, and to say “Yay Taylor”. The little girl, young Bickett, responds back with “Yay Taylor”, in a way only a young girl full of heart and hope could. The song starts right away with Bickett explaining that she always gets through challenges, pushing herself to her limits. In the chorus she sings, “Goldstar girl, what's the rush? Where's the race? / Blue ribbon baby, why the look on your face?...Goldstar girl, tell me what you chase.” She questions what the need is to constantly not feel enough, with other lyrics throughout the verses like “I’ve got grass stained knees and a lot to prove” and “I don’t need affection, I just need to be impressive / No one knows that I’m defective but me”. Taylor Bickett was born and raised in Indiana, and is now based in Nashville, TN. Songwriting and music has always been a part of who she is, and she has grown into an incredible lyricist with a knack for honesty. Fans love how they can relate strongly to Bickett and her words, as her songs detail hard truths like newfound adulthood, heartbreaks, and deep insecurities. She hit her big break with her 2022 single “QUARTER LIFE CRISIS”, which went viral for the lyrics “I swear 16 was yesterday, but now I’m closer to 28” and now has over 40 million streams. Bickett is currently on tour supporting Devin Kennedy, and will headline her own tour this coming fall of her debut album “Nothing I Can’t Undo”, coming July 17th. Make sure to follow the social medias below to stay tuned for more raw and real music from Taylor Bickett. Written By Tessa Maddaloni FOLLOW TAYLOR BICKETT: Instagram | Spotify | TikTok | Facebook | YouTube

Søftbleach's single "rollercoaster" is one of the first songs they wrote together, even pre-dating their official union as a band. The song details the heaviness of loving someone who struggles mentally and the pervasiveness of mental illness. The emotional ups and downs compared to the drops of a rollercoaster are grounded in the soft yet strong delivery of the single. The track blends poignant lyricism with paced, atmospheric production that simulates a thoughtful conversation between loved ones. Comforting lyrics serve as an assurance of support in lines like, "I’ll always pull you back when you fall off track. We’re a rollercoaster baby," Slow yet strong percussion and electric guitar guide the track's instrumentals. The intense nature of the song's focus is made additionally resonant by moody, atmospheric production. Darla's mellow vocals create pools of sound that allow listeners to see their own reflection. The intimacy found in the track's lyrics is personified in Darla's voice. She creates a whole world between her and the subject. The song relies on reverberated background vocal tracks to aid in creating the track's character dynamic swells. Organically, as the song fades out, the reverberated tracks merge into the electric guitar to create a peaceful convergence at the finale of the haunting ballad. Søftbleach is a London-based indie alt-pop band formed just at the end of 2024. Fronted by Darla Jade, known for her previous solo career, bandmates Dustin Dooley (multi-instrumentalist, producer) and Jan Simson (drums) also bring over a decade of experience to the sound. Each member has diverse experience in the music industry. Dustin and Jan have worked across a wide array of genres—writing, recording, and performing with artists worldwide since 2012. In December of 2024, the band played their debut show as headliners at The Artisan Tap in Stoke-on-Trent. Their debut single, "Fortress," came out towards the end of 2025, marking the beginning of a promising new act in the indie-pop scene. Written By Azalea Withrow FOLLOW Søftbleach: Instagram | Spotify | TikTok | YouTube