Gabi Sklar’s infectious new single is a brutally honest anthem about being the villain in your own life. “Lonely Times” divulges the singer’s internal battle of feeding into her own loneliness. She often finds herself “questioning the difference between time spent alone versus time spent lonely.” While she often feels alone and isolated, she is far from it. Rather, she just places herself into this melancholic isolation by choosing to stay inside all alone. In the first verse, Sklar introduces the listener to this lonely scene with the lyrics: “Callin’, blowing up my phone, I keep ignorin’// Rather be alone// I tell them, “Was that today? Didn’t even know.”// It’s a quarter past late, maybe I don’t have to go.” With these lines, the artist illustrates that she is not alone. Her friends truly do want to see her and make every attempt to make plans, but she constantly makes excuses and blows them off. However, in the chorus she explains the reasoning behind her behavior as she sings: “How do you expect me to be the life of every single party// Even in a crowded room, there’s nobody// These are lonely times.” Even when she is out, she still feels lonely. It is hard to put on a front and pretend that everything is okay to a crowd of people, so instead she would rather sulk in the silence of her home. There is comfort in knowing that at least when she is alone in her room, it is understandable that she feels lonely. The world we live in is filled with darkness and sorrow, making it difficult to find joy. Sklar ingeniously articulates this with “Lonely Times,” ironically making the listener feel less alone as they relate it back to their own personal struggles. With “Lonely Times”, Sklar and her producer, Anton Goransson, effortlessly blend genres while highlighting the singer’s outstanding vocals. Throughout the track, the keyboard provides different sound effects while the song’s prominent bassline originates from the iconic doo-wop genre. The track immediately kicks off into the verse with only the bass and finger-snaps to set the beat. Mesmerizing background vocals make an appearance to signify a shift in the production. The percussion increases while the keyboard plays a light melody, providing a greater dynamic to the soundscape. Then, a slight change in the percussion signifies the transition into the chorus where the song breaks into the full production. The bass becomes more prevalent in the background while Sklar’s powerful vocals showcase her remarkable range. There are no background vocals present in the first chorus until the very end. This makes the switch to the substantial vocal melodies in the second chorus even more evident, enhancing the complex production. The bass in this chorus is still heavy while the production contains a subtle circus-like melody in the background, once again emphasizing the unique genre-blending style. This infectious soundscape ebbs and flows for the remainder of the track, fully committing to the highly advanced and meticulously thought-out instrumentation. If “Lonely Times” is any indication of Sklar’s talent, then the singer is clearly destined for absolute superstardom. Gabi Sklar is a 23-year-old singer-songwriter based in New York City. With only a handful of singles and a 2019 debut, Sklar has already made impressive waves in the industry. She has over 3.6 million followers on TikTok and over 1.1 million on Instagram. “Lonely Times” is the lead single off of her upcoming debut EP, set for a 2024 release. Sklar works closely with Grammy Award winning multi-platinum producer, Tommy Brown, at Champagne Therapy Music Group. Furthermore, she has also been trained by vocal coach, Don Lawerence, chorographer, Laurie Ann Gibson, and performance coach, KJ Rose. Each of these professionals have worked with some of the industry’s biggest names, such as Lady Gaga and Diddy, preparing Sklar for the inevitable stardom she is destined to attain. Keep an eye out on her social media for updates on any new releases and important announcements! Written By Karlee Skipper FOLLOW GABI:

Do you ever find your self unable to skip the intro to a TV show because the theme song is just too good? Sometimes I wish I could listen to that intro over and over again, so I do some research to find out there is a full version of the song I never knew about. This list features 10 TV Show Theme songs that have full length versions and are what I believe to be the best ones I've heard. I'm focusing on songs that have lyrics and vocals, so if you don't see your favorite instrumental theme song, that's why! I also decided to only include "grown up" tv shows, but I'm looking forward to sharing some of my Disney and Nickelodeon favorites in the future! Lets get into it. 10. Pretty Little Liars - Secret by The Pierces Pretty Little Liars is a mystery drama show based off the book series by Sara Shepard about a group of friends whose "leader", Alison, went missing. A year later, they begin receiving suspicious and threatening text messages from someone named "A". The theme song is an iconic one with the haunting lyrics, "Two can keep a secret if one of them is dead". What you might not have known is the song is titled "Secret" and is by the sister duo, The Pierces. It was suggested by Ashley Benson, who plays Hannah, one of the main characters on the show, when they were trying to find a song for the theme. It ended up there couldn't be a better song to match the story of this show. The full version is creepy, but in a really great way - especially if you've seen the show. They also have a newer version of the song that was released in 2020 that has more of a modern twist for the PLL spin off, Original Sin. Listen to that version here! 9. Reba - I'm a Survivor by Reba McEntire Reba McEntire is a country superstar. Even if you're not a big fan of country music, you know exactly who Reba is. Back in 2001, Reba had her own sitcom show about being a single mother having to deal with her ex-husband and his new wife. Although the show is non-biographical, at the time Reba had already experienced many hard-ships in her life which included beating the odds as a 3 month premature baby, growing up with a unloving father and competitive siblings, and a divorce at the young age of 21. "I'm a Survivor" is a country-pop song that was written by Shelby Kennedy and Philip White for Reba, but at the time they didn't know that it would be chosen as the very memorable theme song for Reba's TV show. The lyrics "A single mom who works two jobs (who works too hard are the lyrics in the show), who loves her kids and never stops; with gentle hands and the heart of a fighter; I'm a survivor", are ones that many found to be relatable and empowering. 8. Grace & Frankie - Stuck In The Middle With You by Grace Potter Grace & Frankie is a Netflix Original Sitcom about two women who learn their husbands (who are also business partners) have been having an affair with each other for years. Grace & Frankie never particularly liked one another, but are all each other have left while their soon-to-be ex-husbands ride off into the sunset. They were jointly given a beach house that the couples owned together, forcing them to live with each other while also dealing with the loss of their decades-long marriages. Their clashing personalities make for an entertaining show, Grace being high-class and sophisticated and Frankie being more down to Earth and artsy. The theme song is a cover of the classic 70's song, "Stuck In The Middle With You" with a modern and female twist sung by singer/songwriter, Grace Potter. It's the perfect rendition of this song to match the show. 7. Grey's Anatomy - Cosy In The Rocket by Psapp Grey's Anatomy is an iconic show with an iconic and recognizable theme song. The show is on season 20 and counting, and is one of the most popular drama shows of all time. Following Meredith Grey, a surgeon at Seattle Grace Hospital, this show has provided entertainment for drama lovers since 2005. One thing you might not know, is that the theme song is a real song with a full version you can listen to. The theme song was created by the experimental electronica British Duo, Psapp who invented a new style called "toytronica" which is a form of electronic music created by using toy instruments. The eerie yet addicting song, "Cosy In The Rocket" won multiple BMI awards due to it's uniqueness and association with Grey's Anatomy. 6. The Big Bang Theory - The Big Bang Theory by Barenaked Ladies The beloved sitcom, "The Big Bang Theory" is about a group of male scientists and a girl they become friends with named Penny who, let's just say, is the opposite of a scientist. This hilarious show (which was one of the last sitcoms to be filmed in front of a live audience) comes along with an incredibly catchy theme song which was written specifically for it, also titled "The Big Bang Theory". The song was written and performed by the Canadian comedic rock band, Barenaked Ladies who are well known for their hit song, "One Week". With genius-worthy lyrics and a tune that'll get stuck in your head for days, there's no doubt that this theme song is one of the best of all time when it comes to popular TV shows. 5. That 70's Show - In The Street by Cheap Trick Even if you've never watched That 70's Show, you still probably know exactly what it's theme song sounds like. The show is exactly about what it's titled; a young group of friends from Wisconsin in the 70's who are just figuring out life. This classic sitcom is still one of the most highly demanded shows within streaming services today. If you ever wish you could just rewind and listen to that intro over and over, you don't have to anymore! There's a longer version of this song that you can put on loop for as long as you want. The song is called "In The Street" by the 70's rock band, Cheap Trick. 4. Full(er) House - Everywhere You Look by Carly Rae Jepsen Full House is one of the most wholesome sitcom's of all time. This 90's show was one that many would sit and watch for hours during those nighttime marathons. The theme song is infamous, and until 2016, the song wasn't longer than a minute. Originally the song was created for the show and was written AND performed by film composer and singer, Jesse Frederick James Conaway. When the Netflix Original spin off show, Fuller House came out, they took the original theme song, extended it into a full-length song, and gave it a nice modern twist - this time performed by the lovely Carly Rae Jepsen. Now we're able to enjoy a longer version of this very beloved song. 3. Friends - I'll Be There For You by The Rembrandts "I'll Be There For You" from Friends is undoubtedly one of the most well-known TV Show theme songs of all time, just like Friends is undoubtedly one of the most popular TV Shows of all time. Even if you've never personally watched this show, you definitely can recognize this song and can't help yourself when it's time to do the clap. Don't lie, this song has definitely gotten stuck in your head every time you've heard it. The song was written by the alt. rock duo, The Rembrandts, specifically for this show. The official music video even featured the cast! 2. The Fosters - Where You Belong by Kari Kimmel The iconic and emotional Freeform drama, The Fosters, follows a family consisting of a lesbian couple, their 3 children and their new 2 foster kids, Callie and Jude. Callie has been in and out of Juvie, but one of the mother's (Stephanie) is a cop and decides to take her and her brother in so they don't get separated again. This show is probably more on the underrated side, but if you love a good drama I highly suggest watching it! What's also underrated is their incredibly beautiful theme song. "Where You Belong" is written and performed by Kari Kimmel, who is known for her work with creating music for TV shows and movies as well as being an actress herself. The theme for The Fosters is very uplifting, especially if you've ever been in a situation as rough as some of the characters on this show. 1. Orange Is The New Black - You've Got Time by Regina Spektor When the Netflix Original Series 'Orange Is The New Black' came out in 2013, it was one the most popular shows of the decade and won 4 EMMY awards. Based on a true story about author Piper Kerman, OITNB follows Piper Chapman as she goes to prison on smuggling charges from trying to help her criminal ex-girlfriend. This comedy-drama is probably one of the saddest shows as it gives an insight on what it's really like to go to prison and how brutal it can be. I've always admired the theme song in this song, because not only is it perfect for the show but paired with the intro footage, it really hits you hard. The song is called "You've Got Time" by indie artist Regina Spektor. While the song plays, we're shown footage of faces of real-life female convicts. The part that hits the most is when Regina sings, "Think of all the roads; think of all their crossings; taking steps is easy, standing still is hard. Remember all their faces, remember all their voices; Everything is difference the second time around". This song is hands down one of the best songs and best pairings for a TV Show theme song. What did you think of this list? Were there any theme songs you didn't know had full versions? Do You think there's a theme song that is better that we missed? Follow us at our socials below and let us know in our comments! Written By Kaitlyn Nicole Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

“All Things Change” by Eden Rain is a poignant reflection on the turbulent experiences of the Covid era, marked by personal and global challenges while also falling in love. Crafted with poetic lyricism, the song serves as a mantra for resilience during tough times. Amidst the chaos, Eden reminds herself that change is inevitable, emphasizing the transient nature of difficulties. The song encapsulates her journey of navigating through life's upheavals and finding solace in the belief that, despite the chaos, all things change and pass. With a melancholy yet nostalgic sound, Rain echoes the sentiment that even in the face of challenges, change brings growth and new beginnings, through love and heartbreak. Beginning with a wistful synthy sound, Rain begins the first verse talking about how “everything is temporary,” but her love for her partner is so powerful, she feels that it can overcome the power of time. She says “nothing about you is temporary,” when talking about her lover, amidst the backdrop of gentle guitar plucking. The production is stripped back and intimate, which makes us feel like we are experiencing this vulnerable revelatory moment with her. The song then picks up in the chorus, with a choir-like vocal sound that heightens the emotions felt in the song, and it feels comforting in a way to hear her assure that “All things change.” In the second chorus, Rain jumps forward in time, with two years having passed and saying “Who I am is not who I was” and now navigating heartbreak. She realizes that she had frozen their love in a moment in time, but that all things change and the most important thing to do is look forward. The song ends on a hopeful note, that despite hardship and heartbreak, there is much to look forward to. Eden Rain, the emerging talent from Leeds, has been leaving an indelible mark on the music scene since her debut single, "Wake Up, You're Stuck," released in 2021. From the outset, Rain has been a hands-on artist, intricately involved in shaping her own visual and sonic landscape. Her distinctive "gutter-vision" aesthetic adds a personal and charming touch to her alt-pop confessionals, creating a cohesive and immersive experience for her audience. Eden's upcoming EP, “But I'm Alright Now,” is set for release November 24th. Written By Rachael Bach FOLLOW EDEN RAIN:

“Do It Anyway” is a synth pop anthem that explores the process of realizing that one must take control of their own life decisions instead of relying on others. Amongst life difficulties, we have our individual ways of coping and navigating through it all. Once you become more spatially aware of yourself and your individuality, panic can arise within you. There are so many more troubles in everyday life, how can you rise above it all? Chances for help seem few and far between and the usual avenues are growing more narrow. While waiting for a clear cut answer handed to you on a silver platter, you finally begin to understand how life should be: you need to just do it. Do the thing you are scared of. Burn every bridge and make every monumental life decision you have been waiting on outside forces to make for you. Click here to listen to "Do It Anyway"! “Do It Anyway” is an electro alt pop anthem that is a perfect blend of modern styling and nostalgic feelings. The highlight of this single comes from the synth and electro styling of its instrumentation. Showcased primarily in the chorus, the synth beats shape the single and dictate its every step. It simultaneously follows the vocalist's guide and makes itself known alone. It is prominent enough to accompany every vocal note, almost as if it is another accompanying harmony. This continuous utilization of the synth grounds this single in a nostalgic undertone as you imagine late 80s pop singles. The vocalization, with her every note highlighted by the ongoing narrative, is a great accompaniment to the instrumentation while also shining on its own. Taia Dya is a German singer-songwriter currently based in Berlin. She has been impressively writing her own songs since she was eleven years old. She was inspired by other talented musicians such as Johnny Cash and Dolly Parton. Her primary instruments are guitar, piano, and EDM instrumentations. She has established a popular career so far, performing at various music festivals. She has also made a name for herself across Berlin by performing regularly at popular bar venues. She has garnered an impressive social media following that regularly engages with and supports her career. Make sure to follow her on social media and give “Do It Anyway” a listen! Written By Willow Gray FOLLOW TAIA DYA:

“What You Did To Me” is a dark and emotional look at yourself in the mirror, revealing underlying self-hatred that haunts the self-esteem of many people. Barring her deepest and darkest insecurities in the lyrics of this song, Claro sets herself free from expectations imposed onto her, demonstrating to her crowds and her fans that loving yourself is essential. Though the song describes her anger, Claro showcases her strength and happiness at letting the worst parts of herself go. By incorporating a variety of genres to create dark and menacing soundscapes, she bounces effortlessly from catchy and popping to vulnerable and haunting. Starting with melancholic tones, the song takes a tender turn as she reflects on herself and the choices that she’s made. As the song progresses, she explores more personal and introspective themes, with the production complementing the emotional depth that she’s delved into. With passion in her voice, Claro seamlessly blends the elements of rock, pop, and alternative genres into a gem that addresses the intense topic of self-hatred. Claro has a certain way that she tackles the issue, managing to get down to the bone of how and why self-hatred can be allowed to fester, whether from your environment, friends and family, or unfortunate circumstances. Natalie Claro gained attention after her debut EP “Atychiphobia”. As she’s created work that addresses intense topics like politics, existential crises, mental health, and confidence, her standout talent must be her live performances -- with powerful vocals, crowd-surfing, cartwheels, and drum solos, her concerts spark life into those around her. Sharing a stage with the Plain White T’s Almost Monday, Hawthorne Heights, and many many more, Claro has completed a US headlining tour and has performed over 300 shows. Following her debut, she’s released more than 11 projects and her upcoming release is super to be certified as another banger. Written By Megan Cao FOLLOW NATALIE: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

“June” is a dream pop anthem that peels back the flurry of emotions that surround a romantic beginning to a crash-and-burn ending of a relationship that slowly grows more and more toxic. No one ever really thinks they’re going to end up in a toxic relationship until they’re in the thick of it. While the spectacular chorus focuses on the honeymoon aspect of a relationship, once those rose-tinted glasses are gone, the stripped production on the verses contemplates where it all went wrong. Beautifully arranged and meticulously produced, ALIBII plays with your heart as they craft an often relatable story of how your vulnerabilities are taken advantage of to manipulate you. After the emotional first chorus, the second verse uncovers feelings of guilt and rejection at a lack of effort from the partner. Oftentimes, relationships are not 50-50 split, with each person often feeling that they’ve put in more than their partner has -- but it’s important to meet in the middle and affirm your partner’s feelings, not reject them as a show of power. As the song climaxes with repeated call-and-answer lines building up the tension and unbearable nature of a toxic relationship, suddenly catharsis is released with a heartfelt belt and scream of frustration. ALIBII, comprised of Courtney Egginton and Will Cumberledge, was an early bedroom pop-oriented sound before they began to tackle larger aspirations, blending dream-pop, rock, and indie pop into a hodgepodge of undeniable jammers. After meeting while studying music in Sydney, they’ve evolved from their humble acoustic beginnings to an aspiration to combine their favorite music influences of indie rock and dream pop. As they aim for releases in early 2024, ALIBII will be playing The Factory Theatre on December 9th supporting Matt Charleston, and playing the Station Bar in the Blue Mountains supporting Club Halifax on December 16th. Written By Megan Cao FOLLOW ALIBII: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

If you’re hoping to add a sweet song to your playlist, “Sugar” by Chris James is the one for you. His new energetic tune will lift your spirits and put you in a cheerful mood that lasts all day. “Sugar” is about the relief you feel after getting through a tough time and feeling grateful that you're in a better place than you were before. Chris got over his rough patch and gave us a cheery song to show for it. If you're going through a tough time, "Sugar" is a reminder that better days are ahead, and you might feel a stronger appreciation for the good after living through the bad. The song expresses a positive outlook on life, looking at the bright side of things to keep an optimistic perspective. The positivity radiating throughout “Sugar” is so genuine and infectious that it could excite your sweet tooth. “Sugar” is the kind of song you expect to hear on the radio because of its clean production and exciting melody. There is no beginning instrumental, so the song captures your attention instantly. Chris James immediately jumps onto the track, raw vocals and all. He eagerly spreads his infectious energy as he sings with a charming attitude that you cannot help but love. The bouncy beat creates a feel-good atmosphere that you want to stay in. The funky uptempo mix pulls you out of your funk and invites you onto the metaphorical dance floor. The guitar captures the essence of happiness and fun. Chris gets vulnerable on the bridge and removes the fun guitar, toning down the playfulness embedded into the track. It is as if the party has slowed down, and you’re connecting with the people around you on a deeper level. The party may have dwindled, but the good vibes never end cause once you click replay, the party starts again. Chris James, formally known as Chris Brenner, is a German-American singer-songwriter and producer. He has co-written songs for a variety of artists, and his songwriting works have over one billion streams on Spotify combined. His most popular co-written track is none other than the RIAA Gold-certified Billboard Hot 100 #1 hit “Life Goes On” by BTS. His hitmaking skills have caught the attention of Universal Music Publishing Germany, a global music publisher, who has recently signed him to an exclusive agreement. When he is not writing smash hits for other artists, he releases music. His most popular song, “Not Angry,” has over twenty-five million streams on Spotify. He best describes his music as “bedroom indie pop” and has named John Mayer and The 1975 as his musical inspirations. Written By Victoria James FOLLOW CHRIS JAMES:

Hozier burst onto the mainstream music scene when his debut single, “Take Me To Church,” was released in 2013 and quickly dominated the music charts. I fell in love with his music the first time I heard his voice, and my obsession with him hasn’t diminished at all in the past ten years. His talent is absolutely undeniable; from his vocal range, instrumental skill, and incredible lyricism, his studio albums and live shows are mesmerizing. I attended the November 1st date of Hozier’s Unreal, Unearth World Tour, named after his 2023 album of the same name. The concert was in Phoenix, Arizona at the Arizona Financial Theatre, where I had seen Hozier on his last tour in 2019. That show was one of my final shows before the Covid-19 Pandemic began. Like everyone, so much of my life has changed since then, but I have never lost my love for Hozier and his music. In times of so much uncertainty, one of the small joys I had at that time was getting in my car and blasting my favorite Hozier songs out of my stereo. I was so excited to walk into one of my favorite venues to see him for another sold-out show. Madison Cunningham was his opener for this tour and I was blown away by her talent. I had never listened to her before, but the confidence and power in her vocals overtook the entire venue. Her voice has a delicate softness to it that takes listeners back to the early days of music. It is easy to imagine her songs being played on a vintage record play but that is not to say they are boring. She effortlessly took each song to new heights with her impressive range and crystal clear high notes. If you didn’t know she was opening for Hozier, you would have believed it was a show entirely of her own. By the time her set was over, the entire audience was simultaneously wanting more of her music and restless to get to the main event. When Hozier came out, I, like everyone in the venue, absolutely lost my mind. He started his set with De Selby (Part 1) and De Selby (Part 2) before launching into my favorite song ever, Jackie and Wilson. I refused to look at any spoilers online for the tour prior to my show, so this was an exciting surprise. I danced and sang my little heart out like there was no one else in the room. The stage visuals tapped into the fantastical theme of the night, with a large, bare tree skyline descending above the stage. Behind the band, projections of stormy skies, sunrises, and starry fields complemented the colorful lights illuminating the stage and kept our eyes glued to the stage. The audience was alive with the rush of guitar and Hozier’s dazzling stage presence. He played a mix of songs from all three of his studio albums without missing a single beat. With the help of his amazing band and backup vocalists, he had the crowd dancing one minute and shedding tears the next. When the fan-favorite (yet misunderstood) Cherry Wine came on, we were all put into a melancholic trance as Hozier lamented about love gone bad. He allowed the music to do most of the talking for him, saving his voice in between songs until he reached I, Carrion, a song about the myth of Icarus. Before starting the song, he connected the mythical origins of this song to the mythical origins of the city of Phoenix, stating how much he loves it for its name. “If you’re familiar with the story of Icarus… Well, I imagine you all are. It’s Phoenix, right? I guess he [Icarus] didn’t come back though, right, when he burned up?” He said. The talk of mythic stories continued as he asked for the spotlights to be pointed at the upper level seating. As those of us on the floor turned to look, he compared the fans up in those stands to “the Gods of Mount Olympus.” As the night began to wind down, he played one of my other favorite songs, Damage Gets Done, in a breathtaking duet with backing vocalists, Melissa McMillan. The song is originally a duet with singer-songwriter Brandi Carlile, but McMillan’s voice did not disappoint. Every note reminded me that I’m young and alive with a full journey ahead of me to live. Since its release, this song has inspired me to enjoy my youth as long and as fully as possible, and hearing it live made me feel like I could do anything. To end his initial set, Hozier played his hit single, Take Me To Church. The love and appreciation he has for that song is evident each time he plays it live, and I am happy that it has stood the test of time over the past 10 years. After a brief break, Hozier and his band came back for an encore, starting with Nina Cried Power, a song calling for action and praising generations of activists from around the world. Before beginning the song, Hozier spoke about the heartbreaking war against Palestine and encouraged the audience to contact their local representatives and government officials to call for a ceasefire. Bravely, an audience member before me raised her Palestinian flag as the song began. Constantly practicing what he preaches, Hozier’s shows always feel safe and welcoming to all. For his final song, Hozier played the ever-romantic Work Song in a duet with Madison Cunningham. Another one of my favorites, I got lost in the dreamy tune and lyrics of the song before he took a bow with his band members and walked off stage. Seeing Hozier live is an experience like no other. With incredible vocals, stage presence, and musical ability, he puts on a two-hour show that is impossible to dislike. I am so grateful to have seen him again. His albums have truly made me who I am and have carried me through so much. I can't wait to see him again in the future and make many more memories at his shows. Written By Tessa Brainard Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.

Iman Fandi’s new single takes a new approach to life’s disappointments. A common theme in music is that the artist’s life sucks, and therefore they have to feel sad about it. Fandi’s new release, however, claims the exact opposite. Her point of view is that yeah, life sucks and might hit you down, so hit it right back with a baseball bat. Her sarcastic tone and rebellious attitude shine through in this song, and it fits right in with the rest of her music. She is unapologetically loud and honest, which ties into her energetic-pop genre. Her music is similar to that of Sabrina Carpenters, Olivia Rodrigo, and Dua Lipa- a girlboss attitude and empowering lyrics to match. The chorus is the focal point of this song. Fandi sings, “When life sucks make you feel so bad, / Hit it right back like a baseball bat, / Go whoop TKO smack, / Hit it right back like a baseball bat”. She accepts that life is not sunshine and roses, but knows that she can beat it. She later goes on to mention some of these issues, like complaining about the smell on the subway and lack of funds in her bank account. However, she lets none of this get her down, and repeats the chorus, taking a dominant attitude against the world’s trials and tribulations. The song has an upbeat and electronic soundscape, and the cadence of the lyrics follows right along with these pop tones. Iman Fandi is a 23-year-old singer from Singapore. She has taken Southeast Asia’s music world by storm, and has only just begun. She is currently working under Universal Music, and has released five singles with them. Her first single, “Timeframe”, was released in 2021 and broke over 100,000 streams in the first two weeks of release. Its face-paced rise to the top proves just how talented she truly is, and how much listeners love her music. She also works as a model, and has partnered with big names such as Louis Vuitton, YSL Beauty, and Coach. Along with all of her endeavors, she is currently working on her first full length album, and hopes to get it out by 2024. Make sure to follow the social medias below to stay tuned for music from Fandi. Written By Tessa Maddaloni FOLLOW IMAN FANDI:

“Love and Gucci Gloves” by Belz is an upbeat and danceable tune about chasing those dreams you’ve always had. While the song is very fun and has a lot of pop and disco elements, there is still an emotional element to it. When chasing those dreams, doubt that always creeps in and makes you wonder if you can achieve what you want. It’s always intriguing to hear songs that sound different than what the lyrics intend, and Belz perfectly executed it. Credit should be given to Belz because it can be very hard to be this vulnerable and admit your desires and aspirations in life. “Love and Gucci Gloves” is a great track and Belz does an excellent job of captivating listeners. The beginning of the song is somewhat slow, but the beat still does a good job of capturing one’s attention. The chorus is fun and really catchy, and at first, you think the lyrics are just funny lines, but they quickly take an emotional turn, and it shows the true depth of the song. The lyrics transition into the insecurities one carries when they do want success and love, all while still carrying that fun dance energy throughout the song. The song builds and grows, as towards the second half we start to hear some of those more disco elements. The background vocals really keep the energy upbeat and mix well with the song. Overall, “Love and Gucci Gloves” is able to blend different elements very well and it shows how great of an artist Belz is. Belz is an artist based in New York who has been writing and performing music since she was 10 years old. Originally from Boston, Massachusetts, she has been perfecting her craft since she was young, by studying music from Berklee School of Music professors and graduates. She shows a lot of passion for her work based on how dedicated she has been to it throughout her life. Currently, she is a student at NYU. Belz has also gotten to opportunity to perform in many locations such as Rockwood Music Hall and the Hard Rock Café. Belz is expected to release more music soon so keep your eyes wide open. Written By Chantal Charles FOLLOW BELZ: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Having such an intimate, fun, and maybe even a little clingy relationship is healthy and wholesome. It reflects how comfortable you are with your significant other, but also has the effect of intensifying your feelings and adoration for them when you spend time apart from each other. In Thuy’s newest jam, “ don’t miss me too much ,” she shares that her feelings about her partner are growing fonder the more she spends time away from them, even if she just saw and spent time with them. This fresh dance-R&B bop is not only adorable, but also hits right in the feels. It's a relatable hit, one where we’ve all experienced feeling more attached to someone we like after we just hung out, and getting impatient waiting for the day to see each other again, even if that day is in just a couple of days on the weekend! The relationship that Thuy is singing about is not even a long-distance relationship, which makes this funnier to think about, but also super adorable! That feeling of missing your person, and finally getting to see them again is one that nothing can top. She described the emotions she feels in this moment, and how they’ve grown since the last time she’s seen them: “ Your love is better on the weekend. And your touch is better when it's been so long .” The anticipation of seeing someone you love after missing them (even if it was just for a couple of days) is what love is all about. With each passing day, that feeling of butterflies in her stomach grows, and the mutual joy they both feel when they finally reunite feels warm. Although she hates the waiting period, the moments where they reunite feels worth it: “ Can’t wait for the weekend to feel it again .” In the music video for this song that’s 1 of 3 in her latest EP “ don’t miss me too much ,” Thuy embraces her body after finding a love for it and feeling comfortable in her skin. In an Instagram post, she shares that she is now, “ At a place in my life where I don’t want to be apologetic for being sensual, for being loud, and for loving myself .” It also ties into the meaning of her EP. She states that it’s, “ Another layer of who I am and I’m excited for you guys to also feel sexy and confident .” Thuy is an R&B singer-songwriter, originally from the Bay Area but currently residing in Los Angeles. Raised in a Vietnamese household, Thuy was expected to find a career in medicine. She initially pursued this route, but decided to take a detour and explore music. Her career in music skyrocketed as both of her albums were successful, with singles, “ universe ” and “ girl’s like me don’t cry ” both surpassing 45 million streams on Spotify, and led her to headline a sold-out tour in Europe. Just 2 weeks ago on October 30th, she had released a 3 track EP titled “ don’t miss me too much .” The 2 other tracks are “ no ties ,” and “ attention .” The EP as a whole radiates her confidence. Stay connected with Thuy by following her socials by clicking on the links below, and make sure to check out “ don’t miss me too much ” out now! Written By Sneet Efrem FOLLOW THUY:

“Steal My Skin” is an exhausted love song, displaying the efforts put into a relationship for the better resulting in nothing. But, it isn’t a break up song or a piece about finally having enough and moving on. Instead, she offers everything in the face of nothing working. She isn’t leaving, she’s accepted nothing is going to change, and she falls into a tired, content state. She speaks on tying her identity to this person, “stealing skin” being a reference to this. They took everything from her, including who she is, but doing so made her unable to fight back and recognize her ability to stand against these actions. They’ve taken all her energy, and without it, she can’t stop them from taking more. The song begins with what seems to be the final straw, Jade LeMac’s voice raw and perfectly pronouncing the tiredness of her character. The pain she presents almost creates a folk sound to her voice, with it varying quickly between tones and wrapping the listener into the intensity of these emotions. A softened guitar strums behind her during this intro, matching the theme of having very little left to give. Jade’s thoughtfulness shines through here, being able to center such emotive sound from the mere pacing of a guitar. As the piece continues, of course, the instrumentals pick up but never lose this feeling. There comes a point where she almost demands that the listener take more, desperately screaming for them to. Here, the music explodes, everything clashes, and the song ends abruptly within this shout, implying it was the last she had to give. Jade LeMac grew up in Vancouver where it took her no time to find her love for music. Simply singing karaoke with her family quickly turned into singing on her own, and by middle school she was writing original songs. Now, she’s 18 and hasn’t left this path once. She’s constantly writing, having released over 12 singles in the past two years. All of them differ, moving in between genres and particularly moving between moods. But what they have in common is their success, with every song she releases reaching hundreds of thousands if not millions. Her most popular, “Constellations”, the title track from her 2023 album debut, holds over 23 million streams to date. Stream it and “Steal My Skin” below. Written By Hailey Schap FOLLOW JADE LEMAC: