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  • Review: "What I Need" - Emma Campbell

    "What I Need," the newest single from singer-songwriter Emma Campbell, is a stunning indie-pop cut about longing and unrequited love. It's safe to say that nearly everyone has experienced the situation Campbell writes of at least once in their life: pining for someone who gives mixed signals and does not value you the same way you do them. It's such a universal matter that "What I Need" sincerely portrays. Campbell's lyricism is heartbreakingly candid and poetically sound. Lines like "Cause all you are is little moments / All you are is something I can't touch" embody the insecurity and despair of ephemeral, non-labeled relationships. For how brimming with relatability and pain it is, "What I Need" maintains to be upbeat and enjoyable to listen to. The track is a perfect late-night summer's drive anthem. A self-proclaimed "Pop/Folk" artist, Campbell's newest single inhabits the best of both genres. "What I Need" balances a vivacious catchiness with hurting, raw lyricism. It makes complete sense that Campbell has previously cited the likes of Phoebe Bridgers and Taylor Swift as sources of her inspiration, as "What I Need" has the same melodic yet melancholic sound as songs such as "Kyoto" and "Red," respectively."What I Need" is dynamic musically and vocally. Campbell's harmonized singing is soft, rich, and emotive. And with its rhythmic guitar licks and pumping drum performance by Mark Swan, "What I Need" is instantly catchy. Yet, the track builds as Swan's drumming becomes faster and faster until the track soars in the chorus. By the time the pre-chorus comes around, the ballad, along with Campbell's vocals, is massive. "What I Need" is a sleek, brilliant indie-folk pop song with a sound bound to get stuck in your head and lyrics bound to linger in your mind. Emma Campbell is a 21-year-old singer-songwriter from Toronto, Canada. The artist grew up in a music-oriented family and began playing guitar at 13. She has been officially releasing music since August of 2020, with her first single, "Freezing," an ethereal, acoustic ballad. From then on until 2022, Campbell continued releasing singles composed with fellow Canadian producer Michael Wojewoda. These included "Lit the Fire," "All That We Can Get," and "Wrong from Right," all of which landed on her debut EP, Oh Emma, named after another cut from the record. The EP focuses on guitar and piano-based tracks focused on its lyricism and emotions. On Spotify, "Oh Emma," has racked up over 15,000 streams. "What I Need," alongside Campbell's discography, is available to listen to on all streaming platforms. Written By Lauren Nolan FOLLOW EMMA:

  • Review: "DizzyNumb" - NEVE

    Anxiety is a universal struggle, yet it makes those who experience it feel as if they’re alone due to the many people that have a lack of understanding on what it is. With not having anyone to lean on or talk to about it, they start to keep their feelings to themselves. In NEVE’s latest single, “ DizzyNumb ,” she gets vulnerable and honest in sharing her person battle with anxiety. She uses the song to not only explain her experience to those around her, such as her mom, but also to create a safe space for others going through it. This song reminds them that they’re not alone and that NEVE understands and recognizes them. “ DizzyNumb ” can both serve as a learning moment and an opportunity for NEVE to connect with her fans through her vulnerability. The song opens up with NEVE’s portrayal of anxiety, sharing that the experience is as if you’re feeling like being “ Everywhere and nowhere at the same time. Heavy breathing, no air, won’t you be mine .” Anxiety can feel like your mind is spiraling, making it feel like a lot is going on. It feels like you can’t catch your breath and at times, can lead to you panicking. These lyrics are very specific, detailed and crafted in a way to provide a description for those that want to communicate these feelings to those who struggle with comprehending what anxiety is. Later in the song, NEVE gives valuable advice, and highlights the importance of not battling anxiety in silence: “ No one ever won a battle in silence. No one ever won a war without violence .” Here, she’s emphasizing being vocal and seeking support because you won’t “win” by being silent about the way you feel. She’s also reassuring her listeners that they’re not alone in their struggle. She acknowledges and empathizes with their experiences, knowing what it's like when you desire some help even when you’re surrounded by well-meaning, yet unaware people. “ DizzyNumb ” is striving to ensure that no one feels alone in their battle against anxiety. NEVE is a pop singer-songwriter born in Ireland, but currently based in London. During her time in Ireland, she underwent classical training and dedicated years to studying musical theater. As of today, she has over 95,000 monthly Spotify listeners. Her two most streamed songs are “ Want U Back” which is approaching 2 million streams, and “ guy friends ,” with over 600,000 streams. Just recently, she had completed a 4-day tour around the UK with Bellah Mae and Bow Anderson. Stay connected with NEVE and follow her socials by clicking on the links below. And make sure to check out her newest single, “ DizzyNumb ” out now on all streaming platforms! Written By Sneet Efrem FOLLOW NEVE:

  • Review: "I Hate How I Look In My Head" - Etaoin

    Emotionally charged and authentically vulnerable, Etaoin wears her heart on her sleeve with "I Hate How I Look In My Head." The song is raw and relatable, tackling the complexities of body image and self-acceptance. Etaoin elaborates on the song's meaning, stating, "When I was younger I felt super insecure about my body. As you grow up your body changes, you gain weight, you lose weight, you bruise and get scars and tiger stripes and I found this a really scary experience. I wrote I hate how I look in my head with my friend Dustin Dooley. Luckily, I love how I look now - but I wanted to revisit that feeling of insecurity when I was younger." As many of us have struggled with embracing our appearances and true selves, Etaoin's message is bound to resonate with a sea of listeners. Scaled-back and exposed, Etaoin belts her song's powerful message over a minimalistic background. "I Hate How I Look In My Head" balances strong emotional choruses with soft, whispered verses, representing the inner-turmoil that brews from body image struggles. The track is a heartfelt ballad, featuring tender piano lines and Etaoin's soaring vocals. Etaoin holds nothing back on this song, expressing herself fully with impassioned, gut-wrenching melodies. "I Hate How I Look In My Head" is a must-listen for anyone who has struggled with something similar before and needs to hear that they're not alone in this battle. Quickly establishing herself in the pop world, Etaoin made her debut in 2021 with her EP, Bedroom Walls. So far, the Irish singer-songwriter has added a couple of EPs and a handful of singles to her catalog, garnering her over 10 million streams. Having a commercial pop sensibility, Etaoin cites artists like Dermot Kennedy, Ed Sheeran, George Ezra, Taylor Swift, and Tracy Chapman as her major influences. She has put her own spin on commercial pop, adding elements of folk to it through her delicate guitar fingerpicking. Some of Etaoin's popular releases include "Pale Damp Cheeks," "Bedroom Walls," "For Her," and "Not Over You." Written By Cheyenne Johnson FOLLOW ETAOIN:

  • Review: "123" - Good Rzn

    Good Rzn’s latest release, “123”, is a poetically complex yet catchy hit. Despite its seemingly simple title, the song revolves around the complications of relationships. Planning and wishing the ideal romance can be intoxicating, but the reality of it never seems to be. Most things won’t go as planned, in perfect synchronic order. That’s what “123” displays, how even the simplest of efforts can be overlooked. Though this relationship seems to be perfectly easy to understand, there is something lacking in the partner described. They simply can’t add it up and fit their place, so they're subtracted instead. Solving problems is doable, but is it worth it if they don’t see that as well? The song begins with a straightforward, ordered pace that mirrors the first lyrics. It’s electric, a true summer night sound. The beginning lines of the piece are a play on words of counting “too (two) late” for instance being the second phrase. This introduces the honeymoon phase of this relationship, where everything does go according to plan. It’s sung simply and briefly, but when the first switch in perspective occurs stating “wish it was easy”, Josie Molasky's voice and the most memorable parts of the song begin to show. The relationship is then worked through from start to finish until the decision is made that life is easier without this struggle, and the song goes back to the simple bliss from which it began. Good Rzn is an L.A. based band made up of Josie Molasky and Tommy Ghirardini. Their psychedelic aesthetic paired with the writing and musical contrasts between the two has marked them as a duo to keep an eye on. Their uniqueness, together and apart, allows for an artistic collaboration that creates a genre of its own. Both artists began pursuing their interest in music at a young age, Josie nearly from birth coming from a family of similar talent and Tommy throughout high school. The duo met in 2019 in college, in 2020 they began creating music together, and by 2021 the official band name and professional releases began. Now, they’ve released eight singles with hundreds of thousands of streams on their most popular. Their latest “123” is following a similar success story, stream it below and follow Good Rzn. Written By Hailey Schap FOLLOW GOOD RZN:

  • Review: "One Life" - Ziineb

    Have you ever caught yourself daydreaming about your crush but it felt so real that you didn’t want to snap out of it? The only way to make your dreams come true is by going after who you want. Ziineb can relate to this sentiment in “One Life,” a song from her debut EP, Roses Are Blue. In this dreamy record, she sings about wanting to be by her crush or partner’s side. Ziineb, like all of us, only has one life and wants to spend that time doing what she loves, including sharing special moments with her crush. Ziineb wants her attraction to be reciprocated, something we all hope for when we develop feelings for someone. She is enamored by her crush, who rejuvenates her. "One Life" is for people with an infatuation with their crush and their heads stuck in the clouds. If “One Life” by Ziineb was a food, it would be cotton candy. It’s soft, sweet, and melts in your ears like cotton candy melts in your mouth. Ziineb’s voice is light and airy, so the song feels like a warm embrace. Her vocals paired with the vibrant instrumental are a match made in heaven. The song is chill yet energetic, which will put you in a great mood. “One Life” is heavily inspired by Afro-music, with similar instruments like the bongos and congas present on the track. The piano in the background is the finishing touch of the song, but the claves are a great addition as well. If you turn on this song and close your eyes, you will be transported to a beautiful tropical island. The impressive electric guitar solo during the bridge takes the song to the next level. Ziineb's voice is guaranteed to make you feel like you're floating on air, figuratively and literally. Ziineb is a singer and songwriter from Casablanca, Morocco. After moving to the UK and studying music in London for a year, she discovered her passion for Neo soul and Afro-music. She incorporates a variety of genres in her music seamlessly. Ziineb is inspired by jazz, R&B, soul, Arabic music, and emerging artists in the London scene who know how to mix genres. Her strongest influence is Greentea Peng, from southeast London. Ziineb describes her music as “Urban Pop Soul with an oriental touch.” She is not only talented with her voice but with paintbrushes as well. She painted the cover art for her debut EP, “Roses Are Blue,” released on October 27, 2023. Written By Victoria James FOLLOW ZIINEB:

  • Review: "the ocean (i could die)" - Peri Rae

    “the ocean (i could die)” is a beautiful ode to the untamable unstoppable ocean, focusing on how nature draws us in to see all of its spectacular beauty. As Rae shares her very personal story of moving from her hometown, where societal pressure jeopardized her own mental health, to her newfound coast home, we see the vulnerability and hope that begins with closing the chapter on one story and starting another. With the bittersweet melody of moving forward while letting go of familiar things, the emotion she carries with her brings a depth even without a lyrical component, easy to listen to and empathize with. A beautifully dreamy soundscape with an intimate and grounding nature carries throughout the piece, reminding listeners of the might and beauty of the ocean. From the tender plucked acoustic guitar providing a delicate touch to the airy and wispy vocals from Rae, the song strives towards a yearning to live. With violin strings, firm shaken percussion, and deep orchestral twangs, these mellow instruments entwine into a beautiful cascading serenade that invokes the fresh air of the coast, the feel of saltwater on your face, and the ebb and flow of the waves. Using her formative experiences to write guitar and vocal-driven indie-rock songs, Peri Rae is determined to delve into the more intimate details of her life and how she views the world around her. With an infectious personality and relatable lyrics, she’s connected to audiences everywhere, garnering attention through TikTok. Not one to shy away from live performances, she’s opened for Alfie Templeman, played at BBC Introducing Features, and plentiful other live show performances. “the ocean (i could die)” came together organically with the assistance of co-writer Chris Bourne, known for his work with Busted and Hollywood Ending. Recording at the renowned White Star Studio in Virginia with accomplished producer John Trainum, Rae’s music takes on a rich and professional quality, a testament to her own prowess and the exceptional talent she attracts. Written By Megan Cao FOLLOW PERI:

  • Review: “I’m Not Vienna” - Jenny Baker

    If you have ever struggled with self confidence, you would understand that comparing yourself to others is a nasty habit to kick. Jenny Baker, an up-and-coming singer and songwriter, recently released her latest single “I’m Not Vienna.” The song is a tribute to anyone who may feel isolated or incapable. One person’s success is not your loss, one woman’s looks does not mean that you aren’t beautiful yourself. It is a brilliant message that, personally, I think Baker did a great job of conveying. In addition to helping boost the confidences of every listener, “I’m Not Vienna” is a song released in partnership with Strong Women Strong Girls, a non-profit. A portion of proceeds will be donated to the organization, and friendship bracelets will be sent out to anyone who pre-saved the song! I love a song about empowerment, and “I’m Not Vienna” is no exception! The lyrics and the instrumentals pair perfectly with each other. I think this song has an emotional tone that really added to the raw, beautifully written lyrics. It’s such an incredibly powerful song, so I’m glad that I got a chance to talk about it! I think Baker has an immensely powerful voice that, paired with the lyrics, really made this song something special. And if you were wondering if this song gave me an uplifted view of myself… yes. Yes it did. Jenny Baker is a singer, songwriter, recent college graduate, and a blowout sensation. Through her music, Baker aims to connect with her audience in an honest and raw format. Taking inspiration from artists like Taylor Swift and Julia Michaels, Baker was able to find a style that best suited her and the vision she had for her career. In addition to being a musician, Baker is a recent Harvard and Berklee graduate, where she studied sociology, songwriting, and performance. Clearly, her time at Berklee taught her well, because you can really hear the passion and strength in every lyric she sings. Her debut EP, The Day You’re Gone , paved the way for the rest of her career. I can’t wait to hear what she releases next. Written By Isabel Mays FOLLOW JENNY BAKER:

  • Review: "Caught In A Feeling" - Adam Faybrem

    Caught in a Feeling is a synth pop fever dream that should resonate with all listeners who’ve dealt with forlorn love in the past. Adam Faybrem’s lyrics paint the picture of a lover faced with unrequited affection from his partner, and his subsequent indecision regarding their relationship. Faybrem opens with heartbreak, singing “You gave it up before you started, I know you’re broken hearted” setting the tone for romantic strife throughout the rest of the song. He melodically pleads “I’m missing you, I cannot get you off my mind” creating the visual of a lovestruck central character who is infatuated, to the point of obsession, with his romantic counterpart. Unfortunately, his feelings aren’t fully reciprocated and Faybrem is left “Caught in a Feeling” wanting more from his crush. The song itself is dream pop in nature, heavily layered with synths to create a trancelike vibe that adds to its intoxicating aesthetic. Faybrem’s smooth backing vocals are filtered to sound as if they’re being delivered through a telephone, adding an original flavor to the melancholy lyrics being delivered, and further enhancing the dreamy feel of the song. The enchantment of Caught in a Feeling stems from the synth that hits just before the pre chorus; a catchy and haunting beat that furthers the gloomy passion being delivered by the song’s protagonist. There is an overwhelming sentiment that the timing is simply never right for the two star-crossed lovers, leaving them both doomed for relationship purgatory. The song then builds through the repetitive hook of “I’m caught in my feelings, I can’t believe it, my heart deceived me” and crescendos with an electric guitar riff that embodies the chaos and electricity of the two unrepentant lovers’ relationship. Simply put, Faybrem does well to encapsulate the hardships of young love in an alternative pop landscape. Adam Faybrem is a multifaceted talent hailing from Melbourne, Australia, known for his abilities as a singer-songwriter, actor, and producer. In 2013, he broke on to the scene when he produced a Top 10 hit on the UK commercial pop charts. More recently, Faybrem has been heavily featured on Australia’s foremost radio station, Fox FM Night Radio. With hits like Everytime and Now We’re Talking amassing impressive streaming numbers, Faybrem has shown a proclivity for capturing the ears of international pop fans all over the globe. The fact that a catchy song like Caught in a Feeling headlines his upcoming EP only bodes well for this star’s future success on the pop circuit. Make sure to keep an eye out for the release of his new single Hermosa Lady , dropping November 3rd! Written By Dan Caddigan FOLLOW ADAM FAYBREM: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Chris Pratt" - Róisín O

    In the grand scheme of life, the simple pleasures tend to get overshadowed by the simple horrors. Every once in a while, a reminder is needed that life is beautiful. Even the tiniest moments can be the most special, like something as small as dancing around the kitchen in the middle of the night with the love of your life. Róisín O’s most recent song release “Chris Pratt” is the exact reminder that every overwhelmed person needs. Sometimes you have to take a step back and smell the roses, and learn to cherish the things that make you happy, no matter how small. This is a song about love and appreciation, and the cohesive pop and eb and flow mimics O’s intense feelings. The song itself mimics what it's like to realize you are in love- the feeling of being on top of the world. A seemingly odd reference to an actor in the title, Róisín O has said that this song is about her own experience with the boy she fell in love with at 17. They stood in the kitchen at a house party, and he taught her the words to the song “Night Train” by Guns and Roses. He was the spitting image of Christ Pratt, and she calls him ‘the coolest guy I had ever met’. They have found their way back to each other, and now their love is the perfect example of a simple pleasure. It is real and uplifting, and their collection of songs to dance to in the kitchen has only grown. The track is fast, but slows down to almost just the vocal line when O hits the bridge, truly highlighting what she has to say. She sings, “Cuz I had this feeling since we were young / And they all tried to say we're too young to be in love / but I see us now, and I see us at 81, too old to be this in love, still playing Madonna in the kitchen”. She is beyond confident that their love is one to last, and that they will still be appreciating each other through what brought them together- the simple act of dancing in the kitchen. Róisín O is an Irish singer - songwriter, who has gathered almost 60,000 monthly listeners on Spotify. She has headlined tours around Ireland, Germany, the US, and Australia, and has shared the stage with many notable artists. Hitting the ground running with her debut album, ‘The Secret Life of Blue’, O’s personal style has developed and strengthened, and she is truly not an artist to miss. She is certainly a standout pop singer, and has a certain pull and emotion to her voice that is not seen in many artists nowadays. Her music is real and impactful, and listeners can tell she puts her entire heart on the line through her work. Make sure to follow the social medias below to stay tuned for more music from Róisín O. Written By Tessa Maddaloni FOLLOW RÓISÍN O:

  • Review: "Rumors" - The Driver Era

    The Driver Era releases their frustration and anger with their cheeky new single, “Rumors.” The infectious alt-pop track discusses their complicated relationship with the internet and the media. Due to them being in the limelight, outsiders always think that what they know is the absolute truth and that they have all the facts. When in reality, there is so much that the general public does not know. Sometimes a rumor is just a rumor. And sometimes, the truth is something that the people could never even fathom. The chorus illustrates this notion brilliantly with the lyrics: “These rumors// These rumors// You’re so caught up in rumors// I bet you wish you knew the truth about the things I do// These rumors, these rumors// It’s all good news// ‘Cause I’m on your tongue and it’s just what I want.” With these lines, the band emphasizes the idea that there is “no such thing as bad press.” Whether the alleged rumors paint them in a bad light, it is still a good thing because they are being discussed. Regardless of the story being spread, they are still on everyone’s mind and driving them crazy as they wonder what the truth is. Furthermore, these lyrics indicate that sometimes the media are so focused on the false rumors that they miss the more juicy, more significant truths. These lyrics are a clever catalyst in getting audiences talking and wondering exactly what prompted this song, pushing them further into the rabbit hole of baseless rumors and the ridiculous media circus, making “Rumors” the perfect lead single to this new chapter of music. “Rumors” utilizes The Driver Era’s signature sound of perfectly blended alternative pop and soft rock. They kick off the track with an elegant piano and airy synths, paired with mesmerizing vocalizations that are heard throughout the whole song. Between measures, separate lines are shouted, immediately introducing the listener to the energetic, pop-rock vibe of the track. This leads into the bass-led intro that contains the beat, piano chords and melody, and bass guitar. The production continues into the first verse where a fast guitar melody made of roots and fifths are played like power chords. The vocals have a layered effect that remain throughout the majority of the song. In the pre-chorus, additional guitars are added, providing a deeper dynamic to the production. A drum roll introduces the chorus, while the original notes are played together. The airy synth becomes more prevalent while the lead and background vocals harmonize with one another. The next verse starts with a rolled chord on the keyboard and heavy bass, then continues to the original production. As the song nears the end, the background vocals increase while they carry the listener through the outro that highlights the singer’s remarkable vocal range. The Driver Era is an alt-pop duo consisting of brothers, Ross Lynch and Rocky Lynch. The band formed in 2018 while on tour with their former group, R5. Shortly after announcing their group change, the band released their debut single, “Preacher Man.” Since then, they have released three full-length albums, three EPs, and a handful of singles. They have 450+ million streams across all platforms and over 29 million combined social media followers. Their music derives influence from legendary musicians, such as Bruce Springsteen, Prince, and Pharrell. In addition to their music, Ross Lynch is an acclaimed actor, known for the starring role on Disney Channel Original Series, Austin & Ally, as well as Harvey Kinkle on Netflix’s Chilling Adventures of Sabrina and the lead in the biopic film, My Friend Dahmer. Additionally, he recently starred in Troye Sivan’s latest music video for his single, “One of Your Girls.” Written By Karlee Skipper FOLLOW THE DRIVER ERA:

  • Review: "Fairgrounds" - Anni

    This song, “Fairgrounds” by the artist Anni, is all about looking deeply at a relationship you’re in and realizing that you should aim for more than what you’ve settled for. Written after finding out her ex had attended one of her shows without her knowing, this song explores that period of time when you break past the barriers that’d kept you in that endless cycle. Most people have been in some form of relationship like this, whether it’s a significant other or just a friend, where you feel like you’re kept around as validation for the other person. You’re used to satisfy their emotional needs while your own are abandoned and ignored. In this song, Anni encourages herself and everyone listening to realize their own worth, and to know that you deserve better. “Fairgrounds” starts out with a subtle, hazy instrumental, which eases the listener into the track before Anni’s vocals come in to start the groovy first verse. A strumming guitar hums under the lyrics, keeping the rhythm and the tension going as the beat kicks in and the chorus begins. The chorus is heavier hitting than the verses, differentiating it and emphasizing what Anni is singing. This pattern repeats as the song slows back down for another verse before rising back into a second rendition of the chorus. The song continues the energy of the chorus before smoothing out for the outro that highlights her vocals perfectly, leaving you lingering and hoping for more. Overall, this track maintains the tension sublimely throughout the entire three minutes, keeping the rhythm going while also balancing the music with the lyrics to create an addicting and emotional song. Anni, formerly known as Annika Grace, is a published poet and accomplished singer/songwriter based in the city of Los Angeles. Known for her unique dark, alt pop sound, and her well crafted lyrics, Anni has been exploring a new side to her music in this era - touching on the more raw, vulnerable, and authentic emotions that music can create and emulate. She released her first single, “Sedona,” in 2022, and “Fairgrounds” marks her newest single, released on October 20th. She’s also the creator of a house concert series in Venice Beach called “Saturdays at Seven,” which you can explore more along with her music through the links below! Written By Morgan Fischer FOLLOW Anni:

  • Review: "Talkin' to You" - Carson Ferris

    There are few things that are more frightening than rejection. Carson Ferris’ “Talkin’ to You” perfectly captures the fear that follows you when you’re about to take the plunge to talk to the person you like. Hooky beats and excellently themed lyrics, Ferris’ title track of his latest EP hits the nail on the head in its relatability. You’ll be instantly reminded of all the times you’ve tried to muster up the courage to make a move, completely enamored and terrified by what may happen the moment you open your mouth. The ghostly motifs and wicked tune of “Talkin’ to You” will have you playing it on repeat until you’ve finally forced yourself to say something– anything– to that one person you’ve been thinking about. “Talkin’ to You” begins slow and gradual– the song climbs as the runtime continues, eventually culminating in the chorus, hitting hard with its synth. The instrumentals throughout the song keep this vibe going, too; the synth is consistent, and the strings help in building tension within the soundscape. It’s got that classic pop-rock sound, with calmer verses and a blowout, upbeat chorus. The lyrics, though, are what truly make this song: super clever, “Talkin’ to You” weaves haunting themes with the equally scary prospect of talking to someone of your affections. I love each little mention of ghosts, like your crush being called “the ghost in [your] head” that is able to “see right through [you].” Using ghosts and nightmares to represent that ever-present fear from approaching someone you like is brilliant, and every threaded motif in “Talkin’ to You” stands as a beacon of superb songwriting. American pop singer-songwriter Carson Ferris is a total musical powerhouse. Fun and upbeat, Ferris’ music takes on the form of archetypal, classic pop with a rock twist. His debut single “Can’t Be Without You,” in collaboration with Trinidad Cardona, released in 2021, and has garnered over 250,000 plays on Spotify. Likewise, his second 2021 single “Favorite Time of Year” has nearly 400,000 plays as well. 2022 marked the year that Ferris played Fork Fest, which was headlined by Ritt Momney, and Buzzards and Bees, headlined by Book On Tape Worm. “Talkin’ to You” is his latest release and is the title track of the aforementioned EP. There’s tons more to come for Carson Ferris, who already has over 50,000 monthly listeners on Spotify, so stream “Talkin’ to You” while we patiently await his next project! Written By Alexa Leung FOLLOW CARSON FERRIS:

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