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Anyone who's moved to a new city knows how lonely it can get. You're in a new place with no one you know, navigating unfamiliar surroundings. It's especially hard when you're making connections with new people that aren't genuine, and you just don't fit into the scene. Brooke Daye expresses feelings like these in her new single, "Lonely Nights." She wrote the track about feeling like she doesn't fit in with the Los Angeles culture, extending to a general feeling of not belonging. "Lonely Nights" is a collaboration with artist, Lil Lotus. After Daye teased the song on TikTok, Lil Lotus reached out to her and asked if he could feature as he related to the song's message. "Lonely Nights" feels like the perfect song to listen to on a late night drive, destressing about the woes of life in a new city. The song is filled with commercial pop and pop rock energy, featuring catchy melodies and spirited pop beats. Both artists' crisp vocals compliment each other well, delivering memorable lines that will have you singing along in no time. The track's lyrics are a delicious contrast to the animated music, showcasing the sad feelings of loneliness. Daye starts off the song with the heavy-hitting lyrics, "I got no one to call/All my friends love a downfall/First to smile when I lose it all/This town is fake as fuck/Give you poison, but they say it's love." Though the lyrics of "Lonely Nights" are melancholy, the upbeat, energetic feel of the music will have you dancing your blues away. Brooke Daye is an impressive LA-based singer and songwriter. She was offered a publishing deal only 10 months after moving to Los Angeles, signing with Concord Music Group. Her writing styles vary from pop, country, rap, and urban. Daye's notable co-writes include Louie Lastic, Dayyon Alexander, Jeff Shum, and Jasper Harris. Aside from her songwriting, she focuses on her own music, writing and singing songs from the heart. Daye often draws inspiration from her own heartbreak and internal struggles, creating relatable and authentic music. An equally impressive artist, Lil Lotus is the new face of pop-punk. He tastefully blends rap, emo, pop, and pop-punk in his songwriting. In 2017, he released his debut EP, Bodybag, beginning a series of singles and EPs that have garnered more than 30 million streams. Lil Lotus' album, ERRØR BØY, makes it clear that he's a pop-punk force to be reckoned with. Written By Cheyenne Johnson FOLLOW BROOKE DAYE: FOLLOW LIL LOTUS:

Those moments when you and another person are instantly attracted to one another are rare, especially when it feels like this could be it, this could be your person. But does this person have the same intentions in mind? Thomas Goforth’s latest single “Intentions” is a smooth, yet catchy track about having that instant connection and wondering if they want more. It’s an enticing song that will make listeners curious about who Thomas Goforth is and what he brings to the table. The song is a great combination of pop music with country vocals, as well as captivating lyricism. Thomas Goforth delivers a splendid vocal performance that feels nostalgic for early 2000s music, as well as still keeping his sound fresh. The song starts off with a single guitar that creates a nice introduction. The palm muting mixed in the strumming pattern creates an addictive rhythm that keeps listeners' attention. Goforth’s vocals come in strong, creating a nice transition from the introduction to the verse. The lyrics create nice visuals of how powerful a simple look can be, and what messages eyes can carry. The use of snaps in the pre-chorus adds to the charisma of the song and is an example of how simplicity is effective. The chorus of the track is reminiscent of the late 90s or early 2000s, and that only adds more charm to the song. This is especially portrayed by Goforth’s vocal performance during this section. The repetition as well works nicely and doesn’t overcomplicate the chorus to the point where it ruins the entire song. There’s a nice contrast between the first and second verse, with the addition of a beat that helps build up the song from where it started. As the song progresses the complexity of the relationship between the two people in the song grows, leaving the speaker confused as to what the person they sing to wants from them. The song ends in a similar way in which is started, creating a smooth full circle that leaves the song ready to be listened to on a loop. Thomas Goforth’s “Intentions” surely keeps its audience entertained and is ready to be added to your next playlist. Thomas Goforth is a country artist from Barnhart, Missouri who had a passion for music since he was a young kid. He began to make original songs at 15, and since then has been able to grow as an artist and perfect his craft. His audience has been growing since then, but Goforth especially grew in popularity when his other song “I Wish I Liked Bourbon” became popular on TikTok. Thomas Goforth brings a new and fresh sound to country music as he continues to work on his art and create unique art that makes him stand out amongst the others. His sound will certainly captivate you and keep you intrigued and wanting more. Be ahead of the game and check out Thomas Goforth’s “Intentions” now. Written By Chantal Charles FOLLOW THOMAS GOFORTH: *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

Photo credit: Anna Nordström “BRB” is a poignant tune, and your vocals are heartfelt. Can you share the backstory for this song? Joselin: BRB is the first song I wrote after a breakup that left me in a state of denial where I was expecting the person to be right back. It was intended to be a “therapy song” just for me, but after thinking about it I felt that those types of honest songs might be the most important ones. You completed the songwriting program at the Lillehammer Institute of Music Production and Industries. What are some of your favourite memories and moments from that experience? Joselin: I loved the songwriting program in Lillehammer! I rented a small room above a garage halfway up the Olympic mountain in the small town mostly known for its 1994 winter Olympics. So in the wintertime, when recording sessions had lasted past the last night bus, I had to walk through heavy snow. I remember being exhausted as I got home. I learned a lot from mentors such as our head instructor, songwriter Amund Björklund (Train’s “Hey Soul Sister” & Beyoncé’s “Irreplaceable”), who kept giving fantastic advice. I can still hear his voice in my head as I remember the insights he shared. Sarah Hudson, Dagny, and Fred Ball were others I learned a lot from. What was it like collaborating with Alexander Linnerstam on “Excuses”, which led to you winning P4 Nästa Kronoberg? Joselin: It was a bit of a shock for both of us to find out we won, and I’m still so grateful for that experience. “Excuses” started with a song idea on the piano, and I sent over a voice memo to Alexander which inspired him to produce an instrumental. I knew from the first moment I heard it that it was the perfect sound. "Excuses" was the first song Alex and I made together, and now "BRB" will be the most recent. How exciting was it to win the gold ticket for your performance of “If I Had A Weapon” on Idol? Joselin: Receiving the gold ticket on Idol was one of the best days of my life. I had been nervous about my voice the years prior, wondering if it was good enough. That validation and positive feedback from the jury really changed my perspective and gave me confidence that I can do this for real. Photo credit: Anna Nordström Can you describe your songwriting process for us, and give some insight as to what gets your creativity flowing? Joselin: I have a few different processes for writing. Oftentimes when I write for myself, I prefer to be in my own space with my guitar. That’s how I wrote BRB. Other times, I also love spending time in the studio and bouncing ideas off a producer in the room. During that process, it’s like every part of the song is being built at once from the ground up, which can be quite exciting. How would you describe your unique sound? Joselin: I strive to always be very honest and vulnerable in the lyrics I write. And to keep lyrics modern, although I often like the production to be a bit vintage and classical. I do have synesthesia, which is quite common among musicians, which pretty much means that I can see colors in sounds and music. This also impacts my songwriting as I try to reinforce the song’s color. This has led to some fun laughs with producers who don’t have synesthesia - if I ask them to add a certain color to the production and they wonder if I have gone nuts. Interviewed By Vanessa Siebrass FOLLOW JOSELIN:

We all have gone through at least one tough situation in our lives where it can really affect your mental well-being. Life can be hard, sometimes it's almost unbearable; but learning how to cope with your emotions is the only way to achieve peace. Everyone has bad days and we have to push through it until better days come. Christina Sikora’s single, “Seeing Stars” is about having the deep thoughts that come with going through those dark periods in our lives. Those moments can sometimes change you forever. We go through all these rollercoasters of emotions that we’re unable to get out of which can cause problems within ourselves. We all struggle with something and sometimes are unable to control it. You just have to remember that these feelings won't last forever, and it will always get better. Christina starts the song with her raw vocals which draw you in immediately, with her lyrics being relatable and full of emotion. She delivers her lyrics with a mix of pop-rock and alt-pop soundscape that captures the feelings of being trapped in this whirlwind of emotions. Her strong vocals enhanced the message significantly because of the thoughts she held onto when going through a dark time in her life. The listener can feel sympathetic through her words which shows the true impact of this track. The meaning of the lyrics are told with strength and courage that seems hard to muster up, but the beat assists with it making this song extremely effective and powerful. Christina Sikora is a 20-year-old independent singer-songwriter from New Jersey. She began writing songs and playing instruments around nine years old. By 14, she performed her original songs around New York and later attended the Berklee College of Music summer songwriting program for three years. She was mentored by NCB Songland’s Monument Records artists: Sam DeRosa, LA pop sensation Wrabel, and Jack Ohlbaum. She’s mainly influenced by the styles of artists: Tate McRae, Nessa Barrett, Jessie Murph, and Chelsea Cutler for relatable lyrics and subtle 80s inspired production. Her single, “I’D HATE ME TOO” gained attention on TikTok and went viral for over one million plays in just a week back in February 2022. Sikora’s song, “Wish I Hated You” that was off her last EP won an award at the SongDoor’s 2021 international songwriting competition in the pop music category. Now, she’s attending Belmont University’s songwriting program in Nashville. She has a lot coming, so make sure to check Christina Sikora out! Written By Lyndsey Cheng FOLLOW CHRISTINA SIKORA:

Nette’s latest single, “Karma”, is a dark pop song about vengeance and justice. The track brings the concept to life as “a vengeful bitch who always wins in the end.” The fiery track reminds listeners that what goes around, comes around, and the people that did them wrong will get what is coming to them, eventually. The song begins with the hook found in the chorus: “Karma’s a bitch// Yeah, you get back what you give// Too bad for you, yeah she’s been watching every minute it// Karma’s a bitch.” The listener is immediately introduced to the message of the song, and the energy that it emits. It is the epitome of a perfect revenge song that will empower the audience to dust themselves off and move on, knowing that it is in Karma’s hands now. She will take care of the evil done, and all they have to do is sit back and wait. Every single line in the song is ingeniously written. Furthermore, the bridge contains lyrics that fully encompasses the entire message in just a few lines. Nette’s compelling vocals sing, “Everyone is just another pawn// You play ‘em how you want// You think the game is won// You don’t know the half of what you’ve done// Payback’s just begun// She’s coming better run// Karma’s a bitch.” Nette tells the audience that this person that did her wrong is known for using others and getting what they want. They do not believe that there will ever be consequences for their actions and are convinced that they are untouchable. However, she flips the script in the second half by introducing Karma. She informs this wicked person that they have no idea what is about to hit them, and that Karma will not rest until she avenges everyone they have ever harmed. “Karma” contains a darker vibe than previous releases by Nette, further expanding her remarkable discography. The track immediately kicks off with Nette’s sultry vocals singing the chorus, captivating the audience instantly. Then, the synth bass and subtle vocals are added, setting the moody atmosphere. The first verse opens with a brief scream before the strong bass hits and Nette continues singing. Toward the middle of the verse, the listener can hear a creaking door opening, enhancing the gloomy theme. After this effect, additional synth sounds and echoing vocals are introduced. Then in the pre-chorus, the vocals are paired with high-pitched keyboard notes that intensify the anticipated return back into the full production of the chorus. When the second verse begins, the track utilizes the same scream as the transition, but the production is more simplified. This pulls a greater focus onto the haunting vocals echoing in the background, before returning to the original production found in the first verse. The second pre-chorus maintains the same high notes on the keyboard, but the production increases in complexity and harmonizing vocals are added. The chorus returns, before the bridge begins the passionate climax of the track. In the bridge, there is only a very light synth background, honing in on the captivating vocals and harmonies. Then, it ends with an arpeggio on the keyboard with the statement: “Karma’s a bitch,” before a synth bass solo with Nette repeating the statement. This fires up the listener before the bass-heavy final chorus. Throughout this chorus, the background vocals are heard singing the bridge lyrics, flowing effortlessly into the outro of the track. This unique addition blows away listeners and highlights Nette’s creative songwriting and production skills. “Karma” was the result of Nette experimenting with her sound, and it proves that she is set to dominate the industry with her unparalleled talent. Nette is a Canadian singer, songwriter, and producer based in Vancouver. In October 2021, she released her debut single, “Feelings”. Two months later, she released a remix of the track with music producer, Junyang. In 2022, she released three more original singles. “Karma” marks her first single of 2023, and her fifth single over all. She is known for drawing in audiences with her creative storytelling and compelling vocals. Her music ranges between multiple vulnerable topics, such as self-doubt and self-discovery. Her insightful lyrics provide audiences a chance to resonate with meaningful messages. She has earned a massive fan base by sharing her musical journey on TikTok, garnering over 200,000 followers on the platform. Nette is a strong advocate for women in the music industry, drawing special focus on female producers. Her natural artistry contains the immense talent that the music industry craves. Written By Karlee Skipper FOLLOW NETTE:

(Photo Credit: @bygwynethchoi) Congratulations on the release of "YOU RUINED MY BIRTHDAY" ! Can you talk a bit about the inspiration behind this song? Amelie: Thank you so much! “YOU RUINED MY BIRTHDAY” was such a fun song to write and record - the inspiration and lyrics behind the song are all based on my actual life, I really did have my birthday ruined 3 years in a row (17-19) and my birthday is now almost an ironic event in my life. It just sometimes sucks to have something special, something that was meant to just be yours taken away from you and ruined. And so this song is almost like my tribute to my 17, 18, and 19 year old selves - this is me telling them that they deserved better. Do you have any funny behind-the-scenes stories from creating this song or the music video? Amelie: The music video shoot was so fun and chaotic haha, definitely one of my favourites so far! Highlights include me almost burning my hair (multiple times), eating cake with my amazing co-star, and really struggling to light my birthday candles (also multiple times)! There was also a cut scene of me praying at the Jimi Hendrix shrine at the Troubadour… Aside from this song, what other song of yours is your favorite? Amelie: It’s so difficult to choose between songs, I think especially when they’re your own. Every song I’ve ever written means something different to me, but I have to say I’m the proudest (so far) of my mixtape “CINEMATIC!” - and “Electric Butterflies” and “Better” definitely have extra special places in my heart. You self-released your first studio album at the age of sixteen. That's amazing! How do you feel you've grown as a singer and songwriter since then? Amelie: Thank you, I’ve wanted to write and release music for so long and I couldn’t be where I am today without who I was when I wrote/released my first and second albums. I’ve grown so much since then - musically, lyrically, emotionally. I’ve actually switched genres even, so my sound/identity as an artist is completely different from what it was 4 years ago. And I sometimes get a little teary-eyed when I think about what 16-year-old me would think if she saw me now, and I’d like to think she’d be proud of how far we’ve come. And I couldn’t have done any of this without the support of my family and my team, so shoutout to them! (Photo Credit: @bygwynethchoi) You have a headline show in London coming up in April! What about that show are you most excited for? Amelie: I’m so so pumped about playing at the Dublin Castle, I think the best part about any gig is connecting with the audience and just being able to have a great time all together with people who understand you - that’s the part I’m always the most excited about. But another aspect I’m looking forward to is playing some unreleased songs for the crowd, it’s going to be like a kind of exclusive preview of what’s to come! For you, what is the best thing about being a musician? Amelie: For me, writing music is the most therapeutic thing in the world. It’s how I process and get my feelings out, and I think the best part of being an artist/musician is being able to share those thoughts and feelings with other people, and that moment of connection, that moment of “oh, I actually feel that too, we’re not alone in this” is the best feeling. Interviewed By Tessa Brainard FOLLOW AMELIE JAT:

Going from a friendship to a romantic relationship has its benefits, as there is no awkward “getting to know you” phase. The other person already knows about all your habits and quirks. At first glance, the whole situation seems like a dream come true. However, if the romantic relationship does not work out, it could ruin the initial friendship as well. In her reflective pop ballad, “90 days,” Yael Danon proposes a solution to this dilemma. That is, she and her friend test out the romantic relationship on a trial period. If it doesn’t work, then they can go back to being friends. The song as a whole stresses how tricky love can be, and I’m sure that’s something a lot of listeners can relate to. The instrumentation changes throughout the song. In the verses, you hear a slow creeping bass with a ticking clock in the background. I thought the clock sound was especially fitting because the title of the track is a set amount of time. When it gets to the chorus, the instrumentation increases in intensity with a piano and guitar. As for the lyrics, my favorite line was “you’re my Romeo and my best friend.” I think it does a good job of showing the contrast between friendship and love. I also thought the ending was interesting. The whole song is about her being nervous for an upcoming change in her friendship. We never get to see it in action though. In fact, the song ends with the words, “but if for any reason our love doesn’t last, can I have my friend back?” In other words, we never get to hear about what happens during or after the “90 days.” I love happy endings though, so I’m rooting for them. Yael Danon is a trilingual singer-songwriter who was born and raised in Panama. She has loved performing since she participated in her school talent show. She once wrote all her songs down in a purple diary. So, it is only fitting that she is pictured with one on the cover of her debut album, “Diary Girl.” If you liked “90 days,” “Best Friends to Lovers” is a similar sounding song. It also sounds like it could be a resolution to the story that the previous track tells (I won’t spoil the ending for you). In contrast, “Don’t Miss You At All” is a song about embracing the freedom of “single-ness”. Danon is very vulnerable on this album, as she shows listeners both the good and bad sides of her life. Written By Kelli Dixon FOLLOW YAEL DANON

Having that specific someone who you love and care for is a beautiful thing. You realize that the little things matter the most—like taking a drive to McDonalds in the middle of the night or just staying home together doing nothing. But when you’re with that person, it doesn’t matter what you’re doing or where you are. POLUN’s latest track off his Trillium album, “Love U Better” is about the realization that living life with that significant other is wonderful. When you’re away from them, it can be hard sometimes because of that distance; whether they just left your house or they live in a different city or state from you. The feeling of being healthy and content with the relationship is something we all strive for. It’s a matter of having that trust and love that is built from both partners to make the connection still strong and worth it. The song starts up with cassette tape effect that sounds like an opening of a film about a love that is about to blossom. With an electro-pop soundscape paired with refreshing and sweet lyrics, the listener’s able to have a diverse feeling of emotions. The lyrics are heartfelt and mixed with an upbeat melody that makes you want to dance and sing along. It sounds like it could be played in a club for a bunch of people to vibe to with its catchy tempo. POLUN's vocals are clear with additional ad libs and echoes that enhances with the music creating a rhythm affect along with it. The rest of the track after the lines, “I’m gonna love you better” is instrumental with a pop beat that amplifies the tune significantly. The same tape sound closes the song. Toronto-based POLUN, under the producer/songwriter’s name Terence “TEE” Lam made his debut producing “Can’t Choose” by JRDN in the 2014 Juno award-winning R&B/Soul record. Following that achievement, he co-wrote two Billboard Hot 100 hits which are triple platinum singles, “Here” by Alessia Cara and “Too Good” by Drake ft. Rihanna. He crossed over to produce for some K-pop artists like EXO, D.O., Suho, and Monsta X and wrote songs for Adventure Club, DVBBS, Kaskade x Meghan Trainor. He earned credit on his skilled production for “U Should” by 2021 Best New Artist Grammy nominee CHIKA and “Living Hell” by TikTok sensation Bella Poarch. He’s ready to share his debut album, Trillium which is inspired by his life’s journey. Trillium is infused with pop melodies and charged beats that also features some of his favorite collaborators. He has earned over 5,000 Spotify monthly listeners. He definitely has a lot coming, so make sure to check POLUN out! Written By Lyndsey Cheng FOLLOW POLUN:

Learning to put yourself first is a hard task to accomplish. There’s always a fear of disappointing someone and saying no can be difficult. Stacey Kelleher tackles these feelings and fears in her new single, “Overcommitted.” While it’s difficult to say no sometimes, it’s even more difficult to constantly say yes and to never have a second to breathe. “Overcommitted” illustrates Kelleher’s predicament, the inner-battle she faces between choosing her mental health over her drive to succeed. Though chasing your dreams is an amazing journey, it can get overwhelming sometimes; it's always okay to acknowledge that and take a break for yourself. “Overcommitted” leans heavily into the indie pop scene, showcasing Stacey Kelleher’s chill style. The fresh single is co-written by Kelleher and upcoming Nashville songwriters, Emily Gurklis and Fran Litterski. Throughout the song, Kelleher's raspy vocals float over a dreamy synth soundscape, mixed with piano and guitar inspired by Holly Humberstone. The track is filled with captivating melodies and relatable lyrics, giving listeners a genuine glimpse into Kelleher’s life and feelings as a musician. A catchy and authentic anthem for workaholics, “Overcommitted” is sure to resonate with other fellow overachievers. A rising indie pop artist, Stacey Kelleher is a Nashville-based force to be reckoned with. She is a songwriter, producer, and multi-instrumentalist known for her honest and vulnerable music. Songwriting serves as an outlet for her, helping Kelleher navigate the highs and lows of life. Kelleher is inspired by artists like Holly Humberstone, LANY, Lennon Stella, and Phoebe Bridges. Some of her popular releases include "Thing of the Past," "ILY & I Can't Say It," "Worst Case Scenario," and "Broke In." If Stacey Kelleher isn't on your radar, be sure to check out these songs and add them to your playlists! Written By Cheyenne Johnson FOLLOW STACEY KELLEHER:

All too often we are told to hide our feelings when they aren’t the pinnacle of happiness, pushing them down deep within and dealing with the emotions alone. Especially in dealing with depression, this isolation can become so lonely to the point where you may feel that all hope is lost. NYA wrote “I’ll Be Okay” as a way of letting emotions out; first for herself and then hopefully for the listener as well. The song details her own experience with depression and her ability to stay as mentally strong as possible even on the darkest days. She builds upon her lyrics and musical interludes and undertones to tell her story not only through words but the power of rhythm as well. At the beginning of her song, NYA leads into the first verse with a cool and echoey voice singing what appear to be the same words as the title. We then have the pleasure of hearing her voice take over the first verse, backed up with a crisp guitar melody. The same voice from the introduction is brought back in as the first verse leads into the chorus. It is layered with the established guitar rhythm and introduction of other instruments backing up NYA’s powerful vocals and lyrics. The second verse goes into more depth about how deep her depression ran and reiterates that one day she will be ok, which is also reflected in the slightly picked-up tempo of the song. NYA was born and raised in Tampa, Florida, but she is now rotating her time spent in Los Angeles, Paris, and South America. She writes her own songs, and her style of music exists as a fusion between jazz and alternative pop. At just sixteen years old, NYA got into a prestigious summer camp with the Grammy Museum that was meant to build the most creative young musicians of the time into true performers and give them the ability to engage in musical discourse. It’s here that she began to discover her love for fused music genres such as jazz-pop that have stuck with her to this day. With so much success already as a single artist, we are excited for the release of NYA’s full album! Written By Molly Schiff FOLLOW NYA:

Photo Credit: Tjanatja (@lilly.pilly - Instagram) Music is a unique storytelling tool, open to interpretation and dissection. Some songs can transmit different feelings to each individual listener. Sydney Miller’s new single, “Behind Closed Doors” is the perfect example of a track with such simplistic lyricism yet various possibilities for underlying narratives. When I analyze “Behind Closed Doors”, I hear a story of self-doubt, reflection and growth. Lines such as “I’ve changed now I voice all my fears, no point in tryna keep them in” allude to gaining confidence and placing value in your own thoughts and ideas. “Behind Closed Doors” is an anthem of self-empowerment and realization. Sydney sings about growing stronger and letting go of prior insecurities. She blends elements of pop and electronica to create an emotional ballad that showcases her ethereal vocals. Sydney Miller’s authentic sound, unique musical vision and raw talent make her a standout artist in the pop music scene. “Behind Closed Doors” is truly a treat to the ear. Sydney’s hypnotizing voice reaches beautiful falsetto notes as well as deep contralto tones. The tracks' unique instrumentation presents a plethora of memorizing sounds. The single is packed with vibrant percussion and textured synth noise. Vocalization layering and echoed harmonies provide endless dimension. The creative addition of door sound is not only a novel musical element, but also a nod to the song’s title. Sydney's willingness to experiment with eccentric sound and her refreshing take on pop set her apart as an innovative audio engineer and music producer. If her gifted composition skills aren't enough, Sydney Miller's incredible vocal abilities solidify her as a must-watch artist with immense potential. Based in Melbourne, Australia, Sydney Miller is a 23-year-old singer, sound artist, composer, music producer, and audio engineer. Her unique and vibrant sound mixes a variety of textures from hopping percussion to distorted synth lines. Her debut single, “Out From The Inside” was released in 2020 and has reached over 6.4k streams on Spotify. The track was later included on Sydney’s first EP, “The Inside” with other bops such as “Running Out”, “In the Office”, “Dollhouse” and “Bad News” which alone has garnered 4k streams on Spotify. In 2022, she released the “Out From The Inside” official music video which has excellent production value, featuring a wide variety of camera angles, beautiful shallow depth of field shots and astounding split screen post-production editing. Sydney can be discovered on popular public paylists such as “The Australian Music Scene” which has over 3k likes on Spotify. Likewise, she appears on the 2019 single, “Emission Clouds Over Beijing” a piece included in the first volume of a soundscape mixtape by Music Valium, the project name taken by composer, Philip Tucker. Sydney often works with Orange Orange, an Australian alt-indie artist. Last June the two musicians embarked on a dual residency and tour through Melbourne and some of its neighboring cities. In February, Sydney appeared on the single “Granny Lands” from Orange Orange's new EP, “The Sun Isn’t Gone”. Sydney Miller is certainly pushing the boundaries of pop music with the merging of various instrumentation and blending of the jazz, pop, dance and electronica genres. Keep an eye out for Sydney as she expands her discography, creating more immersive and authentic songs that feature her angelic vocals. Written By Julia Hooper FOLLOW SYDNEY:

If you’re looking for a catchy new pop song to listen to, look no further than Molly Baker’s newest single, “Beautiful Chaos”. Following the release of her single, “Runaway”, Molly is making herself known once more with a new single released today! From memorable guitar melodies, honest lyrics, and fun electro pop sounds, her new single has elements that any pop music fans will enjoy. "Beautiful Chaos" is only the latest from the young artist and is the first single she is releasing from her upcoming debut album. The new single is based around the artists own experiences as a freshman in high school that fellow high school students and young adults alike can relate to. Full of nostalgic memories, Molly's track captures those first moments of High School and the feelings that come with it that many people have also felt during this time. From the anxiety of walking into class on the first day to worrying about fitting in, many of us remember what that was like or will about to experience it for the first time. Everyone goes through their own version of beautiful chaos throughout life and Molly's latest track serves as a reminder that you’re not alone. Since discovering her passion with music through open mic nights and musicals, Molly has been developing her unique sound with every new release. Previous tracks of Molly’s have been ballads about relationships and like this track, her lyrics are honest and reflect moving on and embracing changes. Her latest single is an upbeat, indie-alt inspired track, with an unforgettable melody and clever lyrics to look forward to. “Beautiful Chaos” takes its listeners on a journey to the first year of high school.The artist has said, “We've all agonized over it but we all made it through those first few days and found our crowd and created some life long friends”. Her recent release opens with the lyrics, “First day of freshman year in this strange new atmosphere, I almost cried all my mascara off two steps in and I’m already lost”. Molly’s lyrics capture those intense feelings high school can bring out and as the song progresses she also acknowledges the pivital moments in High School like homecoming and football games. One of the many highlights of this track is the catchy guitar melody you hear throughout that was reminiscent of Olivia Rodrigo’s “Good 4 U”. This is a song you will want to add to your pop playlists and blast on full volume. As a new listener I am excited to hear what she releases next! Molly Baker is a promising up and coming pop artist based in The U.S. The young artist has been involved with music since an early age, and has been sharing her original pop songs on platforms like Spotify since 2021. Averaging over 1,600 monthly listeners, Molly is well known for her first single, “Go With The Flow”. In only a short amount of time, she has grown recognition for her music since this first release only a few years ago. The pop artist now has 5 other original songs added to her discography including her newest, “Beautiful Chaos”. Besides being a singer, Molly is a multi instrumentalist playing guitar and piano as well. Molly’s music inspiration comes from artists such as Olivia Rodrigo, Taylor Swift, Harry Styles, and the Arctic Monkeys. Molly is active on her social accounts including YouTube, where she releases music and lyric videos of her songs. With much anticipation, Molly has a YouTube premiere video of her new single on it's release day today which you can find on her channel. Currently, Molly has been hard at work on her debut album “Plot Twist” set to release later this Spring. After hearing the first featured track, fans should be excited to hear more. For more information on her upcoming releases check out her socials below! Written By Jenna Barton FOLLOW MOLLY: