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Think of *NSYNC’s music video for “Bye Bye Bye”. What immediately pops into your head? In my head, I instantly envision the woman pretending to be a puppeteer while marionetting the members of the band. She’s toying with and manipulating them for her own gratification. Imagine for a moment that the tables were turned. It’s now them controlling and pulling on her puppet strings. If your imagination isn’t imagining too well at the moment, no worries. Chymes has you covered with their new single, “Game Over”, where this story of romantic manipulation is reimagined through heavy synths and a bouncing beat fit for a club. But most importantly, it's told from a woman's perspective. “Game Over” is an Alt-Pop single about detaching from the intoxicating allure of a manipulative connection. The song opens with a catchy hook that has listeners doing a double take before Chymes drops the first verse. In the verses building up to the chorus, we learn that this manipulative relationship has gone through several cycles but our artist is determined to make sure this cycle is the last one. They’re not falling for the “sad face” again, and they’re tired of their time being wasted. The first half of the chorus crescendos into the second half that envelopes listeners in this funky dance beat that's bound to make anyone feel the same sense of power the manipulator in this connection has exercised and experienced up until this point. But the only thing that'll be stroking that puppeteer's "ego" in the future is their "right hand". Chymes then brings us to a bridge that reveals how ethereal their vocals are while promising to herself to never get caught up in this connection again. “Game Over” feels like the logical conclusion to Chymes’ “See You In Hell”. “See You In Hell” details how one becomes so infatuatedly altruistic – giving all of yourself to someone – they disregard any thought or reason when entering into a relationship. In “Game Over”, you’ve finally come to your senses and see your lover for what they truly are: bad company. Chymes is an Australian pop-artist seeking to take over the genre with her darker themes and divulgence into heavy-hitting topics. After being tweeted by Jungkook from BTS, the artist has seen nothing but continuous growth in both listeners and streams. Chymes has been in the music scene since 2016, when they released their first EP, Grow. Now, more recent singles like “Black Hole Friend” and “Euphoria” have amassed millions of streams on top of being featured on multiple Spotify editorial playlists. The Pretty Little Liars reboot even showcased Chymes 2021 single, “Death Wish”. If you’ve enjoyed Chymes' cut from the puppet strings as much as I have, show the artist some virtual love in the form of streams, likes, and follows. Written by Giavanna Gradaille FOLLOW CHYMES:

'Beautiful Chaos' is really catchy and relatable! Can you tell us what inspired you to make this song? Molly: Beautiful Chaos was the first song I wrote with Jenni Rudolph for my project, and we happened to start our writing sessions during homecoming week. Anyone who’s gone through high school can tell you how crazy that week is, and on top of that, I was dealing with a really tough first semester. I was really learning how crazy/chaotic/stressful life for teens and high schoolers is! But I soon saw how this time in our life bonds us together over our shared experiences, and brings us to our close friends. All in all, my beautifully chaotic stories from freshman year shaped the lyrics and vibe of this song! 'Beautiful Chaos' has more of an edgy, pop punk vibe to it which is different from other pop styles you've experimented with. What made you want to use this type of sound for this song specifically? Molly: I feel like Beautiful Chaos is the first glimpse into this new sound, as the pop-rock style is used in a lot of songs on my upcoming album. I always try to make music I would listen to in my free time, and while making Beautiful Chaos I remember being obsessed with some early 2000s pop-punk groups, 80s bands, and more modern pop/soft rock singers. This new sound was created based off of all my musical influences at the time! This is your first single release for your upcoming debut album! Why did you feel this was the perfect song to kick off the beginning of this new and exciting time? Molly: This song feels like a fun full circle moment since I wrote this about a month into my freshman year. Now I only have two months left until summer!! Lots of high schoolers are dealing with spring burnout, so I feel like the lyrics are very relatable for this time of year. And like you said earlier, it’s the perfect first glimpse into the new style I’m experimenting with! Speaking of your debut album, can you tell us more about it? What else do you have in store for your listeners? Molly: I am SO excited for the album's release - it’s going to have about ten original songs on it, and I feel like it’s more emotionally and lyrically diverse compared to anything I’ve released before. From pop-rock teen angst, fun edm dance tracks, to mysterious songs and heart-wrenching ballads, the lyrics are the secret ingredient that make these songs special. I was incredibly lucky to co-write with Jenni Rudolph, who turned all my random ideas into something beautiful! I know you're planning to do some gigs soon! Where are some places you're hoping to play, or would like to play? Molly: I’ll play wherever I can!! It’s hard being a young artist, since I’m not allowed into a lot of venues because I’m younger than 21. I hope that I can grow a bigger presence on my social platforms so people will learn that my age doesn’t determine my drive and passion to play! You're such a talented young artist with so much ahead of you! Where do you hope to see yourself in the next 5 years? Molly: Thank you so much! I would love to see myself with a larger social media presence and discography. A dream I’ve had for years is to write the instrumentals, lyrics, and melodies for an entire album of my own. I would love to have a bigger fanbase and get chances to play at bigger venues where I could interact with fans. Becoming popular on social media is SUCH a key part to being a musician that (in my opinion) can be harder than creating the songs themselves. I’m constantly trying to figure out the algorithm and how to get the word out there the best. There’s so many things I want to improve and grow within five years, and hopefully I will have them all figured out! But after seeing how much I’ve changed in the past year, I’m sure I’ll have changed for the better :) Interviewed By Kaitlyn Nicole FOLLOW MOLLY:

Alexa Cappelli wears her heart out on her sleeve in her latest single, “Someone Better”. The vulnerable track follows the narrative of letting yourself move on from someone that you know you have outgrown, despite still caring deeply for that person. She describes to the listener that this person is not toxic, but someone who loved and cherished her, and only ever treated her right. With this in mind, it makes the decision of letting them go even harder because they were all she ever thought she wanted. She illustrates this idea with the pre-chorus lyrics: “I wish this was easy// Don’t wanna believe it// And I wish I could be mad,” and the chorus lyrics: “But it’s not like you yelled at me// Or said something terribly wrong,” and “There’s just no remedy// Watching our spark turn to smoke// We’ve got nothing to show.” With these lines, she shows that their chemistry fizzled out and it is nobody’s fault. Their relationship had an expiration date, they just did not know it until it was too late. The end of the chorus reveals the hook: “I could never dream of someone better than you// Just someone better for me.” She wants her former partner to know that it is nothing they did, and that she will never find another person as amazing as them. However, she knows that there is someone out there better for her, and that her former lover has someone out there better suited for them, as well. Cappelli professing this profound notion showcases not only her poetic songwriting skills, but also her impressive emotional maturity. “Someone Better” is a beautifully written track derived from Cappelli’s own experiences, and it now serves as a great comfort for audiences that resonate with her insightful message. “Someone Better” is a heart-wrenching ballad that tugs on the heartstrings of listeners from the very first note. The track begins with a soothing piano and airy synth notes that evokes feelings of sorrow within the audience. When the vocals start, an electric guitar is added to the background with a simple riff that complements the piano chords. In the pre-chorus, the piano eases into the background as an acoustic guitar takes its place in the foreground. Once the chorus hits, the bass kicks in and the piano fades away, almost going completely unnoticeable. The emotion behind Cappelli’s voice is especially apparent in the chorus, as the production provides an intense atmosphere for her to match. The production in both the second verse and chorus mirrors their original counterparts, which only enhances the emotional climax at the end of the second pre-chorus. At first, it continues to match the first one, but then the production switches to slow, staggered piano chords, drawing focus on the lyrics. Then, the final chorus is introduced with the original production and additional harmonizing vocals that provide an angelic effect to the song. The outro is only the guitar and piano chords, ending the song elegantly in the way it began, tying together the entire track beautifully. Cappelli effortlessly guides the listener through “Someone Better” with her compelling vocals, making the listener naturally resonate with her broken heart. Alexa Cappelli is a singer-songwriter from Southern California. After competing in Season 14 of The Voice as a member of Coach Kelly Clarkson’s team, she chose to commit to her music career full time. In 2019, she released her debut EP, The Colors That Make You. She released several singles that garnered massive attention on TikTok. In 2022, she released her sophomore EP, Confused @ 22. Since this project, she has signed to Arista Records and has been releasing singles from her upcoming debut album. The lead single, “Could’ve Just Left Me Alone”, has over 17 million streams on Spotify alone. She has been featured more than once on the music platform’s New Music Friday playlist and has earned recognition from industry professionals such as MTV, Just Jared, and 1883 Magazine. Cappelli continues to make a great name for herself within the industry and shows no signs of slowing down. Written By Karlee Skipper FOLLOW ALEXA:

Miranda Fauls newest single, “Renegade” is out now. This powerful song lets us look inside of ourselves to find the light that lives within. Miranda wrote this song with herself and close friends in mind, allowing them a space to have these big feelings. “Renegade” is an inspiring song that can help us find our way back home within the chaos of the ever changing outside world. She assures her friends with her song that they will always be able to feel at home no matter how difficult and different things may seem. The words stick with you, allowing you to feel safe and welcomed with each line. She reminds us to “just breathe something in you knows the way home”. This song feels like home, it welcomes you in with a soft start and builds off of itself. It is beautiful and warm, with the vocals alluring you in to listen to each line pass you by. “Renegade” starts very stripped down, with only vocals and a gentle guitar. Moving through the song we can hear the power behind her soft and smooth voice. By the middle of the song there is a passionate crescendo leading to the height of “Renegade”. This Folk/Pop song uses an array of instruments to flow into your ear and scratch a sweet musical itch. Although by the end Miranda has us hooked on her voice and powerful message, she brought us in fast leaving us wanting more. Miranda Faul is a young singer/songwriter living in Dublin, Ireland. At only 23, Miranda has now released 3 singles, including “Renegade”. Following in the footsteps of her musical icons, this artist is using her skills to incorporate a plethora of genres in her music. Miranda engages with her audience by writing and performing songs that resonate with her and her friends. She uses her passion for music and storytelling to show the world her talent. Keep on the lookout to see where she will be playing all of her amazing music next. We are so eager to see what else Miranda will release in the future, be sure to give her a follow below! Written By Cate Schnoebelen FOLLOW MIRANDA FAUL:

From the beginning of Cielo's latest single, "Fairy Wings," there's a distinct, otherworldly essence. The sounds are synthetic, but the way they rumble and swoop through the mix feels organic to a mystical dimension. As the singer/songwriter sings exquisitely of personal liberation and freedom, she transforms the music into an ethereal dreamscape. The unique percussion, a densely-layered cascade of resonance and texture, plays the most significant role (outside of Cielo's vocal performance) in transforming the song from its more ambient verses into the breakout chorus. The synths swirl around like they're being carried by wind. The bass has a more dance-pop quality, energizing the chorus, while the higher pitched synths are soaked in reverb as though echoing from the distance. The result sounds stunningly organic for digital sounds, hazily blanketing the natural space of "Fairy Wings." This is what dreams are made of, but the woes of reality audibly reverberate through its daze. "I wish I had a set of fairy wings," Cielo opens the song with. The lyric seems inconspicuous at first. On paper, it could be the saccharine wish of a young child, but the delivery belies any naïveté. No, the make-believe appendages represent more to Cielo than what they might have in youth. There's freedom, escape, and the visible manifestation of what is internal. "Ain't nobody else gonna see me how I see myself." There's a sense of isolation stemming from this dissonance between perception and feeling that manifests in her relationships. She strikingly documents the experience of being undervalued and taken for granted. "I wish you had some more devotion, / instead of going through the motions." Were Cielo to sprout shimmering wings, perhaps this person would value her time more. But she knows better than to waste her time waiting for others to see the value in her. Also known as Annalia, Cielo is a pop singer/songwriter currently based in Nashville (originally from Los Angeles). Prior to the Cielo project, the artist has years of experience making music and finding success. Her raw pop music blends organic sounds and lyrical grit to produce impactful songs. "Fairy Wings" is the first single released under the Cielo name, though more is certain to come. In addition to other musical endeavors, her music as Annalia has had a myriad of film/television placements. Multiple of her songs have been featured on the soundtracks and trailers of MTV, Netflix, Hulu, etc. Visit her website to read more on where you might have heard her music! Written By Andy Mockbee FOLLOW Cielo:

We all have the will to succeed, and failure is something we fear. People win and lose all the time and whatever the outcome is, we learn from it. We can be whoever we want if we put our minds to it. Hattie Oates' single, “Terrified” is about going after what you love but having that fear of failing in the process. It’s all part of a learning experience and knowing how to navigate through life to what you’re trying to achieve. It can also be hard when you feel like everyone’s ahead of you which can be intimidating; instead, think of it as them motivating you. It's only a matter of trusting yourself and believing you can do this to achieve your goals. “Terrified” has that refreshing, dream-like aura contrasted with a dark vibe. Although it has an alternative pop mixed with an edgy mood soundscape, the lyrics are still prominent and helps with balancing the song out. Oates’ strong vocals enhances the message beautifully because of the passion she feels throughout which reaches the listener about pursuing your dreams. She created this powerful energy with inspirational lyrics that shows her ability to mesh a serious topic with a fast tempo. Her tone of voice helps show raw and emotional feelings to illustrate the meaning behind her relatable lyrics. Throughout the track, she has subtle add-on echoes to enhance the dreamy—almost hallucination-like to capture the image of her struggles with herself until she finds a sense of satisfaction. The beat itself is swift but lively and catchy where you’re still able to dance along to and sing at the top of your lungs. Hattie Oates is a singer based in Australia. She’s known to experiment different music genres but mainly indie pop. Her single that was released in 2021, “Used To Be” has a more upbeat tone and fast tempo while her other single, “Waste My Time” is more ballad with raw emotion. Followed by “GOODBYE” that was released in 2022, has delicate lyrics but still an energetic vibe. These three songs are from a portfolio Oates is creating and have been met with Pitch Perfect’s vocal producer, Deke Sharon and Triple J’s Dave Ruby Howe. She has been featured on many prominent playlists including Spotify’s “New Music Friday AU & NZ.” She’s described as “powerful, commanding, and energetic” through her music which will draw you in! Make sure to check her out! Written By Lyndsey Cheng FOLLOW HATTIE OATES:

Your song is catchy bop about reflecting on a break-up and self-growth. What inspired you to write this song? HOMER: The original idea for this song really wasn’t thinking much about a break-up at all but more so what you leave with. It was really about the music you share with someone you’re with and that you still listen to after it all. That eventually led to the idea of being hurt by a relationship but still thankful for it because you found a lot of great music together. Music and relationships will always be two things that define significant parts of your life and it’s cool how those things intertwine most of the time. According to your Spotify biography, you are an artist/producer duo, how do you two work together to create great-sounding tracks? HOMER: I think we’d like to say over the years we’ve written and produced music we’ve developed great practices and strategies, but really it’s different every single song. We’ve played music together since we were in middle school so a lot of the time we can tell what the other will do and write. You are both from Texas, how has that influenced the way you create music together? HOMER: Not sure if a specific "Texan" influence comes across in our songwriting... but we definitely have both been around Texas Country for a lot of our lives, and Zach even played in several country bands at different points. And growing up together in a small town definitely shaped who we are. HOMER has tracks starting from 2018 to now, with your latest release being Won’t Let You Go. How do you feel you have progressed together as a band since then? HOMER: We’re both extremely different but also the exact same people we were when we started. So much life has happened since our first release: marriage, pain, moving to different cities, jobs, etc. We’ve had so many experiences that all influence how we write and what we write. Music has progressed like life; we’ve matured a whole lot. Every artist experiences writer's block. How do you personally combat that? Is there any advice you would like to give readers? HOMER: There’s a lot of different strategies to this struggle. Setting things down and doing something else is often what’s needed. Practicing being able to recognize when an idea has run it’s course and you need to move on. Other times maybe keep it simple, finish the song, and if it’s lame, it’s lame. Move on to the next song. I can’t tell you how many times we’ve moved on from an idea, forgotten it, and come back a year later and rediscovered the idea and finished writing it. What are the two of you hoping to accomplish together in the future? What are your short-term and long-term goals? HOMER: Our goal is ultimately to keep writing and producing music for as long as we can. We love writing, producing, and having songs out in the world. In the short term, this year our goal is to put out a song a month, and long term, we'd love to keep putting music out for as long as we can, as our taste and style shifts through the years. Interviewed By Sophia E. Henry FOLLOW HOMER:

Falling in love is made out to be one of the best things in life; but in this case, The Tyne doesn’t agree. Their single, “LIFE’S A MESS” is an anti-love anthem about how having romantic feelings kind of suck. It’s okay to not believe in love because of something that happened in the past, it’s probably never happened to you before, or you just blatantly don’t believe. Any of those reasons can give people different perspectives and opinions on the idea. I like to call myself a hopeless romantic with way too many high expectations, but I have to learn how to maybe tone it down a little bit because the high expectations are what makes me feel the emotions from this song. Love can be complicated, but it’s kind of rewarding to learn from the mistakes, so you don’t make it again. Most of the time, we follow our head (which is okay sometimes!) and disregard our hearts; both can lead to a good decision, but one is more fulfilling—the heart. At the start of the track, The Tyne delivers a heavily punk-pop and rock soundscape with an electric guitar and percussion that reminds me of 5 Seconds of Summer's older songs. They have a unique and energetic sound that makes you want to jump from your seat and vibe to the music. Their strong vocals are enhanced with the beat to create a sound that is uplifting and moody. The consistency of their vocals carries throughout with subtle changes in tempo but still coming out with the same, powerful energy. The tone of voice and tune compliment each other which creates a liveliness mood. It makes you want to sing along, blast the song in your room, and dance around freely because you’re also anti-love. The lines, “F*ck falling in love” is sang many times throughout with the same passion to remind the listener of the message with this track. The Tyne is a trio band consisting of the members, Cooper Stout, Ryan Lofthouse, and Josh James. They formed in 2019 with just Stout and Lofthouse based in the Northeast but later recruited James in early 2020. They were unable to build a music connection because of the pandemic but got to bond over social media and shared song ideas. They’ve built a following of over 400,000 followers on TikTok in their parent’s back gardens. The band released their debut EP “BORN ON THE INTERNET” with Slam Dunk Records in August 2022 with a collection of songs that showcase their confidence and blend of contemporary pop-punk. They wipe out outdated tropes of the genre that shows their unique musical talent! They have their own sound with the love of pop-punk and wanting to bring in other genres to experiment. The Tyne is a band you won't regret checking out! Written By Lyndsey Cheng FOLLOW THE TYNE:

Taylor Jules has a special talent for connecting with an audience through her authentic voice and lyrics. Her newest single "19" is Taylor's most recent release that will appear on her upcoming EP. In the song Taylor Jules captures the emotions and nuances of being the age of 19. She explains the experience of being 19 from both a perspective of joy and one that seems to be coming from a place of longing and sadness. The incorporation of the different tones towards the age of 19 make the song "19" a complex and dynamic listen. Taylor writes, "Living in a world of fantasy, when you're nineteen," which really captures the essence of the song, which is that bittersweet feeling that is relayed regarding being the age of 19. The sonic structure of "19" allows for the message of the song to be relayed to listeners. The use of gentle piano, and faint synths, in the opening of the song, creates a tone for the style of listening this song will require. That being a listening experience where one is lead to think insightfully about the song's content. When moving into the chorus new instruments are introduced providing energy and volume for the focal part of the song. When the song enters into the bridge, listeners are given the gentle piano we were first introduced to, making us remember the reflective tone we started the song with. Taylor Jules is a talented singer-songwriter based in Los Angeles, California. Taylor Jules has shown her bravery as an artist through her openess when talking about her auto-immune disease. Beyond just speaking out about her struggles, Taylor is able to reflect this into her music to help inspire others. Ever since she was a child Taylor Jules has possessed an affinity for music and the entertainment industry. This would lead her to begin performing at the young age of just five years old. Growing up and developing her sound Taylor Jules drew inspiration from artists such as Carole King and Aretha Franklin among others. Today she has grown into her own, and really honors and displays her authentic voice. Through making music and sharing her personal stories, Taylor Jules hopes to connect with others. Written By Alison Holst FOLLOW TAYLOR JULES:

Has a person ever seemed sweeter than they were? Lowe details this experience in her single, “Sugar Tears”. On this track, the songwriter sings about chasing a boy and how when she finally has him, she realizes that he wasn’t what she imagined. The vocalist writes about how the fantasy of the boy was better than reality and how she deserves more. The self-empowering lyrics are accompanied by incredible vocals and amazing instrumentals. Throughout the single, the instrumental tone changes to complement the moody or playful lyrics. Overall, “Sugar Tears” is a catchy song that wIll have you singing “I guess you like my sugar tears”. As soon as the guitar riff starts the track, you know you have a hit. The steady guitar is then joined by a building bass and smooth vocals by Lowe that will have you bopping your head. The chorus then begins and it is bedroom pop at its finest with an upbeat melody and gorgeous layered vocals. As the song continues, it slows down for the bridge. This stand-out moment is initially stripped back, focusing on the singer's fantastic voice; as she sings, the melody begins to fasten with impactful drums. “Sugar Tears” comes to an end with a final chorus that includes great cymbals. Ultimately, this single is a fun indie pop track that you will have playing on repeat. Amber Lowe is a London-based singer-songwriter. She released her debut single in April 2022, with collaborator Kult Eviction. Kult Eviction is a producer who plays the guitar, piano, synths, drums, and bass on Lowe’s pop tracks. This songwriter’s indie bedroom pop sound has elements from electronic music and is inspired by her favorite artists such as Radiohead, Beabadoobee, Clairo, Wolf Alice, and PinkPantheress. The singer has always had a passion for music, performing acoustic versions of her music growing up. Recently, she has been able to perform on bigger stages, like the Purify Festival this upcoming April. Written By Stephanie Berning FOLLOW AMBER LOWE:

Caroline Romano returns to her indie-rock roots in her latest single, while maintaining her characteristically honest lyrics. “Guts” explores her harrowing experience in social settings in which she worries about how she is perceived. She is afraid that she is overtly transparent, causing her to overshare in an attempt to compensate. Her overcorrections lead to self-sabotage by her revealing too much or drinking in excess. Romano immediately dives right into this narrative in the first verse, revealing the thoughts that race through her mind. The song begins with the lyrics: “Guess there’s death in introductions// Maybe I have to say something// Cause I want you to think I’m cool and pretty and stuff like that.” These lines transport the listener directly into Romano’s mind, allowing them to feel the insecurities and anxieties that she feels in these situations. Throughout the remainder of the track, she illustrates this tense scene in vivid detail in a manner that only brilliant songwriters are capable of. In the chorus, she instantly reveals the hook with the lyrics: “I’m standing in the kitchen// My guts on the floor.” As she continues, she describes the uncomfortable feelings felt by the other person, and their desire to leave the situation. She sings lyrics such as, “And now I’m nauseous and you don’t care” and “I’m throwing up my story while he’s looking at the door.” She believes that she is perceived as annoying for telling her secrets to a stranger at a party, but she cannot control this overwhelming urge to share. Regardless if the other person is truly bothered, she feels as if she is a burden to those around her. Romano perfectly describes this intense feeling of anxiety. With “Guts”, she showcases her unmistakable songwriting talent while reassuring listeners who resonate that they are not alone in these difficult thoughts. “Guts” pleasantly surprises fans by bringing back Romano’s indie-rock origins. The track starts with a lower-end guitar riff, that is quickly met by the vocals. As the verse continues, the guitar remains steady until the pre-chorus, where the drums and the synth kick in. In the chorus, the bass takes control while the rest of the production continues in the background. The tempo is fast-paced, exemplifying the intense emotions and anxiety behind the lyrics. Then, the second verse begins, keeping the powerful bass and the beat of the chorus, without overpowering Romano’s vocals. Within the verse, the bass slows down to emphasize each note, but the beat remains fast. When the chorus returns, so does the production found previously. There is also a guitar solo that is layered with this production, before breaking into the bridge. When the bridge begins, the beat is muted and replaced with a soothing guitar that provides an airy atmosphere to the track, pulling focus on the vulnerable lyrics. When the final chorus begins, there is an additional layer of synth added to the track. At the end, there is another guitar solo with muffled vocals in the background, before the music mutes and Romano ends the track with the statement: “So I guess I’ll clean ‘em up.” This provides the perfect ending to the emotional song, as she tells the audience that she is left to clean up the metaphorical mess she made—alone. “Guts” is brilliantly written in a way that represents anxiety not only through the lyrics, but through the clever production. Caroline Romano is a 21-year-old Nashville-based singer-songwriter from Mississippi. At only fifteen-years-old, she released her debut single, “Masterpiece feat. Jacob Whitesides”. Two years later, she relocated to Nashville to pursue her full-time career as an artist. At eighteen-years-old, she released her single, “I Still Remember (ft. R3HAB)”, which kickstarted her impressive rise to fame. The song entered the Billboard Dance Chart and has over 3-Million streams on Spotify alone. In February 2022, Romano released her highly-anticipated debut album, Oddities & Prodigies. “Guts” is her fifth single since her album, including an R&B collaboration with Julian Rose on their track, “Fighting A War”. Romano’s music is known for its honest lyrics about being young in today’s world, which has garnered her a dedicated fan base. Due to her unmistakable talent, she has earned appreciation from recognizable industry contributors such as Hollywood Life, EUPHORIA, Sweet High, and Just Jared. Written By Karlee Skipper FOLLOW CAROLINE:

A song fueled with forbidden desires, Sval takes the pop world by storm with her new single, “SMOKE.” This fresh track is filled with relatable themes as Sval dives into a friendship that has become more like a secret relationship. The playful tune showcases lyrics about the not so platonic friendship and makes it clear that there’s a hunger for being more than just friends. With lyrics like, “And I dance with you up in my room/With your body/On my body, you got it/Dance when there's nobody home/Keep it quiet/Where there's smoke there is fire,” there’s no doubt this friendship has turned into something more. Straying from her usual style, Sval chose to write a lighter song with “SMOKE.” She typically prefers to write sad songs, but she wanted this one to be something listeners can feel good listening and singing to. “SMOKE” features energetic pop beats and flirty melodies, highlighting the burning desire woven into the lyrics of this song. Sval’s crisp, soft vocals float above a heavy synth soundscape—light and airy like a whisper of smoke. Radiating contemporary pop energy, the synth-laden track creates an ambient atmosphere and a highly immersive sound. A true pop masterpiece, "SMOKE" continues to highlight Sval's effortless songwriting and creativity. 24-year-old Norwegian singer-songwriter, Sval, has enjoyed much success in her career so far. A young, rising pop star, Sval found the limelight in her home country as a winner of the national Melodi Grand Prix Junior in 2011 with her song, “Tranger Deg.” Since then, she has amassed millions of streams and cultivated a devoted fan base in Norway. Sval has released music for over 10 years and has been writing for more than 15. The experienced singer-songwriter released singles “Jealousy” and “(I Can’t Be Your) Medicine” in 2020—both of which were featured on national radio. These singles followed the release of her debut EP, Young Alien. Sval enjoys writing songs in both English and Norwegian, but she has always preferred writing in English. As a nostalgic person, Sval’s songwriting is often inspired by personal memories and moments from her past. Written By Cheyenne Johnson FOLLOW SVAL: