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Hardship can illuminate our fondest emotions, bringing us closer to those who got us through tough times. On "I Love you," Max Edwards' breathtaking, power pop ballad, the singer-songwriter pens intimate gratitude from the page of struggle. From the subtly pulsing synths opening the track to the somber chords of piano, the single layers shades of cloudy mood-setting that backdrop and contrast gorgeously off of the warmth in Edwards voice and lyricism. The verses are full of atmosphere, submerging listeners in a dense haze. The vaporous nature of the instrumentation forces you to grip onto the vocals like solid ground. The flourishes in production and vocal performance give the song dimension and nuance on repeated listens. When the chorus strikes, "I Love You" is at its most awe-striking: lurchingly passionate as the instrumental soars and vanishes to heart-stopping effect. Edwards' lyricism is startlingly intimate, fashioning direct observations into intense confessions. "This city's never felt so small / and all it's done is break my heart." He wrote the song after moving to the city for the first time, an experience that left him feeling isolated and struggling ("this empty little feeling dug so deep"). In this time of uncertainty, his girlfriend was his strongest support system, leading Edwards to pen "I Love You." It's the contrast of vulnerable dejection and tender strength that transcend any traditional balladry. "If our time is spent together, can we stay right here forever?" It's not a declaration of stagnation, but the knowledge that these moments of unconditional love will stick with him forever. Max Edwards is a Vancouver-based artist with big plans for 2023. "I Love You" is the first single of the year, but last single teasing towards his debut EP's release in April. The song was recorded and produced in LA with Simon Jay and Luke Shrestha. Edwards began releasing music in 2020 with his first single, "Can't Go Back." Since, he's released a slew of singles and collaborations. Just in 2022, he released five, excellent singles. His sound pulls from the wide corners of pop in sublime fashion. "I Love You" proves his capability in balladry, but his danceable records are equally as excellent. With the warmer season approaching, definitely check out "Malibu," a personal favorite of mine. Written By Andy Mockbee FOLLOW Max Edwards:

photo cred: ANNA AZAROV I am absolutely wowed by your new single “Plateau”!!! The message and lyrics of the song really spoke to me, so I would love to know more about the creative process for this new track! Gal: Hello Sarah! Thank you so much for your kind words on the track. I wrote "Plateau" singing in my car while sitting in bumper to bumper LA traffic. While driving the lyrics started coming out as a form of venting, basically I was babying out/complaining about how much time I spend in my car. But as the lyrics progressed, they kind of revealed a season of numbness and monotony I was stuck in, and the driving became a metaphor for how I felt in general, going through the motions, mindlessly traveling through life without much direction or emotion. What inspired you to pick up the guitar and learn piano when you were younger? Did you get hooked right away and know you wanted to dedicate yourself to music? Gal: My relationship with guitar is a bit hot and cold- I don't connect with the instrument like I do with the piano but I have seasons where it's all I want to write with. The piano in particular became an obsession of mine when I was around 10- one of my favorite things to do was try to pick out the melody of songs I knew. The first time I tried that little game was with the song "Once upon a dream" from Sleeping Beauty; I remember once I finally picked out the whole tune I dragged my grandpa over to the piano and proudly performed it for him. He took notice of my inspiration then and started teaching me some of his favorite standards/ragtime pieces. My grandpa and my dad were both piano players, and in those early years they taught me songs they had written or covered, which I think really influenced my style of playing. Even before I could play an instrument, music has meant the world to me, so to be a part of it I used to dance. When I discovered I could write songs I gave up dancing in a heartbeat. Do you have any advice or tips for aspiring songwriters who don’t quite know where to start? Gal: It can take years for some artists to find their sound or their audience, so it's important to follow your intuition and create music that you love, and not compromise with your art. Your time will come! I know you had the chance to collaborate with Rufus Wainwright on your last album, which is absolutely INCREDIBLE by the way!!! Can you share how that opportunity came about and what it was like?! Gal: Awe thank you! The way it went down is my producer Jon has a connection to Rufus through his incredible sound engineer, Chris Sorem, and we were looking for a male lead vocal for the duet last minute. We took a shot in the dark and asked via email, and by some miracle Rufus agreed to sing it! Rufus was an absolute angel to remotely perform on the track that same weekend. The whole experience blew my mind and I still haven't fully processed it, but I'm overwhelmingly grateful and overjoyed. photo cred: ANNA AZAROV What is on the top of your bucket list for your career? I know you’ve already accomplished some amazing things, so maybe a certain venue/city you hope to perform at or artist to collab with? Gal: It's a dream of mine to tour as an opening act for Madison Cunningham, the singer-songwriter-guitarist extraordinaire who has inspired me more than any artist in the last few years. Can you give us any hints on what to expect from your sophomore album “Pendulum” releasing this upcoming May?! If this new single is an indication of what to expect, I cannot wait to give it a listen! Gal: "Pendulum" is a deeply personal and relevant record to me. Many of the lyrics are a release of one of the most challenging times of my life mentally, where I was struggling with mind-altering anxiety and numbness. Recording this record was cathartic and helped me find myself again. My producer Jon O'Brien and I went a bit wild and explored more density and bolder instrumentation on this record than anything we've previously created, which was such a blast. I really hope my listeners enjoy listening as much as I enjoyed recording it. <3 Interviewed By Sarah Curry FOLLOW GAL:

Photo Credits: Theodore Swaddling “About Me”, is an introspective song from artist BEUX LEVI. It ponders and questions the ideas we have when interrogating ourselves. Throughout the song it feels like BEUX is sorting through who he is, and is trying to find meaning or value in that thing. It also really dives into the thoughts that come up when trying to soothe ourselves from the discomfort of questioning our current realities. This song displays that BEUX's artistry reflects elements of contemporary pop while still having a sound of his own. BEUX’s music shares some of the same qualities found in other relevant pop artists such as ROLE MODEL. “About Me”, is an impressive song, due to its sonic characteristics. The song incorporates both raw and acoustic sounds, while also incorporating more current electric pop sounds. The rawness of the piano in the opening of the song helps to really set the tone. It lets listeners know that the song is going to have emotional substance, and will be more reflective. While the song tackles some difficult reflective concepts, it maintains a calm and steady sound throughout. This gives the listener the space to enjoy the song while also digesting the lyrical content. BEUX’s impressive vocals also aid in giving the song this effect. His vocals are clear, steady and soft, making it the perfect accompaniment for the instrumentals and the song as a whole. BEUX LEVI is a multifaceted artist from the United Kingdom. BEUX's skills as an artist include both song-writing and producing. BEUX has extensive experience touring with multiple projects. He has recently been on a journey of musical discovery, which now fuels his current music making. Beux’s style fits into the alternative pop music scene. While fitting into this genre BEUX is also trying to go beyond the typical pop scene in order to leave an authentic mark with a fresh sound. BEUX also has another previous single that he has released that really highlights his skills and talent for production. BEUX is the perfect artist for listeners looking for fresh alternative pop music, that is fun while still introspective. Written By Alison Holst FOLLOW BEUX LEVI:

Photographer: Jane Mok Have you ever felt misunderstood? Eva Westphal details feeling different and discusses the societal pressure she felt to fit in. However, the musician feels as though she has found her footing in the world thanks to her partner. Westphal continues stating that no other person has ever made her feel completely understood. This newfound acceptance has the vocalist feeling comfortable in herself and in the world, where she previously felt rejected. In the single, the singer is able to detail the common feeling of being misconceived by others with an incredible voice and a calm guitar supporting her message. “Understood” begins with a relaxing guitar and Eva's soothing voice. Throughout the song, the singer has a smooth and controlled tone which creates a heavenly feeling to the soundscape. The single is mainly guitar and vocals which compliment each other spectacularly and creates a serene ambiance. A moment that stands out to me is the bridge. In the bridge, the singer layers her vocals and repeats “No one understood me // Until I met you”. This part has a dreamlike hazy vibe that elevates the single. The track ends with one final chorus and a single strum of guitar. Overall, this is a calm and peaceful song that you need to add to your next playlist. Eva Westphal is a singer-songwriter from New York. This artist is inspired by musicians like Stevie Nicks, Brandi Cellie, and Taylor Swift, specifically her “Folklore” album. The singer has received praise for her music being called "one to watch" by other publications and star Alicia Keys. Westphal began releasing music in October 2018, her debut song is titled, “Rain”. Since her initial track, the vocalist has released multiple singles and one EP named “Beautiful Little Life”. Her musical journey has led the songwriter to perform in famous venues such as Mercury Lounge, PIANOS, The Bitter End, and The Delancey. Written By Stephanie Berning FOLLOW EVA WESTPHAL:

As a former overachiever and people-pleaser, it took a lot of time for me to understand that I was overextending myself to the point of collapse. I would even punish myself for not being able to perform at the height of my capabilities for the benefit of others when I hit those periods of downfall. It wasn’t until I saw that no one was reciprocating my extreme efforts that changes needed to be made. I began setting boundaries and realistic limits for how much of myself I could pour into others. But some might not come to this self-realization - some need a little assistance. For those of us that need assistance or a simple reminder of our own emotional needs, "Not Cool With It" by SOBI is the perfect ancillary weapon. Listen to "Not Cool With It" by SOBI here. “Not Cool With It” is a contemporary-pop song about no longer being okay with our emotional needs not being met in a connection. The song opens with delicate folksy strings while the first and second verse provides a brief history of the relationship at hand. Listeners learn that this is a very close, long-term friendship. But the introduction of the drums in the second verse marks a change in this close-knit relationship. There’s a growing tension here and it lies in the fact that the other half has “a habit of brushing off [their] mistakes”. This friendship has become one-sided; all the emotional accountability and labor is performed by one party. This is taking a toll on the performing party. But SOBI isn’t ending this bond, she’s simply setting boundaries for it. The bright, bouncy chorus symbolizes these boundaries being set so the connection no longer emotionally exhausts SOBI. And listeners get a crystal-clear image of how exhausting this relationship has been in the following verses. From driving “across the city” to cancelling “plans for the day” just to mend the friend’s heartache – it’s a heavy emotional energy to not have reciprocated and makes one feel depreciated. Which is why it’s so important to advocate for our own emotional needs within connections. The end of “Not Cool With It” gives listeners a gospel-like experience as the chorus grows into an anthem for people-pleasers everywhere. It’s a reminder and a much-needed push for those of us that might feel guilty for wanting our emotional needs to be met that it’s perfectly all right to have this desire. London-grown singer and songwriter, SOBI, began writing and performing for listening audiences at 16. Her instrument of choice was the acoustic guitar; it provided a deep intimacy to the stories she told and got fans hooked. But after watching Lianne La Havas perform with an electric guitar, she was inspired to take on the edgier stringed instrument which would evolve her intimate sound into a therapeutic oasis to sweep up listeners in. Since then, SOBI’s performed her confessional-styled songs on several tours and garnered a loyal following in the U.K. and Germany. Currently, SOBI is working on her debut album that’s set to be released in early 2024. If you’ve enjoyed SOBI’s music as much as I have, show the artist some virtual love in the form of streams, likes, and follows so we can establish a loyal American fanbase. Written by Giavanna Gradaille FOLLOW SOBI:

Things are more desirable when they’re dangerous. This explains why so many people have skydiving on their bucket list. They love to feel the rush of adrenaline that happens when they jump out of the plane and hurdle back towards earth. In “modern disaster,” the title track for her new album, Eveline sings about another type of desirable danger on the ground. That is, a forbidden romantic relationship. She knows the relationship is toxic, but she can’t bring herself to stay away. Eveline describes her experience in an edgy and haunting (in a good way) pop tune. An aspect of the song that I really enjoyed was the instrumentation. It starts off with a slow and beautifully haunting melody that consists of a violin. The music builds and builds until the chorus when it seems to explode into a more edgy and electronic sound. You can even hear an actual alarm in the background of the vocals. I think this was a good stylistic choice because it seems like a musical representation of the “disaster” Eveline is singing about. As for the lyrics, she does a great job of telling her story. I liked the very first line when she sings “half a heart invested, that’s okay.” In other words, Eveline does not care about getting her heart broken and just wants a thrill. She describes this thrill in the verses throughout the song with lyrics like “Wanna feel your kiss along my spine” and “We think we can heal all pain with just a touch.” Eveline began writing short stories and poems from a young age as a way to daydream and escape reality. After learning how to play guitar and piano, she found that music brought her out of her shell. Since releasing her first single in 2017, Eveline has captivated listeners with her songs about love and life. If you liked “modern disaster,” you should listen to “dear desire,” another song off of her new album. In contrast to the others, this particular track is unique because it is almost like a musical poem. She still talks about danger. Instead of embracing it though, she wants to avoid it. Written By Kelli Dixon FOLLOW EVELINE

Neon Dreams defines love in the simplest terms in their latest single, “This Is It”. Throughout the track, lead singer, Frank Kadillac, discusses the notion that we do not love others for their wealth, fame, or even the butterflies in our stomachs. Instead, he joyfully sings that we love because it is our truth. In the chorus, the band rejects the shallow reasons to love, and focuses on the honest truth. Kadillac sings, “You love her cause your heart// Said that its true” and “You love her cause your heart said, ‘This is it.’” Then in the verses, the lyrics describe the way this person makes them feel. True love is the warm sun on a cloudy winter day. It is the shining light in a darkened room. The unrelenting comfort when facing trying times. The second verse is compiled of exceptionally vulnerable and deep lyrics that are sure to blow away every listener when they hear it. Kadillac proclaims, “When you walk in light// All my demons hide// When you get too close// They get terrified// When I’m feeling low// You’re right there to hold me.” This love that they are singing about is not a simple puppy love or blind infatuation, but the love of a person that means a great deal to them. Someone who is always there for them and will never leave their side. This is the type of love that when you look at them, you just know “this is it.” This is your forever person, and you are never letting each other go. “This Is It” is a perfect love song that describes exactly how an individual feels once they know they truly found “the one.” “This Is It” radiates such a strong, optimistic energy that automatically consumes the audience with feelings of joy and serenity. The track kicks off with the mesmerizing vocals singing the first part of the chorus before being met with the ukelele. The instrument’s chords land on the upbeat, bringing in the reggae sound the band is known for. After the first measure, Kadillac releases a lighthearted laugh that enhances the easygoing vibe found in the track. After the first four lines of the chorus, the song switches gears by entering the verse. This is when the drums are introduced, and the added bass picks up in the background. In the verses, Kadillac transitions between singing and rapping. This provides a unique dynamic to the track while showcasing his versatile talent. Throughout the song, the elated energy remains at an all-time high, spreading the happiness to every listener. With “This Is It”, Neon Dreams highlight their innate ability to create laidback, breezy music that fills audiences with an undeniable positivity. Neon Dreams is a genre-blending group from Halifax, Nova Scotia. The band consists of front man, Frank Kadillac, and drummer, Adrian Morris. Their music is a perfect mix of alternative, pop, folk, funk, hip-hop, and reggae. Their songs consist of honest lyrics that tell the truth about love, trauma, and life. In 2015, the band was formed and they released their debut track. Since then, the band has blown up to the size that they are today. With over 20 million streams, a gold record, and over 1 million followers across all platforms, Neon Dreams have proven to have a dedicated fanbase. They have released a handful of singles, and a total of four LP albums. “This Is It” is the 6th track on their latest album, Love Child Baby Dolphin. The album was released on January 20, 2023, and includes 9 infectious tracks that fans will want to play on an endless loop. Written By Karlee Skipper FOLLOW NEON DREAMS:

Getting over someone you thought you'd be with forever is not easy. Sometimes we hold onto them in our minds a little longer than we should, especially when you've had such amazing memories together. Even if you know deep down that breaking up was the right thing to do, the love you feel still lingers. Sometimes the pain of it all doesn't hit until later on, after you've experience what your life is like without them. In Chris de Sarandy's new song, "That's Life", he write about his struggle to come to terms with the end of a relationship; but also about the realization that life isn't always going to go exactly how we want it to. Things happen, and you can't always control it. You try help yourself move on by saying simple statements like "it is what it is" and in this song's case, "I guess that's life"; but this doesn't always work and is way easier said than done. The simple production on this song let's Chris de Sarandy's raspy and raw vocals shine through. Having a minimalistic instrumentation helps us focus on the most important part of this song - the lyrics. "That's Life" isn't just any other breakup song. It's poetically written with logic and grace, drawing you in from the very first line. One of my favorite moments in the song is the use words in "Darling I’ve been holding onto this used cigarette // Not every light gets put out when it all comes to and end " - describing his past relationship as an old cigarette that refuses to burn out - just like his mind and heart that refuses to let go of the old spark his relationship used to have. Another favorite line of mine is "I'm on the other side // sometimes the grass ain't greener " - which is a play on words of the old saying "The grass is always greener on the other side". Chris de Sarandy is a singer-songwriter from Southwest England. He was in an indie band at the young age of 14 until he went to University. After the band split, Chris started writing his own songs and creating his own sound as an individual. Inspired by legendary songwriters like Nick Cave and David Bowie, Chris moved to Berlin to further pursue his music career and found himself meeting other musicians and producers. This lead his to releasing his first two singles in 2022, Good Girl, Sad Boy and Like I Don't Know You. These songs led him to being discovered by the indie record label Embassy of Music. Since then, Chris has released 3 more songs including That's Life which is also his first song of 2023. In such a short amount of time, Chris has been able to impressively accrue almost 50,000 monthly Spotify listeners. He describes himself as a 'small town boy with a big man's voice'. Make sure to check out his whole discography and follow him for more. Written By Kaitlyn Nicole FOLLOW CHRIS DE SARANDY:

Slow burn, chill, playing it safe—these are not the kinds of romance you'll find in "SUPERSONIC." No, the remarkable debut from Australian Singer & Songwriter Aaron Elvis (aka Aaron Elvis Richardson) is love of the blink-and-you'll-miss-it variety, chock-full of intricate production and thoughtful writing. The verses hinge on a more subtle instrumentation, bubbling and plucking with soft, synth arpeggios and clattering percussion, while the chorus sweeps through with a blasting maximalism. The production is masterful in its ability to connect these stark degrees without tonal whiplash. Underlying the verses is a rumbling bass which calls to mind the eager growl of a race-car's engine as the instrumentation and vocal performance progress powerfully towards the song's roaring climax. But it's that vocal performance that truly elevates "SUPERSONIC" to pure, pop excellence. It's a treat to hear Richardson flex his impressive voice: plunging, soaring, running, and belting his way across the race track PATØN's production paves for him. All this to say that "SUPERSONIC" zooms by with commanding force rather than idling at the gate. If it wasn't clear by now, "SUPERSONIC" charts the course of fast-paced love. "Fast-paced," feels understated, perhaps "breakneck," "turbo-drive," or even "hell for leather." From the starting line, Richardson questions his ability to keep up. "Got me burning out of control," he muses, effortlessly ascending into a buttery falsetto. But this isn't the scene of a cataclysmic crash—it's a thrilling joyride. Even the hints of struggle ("I'll never be quick enough for you") are rendered as intoxicating draws ("give me a supersonic woman like you.") If this is the pace she's setting, he'll be damned if he fails to keep up. It's a venture into uncharted territory, but the stomach-churning risk can feel a lot like butterflies. Aaron Elvis is based in Australia, though he was born and raised on the island Oahu. From a young age, he developed his vocal skills through the influences of Paramore, Bruno Mars, and Prince, among others. 2022 began his journey as an independent artist, laying the foundation for his triumphant debut this year. "SUPERSONIC" serves as a musical introduction to Richardson as an artist, showcasing his impressive vocals and powerhouse pop sound. His music seamlessly blends pop-rock influences through his own unique perspective. The passion behind Aaron Elvis' art is undeniable, placing him at the forefront of ascendant pop artists in 2023. Written By Andy Mockbee FOLLOW Aaron Elvis:

Oh, the danger of sleeping with a friend. Daimy Lotus delivers a quirky new single, "Friends ;)," narrating the story of two friends straying far from the friendzone. The two have crossed that forbidden line and there's no going back to being just friends. With lustful lyrics, Daimy expresses how friends don't do what they have done. Though some may regret a situation like this, Daimy gives us an unapologetic pop-punk anthem, encouraging others to go after what they want with no regrets. She states: "I wrote this song in London together with Afterparty and Nova May about two years after I f***ed up my friendship with my then best friend. I never fancied him when we first met. We were even dating different people at the time. But we got closer and then we got really drunk one night and we were flirting and then boom. It was the scariest thing ever and I never thought I'd ever sleep with a friend but here we are! No matter the outcome, I feel we should go after what we want and trust our gut feeling more. So, here's to trusting your gut feeling and f***ing up friendships! Hell yeah!" Daimy's single, "Friends ;)," is playful and edgy, adding a catchy new track to the pop-punk world. The song features a flavorful guitar-laden instrumentation, supporting Daimy's Haley Williams-esque vocals. From the winky face in the song title to the flirty melodies, "Friends ;)" is a cheeky and light-hearted anthem. The guitar riffs driving the song are lively and high-spirited, making the song an addictive listen. "Friends ;)" is perfect for anyone who is a fan of Yungblud, Paramore, Gayle, and Fletcher. Whether you can relate to the song's narrative or are just looking for a fun song, "Friends ;)" is a fantastic, quirky song that will have you listening on repeat. Dutch artist and songwriter, Daimy Lotus, has been involved in music, singing, and dance since early childhood. In 2009, she decided to pursue a career in songwriting, and has since released singles, "Saturday Girl" and "Cannonball." She has been included in several Spotify and Apple Music playlists, and has received support from radio stations like 3FM, Radio 2, and KINK. To Daimy, music is therapy. She is open and soft, yet edgy, something easily heard in her songwriting. Daimy dives into themes centering around heartbreak, mental health, and self-growth. Her music is best described as empowering rock and pop punk. Some of her biggest influences are Yungblud, Gayle, and Fletcher. Written By Cheyenne Johnson FOLLOW DAIMY LOTUS:

Heartfelt and melancholic, Courtney Govan gives us an earnest ballad called "at least." The new single narrates an unexpected friendship breakup and the heartache that it caused. Govan's closest friend ended an 8 year relationship with no warning, over text. It's already frustrating and devastating when you lose a close friend, but to have a long relationship ended over text like that is a low blow. Despite the initial heartbreak, Govan takes us on a journey of finding the positives in a bitter situation. She shows us that our misfortune can evolve into profound life experiences and growth. The emotional track takes back control in a one-sided communication, offering a final, intimate explanation. Govan creates a raw, intimate atmosphere in her touching single, "at least." The song features Govan's striking vocals, supported by soft piano harmonies. "at least" begins gentle and sweet, describing the hurt from Govan's friend ending their relationship and how she would have acted in the situation if the roles were reversed. Full of emotion, the song comes to an end with Govan belting out the chorus once more, showing off her impressive vocals. Despite the negative themes in the lyrics, "at least" feels like closure, rather than wallowing in heartache. It's a beautiful tribute to the experience Govan went through and the strength she found within herself to overcome this loss. Hailing from San Diego, California, Courtney Govan is a 26 year old queer pop singer. She has over 560k followers on TikTok, where her song, Serotonin, went viral. This publicity landed her on her first Spotify editorial playlist, Fresh Finds: Pop. Govan brings a fresh twist to today's pop, featuring an introspective approach to songwriting. She uses her own life experiences to relate and connect to her listeners, giving them music so they feel less alone. Govan hopes that her music helps them take on any tough experiences life throws their way. She uses her music and activism to create a community of inclusion, advocating empowerment and self-love. Govan is an activist for the LGBTQ+ and plus-size communities, highlighting social justice causes alongside her music journey on TikTok. Written By Cheyenne Johnson FOLLOW COURTNEY GOVAN:

Love is so scary. Especially at the beginning of a relationship, it can be hard to tell if you're right for each other. What's an even worse feeling is when you find yourself falling in love with the person, but unfortunately they just didn't fall in love with you back. It's not that there's anything wrong with you, or that there's anything wrong with them. They never cheated, they didn't ever fight with you; they just simply didn't get strong feelings for you like you did for them. Obviously a scenario like this really hurts, but you can't blame them because it was never mean-spirited in nature. You're a good person, but you're just not the right person for them. Sometimes it really is just that simple; and that's what "Didn't Love Me" by Eliza Harrison Smith is about. "Didn't Love Me" has an indie pop feel to it's soundscape with just a tad bit of a country/folk influence in the rhythm and guitar - reminiscent of Taylor Swift's Fearless and Speak Now Eras. The mood of the instrumentation is neither negative nor positive which matches the theme of this song well. There's just a tad bit of sadness behind Eliza's incredibly beautiful voice, which is understandable. The vibe is light and simple, yet incredibly stunning and catchy, creating the perfect soft pop hit. Quiet harmonies add a cathartic push to the emotion of the song. The mixture of the relatable and "roll off the tongue" lyrics with the infectious nature of the music will make this song easily get stuck in your head. It's one of those songs you'll be singing out loud to yourself without even noticing and be putting on repeat when you need some personal music time. Eliza Harrison Smith is an indie-pop artist originally from around Washington D.C. but is now based in Nashville, Tennessee. She was inspired to begin writing songs and playing guitar after she saw Taylor Swift in concert at the age of, can you believe it, 13! Eliza's love for writing ended her up in Scotland for 4 years where she studied English Literature at the University of Edinburgh. In 2019 is when she moved to Nashville to primarily write songs for other artists, including Koli Kohler and Kendall Bowser. She's been recognized by Nashville's International Songwriter Association as "One To Watch". As a solo artist, she released an EP of demos in 2021 which inspired her to step out into the limelight as a singer/songwriter herself. Since then she's released 3 singles, including 'Didn't Love Me' which is her first song of 2023 with a plan to release several more throughout the year. Written By Kaitlyn Nicole FOLLOW ELIZA: