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Encapsulating the feelings of summer in a song, SRRY's "21 in 21" brings together the emotions of falling in love over the summer. Co-Written with Logan Alexandria who features on the song, the song is about falling in love in the summer of 2021 when she turned 21. The upbeat and happy indie pop song is the second song off of the group's Our Summer ep. Listen to "21 in 21" Here Beginning with a fading in background the song quickly begins with a nostalgic happy feeling. Coming into the chorus, the background gains more traction adding in guitar creating a more upbeat feel. The lyricism of the song stands out as it tells a story of falling in love through small actions that happen during the summertime. Long drives, drawing names in the sound, and a weekend trip, one that got out of hand and ended with a little more than they started with. The lyrics as well as the upbeat yet nostalgic soothing background create a sound that is undeniably remindinging of the summertime. A band born from the bond of friends wanting to make music, SRRY is a group based in Phoenix, Arizona. The group draws from various points of influence that include, but are certainly not limited to, 80's bands such as information society to modern. indie pop such as LANY. Their music is best defined by indie synth pop and the traits of this music. The group's music is heavily influenced by the emotions of falling in and out of love. While "21 in 21" is their latest single, other songs such as "LA/Alone" were featured on the Netflix show Cobra Kai in season four. Only the second song off the groups Our Summer ep, and with even more to come the group is sure to showcase their musical skills. Written By Gillian Mena FOLLOW SRRY:

At one point in our lives there comes a point when a person emerges who can alter our perspectives in its entirety. From their likes and dislikes to what can make them laugh and cry, knowing the details of their lives and being becomes an obsession of sorts. This type of hyperfixation making every last detail important is what sparked the inspiration for “Obsessed”. NEA EINI’s latest single brings a sultry sound to her discography contrasting some of her earlier works. Listen to "Obsessed" Here A whimsical and sultry feeling takes over the song as the beginning of the song begins. With a strong beat as well as a str5ong sythmic structure it is easy to become entranced in the song. With this however comes excellently written lyrics, at one point in the song NEA EINI sings “Cause everything about you is interesting, who you are today and who've you been”. This phrasing couples with the lyrical pattern and structure alongside the strong beats within the song creates a harmonious environment that ties together the environment of the song. A Sweden based singer songwriter, NEA EINI first got her start in the industry through playing gigs at her local pub. After being handed a golden ticket in 2015 on Swedish Idol she continued on to make it to the top 25 of the group and allowed it to motivate her further. In 2019 she was discovered by the Swedish label South Nation Music through her song “Distortion” on Soundcloud. While this marked a new era in her music making, she continued to work on music emphasizing that her music would not fit into only one category, instead referring to it as mixed genre and even genre less. NEA EINI’s strong will as an artist has allowed her to persevere within the industry, and there is no doubt that she will continue to do so with her new music. Written By Gillian Mena FOLLOW NEA EINI:

Your jacket is leather, your jeans are skinny and ripped, and your dance partner tastes like cigarettes. "A.M.C.", the fresh new single from The Hilder, transports you to a steamy festival marquee amongst the crowd that bounces and sways in a faithful, chaotic order that resorbs you into itself. A direct approach to sustaining the indie-rock sound, "A.M.C." has undeniable energy packed into its curt frame that piques comparisons to the types of festival bands known for producing anthemic tunes such as Bad Suns or Catfish and the Bottlemen. Andy's Man Club, the organization that donates its name to the song, works to champion mental health and to provide a safe space for men to speak openly about any problems they might be facing. While the track may not be a replacement for therapy, it is undeniably uplifting and is likely to help shift your mood for the better in the short term at the very least. A fervent vocal performance from frontman Matty Jackman is energetically bolstered by the fine-tuned combination of Sam Parsons, Danny Jackman, and Regan Grimson on guitar, bass, and drums respectively. Punchy, poignant lyricism is delivered in an appropriately staccato bounce, demanding a toe-tap at the very least. "A.M.C." leaves us in the same abrupt fashion that it introduced itself, with only a slight fade before the indie-daydream fuel sees itself exit stage right. Encore? The Hilder is a four-part band hailing from Yorkshire hellbent on establishing themselves as a deserved staple in the sphere of British indie-rock. In spite of having released just four singles, the group has garnered attention from all the right places to build the necessary momentum so that it might just all fall into place. Hopefully, that won't be too much to take for the fledgling music-makers as their growing fanbase is surely hungry for more singles, EPs, albums, and everything in between. For future bragging rights, make sure to check out the links below so you can say: "I knew them before they blew up. No big deal." Written By George McSherry FOLLOW THE HILDER:

It’s hard to see your significant other struggle. When you love someone you share their pain, even when it has nothing to do with you. There is a constant weight on you as you worry about their well being, hoping to see any signs that they're doing better. As time goes on with little sign of improvement, however, insecurity inevitably grows. We begin to wonder if we are to blame, either by virtue of the relationship being flawed, or by simply not being supportive enough to truly help our partner. These insecurities, coupled with the stress of feeling responsible for someone else's mental health (not to mention our own) can turn even the most loving relationships sour. The conversations grow stale, and spending time together begins to feel like a chore as both people feel like they are letting the other one down. In her latest single “Fall For Anything,” Lexie Carroll has reached this point in her relationship. They have been reduced to small talk, as any attempt at opening up feels too depressing, too heavy to place as a burden on the one you love. Though she tries to respect her partner’s boundaries, Lexie can’t keep herself from assuming the worst. Every silence, every long period without a text, every deflection away from emotional honesty, feels like a sign that she is the issue. She’s reached her breaking point, and tired of going through motions, offers an ultimatum: let me in, or cut me off. Lexie only wants to help and if ending the relationship is the best way to do that, that’s something she can accept. On the other hand, she can’t keep letting herself feel like the bad guy, and the only way to avoid that is by having open communication so she can know what's truly going on. Either way, this is Lexie prioritizing her own mental health, trying to shed the constant stress and guilt of being responsible for somebody else’s well being. The production on “Fall For Anything” is the epitome of bedroom pop. The chugging acoustic guitar, repetitive indie backbeat, and light keyboards combine to give the song a beautifully DIY vibe. No part of this track could be considered overproduced: the use of effects is exceedingly sparing, typically reserved for the accentuation of Carroll’s vocals. The natural sound of the instruments fits perfectly with the feeling of the song, leaving more than enough of the listener’s attention to focus on the emotion in Carroll’s voice. The stereo panning in the vocals, combined with the light use of reverb is reminiscent of Phoebe Bridgers or Maggie Rogers, titans of bedroom pop that were clearly large influences on Carroll while writing this song. The chorus features an explosion of high end. Multiple floating keys, high harmonies, topped off by a slide guitar that drags the listener from one section to the next. Despite the weight of the verses, the chorus feels almost euphoric, as Lexie begins to put herself first and take a stance within her relationship. At just 17 years old, Lexie Carroll has shown unbelievable potential at the outset of her career. In just the past two years, she has hit the ground running in building her discography, releasing three singles and two EPs since 2020. Her hot start has not gone unnoticed, Spotify featured Lexie’s “The Sky Looked Nice Today” in their “Next Gen Singer Songwriters” playlist, and she has appeared on multiple indie and folk pop compilation albums. This summer, Lexie has been incredibly active, releasing her second EP “When the Sun Came Up” in addition to “Fall For Anything,” and performing shows all across her home country of England. Written By Liam Dun FOLLOW LEXIE CARROLL:

If you ever had your heart broken and you're wide awake at 1:22AM thinking 'I need a new song to recollect my thoughts,' "You Will Never See This," by Sabreen Islam is definitely the song to choose. With its beautiful, soft vocals and lyrics, combined with its catchy and upbeat accompaniment, it molds this 'heart-broken' song into an anthem. Granting the listeners the opportunity to foresee the beauty in themselves and to be more self-confident. Sabreen Islam's new song, "You Will Never See This," is a beautifully written song that gives people going through break-ups and heart breaks the empowerment to keep moving forward. Even with a soft and delicate voice Sabreen provides a rich and confident voice, truly providing the love and empathy to those who listen, to share or support the same pain, a heartbreak. The instruments used in this song were very catchy and intense, truly captivating the listener and dramatizing/changing volume and speed at points where there was a verse or the chorus. To whomever this song is meant for, the audience hopes you see this! Sabreen Islam is a Nineteen-year-old singer/songwriter from Auckland, New Zealand. Charming live audiences across her home in New Zealand, with her tuneful, catchy melodies, confessional and deeply personal lyrics, Sabreen is now ready to share her music all over the world. Sabreen Islam is an artist to watch in the coming years so be sure to follow her socials down below to keep up-to-date on her journey! Written By Troy Sica FOLLOW SABREEN ISLAM:

Kid Travis’ latest single “By My Side” is such a faithful homage to soul classics that it could have come straight out of the 1960s. Both in terms of composition and subject matter, this song feels vintage, but with an infusion of modern energy. Travis’ vocal performance is so emotionally expressive it is almost crooning, but his impressive range and use of falsetto readily bucks that definition. “By My Side” is a portrait of desire, as Travis lays out his dreams of a perfect relationship. He acknowledges the grand gestures that we have all grown accustomed to seeing in the media: the large-scale declarations of love, kissing in the rain. What he seeks, however, are the behind-the-scenes nuances that make a relationship truly strong. Though the public gestures can serve as affirmations of love, they aren’t what true love is. What Travis ultimately wants is support, to find somebody willing to stay by him, help him grow, even if it’s short lived. Click here to listen to By My Side! The laid back tempo and liberal use of seventh chords evokes Travis’ loving, his longing, without him needing to say a word. The instrumentation is sparing, using only drums, guitar, and bass. With such a small backing band, each instrument’s contributions are vital to the feel of the piece as a whole. Of course, Travis’ sultry tone is by far the heaviest contributor to the composition. His vocal control is impeccable, shining through in his ability to maintain his pitch while performing beautiful riffs and vocal runs and producing a haunting vibrato. Despite his mastery over his voice, Travis keeps these skills close to the chest throughout most of the song, instead using them to add emphasis to the chorus, which he belts in an airy-toned falsetto. Alongside carrying the melody, Travis’ background harmonies provide a rich texture to bolster the instrumentation. The song’s heavy use of background vocals provide a subtle nod to doo-wop, a direct ancestor of both r&b and soul, and a fitting genre for a song about love. The song ends in a manner that has become less and less standard in recent years: the fade out. By not overtly ending the song, the fade out allows for the main riff to carry us through the end, giving a sense of conclusion while continuing the momentum that has been built. This ending is yet another stylistic element giving it an old, yet rejuvenated air. Kid Travis has been putting time and effort into his craft. His social media presence has blossomed in the past few years as his combination of original music and covers have garnered the attention of over 480,000 youtube subscribers. He’s shown an unbelievable dedication to using social media to grow his base, engaging frequently with fans via comment sections, twitter, or live streams. His willingness to listen to and communicate with his audiences, and not to mention his other-worldly vocal talent, has led to over 150 million Spotify streams, and has gotten Travis the respect and attention of some of the largest names in pop and r&b such as Dominic Fike, Post Malone, and Bryson Tiller. Travis’ growing discography and versatile sound make him someone to follow closely as his career unfolds. Written By Liam Dun FOLLOW KID TRAVIS:

“For Another” is a lively tune with sad undertones as Edwards contemplates the near end of a rocky relationship. Both parties in the relationship know that it’s going to end inevitably, and the foreboding tension is just building and building and building as no one acknowledges what’s happening. But the lush and gorgeous soundscapes offer a semblance of comfort, of happiness through the inevitable pain. Max Edwards utilizes an upbeat keyboard to evoke a tropical vibe alongside his breathy vocals. He pours all of his emotion and heart into his verse and plucks at the audience’s heartstrings alongside relatable lyrics. Edwards reminds us that sometimes, it’s not worth it to fight for love, especially if it becomes a burden rather than a comfort to us. Max Edwards is a pop and R&B singer, songwriter, and producer born and raised in Whistler BC, Canada. Not only did he exercise his physical attributes with sports like skiing, biking, and skateboarding, but he also grew up writing and performing music. Writing his first song when he was merely a child, Edwards attended the Nimbus School of Recording and Media in Vancouver, gaining knowledge and experience in the music industry climate as well as his own personal style. His next project is sure to make a splash in whatever genre he lands in. Written By Megan Cao FOLLOW MAX:

"Floating Balloon" is Ryann Barnes' third released single where she sings about how she feels overlooked in such a vulnerable situation. This song takes place at a party where she put on her best outfit to make that special person notice her, just for her to be completely ignored by them as they talk to someone else. While others around her are having the best time, she's doing everything she can to piece back together the heart that had just been broken. She feels as if she's watching from afar and observing the situation as a desolate outsider. This song is for those who have experienced being the one on the outside, witnessing the interaction that you should be partaking in. This piece is comprised of many soft-sounding elements giving this piece a very elegant and heartfelt feel. Her tone of voice reminds me of Taylor Swift's, as they both have that gentle element that reveals their emotions. The passionate piano keys intensify the feelings of loneliness that Barnes conveys through this piece. These two elements combined deepen the meaning of this piece and perfectly communicate how distant she feels in this situation. Her lyricism wonderfully describes the details of the scene so well which transports listeners to the exact scene so that they can experience the same heartache Barnes had to endure. Listeners are able to sympathize with this song due to its graceful elements and heavily detailed lyricism Ryann Barnes is a 17-year-old singer-songwriter who debuted in 2021 with her first single "September." Embodying the "soft girl" aesthetic, she reflects the qualities of this in her social media presence as well as her music. Since that release, Barnes has produced "Velcroe Tie" and her latest "Floating Balloon." Her inspiration to write derives from a word or idea and just three cords. Barnes perfectly fits in the modern indie/soft rock genre and is sure to continue releasing incredible pieces. Written By Melina Darlas FOLLOW RYANN BARNES:

Congratulations on the release of your single “Mr. W”! What is the story behind this new track? SEMH: Mr. W stands for all questions that remain unanswered in a relationship with a person. A one-sided relationship. Questions you ask yourself every second of every day about this person. Why do not you write me? When do you come over? Why are you doing this to me? I think everyone has had a Mr. W or even a Mrs. W in their life. Can you take us through your songwriting process? SEMH: I've been writing all my life. I express my memories and visions in words. When I have a moment or a feeling, I find it easy to find the words. They just come out of me! And to make a story easy to read and feel, I try to bring a flow into it. A flow through melody and beats. That's how my songs come about. You have such an incredible, unique sound to your music! Are there any other artists or aspects in your life you think influence your sound? SEMH: As a child I was already very much in contact with music. Different genres have accompanied me. But mostly jazz! I started playing the vibraphone when I was 9 years old. This soft, waving sound has always grabbed me. And the interest in real, pure sounds - like that of a western guitar. A symbiosis of real guitar sounds and flowing rhythms, which are also created by the vocals, is a perfect symbiosis for me. How do you use your perspective as a film director in your music? SEMH: This is a very interesting question and a very intelligent question too! Images and visions play a big role in my songwriting process. I've always been a visual person. My work as a director enables me to orchestrate images into my songs. This is also the reason why I direct all my music videos myself. Also, I don't like to hand over the scepter. What would you say is your go-to karaoke song?! SEMH: OMG. I don't like karaoke! But when I do it, and I only do it when alcohol is involved, I think I can sing anything! I'm so convinced of myself that I just want to sing EVERYTHING. Accordingly, this show is terrible for everyone who has to experience it. But if you ask me about my favorite song: it is definitely “Carly Simon - You're So Vain” What can we expect next from you? After hearing your other music, I can’t wait to hear more from you! SEMH: My next single will be released in October. “The way you are”. Of course also with a music video - we are already working on it. And a single will follow this year. The highlight of this year! The song is called "please". I'm already training hard for the shoot. That's a huge challenge for me. But it just becomes fire. So this year is so exciting for me. It’s unbelievable what happens every day. I love it – I’m very thankful that peoples hear my music. It’s crazy. Interviewed By Sarah Curry FOLLOW SEMH:

"ANXIOUS!" is Daisy Draper's latest single which she produced to give listeners comfort in the knowledge that any negative feelings they may face are entirely normal. As someone who has devoted countless years of her life to spiritual and holistic healing, Daisy holds plenty of insight on this matter. She hopes for listeners to come to terms with how they are feeling, recognize that said feelings are valid, and power through these darker times towards healing and authenticity. This piece brings up matters such as feeling overwhelmed, anxious, and sad, all natural emotions we endure, and urges listeners to channel their inner strength to stop these feelings from taking over. This song flows from a calm vibe to a chaotic feel to reflect the absolute disarray people endure when struck by overwhelming anxiety. The piece begins with serene vocals and tranquil piano keys as a slow introduction to what is to come. As the song picks up its pace Daisy's voice becomes evidently more passionate as she sings of the confusion she is suffering through. Everything releases with a bang as soon as the chorus is sung. Daisy's voice transitions into a more powerful sound as the melody evolves into an energetic sound. This cycle repeats itself throughout the song and provides listeners with a glimpse into Daisy's perspective of these anxious feelings. Overall, this piece is a wonderful reminder for listeners to recognize that what they are feeling is completely valid and that it is more than okay to feel overcome by negative emotions. Daisy Draper is an artist based in Los Angeles, California who merges spirituality and wellness with pop music. Through her blend of healing and entertaining, she helps people enjoy becoming their most authentic selves. Draper began her career in late 2018 after serving six years in the United States Army. During her time in the service, she was diagnosed with a debilitating autoimmune disease, her fight against which is one of the inspirations for her music. After overcoming chronic illness through emotional and holistic healing techniques, as well as spiritual practices, Daisy is eager to share the benefit of her experience with others through her social media platforms and her music. Written By Melina Darlas FOLLOW DAISY DRAPER:

"I Worry Too Much" is a deeply intimate track in which Egotist's lead singer, Joe Prior, details the somber gratitude he owes to a true friend who faithfully stuck by his side through dramatic lows, even when given every reason to leave. The emotional fervor, palpable, streaks down the window of the cinematic soundscape that pulls imagery of ominous comfort beneath skies of heather grey that hold back not just the sunlight but also the rainfall. Go on then, have a listen here! Though rife with melancholy, the song hides its somber notes initially under the allure of bouncing piano, guitar, and percussion. The tone is set with the sanguine lyrics that start the vocal performance, featuring a refreshingly British delivery that, when paired with the alt-rock production, is pleasantly reminiscent of Bastille's works circa 2010. Instrumentals slow and fade while the kick-drum heart pounds on before a quick fade against the backdrop of reassuring words "you worry too much". Manchester-based alt-pop band Egotist has continued to set the pace in their fledgling career, with this, the release of their third single, packed with emotion and finesse. The band consists of Joe Prior (vocals/guitar), Kirstie Rawlinson (keyboard/vocals), Alfie Prior (guitar), and Mark Pinion (drums). For more of the group's raw poetry set to melancholy, alt-pop/rock production, have a gander at some of the links below and see what Egotist get up to next! Written By George McSherry FOLLOW EGOTIST:

Too curated to be called bedroom pop, too indie to be called mainstream pop, Harbour Loft has settled snugly into their apt label of "loungepop". BBC South and West made note of the audible influences in the group's sound, blending inspiration drawn from the likes of Gorillaz and Mac Demarco. Fine-tuned for the purpose of inducing a slow head-bop and tap of the toe, Harbour Loft's new single "Today" feels like lying under a skylight in a sunshower, the emotion pours out while you just sit there and smile. Have a cheeky listen to "Today" here Clean-cut layers of smooth, jazzy electronic production form the track's main body that holds sturdy and steadfast to provide gooey grit for the warmth of the alto and tenor vocal performances that push and pull through each other like colored smoke that forms a braid. Ambient percussive elements decorate the soundscape alongside the lowkey, vibrant synths that float the single to its slow fade-out. Call them a "collective", call them a "supergroup"... call them what you'd like really. The nomenclature for this rat pack of young Brits is arguably the least important feature as Harbour Loft's intricate musical flows very much speak for themselves. The group, based in the Southwest corner of the UK, consists of members Duncan Hallett, Niamh Tait, Noah Samuelsson, Sammy Nichols, and Tom Smith, with each member bringing unique talents and insights into the project. Though not currently available on major streaming platforms, you can enjoy Harbour Loft via some of the links below as we await the September release of their upcoming EP. Written By George McSherry FOLLOW HARBOUR LOFT: