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  • Review: "Klepto" - Leah Mason

    “Klepto” explores the deterioration of a friendship after inspiration grows into obsession. At first, you only occasionally notice strange things about your friend. The new shirt you wear suddenly becomes a staple in her closet. Your unique blonde hair is soon reflected in her own hair. Her unusual actions begin to overshadow your individuality and interests as she adopts every aspect of you. As she picks and chooses elements of your life to take, you wonder if it’s a desire she cannot help. You could once attribute her behavior to admiration, but it now directly reflects a more serious issue. You distance yourself from her as your discomfort grows. Hopefully one day, her kleptomania towards your life and identity diminishes. “Klepto” is a commercial pop rock anthem that utilizes sharp and unique instrumental differences between each section. The single begins with an almost distant glimpse into the chorus, immediately introducing a brief calling out of the described klepto. This introduction has a muted and echoey ambience that quickly transitions into the first verse. The ambience of the instrumentals are suddenly dropped for the more simple and vocal-focused melody. The instrumentation present in the beginning is not re-introduced until the chorus and continues throughout the single. There are various instances throughout where the instrumentation ramps up quickly and dissipates. These moments offer a unique experience of differing tones. Leah Mason is a singer-songwriter from North Carolina and currently based in Nashville, Tennessee. Growing up in a musical family, she has always been fascinated with music and pursued it on her own. One of her earliest escapades into music was a 70s rock band with her brother from ages 10-13, performing songs from groups such as Led Zeppelin. She studied at Berklee and received a degree in song-writing from Belmont University. While writing songs, she primarily takes inspiration from her own life experiences and people around her. She is currently writing her first album following her 2023 EP release. Make sure to follow her on social media and give “Klepto” a listen! Written By Willow Gray FOLLOW LEAH MASON: Instagram | Spotify | TikTok | YouTube

  • Review: "Farewell to my Youth" - Emily Ricks

    “Farewell to my Youth” by Emily Ricks is a punk pop ballad that chronicles the hardships and grief that comes with growing up. Through her vulnerable and honest storytelling, Ricks paints a vivid picture of what it feels like to lose the rose colored glasses of childhood. Right from the first verse, I was hit by the emotional blow of her talking about the pride that came with guessing who Santa Claus was and how he was just a fictional character created by her parents, ending the verse with “Now I’m just sad that they’re all gone.” Ricks lost not only her sense of wonder but battles the grief of losing her dad too. In the chorus, she perfectly captures the common feeling of wanting to grow up when you’re a child but when you actually do, the disappointment that comes with it, saying “Some days I wish I never/grew up to face the cold hard truth/That everyone you love you’re gonna lose/And the older you get the more confused” in her hard-hitting chorus. She describes her anxiety, her craving love like in the fairytales she grew up watching but then saying “some trauma broke my trust,” and how she can’t even envision her wedding the same way she used to because her dad won’t be there. It’s a heartbreaking song that everyone can relate to, as growing up and having to face the hardships of adulthood is inevitable. Despite the melancholy tone of its lyrics, “Farewell to my Youth” maintains a more upbeat, punk rock production that adds emotional intensity and creates an anthemic feel that people can rally behind. I imagine people screaming this song at the top of their lungs, finding acceptance in the catharsis. Electric guitar accompanies the more powerful moments in the song, and the verses are powered by drums and piano. Ricks’ vocal growls add intensity, with her adopting a softer tone in the most vulnerable moments of the song. I liked the nursery rhyme that played right after the bridge, with the words “Ashes, ashes we all fall down” having a darker undertone in the context of the song. The irony of that being sung by children with childlike innocence but it meaning something entirely different with an adult perspective really perfectly captures the message of the song as a whole. The production overall has a distinctive style that pays homage to her abilities as a musician, and I look forward to hearing more. At 23, Emily Ricks, a self-proclaimed loner and music addict, found solace in melodies while growing up on a remote ranch north of Los Angeles. Despite a childhood marked by solitude, she stumbled into the entertainment world with a role in Toy Story 3 at age 7. However, it was the loss of her father at 12 that drove her to music as a form of solace and expression. Over a decade, she honed her craft, crafting a distinctive style blending vulnerable lyricism with robust bass lines and haunting minor tones. Ricks, now ready to share her journey with the world, invites listeners into her emotive narratives, turning dark emotions into accessible stories of resilience and hope. Written By Rachael Bach FOLLOW EMILY RICKS: Instagram | Spotify  | TikTok  | YouTube

  • Review: "Forgive & Forget" - Obeeyay (feat. Alayna Grace)

    Obeeyay and Alayna Grace recently teamed up in their latest single "Forgive & Forget." This is a mid-tempo R&B track with both singers expressing emotions of fervor and hurt. It’s a lovely masterpiece of acoustic sounds. The soothing beats and harmonious voices of Obeeyay and Alayna Grace draw the listeners in, evoking emotions deeply rooted inside of them. If you’ve felt the pain of a breakup or are currently going through a difficult time with your loved one, “the deep lyrics” of “Forgive & Forget” will stir the strings of your heart. The lyrics tap into that tender place of yearning, pulling at the threads of shared experiences that somehow spun into a patchwork of misunderstandings. “Wanna lay down my head on your chest, Been missing your heartbeat, And the way that you taste in the morning”, it's like reading pages from a diary we've all written in but never dared to read aloud. ​This song isn’t just about mending a relationship; it’s an invitation to mend the soul. While listening to "Forgive & Forget," you can’t help but feel like you're walking through a dreamy, early morning haze, the kind where hope is tangible, hanging softly in the air with the morning mist. Obeeyay has captured the mood perfectly with a blend of acoustic richness and mellow synth vibes, striking a balance that feels soothing to the soul — kind of like that first sip of coffee on a rainy day. Alayna’s voice layers over his with the kind of harmony that seems to fill in all the silent spaces love leaves behind. Each instrument seems hand-picked to cradle their voices: the guitar that gently weeps, the piano that whispers possibilities, the brush of the cymbals that feels like a promised kiss. It’s a song that sounds like a quiet breakthrough, the sound of letting go, and the rhythm of what comes next. Diving into Obeeyay's and Alayna Grace's stories is like stumbling upon a pair of secret gardens where every song is a different bloom. There’s a mystery to them, a charm in their commitment to let the music do the talking. Obeeyay, with a voice that wears its heart on its sleeve, and Alayna, whose tone carries stories in each note, make for a musical duo that feels fated. They might not have the backgrounds of Billboard chart-toppers just yet, but every harmony, and every crafted lyric speaks to their journey through the ranks of musical storytellers. They're the kind of artists whose future in the industry is not just anticipated; it's ardently hoped for. "Forgive & Forget" seems to etch their names in our minds, not just for the song they’ve shared but for the anticipation of all the music yet to come. You guys should absolutely let "Forgive & Forget" wash over you, to fill the room and the little silences within you that you didn’t even know were there. Drop by Spotify using one of the links to their Spotify page and give it a listen; it’s waiting to meet you. While the melody lingers long after the song ends, you can also take a moment and listen to it video above there’s something special about seeing those words, about having the emotion hit your eyes and ears at the same time. And hey, while you're caught in the current of their craft, why not stay adrift? Follow Obeeyay and Alayna Grace on social media through the links below. Stay connected, stay tuned, and maybe, just like their song, you’ll find something or someone to forgive and forget with. Until Next Time Guys! Written By CJ Taylor FOLLOW OBEEYAY: Instagram | Spotify  | TikTok  | Facebook  | YouTube FOLLOW ALAYNA GRACE: Instagram   | Spotify  | TikTok   | Facebook  | YouTube

  • Review: "So Far Away" - Trisha & Thara

    Hailing from the vibrant soundscapes of sibling synergy, Trisha & Thara's new single "So Far Away" stands testament to the indomitable emotional ties that bind family. The song, which serves as a heartfelt dedication to the ubiquitous experience of separating from loved ones, captures a universal sentiment wrapped in personal memories. Accentuated by an orchestral build-up that wouldn't feel out of place in a cinematic climax, "So Far Away" thrives on its emotional build, leading the listener through a crescendo of feelings that culminate in an instrumental outpour that captures the essence of departure and the beauty of the bond that distance cannot sever. From the opening notes, the duo's intrinsic connection is palpable, as they interlace their vocals in a tapestry of harmonies, echoing the influence of A-listers like Taylor Swift and Olivia Rodrigo. However, Trisha & Thara shine with their unique light, their voices carrying the weight of nostalgia and the warmth of companionship over the evocative strokes of the piano keys. Throughout the song, one can hear the echoes of familiarity, the shared giggles between sisters, and the silent bonds that resonate even through distance. This is not merely a ballad but an anthem that rings true for anyone who's had to part ways with their kin, finding solace only in the treasures of shared history. Crafted within the creative walls of The Bridge Sound Stage Studio and shaped under the keen production of Janos Fulop, aka The Arcitype, "So Far Away" is more than a song—it's a narrative encapsulated in melody, a cathartic release for those grappling with separation. Trisha & Thara, a sibling pop duo based in the Boston area, launched their recording career in 2020 with original soulful ballads “You Used To Be” and “Regret”. While they landed on dozens of influential playlists and were even featured on the Women of Substance music podcast, Trisha & Thara weren’t even close to their full potential. Amping up their energy in 2022 while keeping their infectious and inviting melodies, the duo released “Too Late Again”, a pop/EDM flavored romp that landed the sisters second on the Retail Music charts alongside national press. Coming full circle in 2023, they released a cinematic and dramatic track “Out of the Dark” as a gift to their mother. Now, in 2024, they’re determined to reminisce the special moments they’ve shared with “So Far Away”, a thought-provoking musing on siblings, their bonds, and their future together.  Written By Megan Cao FOLLOW TRISHA & THARA: Instagram   | Spotify  | TikTok  | Facebook  | YouTube   *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Lying On My Back" - Joonas

    "Was it really not that deep?" Joonas sighs on his latest single, "Lying On My Back." Over the supersonic drumbeat and buzzing synth bass, the lyrical references to a cheating partner breeze by too fast to process. That's not a critique: it's by the London-based artist's clever design. He, too, opts not to linger on betrayal for longer than a blink. "You taste so good, / so I won't fight this feeling," he resolves on the anthemic chorus. "Lying On My Back" is a sweaty, dance-pop gem. It hints towards the genre's history of dancing through love problems, but rejects the typical journey similar songs chart. Instead, Joonas falls into the moments when desire and pleasure override complexity. Through the entirety of its three-minute runtime, "Lying On My Back" never releases its foot off the gas. 80's-era synths and speedy drums instill a kinetic force within the song's roaring engine. Joonas races through confessional lyricism on the verses, as though attempting to cut straight to the moment when he's over it. "Did you drive in his car? Did you take it too far?" He asks, though seemingly not wanting to know the answer. But it's that combination of bitterness and desire that makes the single dizzyingly exciting. "So, I'm lying on my back, back, back." When leaning into the flame results in getting burned, Joonas concludes that it's best to lie back and let the warmth engulf him. Based in London, Joonas has released music over the past three years under the guidance of his personal mantra: let love lead. The Norwegian-born artist first introduced listeners to his unique pop sound through 2022 single, "Psycho Ex-Boyfriend." That track appeared later that year on his debut EP, Bednight Stories . Joonas has maintained a consistent pace of releases, broadening the conceptual scope of his music without losing the accessibility of his pop sound. "Lying On My Back" is the London-based artist's first single of 2024, following last year's string of exceptional singles (such as the ear-worm "Swimming Pool"). Written By Andy M. FOLLOW Joonas: Instagram | Spotify  | TikTok  | YouTube

  • Review: "Hanging On" - Emilee Moore

    into what she believes is the hardest part of heartbreak: being able to let go of someone you truly love. She starts off the song by finally realizing the relationship is over, insinuating that she was in denial for a bit. She doesn’t know what to do without this person, and states that they’re “just the end of a sentence/a lingering question.” Even though Emilee has realized this, this person is still the focal point in her life. In the chorus, she recognizes there’s barely a string connecting them, but she’s still hanging on, even though it’s against her best interests. As this person is fading in her rearview mirror. Emilee once again compares their relationship to the ends of things, this time being a ringtone, or “a call straight to a voicemail.” Describing their relationship as “a piece at the art show/the no one takes home” is strikingly different from the normal connotations with an art show. Art shows, generally speaking, resemble beauty and prized possessions, yet, they’re “a patchwork of pieces that never belonged.” In the highly emotional bridge, Emilee proclaims her devotion to her ex lover, saying she’ll love them until she bleeds out, leaving herself hanging onto her last breath. She compares their relationship once again to the ending of something - this time, an “ending of an era.” The production on “Hanging On” beautifully encapsulates the feeling that Emilee is trying to convey with her lyrics. Upon first listen, the soundscape she created is immediately captivating and is addicting to listen to. The combination of a haunting acoustic guitar, her delicate vocals, and an angelic vibe creates a feeling of turmoil and sadness. As you get further into the song, the production becomes even more luscious and gooey with the added harmonies, echoes, and reverb. The song gently crescendos into the peak of the song, which is the bridge. The lyrics are filled to the brim with emotions, while the song sonically becomes deeper and wider. The drums accelerate through the bridge, which creates a rushing feeling and a sense of desperation. I can easily picture this song being featured in a movie, where the main character is at their lowest point and most likely sobbing in the rain. Emilee Moore is a Vancouver raised, Los Angeles based singer-songwriter, bearing the nickname of “Queen of Heartbreak.” She first began her musical journey at 6 years old when she started classical piano training. Growing up in church, playing in her school's band, and her love for singing only grew her love for music. Deep down, she wanted to pursue music as a career but didn’t have the confidence to do so. While in university, she started working with a producer who eventually moved to Los Angeles. She had grown such a passion for writing and recording music that a year later, Emilee followed her producer to LA. And since then, she hasn’t stopped writing. She put out her first single, “Ask,” in 2021, and after a couple more singles, released “When It Kills Me,” a two part EP, in 2022. Emilee has seen major success throughout her generally short career. Her single, “Up in the Sky,” has garnered over 3 million streams on Spotify alone. The song, dedicated to her grandmother who passed away in 2020, follows the melody of the UP theme song. This inspired her to perform the song in a hot air balloon in order to be as close to her grandmother as she could.  Even more impressively, Emilee recently performed at Coachella and put up a billboard on the route from LA to Coachella Valley reading “I made this billboard to help you feel a little less alone.” Now, she hopes to put on the Ultimate Heartbreak Concert in the future, which would be her first stadium performance. There’s no telling how far Emilee’s talents will take her, but she is sure to impress her audience for many years to come. Written By Lauren DiGiovanni FOLLOW EMILEE MOORE: Instagram | Spotify | TikTok | Facebook | YouTube

  • Review: "Lilith Limerence" - Maijah

    Maijah’s newest single “Lilith Limerence” is an intense and sultry song that perfectly encapsulates the feeling of a fierce infatuation (even with someone she barely knows). The dark soundscape paired with gasps and heavy breathing in her intro draws the listener right in, and electric guitar riffs in the background are scattered throughout the intro and the rest of the track. She dubs over with an almost insane laughter, alluding to how crazy this crush is making her feel. She feels addicted to him, and she perfectly balances the feeling of power she holds over him with her feelings of anxiety about the feelings not being reciprocated. Her lyrics tell her story perfectly, and the instrumentation highlights the chorus as the background calms, leaving just her voice. Before the explosion of the chorus, she sings, “Love it when you call me just to call me crazy / Know I barely know you but I love you baby”. She continues in the rest of the song to manifest about their future children, proclaiming that she will do anything for him (but let him leave her, of course). The bridge layers all of these elements together in a feverish whirlwind of emotion and a repeat of her original lyric. Her voice drips with sass and allurance, almost casting a spell on the listener. The instrumentals end before the song itself, leaving just Maijah’s voice as she concludes, “You should be in love with me.” Girl boss. Maijah is a singer-songwriter known for making ‘main character music’. Her style is similar to that of Ariana Grande and Doja Cat: girl power lyrics and electric soundscapes, as well as beautiful vocals. She mixes in stories about mental health and real life issues, as well as songs that include the glittering and upbeat pop style that her audience knows and loves. There are also many references to spirituality and astrology in her tracks. She has been releasing music on Spotify since her 2021 single, “Higher Self”, and has amassed almost 130k monthly listeners since then. Make sure to follow the social medias below to stay tuned for more music from Maijah. Written By Tessa Maddaloni FOLLOW MAIJAH: Instagram | Spotify | TikTok | Facebook | YouTube

  • Review: "roots" - Izzy Pingrey

    New song by artist Izzy Pingrey, “Roots” is a sweet letter to her younger self that expresses how much she’s changed and how much she hasn’t. The song perfectly encompasses the growth and how looking back at who you once were could sometimes be difficult. Seeing change in in oneself leaves room for complex emotions to develop and Pingrey portrays this well with “Roots”. The essence of nostalgia that comes off this track isn’t overbearing the way other songs can be and instead paints a portrait of admiration and fondness. “Roots” is a great track and Izzy Pingrey has certainly left an impression with this song. The song itself feels very warm and relaxed. Izzy Pingrey’s voice sounds smooth in a song of this style. Each different image painted by the lyrics makes listeners feel as if they are watching the narrator’s life go by. Each description brings a smile to listeners' faces as these are memories everyone can connect to yet are still so personal to Pingrey’s experience. The production style on the track doesn’t get overly complicated and it really allows Pingrey’s talent to fully shine through. The layered harmonies are so nice and only keep revealing the level of talent Pingrey possesses. What’s great about “Roots” is a provides a nice overlook as to what growing up has been like for Izzy Pingrey and excites you as to how as an artist, she’s only going to get better and better. Izzy Pingrey is a 17-year-old artist from New York City, and for someone so young she has accomplished so much. The indie pop artist began writing music when she was 13 as a way to deal with the loneliness during the COVID lockdown. Her debut EP, Junior, was released in November 2023 and did well on Spotify and YouTube. Recently in March of this year, Pingrey performed a sold-out show in New York City. Her single “Roots” is the first single of her upcoming sophomore EP. It’s great to see someone of Izzy Pingrey’s age do so well in this industry and it will be exciting to hear what her sound will grow into. Written By Chantal Charles FOLLOW IZZY PINGREY: Instagram | Spotify | TikTok | Website | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Before You're Gone" - Henry Michael

    Before You're Gone is the debut single from singer/songwriter, Henry Michael. This track showcases Michael's pure raw emotion as he sings about nearing the end of a relationship with someone with whom he is still trying to ignite a spark. The opening verse shows Michael hoping things could change when he exclaims, "Longing stares through a stained champagne glass/They said these feelings, oh, that they'd pass/But they're wrong." The chorus sees Michael racing against time to save his relationship and he says, "Running out of breath/Just to catch you/Before you're gone." In the second verse, the singer starts to seek out other options to no avail and sings, "I went out looking for someone else like you/But I found nothing more than an empty table built for two." Some of these cutthroat lines had me reaching for the tissue box. On Before You're Gone , Henry Michael incorporates a melancholic pop approach to compliment his heart-wrenching lyricism. The instrumental is mostly led by a sorrowful piano melody juxtaposed with a lighthearted acoustic guitar. I felt that using these two instruments was comparable to how Michael describes how his relationship is actually going versus how he wishes it would go. On top of all of this, I feel like I heard some bongos in the middle of the song which gives this a unique feel compared to every other sad pop song you hear. However, this song would be a shell of itself if it weren't for Henry Michael's hypnotic voice. He effortlessly portrayed passion with his deeper voice which reminded me of Sam Smith, Lewis Capaldi, and SoMo. There is truly an authenticity about his sound that will hypnotize every listener. Though Henry Michael grew up in the heart of New York City, he is currently spending his time in Cambridge, Massachusetts as a graduate student at Harvard. I know what you're thinking... smart, cultured, AND a musician? Does he juggle too? Probably so. Even though this is his first official single, Michael has loved music for his entire life and on top of singing, has mastered piano, guitar, and trumpet. According to Michael, he is attempting to "create unique worlds through vivid lyrical illustration" with his music. Some of his biggest inspirations are Taylor Swift, Noah Kahan, and Beyoncé. I believe you can truly hear all of these artists through both Michael's sound and his writing. Henry Michael isn't stopping with Before You're Gone ... he's planning on dropping some more bangers this summer. Make sure to check him out on all platforms for more information. Written by Jordan Elliott FOLLOW HENRY MICHAEL: Instagram  | Spotify  | TikTok  | YouTube

  • Review: "MY TRAGIC LIFE" - Heather Kathryn

    Delivering her first single of the year, Heather Kathryn has released an angsty and fiery new addition to the pop-punk world with "MY TRAGIC LIFE." The track precedes the release of her new EP, teasing what the artist will share later this summer. Revealing the inspiration behind "MY TRAGIC LIFE," Heather shares, "I wrote this song with my best friend, and it started as a humorous take on the struggles I face as a woman in the music industry. But as we delved deeper, it became a cathartic expression of the frustrations and obstacles I've encountered. It's about reclaiming our voices and refusing to be silenced." Raw and edgy, Heather Kathryn spares nothing in "MY TRAGIC LIFE." Filled with vexed reflections of her experience in the music industry, Heather unleashes her frustrations through her heavy-hitting lyrics and gritty vocal lines. The instrumentation in "MY TRAGIC LIFE" creates the perfect pop-punk soundscape, featuring aggressive guitar riffs, electrifying drums, and dark harmonies. Expressing a full range of emotions, Heather screams, belts, and sarcastically talks through the challenges of being a woman in the music industry. Her flawless delivery of each line paints a solid picture where listeners can just imagine Heather sneering and rolling her eyes over the whole ordeal. "MY TRAGIC LIFE" is certainly a pop-punk anthem to remember, encouraging women to give the middle finger to anyone trying to hold them back in a male-dominated world. Originally from Arizona, Heather Kathryn is a rising pop-punk artist located in Los Angeles. She strives to bring the pop-punk genre back to the forefront of the music industry, channeling icons like Kelly Clarkson, Paramore, and Avril Lavigne. An experienced performer, Heather has several shows under her belt, playing venues like The Viper Room, El Cid, Whisky-a-go-go, and The Troubadour. Since her industry debut in 2021, Heather has been hard at work building her impressive catalog. Some of her popular songs include "CLOTHES," "LOCK ME UP," "do you know?," and "Dead to Me." Written By Cheyenne Johnson FOLLOW HEATHER KATHRYN: Instagram | Spotify | TikTok | Facebook | YouTube

  • Review: "Bluff" - Chloe Sautereau

    Chloe Sautereau's latest single, "Bluff", tells the story of carrying the burdens of an unresolved past relationship. It expresses the slow-burn emotional journey of getting over someone when you never had closure. Romantic or not, I feel like we've all experienced a similar loss. It could be days, weeks, months, or even years later, and you're still left wondering why it didn't work out. Until one day, you realize it's no longer worth the stress. "Bluff", is about finding that peace after all that time. Sautereau passionately sings about the mistakes she's made and the tricks she's fallen for, but she does so with radiant confidence. This song views the past as a lesson, not a lament. It's a solemn reminder that when we're knocked down, we can always get back up with grace. We can always move forward. Listen to "Bluff" on Spotify!! Musically, "Bluff", reminds me of the late 90s/early 00s songs I used to listen to as a little girl. Sautereau gives the same energy as the strong, solo female artists I and so many others used to look up to. The strong vocals and meaningful lyrics provide that genuine connection that artists like Alanis Morisette and Natasha Bedingfield give to their listeners. You can feel the emotion and the story as if you were sitting face to face and having a conversation with a trusted friend.  And a song like this doesn't need a ton of instruments to tell its story. The driving acoustic guitar carries us the whole way through with just a hint of steady drums. It's the perfect balance of strength and vulnerability. Chloe Sautereau is a Swiss-born and raised musician who specializes in unapologetic, honest storytelling. She debuted in 2019 with her first EP, "As I Keep On Dreaming" under a stage name, Cee. She would soon move to New York, honing her craft in 2021 and 2022 by releasing two more singles, "Conversation Hearts", and "What If" under a new alias, sautereau. She has gone on to release several other singles under her full name, Chloe Sautereau, including, "Bluff" on April 12, 2024. Overall, it's easy to notice Sautereau as a powerful singer and songwriter with immense potential. I was blown away by this new track and I definitely recommend giving it a listen. You can hear, "Bluff" now on Spotify and all major streaming platforms. Written By Shelbi Baker FOLLOW CHLOE SAUTEREAU: Instagram | Spotify | TikTok | Facebook | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

  • Review: "Disappoint Me” - Magz

    Magz’s newest single, “Disappoint Me,” is a moody pop anthem airing out grievances about an ex-partner and their betrayals. It’s as catchy as it is cathartic. The track’s dark, R&B-inspired aesthetics paired with Magz’s stunning lower register vocals create a low-key groove. Yet the scathing lyricism and passionate vocal delivery make the single ideal for a post-breakup scream session, which, let’s be honest, is way more fun. It’s angry and honest. Magz calls the “Disappoint Me” a “main character revenge era” anthem, and that completely tracks. It’s a song to blast when you need a reminder that they lost you— not the other way around. On “Disappoint Me,” Magz creates the best kind of breakup song: the type that eloquently expresses the feelings your going through, while also being a great pick me up; a song that reminds you you’re the main character and that you don’t need them. The best part of “Disappoint Me” is, by far, Magz’ lyrics. She goes in on this person and doesn’t hold back. Like at all. Lyrics like “I never brought out the worst in you / it’s something you choose to do“ are just of one, hard-hitting cuts into someone who betrayed her. Magz has a strong ability to convey such confidence and self-assuredness while also authentically writing feelings of anger and heartbreak. The instrumental is equally dynamic and emotionally resonate. With dramatic piano interludes and a massive sounding drum beat match the song sounds as angry as the lyrics. You can’t listen to “Disappoint  Me” and not want to start power walking thinking about how much they’ve done you wrong; it’s just impossible. From its writing to its production, on all levels the track is an expertly crafted song. Magz is a New York based singer, songwriter and producer. She made her official debut in 2020 with the single “Sorry,”   and has only grown from there. Since then she released several singles and her first project, the seven track EP “The Memory.”  The project received critical acclaim and scored Magz her biggest hit yet, the eponymous track which has reached over 200,000 streams on Spotify. Magz currently has over 21,000 monthly listeners on the platform as well. Magz’s music is  often based on showcasing emotional vulnerability under lowkey, pop, R&B, and acoustic instrumentals. If you’re a fan of artists like Alessia Cara or Billie Eillish, you’re bound to enjoy her sound. “The Memory” was such a strong debut record and “Disappoint Me” promises more exciting releases to come. You can listen to “Disappoint Me,” along with the rest of Magz’ discography on streaming services now. Written By Lauren Nolan FOLLOW MAGZ: Instagram | Spotify | TikTok | Soundcloud | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator

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