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- Review: "Make Me Better"- Luke Harrison
Luke Harrison's "Make Me Better" is an evocative narrative set to music that explores personal growth and the redemptive qualities of love. The song's protagonist recounts his past fraught with confusion and aimlessness, a common human plight poignantly contrasting with the newfound clarity brought on by a significant other’s influence. Harrison's lyrics, "Heading down the road to a place I don't belong," and "You saw me clearly," reflect the universal search for identity and belonging while emphasizing the transformative impact of relationships. The listener is invited on a transformative journey that moves from self-doubt to the empowering realization that love can be a guiding force toward becoming one's best self. Musically, "Make Me Better" is a layered experience that blends emotional storytelling with stirring melodic undercurrents. Positioned within the spectrum of soft rock and acoustic pop, the single employs gentle guitar strums and ambient synth elements to create its heartfelt ambiance. Harrison's voice is a smooth confluence of vulnerability and strength, embodying the song's essence in every note. As the chorus swells, the arrangement intensifies, reflecting the emotional high point of the narrative. This strategically structured crescendo, alongside the instrumental choices, enfolds the listener in the artist's journey, mirroring the embrace described in the chorus “Hold me in your arms, Strengthen my heart.” Harrison himself maintains a relative shroud of mystique, with his biography revealing only the essentials of an artist dedicated to his craft. With his musical roots manifesting in a blend of various genres, Harrison brings a nuanced approach to the pop landscape. Emerging on the music scene with a clear vision and distinct style, his commitment to authenticity shines through in his lyrics and melodies. His journey, though perhaps not yet replete with awards and mainstream accolades, is one marked by a deep connection with his listeners. "Make Me Better" is not just another single; it is Harrison's heartfelt anthem of self-improvement and the celebration of love's power to heal and transform. But don't just go off of my review of this incredible song, give it a listen on Spotify at the link down below and watch his official music video for "Make Me Better" in the video above. If you would like to hear more from Luke Harrison and follow his musical journey, follow him on all of his social media platforms in the links down below! Written By CJ Taylor FOLLOW LUKE HARRISON: Instagram | Spotify | TikTok | Facebook | YouTube
- Review: "Good Vibes Only" - Hot Chelle Rae x Mitchy & André x NASHUP
The threeway collaboration that is “Good Vibes Only” can only be described as the song of the summer. Hot Chelle Rae, Mitchy & André, and NASHUP have joined forces on the song released mid-March, and their fans are certainly ready for a fun summer with this track. It gives the vibe of a pool party, as the artists sing about taking shots by the water, surfing, and popping champagne. The track is upbeat and fun, and is impossible to sit still to. It feels similar to other EDM and dance music, and has synths, trumpets, and a catchy rhythm. A feel good song, the trio has certainly created a hit. The chorus is simplistic, driving home their point with absolutely no complications. They sing “Got those G-O-O-D-V-I-B-E-S / Got no stress / Got that sunshine flowing straight into my chest” on repeat. Spelling out the title makes the song fun and easy to pick up, and emphasizes their goals for their summer. Similarly, the outro simply repeated “it's good vibes only (good vibes only, yeah)” over and over, as the song slowly fades away. There is no doubt that their vibes are immaculate, and this is clearly mirrored in their words. This trio of artists is unmatched in vibes and skillset, and their styles perfectly blended together in this track. Hot Chelle Rae (known for their hit “Tonight Tonight” from their 2011 album Whatever) are a pop rock band from Nashville, TN, that has been making music together since 2005. Mitchy & André are a brother duo from Germany. The two got their start on “The Voice of Germany”, and now travel all over the world together performing on cruise ships and connecting with their fans. NASHUP, also known as Nash Overstreet, is a DJ, songwriter, and producer in Hot Chelle Rae. The three parties can be followed along on the social medias below! Written By Tessa Maddaloni FOLLOW HOT CHELLE RAE: Instagram | Spotify FOLLOW MITCHY & ANDRE: Instagram | Spotify FOLLOW NASHUP: Instagram | Spotify
- Review: "Friends" - John Hugo
“Friends” is a self aware piece on the futility of trying to hold onto relationships that have had their time. The song focuses on why it's over, why there cannot be a further relationship- and yet the title and the chorus beg the opposite. Tales of the intimacy and connection once felt make even conceptualizing the relationship as being worth something less seem ridiculous. The ironic structure of the song allows for the listener to gain better insight into the back and forth thought process of the narrator and therefore, make it that much more realistic. In the rare case that this situation may not be relatable in itself, the way John Hugo approaches it certainly is. Hugo immediately jumps into storytelling, offering maybe two chords of instrumentals before he starts singing, catching the listener by surprise and allowing space for his lyricism to be heard by avoiding the usualing dwelling on the structure of introduction. Despite this upbeat start, the song doesn’t necessarily follow a quickened pace. Its tone is conversational and in depth, prioritizing expression over sound. Every line he sings brings back the theme of irony and cognitive dissonance, with either a real or metaphorical echo denying what he just stated. At one point he even sings “that’s a lie” directly after what seemed to be a personal confession. The writing and creative structure of “Friends” somehow takes its impact even further than its already striking subject matter. John Hugo, or Hugo Algovik, is an independent singer and songwriter originally from Stockholm, Sweden. He was born and raised there amidst a family that shared his musical inclination. His brother, Ludvig Algonkin, was and is an essential part of his interest in the field, now assisting in the creation of John’s work, even producing “Friends”. His music taste dates back even further than his music creation, being partial to work of the 60s, 70s, and 80s. This influence, as well as that of more recent artists such as the 1975 and Harry Styles, creates an evident blend of genre in his work today. “Friends” is his third release and a perfect example of this, stream it and his other singles below. Written By Hailey Schap FOLLOW JOHN HUGO: Instagram | Spotify | TikTok | YouTube
- Review: "Leaving You Tonight" - Marissa McRoberts
Leaving You Tonight is the latest single by the new pop princess from Los Angeles, Marissa McRoberts. This track is an independence anthem about breaking the constraints of a toxic lover and "leaving [them] tonight." The first verse sees McRoberts questioning her former partner on their gaslighting, manipulation, and infidelity in the lyrics, "All the things you keep denying/When I literally have it in writing/Tell me that you're not with her/Do you feel it in the way I hurt?" The chorus shows the singer's capability to take her life back when she snaps back with "You know you really let me down/I'm always coming back somehow/But not this time/I'm leaving you tonight." The second verse shows her shifting the narrative to be more in her favor when she sings, "I wonder how you did all this scheming/You really got me to believe that/You were never the reason/I always have the thought of leaving." McRoberts' lyricism on this song could make anyone feel like the most free-spirited baddie in the room. Marissa McRoberts starts the song off eerily with the first verse given on a dark instrumental complete with distorted voices in the background. McRoberts' defined alto voice is showcased very well here not only because of how beautiful her vocals are, but how well she shows emotion while singing. The song picks up with a dance-pop chorus with an uptempo drum beat and an unforgettable melody. I even got some vibes of R&B and Latin music. Though the chorus may have stayed mostly the same throughout the entirety of the song, it evolved as the song progressed. The second time around, an additional beat drop followed featuring down-pitched vocals reminiscent of Cry Baby era Melanie Martinez. The song's final chorus switches things up even further when she sings it on top of an acoustic guitar riff. You could've told me that this song was an unreleased track from Dua Lipa, Sabrina Carpenter, or Tate McRae and I would've believed you. McRoberts clearly pays attention to what works in modern pop and has put her fresh spin on it. Though she may currently be a college student, Marissa McRoberts is showing that she's already gotten her master's degree in making pop bangers. After dropping a series of covers on Soundcloud over the last decade, the singer released her official debut single, On My Way Back , last summer. After listening to both songs, it's clear that including themes of self-love and mental health in her music is very important to McRoberts. When talking about Leaving You Tonight , McRoberts said, "I hope that the song makes people want to dance with their friends, reclaim their power, and realize that they deserve better." I definitely felt empowered after listening to this bop. If you want to feel this empowered too, you should stream this song now and if you're in the LA area, catch one of her local shows. It may not be hard to get front row for her now, but I have a feeling that someday soon, you'll be paying Taylor Swift-level prices for her nosebleeds. Written by Jordan Elliott FOLLOW MARISSA MCROBERTS: Instagram | Spotify | TikTok | Soundcloud | YouTube
- Review: "Ruined Love For Me" - Nina Brand
The lingering pain that follows heartbreak is indescribable. Nina Brand released her new single, “Ruined Love For Me.” She takes the raw and broken pieces of lost love and crafts them into something beautiful. It’s hard to put your pain into words, but Nina did it so effortlessly. This song is such a powerful anthem to all the people out there who have struggled to recover from a failed love. Her vocal delivery is crisp and beautiful accompanied by a catchy production. Nina poured her heart into this song and you can feel that as you listen. Nina’s lyrics express a sense of heartbreak and betrayal from a past relationship. In the pre-chorus she says, “You said you needed space and time, I gave it to you gladly, you’re falling for another, fell for them badly.” You can feel the lack of closure she got from this person and understand why it’s so hard for her to accept the relationship is over. Her mention of trying to move on with someone else shows how the attempt to heal, but this person still evades her thoughts making it hard to let go. Nina express feelings of hurt and confusion towards her past partner, questioning their intentions. She acknowledges her own struggle to move on and the emotional baggage carried from the relationship. There is a sense of empowerment towards the end as Nina declares her happiness and independence. She takes us on a journey of healing and self-discovery, letting the listeners know that it’s going to be hard, but it will be okay. Nina Brand is a singer songwriter in the indie-pop genre. Her lyrics are relatable and allow listeners to feel seen. Nina started songwriting around the age of seven and has continuously been perfecting her skills since then. She uses her lyrics to process her emotions which is why her music feels so real. I’m excited to watch her career and her talent evolve. She has already spoken about plans to release more music this year so follow her on the social media links below to keep updated with her future releases. Nina has dreams that she will no doubt achieve. Written By Emylee Herring FOLLOW NINA BRAND: Instagram | Spotify | TikTok | Facebook | YouTube | Website
- Review: "Sunsets" - Allison Leah
Friendships are some of the most fulfilling relationships anyone can have, and when we lose them, we feel them so sharply that it might change the way we see the world. Allison Leah’s latest single “Sunsets” is just that, detailing the loss of a friendship, and figuring out how to fill those gaps with them gone. With folky strings and sad, melancholic lyrics, you’ll be reminded of the friendships you may have lost or gained– it makes you want to reach out to the friends you have now and tell them how important they are to you. Yet, as much as “Sunsets” is for those who have lost their other half, it’s also for those who are working to heal from the holes left in their wake. Raw, acoustic, and vulnerable are the exact notes “Sunsets” hits. It’s an overwhelmingly beautiful song; the gentle, tentative strings twinkle nostalgically as the instrumentals’ backbone, supported by Leah’s clear vocals, melodic and mellow. Its soundscape is simple, but “Sunsets” knows exactly how to capitalize on each bend and turn of every chorus and verse, eliciting emotion from its listeners through its winding, reminiscing track. The song’s lyrics are touching and personal; the descriptions of loss are keenly felt, and as Leah sings “So where did I go wrong / What made you drift and move on?”, you’ll be transported into that moment of confusion at the ending of a friendship that was once so vital. “Sunsets” is all poignancy, capturing the important moments in a friendship and illustrating how world-shaking its disappearance is, going so far as to make every sunset you see a reminder of what is now gone. Allison Leah is a New York-born and Nashville-based singer-songwriter. With a skillful pen, she twines honest narratives with earnest melodies, a soundscape similar to artists like Phoebe Bridgers and Gracie Abrams. Her vulnerability in her songwriting and crystalline vocals initially pull you in, and you’ll remain in her world for the messages that her music speaks. Her debut single was released in 2017, entitled “A Love Song”, and was followed the next year with her debut EP “Fly Home”. Since then, she’s released a discography that illustrates her ethereal musical stylings which has garnered millions of streams worldwide. “Sunsets” is Allison Leah’s first single of the year, and marks the beginning of her 2024 single series. Consider following her to keep track of her next releases while you enjoy “Sunsets.” Written By Alexa Leung FOLLOW ALLISON LEAH: Instagram | Spotify | TikTok | Facebook | Website
- Review: "Blueprint" - Abi Muir
“Blueprint” delves into the confusing aftermath that comes from realizing nobody can compare to the last person you gave your heart to. After your last breakup, you find yourself unable to move on in any significant way. Guys introduce themselves and your friends set you up on dates, but nothing seems to stick. The existence of other men reminds you that they simply are not him. They parade themselves as stand up guys who are worth your time, but are they really? Maybe the only way for them to compare is to behave exactly like he did. That intoxicating look about him always remains in your memories. However, they can’t just be somewhat similar to him. They need to be carbon copies of your past love, and maybe then you could entertain them. But you will always latch onto him and know deep down that other people can’t fit the blueprint he left. Click here to listen to "Blueprint"! “Blueprint” is an energetic alt pop anthem that both contrasts and compliments that lyrical narrative. While first listening to this single, it is clear that the narrator is in a stump, unable to look at her other guy options. However, the upbeat instrumentals and sweet and higher register vocals tell a seemingly different story. The energetic nature comes together with lyrics such as “No competition, you already won the race”. While it is difficult for her to find a new partner, she remembers her ex so fondly that he is now a permanent blueprint in her life. She remembers him with an enthusiasm that is reflective in the energetic pop melody. There is a slight reverb throughout the single that is prominent in the instrumentals. The vocals are less influenced by this and are primarily left alone and stand out. Her impressive vocal display ties each element together. Abi Muir is a singer-songwriter from Scotland and currently based in Australia. Throughout her early career, she participated in and won many music award shows such as the 2020 Cairns Regional Council Australia Day Junior Cultural Award. Her debut single “Heebiejeebies” in 2019 has skyrocketed her career into participating in various awards. Her music style typically gravitates to energetic and dreamy singles that are heavily lyric-focused. She often uses her own life experiences to create unique music experiences. She is inspired by artists such as Ariana Grande, Sabrina Carpenter, and Mimi Webb. Make sure to follow her on social media and give “Blueprint” a listen! Written By Willow Gray FOLLOW ABI MUIR: Instagram | Spotify | Facebook
- Review: "Anyway" - Landan Ash
"You always laughed at all of my jokes," singer-songwriter Landan Ash sings on the chorus of his latest single, "Anyway." In the wake of a breakup, these moments render as stinging reminders. "You sure knew how to put on a show," he winces. Gentle, whirring synths, muted guitar, and layers of Ash's vocals all blend into a fountain of midnight blues. The LA-based artist writes with stunning intimacy, as though listeners are eavesdropping on a private conversation. With a marvelous, reverb-soaked guitar solo in place of a bridge, "Anyway" expresses the pain of memory like watching a fuzzy home video. The impression is still vivid and palpable, but nonetheless unreachable. It's fascinating to dissect the hints and details Ash decorates his lyricism with. What we learn about the ex-boyfriend he addresses in "Anyway" are the false perceptions the singer-songwriter held of him. "I thought you were a gentleman, but gentle men don't make me feel torn," reads the song's more scathing takedowns (and clever wordplay). Blanketed in background layers of his gentle falsetto, Ash's vocals sounds almost ethereal — illuminating the darkness of the moody instrumentation. "Like we never happened anyway," he repeats on the second chorus. The LA musician lets the last word linger before the bridge sets in, as though he himself is contemplating what it might be like to pretend their relationship never happened. Since his first release, Landan Ash has brought confessional lyricism and vivid sound to his original music. Sharing his experience with love as a queer man, Ash commits to lyricism like diary entries: shedding light on the inner workings of heartbreak, grief, love, and connection. "Anyway" is his fourth official single, and second single of 2024. In January, the singer-songwriter kicked off the year with the melancholic, "Different." While Landan Ash first released his debut single, "Quicksand," in 2020, he considers the start to his career as a singer/songwriter to be in 2023, when he began his consistent output of music. Written By Andy M. FOLLOW Landan Ash: Instagram | Spotify | TikTok | Facebook
- Review: "On My Own" - Alexa Perez
Rising singer-songwriter Alexa Perez just released "On My Own" as the lead single for her debut EP Dear Future Me, which came out on March 29th. The vulnerable track is an ode to Perez's twenties, in which she was kicked out of her church that she worked for and had to rebuild a life for herself. As the track progresses, she opens up about struggling to heal, growing up, and looking for the light in the darkest situations. Life can be a difficult thing, and we often face setbacks that have us rethinking what to do next. If you have ever felt yourself hitting rock bottom and feeling like you need to start over by yourself, the heavy-hitting lyrics in this track will resonate deeply with you. "On My Own" is a synth-laden track that shows off Perez's strong confessional style songwriting. Each line feels as though she is reading out pages of her diary, letting us into the depths of her emotions and experiences. To close the chorus, she sings, "The fog clears a new life / I'll build it piece by piece this time / On my own." Leaving the church had been difficult for her, but it ended up prompting her to find the next step in her life, which was making music. She starts and ends the track with the lyrics, "I mourn the loss of / So many versions / I stopped keeping count." In the end, the track turns into an uplifting anthem, as Perez sings that she will make her dreams come true, knows that she can start again if everything falls apart, and believes that she will find paradise. As she narrates the journey of the last decade of her life, I felt myself relating to my own setbacks and thinking about the past versions of myself that I have lost as I've grown and changed through the years. 29-year-old artist Alexa Perez is from Huntsville, Alabama. As a songwriter turned indie pop artist, she brings authenticity and empowerment into her music, crafting lyrics and a sound that can connect to a wide audience. If you enjoyed "On My Own," make sure to check out the five other tracks off her debut EP, Dear Future Me. You can also keep up with all the latest information on Perez and her music by following the social media platforms linked below. I had never heard of Perez before this release, but after listening to "On My Own," I am so excited to see where she will head next in her music career. Written By Sydney Gray FOLLOW ALEXA PEREZ: Instagram | Spotify | TikTok | YouTube
- Review: "Happy You're Happy" - EVALINA
EVALINA’s latest single is a multidimensional track containing several layers that flawlessly exemplify the complexity of human emotions. On the surface, "Happy You're Happy" is a nonchalant, carefree track about moving on and hoping your ex-partner finds happiness. However, when delving deeper, the infectious song contains passive-aggressive lyrics that contradict the positive title and bubbly soundscape. EVALINA describes how she wants to feel about seeing her former partner doing well and finding someone else. However, subliminal messages are sprinkled throughout the song that show that she could not be further from happiness-- but this is the last thing she wants the subject to know. So instead, she lies through the skin of her teeth, pretending that she is empty of envy and bitterness. In the first verse, her passive-aggressiveness is revealed immediately with the lyrics: "Heartache, thought you gave me heartache// Felt more like a headache// Used to be bitter but I’m so much better now. " These lines may appear lighthearted, but in reality, they showcase the denial she is facing and the resentment she is feeling. With "Happy You're Happy" EVALINA effortlessly crafts a relatable track that resonates with listeners as she brings to life her personal experiences. "Happy You're Happy" is an energetic, bubbly pop track that utilizes an upbeat production, sweet vocals, and sassy lyrics to create an effervescent atmosphere. In the intro, the guitarist kicks off the song with a percussive guitar technique, often known as a strum slap, that instantly reels the listener in and gets them bobbing along to the beat. A high-pitched bell dings, signifying the beginning of the verse. The strum slap technique is replaced by finger snaps, while the guitar's melody continues slightly muffled. Halfway through the verse, the bass picks up, alongside a more rounded percussion, gearing for the build into the chorus. In the pre-chorus, light percussion is added before another ding of the bell introduces the chorus. The lighthearted, full production explodes with the muffled guitar riff, an increase in tempo to the percussion, and more prominence to the bass. This soundscape continues into the second verse with a decrease in the percussion. While EVALINA's compelling vocals mesmerize the listeners throughout the entire song, she uses the second pre-chorus as a chance to show off her impressive range. This continues into the final chorus and outro, where the singer highlights her remarkable vocal control. She finishes the track off strong, leaving her audience in awe of her outstanding talent. EVALINA is a British singer-songwriter. She made her debut in July 2022 with her single, “Side Effects”. The song earned critical acclaim with glowing reviews from industry tastemakers such as Earmilk, Celeb Mix, Pop Musik, Lock Magazine, About To Blow & The Music Essentials and was added to Spotify’s New Music Friday & New Pop Revolution. It even went on to become BBC Introducing’s Track Of The Week. As a graduate of South London’s BRIT school, EVALINA had a rapid rise to prominence after superstar production duo Laconic discovered her. Since then, EVALINA has worked with some of the biggest names in the industry, toured throughout Europe, and garnered over 30 million streams across her credits. Furthermore, she received impressive support when her single, “Vivid”, was personally chosen by Becky Hill to launch the groundbreaking female-led label, Lady Of The House, as their debut release. She performed the track live at W Hotel Amsterdam for Amsterdam Dance Event. The song was also named Track Of The Day on BBC Introducing, received a mention on BBC Radio 1, press coverage from Music Week, Skiddle, Resident Advisor, DJ Mag, and Mix Mag. and was added to Spotify’s New Music Friday & New Dance Revolution. With an impressive 2023 and a great start to 2024, EVALINA shows absolutely no signs of slowing down. Written By Karlee Skipper FOLLOW EVALINA: Instagram | Spotify | TikTok | Facebook | YouTube
- Concert Review: Olivia Rodrigo - Guts World Tour in Milwaukee
*Photo: GUTS World Tour promotional poster via Wikipedia.. As GUTS World Tour began, Olivia Rodrigo appeared on the main stage in a silver two piece set, opening up with her track, "Bad Idea, Right?" and then transitioning into the rock anthem "Ballad of a Homeschooled Girl." In the exciting first act of the tour, she runs across the stage, dances around, and welcomes everyone to their night of the fucking Guts World Tour. I managed to secure a VIP pit ticket for the show, and it was incredible to be right at the barricade, where it was clear that she wanted to take every chance to be interactive and share moments with her audience. After performing the emotional anthems "Vampire" and "Traitor," Olivia went backstage to change into a new outfit and set her piano up on the main stage for the next couple songs. The transition from "Driver's License" to "Teenage Dream" was complete with old videos of a young Olivia and felt so touching when looking at the successful artist that she is today. She delved into a speech about how she felt less scared of growing up, mentioning how she just had her 21st birthday the month before. The audience sang along to these tracks and held up flashlights on their phone, uniting us all together as we joined Olivia in performing the single that made her a star and the closing track to her sophomore album. For "Pretty Isn't Pretty" and "Love Is Embarrassing," Olivia and her dancers went into a choreography that was fitting with each song's lyrics and moved down the right and left catwalks. I was fortunate enough to be at the end of the right catwalk for "Pretty Isn't Pretty," and it was amazing to be up close as she sang a song so relatable right now. For "Logical" and "Enough For You," she transitioned from her butterfly-shaped stage to the moon, where she floated on a track across the arena. She stopped between songs to have different sections to scream, ask if anyone had attended her Sour Tour in Milwaukee, and even sang "Happy Birthday" to everyone in the audience celebrating. Coming back to the stage, she went into "Jealousy, Jealousy" and walked down the barricade to hold fans' hands and sing the track with them. For "Happier" and "Favorite Crime," she sat down right in front of me, and the audience once again held up their flashlights as she went into (in my opinion) two of the best songs off her Sour album. The next song was "Deja Vu," which she ran all across the stage to sing and had the audience screaming along with her, particularly shouting "I love you!" in between the chorus and the verse. Next, she stood at the main stage and went into two of my personal favorites, "The Grudge" and "Can't Catch Me Now." To close the concert, Olivia changed into a sequin red romper, ripped star tights, and went into her more rock-inspired tracks. For "Brutal," she jumped around and screamed, with a stage presence that had the audience moving along with her. She continued to rock out with next song, "Obsessed," ending the performance strumming power chords on an electric guitar. For "All-American Bitch," she danced around the stage and turned the lights off for a moment so that everyone could think of things that made them upset and scream. It. was loud. And a fitting way to end the concert, before she came back out for the encore. In a shift from Sour Tour, Olivia got a little raunchier -- switching to the original "perfect all-American tits" line in "All-American Bitch" and humping the air at the end of the stage for "Obsessed." For the encore, she sang "Good 4 U," same as she did for Sour Tour. Then, she ended with "Get Him Back!," starting off holding a megaphone and asking Milwaukee, "Are you still with me?" Olivia ended the encore by coming down and walking through the barricade, where she held hands, took gifts, and chatted with as many fans as she could. It was a sweet moment to end such an incredible show. As someone who attend Sour Tour, it was amazing to see the growth in Olivia's stage presence, vocal ability, and stage production since her first tour two years ago. Not only an incredible singer and song writer, Olivia is a performer and one that you cannot miss. If you have any way of still attending the Guts World Tour on this leg or the next, definitely check for tickets. As she sings about heartbreak, angst, and envy, it is easy to relate to her music and therapeutically get to scream the lyrics in an arena full of so many other people that get it too. Written By Sydney Gray Instagram | Twitter | Facebook | Spotify | TikTok | YouTube *copyright not intended. Fair use act, section 107.
- Review: "Love Yourself" - Modal Split
Modal Split's newest single, "Love Yourself" is the bubblegum disco self-love anthem you won't want to miss this summer. It's a bright, poppy tune about how we all need self-care, especially after a hard day. It's sassy and upbeat, with just the right level of promiscuity. When you look at the lyrics, it's clear that Modal Split has a sense of humor. Some lines are certainly provocative, but subtle. But the lyrics remain ambiguous enough that the song could totally just be about relaxing in bed with a good book. We love a good, clever double-meaning. Humor aside, the song's message is clear. In today's busy world, we really should be taking more time for ourselves. Musically, "Love Yourself" is so much fun. It's a modern pop tune with disco and synthpop elements. I especially like the synth bells that Modal Split uses in the intro and bridge. They add some extra personality and detail to an already extremely catchy tune. The vocals are clear and flawlessly in tune, and the background harmonies work to support them nicely. The best way to describe this song is the sound of dressing up and going to the mall with your friends in the 80s. It gives vacation vibes, beach vibes, and Barbie dreamhouse vibes. It's all the vivid colors of decades past with a distinctly modern 2020s tone, and it works. Modal Split is a producer and songwriter based in Frankfurt, Germany. He specializes in synthpop, electropop, and dance music, lending his own style to each genre. His Spotify debut began in 2023 with his album, "Somnolence", a fully instrumental project using various genres and atmospherics. Modal Split has since moved on from solely instrumental music and stepped into the world of vocals beginning with his 2023 song, "Leaving the City", the first of several singles that would eventually become his 2023 album, "Metro". In 2024, he released his EP, Somno, which is much closer to the hip-lounge feeling of his current style. Needless to say, each Modal Split project is unique, and I believe, "Love Yourself", is one of his best yet. If you'd like to hear it for yourself, the single is available now on all major streaming platforms. Written By Shelbi Baker FOLLOW MODAL SPLIT: Instagram | Spotify | SoundCloud | BandCamp | YouTube *Sponsored Post - Discovered on Musosoup. A contribution was made to help create this article. #SustainableCurator












