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What is the sound of post-breakup frustration? Is it area-ready country pop, fashioning the rush of drums, distorted guitars, and choral stacks into explosive missiles aimed at the heart? Or is it more of a quiet rage, transforming taut bass and lap steel into a simmering fuse? On the latest single from singer/songwriter, Lisa Murray, "Stuck On You" blends both into a powerful expression. Murray's skill in production is evident from the deft layering of instrumentation that builds seamlessly through her clear songwriting. The use of lap steel is subtle enough to stand towards the back, alongside the dense layering of synth-like vocal harmonies. These touches give "Stuck On You" a western flavor, complimenting Murray's powerful, anthemic vocals and songwriting. There's an ease to which the song travels between simmering and explosive; one moment Murray's growling over tense hi-hats and bass, then the next the she's roaring alongside stadium-sized rock. The impact is never jarring: it only serves to highlight her lyrical storytelling as the verses create intimate specificity that maximize the force behind the broader chorus. As Murray draws out the titular phrase in the last moments of "Stuck On You," we're ominously left without resolution. "I heard you've fallen in love, or something along those lines." Murray opens "Stuck On You" with a direct address to a former partner. If their new relationship seems vague, that's because she suspects it to be more of a rebound than commitment. "How come I still catch you looking at me that way?" These questions don't have answers—at least not answers we're privy to—but they paint a complex portrait that elevates the single beyond a typical post-breakup anthem. As the song progresses, her questions become more interrogative, like unspoken warnings. "Are you just playing with her heart the way you played with mine?" There are no keyed-up cars or slashed tires in "Stuck On You," however. As the title suggests, "after everything you've put me through, / I'm still stuck on you." It becomes fascinatingly unclear how much of her frustration is directed inward. Lisa Murray is a Dublin-born and London-based singer/songwriter. Alongside her personal music career, Murray puts her Masters in Music Production, Technology, and Innovation to use as an audio engineer at Sony Music Entertainment. Dedicated to closing the gender gap in the music industry, heading the Dublin Chapter of shesaid.so and working with She Knows Tech. This activism and passion for women's rights is reflected in much of her music, including the lead single for her upcoming EP, "Woman in a World." "Stuck On You" arrives as the second single teasing towards her debut EP, "Empty Heart." The single released alongside a remarkable music video, which you can view above. Written By Andy Mockbee FOLLOW Lisa Murray:

Nothing drives me crazier than people from the past besmirching my name. Especially when I was under the impression that things had ended amicably. The smear campaign is a little understandable if the ending was rather unsavory. When the end was pleasant and mutually desired, though – I’m always shocked and a little betrayed by the crusade. But more so than anything, I’m mad and hurt. It’s a complicated range of emotions that are being experienced. Thankfully, when words fail me, Beth McKenzie’s “You Were the One” speaks to this experience. Listen to "You Were the One" by Beth McKenzie here. “You Were the One” is a passionate alt-pop single about the tall tales that are passed around about the end of a relationship from an emotionally immature party that just drive you mad. Typically, this party is one of the former partners of the relationship that’s now suffering from mild insecurity and bitterness. The song begins with airy synths that beckon listeners to recall the past. The opening verses detail our artist’s naivety with believing their former partner would be honest and mature about the end of their relationship. Instead, we find they’ve been placing the demise of the connection on McKenzie. The second verse introduces a reoccurring rumble from the bass which builds towards the chorus to mark our artist’s growing resentment from being painted as the problem. But the chorus sets the story straight; the downfall of the relationship is due to the former partner's inability to envision the connection lasting. The sudden shift to an edgier, raw sound within the beginning of the chorus symbolizes McKenzie’s annoyance with the overall situation before simmering down to acknowledge that they both played a part in the relationship’s ending. This accountability McKenzie is assuming is extremely considerate; and I think it demonstrates their emotional maturity, too. The progression of the song afterwards features an arrangement of the airy synths and moody stringed instruments alongside drums to perfectly capture the range of emotion McKenzie is experiencing. Despite openly accepting the hand they had in the relationship’s denouement; the former partner continues to place the relationship’s demise solely on them. “You Were the One” accurately depicts how infuriating being the bigger person can be in the aftermath of a relationship’s end when a former partner is insistent on dragging you through the mud. U.K. bound singer, songwriter, and musician, Beth McKenzie, is no stranger to the music sphere. The artist began their journey at 7-years-old, becoming classically trained in the flute. They even had the honor of performing with the Halle Orchestra at 12. However, at 15, McKenzie had to take a break from pursuing music to contend with a chronic illness. Now, the 20-year-old artist returns to continue their career and to spread their down-to-earth attitude through relatable musical creations. The artist’s songwriting not only details some of the complications they’ve overcome, but allows listeners to explore their own obstacles which generates an environment of deep recognition and understanding. If you’ve enjoyed Beth McKenzie’s music as much as I have, show the artist some virtual love in the form of streams, likes, and follows. Written by Giavanna Gradaille FOLLOW BETH MCKENZIE:

photo cred: Matt Blum (@_mattblum) Trying to forget about your ex and the memories you two made together fresh after a breakup is rough. Your emotions are all over the place and every little thing reminds you of them. It’s an inevitable feeling that many people go through, which makes it the best song that those going through the same thing can relate to. Lauren refers to these attempts as "numbing", hence the title of the song. She tries various things to calm her emotions down throughout the day whenever she thinks of them. Breakups are hard and it's tough to not think of the person you once saw as your other half, and sit around, cry, or have things pop up during the day that reminds you of them, but the best thing to do now is move forward and grow. However, it’s totally normal to break down and have your moments here and there. It’s bound to happen, and that's what Lauren is trying to share. Throughout the song, we mainly hear the guitar. But during the chorus, we hear the drums being introduced once she says the title of the song. Here, she breaks down her relatable feelings and emotions after the break up. She talks about wanting to numb her ex out because she hates thinking of them, and shares a couple of things that she’s been doing in order to get rid of these feelings. Some examples are, " We used to say goodnight, but we always left the tv on. Since we said goodbye, I turn it up to forget youre gone ”, “ Ill go on another date with somebody that I’ll hate by the end of the night", as well as, “ I’ve been dosing and hoping it dies in the dark.” And although distracting yourself can temporarily help you, these feelings are still inevitable and make their way back to you, and stick with you for a while. She admits to this by saying, “I can't escape my mind cause you're living in it, wanna keep my distance”, and, “ I got these cuts so deep, but nobody to fix ‘em .” Healing is a journey and although the process hurts, it eventually gets better and these feelings are completely normal. Lauren Presley is a pop singer and songwriter from Redwater, Texas. Her most popular songs are " A Little Longer ”, which has over 800,000 plays and “ Torturing Myself ” with over 200,000 plays. She also has three other songs released, making “ Numb You Out” her sixth release. Her songs are inspired by her life experiences and journeys, thus making them relatable for so many to hear and creating connections with her listeners. Follow Lauren’s musical journey with the links below, and make sure to check out her latest single, “ Numb You Out ”, out now on all streaming platforms! Written By Sneet Efrem FOLLOW LAUREN PRESLEY:

Listening to Tonia's new single is a "Sweet Relief." The new song is an uplifting love ballad, filled with optimism and hopefulness. It is featured on her new EP, Afloat, and ends the EP on a positive note. "Sweet Relief" captures the thoughts and emotions that accompany falling in love. Tonia shares this about "Sweet Relief" and the new EP: "The EP is a scrapbook of different moments over the past four years. Writing each song has helped me process heartbreak, overthinking, love, and times of learning, growth and moving on. With most of the songs based on lost love and heartbreak, I chose to end the EP on a more hopeful note. I wrote 'Sweet Relief' over Zoom during lockdown with one of my best friends. It’s about the waves of different emotions and sometimes overwhelming thoughts that come with falling in love. Love can be confusing, and writing this song was cathartic. It helped me find clarity and overcome barriers due to past relationships." The five song EP is a work of art, with "Sweet Relief" highlighting some of Tonia's incredible songwriting and masterful vocal performances. Filled with ethereal sounds and Tonia's mellifluous vocals, "Sweet Relief" easily seeps its way into the hearts of listeners. Tonia creates a relaxed atmosphere, with laid-back vocals and instrumentals. Her voice floats over crisp acoustic guitar sounds and a gentle, murmuring brook. She delivers the lyrics sweetly and warmly, providing comfort for those facing uncertainty in new relationships. The mellow way Tonia sings the melody in "Sweet Relief" is reminiscent of Billie Eilish's vocals and how she sings the chorus of "lovely." Even if you aren't falling in love with someone, the beautiful softness and hope Tonia conveys in this song will have you falling in love with "Sweet Relief." Tonia grew up in a musical family, surrounded by pianists, opera singers, pop lovers, and avid Dad-rock fans. The eclectic tastes that surrounded her influenced her own output. After her move to Liverpool, she started to take the city by storm and rise in the music industry. She became one of Liverpool International Music Festival Academy's "Most Promising" artists. Tonia has also become a favorite live act. She has supported Michael Aldag and has made a guest appearance with the Liverpool Philharmonic Orchestra. Enjoying her live performance success, Tonia sold out her first headline gig and afterwards made her debut for Blind Magazine at the Old Blue Last. Since then, she has played The Tavern Club with BBC Introducing and captivated audiences at Kendall Calling. Tonia entered the music scene in 2021, following the release of her successful single, "Flux." Catching the attention of some of the most seasoned pros, "Flux" has won the hearts of BBC Radio's Jack Saunders, Sian Eleri, Gemma Bradley, and BBC Introducing. Tonia's newest EP, Afloat, has been released alongside single, "Sweet Relief," and is paving the way for her fast ascension in the music world. Written By Cheyenne Johnson FOLLOW TONIA:

The pop-punk resurrection is upon us, musicians all across the pop genre are dipping their toes into edgier waters. These artists are daring to deviate from their traditional pop sound and drop pop punk or even rock records. Mackenzie is an artist that embodies this genre. Her sound is so deeply pop rock. Her music is intense and cathartic to listen to. She describes Her new track as a scream-in-the-car anthem. This is not an exaggeration. Mackenzie is rising to the top with this powerful break-up anthem. I hate July is a track fueled by the unmitigated angst of a scorned teen. An Avril-type instrumental that pulls this entire track into the iconic pop-punk territory. I Hate July masterfully creates a full band soundscape that sweeps you into a concert typesetting. The energy never drops out of this song, the rises and falls are all so little that the punch of emotions is straight to the gut. The track is a catchy rager. I hate July digs deep into the feelings that come along with a shitty situation. The reminders that come every July that scratch at your spirit and put you right back in that awful place. The need to scream every word with your whole chest is irresistible. The guitars and drums blend perfectly in a sort of crisp but grunge way. The instrumental means nothing without Mackenzie’s sweet vocals juxtaposed with the heavy beat and sarcastic lyrics. Mackenzie is a powerhouse of an artist. This UK-based artist has been featured on two BBC radio shows. Inspired by the sounds of Taylor Swift, Miley Cyrus, and Avril Lavigne while also influenced by her dads' music taste in classic rock; her sound is something raw and enjoyable. She has a way with words that is unmatched. Bleeding her heart out into the page in the most honest and cathartic way she knows how. She is making way for herself to be a new star. Mackenzie is creating alt-pop bangers that will leave you pressing repeat. Written By Kaiana Lee FOLLOW MACKENZIE :

Henka is a unique artist, creating music within the alternative and pop genre. Her most recent release "Fading Out", displays the ways in which she is bringing her own sound to these genres, while still being relevant within them. "Fading Out", is a great listen both from an audial and lyrical perspective. The song dives into the painful and complicated feelings that arise following a romantic breakup. Henka specifically writes about her healing process as she struggles to deal with her pain following a difficult breakup that has occurred in her life. The song opens up with very powerful, and ominous electronic beats. It makes the song seem as though its going to be very intense. These feelings are expected to be continued, but they are surprisingly calmed by the smooth vocals of Henka in between the beginning of the song and the chorus. After the smooth intermission, the song jumps back into its intensity when entering the chorus. The chorus is both catchy and emotionally heavy. The chorus provides a seamless transition from the verse. The chorus is the focal point of the song as it really relays the complete tone and concept for the song as a whole. Henka's vocals are especially admirable within the song. She is able to hit really powerful notes that express intense emotions, while also maintaining a crisp sound. Her vocal stylings are similar to that of artist Avril Lavigne. "Fading Out" also draws similarities to many Y2K pop songs coming from all kinds of artists, like Avril Lavigne, in the early 2000s. All in all "Fading Out" is an energetic and enjoyable listen from both a sonic perspective, as well as a lyrical one. Henka is a newly created solo project of Cat Pereira. Henka brings a unique ambiance to the alternative music space. Her music is also creating fresh sound within the pop space as well. Her melodies are especially unique, and hook listeners with their catchiness. Henka also brings a unique presence as an artist with the use of empowering visuals inspired by martial arts. Her refreshing sound, and unique qualities make her a new and fresh addition to pop music. Written By Alison Holst FOLLOW HENKA:

With her latest single, Meg Smith astounds listeners with an unforgettable production and clever lyrics. “All The Things You’d Ruin” is a brilliant track that describes the fear of losing the one you love and everything that would be tainted if they left. Smith is head over heels for her partner, yet cannot help but dread the idea of them walking away. She introduces these vulnerable feelings in the pre-chorus when she sings, “Oh no, I showed you my favorite song// Now I can’t listen if you’re gone// And you keep asking to meet my mom// But you’ll ruin it if things go wrong.” With these lines, she illustrates that her partner appears to be all in. They are interested in her favorite music and want to meet her family. For Smith, this is very exciting but also adds an extra layer of anxiety. She wants them to last, yet is afraid of the level of damage that them leaving would cause. Throughout the chorus, she lists off the different things that would be ruined, no matter how vital or mundane they are. She includes activities such as ordering take out, singing karaoke, and even places like Washington Square Park. But she also includes major monumental moments, such as every single first kiss from there on out and every single weekend, never to be enjoyed again. Relating back to the pre-chorus line about her favorite song, she also drops the name “Taylor Swift” as something that would be ruined. As a fellow Swiftie, this makes the song even more relatable to my own thoughts and feelings. Similar to Swift herself, Smith wrote a significant number of personal details into the track, conveying her honest and vulnerable emotions. This is a rarity in the genre, as many artists opt for vague lyrics in their music. Instead, Smith takes a page from Swift and lets her heart out on her sleeve in the incredible track. With “All The Things You’d Ruin”, Smith demonstrates that she is not only a phenomenal singer, but a skilled lyricist that has the potential to stand out as one of the greatest songwriters in the industry. “All The Things You’d Ruin” is the epitome of a passionate alternative pop-rock track complete with a moody electric guitar and sensitive lyrics. Smith kicks off the song with the slow electric guitar riff that is reminiscent of the early 2000s pop rock genre. This sets the stage for the emotional track, introducing the listener to the angsty mood. After a couple measures, Smith’s heavenly vocals begin and the drums are introduced as the guitar continues in the background. In the pre-chorus, the production intensifies with the muted guitar and a slight tempo increase. At the end of the pre-chorus, Smith provides an outstanding high note that creates the perfect transition into the high-energy, fiery chorus. The production shifts into high gear as the electric guitar returns and the tempo increases further. The listener cannot help but want to scream along to the catchy lyrics. At the end of the chorus, the instrumental transition back into the verse is a compilation of different sounds that further enhances the Y2K theme. Furthermore, the accompanying visualizer complements this aesthetic, with a grainy video on the streets of Brooklyn and Smith dressed in 2000s fashion. The song is the first track on her latest EP, Rom Com Pop, a project inspired by this era of music and romantic comedies. Smith’s creativity is off the charts with the mixture of the visuals and the music. She perfectly encapsulates the Y2K theme while staying true to her artistry, exemplifying her unmistakable talent. Meg Smith is an independent singer-songwriter from Los Angeles, CA, now based in Brooklyn, NY. She has been writing and performing since she was 13-years-old. She is known for her clever and honest songwriting that resonates with listeners. She utilizes memorable pop hooks and indie rock production to create unforgettable tracks. In 2020, she released her debut single, “Cool 4 U”, which was later featured on her debut EP, American in Paris. The EP was followed up by her 2021 single, “Cross My Heart I Hope U Die”, which led to massive success. It has over 7 million streams on Spotify alone. The track is now the theme song to The Apple TV vampire series EZRA, and was featured in Season 2 of Netflix Original Series, Ginny and Georgia. Despite a recent debut, Smith has already made a big name for herself with sold out shows at the Hotel Café in Los Angeles and a feature on Wonderland magazine. Most impressively, she is the recent winner of the first BMI Charlie Feldman Award, solidifying her rightful place in the industry. Written By Karlee Skipper FOLLOW MEG:

Have you ever been in a bad mental state? In Night Acclaim’s single featuring Myah Marie, the artists discuss supporting others when they need support. The vocalist sings about how whenever a person in her life is in a dark mindset, she will be there to be the neon light that makes their day a little better. Although the message may seem a little heavy with the discussion of mental health, it is an overall uplifting song about being there for each other. In “Neon (feat. Myah Marie)”, the creators show that there is strength in reaching out and asking for help from others. This lighthearted theme is complemented by the upbeat, and catchy melody. The song begins with some light guitar chords before Myah Marie begins to sing in an enchanting voice. As the song continues into the chorus, there are quick and catchy drums that are added which compliment the upbeat and encouraging lyrics. The highlight of the song is the bridge which consists of the singer repeating “I’ll be there’ll’ be there”. She ends the bridge with a breathtakingly gorgeous belt to emphasize her support. Before the single ends, the chorus is repeated with layered vocals that show the singer's wide range. Overall, this is an unforgettable song that needs to be added to your next playlist. Night Acclaim is a New Jersey-based artist that was surrounded by musicians, growing up. Being around artists and listening to his favorite musicians such as Katy Perry and Betty, he was inspired to work on his passion, and this motivated him to cultivate his craft. Night Acclaim’s pursuit of music led him to release his debut single in December 2021 titled, “A Little Bit” which has garnered over 4,000 streams on Spotify and set the tone for the fun pop songs that the artist will release. Although the songwriter has not released an album he has released multiple singles since his debut, earning him over 13,000 monthly listeners on Spotify. Written By Stephanie Berning FOLLOW NIGHT ACCLAIM:

Elizabeth Winterbourne released her first single of the year on February 24th for all to hear, and it's called “Evergreen ''. With forest imagery, Elizabeth has another dreamy song to take you away and get lost in. This new single follows her debut EP from 2022 and explores themes of nostalgia, triumph, and loss of innocence. Elizabeth is often known for writing emotional music about her own experiences in life, and draws inspiration from the world around her. The cover art of “Evergreen” was taken from one of the artist's favorite spots, Telluride Colorado, a place that reflected these themes and ideas of her new song. As she shares on social media how much this song means to her along with the excitement to share with her listeners, after listening myself I can definitely understand why. When Elizabeth picks up an acoustic guitar it’s mesmerizing and it’s one of the many highlights of “Evergreen”. From beginning to end listeners can hear stunning guitar melodies and riffs from the artist. Her new single opens with a catchy drum melody, that beautiful acoustic guitar, followed by Elizabeth’s sweet vocals. Her voice reminded me of singers like folk pop artist Madison Cunningham and Nashville artist Katie Pruitt. Throughout the track, the stacked amplified vocals that can be heard as the chorus builds was just another thing to like about this track. The tone of the lyrics and message is quite personal, but the authenticity pouring out is enough to leave you hanging on to every word. Not to mention the production and arrangement here works so well together to create this peaceful feeling while listening. The artist's music has often described as “Folky Dream Pop” and it’s an accurate representation here. With her roots in folk and the addition of her new pop sound, "Evergreen" represents the best of the two genres that music lovers will appreciate. Elizabeth Winterbourne is an up and coming pop artist based in New York City. Her songs often explore hard hitting and relatable topics covering life, love, and identity. Elizabeth has been involved with music since she was only 12 years old, and for her, writing music is how she moves through life. She released her first EP, “Christina’s World” in 2022, along with an autumn dream version of her single “Evelina” from the same EP. With only a few releases to her name, the young artist has already made some huge accomplishments to her music career. Having just played New York Fashion Week last month, and recently winning New Jersey Arts Council Battle of the Bands as a solo artist in 2022, I have high expectations for her future with music. Catch Elizabeth on one of her upcoming live performances in March and April around the New York City area. Check out her socials through the links below for upcoming performances and more! Written By Jenna Barton FOLLOW ELIZABETH:

photo credits: Sergy Babcock, Tony Pracek Wanna play a game? We all know monopoly as the dreaded board game that tends to ruin friendships. On this track, it means something a bit different. Jerusha puts a sexy spin on the classic board game in her new song. She uses monopoly as a metaphor to cleverly play with the intimate side of both polyamory and monogamy. Jerusha is the narrator, taking us in pursuit of a partner who seems to be playing hard to get. She uses gameplay references such as "pass Go” to tease this person. They both know where the chase is leading, yet the game continues. The beat is intoxicating. A conglomerate of 808s and blasting Latin horns transform this song into a flirtatious pop track. The beat makes you feel sexy, allowing you to feel the same confidence Jerusha exhibits. The song opens softly, teasing the ear with Jerusha’s softly sung lyrics. Almost as if she is whispering into your ear. The song then explodes into the chorus where we find the Latin influence. Trumpets and trombones bring forward the beat while the drones of 808s and snaps tie the entire instrumental together. Jerusha is playing a cheeky role in this song; her soulful voice is a perfect addition to this masterful instrumental. The lyrics never escape the gameplay metaphor but you never lose sight of what Jerusha means by playing a game of monopoly. Jerusha is already a star. She has appeared on Broadway as well as in the hit show Atlanta with Donald Glover. She is consistently putting out banger after banger. From her first track Aquafina to her most recent she is proving herself to be a force in the industry. Jerusha is making space for herself in the big leagues. Her name would look fantastic in lights for sure. Jerusha has always wanted to perform. Her distinct voice and compelling storytelling abilities give her an edge over the rest. Though she started her music career in 2020 she has been building toward greatness her entire career. Written By Kaiana Lee FOLLOW JERUSHA:

If you’re looking for a danceable track that feels retro but has hints of modernity to be new and fresh, the search has ended. “She Drives Me Crazy” is the latest song by Australian duo, President Street, and is a cover of the original 1989 track by British pop rock band, Fine Young Cannibals, but this new rendition by President Street has a life of its own that steps away from the original. This track is the perfect song to dance to on a Friday night with all your friends around you, or just simply, the perfect song to sing in the shower when you’re thinking about that special someone. No matter the situation, this song will definitely put a smile on your face and send you into a bubbly frenzy. While it still keeps that 80s sound, the song’s use of electronic elements gives it that fresh new sound that transports the original song into the 21st century. The subject matter of the song is simple, but it works. It’s a classic love song, lyrics filled with longing and that youthful drive to be with the person you love. Starting off with the intro of the song, the instrumentals in the start give a dramatic beginning and the use of the main melody on its own really reels the listeners in. During the verses, the singer keeps the listeners in with her sweet, yet passionate voice. It's a passion that keeps the listeners excited. The chorus comes in quickly and loudly, and it creates this fun environment. It’s catchy and the beat is the perfect rhythm to dance to. The production of this song especially shines during the chorus, and it’s what makes this song stand out from the original. The bridge of the track relies more on a guitar and it’s a quick moment where everything becomes quiet, it builds the perfect amount of suspense for the final chorus of the song. “She Drives Me Crazy” is the perfect song to play next time you want to feel happy and bubbly about someone. President Street is a musical duo consisting of Ruby on vocals and electronic drum pad, and Pete on other instruments. Originally from Melbourne, Australia, the duo has gained a lot of popularity in the UK, having three Top 10 Hits on the Official UK Music Week charts. They’ve also been featured on the BBC’s The Beat and Introducing. They had a big year in 2022 as they opened for musician Roachford on his National UK tour. The group is known for their very vibrant sound that mixes instruments and electronic sounds, but they also like to experiment with other genre elements, such as R&B and rock. This is what gives them their nostalgic sound that still feels very fresh and lively. When it comes to what to expect from President Street this year, just know it will be exciting. Written By Chantal Charles FOLLOW PRESIDENT STREET:

“girlfriend” by Luci is a song about wanting a girlfriend (hence the title), but it can be a lot of work to have one. Having that feeling of someone next to you and doing romantic things with them sounds amazing, right? But it can be a lot of responsibility because their feelings are in your hands. We all have that longing for love and sometimes want that perfect relationship, but the possibility of it not working out may make you want to stay single. There’s this back and forth about having that desire to be with someone because it makes you feel good when you're loved by someone. There are pros and cons when it comes to being in a relationship, but also with being single. Luci describes that being alone is okay but also having a relationship is great too. The first lyrics that start the song can be relatable for many people: “I kinda want a girlfriend / But I kinda don’t ” which is the main focus of the song. Luci made great points about wanting a relationship but also not needing it, but she misses the moments of being in one. Her vocals are raw, and the listener can really feel and hear her being indecisive about what she wants. At the end of the song, she says, “ But I kinda want a girlfriend / but then I don’t ” with a chuckle, and it creates a bit of sassiness because it shows that she is still undecided. The instrumental music of this song is minimal which helps us focus on the lyrics, and it’s easy to because her vocals are clear to understand. Luci’s vocals in “girlfriend” are different from her other single “narcissist” which shows that she knows how to control her voice and create a different sound through each individual song of hers. You can tell that in “girlfriend,” her tone of voice has emotion with a mix of seriousness and attitude. Luci is a queer singer/songwriter, producer, and performer based in Los Angeles. She first started off in the music world as an electronic music producer, producing her bass-boosted soundscapes for crowds of people. Luci explored her artistic capabilities and dug into singing and songwriting. She’s now expanding her artistic skills with EDM using them to enter into the pop music world and showcasing her voice. Still preserving her musical past, dance music and alt-pop music have a major influence on her sound. She has over 200K monthly listeners on Spotify who love her diverse variety of music. If you want an artist with a mix of EDM and strong vocals, Luci is your girl! Written By Lyndsey Cheng FOLLOW LUCI: